This is a finding aid. It is a description of archival material held in the Wilson Library at the University of North Carolina at Chapel Hill. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the World Wide Web. See the Duplication Policy section for more information.
Processed under a grant from the National Endowment for the Humanities, 1990-1992.
Size | 7.5 feet of linear shelf space (approximately 4200 items) |
Abstract | Amon George Liner, Jr. (1940-1976), North Carolina poet. Chiefly writings and notes of North Carolina poet Amon George Liner, Jr. Materials include drafts of published works as well as an extensive set of notebooks containing unpublished poetry, prose, and dramatic works, and notes made in drama and writing courses at the University of North Carolina at Chapel Hill, 1960s, and the University of North Carolina at Greensboro, 1970s. Also included is a small amount of correspondence, chiefly with poet and journalist, Virginia Long Rudder (1941- ). |
Creator | Liner, Amon. |
Curatorial Unit | University of North Carolina at Chapel Hill. Library. Southern Historical Collection. |
Language | English |
Processed by: L. Eileen Parris, December 1992; Roslyn Holdzkom, November 1989
Encoded by: ByteManagers Inc., 2008
Processed under a grant from the National Endowment for the Humanities, 1990-1992.
Back to TopThe following terms from Library of Congress Subject Headings suggest topics, persons, geography, etc. interspersed through the entire collection; the terms do not usually represent discrete and easily identifiable portions of the collection--such as folders or items.
Clicking on a subject heading below will take you into the University Library's online catalog.
Amon George Liner, Jr., was born in Charlotte, North Carolina, in 1940. Although a congenital heart defect severely limited his physical activities, Liner was active in the intellectual sphere, enjoying moderate popularity among young North Carolina poets in the 1970s.
Except for his undergraduate years at Kenyon College in Ohio (B.A. English, 1963), Liner lived his whole life in central North Carolina. He attended Catawba College, Salisbury, N.C., from 1958 through the fall of 1960, finishing his undergraduate education at Kenyon College, 1961-1963, with a Bachelor's degree in English. His graduate education included an M.A. in Dramatic Arts from the University of North Carolina at Chapel Hill, 1965 and an M.F.A. in Creative Writing from the University of North Carolina at Greensboro, 1976. While Liner supported himself by working as a cataloger at the University of North Carolina at Chapel Hill library from 1968 to 1974, he kept active in the North Carolina literary scene by serving as poetry editor for the Red Clay Reader and writing book reviews for the Charlotte Observer.
Liner was a prolific writer of verse, and his poetry appeared in many literary journals. His first major work was Marstower (Red Clay Press, 1972). His second book, Chrome Glass (Carolina Wren Press, 1976), was in publication at the time of his sudden death in July 1976. Rose, A Color of Darkness (Carolina Wren Press, 1980) and the two-volume The Far Journey and Final End of Dr. Faustwitz, Spaceman (Carolina Wren Press, 1983, 1988) appeared posthumously. Chrome Glass and Dr. Faustwitz are written in "four-ply form," a verse form of Liner's own creation wherein "each ply carries part or an aspect of the total theme [of the poem]. Facing pages (each four plies), or columns are meant to be seen as whole single pages." (Judy Hogan in her introductory remarks to Dr. Faustwitz).
Back to TopThe collection is divided into three series: writings, college and graduate school materials, and correspondence and other papers. The writings series includes collected and loose poetry and poetry notebooks; plays; and short stories and fiction notebooks. The college materials include class notes, exams, and term papers and projects from Liner's studies at Catawba College, Kenyon College, The University of North Carolina at Chapel Hill, and The University of North Carolina at Greensboro. Correspondence and other papers consists primarily of letters to Liner from friend and fellow poet Virginia Long Rudder; issues of underground literary magazines; and clippings of interest to Liner or about his work.
Back to TopArrangement: By type, then chronological or alphabetical by title, where appropriate.
Liner was a prolific writer of poetry, plays, and short stories. Three themes are common to all genres: the Nazi death camps of World War II, especially Auschwitz; the post-Nuclear Holocaust; and the future systematic destruction of the human race.
Arrangement: By format.
Liner's first love was poetry. He kept extensive chronological notebooks containing drafts, revisions, and notes showing the evolution of many of his poems. Subseries 1.1.1 contains "Named collections," most likely meant for publication as a unit ( Marstower, Chrome Grass, Rose, A Color of Darkness, and Dr. Faustwitz were published in this way). Subseries 1.1.2 contains his roughly chronological poetry notebooks. The last volume ends in July 1976, with his death. Subseries 1.1.3 contains loose poems arranged alphabetically by title. Many of these poems are included in the named collections and are reflected in the poetry notebooks. Subseries 1.1.4 consists of fragments and notes, especially "catalog card poems" typed on the back of discarded library catalog cards.
Arrangement: Alphabetical by title.
Arrangement: Chronological.
Folder 21 |
Series 1, 1957-1958 |
Folder 22 |
Series 2, October 1958-March 1962 |
Folder 23 |
Series 3, Haiku |
Folder 24 |
Series 4, 13 April-15 September 1962 |
Folder 25 |
Series 5, 27 July-29 December 1962 |
Folder 26 |
Series 6, 6 September 1962-11 September 1963 |
Folder 27 |
Series 7, 11 September 1963-27 August 1964 |
Folder 28 |
Series 8, 28 August 1964-1 September 1965 |
Folder 29-32
Folder 29Folder 30Folder 31Folder 32 |
Series 11, 8 September 1965-24 January 1968 |
Folder 33-34
Folder 33Folder 34 |
Series 12, 9 February 1968-10 July 1969 |
Folder 35-37
Folder 35Folder 36Folder 37 |
"Current series," 31 July 1969-1 August 1970 |
Folder 38-39
Folder 38Folder 39 |
"Current series," 5 August 1970-21 September 1971 |
Folder 40-41
Folder 40Folder 41 |
"Current series," 22 September 1971-16 August 1974 |
Folder 42-43
Folder 42Folder 43 |
"Current series," 12 August 1974-[July 1976] |
Arrangement: Alphabetical by title.
Folder 44 |
"A" |
Folder 45 |
"B" |
Folder 46 |
"C" |
Folder 47 |
"D" |
Folder 48 |
"E" |
Folder 49 |
"F" |
Folder 50 |
"G" |
Folder 51 |
"H" |
Folder 52 |
"I-J" |
Folder 53 |
"L" |
Folder 54 |
"M" |
Folder 55 |
"N" |
Folder 56 |
"O" |
Folder 57 |
"P" |
Folder 58 |
"Q-R" |
Folder 59 |
"S" |
Folder 60 |
"T" |
Folder 61 |
"U-V" |
Folder 62 |
"W" |
Folder 63 |
"X-Y-Z" |
Folder 64 |
Fragments, notes, etc. |
Arrangement: Alphabetical by title.
Many of Liner's plays began as class projects during his time at the University of North Carolina at Chapel Hill. [See also "Molly," his final project for his M.A. in Dramatic Arts, Series 2.3.] As with his poetry, the themes of genocide and post-Nuclear holocaust predominate.
Folder 65 |
Back from the War |
Folder 66 |
The Blind One |
Folder 67 |
The Blind One (10th revision) |
Folder 68 |
A Bomb has Fallen |
Folder 69 |
The Coming of the Messiah |
Folder 70 |
Farce by Threes |
Folder 71 |
[Farce by Threes], or Buffoon Baby |
Folder 72 |
[Farce by Threes], or Blood Sister |
Folder 73-74
Folder 73Folder 74 |
The Genocide of Peter Pan |
Folder 75 |
The Hero, or Zero Times Two is Zero, Too |
Folder 76 |
The Joke's on Job, or Destruction of the Universe |
Folder 77 |
Malcontent's Revenge |
Folder 78-79
Folder 78Folder 79 |
Mirror, Mirror |
Folder 80 |
Moloch |
Folder 81 |
Morphous, Amorphous I |
Folder 82 |
Noah (Draft 1) |
Folder 83 |
Noah (Draft 2) |
Folder 84 |
The Old Folks at Home |
Folder 85 |
Pattern in Yellow |
Folder 86 |
Play for No Audience |
Folder 87 |
Weight of the Body |
Arrangement: Alphabetical by title. General notebooks appear at the end.
Some of Liner's short stories are written almost as epic poems. The themes of genocide, the Nazi Holocaust, and the future destruction of the human race are evident.
Folder 88 |
Best of All Possible Worlds |
Folder 89 |
Course of Development |
Folder 90 |
Course That Satisfied |
Folder 91 |
The Medal |
Folder 92 |
One Unity for All |
Folder 93 |
Operation "True-Human" |
Folder 94 |
The Way, the Truth, the Life |
Folder 95 |
Fiction and essay notebook #1 |
Folder 96 |
Prose notebook #2 |
Arrangement: By type.
A miscellaneous assortment of book reviews by Amon Liner; meticulous publishing records showing works sent out, to whom they were sent, and the final outcome; and his reading lists.
Folder 97 |
Book reviews |
Folder 98 |
Publishing records |
Folder 99 |
Reading lists |
Arrangement: Grouped by institution, then by course identification number, where known.
Class notes, exams, term papers and projects documenting Liner's literary development during his years at Catawba College, Salisbury, N.C., 1958-1960; Kenyon College in Ohio, 1961-1963; the University of North Carolina at Chapel Hill, 1963-1965; and the University of North Carolina at Greensboro, 1974-1976. The development of several of his key recurring themes, especially a continuing interest in the Nazi death camps of World War II, can be traced through his study and outside reading. However, contrasting to this are the more routine classes he took in Chaucer, Shakespeare, Modern Drama, etc. While this body of work is impressive, it cannot be all that was produced during his attendance at four colleges. It is likely that these notes were saved to be reference sources for future writing projects.
Amon Liner attended Catawba College from the fall of 1958 until approximately December 1960. While no reference is made in this collection to the reason for his departure, correspondence from him in the Virginia Long Rudder Papers (#4164) indicates that he was dismissed from the College for some infraction of the rules.
Folder 100 |
Living Theatre Notebook #1 |
Folder 101a |
Living Theatre Notebook #1, cont. |
Folder 101b |
Living Theatre Notebook #2 |
Folder 102 |
Miscellaneous terms papers and syllabi |
After his departure from Catawba, Liner attended Kenyon College, fall 1961-spring 1963, graduating with a B.A. in English.
Folder 103 |
English 23-24: Chaucer (Fall 1962-Spring 1963) |
Folder 104 |
English 23-24: Chaucer, cont. |
Folder 105 |
English 25-26: Shakespeare (Fall 1961-Spring 1962) |
Folder 106 |
English 44: Modern Poetry (Fall 1861-Spring 1962) |
Folder 107 |
English 45-46: American Literature (Fall 1962-Spring 1963) |
Folder 108 |
English 100: (Fall 1962-Spring 1963) |
Folder 109 |
English [?]: Modern European Literature (Fall 1961-Spring 1962) |
Folder 110 |
Philosophy 1-2: (Fall 1962-Spring 1963) |
Folder 111 |
Political Science 1-2 (Fall 1961-Spring 1962) |
Folder 112 |
[Notes on stagecraft, circa 1961-1963] |
Liner attended Chapel Hill from the fall of 1963 through the spring of 1965, graduating with a M.A. in Dramatic Arts. His final project was a play entitled "Molly," set in a futuristic society where a father and son independently plot to the kill the main character.
Folder 113 |
Comparative Literature 137: German Literature (Fall 1963) |
Folder 114 |
Dramatic Arts 162: Modern Continental Drama (Fall 1963-Spring 1964) |
Folder 115 |
Dramatic Arts 295: (Fall 1963-Spring 1964) |
Folder 116 |
Dramatic Arts 395: Seminar in Modern Drama (Fall 1963-Spring 1964) |
Folder 117 |
Dramatic Arts [?]: Directing (Summer 1964) |
Folder 118 |
English 140 (Summer 1964) |
Folder 119 |
English 203: Playwriting |
Folder 120 |
English 261: Jacobean and Caroline Drama |
Folder 121 |
"Molly" (Final draft) |
Folder 122 |
"Molly" (Sixth draft) |
Folder 123 |
"Molly" (Fifth draft) |
Folder 124 |
"Molly" (Third draft) |
Folder 125 |
"Molly" (Notes) |
Liner attended the University of North Carolina at Greensboro from 1974 to 1975, receiving his Master's of Fine Arts in Creative Writing in May 1976.
Included are term papers that could not be assigned to particular courses of study.
Folder 131 |
Miscellaneous school-related materials |
Included in this series are letter to Liner from fellow poet Virginia Long Rudder of Hurdle Mills, N.C.; form letter responses from U.S. congressmen to Liner's inquiries about the ABM program, 1969; miscellaneous underground publications with which Liner was connected; and a few clippings about him and his work.
Arrangement: Chronological.
Virginia Long Rudder attended Catawba College with Amon Liner until his departure in the fall of 1960. She went on to a career as a journalist and poet. Her extensive correspondence documents her tumultuous personal life, including stays in mental health facilities, legal difficulties relating to her marriages, and her writing. Many of the letters are extremely revealing and make frequent references to Liner's recurring bouts of depression. To be truly useful, they should be read in conjunction with Amon Liner's letters to in the Virginia Rudder Long Papers (#4164).
Folder 132 |
1966-1973 |
Folder 133 |
1974 |
Folder 134 |
1975 |
Folder 135 |
1976 |
Folder 136 |
Undated, and loose poems |
Folder 137 |
Clippings, undated enclosures, etc. |
Arrangement: Grouped roughly by type.
Included is correspondence concerning the ABM program, 1969; issues of underground literary magazines; and miscellaneous clippings on Liner and his work. The magazines include "Chaos," apparently a Catawba College publication; "My Word," which originated at Myers Park High School, Charlotte, N.C.; and "Hemlock," a production of the Department of Philosophy, University of North Carolina at Chapel Hill.
Folder 138 |
Correspondence re: Anti-Ballistic Missile Program, 1969 |
Folder 139 |
"Chaos," Nos. 1-5 |
Folder 140 |
"My Word" |
Folder 141 |
"Hemlock" |
Folder 142 |
Clippings, etc. |