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Collection Number: 03522

Collection Title: Lamar Stringfield Papers, 1917-1959

This collection has access restrictions. For details, please see the restrictions.

This is a finding aid. It is a description of archival material held in the Wilson Library at the University of North Carolina at Chapel Hill. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the World Wide Web. See the Duplication Policy section for more information.


This collection was rehoused and a summary created with support from the National Endowment for the Humanities; this finding aid was created with support from NC ECHO.

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Size 27.5 feet of linear shelf space (approximately 3300 items)
Abstract Lamar Stringfield (1897-1959) of North Carolina was a composer of symphonic works based on American folklore, Pulitzer Traveling Fellowship winner, conductor, flutist, teacher, and promoter of local and regional musical groups, chiefly in North Carolina. The collection contains the papers of Stringfield including correspondence, mostly 1940-1956, with colleagues and friends, poets, and dramatists with whom he collaborated, publishers, pupils, and civic leaders and patrons of the arts in North Carolina and Tennessee; typed and mimeographed books of plays, historical operas, and other works for which he composed music; scrapbooks; photographs; and miscellaneous writings for articles, speeches, and lyrics. Correspondents include Robert Russell Bennett, William Berney, Percy Goetschius, Edwin Franke Goldman, Morton Gould, Paul E. Green, Thor Johnson, Richard Korn, Ernest La Prade, Geoffrey O'Hara, Winfred Overholser, Jan Peerce, John Powell, Howard Richardson, Arthur Shepherd, and Leopold Stokowski. Topics include the development of American music; the organization of local orchestras, music groups, and concerts; fair compensation to composers for the performance of their works, including his own; flute construction and repair, along with other woodwind instruments; Stringfield's appearance as a guest artist at arts festivals and concerts in North Carolina; the development of state and regional orchestras with government aid during the early 1930s; the performance of Stringfield's works by other conductors; efforts to have certain works performed by other conductors; financial problems; and illnesses and operations. Works represented include Carolina Charcoal, Mountain Song, Mountain Blood, Sodom, Tennessee, Born Climbin', and John Henry.
Creator Stringfield, Lamar.
Curatorial Unit University of North Carolina at Chapel Hill. Library. Southern Historical Collection.
Language English
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Restrictions to Access
This collection contains additional materials that are not available for immediate or same day access. Please contact Research and Instructional Service staff at wilsonlibrary@unc.edu to discuss options for consulting these materials.
Restrictions to Use
No usage restrictions.
Copyright Notice
Copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law.
Preferred Citation
[Identification of item], in the Lamar Stringfield Papers, #3522, Southern Historical Collection, The Wilson Library, University of North Carolina at Chapel Hill.
Acquisitions Information
Purchase 1960; Addition of 1972; Addition of 1973; Addition of 1978.
Additional Descriptive Resources
A copy of the original finding aid for this collection is filed in folder 1a.
Sensitive Materials Statement
Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, the North Carolina Public Records Act (N.C.G.S. § 132 1 et seq.), and Article 7 of the North Carolina State Personnel Act (Privacy of State Employee Personnel Records, N.C.G.S. § 126-22 et seq.). Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the University of North Carolina at Chapel Hill assumes no responsibility.
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Processed by: SHC Staff

Encoded by: Noah Huffman, December 2007

Updated by: Adam Fielding, Kate Stratton, and Jodi Berkowitz, January 2011; Nancy Kaiser, May 2021

This collection was rehoused and a summary created with support from the National Endowment for the Humanities.

This finding aid was created with support from NC ECHO.

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The following terms from Library of Congress Subject Headings suggest topics, persons, geography, etc. interspersed through the entire collection; the terms do not usually represent discrete and easily identifiable portions of the collection--such as folders or items.

Clicking on a subject heading below will take you into the University Library's online catalog.

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expand/collapse Expand/collapse Biographical Information

Lamar Stringfield (1897-1959) of North Carolina was a composer of symphonic works based on American folklore, Pulitzer Traveling Fellowship winner, conductor, flutist, teacher, and promoter of local and regional musical groups, chiefly in North Carolina.

Stringfield studied the flute for a year in Asheville, N.C., and then in New York, where he studied under George Barrere, Percy Goetschius, Franklin Robinson, and George Wedge. He studied composition in Paris, France with Nadia Boulanger in 1928, and conducting with Chalmers Clifton and Henry Hadley. He received the Pulitizer Traveling Fellowship award for From the Southern Mountains in 1928; played and conducted with music ensembles and symphony orchestras in New York until 1930; promoted the organization of the Institute of Folk Music the University of North Carolina in 1930; organized and directed the North Carolina Symphony, 1932-1935; was associate conductor, Radio City Music Hall, 1938-1939; was a lecturer on American folk music at Juilliard Summer School, 1939-1941; taught composition and orchestration at Claremeont College, summer 1942; was musical director of the Knoxville Symphony, 1946-1947; was conductor of the Symphonette of Charlotte, 1948-1949; and was musical director of the Charlotte Symphony Orchestra, 1948-1949.

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The collection contains the papers of Lamar Stingfield (1897-1959) including correspondence, mostly 1940-1956, with colleagues and friends, poets, and dramatists with whom he collaborated, publishers, pupils, and civic leaders and patrons of the arts in North Carolina and Tennessee; typed and mimeographed books of plays, historical operas, and other works for which he composed music; scrapbooks; photographs; and miscellaneous writings for articles, speeches, and lyrics. Correspondents include Robert Russell Bennett, William Berney, Percy Goetschius, Edwin Franke Goldman, Morton Gould, Paul E. Green, Thor Johnson, Richard Korn, Ernest La Prade, Geoffrey O'Hara, Winfred Overholser, Jan Peerce, John Powell, Howard Richardson, Arthur Shepherd, and Leopold Stokowski. Topics include the development of American music; the organization of local orchestras, music groups, and concerts; fair compensation to composers for the performance of their work, including his own; flute construction and repair, along with other woodwind instruments; Stringfield's appearance as a guest artist at arts festivals and concerts in North Carolina; the development of state and regional orchestras with government aid during the early 1930s; the performance of Stringfield's works by other conductors; efforts to have certain works performed by other conductors; financial problems; and illnesses and operations. Works represented include Carolina Charcoal, Mountain Song, Mountain Blood, Sodom, Tennessee, Born Climbin', and John Henry.

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Contents list

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expand/collapse Expand/collapse Series 1. Correspondence, 1921-1959 and undated.

Arrangement: chronological.

The series contains correspondence of Lamar Stringfield, chiefly 1940-1956, with colleagues and friends, poets, and dramatists with whom he collaborated, publishers, pupils, and civic leaders and patrons of the arts in North Carolina and Tennessee. Correspondents include Robert Russell Bennett, William Berney, Percy Goetschius, Edwin Franke Goldman, Morton Gould, Paul E. Green, Thor Johnson, Richard Korn, Ernest La Prade, Geoffrey O'Hara, Winfred Overholser, Jan Peerce, John Powell, Howard Richardson, Arthur Shepherd, and Leopold Stokowski. Topics include the development of American music; the organization of local orchestras, music groups, and concerts; fair compensation to composers for the performance of their works, including his own; flute construction and repair, along with other woodwind instruments; Stringfield's appearance as a guest artist at arts festivals and concerts in North Carolina; the development of state and regional orchestras with goverment aid during the early 1930s; the performance of Stringfield's works by other conductors; efforts to get certain works performed by other conductors; financial problems; and illnesses and operations.

Folder 1a

Original finding aid

Folder 1

1921, 1926-1928

Folder 2

1931-1934

Folder 3

January-February 1935

Folder 4

March 1935-1939

Folder 5-6

Folder 5

Folder 6

1940

Folder 7

1941

Folder 8

January-July 1942

Folder 9

August 1942-December 1943

Folder 10-11

Folder 10

Folder 11

1944

Folder 12-14

Folder 12

Folder 13

Folder 14

1945

Folder 15-16

Folder 15

Folder 16

1946

Folder 17-19

Folder 17

Folder 18

Folder 19

1947

Folder 20a-20c

1948

Folder 21-22

Folder 21

Folder 22

1949

Folder 23-26

Folder 23

Folder 24

Folder 25

Folder 26

1950

Folder 27-35

Folder 27

Folder 28

Folder 29

Folder 30

Folder 31

Folder 32

Folder 33

Folder 34

Folder 35

1951

Folder 36-42

Folder 36

Folder 37

Folder 38

Folder 39

Folder 40

Folder 41

Folder 42

1952

Folder 43-49

Folder 43

Folder 44

Folder 45

Folder 46

Folder 47

Folder 48

Folder 49

1953

Folder 50-53

Folder 50

Folder 51

Folder 52

Folder 53

1954

Folder 54-56

Folder 54

Folder 55

Folder 56

1955

Folder 57-58

Folder 57

Folder 58

1956

Folder 59a

1957

Folder 59b-59d

1958-January 1959

Folder 60

Undated

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expand/collapse Expand/collapse Series 2. Programs, Scripts, and Writings, 1931-1957 and undated.

The series contains programs, scripts, and related materials for Carolina Charcoal, The Mountain Song, Mountain Blood, Sodom, Tennessee, and Born Climbin'; as well as a biography, bibliography, photographs, clippings, programs, and other writings by and related to Lamar Stringfield.

Folder 61

Biography, bibliography, and pictures

Folder 62a

Programs

Duplicates from [programs belonging to Lamar Springfield] in the North Carolina Collection, FFVCB S91s.

Folder 62b

Plans for a Society of American Symphony Orchestras

Folder 62c

Collected programs and bulletins

Folder 62d

Clippings: 1926-1950

Box 24

Carolina Charcoal

Carolina Charcoal: synopsis

Carolina Charcoal: lyrics

Carolina Charcoal: script, 1953

Folder 113

Carolina Charcoal: Back Home

Folder 114

Carolina Charcoal: scripts

Several scripts are annotated.

Folder 115

Carolina Charcoal: addition of 10 February 1973

Folder 63

"The Mountain Song": Stringfield

Folder 64

"Mountain Blood": Stringfield and Compere

Folder 65

"Sodom, Tennessee": Richardson and Berney

Folder 66

"Born Climbin'": Jacob and Stringfield

Folder 67

Miscellaneous writings, circa 1931-1957

Correspondence, articles, and other writings by Stringfield, including material related to a patent on a ruler proposed by Stringfield.

Image Folder PF-3522/1-10

PF-3522/1

PF-3522/2

PF-3522/3

PF-3522/4

PF-3522/5

PF-3522/6

PF-3522/7

PF-3522/8

PF-3522/9

PF-3522/10

Photographs

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expand/collapse Expand/collapse Oversize Papers.

Oversize Paper Folder OPF-3522/1

Oversize papers

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expand/collapse Expand/collapse Addition of 1973, 1927-1958 and undated.

The series includes correspondence, programs, clippings, letters, and postcards from Stringfield to Richard Korn, sheet music, and secretary's notebooks. The correspondence is chiefly between Stringfield and his wife Caroline, along with correspondence between Caroline and her parents T. B and Annie O. Crawford.

Folder 68

Correspondence, 1927

Folder 69

Chronological series: Faison, 1928

Folder 70-71

Folder 70

Folder 71

Correspondence, 1928

Folder 72-74

Folder 72

Folder 73

Folder 74

Correspondence, 1929

Folder 75-80

Folder 75

Folder 76

Folder 77

Folder 78

Folder 79

Folder 80

Correspondence, 1930

Folder 81-84

Folder 81

Folder 82

Folder 83

Folder 84

Correspondence, 1931

Folder 85-86

Folder 85

Folder 86

Correspondence, 1932

Folder 87-89

Folder 87

Folder 88

Folder 89

Correspondence, 1933

Folder 90-91

Folder 90

Folder 91

Correspondence, 1934

Folder 92-93

Folder 92

Folder 93

Correspondence, 1935

Folder 94

Correspondence, 1936

Folder 95

Correspondence, 1937-1938

Folder 96

Correspondence, 1941-1958

Folder 97-100

Folder 97

Folder 98

Folder 99

Folder 100

Correspondence, Undated

Folder 101

Miscellaneous

Programs, insurance books, and one drawing.

Folder 102

Clippings

Folder 103-104

Folder 103

Folder 104

Korn addition, 23 January 1973

Letters and postcards from Stringfield to Richard Korn, along with clippings, leaflets, and letters from other individuals regarding Stringfield's work. Items are dated 1945-1964, with bulk in 1953-1957.

Folder 105

Gift of L. P. Wood, 10 February 1973

Five pieces of sheet music for "When the Little Birds Sing," "The City of My Dreams," "Barbara Allen," "Honk Your Horn," and "Roaming On."

Folder 106-107

Folder 106

Folder 107

Items from the music library, 13 April 1973

Clippings; undated article on "The Legend of John Henry;" article on Society of American Orchestras, 4 June 1940; and correspondence 15 January 1940-16 April 1941.

Folder 108

Postcards: Lamar Stringfield to Richard Korn, 1956

Folder 109

Secretary's notebook and loose notes

Folder 110

Record of wedding gifts

Folder 111-112

Folder 111

Folder 112

Empty envelopes

Mrs. Oates' addition of 9 January 1973. Majority of envelopes are addressed to Lamar Stringfield.

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expand/collapse Expand/collapse Addition of 1978, 1917-1954 and undated.

The series primarily contains scripts, scores and programs of Stringfield along with music by other composers, notebooks, and scrapbooks.

Box 10a

Music units 1-8

Contains About Dixie, After Midnight, An American Humoresque, Asheville Kiwanis March, Bad Blood Blues, Berceuse, Blue Mountain Girl, Born Climbin', and Carolina Charcoal.

Box 10b

Music units 9-16

Contains Dance of the Frogs, A Doll's Lullaby, Echoes from the Mountains, Elegy, The Factory, Fly Low, Vermillion Dragon, From a Negro Boy, and From the Blue Ridge.

Box 11a

Music units 17-25

Contains From the Southern Mountains, Georgia Buck, My Heart is Heavy, If I Had Time, In Lindy's Cabin, Indian Sketches, Introductin and Scherzo, D' Jedg'mint Day, and Lament.

Box 11b

Music units 26-28

Contains The Legend of John Henry, Moods of a Moonshiner, and The Moon.

Box 12a

Music units 29-30

Contains Mountain Sketches and Mountain Dawn.

Box 12b

Music units 31-33

Contains Mountain Echoes, The Mountain Song, and My Lonely Flute.

Box 13a

Music units 34a-34b

Contains A Negro Parade.

Box 13b

Music units 35-37

Contains The Nightingale, The Ole Swimmin' Hole, and On a Moonbeam.

Box 14a

Music units 38-41

Contains Peace, Praying for the Peace, Romance, and The Seventh Queue.

Box 14b

Music units 42a-42b

Contains Shout Freedom.

Box 15a

Music units 43-52

Contains Blue Mountain Girl, Sodom, Tennessee, Squaw Dance, Tango, The Three Ravens, Thunderland Music, To a Star, Tonight, Travel, Virginia Dare Dance, and Xmas 1948.

Box 15b

Music units 53-55

Contains music by other composers, notebooks, and other materials.

Box 16a

Music units 56-62

Contains Aeolik Fragment, After Midnight, Blue Mountain Girl, Carolina Charcaol, From a Negro Melody, Georgia Buck, Hark the Sound, and Honk Yore Horn.

Box 16b

Music units 63a-63b

Contains Indian Sketches.

Box 17a

Music units 64-65f

Contains The Lost Colony and Moods of a Moonshiner

Box 17b

Music units 65g-68

Contains Mountain Sketches, The Mountain Song, and Peace.

Box 18a

Music units 69-73

Contains The Seventh Queue, Shout Freedom, Shroud my Body Down, Thunderland Music, and To a Star.

Box 18b

Music units 74-77

Contains Tread the Green Grass, Prayer, music by other composers, and other materials.

Box 19

Born Climbin'

Carolina Charcoal

Box 20

John Henry

Thunderland

Finger

Frolic

Box 21

Volume 1: Scrapbook, 1917, 1923-1929

Volume 2: Scrapbook, 1919-1928

Volume 3: Scrapbook, 1920, 1927, 1930, 1934-1935, 1939-1945

Volume 4: Scrapbook, 1927-1929

Volume 5: Scrapbook, 1930-1939, 1941

Volume 6: Scrapbook, 1931-1935

Volume 7: Scrapbook, 1931-1934

Volume 8: Scrapbook, 1931-1934

Volume 9: Scrapbook, 1932, 1934, 1936, 1939

Box 22

Volume 10: Scrapbook, 1932-1935

Volume 11: Scrapbook, 1932, 1935

Volume 12: Scrapbook, 1935

Volume 13: Scrapbook, 1935, Miami Symphony

Volume 14: Scrapbook, 1941

Volume 15: Scrapbook, 1942, 1947

Volume 16: Scrapbook, 1947-1948, Charlotte Symphony

Volume 17: Scrapbook, 1948, 1952

Volume 18: Scrapbook, 1949, Charlotte Symphony

Volume 19: Scrapbook, 1950-1951

Box 23

Volume 20: Scrapbook, 1951

Volume 21: Scrapbook, 1954

Volumes 22-23: Programs, 1925-1934

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