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This collection has access restrictions. For details, please see the restrictions.
This collection has use restrictions. For details, please see the restrictions.
This is a finding aid. It is a description of archival material held in the Wilson Library at the University of North Carolina at Chapel Hill. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the World Wide Web. See the Duplication Policy section for more information.
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Collection Overview
| Size | 64.0 feet of linear shelf space (approximately 32,800 items) |
| Abstract | George C. Stoney (1916-2012), a white documentary filmmaker, specialized in socially relevant films. He mentored and taught generations of filmmakers and media activists worldwide and was a pioneer in the movement for the creation and use of public access television to enact social change. The collection consists of papers chiefly relating to George C. Stoney's professional work as a documentary filmmaker, teacher, and early advocate of public access television. Correspondence with colleagues, friends, his wife, and a long-time companion all blend description of personal and working life. Also of note are love letters and Stoney's accounts of his experiences as a photo intelligence officer with the 8th United States Army Air Forces. Subject files comprise the bulk of the collection and include materials relating to films Stoney wrote, directed, and/or produced for the Southern Educational Film Production Service and George C. Stoney Associates. Topics include sexually transmitted disease; outreach programs of the Methodist Church; cardiovascular healthcare; education; community mental health; race relations in the South; police training; old age and retirement; midwifery; urban redevelopment; and other social issues. Some of Stoney's early work as a journalist and social researcher is also documented in essays, a report on race relations in Mississippi, and materials relating to his work for the Farm Security Administration. Subject files also document classes and workshops Stoney taught. Additionally, there are film treatments and research materials for prospective projects and printed and other material relating to the documentary film and cable television industries. Loose papers, 1980-1990s, consist of memobooks that likely relate to Stoney's filmmaking, and clippings, reports, readings, conference advertisements, miscellaneous printed materials, handwritten notes, and writings by others. Photographs depict the documentary filmmaking process for several of Stoney's films, public access projects and the Alternate Media Center, the work of Farm Security Administration photographers in the South in the early 1940s, and Stoney's family life. The audiovisual materials consist of films, tapes, and sound reels from various Stoney productions, 1950s-2000s. |
| Creator | Stoney, George C. |
| Language | English |
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Information For Users
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Subject Headings
The following terms from Library of Congress Subject Headings suggest topics, persons, geography, etc. interspersed through the entire collection; the terms do not usually represent discrete and easily identifiable portions of the collection--such as folders or items.
Clicking on a subject heading below will take you into the University Library's online catalog.
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Biographical Information
George Cashel Stoney was born in Winston-Salem, N.C., in 1916. He studied journalism at the University of North Carolina, Chapel Hill, and while still a student, wrote feature articles for the Raleigh News and Observer and the Greensboro Daily News. Upon graduation in 1937, Stoney set out traveling across the South and wrote a daily column for the News and Observer in which he recorded his observations of the region as it faced fundamental social change. He moved to New York, N.Y., in 1938, where he freelanced as a writer on the South, pursued graduate studies in social research methods at the Henry Street Settlement and at the New School for Social Research, and was associate editor of Survey Graphic magazine. In 1940, he went to work for Ralph Bunche as a field research assistant in the South on Gunnar Myrdal's study of American race relations ( An American Dilemma: The Negro Problem and Modern Democracy ). Stoney next worked as a publicist for the Farm Security Administration (FSA), trying to raise middle class support for sharecropper and tenant farmer programs in Alabama, Georgia, Florida, and South Carolina. Stoney's interest in photography began during this time period when he toured FSA photographers around the South.
During World War II, Stoney served as a photo intelligence officer for the 8th United States Army Air Forces in England, France, Belgium, and Germany. He met his future wife, Mary Newcomb Bruce (1926-2004), while stationed in England. In 1946, he joined the Southern Educational Film Production Service at the University of Georgia as writer of educational films for federal and state agricultural, educational, and public health agencies. The first film he wrote, directed, and produced was Palmour Street, about an African American family in Gainesville, Ga. Then in 1950, he moved to Washington, D.C., to make films for the Association of Medical Colleges. He also started with Nicholas Read a production company, Potomac Film Producers, that specialized in socially relevant films for government agencies, non-profit organizations, and corporate sponsors. In 1957, Stoney started his own production company, George C. Stoney Associates Inc. in New York, N.Y. Stoney's films were characterized by social interpretation and addressed such issues as disease and health care, mental health, race relations, education, farming, retirement, and urbanism. One of his earliest and most important films is the award-winning All My Babies (1953), produced for the Georgia Department of Health.
Through the next two decades, Stoney pioneered the field of socially relevant documentary filmmaking while teaching and training the next generation of filmmakers at the University of Southern California, the City College of New York, Columbia University, Stanford University, the International Honors Program, and at other leading American universities with film study programs. From 1968 to 1970, Stoney served as executive producer for the Challenge for Change project, a socially active documentary production wing of the National Film Board of Canada, that encouraged ordinary people to use media as a means to improve the quality of their lives. Stoney returned to the United States in 1970 to head up the undergraduate film department at New York University and to continue to produce his own films and videos.
George Stoney also is considered the father of public access television. Building on his work at the National Film Board of Canada, Stoney advocated the use of cable television channels by the public to enact social change. In 1972, he co-founded the Alternate Media Center, which trained citizens in the uses of video technology for use on public access television. In 1976, he was a founding member of the National Federation of Local Cable Programmers (now called the Alliance for Community Media) as an advocacy and support group for the cable movement.
Over the course of his career, Stoney wrote, directed, and produced over 50 documentaries and television series, including The Invader (1954), The Cry for Help (1962), How the Myth Was Made (1978), The Weavers: Wasn't that a Time (1982), Southern Voices (1985), Images of The Great Depression (1990), and The Uprising of '34 (1995). He has been a mentor and teacher to generations of filmmakers worldwide. George C. Stoney died in 2012.
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Scope and Content
The collection consists of papers chiefly relating to the professional work of George C. Stoney, a white documentary filmmaker, teacher, and early advocate of public access television. Correspondence, 1944-1993 (bulk 1960-1990), is chiefly work-related in content, though many of Stoney's correspondents were long-time friends and colleagues and wrote personally as well. Letters, 1944-1945, from Stoney to his future wife, Mary Bruce (1926-2004), are chiefly personal in nature and include love letters, but also, to a lesser extent, describe Stoney's experiences as a photo intelligence officer with the 8th United States Army Air Forces in England, France, Belgium, and Germany. Correspondence between Stoney and his long-time companion Betty Puleston (d. 2009), 1967-1968, also blend description of personal and working life.
Subject files comprise the bulk of the collection and include materials relating to films Stoney wrote, directed, and/or produced for the Southern Educational Film Production Service and George C. Stoney Associates. Topics include sexually transmitted disease; outreach programs of the Methodist Church; cardiovascular healthcare; education; community mental health; race relations in the South; police training; old age and retirement; midwifery; urban redevelopment in New York, N.Y., Philadelphia, Pa., Pittsburgh, Pa., and Washington, D.C.; and other social issues. Some of Stoney's early work as a journalist and social researcher is also documented in essays submitted to Survey Graphic, a background report on race relations in Mississippi for Gunnar Myrdal's An American Dilemma: The Negro Problem and Modern Democracy , and materials relating to his work for the Farm Security Administration.
Subject files also document classes and workshops Stoney taught, especially at New York University Tisch School of the Arts, Stanford University, and Columbia University, and his involvement with the growth of public access and local cable television, the Challenge for Change project of the National Film Board of Canada, the Alternate Media Center, and the National Federation of Local Cable Programmers. Additionally, there are film treatments and research materials for prospective projects and printed and other material relating to the documentary film and cable television industries.
Loose papers, 1980-1990s, consist of memobooks that likely relate to Stoney's filmmaking, and clippings, reports, readings, conference advertisements, miscellaneous printed materials, handwritten notes, and writings by others that are not clearly connected to his film projects or cable and public access advocacy work. Photographs depict the documentary filmmaking process for several of Stoney's films, public access projects and the Alternate Media Center, the work of Farm Security Administration photographers in the South in the early 1940s, and Stoney's family life.
Because there is considerable overlap in subjects, especially between Series 1. Correspondence and Series 2. Subject Files, researchers should be sure to check both series for materials of interest.
The final prints of many of Stoney's films, as well as production materials and use copies are all found in Series 5. Audiovisual materials. Additionally, the collection includes coverage of a lecture that Stoney gave in October 2009 at UNC Chapel Hill.
The addition of August 2015 consists of scattered papers, photographs, and videotapes related to Stoney and his various film productions. Papers consist mostly of photocopied letters from Stoney to his father and to his future wife, Mary Bruce (1926-2004). Other paper materials include papers found with the videotapes in the series; clippings; materials relating to 1989 Perugia student works festival in Perugia, Italy; letters and materials on Stoney's family tree; materials relating to memorials for Stoney; an oral history transcript; and printed publications that reference Stoney. Photographs consist of original prints and negatives and copy prints depicting Stoney, his family, and film productions. Videotapes consist mostly of materials related to film productions by Stoney, including All My Babies, Shepherd of the Night Flock, and others. Other videotapes include clips or footage of Stoney; materials related to the work-in-progress, Finding Freire; and original footage related to the Krahos of Brazil, including recordings with Chief Po-Hi.
The addition of January 2020 consists of the full transcript (about 80 pages) of an interview with George Stoney by Pauline Spiegel, who was Stoney's student at New York University in 1978. Portions of the interview were published in The Anthropology of Visual Communication Newsletter, Vol. 7 No.3, Spring-Fall, 1979. Also included is Spiegel's copy of Stoney's Documentary Film course syllabus, and her own film diary kept during the class, which contains Stoney's handwritten comments.
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Series Quick Links
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Series 1. Correspondence Files, 1957-1993 and undated.
Arrangement: chronological list followed by alphabetical list.
Correspondence, 1944-1993 (bulk 1957-1968), is chiefly related to Stoney's work as a documentary filmmaker and teacher. Many of Stoney's correspondents were long-time friends and colleagues who wrote personally as well. Letters, 1944-1945, from Stoney to his future wife, Mary Bruce (1926-2004), are chiefly personal in nature, but also, to a lesser extent, describe Stoney's experiences as a photo intelligence officer with the 8th United States Air Force in England, France, Belgium, and Germany, with some commentary about the people and war-time conditions in these places and his growing interest in documentary film. There are a few letters from Neal Bruce to his sister, Mary Bruce, and from Mary to her mother. Correspondence between Stoney and his long-time companion Betty Puleston (d. 2009), 1967-1968, also blend description of personal and working life.
Note that correspondence related to Stoney's documentary films may be found here, as well as in Series 2. Subject Files.
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Subseries 1A. Letter (Addition of 2014)
Acquisitions Information: Accession 102142
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Series 2. Subject Files, 1940-2009.
This collection contains materials which are closed. Student records in the Class and Teaching Materials (folders 364, 366, 367, 369, 371, 372, 377, 378, 384, 386, 390, 391, 392, 400, 403, 405, and 407), New York University (folder 734), and Stanford University (folders 1009 and 1011) in Series 2 are CLOSED to researchers until 75 years after the date of the item. The juvenile crime case files created by COMP (folder 416) in Series 2 are CLOSED to researchers until 2037. Psychiatric patient evaluations (folder 1036) in Series 2 are CLOSED until 2029. Prior to these dates, researchers may gain access to redacted versions of the closed documents. The redaction process will remove personally identifying information, and the costs associated with redaction will be paid by the requesting researcher. Please be advised that the redaction process can be lengthy, and depending on the volume and complexity of the documents, redaction may take a few weeks or even a few months to complete. Should you require access to these documents, please contact Research and Instructional Services staff as early in your research process as possible.
Access to audio materials may require production of listening copies..
Processing Information: Note that original file folder titles have been retained, but frequently annotated by the archivist for clarity. Material related to a film originally may have been filed under its final title, a working title, a portion of its final or working title, or a related subject. Where possible, the final film title has been added to the various related file names and related subject material has been brought together. Likewise, materials relating to cable television and the public access movement have been brought together under the heading Cable/Public Access; however, additional materials likely may be found throughout this series.
Subject files comprise the bulk of the collection and include materials relating to films Stoney wrote, directed, and/or produced for the Southern Educational Film Production Service and George C. Stoney Associates. Topics include sexually transmitted disease; outreach programs of the Methodist Church; cardiovascular healthcare; education; community mental health; race relations in the South; police training; old age and retirement; urban redevelopment in New York, N.Y., Philadelphia, Pa., Pittsburgh, Pa., and Washington, D.C.; and other social issues. Some of Stoney's early work as a journalist and social researcher is also documented in essays submitted to Survey Graphic, a background report on race relations in Mississippi for Gunnar Myrdal's An American Dilemma: The Negro Problem and Modern Democracy , and materials relating to his work for the Farm Security Administration.
Subject files also document classes and workshops Stoney taught, especially at New York University Tisch School of the Arts, Stanford University, and Columbia University, and his involvement with the growth of public access and local cable television, the Challenge for Change project of the National Film Board of Canada, the Alternate Media Center, and the National Federation of Local Cable Programmers. Additionally, there are film treatments and research materials for prospective projects and printed and other material relating to the documentary film and cable television industries.
SEE ALSO Series 1. Correspondence and Series 4. Photographs for additional materials related to Stoney's documentary films.
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Series 3. Loose Papers, 1950s-1990s and Undated.
Arrangement: chronological.
Loose papers, 1950s-1990s, are chiefly clippings, reports, readings, conference advertisements, miscellaneous printed materials (oversized are filed in OPF-4970/1), handwritten notes, and miscellaneous writings by others that are not clearly connected to George Stoney's film projects and cable and public access advocacy work. Memobooks are likely related to film projects.
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Series 4. Photographs, 1940s-1970s.
Arrangement: alphabetical.
Photographs depict the documentary filmmaking process for several of George Stoney's films, public access projects and the Alternate Media Center, the work of Farm Security Administration and Soil Conservation Service photographers in the South in the early 1940s, and Stoney's family life.
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Series 4A. Photographs, circa 1900-2011 and undated (Addition of August 2015).
Acquisitions Information: Accession 103005
Processing Information: Titles for photographic materials compiled from original enclosures.
Photographs depicting scenes related to films George Stoney was involved with production of, images of George Stoney throughout his life, and also includes images depicting Stoney family members.
| Image Box IB-4970/10 |
Photographs, circa 1900-2011 #04970, Series: "4A. Photographs, circa 1900-2011 and undated (Addition of August 2015)." IB-4970/10Black-and-White and Color Photographic Prints, Black-and-White Photographic Negatives A majority of the photographs are associated with the films of George Stoney. Films include:
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Series 5. Audiovisual Materials, 1940s-1990s.
Arrangement: by production and then format.
Processing informtation: Descriptions are taken directly from original containers. Please note audiotapes T-4970/1-3 are found with related manuscript and photographic materials. T-4970/1 is found in Series 4. Photographs, while audiotapes T-4970/2-3 are found in Series 2. Subject Files.
Audiovisual materials depict the documentary filmmaking process for several of George Stoney's films, public access projects and the Alternate Media Center, the work of Farm Security Administration and Soil Conservation Service photographers in the South in the early 1940s, and Stoney's family life.
This collection consists of films, videotapes, cassettes, 1/2-inch open reel, 1/4-inch open reel-to-reel from the George Stoney Associate's Productions as well as from George Stoney's personal collection. The items chiefly consist George Stoney's documentary films, How the Myth was Made and The Shepherd of the Night Flock . The rest of the collection consists of various productions, including Painting from Nature, In China, Family Planning is NO Private Matter , and Weavers Wasn't That a Time .
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Subseries 5.1. How the Myth Was Made, 1978.
Arrangement: by format.
Materials include films, 1/4-inch reel-to-reel audiotapes, videotapes, and cassettes all pertaining to How the Myth was Made.
| Film F-4970/1 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/1Wildsong Bill Bonyen Singing Golden Thread P0000-D0245 Mag only. Roll #1 Sync AA0000 -AA11002, CTI Sync Dialogue and street interior [?] As well as sync scenes of Paradise/ Sync[?] Effex. |
| Film F-4970/2 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/2Stoney. GenTV#115.StudioCopy. Pic+Sound. |
| Film F-4970/3 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/3Wild Sounds//Fx of Ocean, waves, stors, etc. (see list) //D0000-D2124//Myth/ARAN. |
| Film F-4970/4 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/4Cliffs and Land Shots, including Aerials. ST 1040. INSPECTED; Viewing Copy available. |
| Film F-4970/5 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/5How the Myth Was Made ST1234 A; Reel description: Part 2, Reel A, A-1. |
| Film F-4970/6 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/6How the Myth Was Made ST1234 B. Reel description: Part 2, Reel B, A-2. |
| Film F-4970/7 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/7Michael King: Blacksmithing, int. with Peter LL0009-LL; Reel description: G. Stoney Assoc. Michael King. Sync Pix. G. Stoney Assoc. Michael King. Sync Pix. |
| Film F-4970/8 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/8B+W Recreation: CELLI On the Slip B1566-B. Reel description: G. Stoney Assoc. Myth/Aran// Celli on the Slip B+W//MOS//Head. |
| Film F-4970/9 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/9Interview: Arthur Calder- Marshal MM0007-MM0677 First Outs. |
| Film F-4970/10 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/10Peter: (1) Song+ Translation, (2) Woman with Seaweed (1) WW1403-WW1877, (2) WW 1878- WW 1978. |
| Film F-4970/11 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/11Interview: Sir Micahel Balcon SS0008-SS. |
| Film F-4970/12 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/12Coley Hernon GG0008-GG1058 (use #s in perfs on mag). |
| Film F-4970/13 |
How the Myth was Made, 1978, pix #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/13KATE: MAKING BREAD, FLAHERTY STORIES, GG1078-GG. Multiple reels; Reel description: Seaweed Donkey Hoofs, Horn calls Seagulls [?] Water capp Water lapping against boot Sea Sounds Sea ambianace. |
| Film F-4970/14 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/14Kate+Peter: Home, Chickens, Worm HH0009-HH; Reel description: G. Stoney Assoc. How the Myth Was Made. Kate+Peter Sync Pix. |
| Film F-4970/15 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/15ASH WEDNESDAY and FUNERAL, K:0000-Wild Sound (includes FR. MOHRN's Funeral Readin-) MOS- J:0000 / Ash Wednesday and Funeral MOS, Wild Sound, including Father Mohrn's reading. Reel description: Stoney Assoc.// Myth/ARAN//Church: Ash Wed. + Funeral//Code J:0000//Head G. Stoney Assoc//Code K:0000//Church: Ash Wednesday and Funeral // Wild Trk.//HD. |
| Film F-4970/16 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/16Materials From BIN- ARAN Project, Loading Ran. |
| Film F-4970/17 |
How the Myth was Made, 1978, pix #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/17B+W Recreation: Cattle Drive #2 C1333. |
| Film F-4970/18 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/18Interview: John Monck (Goldman) BG- First Outs, Reel #3. |
| Film F-4970/19 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/19Walter Lassaly Interview Pix+Track. |
| Film F-4970/20 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/20B+W Recreation: Seaweed Gathering, B0009- B0627, B+W Recreation: Stealing Sand, B0668- B1522. |
| Film F-4970/21 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/21Assembly outs, Harry+Maggie- 'CC' Mary Gill Conneel X PIE, Harry+ George Argument 'DD' Sir Michael Balcon 'SS' PJ Mullen 'UU' MOS EG 22; Multiple reels. Reel description: UU PJ Mullen PIX HD, Assembly Outs UU PJ Mullen, 'AE' Mary Gill Connely, 'AE' Mary Gill Conneely TRK, Assembly Outs 'CC' Harry+Maggie TRK, Assembly outs, 'cc' Pix Harry+Maggie. |
| Film F-4970/22 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/22N.O. Print - ARAN Project. Reel description: Bad Print. |
| Film F-4970/23 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/23Stoney, Can #2, B+W Recreation Print. |
| Film F-4970/24 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/24Roll #1 MOS E0000-E2415 CT 1 MOS+ Interview out ins, Roll #2 MOS F0000-F1907 CI IIMOS + DAY III Shots, MAN of ARAN; Reel description: MOS #2 Common Thread, Jamie Stoney A80FX. |
| Film F-4970/25 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/25George Stoney Assoc. How the Myth Was Made w Pix; Multiple reels. Reel description: How the Myth was made reel 2 and reel without label. |
| Film F-4970/26 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/26Man of Aran. Copy of Orig Mag Track. Reel description: Films Inc. Man of Aran. Part 2. Dub. 2.28.78. 341 24901 15 Films Inc. Man of Iran. Part 1. Dub. 2.28.78. 34124901 15. |
| Film F-4970/27 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/27N.G. Print, ARAN Project, 5/23/77. Multiple reels. Reel description: Bad Print of Maggie D, Bad Print of Maggie D, Mary Gill #4 Bad Print, Bad Print of Maggie D #6. |
| Film F-4970/28 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/28N.O. Print - ARAN Project. Reel description: Bad Print. |
| Film F-4970/29 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/29Amusement. |
| Film F-4970/30 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/30Island- Time 88 Film. |
| Film F-4970/31 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/31Sharks. |
| Film F-4970/32 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/32How the Myth Was Made. Reel I, Pix + Mixed Mag. |
| Film F-4970/33 |
How the Myth was Made, 1978, pix #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/33Harry with Mary Gill Connelly DD0011-DD0767 (use #'s in Perfs). |
| Film F-4970/34 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/34Interview: John Monck (Goldman) BE0011-BE, First Outs, Reel#1; Multiple reels. Reel description: G. Stoney Assoc/ Myth/ARAN//Reel#1: Interview wi. John Monek (Goldman)/Sync Pix//Head G, Stoney Assoc/Myth/ARAN//Reel#1: Interview wi. John Monek (Goldman)/Sync Trk.//Head. |
| Film F-4970/35 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/35Various Inteviews (see list) Wild Sound- GA:0000 MOS A:0000; Reel description: George Stoney Assoc. /Myth/ARAN/ Various Interviews/Wild Sound//Head. |
| Film F-4970/36 |
How the Myth was Made, 1978, pix #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/36Sing and Dnace at Kate + Peter's JJ0010-JJ; Reel description: G. Stoney Assoc. Sing+Dance at Kate+Peters/Sync+Pix/Head G. Stoney Assoc. Myth Aran/Sing+Dance/Kate+Peter's/Sync Trak/Head. |
| Film F-4970/37 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/37Mary Bree Droar. First Outs. TT0771-TT1683; Multiple reels. Reel description: Stoney. ARAN [?] Stoney. ARAN [?] |
| Film F-4970/38 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/38Kate+Peter: Home, Chickens, Worm, + Sing+Dance, Wild Sound- S:000, MOS T:000, Song: 0000SA, MOS: 0000DB. Multiple reels. Reel description: Code S:0000 Myth/ARAN//Kate+Peter: Worm, chickens, home//wild track//head, Code T:000 Bread+Flaherty/Stu[?]/ Kate+Peter, Worm, Chicken, Home//MOS//Head, Myth/ARAN//Sing at Kate+Peter's/MOS/Head, G. Stoney Assoc. Code ST:0000/Sing at Kate+Peter's/Wild Track/Head. |
| Film F-4970/39 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/39Trims- Man of Aran Fogiage/ How the Myth Was Made George Stoney Assoc. |
| Film F-4970/40 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/40Kilronen: Harbor, Dock, Unloading Boats, MOS 0:0000 + Wild Sound P:0000; Multiple reels. Reel description: 929-4278//G. Stoney Assoc. //Myth/Aran//Kilronen Harbor, Dock, Unloading, Boats//MOS//Head, 929-4278/G. Stoney Assoc. Code P:0000/Kilronnen Harbor, Dock, Unleading, Boat //Wild trk//Head. |
| Film F-4970/41 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/41Marcus: Seaweed, Land, Potatoes, Wild Sound, CA:0000, MOS, Code:CB0000; Multiple reels. Reel description: George Stoney Assoc. Code CA:0000//Gather Seaweed/Land Potatoes//Wild Sound//Head, 929-4278 Code CB:0000//Seaweed/Land/Potatoes//MOS//Head. |
| Film F-4970/42 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/42Showing M.O. ARAN on T.V. and Discussion Wild Sound R-0000, MOS-Q:0000; Multiple reels. Reel description: Code:R:0000 Stoney//ARAN//Film+Discussion//WILD TRK//Head MYTH/ARAN// Showing M.O.A. on T.V. + Discuss ion After//MOS//Head. |
| Film F-4970/43 |
How the Myth was Made, 1978, pix #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/43Harry Watt at Bungowla BB0010-BB0601; Multiple reels. Reel description: G. Stoney Assoc.// Myth/ARAN//Harry Watt at Bungowla/Sync Trk. //Head Myth/ARAN// Harry Watt at Bungowla//Sync Pix//Head. |
| Film F-4970/44 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/44Interview [?] Maggie [?]; Reel description: 929-4278/Myth/Aran//Maggie Dirrane Interview#1//Sync Pix. |
| Film F-4970/45 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/45Peter: Milk cow, Fort, Rye, Song, Seawed Story + Horse, Wild Sound, MOS; Reel description: 929 4278//G. Stoney Assoc.// Myth/ARAN//Peter: Milk, cow, Fort, cow, ryie, seaweed story+horse//wild sound//head 929-4278//G. Stoney Assoc/Myth/Aran//Peter: milkd cow, fort, sow, rye, song, with his horse, MOS Head. |
| Film F-4970/46 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/46Marcus: Cattle Load in Kilronen, FF1671-FF2741 MOS+Wild SD. Marcus: Dragging Nets on Dock PP0987-PP1082; Reel description: 929-4278//G. Stoney Assoc. //Myth/ARAN//Marcus: Cattle Load at Kilronen+ Drag Nets//Sync Pix//Head Myth/ARAN//Marcus:Cattle Loading at Kilronen//Wild Trk.//Head Myth/ARAN//Cattle Loading at Kilronen //MOS//Head G. Stoney Assoc. /Myth/ARAN//Marcus: Cattle Load at Kilronen+drag nets//Sync Trak//Head. |
| Film F-4970/47 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/47Various Sync Mini-Sequences QQ 0008-QQ1094 TT 2015-TT2191; Multiple reels. Reel description: 929-4278, G. Stoney Assoc. Myth/ARAN, Various Short Scenes, Sync Trk. Head 929-4278, G. Stoney Assoc. Myth/ARAN, Various Short Sync Ses. Sync Pix Head. |
| Film F-4970/48 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/48Interview: John Monck (Goldman) BF- BF First outs, reel #2; Reel description: Stoney//ARAN//Reel #2- John Goldman (Monk) and no label. |
| Film F-4970/49 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/49Interview: Walter Lassally+SID NNOO11-NN1834 FIRST OUTS; Reel information: G. Stoney Assoc. //Myth/ARAN//Walter Lassaly+SID/ Sync Pix. |
| Film F-4970/50 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/50Interview: Maggie Dirrane First Outs, AC: Reel #2; Reel description: G. Stoney Assoc/ Myth/ARAN//Maggie Interview #2//Sync Trk.//Head G. Stoney Assoc. Myth/ARAN/ Maggie Interview #2/ Sync Pix. |
| Film F-4970/51 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/51Interview: Mary Gill Conneely, AE 0000-AE 1700, First Outs; Multiple reels. Reel description: G. Stoney Assoc.//Myth/ARAN/ Int. wi. Mary Gill Conneely/ Sync Track G. Stoney Assoc. Myth/ARAN Mary Gill Connelly Interview/ Sync Pix. |
| Film F-4970/52 |
How the Myth was Made, 1978, pix #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/52B+W Recreation: Cattle Drive # 1 C0007- C1332, Wild Sound: Driving Cattle C0008-C. |
| Film F-4970/53 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/53How the Myth Was Made 1 (Bottom: How the Myth Was Made 1 Re-Transfers Tails Out). |
| Film F-4970/54 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/54Editing; Multiple reels. Reel description: Editing Sync Pix Editing Sync Trak. |
| Film F-4970/55 |
How the Myth was Made, 1978, pix #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/55Effect on the Island. |
| Film F-4970/56 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/56Cameraman - Director; Reel description: Cameraman/Director Pix Cameraman/Director Track. |
| Film F-4970/57 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/57Assembly Outs, 'AB + 'AC' -maggie, 'BG'+ 'BE' - Goldman, 'RR' Maggie+ Family, 'JJ' Kate+Peter's. |
| Film F-4970/58 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/58Basic Theme. |
| Film F-4970/59 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/59Seaweed+Land Pulls; Reel description: Seaweed + Land. |
| Film F-4970/60 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/60Mrs. Flaherty; Reel description: Mrs. Flaherty Sync Track Head Mrs. Flaherty, Sync Pix. |
| Film F-4970/61 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/61B+W Recreation: Girl Leaving for America A Wild SD: Teresa Millane Sings Shore of America; Multiple reels. Reel description: Myth/ARAN/Song:Teresa Millane: The shores of America/Wild Track//Head Leaving for America Music Track, Paul's HO G. Stoney Assoc. /Myth/Aran//Recreation: Cottage- Girl Leaves for America MOS//Head. |
| Film F-4970/62 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/62Interview: Alf McLoughlin MM0708-MM; Multiple reels. Reel description: Naive Realist Rep Naive Realist+rep. |
| Film F-4970/63 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/63Identifying People+Jobs; Multiple reels. Reel description: Identify -people+jobs, Sync Track Head Identify- People+Jobs, Sync Pix, Head. |
| Film F-4970/64 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/64George Stoney, How Myth Was Made Outakes; Reel description: George Stoney- How the Myth Was Made outakes pix head. |
| Film F-4970/65 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/65Interview: LIAM O'LEARY First Outs TT0006-TT0736; Multiple reels. Reel description: Liam O'Leary/Sync Pix/Head Liam O'Leary/Sync Trak//Head. |
| Film F-4970/66 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/66Los Angeles Desgregation Pix+Track; Multiple reels. Reel description: L.A. desgreation rolls 1-2-3- Sync PixHead FCM. |
| Film F-4970/67 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/67Mr.+Mrs. Hernon+ Daughters PP1465-PP2335. |
| Film F-4970/68 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/68Michael King: Horse, Blacksmithing, Interview with Peter, MOS+Wild Sound, Michael King's Voice over. |
| Film F-4970/69 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/69Flaherty Interview. |
| Film F-4970/70 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/70Robert Flaherty. |
| Film F-4970/71 |
How the Myth was Made, 1978, pix #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/71Myth Cuts. |
| Film F-4970/72 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/72Michale Gill: with George I Cemetary VV0010-VV1362. |
| Film F-4970/73 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/73Harbormaster PP0894-PP0986, German Film Crew PP1105-PP1425. |
| Film F-4970/74 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/74Pat Faddy Hernon: Calf, Land, Tourists, PP0012-PP0847, TT2222-TT2567, First Outs. |
| Film F-4970/75 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/75Michael Gill with George, Cemetary+Cross, Wild Sound MOS. |
| Film F-4970/76 |
How the Myth was Made, 1978, pix #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/76Michal Gill with Georege at Kilronen Cross, VV1363-VV, First Outs. |
| Film F-4970/77 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/77How the Myth Was Made. EEF Loops. |
| Film F-4970/78 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/78No Label. |
| Film F-4970/79 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/79Flaherty Narration 1. |
| Film F-4970/80 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/80Myth- Mix Mag Reel 1. |
| Film F-4970/81 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/81How the Myth Was Made EFX Track R-1. |
| Film F-4970/82 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/82How the Myth Was Made, EFX Tracks R-2. |
| Film F-4970/83 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/83How the Myth Was Made. Reel II, Dial A+B. |
| Film F-4970/84 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/84Man of ARAN, TRIMS, How the Myth Was Made- George Stoney Assoc. |
| Film F-4970/85 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/85MIX-MYTH reel 2. |
| Film F-4970/86 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/86Miscellaneous EFX. |
| Film F-4970/87 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/87Dan Moving QQ 1137-2248. |
| Film F-4970/88 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/88Pat Faddy Hernon: Calf, Land, Tourists, Wild Sound, MOS, JA:0000, KA:0000. |
| Film F-4970/89 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/89CATTLE Loading on INISHMAN YY0007-YY1644. |
| Film F-4970/90 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/90George Stoney Assoc. How the Myth Was Made, Man of Aran Tracks R-1, R-2; Multiple reels. Reel description: a) How The Myth Was Made -Man of Aran Track- Reel II, How The Myth Was Made , Man of Aran, Track Reel I. |
| Film F-4970/91 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/91Narration Tracks A+B Reel I. |
| Film F-4970/92 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/92How the Myth Was Made, Reel I, Dial A+B. |
| Film F-4970/93 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/93Narration Tracks A+B Reel II, How the Myth Was Made. |
| Film F-4970/189 |
How the Myth Was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/189L.A. Desegregation Wild Sound+MOS. |
| Film F-4970/190 |
How the Myth Was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/190L.A. Desegregation -Selected Takes. |
| Film F-4970/191 |
How the Myth Was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/191Narration Track 1-24-78. |
| Film F-4970/192 |
How The Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/192Romanticism/ Reality. |
| Film F-4970/193 |
How The Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/193The Land. |
| Film F-4970/194 |
How The Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/194The Storm. |
| Film F-4970/195 |
How The Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/195Single PERF 16mm Fill, Miscellaneous Rolls. |
| Film F-4970/196 |
How the Myth Was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/196No Label; Multiple reels. Reel description: Seaweed Donkey Hoofs, Horn calls Seagulls [?] Water capp Water lapping against boot Sea Sounds Sea ambianace. |
| Film F-4970/284 |
How the Myth Was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/284Miscellaneous Man of Aran #1. |
| Film F-4970/285 |
How the Myth Was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." F-4970/285Miscellaneous Man of Aran #2. |
| Audiotape T-4970/201 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/201George Stoney. Assoc. How the Myth Was Made Narration 2/11/78. R-1; 1/4 audiotape reel to reel. |
| Audiotape T-4970/202 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/202George Stoney Assoc. R-2. 2/11/78 Narration Track. 1/4 audiotape reel to reel. |
| Audiotape T-4970/203 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/203George Stoney Associates. How the Myth Was Made Narration R-1 11/6/77 R-1; 1/4 audiotape reel to reel. |
| Audiotape T-4970/4 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/4George Stoney Associates. How the Myth Was Made Narration. 11/6/77. R2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/5 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/5How the Myth Was Made. Narration Track 1/4/78. R1 George Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/6 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/6George Stoney Associates. How the Myth Was Made Narration Jan. 24 1978. R1; 1/4 audiotape reel to reel. |
| Audiotape T-4970/7 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/7George Stoney Associates. How the Myth Was Made Narration Track Jan. 24, 1978. R2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/8 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/8How the Myth Was Made; 1/4 audiotape reel to reel. |
| Audiotape T-4970/9 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/9How the Myth Was Made; 1/4 audiotape reel to reel. |
| Audiotape T-4970/10 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/10How the Myth Was Made; 1/4 audiotape reel to reel. |
| Audiotape T-4970/11 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/11How the Myth was Made; 1/4 audiotape reel to reel. |
| Audiotape T-4970/12 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/12ARAN Tape #1; 1/4 audiotape reel to reel. |
| Audiotape T-4970/13 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/13ARAN Tape #2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/14 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/14ARAN Tape #3; 1/4 audiotape reel to reel. |
| Audiotape T-4970/15 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/15ARAN Tape #4; 1/4 audiotape reel to reel. |
| Audiotape T-4970/16 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/16ARAN Tape #5; 1/4 audiotape reel to reel. |
| Audiotape T-4970/17 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/17ARAN Tape #6; 1/4 audiotape reel to reel. |
| Audiotape T-4970/18 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/18ARAN Tape #7; 1/4 audiotape reel to reel. |
| Audiotape T-4970/19 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/19ARAN Tape #8; 1/4 audiotape reel to reel. |
| Audiotape T-4970/20 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/20ARAN Tape #9; 1/4 audiotape reel to reel. |
| Audiotape T-4970/21 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/21Aran Tape #10; 1/4 audiotape reel to reel. |
| Audiotape T-4970/22 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/22ARAN Tape #11; 1/4 audiotape reel to reel. |
| Audiotape T-4970/23 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/23ARAN Tape #12; 1/4 audiotape reel to reel. |
| Audiotape T-4970/24 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/24ARAN Tape #13; 1/4 audiotape reel to reel. |
| Audiotape T-4970/25 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/25ARAN Tape #14; 1/4 audiotape reel to reel. |
| Audiotape T-4970/26 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/26ARAN Tape #15; 1/4 audiotape reel to reel. |
| Audiotape T-4970/27 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/27ARAN Tape #16; 1/4 audiotape reel to reel. |
| Audiotape T-4970/28 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/28ARAN Tape #17; 1/4 audiotape reel to reel. |
| Audiotape T-4970/29 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/29ARAN Tape #18; 1/4 audiotape reel to reel. |
| Audiotape T-4970/30 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/30ARAN Tape #19; 1/4 audiotape reel to reel. |
| Audiotape T-4970/31 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/31ARAN Tape #20; 1/4 audiotape reel to reel. |
| Audiotape T-4970/32 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/32ARAN Tape #21; 1/4 audiotape reel to reel. |
| Audiotape T-4970/33 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/33ARAN Tape #22; 1/4 audiotape reel to reel. |
| Audiotape T-4970/34 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/34ARAN Tape #23; 1/4 audiotape reel to reel. |
| Audiotape T-4970/35 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/35ARAN Tape #24; 1/4 audiotape reel to reel. |
| Audiotape T-4970/36 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/36ARAN Tape #25; 1/4 audiotape reel to reel. |
| Audiotape T-4970/37 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/37ARAN Tape #26; 1/4 audiotape reel to reel. |
| Audiotape T-4970/38 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/38ARAN Tape #27; 1/4 audiotape reel to reel. |
| Audiotape T-4970/39 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/39ARAN Tape #28; 1/4 audiotape reel to reel. |
| Audiotape T-4970/40 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/40ARAN Tape #29; 1/4 audiotape reel to reel. |
| Audiotape T-4970/41 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/41ARAN Tape #30; 1/4 audiotape reel to reel. |
| Audiotape T-4970/42 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/42ARAN Tape #31; 1/4 audiotape reel to reel. |
| Audiotape T-4970/43 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/43ARAN Tape #33; 1/4 audiotape reel to reel. |
| Audiotape T-4970/44 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/44ARAN Tape #34; 1/4 audiotape reel to reel. |
| Audiotape T-4970/45 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/45ARAN Tape #35; 1/4 audiotape reel to reel. |
| Audiotape T-4970/46 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/46ARAN Tape #40; 1/4 audiotape reel to reel. |
| Audiotape T-4970/47 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/47Sound Effects for Myth Stoney Associates, P.V. by Trudy Bagdon, ARAN Tape #18; 1/4 audiotape reel to reel. |
| Audiotape T-4970/48 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/48ReTransfer How the Myth Was Made Work Elements, 15 IPS Mono Full TRK, Tail Out; 1/4 audiotape reel to reel. |
| Audiotape T-4970/49 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/49George Stoney. Assoc. How the Myth Was Made Narration 2/25/78; 1/4 audiotape reel to reel. |
| Audiotape T-4970/198 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." T-4970/198How the Myth Was Made; 1/4 audiotape reel to reel. |
| Videotape VT-4970/38 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/38Peter and Kate Factory [?] No. 1 Aran; Half inch open reel. |
| Videotape VT-4970/39 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/39Peter and Colin Tom, That thing[?] II, ARAN 9/16/76; Half inch open reel. |
| Videotape VT-4970/40 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/40Myth. Peter. Practice. To get to talk[?] Shovel/ROCK get used to camera/ talk on working/should have seen him at work- then playback_ hear what he had to say/ Stoney/ARAN Islands: Peter Thresing and Thatching the Roof/ Side: STONEY/ARAN ISLANDS: Peter thresing and thatching the roof; Half inch open reel. |
| Videotape VT-4970/41 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/41Stoney/ARAN Islands: Peter Fishing from Cliffs; Half inch open reel. |
| Videotape VT-4970/42 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/42Peter sets Gill mets with Betty 8/24/76; Half inch open reel. |
| Videotape VT-4970/43 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/43Man of ARAN. Man of Aran R. two of three; Half inch open reel. |
| Videotape VT-4970/44 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/44Man of ARAN, Reel #1. Man of Aran, Reel one of three; Half inch open reel. |
| Videotape VT-4970/45 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/45ARAN Outakes Michael…[?]+fish+village. ARAN OUTTAKE R1-2-3 Original Order. Man of Arran, Reel Three of three. Half inch open reel. |
| Videotape VT-4970/46 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/46ARAN Outakes Fishing and Shark [?] details.ARAN OUTS R7; Half inch open reel. |
| Videotape VT-4970/47 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/47Kate and Peter #5 Myth/ Front: Kate and Peter Butter [?] 6/11/75 and camera and Mike test 2/8/77; Half inch open reel. |
| Videotape VT-4970/48 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/48Man of ARAN, Reel # Three of Three; Half inch open reel. |
| Videotape VT-4970/167 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/167Stoney, George, Documenatry; U-matic. |
| Videotape VT-4970/168 |
How the Myth Was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/168187. dupe. Note the myth was made. How the Myth Was Made; U-matic. |
| Videotape VT-4970/169 |
How the Myth Was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." VT-4970/169187. Duplicate. How the Myth Was Made; U-matic. |
| Audiocassette C-4970/17 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/17Maggie+Bobby Gill, singing at screeninging. |
| Audiocassette C-4970/18 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/18Michael Gill, Killranran[?] Aran Islands, 6/10/75. |
| Audiocassette C-4970/19 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/19An evening with Kate+Peter Flaherty Aran 9/1/76. |
| Audiocassette C-4970/20 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/20Maggie and Dirrane III A1. |
| Audiocassette C-4970/21 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/21Mary Diranne Flaherty, Med to R.F. in 32 33 9/3/76 [?] 2. Tim and Robinson, English [?] on Aran 9/3/76. |
| Audiocassette C-4970/22 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/22Monck or March [?] No. 1. |
| Audiocassette C-4970/23 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/23Monck or March [?] No. 2. |
| Audiocassette C-4970/24 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/24Monck or March [?] No. 3. |
| Audiocassette C-4970/25 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/25Monck or March [?] No. 4. |
| Audiocassette C-4970/26 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/26J. Taylor #1. |
| Audiocassette C-4970/27 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/27J. Taylor No. 2. |
| Audiocassette C-4970/28 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/28J. Taylor No. 3, reply to Maggie. |
| Audiocassette C-4970/29 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/29Jill's talk with Basil Wright. |
| Audiocassette C-4970/30 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/30Flaherty [?] at Bettys House. |
| Audiocassette C-4970/31 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/31Greetings Diranne 1975. |
| Audiocassette C-4970/32 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/32K. F. after sermon at Neuman 8/25/76, Maggie, 8/25/76-both side. |
| Audiocassette C-4970/33 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/33Michael Gill 1 A1. |
| Audiocassette C-4970/34 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/34Dub Maggie to Wilde. |
| Audiocassette C-4970/35 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/351. The Wilde to Maggie 9/11/76 [?] 2. Michael [?] 9/25/76. |
| Audiocassette C-4970/36 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/36Jills tape with John Monck side 1. |
| Audiocassette C-4970/37 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/37Jill's tape with John Monck [?] side 2. |
| Audiocassette C-4970/38 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/38Jill's tape John Monck side 3 [?] interview. |
| Audiocassette C-4970/39 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/39Jill's tape with John Monck side 4. |
| Audiocassette C-4970/40 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/40Jills talk with J. Monck [?] time side 5. |
| Audiocassette C-4970/41 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/41K+P Flaherty after seeing MOA. ARAN 8/24/76 side 1 of 2. |
| Audiocassette C-4970/42 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/42Michale Gillan Flaherty on G. Stoney. |
| Audiocassette C-4970/43 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/43Peter+Kate II, A-I. |
| Audiocassette C-4970/44 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/44Michael Gill sees MOA. |
| Audiocassette C-4970/45 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/45A. Calder Marshall on ARAN B. Hausa village. |
| Audiocassette C-4970/46 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/46Christmas party 12/27/76. |
| Audiocassette C-4970/47 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/47Greetings to Betty for the ARAN Islands Christmas 76. |
| Audiocassette C-4970/48 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/48Greetings to Betty for the ARAN Islands Christmas 76. Mary Connelly- Flaherty's Cook with [?] Robinson 2/14/77, reel 1. |
| Audiocassette C-4970/49 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/49Mary Connellly- Flaherty cook with [?] Robinson 2/14/77 Reel 2. |
| Audiocassette C-4970/50 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/50Evening w Tom Connelly [?] 5/30/76. P+K talk of old days 9/1/76. |
| Audiocassette C-4970/51 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/511. Steven Can [?] Stoney Flaherty 2. Maggie talk to [?] A-I. |
| Audiocassette C-4970/52 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/52FHF on Films II 41-45. |
| Audiocassette C-4970/53 |
How the Myth was Made, 1978 #04970, Subseries: "5.1. How the Myth Was Made, 1978." C-4970/53Animation Demo (cassette label, insert info: Aran 1 Kate and Peter Flaherty. |
Expand/collapse
Subseries 5.2. Shepherd of the Night Flock, 1975.
Arrangement: by format.
Materials include films, 1/4th inch reel to reel audiotapes, videotapes, and cassettes all pertaining to Shepherd of the Night Flock.
| Film F-4970/94 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/94Shepherd of the Night Flock ST1083 R. 1 of 2, Box 7; Viewing Copy available. |
| Film F-4970/95 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/95Shepherd of the Night Flock ST1084 Reel 2/2 Box 7. |
| Film F-4970/96 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/96George Stoney. The Shephard (Jazz at St. Peters) Cut Work Print. Reel 1; Reel description: Geo. Stoney Assoc. The Shepherd. Reel 1. Pix. Head. |
| Film F-4970/97 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/97George Stoney. The Shephard( Jazz at St. Peters) Cut Workprint Reel 2; Reel description: Geo. Stoney Assoc. The Shepherd. Reel 2. Pix. Head. |
| Film F-4970/98 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/9848817 Tri Films St. Peter's Jazz. R1-2, 3-4. 16 Pix Neg. 815 ft. George Stoney; Multiple reels. Reel description: Storyville cuts Billy Taylor 2+4 and several without labels. |
| Film F-4970/99 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/9945058 Tri Films St. Peter's R1-2 16PIX NEG 813 FT; Reel description: Stoney Assoc. Barabara's. St. Peter's Jazz. Radio 71KE. SYNC TRK 2. Head. |
| Film F-4970/100 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/100Masters from 1st Jazz Vespers Service. Pix outs+Trims. Pix w/no Trans Sound. Bad Sound Rolls. George Stoney; Multiple reels. Reel description: Sync Tube Put On Sync Reel, End out Jazz Communion Solo HO, HO UnSyn Jazz Vesper Interviews, TR Pix+TRK Gensel's SOW [?] Move, Alter slug. Jazz Vespers HO, Eddie B. ISF Jazz Vespers, outs+trims, St. Peter's Pastor-Gensel Sound for Eddie Bonnevere Jazz Vespers, HO. |
| Film F-4970/101 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/101Masters from 1st Jazz Vespers Service Pix Outs+Trims PIX w/No Trans Sound. Bad Sound Rolls. George Stoney; Mulitple reels. Reel description: Advent Vespers Comm HO UNSYNC Vesper Interview The Gensel PIX+TRKAudience Shots+Communion Replace cut from vespers advent song. This Reel is a duplicate of Jazz Vespers Materials. |
| Film F-4970/102 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/102George Stoney. St. Peters. Ellington's Funeral. Mag Track; Reel description: Cuts in Heaven. |
| Film F-4970/103 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/103George Stoney. St. Peter's Ellington's Funeral; Reel description: Wellington Funeral. Interior During Funeral. |
| Film F-4970/104 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/104George Stoney. St. Peter's. Christmas Eve 1972. Duke Ellington SR2 + Some Funeral; Reel description: Ellington and Singer, Ellington Funeral outs and trims, Ellington voice over outs and trims, and several reels without labels. |
| Film F-4970/105 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/105George Stoney. St. Peter's. Christmas Eve 1972. Duke Ellington SR2 + Some Funeral; Multiple reels. Reel description: Ellington Applause Old St. Peter's Xmas eve [?] Tail of TGTT-Duke Ellington + outs and trims Fran Hoffman reading from Gospel Duke Ellington HOS Wild Trk Entering Church and onward christian/Ellington Funeral, HO, Ellington's Good Shepherd Ellington Cutaway to Bass. |
| Film F-4970/106 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/106George Stoney. St. Peter's. Christmas Eve 1972. Duke Ellington SR2 + Some Funeral; Reel description: Ellington+Black Male Singer, Outs on eulogy, Sync Pix, Genesis Eulogy, Ellington funeral, HO. |
| Film F-4970/107 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/107George Stoney. St. Peter's. Jazz Vespers/March 4+Jim Hall Concert 3/4/1973; Reel description: Gensel+Hall Wild Sound Tail Cut Jim Hall's Music and a reel without no label. |
| Film F-4970/108 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/108George Stoney. St. Peter's . Jazz Vespers/March 4+ Jim Hall Concert 3/4/73; Multiple reels. Reel information: Jim Hall/Gen. Int. Pix. HO Jim Hall/Gen. Int. TRAK HO Jim Hall Part 1 Jim Hall outs and trims A Old Transfer of Jim Hall Bowne+Gensel T+Marchh Int Cut in Hall's music and a reel without label. |
| Film F-4970/109 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/109St. Peter's. G. Stoney Assoc. Jazz Vespers. Frank Foster. Feb 4. 1 of 3; Multiple reels. Reel description: Magnetic full coat TAKS WILL[?] FRANK FOSTER FRANK FOSTER OUTS+TRIMS, cut aways Frank Foster Outs and Trims Film St. Peter's, Pastor Gensel, IW SYNC, Frank Foster VESPERS, Head Out St. Peter's Pastor Gensel, IN SYNC, Frank Foster Jazz Vespers, PIX, Head out. |
| Film F-4970/110 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/110George Stoney. BB007-BB3405. Storyville. Gensel w/ Frank, Wein, Hammond, Zoot Simms, Billy Taylor, Joe Neuman; Reel description: George Stoney. BB007-BB3405. 'Storyville.' Gensel w/ Frank, Wein, Hammond, Zoot Simms, Billy Taylor, Joe Neuman. |
| Film F-4970/111 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/111George Stoney. DD0010-DD2808.Gensel and Peterson at Site and Gensel Counseling; Reel description: 9294278 Geo. Stoney Assoc.Jazz @ St. Peters. Gensel+Petersen+Counseling. Sync Pix. Head. |
| Film F-4970/112 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/112George Stoney. DD0010-DD2808 Gensel and Petersen at Site and Gensel Counseling; Multiple reels. Reel description: Johns+Peterson Sync In+Outs Gensel+Peterson outs and trims, Int+Construct. Gensel+Petersen, Construction Scene outs Gensel+Petersen Audrey Phone cut Keep me on/Peterson's wife, Ralph + [?]. |
| Film F-4970/113 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/113George Stoney. AA0004-AA1512 Sweet Basil Stereo Synch Rolls, Knopf on Piano, Gensel + Frank at Table; Reel description: Gensel's Knopf V.O. HO voice completion of blues on a [?] bring on cowns sync and reel without label. |
| Film F-4970/114 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/114George Stoney. AA0004-AA1512 Sweet Basil Stereo Sync Rolls. Knopf on Piano, Gensel+Frank at Table; Reel description: Sweet Basil -music track. |
| Film F-4970/115 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/115George Stoney. AA0004-AA1512 Sweet Basil Stereo Synch Rolls, Knopf on Piano, Gensel + Frank at Table; Reel description: Gensel's Knopf V.O. HO voice completion of blues on a [?] bring on cowns sync and reel without label Reel description: Paul Knopf VO ABM Sweet Basil HEAD. |
| Film F-4970/116 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/116George Stoney. Scene at Barbara's Jazz at St. Peter's Stereo Synch Tracks; Multiple reels. Reel description: Tail out. Sync Pix. Storyville Scene. St. Peter's Jazz. Geo. Stoney. 929-4278. Storyville. RadioCity. V.O. [?] Storyville line[?] Billy Taylor 2++,1+3. |
| Film F-4970/117 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/117George Stoney. Scene at Barbara's Jazz at St. Peter's Stereo Synch Tracks; Multiple reels. Reel description: Story outs+trims, Radio City V.O., Storyville montage, Storyville outs and trims, Tail Out. Radio Mike-Sync TRK. Storyville. 'St. Peter's Jazz'. George Stoney Assoc. 929-4278. |
| Film F-4970/118 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/118George Stoney. St. Peter's Establishing Material; Multiple reels. Reel description: Establishing Material, esp. taking out windows, outs and trims Bach cantata, St. Peter's Move. Outs of Orig+Mixed Traks. |
| Film F-4970/119 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/119Lid label: Southern Folklife Collection, 202 Dailies 42422 Tri Film Christmas Eve 1972, Black and White Negative Outs, 1 J215 Side of can label: 2-2 DAILIES 42422 Tri Film Christmas Eve. 1972. Reels 3,4,5 16MM PIX Neg 1173 Ft./George Stoney 650 ft. Out takes[?] Reel description: 36670-36685, J215 36687-36841, J255 56316-56687, J255 57964-58090, J255 58535-58639, J255 58535-58639, J255 58640-58758, J226 95547-95729, J262 33050-33159, J262 32940-33049 |
| Film F-4970/120 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/120Storyville, St. Peter's jazz, MOS+Wild Sound. |
| Film F-4970/121 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/121Jazz Vespers. March 4, 1973. Eddie Bonnemere, Band Leader, Pastor John Gensel + Pastor Ralph Peterson. Sync Rolls+ (2) 1/4 tapes. |
| Film F-4970/122 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/122AB0009-AB0794 Sweet Basil Discussion between Knopf, Frank, Gensel, + Blakey Sync Rolls. |
| Film F-4970/123 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/123Gensel wi/ Peterson, at site, + Counseling, MOS Wild Sould and G+P V.O. A.B. New Church. |
| Film F-4970/124 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/124Stoney Assoc. Jazz Interviews. St Peter's. Flood. G. Stoney Associates. Work Print. Hudson Shad. 7242- 400 ft, Roll 16, Process and Print only, City Processer Normal. |
| Film F-4970/125 |
Shepherd of the Night Flock, 1975, pix #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/125Various Outs and Trims- The Shepherd Stills, Wagner, Voiceovers.; Multiple reels. Reel description: Outs of final stills, Outs of the stills, Various John Genzel voice over outs, Story about Billie Holiday, Wagner-Howard NEG, Old Wagner College Scene. |
| Film F-4970/126 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/126Materials for New March Scene-Jazz film; Multiple reels. Reel description: Full coat magnetic ORG. TKS+MIXED, VARIOUS MUSIC- OUTS MARCH, Outs + Trims, New March, Full coat magnetic 'SAINTS' lifted from Trk 4, March Interview, sound and images, FCM SAINTS from trk 2, FCM, New March[?] Outs, FCM, Old Mixed TRAK, Start Ruth Pix, Outs and Trims of SELLING[?] the Church, Some[?] March, Stoney, Gensel, March, Head, [?]. |
| Film F-4970/127 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/127Various Outs+Trims- St. Peter's a Church on the Move; Multiple reels. Reel description: Various material, Frank Foster Cuts, sound/image, FMC, FMC, Gensel's Prophecy+Jazz Price at[?], Frank Foster MOS Congreg. + Band,. |
| Film F-4970/128 |
Shepherd of the Night Flock, 1975, pix #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/128St. Peters. Stoney Assoc. Christmas Eve Dinner. No Jazz Material; Reel descriptions: Xmas dinner and Mrs. Hoffman's song. |
| Film F-4970/129 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/129Can descripton: St. Peters. G. Stoney Assoc. New Year's Eve. Cecil Taylor. Pix and Sound Roll 1+2. Sync Pix to SRI Where marked Reel description: Roll #1-This roll consists of one lone Cecil Taylor N.Y. Eve piece. Only one slate on it. Covers all of camera roll 1 and [?] Of 2 stop, applause, piano, 2. piano sound[?]. |
| Film F-4970/130 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/130St. Peter's. Geo. Stoney Assoc. Various Outs and Trims. Sound+Pix from March Assemblage Screening; Multiple reels. Reel description: G. Stoney Assoc. St. Peter's. Jazz Vesp. Int. The March 3/4 HO Track Pause Craw [?] Old March scene. Cut Work Print and Mixed Trk, To Interview of Dee + German Woman on 3/4/73 The March, Bells All Wild Wacking. Some Trumpets. 1st outs. HD, G. Stoney Associates. Jazz@ St. Peter's. Demo Reel. HO, start organ/singing trumpets, NG outs of Saints 1st out roll George Stoney Assoc. The March 3/4 Jazz Vespers Int. HO Pix, G. Stoney Associates. Jazz @ St. Peters. Demo Reel HO, St. Service @ Center (?) Peter. Sync. Bishop Sync Blessing +Organ Intro to song. |
| Film F-4970/131 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/131Geo. Stoney Assoc. Gensel+Paul Knopf. Wild Track+MOS Reel description: Tail of Bevec[?] Take 2 + CLM, Paul's Intro. Tail of Blues 1. HO Bring on Clowns voice track, sweet(?) basic music outs, Geo. Stoney assoc. Jazz at St. Peters Gensel. Knopf. Sweet Basic. MOS HEAD, Wild SD, Knopf applause, Tail of Wet Thursday Take [?] Tail of Clowns Jazz-2, Sweet Basic Discussion outs, Wild Sound of Knopf Discussion HO, Old intro to Knopf, XA. |
| Film F-4970/132 |
Shepherd of the Night Flock, 1975, pix #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/132George Stoney. BB007-BB3405. Storyville. Gensel w/ Frank, Wein, Hammond, Zoot Simms, Billy Taylor, Joe Neuman; Reel description: Stoney Assoc. St. Pete's Jazz. Barbara's. Schoers. Sync Trx 1. Head Stoney Assoc. St Pete's Jazz. Barbara's Sync Pix. Head. |
| Film F-4970/133 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/133George Stoney. 44576 Tri Films. St. Peters. R CR. 8 16 Pix Neg 411 ft; Reel description: J226 01875-02082, J192 17236-17516, J192 16721-16975, J260 36289-36431, J226 02083-02498. |
| Film F-4970/134 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/13448817 Tri Films St. Peter's Jazz. R1-2, 3-4. 16 Pix Neg. 815 ft. George Stoney; Multiple reels. Reel description: Storyville cuts, Billy Taylor 2+4, and reels without labels. |
| Film F-4970/135 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/135George Stoney. D71926 St. Peter's Jazz. 1-4 Pix. Neg; Multiple reels. Reel description: J260 38762-39466, J256 88523-88916, J264 64902-65119. |
| Film F-4970/136 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/136George Stoney. D71926 St. Peter's Jazz. 1-4 Pix. Neg; Multiple reels. Reel description: J250 88917-89317 J264 65125-65337 J220 52071-52285, J188 34621-34914, J263 35678-36053, J263 35257-35677, J188 34579-34620. |
| Film F-4970/137 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/137St. Peter's. G. Stoney Assoc. Jazz Vespers. Frank Foster. Feb 4. 3 of 3. Reel description: FMC Repeat of Procession with Shortened Intro, To [?] Of INTRO Jazz [?] Music, Head Frank Foster outs and trims with some magnetic audio. |
| Film F-4970/138 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/138St. Peter's. G. Stoney Assoc. Jazz Vespers. Frank Foster. Feb 4. 2 of 3; Reel description: [?] At Movies with label Jazz Vespa, Frank Foster, Foster outs and Trims. |
| Film F-4970/139 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/139DAILIES. I-Can 2129 Tri-Film. G. Stoney. Rolls 1,2,3,4,5. 16mm. B/W. Orig Pix Neg. St. Peter's Jazz. 1622 ft. 2 of 2; Multiple reels. Reel description: J218 29075-29551, J217 73260-73408, J218 28913-28994, J253 53699-53721, J218 28753-28779, J218 2800-912, J217 73409-73531, J253 29352-29612, J217 73051-73148, J218 28995-29074, J253 54382-54499, J253 54261-54381, J253 28811-28897, J229 74005-74220, J188 34231-34552. |
| Film F-4970/140 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/140George Stoney. 4482. Tri Films. St. Peter's March R CR 5,6,7, 16 Pix NEG 1216 ft Can #4; Multiple reels. Reel description: J255 40560-40703, J215 20740-20791, J192 38019-38136, J192 38842038942, J192 36830-36921, J192 38630-38722, J215 20917-21043, J192 36922-37025, J192 37026-37141, J192 37335-37558, J192 38723-38841, J192 38453-38629, J215 21316-21431, J255 40934-41047, J192 38145-38281, J192 38282-38452, J192 36733-36829. |
| Film F-4970/141 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/141George Stoney. St. Peters. R CR. 1,2,3. 16 Pix Neg. 1216 ft; Multiple reels. Reel description: J197 28435-28681, J192 16976-17120, J197 28831-28953, J192 17121-17255, J260 36158-36288, J197 28682-28830, J197 28155-28304, J260 36554-36659, J260 36660-36955, J226 01850-01874, J226 02499-02648, J260 36432-36553, J197 28305-28434. |
| Film F-4970/142 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/142G. Stoney. DAILIES. I-Can 2129 Tri Film. Rolls 1,2,3,4,5 16mm b/w Orig Pix Neg. St. Peter's Jazz. 1622 ft 1 of 2; Multiple reels. Reel description: J253 53953-54260, J253 53722-53952, J229 75336-75549, J224 54999-55319, J229 75115-75330, J188 34185-34230, J217 73626-73839, J217 73532-73625, J229 75576-75775, J253 28898-29343. |
| Film F-4970/143 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/143George Stoney. St. Peters. Demolition (Ball on Parish House Only) Sound + Pix. Dee's Interview Outside. Greenwich + Moldenke Material; Multiple reels. Reel description: Demolition/Wild S.D., Greenwich cutaways PIX HD, Greenwich cutaways TRK HD. |
| Film F-4970/144 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/144George Stoney. DD0010-DD2808.Gensel and Peterson at Site and Gensel Counseling; Reel description: 9294278 Geo. Stoney Assoc.Jazz @ St. Peters. Gensel+Peterson+Counseling. Sync Pix. Head. |
| Film F-4970/145 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/145Masters From 1st Jazz Vespers Service. Pix Outs +Trims. Pix w/No Trans Sound. Bad Sound Rolls; Reel description: Entirely Interviews. |
| Film F-4970/146 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/146George Stoney. St. Peters. Establishing Material; Reel description: Establishing Material. |
| Film F-4970/147 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/147George Stoney. St. Peter's Ellington's Funeral; Multiple reels. Reel description: Choir, Retransfer Ellington Music TGTT, Arriving at Riverside. Ellington Funeral. HO, ORGAN PROCESSIONAL. |
| Film F-4970/148 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/148George Stoney. St. Peter's Ellington's Funeral. Reel description: Ellington Funeral/Leaving Church and After HO, Music- onward, Ella, Lord's Prayer, choir. |
| Film F-4970/149 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/149George Stoney. 44482 Tri Films. St. Peters. March. R CR 5,6,7 16 Pix Neg. 1216 ft. Can # 4; Multiple reels. Reel description: J255 41254-41355, J192 37142-37326, J255 40705-40815, J255 41048-41253, J192 37886-28018, J215 21432-21535, J215 20792-20916, J192 36630-36732, J255 40816-40933, 13, J192 37559-37885, J215 2104-21314. |
| Film F-4970/150 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/150George Stoney. St. Peter's Demolition (Ball On Parish House Only) Sound+Pix. Dee's Interview Outside. Greenwich+Moldenke Materials Also; Multiple reels. Reel description: Dee's Bennett's Interview, Debates, old woman, heartache[?], Demolition W.O.R.[?], moldenke room H.O. St. Pete's Jazz. Pix, St. Pete's Jazz TRK. [?], Jim's Demolition Footage. |
| Film F-4970/151 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/151Tri Films St Peters-Stoney 16 Pix Neg 615 Ft. /43358 TRI FILM STONEY- St Peter's 16 PIX NEG 921 Ft. can #13. top: [7224 400' NOT IN AA BAG! ST. Peter's Jazz + Vespers, Stoney Assoc. ASA 400' 2/4/73] [7224 4x NEG ASA 400' Jazz St. Peter's Stoney Assoc.] [100' 7224 4xNEG ASA 400] [St. Peter's Stoney Assoc. Process NORM+ PRINT] [J215 36283-36661, J255 58923-59564, J265 18457-19242, J215 36187 36271, J215 36187-36271, J215 35872-36167, J215 35872-36167, J249 58180-59978]; Multiple reels. Reel description: J276 08852-08978, J215 36310-36419, J276 09305-09432, J276 09096-09201, J249 59323-59420, J249 59625-59765, J215 36283-36309, J249 59421-59518, J249 59519-59624 J265 19122-19242, J255 59425-59564, J255 59305-59424, J215 36187-36271, J276 09203-09304, J192 36526-36629, J249 59766-59872, J265 18878-18996, J265 18609-18720, J215 36420-36543, J249 59180-59322, J249 59873-59978, J265 18457-18608, J215 36544-36661, J255 59144-59304, J255 59038-59143, J265 18997-19121, J255 58923-59037, J265 18721-18877, J215 35872-36167. |
| Film F-4970/152 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/15243083 Tri Film Stoney/St. Peter's 16PIX Can#2/ 42800 Tri Film Service ? St. Peter's/R CR? Orig. PIX Neg 16mm 345 ft./ 42659 TRI Film Service St. Peter's Church 16PIX NEG 1138 ft; Top of can: [St. Peter's Church, Geo. C. Stoney Assoc. Dev. Normal 400] [J225 95100-95441, J249 81860-82532 (film broken about 4 frames), J249 60047-60712, J255 56276-56293, J249 60250-60457, J255 55498-56275, J257-44995-45774]; Reel description: J249 82213-82315, J225 95815-95327, J249 82106 82212, J249 60122-60249, J249 82318-82428, J255 56035-56159, J257 45657-45774, J249 81955-82104, J257 45298-45417, J257 44995-45081, J249 60293-60417, J257 45082-45181, J255 55683-55795, J225 95100-95184, J225 95328-95441, J255 56276-56293, J257 45547-45656, J257 45418-45546, J249 6025060292, J249 60478-60585, J249 60586-60712, J249 82429-82532, J255 55796-55924, J255 55498-55682, J257 45182-45297, J255 55915-56034, J255 5616-56275, J249 60047-60121, J249 81860-81954. |
| Film F-4970/153 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/15344409 Tri Film St. Peters March R CR3 CR4 16PIX NEG 625 Ft. /44409 TRI FILM St. Peter's March R CR2 16PIX NEG 814 ft. two different labels around can. Can top: [CR1 St Peter's Stoney Assoc. March CMRA: Brown MOS at St Peters+March.] [Plus x Neg 7231 Develop Normal 400' 4 March, CR2 -St Peter's- Stoney Assoc. March Camera 600984-SYNC Peterson St. P + March MED(?)] [Plus X-Neg-7231 Develop Normal 400' 4 March 73] [J215-21545-22346, J193-94208-94635, J210 97426-98225, J233 51724-52520]. Reel description: J215 22236-22346, J215 21839-22001, J253 51724-51924, J233 52067-52537, J233 52397-52520, J253 51925-52066, J210 97829-97956, J233 52238-52396, J210 97882-97931, J215 21561-21694, J210 98030-98043, J210 97426-97482, J210 97596-97689, J210 97967-977993, J215 21695-21838, J210 98096-98225, J193 94497-94635, J210 97690-97828, J215 22002- 22118, J215 21545-21560, J210 97957-98095, J210 97940-97945, J193 94375-94496, J210 97483-97595, J193 94208-94374. |
| Film F-4970/154 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/154Camera Original 1. 2564. Tri Film. Jazz at St. Peters. B/W. 1-2-3-4-5. 1590ft; Lid notes: J258 14647-15445, J257 18533-19266, J253 28000-28799, J217 67761-68060 [?]. |
| Film F-4970/155 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/155DAILIES 1-Can 1408. Tri-Film Jazz at St. Peter's Rolls 1-2-3. 16mm orig. b/w pix neg, 1220 ft; Lid notes: George Stoney Assoc. 929-4278 Roll. 7222 Black+White DoubleXNeg400ft Process+Print Jazz At St. Peter's. NORMAL. J218 29570-30357 J218 30370-31167 J253 55320-56115. |
| Film F-4970/156 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/156Can #4. St. Peter's George Stoney Assoc. O'Clock Service+Spanish Class Feb 4; Multiple reels. Reel description: Traditional Service-Head, Traditional Communion, Spanish Class H.O., Spanish Class, Head Communion Traditional Service, trad, sound, Spanish class. |
| Film F-4970/157 |
Shepherd of the Night Flock, 1975, pix #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/157Stoney. St. Peters. Christmas Eve 1972. Jazz Vespers. SRI Howard McGhee; Lid notes: Christmas Eve Vespers; Reel description: Xmas Eve, Jazz outs and Trims, Xmas Eve-Howard McGee, Pix/Trak HO, XMAS Jazz Vespers. Trak 2. HO, Xmas Eve Jazz outs+trims, xmas eve WILD mus MOS. |
| Film F-4970/158 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/158DA 1665 A71792 Geo Stoney. Jazz St. Peter. 1. 1-2-3. B/W Orig. Can#15; Lid notes: 263 34473-35246, 263 36064-36863, 210 82103-82855; Multiple reels. Reel description: 210 82533-82693, 210 82241-822403, 263 36564-36863, 210 82404-82532, 263 34473-34734, 263 36064-36563, 210 82694-82955, 210 82103-82240, 263 34900-35246, 263 34740-34899. |
| Film F-4970/159 |
Shepherd of the Night Flock, 1975, pix #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/159Stoney. St. Peters. Christmas Eve Service. Before the Duke [SR1] Wild Track, Additional music roll; Multiple reels. Reel description: Stoney. St Peters. Christmas Eve Service before the Duke [SR1]HO, Mostly before the Duke but some Ellington stuff- maybe end of good shepherd, Xmas Readings and Duke. Heads Sync Pix Xmas Before Duke Outs, TL5 xmas eve/ duke sync pix outs, old [?] music roll 1. |
| Film F-4970/160 |
Shepherd of the Night Flock, 1975, pix #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/160St. Peter's. All Nite Soul. Only[?] Rolls. Various Sound and Picture; Multiple reels; Reel description: People entering+leaving+in church. All Night Soul (night), Eddies applause, 6th floor video cut, Wild Sound People entering, All Nite Soul Music Head Eddie Bownemere, Trak General Sync with Bomnemere +on street ?/ HO, Cut in Joe Newman Head All Notes, Piano cut all Nites, All Nite Sync. 6th Video (play ?) HO, 6th floor video playback outs, out and trims good [?] Hots All Night [?], Wild sound intro Joe Neuman. |
| Film F-4970/161 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/161St. Peter's. Geo. Stoney Assoc. Various Est Pix [?]; Multiple reels. Reel description: To Re[?], To Middle [?], slop test draft HO, people looking [?], Remember of Moldenke R. Sound H.O., Women in Moldenke St. Peters Geo Stoney Head 1st print. |
| Film F-4970/162 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/16242023 Tri Films Stoney Assoc. R-CR 4,5,6 16 PIX Neg 1180 ft. Multiple reels. Reel description: J255-85608-85812, J255 87660-87780, J266 30705-30857, J249 82687-82929, J249 83181-83350, J257 85226-85376, J257 85835-85927, J226 30109-30318, J257 85189-85225, J249 82930-83038, J255 87899-88102, J247 85526-85631, J255 84566-84701, J257 85377-85525, J249 83039-83180, J226 30319-30452, J255 84206-84411, J255 84702-84907, J255 87781-87898, J226 30453-30704, J255 87493-87659, J255 84412-84565, J249 83351-83463, J255 88103-88243, J257 85632-85834, J255 85015-85607. |
| Film F-4970/163 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/163St. Peters. G. Stoney Assoc. New Year's Eve. Cecil Taylor. Pix and Sound Roll; Multiple reels. Reel description: HO Cecial Taylor. New Year's Eve, FCM Cecil Taylor Gensel End. |
| Film F-4970/164 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/164George Stoney. Jazz at St. Peter's. DAILY. NEG. from Fine Grain Masters and Neg. of Final Stills for The Shepherd (Jazz at St. Peter's) George Stoney Assoc. 929 4278; Reel description: Tail. G. Stoney. The Shepherd. New. 7A. 170, 93 Neg, 35441 G. Stoney The Shepard Old. 7A 785. |
| Film F-4970/165 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/165Lid: PIC HELL 3A. Can: St. Peter's. All the Night Soul. Pix and Trak; Reel description: 2, Pix. Genzel Sync. On Bowe and on street.HO, 1, Neuman MOS, Eddie Bonnmere All Night Soul, Eddie Bonnmere. All Night Soul HO, Cuts in for Newman. All Night Soul, Genzel's intro. To Neuman, A.N.S. Re-Transfer of Piano, MOS- people leaving church. morning. All Night Soul. |
| Film F-4970/166 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/166St. Peter's. G. Stoney Assoc. Gift to the City (Scene from Luther) Ruth Brisbane, Amazing Grace; Reel description: Outs+Trims -Ruth, Turn, Turn, Turn, Pix+Track, Shot of Jazz musician's, Not Ruth's, 'Luther' Play, head Pix, Retrieval [?] Scene of 'Luther' HO, Cutaways of Church+ Congregation, 'Luther' Head, Track, Cutaways of actors of 'Luther,' Ruth-Good-End, Reading on Jazz, Does Not Conform to Sync (Luther). |
| Film F-4970/167 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/167Stoney Assoc. STDE? RS. VARIOUS ASSORTED MATERIALS; Multiple reels. Reel description: St. Peter's Pastor Genzel. Eddied Bonnemere. Jazz Vespers. Head out, Various St. Peter's Outs and Trims, Advent Communion [?]ED BOM[?], outs+trims various, St. Peter, Emma March INF, St. Peter's Track 1, part 1, HO sound out takes, Mixed Bach Intro, Pix/St. Peter's Jazz/Advent, Head Out, Stoney. St Peter Church from head, St. Peter's Jazz/Audience shots/[?]/Head, Ralph's Sermon last service, title negative St. Peter. |
| Film F-4970/168 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/168Voice Over Roll D John Gensel, Geo. Stoney Assoc. 929-4278, Jazz @ St. Peter's, Voice Over Roll D. Code Single letter D; Multiple reels. Reel description: Genzel-short history Re-Transfer, Tall Knopf, VO About Genzel/ Geo. Stoney Assoc. St. Peter's Jazz, John Genzel Voice Over D Head |
| Film F-4970/169 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/169EE0010-EE2067 Genzel in Maine Interview - Inside Cabin, Sync Rolls; Reel description: Jazz at St Peters |
| Film F-4970/170 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/170FF0010-FF1657, Genzel in Maine, Outdoors- Trees, cooking, wrestling, Sync rolls; Reel description: Jazz at St Peters |
| Film F-4970/171 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/171Genzel in Maine- Outdoors + Interview, Wild Sound and MOS. |
| Film F-4970/173 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/173St. Peters Jazz 1, Geo. Stoney Assoc. 929-4278, Jazz at St. Peter's, Voice Over Roll C code single letter C. |
| Film F-4970/174 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/174Jazz at St. Peters 2. Barbara's Wild Sound and MOS. |
| Film F-4970/175 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/175St. Peters Jazz 4; Reel description: Education VO cuts NG, Trk 1 Beep + Audience Wagner. Geo Stoney Assoc., Jazz at St. Peters/Wagner College Henry, Wild Track/ Head out. |
| Film F-4970/177 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/177Geo. C. Stoney Associates, Christmas Eve- 1972- Pastor John Genzel Sync Rolls, Howard McGee/Ruth Brisbane. |
| Film F-4970/178 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/178St. Peters Jazz 3. |
| Film F-4970/179 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/179Voice Over Roll A- John Genzel and Ellington Recording- The Shepherd who watches - Jazz Audio. |
| Film F-4970/180 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/180Storeyville 2, Geo. Stoney Assoc. 929-4278, Jazz @ St. Peter's. Voice over roll B Code sync letter B; Reel description: Musicians VO, [?], opening montage, Geo Stoney Assoc, St. Peter's Jazz, John Genzel, Voice Over, Roll B. |
| Film F-4970/181 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/181Help Me Jesus 2. |
| Film F-4970/182 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/182Jazz at St Peters, Help Me Jesus Stereo Sync Rolls, Geo Stoney Assoc. 929-4278, Code HH, HH0008-HH1358, Help Me, Jesus, Eddie Bonnemere, Stereo Sync Rolls. |
| Film F-4970/183 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/183VOICE OVER- John Genzel, Session [?]. |
| Film F-4970/185 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/185CC0006-2148 Wagner College Part I, (Staten Island Ferry at Head) Sync Rolls. |
| Film F-4970/186 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/186CC3010-CC5151 Wagner College Part III, Sync Rolls. |
| Film F-4970/187 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/187Jazz at St. Peters. Help me, Jesus Sync Rolls- Mono, Geo. Stoney Assoc. 9294278- Code JJ, JJ0006-JJ2109, Help me Jesus, Eddie Bonnemere, Mono Sync Rolls. |
| Film F-4970/188 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." F-4970/188Judge's Scene Sync+MOS+TRIMS. |
| Audiotape T-4970/62 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/621/4 Safety The Shepherd Reel #2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/63 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/63St. Peters End of Sync Take of Jazz Vespers Feb 4, 1973 plus interviews afterwards, no sync; 1/4 audiotape reel to reel. |
| Audiotape T-4970/64 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/64Sound Roll # II, St. Peter's Sat. Night 12/2/72 Rehearsal, Wild Track with slate- 2 thur 5, camera roll #2, takes 6-11, sync; 1/4 audiotape reel to reel. |
| Audiotape T-4970/65 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/65George Stoney Assoc. St. Peter's March, back: Roll X Jazz Vespers Eddied Bonnemere; 1/4 audiotape reel to reel. |
| Audiotape T-4970/66 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/66SR2 Genzel in Maine, Jazz at St. Peter's (Head Out, 7 1/2), various sync takes with Genzel talking about background, family, Puerto Rico, etc. George Stoney associates, 929-4278; 1/4 audiotape reel to reel. |
| Audiotape T-4970/67 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/67Roll I- March on March 4: I- wild sound before procession, II- sync of closing of door, III- wild sound of march; 1/4 audiotape reel to reel. |
| Audiotape T-4970/68 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/68SR3 Genzel's Jazz class; 1/4 audiotape reel to reel. |
| Audiotape T-4970/69 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/69SR1 Genzel with: Family in Maine, Jazz at St. Peter's (HO 7 1/2) Head out, various sync takes of Genzel with Family- gathering baby, trees, cooking, etc., George Stoney Associates. 929-4278; 1/4 audiotape reel to reel. |
| Audiotape T-4970/70 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/70Tape -B to be transferred, Rev. John Genzel voice over, St. Peter's Jazz, Geo. Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/71 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/71SR3 Genzel Voice Over/Session 2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/72 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/72Front: April 8, 1969 Back: (CRS) SR8 Stoney Assoc. St Peters, Jazz Vespers, Christmas Eve 1972, Head Out; 1/4 audiotape reel to reel. |
| Audiotape T-4970/73 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/73SR4 Genzel V.O.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/74 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/74SR3 Jazz @ St. Peter's, Sweet Basil 3, end of song, beginning +whole discussion with Gene Frank, Paul Knopf, + Genzel, voices- chan 1, music, chan 2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/75 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/75SR2 Genzel Voice Over/ Session 2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/76 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/76Voice Over Session #3- John Genzel, Head 7 1/2, Jazz at St. Peters Geo Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/77 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/77Voice Over Session 4 with Rev. John Genzel, Jazz @ St. Peter's, Geo. Stoney Associates, heat out 7 1/2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/78 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/781.Jazz at end of March-When Saints Come Marching In 2. Music at Central Presbyterian Branch March 4, 3. Wild Sound at Brunch (HO) cuts made in 1+2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/79 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/79SR1 Barbara's with Art Blakely's group and Evelyn Blakely with Rev. John Genzel, John entrance +discussion with Evelyn, Heads 7 ½; 1/4 audiotape reel to reel. |
| Audiotape T-4970/80 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/80St. Peter's George Stoney Assoc. 1. Narration 2. Jazz Vespers I (sync) 3/4/73 3.Singing Congregation to be transferred; 1/4 audiotape reel to reel. |
| Audiotape T-4970/81 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/81St. Peters Roll 6, Feb. 4, 1973 Jazz Vespers II. Heads Tone TAILS OUT; 1/4 audiotape reel to reel. |
| Audiotape T-4970/82 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/82Orig. Tapes All Night Soul. Orig. Tapes St. Peter's All Night Soul. Back: George Stoney Associates, St. Peter's All Night Vesper 1, recorded 7 1/2 ips pilotone sync A; 1/4 audiotape reel to reel. |
| Audiotape T-4970/83 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/83Voice Over John Genzel Sessions 5, Reel 2. (Head 7 1/2) St. Peter's Jazz Geo. Stoney associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/84 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/84SR 1 Genzel V.O.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/85 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/85John Genzel Lost V.O.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/86 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/86Roll VIII beginning of Jazz Vespers I, 3/4 roll used first few fakes sync, last take is sync all the rest wild, Eddie Bownemere; 1/4 audiotape reel to reel. |
| Audiotape T-4970/87 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/87SR3 Eddied Bownmere Help me Jesus Jazz at: St. Peter's, last sync takes around piano, re-cap of Help me Jesus, Eddied playing, HO 7 1/2 2/3s roll left; 1/4 audiotape reel to reel. |
| Audiotape T-4970/88 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/88St. Peter's March 7, Gift to the City Ecclesiastes III, Ruth Brisbang, Amazing Grace It's a Jazz spot, Jesus [?] horn [?] Scenes from Luther [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/89 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/89SR2 Genzel's Jazz class; 1/4 audiotape reel to reel. |
| Audiotape T-4970/90 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/90V.O. John Genzel Session 5 (Heads 7 1/2) Reel 1, St Peter's Jazz. Geo Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/91 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/91R2 Jazz at St. Peter's, Genzel, Gene Frank, Paul Knopf at Sweet Basil- stereo 7 1/2, Take 2 of Blues on a Wet Thursday, -various brief takes of music sync, - some sync, some sound only on Bring on the Clowns voices- chan 1, music- chan 2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/92 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/92Reel II Cecil Taylor, CMR II; 1/4 audiotape reel to reel. |
| Audiotape T-4970/93 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/93St. Peter's All Night Jazz, Vesper 2, recorded 7 1/2 PS Pilotone sync, George Stoney associates B; 1/4 audiotape reel to reel. |
| Audiotape T-4970/94 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/94SR2 Barbara's with Art Blakely group and Evelyn Blakely with Rev. John Genzel. -John [?] Thru crowd, -Evelyn's Bright Moments -Evelyn sings to John, -wild sound of music, club, joke; 1/4 audiotape reel to reel. |
| Audiotape T-4970/95 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/95Roll XI, Jazz Vespers IV, Interviews, Tail out; 1/4 audiotape reel to reel. |
| Audiotape T-4970/96 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/96Roll II, March, March 4, I-wild sound of March, II- opening of door, III- service in central church, IV- wild sound of Luncheon; 1/4 audiotape reel to reel. |
| Audiotape T-4970/97 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/97SR3 Genzel in Maine, Jazz at St. Peter's (Head out 7 1/2) -continatin(?) of sync takes of Genzel talk in camera, -several sync takes of wrestling with sons outdoors. -George Stoney associates, 929-4278; 1/4 audiotape reel to reel. |
| Audiotape T-4970/98 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/98SR5 Stoney assoc- St. Peters (CR3) Christmas Eve 1972; 1/4 audiotape reel to reel. |
| Audiotape T-4970/99 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/99Various Sound Effects for Jazz at St. Peter's George Stoney Associates, (Traffic, handclaps, applause, chiseling, sorts, putting down speaker, footsteps, room tone, camera click results); 1/4 audiotape reel to reel. |
| Audiotape T-4970/100 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/100Box XII, end interviews after Jazz Vespers music playing head out only about 1/8 of tape used; 1/4 audiotape reel to reel. |
| Audiotape T-4970/101 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/101St. Peter's March, March 4, Interviews After Jazz Vespers (Sync) George Stoney Assoc. SR4; 1/4 audiotape reel to reel. |
| Audiotape T-4970/102 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/102SR1 Genzel + Petersen HO 7 1/2, sync session with Rev. Genzel+Rev Ralph Petersen, sync +wild at the construction site of new church in Genzel +P; 1/4 audiotape reel to reel. |
| Audiotape T-4970/103 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/103Tape D To be Transferred, Rev. John Genzel Voice over, St. Peter's Jazz, Geo. Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/104 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/104SR5 General V.O.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/105 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/105SR-Voice Over Inter. 1 7 1/2, HO, 1. Interview/Statement by Ruth Ellington, More than 2/3's left on the roll. Jazz at St. Peter's George Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/106 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/106W.N.D.T. Channel 13 304w. 58th P6-0-28 Transfer to 16mm mag. St. Peters Roll II, Interview after Jazz Vespers VII, Feb. 4, 1973. Takes 2, Roll of 100cps Boost 6 db at 3.5kc; 1/4 audiotape reel to reel. |
| Audiotape T-4970/107 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/107Jim Hall Concert II, St. Peters March V, HO 7 1/2, Hall+Genzel Int., Reel Warped; 1/4 audiotape reel to reel. |
| Audiotape T-4970/108 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/108SR4 Stoney Assoc. St. Peters Christmas Eve 1972, Duke Ellington CR2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/109 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/109Jazz Vespers II March 4th out; 1/4 audiotape reel to reel. |
| Audiotape T-4970/110 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/110SR3 Genzel V.O. Jazz at St. Peters, George C. Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/111 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/111Jazz Vespers II, Some Sync, March 4th, Jim Hall Concert I March 4, to be transferred, SR3, G. Stoney Associates, St. Peter's March 3/4/73; 1/4 audiotape reel to reel. |
| Audiotape T-4970/112 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/112SR1 Genzel Voice over Session 2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/113 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/113Tape C to be transferred, Rev. John Genzel- voice over, St. Peter's Jazz, Geo. Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/114 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/114St. Peter's Roll 5, Feb. 4 1973, Jazz Vespers I, Camera Rolls 2 and 3; 1/4 audiotape reel to reel. |
| Audiotape T-4970/115 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/115SRT Stoney Assoc. Vespers Christmas Eve, 1972 [?] Out CR4, Ruth- Song of Mary On a clear Day; 1/4 audiotape reel to reel. |
| Audiotape T-4970/116 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/116Voice Over Tape A John Garcia Genzel, Jazz at St. Peter's, George Stoney Assoc.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/117 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/117Genzel Film Storyville Seg S.R.3; 1/4 audiotape reel to reel. |
| Audiotape T-4970/118 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/118Tails out. 7 1/2 stereo, SR2 Eddie Bownemere, Help me, Jesus Jazz at St. Peters, end of Help me Jesus sync, wild sound of service break-up, sync Genzel in Student groups about how jazz vespers +live minority starter, sync. Students singing around piano, (channel 1); 1/4 audiotape reel to reel. |
| Audiotape T-4970/119 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/119SR1 Genzel's Jazz Class, sync in Ferry, Genzel's intros, drummer, + John Sarrocca; 1/4 audiotape reel to reel. |
| Audiotape T-4970/120 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/120SR1 Storyville Shoot, sync Genzel+Joe Neuman; 1/4 audiotape reel to reel. |
| Audiotape T-4970/121 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/121SR1 Jazz At St. Peter's Genzel, Gene Frank, Paul Knopf, at sweet basil-stereo 7 1/2, Take 1- blue on a wet Thursday (camera conked out in middle) Take 2 Rag Piece-sound only, voices chan 1, music- chan 2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/122 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/122Cecil Taylor Roll II, CMR II HEADS OUT; 1/4 audiotape reel to reel. |
| Audiotape T-4970/123 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/123Jazz Vespers I, March 4, out; 1/4 audiotape reel to reel. |
| Audiotape T-4970/124 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/124Genzel Film, Storyland Seg S.R.2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/125 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/125SR2 Genzel V.O.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/126 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/126Used Tape (Splice Free) 600ft. 1.5 mils. Roll III, Cecil Taylor, CMR II, SYNC; 1/4 audiotape reel to reel. |
| Audiotape T-4970/127 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/127All Night Soul, 1/4 Reel, 7 1/2 ps sync St. Peter's, George Stoney Associates, First 1/4 of reel only; 1/4 audiotape reel to reel. |
| Audiotape T-4970/128 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/128SR.1 Eddie Bonnemere Help me, Jesus Jazz @ St. Peter's To 7 1/2 stereo, Eddie coming into Church sync milling with Genzel +musicians, musicians jamming in back, wild recording of Offering music, help me Jesus, intros + then song thru instrument solos, Channel 2, Radio+music, Chann 1 Audience voice PA; 1/4 audiotape reel to reel. |
| Audiotape T-4970/129 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/129SR2- Genzel+Peterson+Counseling Session, HO 7 1/2, voice over w. Rev. G.+P. about new church, sync on telephone counseling call+talk on camera about counseling, sync session counseling with R.D. Fraser various takes; 1/4 audiotape reel to reel. |
| Audiotape T-4970/130 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/130Church Jazz (lots of writing on back of box); 1/4 audiotape reel to reel. |
| Audiotape T-4970/131 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/131St. Peters # 2, (writing on back of box); 1/4 audiotape reel to reel. |
| Audiotape T-4970/132 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/132George Stoney. St. Peter's Demolition; 1/4 audiotape reel to reel. |
| Audiotape T-4970/133 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/133Reel 8. Narration for St. Peters. Ralph Peterson; 1/4 audiotape reel to reel. |
| Audiotape T-4970/196 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/196Bottom: 151PS R? Tone-Mix 1. Remember IM Me 1st Mix 2.10 of us [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/195 |
Shepherd of the Night Flock, 1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." T-4970/195St. Peter's 1/4 Safety of Mix; 1/4 audiotape reel to reel. |
| Videotape VT-4970/49 |
Shepherd of the Night Flock,1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." VT-4970/49St. Peter's The March: March 4, 1973. Video copy of film. |
| Videotape VT-4970/50 |
Shepherd of the Night Flock,1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." VT-4970/50All Night Soul at St. Peter's, 10/12/75 Steve Allen and group (concluded) Vera Auer quartet (continued), R11. |
| Videotape VT-4970/51 |
Shepherd of the Night Flock,1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." VT-4970/51K.D. Fraser, Jazz at St. Jazz. |
| Videotape VT-4970/52 |
Shepherd of the Night Flock,1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." VT-4970/52Jazz Vespers, w a Central [?] 3/4/73, Eddie Bonnemere's Mass for all Seasons. St. Peter's. |
| Videotape VT-4970/53 |
Shepherd of the Night Flock,1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." VT-4970/53All night soul at St. Peter's, 10/12/75 R.10 Bill McDaniel, singer, Ruth Brisbane, singer, Steve Allen(continued). |
| Videotape VT-4970/54 |
Shepherd of the Night Flock,1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." VT-4970/54St. Peter's No 11c, All Night Soul at St. Peter's 10/12/75, R. 6, L.D. Fraizer quartet concludes. Coposetics tap dances. |
| Videotape VT-4970/55 |
Shepherd of the Night Flock,1975 #04970, Subseries: "5.2. Shepherd of the Night Flock, 1975." VT-4970/55All Night Soult at St. Peter's 10/12/75 R. 7, Billy Taylor and group, Eddie Bonnemere and chorus(continued). |
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Subseries 5.3. Family Life in Japan, 1969.
Arrangement: by format.
Materials include films, 1/4th inch reel to reel audiotapes, videotapes, and cassettes all pertaining to Family Life in Japan.
| Audiotape T-4970/137 |
Family Life in Japan, 1969 #04970, Subseries: "5.3. Family Life in Japan, 1969." T-4970/137#1 Japan Family; 1/4 audiotape reel to reel. |
| Audiotape T-4970/138 |
Family Life in Japan, 1969 #04970, Subseries: "5.3. Family Life in Japan, 1969." T-4970/138#2 Family-Japan; 1/4 audiotape reel to reel. |
| Audiotape T-4970/139 |
Family Life in Japan, 1969 #04970, Subseries: "5.3. Family Life in Japan, 1969." T-4970/139#4 Family-Japan; 1/4 audiotape reel to reel. |
| Audiotape T-4970/140 |
Family Life in Japan, 1969 #04970, Subseries: "5.3. Family Life in Japan, 1969." T-4970/140#5 Family Japan; 1/4 audiotape reel to reel. |
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Subseries 5.4. In China, Family Planning is NO Private Matter, 1977.
Arrangement: by format.
Materials include films, 1/4th inch reel to reel audiotapes, videotapes, and cassettes all pertaining to In China, Family Planning is NO Private Matter.
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Subseries 5.5. A Message from Brazil, 1984.
Arrangement: by format.
Materials include films, 1/4-inch reel-to-reel audiotapes, videotapes, and cassettes all pertaining to A Message from Brazil.
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Subseries 5.6. Music Therapy, 1986.
Arrangement: by format.
Materials consist of videotapes from the production, Music Therapy.
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Subseries 5.7. Painting from Nature, 1972.
Arrangement: by format.
Materials include films and 1/4-inch reel-to-reel audiotapes from the production, Painting from Nature.
| Film F-4970/248 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." F-4970/2485-7-74 23352 Geo Stoney. Painting from Nature. Reel 1 of 3. 1146 ft; Multiple reels. Reel description: J257 54386-54799, J257 56954-57258, J233 18109-18271, J257 54104-54385, J233 18272-18615, J233 18616-18903, J238 86730, Bloop Slate Example, G. Stoney. Painting from Nature, J257 56461-56453. |
| Film F-4970/249 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." F-4970/249Painting from Nature;. Multiple reels. Reel description: Bird film pix Trims+Outs No edge #s, Sync Outs Painting, studio sketches out, bird film outs and trims pix with edge #s. |
| Film F-4970/250 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." F-4970/250Painting from Nature. Various Trak+Pix Elements; Multiple reels. Reel description: Painting from Nature. Wild Sound. Head out, Birds, SRD[?] MOS Bird Paintings/ Painting from Nature. HEADs/MOS Painting Pix+Outs. Painting from Nature, Head Int. Painting and EXT-kids in field/ Painting from Nature. |
| Film F-4970/251 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." F-4970/251TVC Dailies. 5-7-74. 23352. Geo Stoney. Painting from Nature. [?] Ft. 802; Multiple reels. Reel description: J28217-28307, J178 14989-15324, J257 54838-55266, J178 14654-14988, J218 63557-63962, J178 14525-14653, J218 63963-64358, J257 55267-55638. |
| Film F-4970/252 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." F-4970/252Painting from Nature. Various Trak+Pix Elements; Multiple reels. Reel description: [?]AD Sync Pix/Sync Outs/ from Nature. George C. Stoney Assoc. 989-55[?] George C. Stoney Assoc. 99[?] Head/Sync Track/Sync Outs from Nature, Price Bros. Trak 1. HO. Bird Film Outs+Trims Track with Edge #s, MOS PIX, Painting from Nature , 1st weekend, Head/Opening Trims/ Painting from Nature , Head/ Painting from Nature, MOS PIX/Exterior outs/FIrst Weekend. |
| Film F-4970/253 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." F-4970/253Painting from Nature-D. Pulseton. Various Trk+PIX; Multiple reels. Reel description: Painting from Nature. MOS Extreme Outs. HO., Corin + Sally [?], Jim's Bird [?] And Steve's Wildcat, 1/4 inch open reel, HEAD/Pix Trims From Painting/ Painting from Nature, HEAD/MOS Bird Pix Painting from Nature, Head/MOS PIX/ Painting from Nature/Collecting B.G.'s Outs, Head/ Painting from Nature/George Stoney Associates/Cut PIx, Painting from Nature, Head/Pix MOS Birds, Outs, Painting from Nature/OUTS. |
| Audiotape T-4970/50 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." T-4970/50SR 3 Dennis Puelieston. Painting from NatureVarious bird sounds, songs (near home with Rooster chorus, on way to march, on march, reel-wing blackbird, bob white; 1/4 audiotape reel to reel. |
| Audiotape T-4970/51 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." T-4970/51Painting from Nature. VO # III; 1/4 audiotape reel to reel. |
| Audiotape T-4970/52 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." T-4970/52SR1 - Corinnet Shelly; 1/4 audiotape reel to reel. |
| Audiotape T-4970/53 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." T-4970/53Dennis V.O. II; 1/4 audiotape reel to reel. |
| Audiotape T-4970/54 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." T-4970/54Dennis V.O.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/55 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." T-4970/55SR1 - Dennis Puleston Painting from Nature George Stoney Assoc; 1/4 audiotape reel to reel. |
| Audiotape T-4970/56 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." T-4970/56Dennis V.O. I; 1/4 audiotape reel to reel. |
| Audiotape T-4970/57 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." T-4970/57Painting from Nature [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/58 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." T-4970/58SR 2 Dennis Puleston Painting from Nature. George Stoney assoc; 1/4 audiotape reel to reel. |
| Audiotape T-4970/59 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." T-4970/59Charlie Milone narration and some Painting from Naturemusic; 1/4 audiotape reel to reel. |
| Audiotape T-4970/60 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." T-4970/60Tail out 7 1/2 FX reeds in wind, bushes in wind some birds mixed in. VO Dennis about working with Kids, wild [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/61 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." T-4970/61Music for Painting from Nature; 1/4 audiotape reel to reel. |
| Audiotape T-4970/199 |
Painting from Nature, 1972 #04970, Subseries: "5.7. Painting from Nature, 1972." T-4970/199(From the film can, F4970/253) Painting from Nature-D. Pulseton. Various Trk+PIX; 1/4 audiotape reel to reel. |
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Subseries 5.8. Paolo Freire Sampler, 1989.
Arrangement: by format.
Materials consist of videotapes from the Paolo Freire Sampler production.
Expand/collapse
Subseries 5.9. The Weavers: Wasn't That a Time, 1980-1982.
Arrangement: by format.
Materials consist of films, videotapes, and cassettes from the production, The Weavers: Wasn't That a Time.
Expand/collapse
Subseries 5.10. Miscellaneous and Untitled Productions, 1950s-1990s.
Arrangement: by format.
Materials include films, 1/4th inch reel to reel audiotapes, videotapes, cassettes, and digital media. There are multiple productions and multiple productions with unknown titles.
| Film F-4970/197 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/197Old Victrola Tunes: includes: Sousa March, How you gonna keep em down on the farm, Irish Aire, Chant Du Spheres, Old Kentucky home, Old folks at home, Old Vict Tunes, 78 records. |
| Film F-4970/198 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/198No description. |
| Film F-4970/199 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/199No description. |
| Film F-4970/200 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/20048104 Tri-Film Wildwood R1-2-4, 16 PIC NEG. 857ft. George Stoney. |
| Film F-4970/201 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/201Tri Film Service 'Stoney.' |
| Film F-4970/202 |
A Concept of Maternal and Neonatal Care, 1950 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/202A Concept of Maternal and Neonatal Care . ST1197; Can notes: please inspect before projecting; Viewing Copy available. |
| Film F-4970/203 |
All My Babies, 1953 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/203All My Babies. ST1208 Can notes: Complete Print. |
| Film F-4970/204 |
American Road, 1953 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/204American Road . ST1210; Can notes: Box 15, lid: [Ford Motor Co. Film Library]. Viewing Copy available. |
| Film F-4970/205 |
Autumn Flight, 1967 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/205Autumn Flight . |
| Film F-4970/206 |
Back on the Job, 1962 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/206Back on the Job . ST1127; Can Notes: Print 126, No.233; Viewing Copy available. |
| Film F-4970/207 |
Booked for Safekeeping, 1960 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/207Booked for Safekeeping . ST1237; Viewing Copy available. |
| Film F-4970/208 |
Challenge for Change, circa. 1968-1970 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/208Challenge for Change . ST1131; Can notes: Box 9, [For Brian Winston] [Prof. George Stoney]; Viewing Copy available. |
| Film F-4970/209 |
The Clergy and Cancer, 1977 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/209The Clergy and Cancer . ST1066; Can notes: Box 6; Viewing Copy available. |
| Film F-4970/210 |
Planning for Floods, 1974 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/210Geo. Stoney Assoc. Plus X Neg. 7231 Flood Film Process and Print. 7231 Plus X Neg, push 1/2 stop, End Test for Graphics; Reel description: J200 64211-64327, J200 64110-64210, Want little work print. Demolition footage. b/w dupe neg-St. Peters demolition geo. Stoney assoc. |
| Film F-4970/211 |
Common Thread, 1978 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/211200ft. 7242 EFB MagStripe. James B. Stoney/ Common Thread. 9/19/78. |
| Film F-4970/212 |
Common Thread, 1978 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/212100ft. 7242 EF Mag Stripe 9/10/78 James B. Stoney- Common Thread . Early Film Box 2. |
| Film F-4970/213 |
A Concept of Maternal and Neonatal Care, 1950 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/213A Concept of Maternal and Neonatal Care (Workprint?) No. 55 Concept Clips TWS #49 [on edge] [600' can] ST1092; Viewing Copy available. |
| Film F-4970/214 |
The Critical Decades, 1965 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/214The Critical Decades. ST1198; Can notes: Box 15; Reel description: Box 14; Viewing Copy available. |
| Film F-4970/216 |
The Furlined Foxhole, 1962 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/216The Furlined Foxhole. ST1071; Viewing Copy available. |
| Film F-4970/217 |
French Children, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/217French Children. No. 54 France/ECS [on edge] [Footage for unfinished Stoney film?] [400' can] ST1097; Viewing Copy available. |
| Film F-4970/218 |
Something for the Girls, 1961 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/218Girl Scouts. ST1200; Viewing Copy available. |
| Film F-4970/219 |
Help for Young Hearts, 1962 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/219The Help for Young Hearts. ST1143 |
| Film F-4970/220 |
Holty Circus, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/220Holty Circus No. 72 [on edge] Print 49 [on lid] [400' can]. ST1137; Viewing Copy available. |
| Film F-4970/221 |
The Circus, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/221The Circus. workprint. [on edge] Southern Educational Film Production Service, Inc. Athens, Georgia; Print No. ST1140 |
| Film F-4970/222 |
Holty 'Circus,' circa 1949-1959 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/222Holty 'Circus' Original [on edge] Holty 'Circus' Original 1949-1959 Athens, GA [on lid] [600' can] [vinegar] Note: This print appears to be identical to ST1140, however ST1139 is in better condition. ST1139; 35mm Film. Viewing Copy available. |
| Film F-4970/223 |
How to Live in a City, circa 1962-1963 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/223How to Live in a City. ST1081; Viewing Copy available. |
| Film F-4970/224 |
The Invader, 1954 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/224The Invader. ST1202; Reel description: Compos Print, Reel 2; Viewing Copy available. |
| Film F-4970/225 |
The Invader, 1954 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/225The Invader; Reel description: Print 1, Box 14. 35mm. |
| Film F-4970/226 |
The Invader, 1954 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/226The Invader. Good Spiro. Negative. ST1232; Reel description: The Invader. Good Spiro. Negative. Potomac 4/27 T4800; Viewing Copy available. |
| Film F-4970/227 |
Science Through Discovery, 1957-1960 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/227Learning Through Discovery/Science Through Discovery. ST1008; Can notes: Stoney Box 1, INSPECTED; Viewing Copy available. |
| Film F-4970/228 |
Man in the Middle, 1966 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/228Man in the Middle. ST1239; Reel description: First Trial Print; Viewing Copy available. |
| Film F-4970/229 |
Moses Circus, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/229Moses Circus No. 66 [on edge] [400' can]. ST1109 |
| Film F-4970/230 |
The Newcomers, 1962 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/230The Newcomers. ST1056 Can notes: Box 5; Viewing Copy available. |
| Film F-4970/231 |
Palmour Street, A Study of Family Life, 1949 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/231Palmour Street. ST1003; Can notes: Stoney Box 1. Palmour Street ST1003, ST1082. [Can: Palmour St. 761] [Reel:] 761 Palmour St. |
| Film F-4970/232 |
People with Colostomies, 1977 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/232People with Colostomies. [American Cancer Society]. ST029; Can notes: color, #4535; Viewing Copy available. |
| Film F-4970/233 |
Planning for Floods, 1974 Planning for FloodsST1244; Can notes: #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/233The Critical Decades. Copy #2. better copy: use this one. Viewing Copy available. |
| Film F-4970/234 |
Films for the American Heart Association under Potomac Films and George C. Stoney Associates, circa 1962 1966 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/234Early Film Box 1. Stock Shots Neg (35) Sporochetes. Potomac Spirocete Neg. 35mm. |
| Film F-4970/235 |
The Probing Mind, circa 1957-1960 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/235The Probing Mind. ST1005; Can notes: Stoney Box 1, INSPECTED, lid of can: [George C. Stoney Associates, Inc. The Probing Mind] [Clean] Print; Viewing Copy available. |
| Film F-4970/236 |
Proud Years, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/236Proud Years. ST1006; Can notes: Stoney Box 1, INSPECTED, lid of can: [George C. Stoney Assoc. Inc]; Viewing Copy available. |
| Film F-4970/237 |
Second Chance, 1956 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/237Second Chance. ST1009; Can notes: INSPECTED, Stoney Box 1; Viewing Copy available. |
| Film F-4970/238 |
The Secrets of the Heart, 1955 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/238The Secrets of the Heart. ST1010; Can notes: Box 1, INSPECTED; Viewing Copy available. |
| Film F-4970/239 |
Still Going Places, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/239Still Going Places. ST1215; Can notes: Box 15; Viewing Copy available. |
| Film F-4970/240 |
They Call it Wildcat, circa 1974-1977 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/240They Call it Wildcat. ST1019; Viewing Copy available. |
| Film F-4970/241 |
To Speak with Friends, circa 1957-1960 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/241To Speak with Friends#1. ST1011; Can notes: Stoney Box 1, INSPECTED, lid of can: [National Educational Television and Radio Center 2320 Washtenaw Avenues Ann Arbor, Michigan 4-1-25, Services: To Speak with Friends Program: Special Copy 25 1014' 28:10]; Viewing Copy available. |
| Film F-4970/242 |
Two Worlds to Remember, circa 1968-1970 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/242Two Worlds; Can notes: Early Film 3. Geo. Stoney. Two Worlds to Remember 16mm. Sound Reels 1 of 2 |
| Film F-4970/243 |
Under Pressure, 1964 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/243Under Pressure. ST1233; Can notes: Print #2 [No. 27 Under Pressure]; Viewing Copy available. |
| Film F-4970/244 |
Vera and The Law: toward a more effective system of justice, circa 1974-1977 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/244Vera and the Law.ST1216; Can notes: Box 15, 2655 lid: (New York University Film Library); Viewing Copy available. This documentary film looks at The Vera Institute for Justice, an independent nonprofit national research and policy organization based primarily in New York City whose mission is "to end the overcriminalization and mass incarceration of people of color, immigrants, and people experiencing poverty." The film combines narrations, interviews with participants, and scenes from actual program operations, including footage of police, drug detoxification, and prisons. |
| Film F-4970/245 |
VTR St Jacques, circa 1968-1970 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/245VTR St Jacques. ST1026; Viewing Copy available. |
| Film F-4970/254 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/254Sync roll#2 CT II Sync Material from Gact[?] After 4th CC0000- CC1090; Reel description: Village Dock Water shots, Boats, etc. B'Portlane Rain+Ferces, MOS Parade Bell Port. |
| Film F-4970/255 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/255City College Films #13 Pix Neg #19016; Mixed gauges: 35mm, 16mm, 8mm, 70mm. |
| Film F-4970/256 |
Two Worlds to Remember, circa 1968-1970 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/256George Stoney. Two Worlds to Remember. 16mm Neg A+B rolls. |
| Film F-4970/257 |
Two Worlds to Remember, circa 1968-1970 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/257George Stoney. Two Worlds to Remember Color Neg. Neg A+B rolls Reel 1. |
| Film F-4970/258 |
Common Thread, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/258Roll [?] Sync. BB0000- BB0810; Reel description: C0000-CC1090 Parade Sat Common Thread Sync Roll#3 Jamie Stoney, Bill Bonyan Golden Thread Son, and a roll of 16mm adhesive tape. |
| Film F-4970/259 |
The Hudson Shad, 1974 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/259Trak. Hudson River Special. Transitions 1+2; Reel description: George Stoney Assoc. The Shepherd. Reel 1. Trk 4. Head. |
| Film F-4970/260 |
The Hudson Shad, 1974, pix #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/260G. Stoney. Assoc. Hudson River Comp. Reel Cases Reel description: Jim brown. 51st state. Film pieces for Hudson River special/ pix ho, Saw Mill Trk.+Amer Cyan. 51st State. J Brown/G. Stoney. Film Pieces for Hudson R. Special Trak HO, mixed track J. Brown. Hudson R. Special HO. |
| Film F-4970/261 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/26142023 Tri Films. Stoney Assoc R-CR 7-8-9 16 Pix Neg 1214ft Can#11; Can notes: J210 48786-49342, J255 88301-89099, J212 33475-34273, J249 83480-84278, J257 47611-48409, J243 11120-11912 |
| Film F-4970/262 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/26242023 Tri Films Stoney Assoc. R CR 10-11-12 16Pix Neg 1195 ft Can notes: top: CR10 7224, Stoney Assoc. St. Peter's [?] (J257 48432-49126, J255 70773-71573, J262 48682-49480, J255 86685-87480, J257 86804-87563, J225 81634-82431, J257 86957-87099, J255 71306-71427, J262 48779-49029, J255 86761-86967, J257 48432048739, J255 82127-82267, J255 87353-87480, J262 49030-49263, J257 86832-86956, J225 81634-81761, J255 70773-70791, J255 70920-71129, J255 87249-87352, J255 86685-86760, J255 87132-87248, J255 71428-71573, J225 82007-82126, J255 70792-70919, J255 71130-71305, J225 81762-82006, J257 87100-87563, J255 86968-87131, J257 86804-86831, J225 82268-82431, J262 49264-49480, J262 48682-48778, J257 48740-48853, J257 48854-49126. |
| Film F-4970/263 |
The Hudson Shad, 1969 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/263Hudson Reel Material. Returned by Danny; Can notes: Kingston '69, launch rum party. |
| Film F-4970/264 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/26452808 Tri Films G. Stoney 16 Pix Neg. 975 FT/52897 TRI FILM G. Stoney 16PIX NEG 405 Ft. Can #14 Can notes: (4x Neg. Exposed Normal Process+Print Geo Stoney Assoc) (4x NEG Exposed Normal Process + Print Geo Stoney Assoc) (256 86205-86826, 256 76318-77098, 187 15159-15659, 256 84604-85383); 158 92896, 187 15526-15659, 156 84604-84731, 156 84732-84843, 256 85114-85277, 256 76318-76462, 256 86654-86826, 256 86344-86428, 187 15159-15233, 256 85278-85383, 256 84844-84974, J256 76463-76546, 256 76767-76934, 256 86424-86653, 187 15273-15525, 256 76935-77098, 187 15234-15377, 256 84975-85113, 256 86205-86343, 256 76547-76766, 158 93112. |
| Film F-4970/265 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/265James B Stoney. Type: 7242 Roll No.s 1B and 2B FTG: 581 |
| Film F-4970/266 |
Production Title Unknown, Year Unknown, pix #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/266Wild Wood CM Roll 1-2,3/Sound Roll 1/Plus Orig[?]; Reel description: Wild Wood Tape 1, 7 1/2 Sync+ NonSync, 1/4 inch magnetic tape, CR 1-2-3 Wild Wood, Head out, FCM Wild Wood SR1. |
| Film F-4970/267 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/267Various Sound Effects. Stoney Assoc; Reel description: Box with Magnetic Tape, 1/4 inch tail out, various sound effects, Tail, Morn Dove Crow Song Sparrow. |
| Film F-4970/268 |
Production Title Unknown, 1977 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/2689-22-77. George Stoney. L.A. DESEG. R. 2 of 2. Footage 811, R 4, 5. |
| Film F-4970/269 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/2693. NYU James B, Stoney. Jamie Stoney. 7242. A4+A5/ Ft. 439; Can notes: 1200 ft 4A 2001 7245 [?]. |
| Film F-4970/270 |
They Call it Wildcat, circa 1974-1977 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/270Wildcat; Can notes: lid: [ They Call it Wildcat Original A+B Answer Print]. George Stoney Associates. Ford Foundation (Boggs)] [Please Return this print to: Geo. C. Stoney 207 W.[?] Apt.[?] [Call above number if any questions on enclosed material]. |
| Film F-4970/271 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/2719-22-77. 73754. G Stoney. L.A. Select. Reel# 1 of 2. ft. 1207. R. 1-2-3. |
| Film F-4970/272 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/272George Stoney R1, 2 Orig. Pix |
| Film F-4970/273 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/273George Stoney R 3,4 Orig Pix. |
| Film F-4970/274 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/274George Stoney. 42285. Tri-Films R 4, 5, 6. 16 PIX Neg. 810 ft.; Reel description: J241 48763-48908, J265 19253-19353, J262 45041-45158, J265 19558-19802, J265 19803-19965, J265 19454-19557, J265 19354-19453, J241 57768-57894, J262 44731-44782. |
| Film F-4970/275 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/2753 Cans 72-L 42205 Tri-Film Service. George Stoney DAILIES. R 4, 5, 6, 16mm. Orig Pix. Neg. 807 ft; Reel description: J226 79168-79627, J255 71584-72020, J255 70431-70764, J255 70255-79430. |
| Film F-4970/276 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/276George Stoney. 72-L 42205 TH-Film Dailies. R 1,2,3 16mm, original pix neg; Reel description: J246 89550-89671, J243 69320-69449, J231 36529-26649, J231 26351-26528, J231 26097-26180, J241 46733-46843, J243 69450-69627, J226 77299-77423, J231 26650-26764, J243 69628-69743, J226 77425-77687, J226 77689-78008, J246 89811-90044. |
| Film F-4970/277 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/277George Stoney. 72-L. 42205 Tri Films. DAILIES. R 1, 2, 3 16mm Original Pix Neg; Reel description: J243 69208-69319, J243 69744-70002, J231 26181-26350, J246 89672-89810, J241 46611-46732, J241 46471-46610, J226 77217-77298, J231 26765-26895, J246 89313-89413, J241 47041-47159. |
| Film F-4970/278 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/2783 cans 72-L, 42205, Tri Film Service. George Stoney. Dailies. R 7, 8, 9. 16mm. Orig Pic Neg. 1213 ft; Reel description: J243-09825-09940, J243 09501-09628, J243 10122-10302, J243 09942-10121, J255 72027-72383, J226 78479-78817, J226 78240-78478, J243 09629-09816, J226 78018-78239, J226 78828-7917, J255 69968-70254. |
| Film F-4970/279 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/279George Stoney. Roll #s 1C, 2C, 3C, 4C, 1D, 2D. |
| Film F-4970/280 |
Production Title Unknown, 1992 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/2802-1 Dailies. 42422 Tri Film. Christmas Eve 1992 Rolls 1-2. 16mm. Pix Neg. 788. George Stoney; Reel description: J262 32767-32939, J262 32370-32626, J215 37101-37204, J255 56864-56966, J255 58099-58233, J255 56688-56863, J255 56967-57092, J266 94936-95206, J215 37205-37426, J262 32627-32766, J262 95354-95546, J262 95207-95353, J215 36842-37100. |
| Film F-4970/281 |
Production Title Unknown, Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/281George Stoney. 42285. Tri-Films R 1, 2, 3. 16 PIX NEG 1169 ft; Reel description: J241 57895-58013, J246 76751-76695, J241 48497-48598, J241 57220-57388, J246 76696-76943, J241 48599-48762, J246 76462-76570, J241 57636-57767, J262 44783-45640, J241 48112-48495, J262 45159-45522, J241 57389-57635, J246 76148-76461. |
| Film F-4970/282 |
Production Title Unknown, 1949 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/282Can No. 4 Jan 3, 1949, Footage: 100' Stoney. |
| Film F-4970/283 |
Production Title Unknown, 1949 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/283Can No. 3 Jan 3, 1949, Footage: 100' Stoney. |
| Film F-4970/286 |
The Runaway -or- Youth Will Have It's Fling, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/286Collection # 4970. Reg. 8mm. Mary Louise and George Stoney; Reel description: Tail, The Center for International Education The Runaway 1 Roll Original Color Reversal B Wind Silent Reg. 8mm Tail. |
| Film F-4970/287 |
The Hudson Shad, 1974 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." F-4970/287NOTE: The Hudson Shad film can contained: 16mm Composite print, color and 1 16mm full-coat mag track (deemed unusable). Both currently at Colorlab for preservation through a NFPF grant. Shipped March 4, 2010 to Colorlab.***Original + Mixed Track for Broadcast. |
| Audiotape T-4970/134 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/134TDK TAPE 100; 1/4 audiotape reel to reel. |
| Audiotape T-4970/135 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/135BAHDI USA Willimete Nov 2 68; 1/4 audiotape reel to reel. |
| Audiotape T-4970/136 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/136Erase+ Use; 1/4 audiotape reel to reel. |
| Audiotape T-4970/141 |
Planning for Floods, 1974 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/141Flood Film -Hugh Downs' Narration.Org; 1/4 audiotape reel to reel. |
| Audiotape T-4970/142 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/142CBC Radio- Canada. Ideas.Hands Selye; 1/4 audiotape reel to reel. |
| Audiotape T-4970/143 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/143MC Film [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/144 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/144Mr. Naylor Penny's + Picture; 1/4 audiotape reel to reel. |
| Audiotape T-4970/145 |
Police Series, circa 1960-1966 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/145Police Series. Sound Roll FF; 1/4 audiotape reel to reel. |
| Audiotape T-4970/146 |
Police Series, circa 1960-1966 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/146Police. NYP 61 Oct. 8 F; 1/4 audiotape reel to reel. |
| Audiotape T-4970/147 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/147Stan[?] Group Singing; 1/4 audiotape reel to reel. |
| Audiotape T-4970/148 |
The Hudson Shad, 1974 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/148Hudson Shad 1/4 Safety of Final Mix; 1/4 audiotape reel to reel. |
| Audiotape T-4970/149 |
Planning for Floods, 1974 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/149Flood Film. 1/4 inch safety of Mixed Track; 1/4 audiotape reel to reel. |
| Audiotape T-4970/150 |
Police Series, circa 1960-1966 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/150Police Series. Cleveland, voice over. Sound Roll II; 1/4 audiotape reel to reel. |
| Audiotape T-4970/151 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/151Documents. Kerensky at Stanford; 1/4 audiotape reel to reel. |
| Audiotape T-4970/152 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/152Jim Brown. 3/20/73. Mix 1 Take 1 ok [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/153 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/153Kline for Indian fish rolls 1; 1/4 audiotape reel to reel. |
| Audiotape T-4970/154 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/154[?]+Use; 1/4 audiotape reel to reel. |
| Audiotape T-4970/155 |
Family Life in Japan, circa 1967-1968 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/155Family- Japan- Dupe for Translation. Circus Music 3.75; 1/4 audiotape reel to reel. |
| Audiotape T-4970/156 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/156Mr. Naylor Interview Wild; 1/4 audiotape reel to reel. |
| Audiotape T-4970/157 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/157We are prepared to show Cincinnati lushes if you want to; 1/4 audiotape reel to reel. |
| Audiotape T-4970/158 |
Family Life in India, circa 1967-1968 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/158Tape #5 Family-India. McGraw Hill; 1/4 audiotape reel to reel. |
| Audiotape T-4970/159 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/159Geo. 2/71 Tape 7 1/2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/160 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/160Mr. Naylor Interview Wild; 1/4 audiotape reel to reel. |
| Audiotape T-4970/161 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/161Tape Two. Indian Family. McGraw Hill [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/162 |
The Furlined Foxhole, 1962 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/162What[?] Foxhole there[?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/163 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/163Stoney Stans Off; 1/4 audiotape reel to reel. |
| Audiotape T-4970/164 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/164Wiped. Irish Jigs. 3 3/4. For Square Dancing; 1/4 audiotape reel to reel. |
| Audiotape T-4970/165 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/165Stoney. Raskin Interview Camera Roll # 214. Original. How to look at a City. N.E.T.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/166 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/166Tape 3- Family Village; 1/4 audiotape reel to reel. |
| Audiotape T-4970/167 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/167Roll#7. Village Family-India; 1/4 audiotape reel to reel. |
| Audiotape T-4970/168 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/168Roll#6 Village Family; 1/4 audiotape reel to reel. |
| Audiotape T-4970/169 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/169Japanese family interview [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/170 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/170CBC Program. Something to Say with Buffy St. Marie; 1/4 audiotape reel to reel. |
| Audiotape T-4970/171 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/171Soundings 19 AOUT 70. St. Regis Indiana [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/172 |
Production Title Unknown, Year Unknown #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/172Indian Education - English (sound, slide set 81 FRS); 1/4 audiotape reel to reel. |
| Audiotape T-4970/173 |
Production Title Unknown, 1970 #04970, Subseries: "5.10. Miscellaneous and Untitled Productions, 1950s-1990s." T-4970/173Iroquois social dance songs on Mohawk Island looking for sound track. Sum 1970; 1/4 audiotape reel to reel. |