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This collection has access restrictions. For details, please see the restrictions.
This is a finding aid. It is a description of archival material held in the Wilson Library at the University of North Carolina at Chapel Hill. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the World Wide Web. See the Duplication Policy section for more information.
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Collection Overview
| Size | 26 feet of linear shelf space (approximately 9800 items) |
| Abstract | The Lucy Massie Phenix Collection consists of research files, production notes, audio recordings, film and video, photographs, financial materials, correspondence, and personal papers of Lucy Massie Phenix, a white documentary filmmaker. The bulk of the collection pertains to the 1985 documentary film, You Got to Move, which Lucy Massie Phenix co-directed and edited. The film looks at the social justice activists associated with the Highlander Research and Education Center in New Market, Tenn., formerly known as the Highlander Folk School. Other films represented in the collection include Winter Soldier (1972), a documentary film on soldiers' experiences of the Vietnam War; Word Is Out (1977), a documentary film on the life experiences of gay men and women of various backgrounds; Cancer In Two Voices (1994), a documentary film that follows Barbara Rosenblum, a sociologist diagnosed with breast cancer, and her lesbian partner, Sandy Butler, a feminist writer and activist; Regret To Inform (1998), a documentary film on "the lasting devastation of war through the eyes of women, Vietnamese and American widows of the Vietnam War"; Stranger With a Camera (2000), a documentary film on the murder of Canadian documentary filmmaker, Hugh O'Connor; and Don't Know, We'll See: The Work of Karen Karnes (2008), a documentary film on Karen Karnes,a white American ceramicist. The collection also contains subject files related to organizations with which Phenix was affiliated in the 1960s, including the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS), and American Friends Service Committee. Personal papers include materials from Phenix's childhood and her student years at Connecticut College for Women from 1960 to 1964. |
| Creator | Phenix, Lucy Massie. |
| Curatorial Unit | University of North Carolina at Chapel Hill. Library. Southern Historical Collection. |
| Language | English |
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Information For Users
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Subject Headings
The following terms from Library of Congress Subject Headings suggest topics, persons, geography, etc. interspersed through the entire collection; the terms do not usually represent discrete and easily identifiable portions of the collection--such as folders or items.
Clicking on a subject heading below will take you into the University Library's online catalog.
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Biographical Information
Lucy Massie Phenix is a white filmmaker who grew up in Lexington, Ky. and attended Connecticut College for Women. She is best known as an editor, producer, cinematographer, and director of documentary films. Phenix co-directed and edited the 1985 film, You Got To Move, which follows southern social justice activists and the Highlander Research and Education Center, formerly known as the Highlander Folk School, in New Market, Tenn. Phenix also edited Winter Soldier (1972), a documentary film on soldiers' experiences of the Vietnam War; co-produced and edited, Word Is Out (1977, Nancy Adair, Andrew Brown, Rob Epstein), a documentary film on the life experiences of gay men and women of various backgrounds; directed, co-produced, and edited Cancer In Two Voices (1994), a documentary film that follows Barbara Rosenblum, a white sociologist diagnosed with breast cancer, and her lesbian partner, Sandy Butler, a feminist writer and activist; co-edited Regret To Inform (1998, Barbara Sonneborn), a documentary on "the lasting devastation of war through the eyes of women, Vietnamese and American widows of the Vietnam War"; edited Stranger With a Camera (2000, Elizabeth Barret), a documentary film on the murder of Canadian documentary filmmaker, Hugh O'Connor; and directed and edited the 2008 documentary Don't Know, We'll See: The Work of Karen Karnes on the white American ceramist, Karen Karnes.
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Scope and Content
Primarily research files compiled by Lucy Massie Phenix on people and communities featured in the documentary You Got To Move. There is a small amount of material relating to funding the film and scattered correspondence of Lucy Massie Phenix about the film. The collection also contains a DVD viewing copy of You Got To Move.
The Addition of May 2011 consists of You Got To Move production materials, including 16mm films, 1/4 inch reel-to-reel audiotapes, audiocassettes, loose papers, and notebooks containing editing and production notes.
The Addition of July 2014 includes correspondence, interview transcripts, photographs, film and video, and additional materials on You Got To Move, as well as files relating to the documentary Don't Know, We'll See: The Work of Karen Karnes.
The Addition of August 2017 pertains principally to the film You Got To Move and contains correspondence with subjects of the film, newspaper clippings, photograph and newspaper research files, information on the Cumberland Mountain Educational Cooperative, three images, and video.
The Addition of October 2017 contains personal papers primarily consisting of subject files relating to organizations Phenix was involved with, including the Student Nonviolent Coordinating Committee, Students for a Democratic Society, and American Friends Service Committee, 1965-1967 and materials from Phenix's time as an undergraduate student at Connecticut College for Women, 1960-1964.
The Addition of November 2017 contains personal papers, research files on Myles Horton of the Highlander Research and Education Center, and files pertaining to the documentary films You Got To Move and Winter Soldier, the latter pertaining to atrocities during the Vietnam War.
The Addition of December 2019 contains files, production notes, and video elements related to the documentary films Cancer In Two Voices (1994), Regret To Inform (1999), and Stranger With a Camera (2000). Lucy Massie Phenix was director and producer of Cancer In Two Voices; senior editor of Regret To Inform; and editor, writer, and director in editing of Stranger With a Camera. Files consist of editing notebooks, tape logs, invoices and contracts, publicity stills, scripts, press kits, and printed materials, among other materials. The addition also includes publicity stills, including negatives and photographic prints, and color snapshots related to the production of Cancer In Two Voices (1994). The series also contains a VHS copy of You Got to Move (1985) and a "work tape" of Don’t Know, Well See: The Work of Karen Karnes (2008). Video recordings are on VHS and U-Matic.
The Addition of January 2020 contains personal papers, files, and production notes, such as editing notebooks, fundraising materials, publicity materials, and clippings, related to the documentary films Winter Soldier (1972), Word Is Out (1977), Cancer In Two Voices (1994), Don't Know We'll See: The Work of Karen Karnes (1993), and Regret To Inform (1998). The series also contains personal papers and photographic prints related to youth orchestras; correspondence, 1950s-1980s, to and from Lucy Massie Phenix with family, artist Karen Karnes, and others; loose papers found with materials; photographic printouts and photographic prints related to the production and distribution of Don't Know We'll See: The Work of Karen Karnes (1993) and photographic printouts and photographic prints related to You Got to Move (1985). The addition also includes a VHS copy and 16mm motion picture film elements of You Got to Move (1985), including original color A-B roll negatives of the film.
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Series Quick Links
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Series 1. Lucy Massie Phenix's Materials on You Got To
Move, circa 1981-1983
Primarily research files compiled by Lucy Massie Phenix on people and communities featured in the documentary You Got To Move. There is a small amount of material relating to funding the film and scattered correspondence of Lucy Massie Phenix about the film.
Processing information: Note that original arrangement and file folder titles have, for the most part, been retained.
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Series 2. Addition of May 2011 (Acc. 101307 and 101308)
Arrangement: By format, then alphabetically.
The addition consists of production materials from the documentary You Got To Move. Descriptions have been transcribed directly from original containers. Materials include 1/4 inch reel-to-reel audiotapes, audiocassettes, and 16mm film.
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Subseries 2.1. Papers
Boxes contain editing/producing notebooks and other similar papers.
Folder 47-50
Folder 47Folder 48Folder 49Folder 50 |
Recording cue sheets #05462, Subseries: "2.1. Papers" Folder 47-50Recording cue sheets and handwritten notes |
| Folder 51 |
Handwritten notes #05462, Subseries: "2.1. Papers" Folder 51 |
| Box 5 |
Editing/producing notebooks 1-6 #05462, Subseries: "2.1. Papers" Box 5 |
| Box 6 |
Editing/producing notebooks 7-12 #05462, Subseries: "2.1. Papers" Box 6 |
| Box 7 |
Editing/producing notebooks 13-18 #05462, Subseries: "2.1. Papers" Box 7 |
| Box 8 |
Editing/producing notebooks 19-23 #05462, Subseries: "2.1. Papers" Box 8 |
| Oversize Volume SV-5462/1 |
"You got to move" film log and shot list #05462, Subseries: "2.1. Papers" SV-5462/1 |
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Subseries 2.2. Film
Production materials from the documentary You Got To Move, includes 16mm film and 16mm full coat magnetic film.
| Film F-5462/1 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/1The Highlander Film Project. Type: 7247. Roll Numbers 10, 11, 12. Footage: 1215. CR 49, 51. Camera Original. |
| Film F-5462/2 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/2The Highlander Film Project. Type: 7294. Roll Numbers 172, 173, 174. Footage: 1215. CR 223, 210. Negative. |
| Film F-5462/3 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/383L69503-Highlander. Strip-Mining.B-Wind. OPT. 7272. Dupe. Pix. Neg. CR 37, 353A, 311A, 209. Negative. |
| Film F-5462/4 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/4The Highlander Film Project. Type: 7247. Roll Numbers 22, 23. Footage: 494. Camera Original. |
| Film F-5462/5 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/5The Highlander Film Project. Roll Numbers 78, 79, 80. Footage: 868. CR 63, 58. Camera Original. |
| Film F-5462/6 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/6The Highlander Film Project. Type: 7247. Roll Numbers 1,2,3. Footage: 1212. Camera Original. |
| Film F-5462/7 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/7The Highlander Film Project. Roll Numbers 54, 55, 56. Footage: 1220. CR 95, 178. Camera Original. |
| Film F-5462/8 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/8The Highlander Film Project. Helicopter. Type: 7247. Roll Number 1. Negative. |
| Film F-5462/9 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/9The Highlander Film Project. Type: 7247. Roll Numbers 19, 20, 21. Footage: 1200. CR 194, 71. Camera Original. |
| Film F-5462/10 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/10The Highlander Film Project. Type: 7247. Roll Numbers 116, 117, 118. Footage: 1210. G-Table3. Negative. |
| Film F-5462/11 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/11Cumberland Mountain/Highlander Film Project. Type: 7291. Roll Numbers 1. Footage: 164. CR 177, 110, 355A (partial), 156 (partial). Negative. |
| Film F-5462/12 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/12The Highlander Film Project. Type: 7247. Roll Numbers 4, 5, 6. Footage: 1209. Camera Original. |
| Film F-5462/13 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/13The Highlander Film Project. Type: 7247. Roll Numbers 30, 31, 32. Footage: 1211. Camera Original. |
| Film F-5462/14 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/14The Highlander Film Project. Type: 7249-93. Roll Numbers 108A, 108B, 108C, 89 and Test. Footage: 609. Negative. |
| Film F-5462/15 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/15The Highlander Film Project. Type: 7247. Roll Numbers 27, 28, 29. Footage: 1209. Negative. |
| Film F-5462/16 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/16The Highlander Film Project. Type: 7247-94. Roll Numbers 144, 145, 146. Footage: 1047. Negative. |
| Film F-5462/17 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/17The Highlander Film Project. Type: 7247. Roll Numbers 128, 129. Footage: 809. Negative. |
| Film F-5462/18 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/18The Highlander Film Project. Type: 7247-93. Roll Numbers 134. 135. Footage: 714. Negative. |
| Film F-5462/19 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/19The Highlander Film Project. Type: 7247-93. Roll Numbers 147, 148, 149. Footage: 1211. Negative. |
| Film F-5462/20 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/20Cumberland Mountain Ed COOP. The Highlander Film Project. Type: 7294. Roll Numbers 350, 351, 352. Footage: 1220. Negative. |
| Film F-5462/21 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/21The Highlander Film Project. Type: 7247. Roll Number 1. Footage: 118. Negative. |
| Film F-5462/22 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/22The Highlander Film Project. Type: 7247. Roll Numbers 107A, 107B. Footage: 414. Camera Original. |
| Film F-5462/23 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/23The Highlander Film Project. Type: 7291. Roll Numbers 313A. Footage: 413. Negative. |
| Film F-5462/24 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/24Cumberland Mountain Educ. Coop. The Highlander Film Project. Type: 7291. Roll Numbers 1,2. Footage: 500. CR 113, 193, 192. Negative. |
| Film F-5462/25 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/25The Highlander Film Project. Type: 7291. Roll Numbers 229, 230, 231. Footage: 1094. CR 41, 48. Negative. |
| Film F-5462/26 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/2684A9825- Cumberland-MT Ed COOP in "Highlander-Film-Project." 16mm BW Contact. Dupe. Pix. Neg. 156. CR 227, 226, 84, 169. Negative. |
| Film F-5462/27 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/27Cumberland Mountain Educational CO-OP. Type: 7291. Roll Numbers 203A. Footage 229. Negative. |
| Film F-5462/28 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/28Highlander Films. Type: 7247. Roll Numbers 120A-121. Footage 621. Negative. |
| Film F-5462/29 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/29Highlander Film Project. Type: 7247. Roll Numbers 38, 39. Footage 606. Camera Original. |
| Film F-5462/30 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/30Highlander Film Project. Type: 7247. Roll Numbers 24, 25, 26. Footage 1124. Camera Original. |
| Film F-5462/31 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/31Highlander Film Project. Type: 7293. Roll Numbers 102-103. Footage 816. Camera Original. |
| Film F-5462/32 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/32Highlander Film Project. Type: 7293. Roll Numbers 104-105. Footage 820. Camera Original. |
| Film F-5462/33 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/3384B70380 New Highlander Film Project CBS Labeled 306. 910 ft. Roll 306. 16mm B-Wind. 7249. CRI-Dupe Pix. Neg. CR 75, 76, 16, 155. Negative. |
| Film F-5462/34 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/3484B70380. Highlander Project. 16mm B-Wind. 7249. CRI Pix Neg. Roll 308. 295 ft. Labeled 308. CR 307, 202, 8, 10, 153, 310. 6 reels Negative. |
| Film F-5462/35 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/3584B70380. Highlander Film Project. 16mm B-Wind. 7272. Dupe Pix Neg. Roll 309. 136 ft. Labeled 307. CR 228, 174, 85, 52. Negative. |
| Film F-5462/36 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/36Highlander. "I am Somebody." "Zilphia." Footage 458. CR 67, 222. Negative. |
| Film F-5462/37 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/37Highlander Film Project. Type: 7247. Roll Numbers 49, 50. Footage 801. CR 9, 188. Negative. |
| Film F-5462/38 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/38Highlander Film Project/Cumberland MT. Type: 7291. Roll Numbers 1, 2A, 2B, 2C. Footage 223. CR 175, 166, N 974 7260-7924. New Stills. Gary Becker. Negative. |
| Film F-5462/39 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/39Highlander Film Project. Type: 7247. Roll Numbers 310A, 310B. Footage 816. CR 11, 213. Negative. |
| Film F-5462/40 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/40Highlander Film Project. Type: 7291. Roll Numbers 1. Footage 191. Negative. |
| Film F-5462/41 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/41Highlander Film Project. Type: 7247. Roll Numbers 36-37. CR 225, 17. Camera Original. |
| Film F-5462/42 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/42Cumberland Mountain ED COOP/Highlander Film Project. Type: 7294. Roll Numbers 353, 354, 355. Footage 1231. Negative. |
| Film F-5462/43 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/43Highlander Film Project. Type: 7447. Roll Numbers 130, 131. Footage 824. Negative. |
| Film F-5462/44 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/44Workprints. Internegs. of subtitles. Not used. Workprint of shots replaced by opticals. Negative. |
| Film F-5462/45 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/45Highlander Film Project. Type 7247. Roll Numbers 33, 34, 35. Footage 1212. Camera Original. |
| Film F-5462/46 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/46Parallel Films/Area A Matter of Struggle. Type 7294. Roll Numbers 339, 340. Footage 573. CR 14, 15. Negative. |
| Film F-5462/47 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/47Highlander Film Project. Type 7247-93. Roll Numbers 60, 61, 62. Footage 1283. CR 94, 157. Camera Original. |
| Film F-5462/48 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/48Highlander Film Project. Type 7247. Roll Numbers 46, 47, 48. Footage 1281. CR 70, 185. Negative. |
| Film F-5462/49 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/49Highlander Film Project. Type 7247-94. Roll Numbers 198, 199, 200. Footage 1208. CR 195, 69, 198 (partial), 47 (partial). Negative. |
| Film F-5462/50 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/50Highlander Film Project. Type 7291. Roll Numbers 201A 202B. Footage 819. CR 189, 191. Negative. |
| Film F-5462/51 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/51Cumberland Mountain Educ. Co-Op. Stills- Highlander Film Project. Type 7291. Roll Numbers 312A, 312B. Footage 584. CR 158, 182, 154, 222 (partial). Negative. |
| Film F-5462/52 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/52Parallel Films/Area. A Matter of Struggle. Type 7294. Roll Numbers 330, 331, 332. Footage 1211. CR 59, 211, 344, 166 (partial). Negative. |
| Film F-5462/53 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/53Cumberland Mountain. Highlander Film Project. Title 1 and stills. HFP 358A. Type 7691. Roll Numbers 1, 2, 3. Footage 380. CR 170, 57, 300-4. Negative. |
| Film F-5462/54 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/54The Highland Film Project. Type 7247. Roll Numbers 41, 42, 43. Footage 868. CR 112, 90. Camera Original. |
| Film F-5462/55 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/55The Highland Film Project. Type 7294. Roll Numbers 169, 170, 171. Footage 1213. CR 342 A, 357A (G.B. Stills) 50. Negative. |
| Film F-5462/56 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/56The Highland Film Project. Type 7247-93. Roll Numbers 157, 158, 159. Footage 1223. CR 74. Opt. SNO Trk (4) Hold Neg for Rejoining Roll 157. Camera Original. |
| Film F-5462/57 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/57The Highland Film Project. Type WorkPrint. Zylphia 1st neg. goes with roll 310. Footage 278. Negative. |
| Film F-5462/58 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/58The Highland Film Project. Type 7247. Roll Numbers 178, 179. Footage 812. CR 330A, 341A. Negative. |
| Film F-5462/59 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/59Ohio River Films. Dean Reed Project. Type 7247. Roll Numbers 10, 11, 12. Footage 914. Hobart's Trucks (optimage) J201 84236-84696. Camera Original. |
| Film F-5462/60 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/60Highlander Film Project. Type 7247-93. Roll Numbers 63, 64, 65. Footage 1226. CR 156, 181, 82. Camera Original. |
| Film F-5462/61 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/61Highlander Film Project. Type 7247-93. Roll Numbers 163, 164, 165. Footage 1228. CR 86, 179. Camera Original. |
| Film F-5462/62 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/62Highlander Film Project. Type 7293. Roll Numbers 160, 161, 162. Footage 1216. CR 45, 161. Camera Original. |
| Film F-5462/63 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/6385H81817 (Highlander) Cumberland Educ. CORP Pulled Orig Neg. "You Got To Move." Footage 265. Negative. |
| Film F-5462/64 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/64Highlander Film Project. Type 7247. Roll Numbers 189, 190, 191. Footage 1217. CR 160, 202A, 355A (partial), (archival)-12/21 52957-53251. Negative. |
| Film F-5462/65 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/65Fox Movie Tone. Cumberland Highlander Project. Type 7272. Roll Numbers 1. Footage 170. CR 66, 78. Negative. |
| Film F-5462/66 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/66Neg. of R1 Still. 286-9289+287007 CR 312A. Negative. |
| Film F-5462/67 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/67Highlander Film Project. I am Somebody. Outtakes. CR1. Footage 200. Negative. |
| Film F-5462/68 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/68Highlander Film Project. Comcorps Test. Type 7247. Roll Numbers T655. Footage 50. CR 55, 56, 358A (GB Stills). Camera Original. |
| Film F-5462/69 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/69Highlander Film Project. Type 7247. Roll Numbers 13, 14, 15. Footage 1209. CR 61, 54, 47. Camera Original. |
| Film F-5462/70 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/70Highlander Film/Cumberland Mountain. Type 7247. Roll Numbers 183, 184, 185. Footage 1023. CR 355A (partial GB stills), 111. Negative. |
| Film F-5462/71 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/71Area INC/Parallel Films. A Matter of Struggle. Type 7294. Roll Numbers 314. Footage 308. CR 20, 68, 203, 176. Negative. |
| Film F-5462/72 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/72Highlander Film Project. Stills. Type 7247-91. Roll Numbers 311A, 311B. Footage 821. CR 162, 199. Negative. |
| Film F-5462/73 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/73Highlander Film Project. Type 7247. Roll Numbers 75, 76, 77. Footage 1198. CR 115, 201A. Camera Original. |
| Film F-5462/74 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/74Highlander Film Project. Type 7294. Roll Numbers 166, 167, 168. Footage 1215. CR 60, 83. Camera Original. |
| Film F-5462/75 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/75Highlander Film Project. Type 7247. Roll Numbers 113, 114, 115. CR 12, 73. Negative. |
| Film F-5462/76 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/76Highlander Film Project. Type 7247. Roll Numbers 122, 123, 124. Footage 1025. Negative. |
| Film F-5462/77 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/77Highlander Film Project. Roll 330A. Type 7291. Roll Numbers 330A. Footage 389. CR 168, 72. Negative. |
| Film F-5462/78 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/78Highlander Film Project. Type 7247/93. Roll Numbers 66. 67. 68. Footage 1214. CR 229, A084 7386, 084 8138 (stills). Camera Original. |
| Film F-5462/79 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/79Highlander Film Project. Type 7293. Roll Numbers 150, 151, 152. Footage 557. Negative. |
| Film F-5462/80 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/80Highlander Film Project. Type 7294. Roll Numbers 141, 142, 143. Footage 993. Negative. |
| Film F-5462/81 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/81Highlander Film Project. Type 7291. Roll Numbers 1. Footage 400. CR 201, 196. Negative. |
| Film F-5462/82 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/82Highlander Film Project. Type 7247/94. Roll Numbers 132, 133. Footage 813. G-Table 3. Negative. |
| Film F-5462/83 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/83Highlander Film Project. Type 7247/94. Roll Numbers 186, 187, 188. CR 64, 7. Negative. |
| Film F-5462/84 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/84Highlander Film Project. Roll Numbers 344. Footage 300. CR 159, 91. Negative. |
| Film F-5462/85 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/85Highlander Film Project. Type 7247. Roll Numbers 119-120. Footage 815. Negative. |
| Film F-5462/86 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/86Highlander Film Project. Type 7247. Roll Numbers 884, 136, 137. Footage 917. Negative. |
| Film F-5462/87 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/87Highlander Film Project. Type 7291. Roll Numbers 226, 227, 228. Footage 1283. Negative. |
| Film F-5462/88 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/88Highlander Film Project. Type 7291. Roll Numbers 220, 221, 222. Footage 1224. CR 224, 167. Negative. |
| Film F-5462/89 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/89Highlander Film Project. Type 7294. Roll Numbers 356, 357, 358. Footage 865. Negative. |
| Film F-5462/90 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/90Highlander Film Project. Type 7247. Roll Numbers 125, 126, 127. Footage 1214. Negative. |
| Film F-5462/91 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/91Highlander Film Project. Type 7294. Roll Numbers 138, 139, 140. Footage 1212. Negative. |
| Film F-5462/92 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/92Highlander Film Project. Type 7247/93. Roll Numbers 51, 52, 53. Footage 1002. CR 21, 312B, 355A (partial), 68. Negative. |
| Film F-5462/93 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/93Highlander Film Project. Type 7291. Roll Numbers 223, 224, 225. Footage 1183. CR 230, 173, 356A (GB stills). Negative. |
| Film F-5462/94 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/94Highlander/Cumberland Mountain Highlander Project. Type 7291. Title- good 8/23. Roll Numbers 1. Footage 82. Negative. |
| Film F-5462/95 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/95Highlander Film Project. Type 7247. Roll Numbers 99, 100, 101. Footage 1221. Camera Original. |
| Film F-5462/96 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/96Highlander Film Project. Type 7247. Roll Numbers 195, 196, 197. Footage 1208. CR 93, 171. Negative. |
| Film F-5462/97 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/97Highlander Film Project. Type 7247/94. Roll Numbers 192, 193, 194. Footage 927. CR 18, 172. Negative. |
| Film F-5462/98 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/98Highlander Film Project. Type 7247. Roll Numbers 96, 97, 98. Footage 1219. CR 62, 231. Camera Original. |
| Film F-5462/99 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/99Highlander Film Project/Cumberland Mountain ED Coop. Type 7247/91. Roll Numbers 208, 209, 210. Footage 1233. CR 198, 354A, 43A, Title Sequence. Negative. |
| Film F-5462/100 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/100Highlander Film Project. Type 7247. Roll Numbers 72, 73, 74. Footage 1217. CR 310B, 306 partial. Camera Original. |
| Film F-5462/101 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/101Highlander Film Project. Type 7247. Roll Numbers 43, 44, 45. Footage 1203. CR 300 1-2-3. Negative. |
| Film F-5462/102 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/102Highlander Film Project. Type 7247. Roll Numbers 110, 111, 112. Footage 1197. CR 306 partial, 53. Negative. |
| Film F-5462/103 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/103HFP MOS BC3 HB6000. Bumpass Cove and Bumpass Cove Stills. |
| Film F-5462/104 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/10482029 Cumberland. You Got to Move. Footage 186. |
| Film F-5462/105 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/105HFP MOS and Stills. |
| Film F-5462/106 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/106HFP MOS Reel 7 Reel 8. Still: HA 0000. Johns Island-Driving: HA2000. |
| Film F-5462/107 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/107HFP MOS May Justus. Misc. Countryside Shots. |
Film F-5462/108-113
F-5462/108F-5462/109F-5462/110F-5462/111F-5462/112F-5462/113 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/108-113F-5462/108 HFP MOS Bernice R'son: Kios, Septima, Alice W. Wild SND. Fanny Loo Haner. F-5462/109 HFP MOS. Old Highlander. Tracy City and Vicinity. 16mm. F-5462/110 HFP MOS. CRs 220-225. Myles Gardening. F-5462/111 HFP MOS. CRs 226-231. Myles Gardening. 16mm. F-5462/112 HFP. MOS. Reel 9. Reel 10. People HC 0000. Cranks Creek. Place: HC 2000. 16mm. F-5462/113 HFP. MOS. HG0000. Highlander Center. R203A. 16mm. |
| Film F-5462/114 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/114R.1 Dial. A and Dial B. New Gary Becker Stills. Cumberland-Mountain-Highalander. |
| Film F-5462/115 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/115R.1 Dial. C. New Gary Becker Stills. Cumberland-Mountain-Highalander. |
| Film F-5462/116 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/116R.1 FX D and FX E. |
| Film F-5462/117 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/117R.1 FX F and FX G. Cumberland-Mountain Ed. Highlander Films. |
| Film F-5462/118 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/118R.1 Music A and B."You Got to Move." |
| Film F-5462/119 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/119R.2 Dial. A and Dial. B. 16mm and Full Coat Magnetic. |
| Film F-5462/120 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/120R.2 Dial. C and FX D. 16mm and Full Coat Magnetic. |
| Film F-5462/121 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/121R.2 FX E and FX F. 16mm and Full Coat Magnetic. |
| Film F-5462/122 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/122R.2 Music A and Music B. 16mm and Full Coat Magnetic. |
| Film F-5462/123 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/123R.3 Dial. A and B. 16mm and Full Coat Magnetic. |
| Film F-5462/124 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/124R.3 Dial. C. |
| Film F-5462/125 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/125R.3 FX D and FX E. |
| Film F-5462/126 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/126R.3 FX F and FX G. |
| Film F-5462/127 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/127R.3 Fx H and FX I |
| Film F-5462/128 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/128R.3 Music A and Music B. |
| Film F-5462/129 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/129R.4 "You Got to Move." 16mm and Full Coat Magnetic. |
| Film F-5462/130 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/130R.4 Dial. A and B. 16mm and Full Coat Magnetic. |
| Film F-5462/131 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/131R.4 Music A and B. 16mm and Full Coat Magnetic. |
| Film F-5462/132 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/132R.4 Music C and D. 16mm and Full Coat Magnetic. |
| Film F-5462/133 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/133Hobart. Trucks. Port Alamo. R4. |
| Film F-5462/134 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/134HFP. Myles and Lucy. 8184. Shot in Garden. |
| Film F-5462/135 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/135Bernice and Septima. Reprint. CR 157. |
| Film F-5462/136 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/13683L-69825. Old Highlander Footage. Our Original. "Highlander Film Project." 16mm col. Rev. Bwind. Orig. B/W. Bwind Rev. Orig (roll 3). Joined FTGE-1253. |
| Film F-5462/137 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/137HFP Old Highlander Footage. MOS. Archival. |
| Film F-5462/138 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/138Bill Saunders. WPAL Pix and Wild Trk. Uncoded. MOS Johns IS. Uncoded/Church. |
| Film F-5462/139 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/139Bernice Robinson with Septima Clark. With Alice Wine. And cabbage pickers. Misc. Pix and Trk. 16mm Full Coat Magnetic. |
| Film F-5462/140 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/140MOS. CR: 43-54 CR: 62-64. Code B2000. Code B4000. Bumpass Cove. 10/82. 16mm. |
| Film F-5462/141 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/141Port Alamo R.2. Zilphia Prints.16mm. |
| Film F-5462/142 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/142Bernice Reagon. Albany, GA.16mm and Full Coat Magnetic. |
| Film F-5462/143 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/14350th Sunday Tent and On Hill. Code H2000 Hill. Code H4000 Tent. MOS. CRs 91-104. |
| Film F-5462/144 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/144HFP Bumpass Cove Hearing. MOS Pix. Wild Trk. 16mm and Full Coat Magnetic. |
| Film F-5462/145 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/145HFP Gary Becker Stills. Port Alamo R.1. |
| Film F-5462/146 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/146Gary Becker Stills and Title Sequence. Port Alamo R.6. |
| Film F-5462/147 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/147Bill Saunders Stills. Personal-Korea-Bus Story-Highlander Workshop-Rosa Parks. Negative. |
| Film F-5462/148 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/148EA5000. Port Alamo R.1. 16mm and Full Coat Magnetic. |
| Film F-5462/149 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/149HFP. Bill Marlowe. MOS. |
| Film F-5462/150 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/150Bumpass Cove Pieces (1). 16mm and Full Coat Magnetic. |
| Film F-5462/151 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/151Becky Simpson Music. Full Coat Magnetic. |
| Film F-5462/152 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/152HFP. Toxics Conference. Wild Sound. Full Coat Magnetic. |
| Film F-5462/153 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/153You Got To Move: Misc. Music/Trims and Outs. Full Coat Magnetic. |
| Film F-5462/154 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/154Myles Horton Interview. 3/1985. Wild Sound. Full Coat Magnetic. |
| Film F-5462/155 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/155HFP. Bernice Reagon. "Wild Sound." Full Coat Magnetic. |
| Film F-5462/156 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/156Hospital Strike Stills. 16mm. |
| Film F-5462/157 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/157Music (1). Full Coat Magnetic. |
| Film F-5462/158 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/158Misc. Wild SND. Cranks Creek. Becky Simpson. Full Coat Magnetic. |
| Film F-5462/159 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/159HFP. Toxics Conference. Wild SND. Yellow Creek Ground Breaking. Full Coat Magnetic. |
| Film F-5462/160 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/160May Justus. Wild SND. Full Coat Magnetic. |
| Film F-5462/161 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/161Myles Horton Wild. Uncoded Trims. Full Coat Magnetic. |
| Film F-5462/162 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/162May Justus. Wild SND. Full Coat Magnetic. |
| Film F-5462/163 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/163Myles Sequences: Pulled from film. 16mm and Full Coat Magnetic. |
| Film F-5462/164 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/164Wild Trk. Interview 82. KG8000. Highlander Film Project. Becky Simpson. Full Coat Magnetic. |
| Film F-5462/165 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/165Bill Saunders Wild Sound. Full Coat Magnetic. |
| Film F-5462/166 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/166Wild Sound. 201. KP7000. Will Thomas Pull Reel. Pix and Trk. 16mm and Full Coat Magnetic. |
| Film F-5462/167 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/167E. D. Nixon. Wild Sound. KD000. Full Coat Magnetic. |
| Film F-5462/168 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/168HFP. Fox. MoneTone. Pix and Trk. Archival. 16mm and Full Coat Magnetic. |
| Film F-5462/169 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/169Bill Saunders/Pieces. 16mm and Full Coat Magnetic. |
| Film F-5462/170 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/17050th Anniversary and "Oh, Freedom." 16mm and Full Coat Magnetic. |
| Film F-5462/171 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/171HFP 50th Anniversary and Concert Footage. MOS Pulls. 50th Anniversary helicopter/workshop. 16mm and Full Coat Magnetic. |
| Film F-5462/172 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/172Bernice Robinson. Pieces. 16mm and Full Coat Magnetic. |
| Film F-5462/173 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/173"Nothing But a Man." 16mm and Full Coat Magnetic. |
| Film F-5462/174 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/174Trial-Stills and Trk. Trims. 16mm and Full Coat Magnetic. |
| Film F-5462/175 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/175HFP. "Peopleof the Cumberland." Pix and Trk. Archival. |
| Film F-5462/176 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/176"I am Somebody." Outs and Small Trims. 16mm and Full Coat Magnetic. |
| Film F-5462/177 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/177Highlander. Exteriors. Test Shoots 4183. New Market Trans. And Highlander Vistas and Dining Room.Negative. |
| Film F-5462/178 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/178Tuesday in November- Pix and Trk. 16mm and Full Coat Magnetic. |
| Film F-5462/179 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/179Moving Star Hall Singers-Music. Full Coat Magnetic. |
| Film F-5462/180 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/180HFP. Misc. 50th Anniv. Pieces. 16mm and Full Coat Magnetic. |
| Film F-5462/181 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/181Bernice Reagon. MOS. Feeding her dog. Bernice Reagon-Pieces. 16mm and Full Coat Magnetic. |
| Film F-5462/182 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/182HFP. MOS Pix. Toxics Conference. Yellow Creek. 16mm. |
| Film F-5462/183 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/183Trims. Bill Saunders and Church. 16mm and Full Coat Magnetic. |
| Film F-5462/184 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/184HFP. Stills. (Misc.) |
| Film F-5462/185 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/185Music Transfers. March 1985 (2). Full Coat Magnetic. |
| Film F-5462/186 |
You Got to Move, 1984 #05462, Subseries: "2.2. Film" F-5462/186Music Transfers (3). March 1984. Full Coat Magnetic. |
| Film F-5462/187 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/1872nd Answer Negative track. Reel 3. 16mm Negative. |
| Film F-5462/188 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/18850th Anniv. Pieces.16mm and Full Coat Magnetic. |
| Film F-5462/189 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/189Sweet Honey. 50th Anniv. Concert Pix/Trk.16mm and Full Coat Magnetic. |
| Film F-5462/190 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/190Myles Horton: Wild Sound. BG0000. Full Coat Magnetic. |
| Film F-5462/191 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/191Pull Reels: 23. FB5000 Pix and Trk. Bernice Reagon. 16mm and Full Coat Magnetic. |
| Film F-5462/192 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/192Pull Reels: 21. Bill Saunders. D5000. CE0000. CE5000. Full Coat Magnetic. |
| Film F-5462/193 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/193Pull Reels: 21A. Bill Saunders. CH0000. CH5000. CJ5000. Full Coat Magnetic. |
| Film F-5462/194 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/194Bill Saunders- Wild Sound. Full Coat Magnetic. |
| Film F-5462/195 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/195Bill Saunders: Wild Trk. KH0000. KG4000. Uncoded. Full Coat Magnetic. |
| Film F-5462/196 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/196Myles Horton Interview. 84. Wild Track. Reels 1,2,3. Full Coat Magnetic. |
| Film F-5462/197 |
You Got to Move, 1984 #05462, Subseries: "2.2. Film" F-5462/197Myles Horton Interview 8/3/84. Wild Sound. Full Coat Magnetic. |
| Film F-5462/198 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/198Pull Reel:1 Workshop. 16mm and Full Coat Magnetic. |
| Film F-5462/199 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/199The Trial Transfers. Full Coat Magnetic. |
| Film F-5462/200 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/200CBS Archival. 16mm and Full Coat Magnetic. |
| Film F-5462/201 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/201Flight of the Century. EA5000's-EB000's Pulls. 16mm and Full Coat Magnetic. |
| Film F-5462/202 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/202Will Thomas. Wild Sound. 16mm Full Coat Magnetic. |
| Film F-5462/203 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/203E. Myles in Garden. SND Rolls 205, 206, 207.Full Coat Magnetic. |
| Film F-5462/204 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/204Myles Horton-Wild Track KH6000. From 7/82 and "Broad Self-Interest."Full Coat Magnetic. |
| Film F-5462/205 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/205Loops.Full Coat Magnetic. |
| Film F-5462/206 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/206Myles Horton. Pull Reel. New Interview 3/85. 16mm and Full Coat Magnetic. |
| Film F-5462/207 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/207Russel V.O. Trk- FE0000. Mary Lee V.O. Trk- FG000 Lucy Narr. 16mm and Full Coat Magnetic. |
| Film F-5462/208 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/20850th Anniv. Pull Reel 11. 16mm and Full Coat Magnetic. |
| Film F-5462/209 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/209Myles Horton Pull Reel 9. 16mm and Full Coat Magnetic. |
| Film F-5462/210 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/210Pull Reel: 8. Myles, Gail, and Mary Lee. 16mm and Full Coat Magnetic. |
| Film F-5462/211 |
You Got to Move, 1985 #05462, Subseries: "2.2. Film" F-5462/211Myles Interview. 3/85. Reel 2. 16mm and Full Coat Magnetic. |
| Film F-5462/212 |
You Got to Move, 1985 #05462, Subseries: "2.2. Film" F-5462/212Myles Interview. 3/85. Reel 3. 16mm and Full Coat Magnetic. |
| Film F-5462/213 |
You Got to Move, 1985 #05462, Subseries: "2.2. Film" F-5462/213Myles Interview. 3/85. Reels 1 and 4. 16mm and Full Coat Magnetic. |
| Film F-5462/214 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/214Garden Myles. Old Pulls. E. D. Nixon. Wild Sound. KD4000, KD5000. Full Coat Magnetic. |
| Film F-5462/215 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/215Bernice Robinsons. Wild Sound. 27. K72000. 16mm and Full Coat Magnetic. |
| Film F-5462/216 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/216Pull Reels: 24 Bernice Reagon Fb5000 FC0000. FC5000. FD0000. 16mm and Full Coat Magnetic. |
| Film F-5462/217 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/217WS 26: Bernice Robinson KF0000. 16mm and Full Coat Magnetic. |
| Film F-5462/218 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/218Toxics: Not coded. Pull Reel: 7B Gail and Mary Lee. 16mm and Full Coat Magnetic. |
| Film F-5462/219 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/219Pull Reel: 6 Boys Fishing DC5000. 16mm and Full Coat Magnetic. |
| Film F-5462/220 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/220Pull Reel: 5. Bumpass Cove. 16mm and Full Coat Magnetic. |
| Film F-5462/221 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/221Pull Reel: 2 Workshop. 16mm and Full Coat Magnetic. |
| Film F-5462/222 |
You Got to Move, 1981 #05462, Subseries: "2.2. Film" F-5462/222HFP. Not Coded. Wild from Nov. 1981 Workshop. Full Coat Magnetic. |
| Film F-5462/223 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/223HFP. D. Exterior Ambiances. Wild. 16mm and Full Coat Magnetic. |
| Film F-5462/224 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/224Bill Saunders: Wild Trk. KG6000 Uncoded. 16mm and Full Coat Magnetic. |
| Film F-5462/225 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/225Becky Simpson: Selections 1 and 2. HJ3000, KJ5000. 16mm and Full Coat Magnetic. |
| Film F-5462/226 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/226Church Selections. 16mm and Full Coat Magnetic. |
| Film F-5462/227 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/227HFP. Wild Trk KH4000 7. 50th Anniv. KH5000 8. Full Coat Magnetic. |
| Film F-5462/228 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/228HFP. Wild Trk KH0000 5. KH2000 6. 50th Anniv. Full Coat Magnetic. |
| Film F-5462/229 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/229HFP. Wild SND: 9 KA0000 and Uncoded Wild 5. May Justus: 10 KA2000 Selects 6. Full Coat Magnetic. |
| Film F-5462/230 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/230HFP. Wild Trk. KB0000-Reel 1. Bumpass Cove. KB8000 4. Full Coat Magnetic. |
| Film F-5462/231 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/231HFP. Wild Trk. KB5000-Reel 2. Bumpass Cove. KB7000 3. Full Coat Magnetic. |
| Film F-5462/232 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/232HFP C. Exterior Ambiances. Wild. |
| Film F-5462/233 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/233HFP B. Exterior Ambiances. Wild. |
| Film F-5462/234 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/234Slop Print Reel 1. Pix and Trk. |
| Film F-5462/235 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/235Slop Print Reel 2. Pix and Trk. |
| Film F-5462/236 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/236Slop Print Reel 3. Pix and Trk. |
| Film F-5462/237 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/237The Trial. May Justus. Bill Marlow. Tiny Trims. Full Coat Magnetic. |
| Film F-5462/238 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/238Tiny Trims. Myles. Full Coat Magnetic. . |
| Film F-5462/239 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/239Tiny Trims B.C. Stills. Full Coat Magnetic. |
| Film F-5462/240 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/240Tiny Trims-E. D. Nixon and Mont MOS. Full Coat Magnetic. |
| Film F-5462/241 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/241Tiny Trims. Bernice Robinson. Bernice and Septimo. Bernice and Alice Wine. Stills-C.E. Class. 16mm and Full Coat Magnetic. |
| Film F-5462/242 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/242Tiny Trims. Bumpass Cove. Full Coat Magnetic. |
| Film F-5462/243 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/243Tiny Trims. Bernice Reagon. Full Coat Magnetic. |
| Film F-5462/244 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/244Tiny Trims. Highlander 50th. Full Coat Magnetic. |
| Film F-5462/245 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/245Tiny Trims. Will Thomas. Full Coat Magnetic. |
| Film F-5462/246 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/246Tiny Trims. Cranks Creek. 16mm and Full Coat Magnetic. |
| Film F-5462/247 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/247Tiny Trims Workshop. 16mm and Full Coat Magnetic. |
| Film F-5462/248 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/248Reel 1. Workpix and 16 mixed mag. "You Got to Move." 16mm and Full Coat Magnetic. |
| Film F-5462/249 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/249Reel 2. Workpix and 16 mixed mag. "You Got to Move." 16mm and Full Coat Magnetic. |
| Film F-5462/250 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/250Reel 3. Workpix and 16 mixed mag. "You Got to Move." 16mm and Full Coat Magnetic. |
| Film F-5462/251 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/251Reel 4. Workpix and 16 mixed mag. "You Got to Move." 16mm and Full Coat Magnetic. |
| Film F-5462/252 |
You Got to Move, circa 1981-1985, mag #05462, Subseries: "2.2. Film" F-5462/252Mostly Blank Mag Stock. Clean Mag. YGTM. Full Coat Magnetic. |
| Film F-5462/253 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/253Civil Rights Archival. C.T Vivien From Montgomery to Memphis. 16mm and Full Coat Magnetic. |
| Film F-5462/254 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/254Stripmining/Flood. 16mm and Full Coat Magnetic. |
| Film F-5462/255 |
You Got to Move, circa 1981-1985, pix #05462, Subseries: "2.2. Film" F-5462/25566 Bill Marlowe. Pic and Track in bag.16mm and Full Coat Magnetic. |
| Film F-5462/256 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/25671. Bernice Robinson. CB5000.16mm and Full Coat Magnetic. |
| Film F-5462/257 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/257Bill Marlowe and Wild Sound.16mm and Full Coat Magnetic. |
| Film F-5462/258 |
You Got to Move, circa 1981-1985, pix #05462, Subseries: "2.2. Film" F-5462/258Bill Marlow. Pull Reel. Pix and Trk.16mm and Full Coat Magnetic. |
| Film F-5462/259 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/259Oh Freedom. N.C. B-Wind Print. |
| Film F-5462/260 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/260Oh Freedom. 16mm. |
| Film F-5462/261 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/261Music from Highlander Workshop.Full Coat Magnetic. |
| Film F-5462/262 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/262Becky Simpson Stills and Pieces. |
| Film F-5462/263 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/263DEGAUS. Full Coat Magnetic. |
| Film F-5462/264 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/264Reel 1. "You Got to Move." 1st Answer Print. Negative. |
| Film F-5462/265 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/265Reel 2. "You Got to Move." 1st Answer Print. Negative. |
| Film F-5462/266 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/266Sync 1A. CRs 1B, 2A. 1A Code AA0000. Nov. 1981 Culture and Land Workshop. 1A. 16mm and Full Coat Magnetic. |
| Film F-5462/267 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/267Sync 1B. CRs 2B, 3A. 1B Code AA5000. Nov. 1981 Culture and Land Workshop. 1B. 16mm and Full Coat Magnetic. |
| Film F-5462/268 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/268Sync 2A. CR SR E. Code 2A DA 1000 DA. Nov. 1981 Culture and Land Workshop. 2A. 16mm and Full Coat Magnetic. |
| Film F-5462/269 |
You Got to Move, 1981 #05462, Subseries: "2.2. Film" F-5462/269Sync 2B. CR 5B. Code 2B DA 5000. Nov. 1981 Culture and Land Workshop. 2B. 16mm and Full Coat Magnetic. |
| Film F-5462/270 |
You Got to Move, 1981 #05462, Subseries: "2.2. Film" F-5462/270Sync 3A. Code AB5000-5620. Nov. 1981 Culture and Land Workshop. 3A. 16mm and Full Coat Magnetic. |
| Film F-5462/271 |
You Got to Move, 1981 #05462, Subseries: "2.2. Film" F-5462/271Sync 3B. CR 8,9A. Code AB5621-Ac0380. Nov. 1981 Culture and Land Workshop. 3B. 16mm and Full Coat Magnetic. |
| Film F-5462/272 |
You Got to Move, 1981 #05462, Subseries: "2.2. Film" F-5462/272Nov. 1981 Culture and Land Workshop. Code Ac0381. Sync 4. CR 9B, 10A. 16mm and Full Coat Magnetic. |
| Film F-5462/273 |
You Got to Move, 1981 #05462, Subseries: "2.2. Film" F-5462/273Nov. 1981 Culture and Land Workshop. Lunch, Cranks Creek, Y.C. (Ed H), Ed Cabbell. Code AC5000-5912. Sync 5. CR 10B-12A. 16mm and Full Coat Magnetic. |
| Film F-5462/274 |
You Got to Move, 1981 #05462, Subseries: "2.2. Film" F-5462/274Nov. 1981 Culture and Land Workshop. Music (Jane, Ed C., Ruth and Ed) Nimrod. Code AC5914-AD0677. Sync 6A. CR 12B, 13. 16mm and Full Coat Magnetic. |
| Film F-5462/275 |
You Got to Move, 1981 #05462, Subseries: "2.2. Film" F-5462/275Nov. 1981 Culture and Land Workshop. Jane, Ed, ELIZ prac., Supper, JoCarson, Larry Wilson poems. Code AC0679-AD0907 and 5000-5560 and TRK- AD5045-AC5046. Sync 6B. CR 14, 15A. 16mm and Full Coat Magnetic. |
| Film F-5462/276 |
You Got to Move, 1981 #05462, Subseries: "2.2. Film" F-5462/276Nov. 1981 Culture and Land Workshop. Bumpass cove-Storys. Code Pix: AD5561-AD6124 and TRK AC5561-6124. Sync 7. CR 15B-16A. 16mm and Full Coat Magnetic. |
| Film F-5462/277 |
You Got to Move, 1981 #05462, Subseries: "2.2. Film" F-5462/277Nov. 1981 Culture and Land Workshop. Jane Sapp [?] Dance. Ever get tired? Listening to what little bit of death. Code: AE0000. Sync 8. CR 16B, 17A. 16mm and Full Coat Magnetic. |
| Film F-5462/278 |
You Got to Move, 1981 #05462, Subseries: "2.2. Film" F-5462/278Nov. 1981 Culture and Land Workshop. Gail and Myles before mting. Pam watches B.C. song on videotape. Gail-importance of workshop. Eliz. Mc, Ed Cabbell, Jane Sapp. Code AE5000. Sync 9. CR 17B, 18. SR Q, R. 16mm and Full Coat Magnetic. |
| Film F-5462/279 |
You Got to Move, 1981 #05462, Subseries: "2.2. Film" F-5462/279Nov. 1981 Culture and Land Workshop. Memorial Service Sun AM. Code AF0000. Sync 10. CRs 19, 20A. 16mm and Full Coat Magnetic. |
| Film F-5462/280 |
You Got to Move, 1981 #05462, Subseries: "2.2. Film" F-5462/280Nov. 1981 Culture and Land Workshop. Code AF5000. Sync 11A. CRs 20B, 21, 22A. 16mm and Full Coat Magnetic. |
| Film F-5462/281 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/281Nov. 1982 Culture and Land Workshop. Code AG000. Sync 11B. CR 22B. SR. 16mm and Full Coat Magnetic. |
| Film F-5462/282 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/282March '82 BC. Code AG5000. Sync 12. CRs 24, 25, 26A. 16mm and Full Coat Magnetic. |
| Film F-5462/283 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/283March '82 BC. Code AH0000. Sync 13. CRs 26B, 27, 28. 16mm and Full Coat Magnetic. |
| Film F-5462/284 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/284March 82 B.C. inside/outside. YC, slide, car, Fowler site. Code AH5000. Sync 14. CRs 28B-30. 16mm and Full Coat Magnetic. |
| Film F-5462/285 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/285March 82 B.C. outside-landfill. Code AJ0000. Sync 15. CR 31. 16mm and Full Coat Magnetic. |
| Film F-5462/286 |
You Got to Move, 1982, pix #05462, Subseries: "2.2. Film" F-5462/286March 82 B.C. outside/inside. Code AJ5000. Sync 16. CR 32, 33, 34A. 16mm and Full Coat Magnetic. |
| Film F-5462/287 |
You Got to Move, 1982, pix #05462, Subseries: "2.2. Film" F-5462/287March 82 B.C. Code AK0000. Sync 17. CR 34B, 35A. 16mm and Full Coat Magnetic. |
| Film F-5462/288 |
You Got to Move, 1982, pix #05462, Subseries: "2.2. Film" F-5462/288March 82 B.C. Code AK5000. Sync 18. CR 35B, 36, 37A. 16mm and Full Coat Magnetic. |
| Film F-5462/289 |
You Got to Move, 1982, pix #05462, Subseries: "2.2. Film" F-5462/289March 82 B.C. 3 Women (includes Pull7A). AK5. Code DB0000. Sync 19A. CR 37B, 38, 39. 16mm and Full Coat Magnetic. |
| Film F-5462/290 |
You Got to Move, 1982, pix #05462, Subseries: "2.2. Film" F-5462/290Bumpass Cove Hearing. July 1982. Sync 19B. 16mm and Full Coat Magnetic. |
| Film F-5462/291 |
You Got to Move, 1982, pix #05462, Subseries: "2.2. Film" F-5462/291Oct. '82 M.H. Code DC0000. Sync 20. CRs 44, 45, 46A. 16mm and Full Coat Magnetic. |
| Film F-5462/292 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/292Travis and Jerry fishing-B.C. 10/82. Code DC0000. Sync 21. CR 47, 48A. SRs 3, 4A. 16mm and Full Coat Magnetic. |
| Film F-5462/293 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/293Russell and Richard across from Landfill-B.C. Code DD0000. Sync 22. CR 49, 50. SRs 4B, 5, 6A. 16mm and Full Coat Magnetic. |
| Film F-5462/294 |
You Got to Move, 1982, pix #05462, Subseries: "2.2. Film" F-5462/294Early AM, breakfast at the Story's- B.C. 10/82 Richard in graveyard. Code DD5000. Sync 23. CR 52, 53 SR 6B, 7A. 16mm and Full Coat Magnetic. |
| Film F-5462/295 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/295Gail and Mary Lee interview. B.C. 10/82. Code DE0000. Sync 24. CR 55, 56. SR 8, 9. 16mm and Full Coat Magnetic. |
| Film F-5462/296 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/296Gail and Mary Lee. 10/82 B.C. Code DF0000. Sync 25. CR 57, 58. SR 9b, 10. 16mm and Full Coat Magnetic. |
| Film F-5462/297 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/297Gail and Mary Lee. 10/82 B.C. Code DE5000. Sync 26. CR 59, 60A. SR 11. 16mm and Full Coat Magnetic. " |
| Film F-5462/298 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/298Gail and Mary Lee. 10/82 B.C. Code DF5000. Sync 27. CR 60B, 61, 62. SR 12, 13A. 16mm and Full Coat Magnetic. |
| Film F-5462/299 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/299Myles, Gail and Mary Lee. 10/82 B.C. Code DG0000. Sync 28. CR 65, 66. SR 13B, 14A. 16mm and Full Coat Magnetic. |
| Film F-5462/300 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/300Myles, Gail and Mary Lee. 10/82 B.C. Code DG5000. Sync 29. CR 67, 68. SR 14, 15A. 16mm and Full Coat Magnetic. |
| Film F-5462/301 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/301Richard-driving in truck. 10/82 B.C. Code DH0000. Sync 30A. CR 69, 70A. SR 16. 16mm and Full Coat Magnetic. |
| Film F-5462/302 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/302B.C. Chuckey Restaurant interior. 10/82. Code DH5000. Sync 30B. CR 72. SR 17A. 16mm and Full Coat Magnetic. |
| Film F-5462/303 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/303Myles in Garden (I got the 1st part of this roll out of sync with track- slug pix). 10/82. Code DJ0000. Sync 31. CR 73, 74. SR 17, 18. 16mm and Full Coat Magnetic. |
| Film F-5462/304 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/304Myles Interview. Oct. 82. Code DJ0000. Sync 32. CR 75, 76A. SR 19, 20A. 16mm and Full Coat Magnetic. |
| Film F-5462/305 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/305Myles Interview. Oct. 82. Code DK0000. Sync 33. CR 76B, 77A. SR 20B. 16mm and Full Coat Magnetic. |
| Film F-5462/306 |
You Got to Move, 1982, pix #05462, Subseries: "2.2. Film" F-5462/3061st day of Highlander 50th Friday 10/22/82. Code DK5000. Sync 34. CR 78, 79, 80. SR 21B, 22. 16mm and Full Coat Magnetic. |
| Film F-5462/307 |
You Got to Move, 1982, pix #05462, Subseries: "2.2. Film" F-5462/30750th. Va. Durr. Storys and Alfredo and Dorothy Thompson Saturday. 10/23/82. Code EA5000. Sync 35. CR 81, 82. SR 23. 16mm and Full Coat Magnetic. |
| Film F-5462/308 |
You Got to Move, 1982, pix #05462, Subseries: "2.2. Film" F-5462/308TV interview with MH. Gurney Ethel, Shelva. Conversations outside at center. Saturday. 10/23/82. Code EA5000. Sync 36. CR 83, 84A. SR 24, 25A. 16mm and Full Coat Magnetic. |
| Film F-5462/309 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/30950th Singing in tent. Y.C. Baldimar. Saturay. 10/23/82. Code EB0000. Sync 37. CR 84B, 85A. SR 25B, 26A. 16mm and Full Coat Magnetic. |
| Film F-5462/310 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/310Pam and Angie Story. 10/23/82. Code EB0000. Sync 38. CR 85B, 86. SR 26, 27A. 16mm and Full Coat Magnetic. |
| Film F-5462/311 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/31150th Center at Breakfast Sunday AM. 10/24/82. Code EC0000. Sync 39. CR 90B, 91A. SR 28. 16mm and Full Coat Magnetic. |
| Film F-5462/312 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/312Bill Saunders Interview. 10/24/82. Code EC5000. Sync 40. CR 92, 93A. SR 29, 30A. 16mm and Full Coat Magnetic. |
| Film F-5462/313 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/313Elizabeth McCommon Interview. 10/24/82. Code ED0000. Sync 41. CR 93B, 94A. SR 30B. 16mm and Full Coat Magnetic. |
| Film F-5462/314 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/31450th Sunday AM Tent. Highlander Birthday. Myles' Speech. 10/24/82. Code ED5000. Sync 42. CR 95B, 96. SR 31B, 32A. 16mm and Full Coat Magnetic. |
| Film F-5462/315 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/31550th afternoon in tent and afterwards (We Shall Overcome) Sunday. 10/24/82. Code EF5000. Sync 46. CR 102, 103. SR 35, 36. 16mm and Full Coat Magnetic. |
| Film F-5462/316 |
You Got to Move, 1982 #05462, Subseries: "2.2. Film" F-5462/316Zilla interview. 10/24/82. Code EG0000. Sync 47. CR 104B, 105. SR 37. 16mm and Full Coat Magnetic. |
| Film F-5462/317 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/317May Justus (1). Code BA2000. Sync 48. CR 110, 111. 16mm and Full Coat Magnetic. |
| Film F-5462/318 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/318May Justus (2). Code BA5000. Sync 49. CR. 16mm and Full Coat Magnetic. |
| Film F-5462/319 |
You Got to Move, circa 1981-1985, pix #05462, Subseries: "2.2. Film" F-5462/319May Justus (3). Code BB0000. Sync 50. CR 112, 113A. 16mm and Full Coat Magnetic. |
| Film F-5462/320 |
You Got to Move, circa 1981-1985, pix #05462, Subseries: "2.2. Film" F-5462/320May Justus (4). Code BB5000. Sync 51. CR. SR. 16mm and Full Coat Magnetic. |
| Film F-5462/321 |
You Got to Move, circa 1981-1985, pix #05462, Subseries: "2.2. Film" F-5462/321Bill Marlowe (1). Code BC0000. Sync 52. CR 117, 118. SR. 16mm and Full Coat Magnetic. |
| Film F-5462/322 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/322Bill Marlowe (3). Code BC5000. Sync 53. CR 119. 16mm and Full Coat Magnetic. |
| Film F-5462/323 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/323Bill and Maggie Paine. Code BD 0000. Sync 54. CR 120. 16mm and Full Coat Magnetic. |
| Film F-5462/324 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/324Toxics Conference(1). Code BF 5000. Sync 59. 16mm and Full Coat Magnetic. |
| Film F-5462/325 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/325Toxics Conference(2). Code BG 0000. Sync 60. CR. 16mm and Full Coat Magnetic. |
| Film F-5462/326 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/326Yellow Creek Ground Breaking. Code BG 5000. Sync 61. CR 136, 137. SR 144, 145. 16mm and Full Coat Magnetic. |
| Film F-5462/327 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/327Will Thomas 1. Code BH 5000. Sync 62. CR 138, 139. 16mm and Full Coat Magnetic. |
| Film F-5462/328 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/328Will Thomas 2. Code BH 5000. Sync 63. CR 140. 16mm and Full Coat Magnetic. |
| Film F-5462/329 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/329Will Thomas-3. Code BJ0000. Sync 64. CR 141, 142A. 16mm and Full Coat Magnetic. |
| Film F-5462/330 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/330Will Thomas-4. Code BJ5000. Sync 65. 16mm and Full Coat Magnetic. |
| Film F-5462/331 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/331May Justus. Exterior Interview 7/83. Code CA 0000. Sync 68. CR 149. 150. SR 155, 156. 16mm and Full Coat Magnetic. |
| Film F-5462/332 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/332Bernice Robinson w/ great grandchildren. 7/83. Code CA 5000. Sync 69. CR 154(NG), 155. SR 156A 16mm and Full Coat Magnetic. |
| Film F-5462/333 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/333Bernice Robinson-1 (outside). Code CB 0000 Sync 70. CR. SR. 16mm and Full Coat Magnetic. |
| Film F-5462/334 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/334Bernice Robinson-2. Code CB 5000 Sync 71. CR. SR. |
| Film F-5462/335 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/335Bernice Robinson-3. Code CC 0000 Sync 72. CR. SR. 16mm and Full Coat Magnetic. |
| Film F-5462/336 |
You Got to Move, circa 1981-1985, pix #05462, Subseries: "2.2. Film" F-5462/336Bernice Robinson-4. Code CC 5000. Sync 73. CR 163, 164. SR. 16mm and Full Coat Magnetic. |
| Film F-5462/337 |
You Got to Move, 1983, pix #05462, Subseries: "2.2. Film" F-5462/337Bernice Robinson and Septima Clark 7/83. Code CD 0000. Sync 74. CR 157, 158. SR 158, 159. 16mm and Full Coat Magnetic. |
| Film F-5462/338 |
You Got to Move, circa 1981-1985, pix #05462, Subseries: "2.2. Film" F-5462/338Bill Saunders-1. Code CD5000 Sync 75. CR 166. SR. 16mm and Full Coat Magnetic. |
| Film F-5462/339 |
You Got to Move, circa 1981-1985, pix #05462, Subseries: "2.2. Film" F-5462/339Bill Saunders-2. Code CE 0000 Sync 76. 16mm and Full Coat Magnetic. |
| Film F-5462/340 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/340Bill Saunders (3). Code CE 0000 Sync 77. CR 170, 171. SR 168, 169. 16mm and Full Coat Magnetic. |
| Film F-5462/341 |
You Got to Move, 1983, pix #05462, Subseries: "2.2. Film" F-5462/341WPAL. 7/83. Code CF0000. Sync 78. CR 172, 176, 177. SR 169, 174, 175. 16mm and Full Coat Magnetic. |
| Film F-5462/342 |
You Got to Move, 1983 #05462, Subseries: "2.2. Film" F-5462/342Johns Island Sunday School. 7/83. Code CF5000. Sync 79. CR 172, 173. SR 170. 16mm and Full Coat Magnetic. |
| Film F-5462/343 |
You Got to Move, 1983 #05462, Subseries: "2.2. Film" F-5462/343John's Island Church Service(1) 7/83. Code CG0000. Sync 80. CR 173, 174. SR 171, 172. 16mm and Full Coat Magnetic. |
| Film F-5462/344 |
You Got to Move, 1983, pix #05462, Subseries: "2.2. Film" F-5462/344Johns Island Church Service (2). 7/83. Code CG5000. Sync 81. CR 174, 175. SR 172, 173. 16mm and Full Coat Magnetic. |
| Film F-5462/345 |
You Got to Move, 1983, pix #05462, Subseries: "2.2. Film" F-5462/345Bill Saunders Car Ride (1) 8/83. Code CH0000. Sync 82. CR 165, 180. SR 176, 177. 16mm and Full Coat Magnetic. |
| Film F-5462/346 |
You Got to Move, 1983, pix #05462, Subseries: "2.2. Film" F-5462/346Bill Saunders Car Ride (2) 8/83. Code CH5000. Sync 83. CR 178, 181. SR 177, 178. 16mm and Full Coat Magnetic. |
| Film F-5462/347 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/347Bernice and Alice Wine. Code CJ0000. Sync 84. CR 182, 183. SR 179, 180. 16mm and Full Coat Magnetic. |
| Film F-5462/348 |
You Got to Move, 1984 #05462, Subseries: "2.2. Film" F-5462/348Bill Saunders 5/84 at Highlander. Code CJ 5000. 85. 16mm and Full Coat Magnetic. |
| Film F-5462/349 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/349Becky Simpson-1. Code CK0000. Sync 86. CR 186, 187 fogged. 16mm and Full Coat Magnetic. |
| Film F-5462/350 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/350Becky Simpson-2. Code CK5000. Sync 87. 16mm and Full Coat Magnetic. |
| Film F-5462/351 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/351Becky Simpson-3. Code FA0000. Sync 88. CR SR. 16mm and Full Coat Magnetic. |
| Film F-5462/352 |
You Got to Move, 1983 #05462, Subseries: "2.2. Film" F-5462/352Cranks Creek. 8/83. Survival Center. Code FA5000. Sync 89. CR 193, 194. SR 188, 189, 191. 16mm and Full Coat Magnetic. |
| Film F-5462/353 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/353Bernice J. Reagon 1. Code FB 5000. Sync 91. CR SR. 16mm and Full Coat Magnetic. |
| Film F-5462/354 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/354Bernice J. Reagon 2. Code FC 0000. Sync 92. 16mm and Full Coat Magnetic. |
| Film F-5462/355 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/355Bernice J. Reagon 3. Code FC 5000. Sync 93. 16mm and Full Coat Magnetic. |
| Film F-5462/356 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/356Bernice J. Reagon 4. Code FD 0000. Sync 94. CR SR. 16mm and Full Coat Magnetic. |
| Film F-5462/357 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/357FX I. Full Coat Magnetic. Multiple reels. |
| Film F-5462/358 |
You Got to Move, 1984 #05462, Subseries: "2.2. Film" F-5462/358FX II Five Point Films. "Blue Heaven." 3/5/84. 3 trk master. 16mm. |
| Film F-5462/359 |
You Got to Move, 1984 #05462, Subseries: "2.2. Film" F-5462/359FX III Five Point Films. "Blue Heaven." 3/6/84. 3 trk master. 16mm. |
| Film F-5462/360 |
You Got to Move, 1984 #05462, Subseries: "2.2. Film" F-5462/360FX IV. Five Point Films. "Blue Heaven." 3/2/84. 3 trk master. Full Coat Magnetic. |
| Film F-5462/361 |
You Got to Move, 1984 #05462, Subseries: "2.2. Film" F-5462/361FX V. Five Point Films. "Blue Heaven." 3/7/84. 3 trk master. Full Coat Magnetic. |
| Film F-5462/362 |
You Got to Move, 1984 #05462, Subseries: "2.2. Film" F-5462/362FX VI. Five Point Films. "Blue Heaven." 3/2/84. 3 trk master. Full Coat Magnetic. |
| Film F-5462/363 |
You Got to Move, 1984 #05462, Subseries: "2.2. Film" F-5462/363FX VII. Five Point Films. "Blue Heaven." 3/7/84. 3 Trk Master. Full Coat Magnetic. |
| Film F-5462/364 |
You Got to Move, 1984 #05462, Subseries: "2.2. Film" F-5462/364FX VIII. HFP. Five Point Films."Blue Heaven." 3/6/84. 3 Trk Master. Full Coat Magnetic. |
| Film F-5462/365 |
You Got to Move, 1984 #05462, Subseries: "2.2. Film" F-5462/365FX IX. Mining Machines. Five Point Films. "Blue Heaven." 3/5/84. 3 Trk Master. Full Coat Magnetic. |
| Film F-5462/366 |
You Got to Move, 1984 #05462, Subseries: "2.2. Film" F-5462/366FX X. Five Point Films. "Blue Heaven." 3/6/84. 3 Trk Master. Full Coat Magnetic. |
| Film F-5462/367 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.2. Film" F-5462/367Misc. FX. Full Coat Magnetic. |
Expand/collapse
Subseries 2.3. Audiotapes
Expand/collapse
Subseries 2.4. Audiocassettes
| Audiocassette C-5462/1 |
You Got to Move, 1984 #05462, Subseries: "2.4. Audiocassettes" C-5462/1Audiocassette Myles Horton. 6/12/84. Tape 1. |
| Audiocassette C-5462/2 |
You Got to Move, 1984 #05462, Subseries: "2.4. Audiocassettes" C-5462/2Audiocassette Myles Horton. 6/12/84. Tape 2. |
| Audiocassette C-5462/3 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/3Audiocassette Myles Horton. December 1983. Tape 3. |
| Audiocassette C-5462/4 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/4Audiocassette Myles Horton. December 1983. Tape 4. |
| Audiocassette C-5462/5 |
You Got to Move, 1984 #05462, Subseries: "2.4. Audiocassettes" C-5462/5Audiocassette Myles Horton. 8/3/84. |
| Audiocassette C-5462/6 |
You Got to Move, 1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/6Audiocassette Myles Interview 3/85 Recorded off Steinbeck. |
| Audiocassette C-5462/7 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/7Audiocassette Myles 3/11. Informed [?]. |
| Audiocassette C-5462/8 |
You Got to Move, 1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/8Audiocassette Myles Horton. Re. H. and Communist accusations. 7/6/85. |
| Audiocassette C-5462/9 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/9Audiocassette Ed and Ruth Hunter. May 1983. Yellow Creek. |
| Audiocassette C-5462/10 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/10Audiocassette Ed Hunter, Cranks' Creek. May 1983. Yellow Creek. |
| Audiocassette C-5462/11 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/11Audiocassette Josetta Jamison. Golden Gate Miles College. Eutaw, Ala. 3/24/82. |
| Audiocassette C-5462/12 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/12Audiocassette May Justus 9/18 tape 1 speed off. |
| Audiocassette C-5462/13 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/13Audiocassette May Justus 9/18 tape 2 speed off-2 sec of 10 fast. |
| Audiocassette C-5462/14 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/14Audiocassette May Justus 9/19 tape 3 Summerfield, Tn. |
| Audiocassette C-5462/15 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/15Audiocassette Donna Lamb. |
| Audiocassette C-5462/16 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/16Audiocassette Highlander Film Project. Donna Lamb "Black Waters." |
| Audiocassette C-5462/17 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/17Audiocassette Bill Marlowe 9/19 tape 1. Sewannee hospital. |
| Audiocassette C-5462/18 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/18Audiocassette Bill Marlowe. Tape 2. 9/19. Lucy's Thoughts. |
| Audiocassette C-5462/19 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/19Audiocassette Train SFX. 1. Bill Marlowe 5/6/83, woods, porch. |
| Audiocassette C-5462/20 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/20Audiocassette Bill Marlowe 2 5/6/83. |
| Audiocassette C-5462/21 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/21Audiocassette Maggie Paine Marlowe. 9/19 tape 1. Summerfield, Tenn. |
| Audiocassette C-5462/22 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/22Audiocassette Elizabeth McCommon 9/15/82 tape 1. Floyd, Va. |
| Audiocassette C-5462/23 |
You Got to Move, 1981 #05462, Subseries: "2.4. Audiocassettes" C-5462/23Audiocassette Steve Fisher. Refilm. Dec. 5, 1981. |
| Audiocassette C-5462/24 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/24Audiocassette Mrs. Johnnie Fowler 9/19 Winchester, Tenn. |
| Audiocassette C-5462/25 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/25Audiocassette Marvin and Anita Goodstein tape 1. Sewannee, Tenn. 9/18. |
| Audiocassette C-5462/26 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/26Audiocassette Marvin and Anita Goodstein tape 2. Sewannee, Tenn. 9/19. |
| Audiocassette C-5462/27 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/27Audiocassette Fanny Lou Hamer. |
| Audiocassette C-5462/28 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/28Audiocassette Sophie Harris 1. 5/8/83. |
| Audiocassette C-5462/29 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/29Audiocassette Sophie Harris 2. 5/8/83. |
| Audiocassette C-5462/30 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/30Audiocassette Ransom Hensley. Cranks Creek, 7/18/82. |
| Audiocassette C-5462/31 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/31Audiocassette Mrs. Emma Hill. Winchester, Tn. 9/19. |
| Audiocassette C-5462/32 |
You Got to Move, 1981 #05462, Subseries: "2.4. Audiocassettes" C-5462/32Audiocassette Myles in Moteagle 5/31/81. |
| Audiocassette C-5462/33 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/33Audiocassette Interview with Myles Horton 5/11/82. Tape 1. |
| Audiocassette C-5462/34 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/34Audiocassette Interview with Myles Horton 5/11/82. Tape 2. |
| Audiocassette C-5462/35 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/35Audiocassette Myles Horton 7/24/82. Tape 1. |
| Audiocassette C-5462/36 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/36Audiocassette Myles Horton 7/26/82. Tape 1. |
| Audiocassette C-5462/37 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/37Audiocassette Myles Horton 7/26/82. Tape 2. trans 9/82. |
| Audiocassette C-5462/38 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/38Audiocassette Myles Horton, Tape 1. 8/82. Interviewed by Aleine Austin. |
| Audiocassette C-5462/39 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/39Audiocassette Myles Horton, Tape 2. 8/82. Interviewed by Aleine Austin. |
| Audiocassette C-5462/40 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/40Audiocassette Myles Horton 10/2/82. |
| Audiocassette C-5462/41 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/41Audiocassette Myles Horton Tape 1. 10/13/82. |
| Audiocassette C-5462/42 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/42Audiocassette Myles Horton Tape 2. 10/13/82. |
| Audiocassette C-5462/43 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/43Audiocassette Myles Horton Tape 1. December 1983. |
| Audiocassette C-5462/44 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/44Audiocassette Myles Horton Tape 2. December 1983. |
| Audiocassette C-5462/45 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/45Audiocassette Alice Cobb. 5/12/82/ Tape 1. |
| Audiocassette C-5462/46 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/46Audiocassette Alice Cobb. 5/12/82/ Tape 2. |
| Audiocassette C-5462/47 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/47Audiocassette Don Edwards 8/25/82. tape 1. Cleveland, Tenn. Trans. 9/82. |
| Audiocassette C-5462/48 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/48Audiocassette Don Edwards 8/25/82. tape 2 |
| Audiocassette C-5462/49 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/49Audiocassette Cathy Fink. |
| Audiocassette C-5462/50 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/50Audiocassette Joe Begley. Blackey, Ky. 1. 8/23/82. |
| Audiocassette C-5462/51 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/51Audiocassette Joe Begley. Blackey, Ky. 2. 8/23/82. |
| Audiocassette C-5462/52 |
You Got to Move, 1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/52Audiocassette Oaksie Candill. 6/16/85. |
| Audiocassette C-5462/53 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/53Audiocassette Musical Selections II from Ashley Capps. |
| Audiocassette C-5462/54 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/54Audiocassette E. D. Nixon. 1. 5/7/83. |
| Audiocassette C-5462/55 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/55Audiocassette E. D. Nixon. 2. 5/7/83. |
| Audiocassette C-5462/56 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/56Audiocassette Bernice Robinson. 8/30/82. tape 1. Charleston, S.C. Trans 9/82. |
| Audiocassette C-5462/57 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/57Audiocassette Crank's Creek Music. Charlie Wilson. May 1983. |
| Audiocassette C-5462/58 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/58Audiocassette Wilson, Charlie and Frankie. Transcribed LS. Anniversary Book Tape 1 of 7. |
| Audiocassette C-5462/59 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/59Audiocassette 208585 Highlander. |
| Audiocassette C-5462/60 |
You Got to Move, 1984 #05462, Subseries: "2.4. Audiocassettes" C-5462/60Audiocassette Bill Saunders Int. 2/8/84 2. |
| Audiocassette C-5462/61 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/61Audiocassette 50th selects to transcribe. |
| Audiocassette C-5462/62 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/62Audiocassette Bernice Reagon 1. 189 Highlander. |
| Audiocassette C-5462/63 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/63Audiocassette Bernice Reagon 3. 189 Highlander. |
| Audiocassette C-5462/64 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/64Audiocassette Bernice Reagon 5. 189 Highlander. |
| Audiocassette C-5462/65 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/65Audiocassette Bill Saunders. 4/16/83. |
| Audiocassette C-5462/66 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/66Audiocassette E. D. Nixon. 134, 135. SNO 134. |
| Audiocassette C-5462/67 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/67Audiocassette SND 128. (E. D. Nixon Interview Only) SND 129, 130. |
| Audiocassette C-5462/68 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/68Audiocassette SND 119, 118. May Justus. Bill Marlowe. |
| Audiocassette C-5462/69 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/69Audiocassette SND 120, 121. Bill Marlowe. |
| Audiocassette C-5462/70 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/70Audiocassette SND 114, 115. May Justus. |
| Audiocassette C-5462/71 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/71Audiocassette SND 112, 113. May Justus. |
| Audiocassette C-5462/72 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/72Audiocassette SND 111, 110. May Justus. |
| Audiocassette C-5462/73 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/73Audiocassette 173 Highlander. |
| Audiocassette C-5462/74 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/74Audiocassette Musical Selection for Bernice Robinson. |
| Audiocassette C-5462/75 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/75Audiocassette Bill Saunders 9/1/82. Tape 1. |
| Audiocassette C-5462/76 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/76Audiocassette 172 Highlander. |
| Audiocassette C-5462/77 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/77Audiocassette SND 152, 153, 154. Bill Marlowe. |
| Audiocassette C-5462/78 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/78Audiocassette SND 162. Highlander.Bernice Robinson 3, 4. |
| Audiocassette C-5462/79 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/79Audiocassette SND 131, 132. E. D. Nixon. |
| Audiocassette C-5462/80 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/80Audiocassette 208585 Highlander. Bill Saunders 2, 3. |
| Audiocassette C-5462/81 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/81Audiocassette 208585 Highlander. Bill Saunders 4. |
| Audiocassette C-5462/82 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/82Audiocassette Bernice Robinson 8/30/82. tape 2. Charleston, S.C. |
| Audiocassette C-5462/83 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/83Audiocassette Tape Roll. DA5. 10/17/82. On Hill Across from Landfill. |
| Audiocassette C-5462/84 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/84Audiocassette Tape 6, 7. |
| Audiocassette C-5462/85 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/85Audiocassette 208585 Highlander. |
| Audiocassette C-5462/86 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/86Audiocassette 208585 Highlander. |
| Audiocassette C-5462/87 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/87Audiocassette 208585 Highlander. |
| Audiocassette C-5462/88 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/88Audiocassette 208863 Highlander. |
| Audiocassette C-5462/89 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/89Audiocassette Becky Simpson. Ransom Hensley. Cranks Creek, Ky. 7/18/82. |
| Audiocassette C-5462/90 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/90Audiocassette Charlie Wilson. 9/20, 21. tape 1. Fairview, Ala. |
| Audiocassette C-5462/91 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/91Audiocassette Charlie Wilson at Lucics. May 1983. |
| Audiocassette C-5462/92 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/92Audiocassette Bernice Robinson. 4/15/83. Tape 2. |
| Audiocassette C-5462/93 |
You Got to Move, 1984 #05462, Subseries: "2.4. Audiocassettes" C-5462/93Audiocassette Bernice Robinson. November 1984. |
| Audiocassette C-5462/94 |
You Got to Move, 1984 #05462, Subseries: "2.4. Audiocassettes" C-5462/94Audiocassette Becky Simpson. 5/19/84. |
| Audiocassette C-5462/95 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/95Audiocassette Highlander Film Project. 22237. |
| Audiocassette C-5462/96 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/96Audiocassette Roxie Wilson. 10/19/82. |
| Audiocassette C-5462/97 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/97Audiocassette Pix 46. Myles at Home BC. Water Under Bridge. |
| Audiocassette C-5462/98 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/98Audiocassette 73632 Highlander. |
| Audiocassette C-5462/99 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/99Audiocassette 50th Anniversary. |
| Audiocassette C-5462/100 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/100Audiocassette 1 Tape Roll 3-Pix 47-48. Kids Fishing 10/17/82. |
| Audiocassette C-5462/101 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/101Audiocassette Tape 10. Cont Interview with Gail and Mary Lee. |
| Audiocassette C-5462/102 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/102Audiocassette Tape 12. Cont. Interview with Gail and Mary Lee. 10/18/82. |
| Audiocassette C-5462/103 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/103Audiocassette 208863 Highlander. |
| Audiocassette C-5462/104 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/104Audiocassette Will Thomas. 9/20 Bessemer, Ala. Charlie Wilson. 9/21 tape 2. |
| Audiocassette C-5462/105 |
You Got to Move, 1984 #05462, Subseries: "2.4. Audiocassettes" C-5462/105Audiocassette Bill Saunders. 2/8/84. 1. Hospital Workers Organization. |
| Audiocassette C-5462/106 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/106Audiocassette On the Hill with Richard 10/18. Interivew with Gail and Mary Lee. |
| Audiocassette C-5462/107 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/107Audiocassette Highlander Film Project. 222337. |
| Audiocassette C-5462/108 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/108Audiocassette Tape 1 from Bill Saunders. |
| Audiocassette C-5462/109 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/109Audiocassette Bernice Robinson 4/15/83. Tape 2. |
| Audiocassette C-5462/110 |
You Got to Move, 1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/110Audiocassette Lee Sexton. 6/15/85. |
| Audiocassette C-5462/111 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/111Audiocassette Elizabeth McCommon 9/15/82. tape 2. Floyd, Va. |
| Audiocassette C-5462/112 |
You Got to Move, 1984 #05462, Subseries: "2.4. Audiocassettes" C-5462/112Audiocassette Esan Jenkins Symposium. 2/5/84. Sun. Night music. Wesley Gospel and Moving Star Hall Sings. |
| Audiocassette C-5462/113 |
You Got to Move, 1984 #05462, Subseries: "2.4. Audiocassettes" C-5462/113Audiocassette Esan Jenkins Symposium. 2/5/84. Number 2. Sun. night music. Mon night talk. |
| Audiocassette C-5462/114 |
You Got to Move, 1984 #05462, Subseries: "2.4. Audiocassettes" C-5462/114Audiocassette Esan Jenkins Symposium. 2/7/84. Number 1. Bernice Robinson, Bill Saunders, Lucy. |
| Audiocassette C-5462/115 |
You Got to Move, 1984 #05462, Subseries: "2.4. Audiocassettes" C-5462/115Audiocassette Esan Jenkins Symposium. Charleston. 2/7/84. Number 2. Bernice Robinson, Bill Saunders. |
| Audiocassette C-5462/116 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/116Audiocassette Field Notes- Lucy re Bumpass Cove. 2/9/82. |
| Audiocassette C-5462/117 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/117Audiocassette Field Notes- Lucy re Yellow Creek. 2/12/82. |
| Audiocassette C-5462/118 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/118Audiocassette Field Notes- Lucy re Alabama. 3/27/82. |
| Audiocassette C-5462/119 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/119Audiocassette Film Planning Committee-Jan. 1982. |
| Audiocassette C-5462/120 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/120Audiocassette Film Style Shooting Using Video Equip. Film with Video: The Complimentary Alliance. |
| Audiocassette C-5462/121 |
You Got to Move, 1981 #05462, Subseries: "2.4. Audiocassettes" C-5462/121Audiocassette Highlander Staff Meeting- 5/4/81. |
| Audiocassette C-5462/122 |
You Got to Move, 1981 #05462, Subseries: "2.4. Audiocassettes" C-5462/122Audiocassette 3/24/81. Herb Kohl. Pt. Arena, Calif. Highlander Film. |
| Audiocassette C-5462/123 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/123Audiocassette Larry's Party. 3/17/82. |
| Audiocassette C-5462/124 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/124Audiocassette Lord's Prayer. |
| Audiocassette C-5462/125 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/125Audiocassette Lucy Narration 1. |
| Audiocassette C-5462/126 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/126Audiocassette Lucy Narration 2. |
| Audiocassette C-5462/127 |
You Got to Move, 1981 #05462, Subseries: "2.4. Audiocassettes" C-5462/127Audiocassette Music and Land Workshop- Nov. 1981. Tape 1. |
| Audiocassette C-5462/128 |
You Got to Move, 1981 #05462, Subseries: "2.4. Audiocassettes" C-5462/128Audiocassette Music and Land Workshop- Nov. 1981. Tape 2. |
| Audiocassette C-5462/129 |
You Got to Move, 1981 #05462, Subseries: "2.4. Audiocassettes" C-5462/129Audiocassette Music and Land Workshop- Nov. 1981. Tape 3. |
| Audiocassette C-5462/130 |
You Got to Move, 1981 #05462, Subseries: "2.4. Audiocassettes" C-5462/130Audiocassette Music and Land Workshop- Nov. 1981. Tape 4. |
| Audiocassette C-5462/131 |
You Got to Move, 1981 #05462, Subseries: "2.4. Audiocassettes" C-5462/131Audiocassette Music and Land Workshop- Nov. 1981. Tape 5. |
| Audiocassette C-5462/132 |
You Got to Move, 1981 #05462, Subseries: "2.4. Audiocassettes" C-5462/132Audiocassette Music and Land Workshop- Nov. 1981. Tape 6. |
| Audiocassette C-5462/133 |
You Got to Move, 1981 #05462, Subseries: "2.4. Audiocassettes" C-5462/133Audiocassette Music and Land Workshop- Nov. 1981. Tape 7. |
| Audiocassette C-5462/134 |
You Got to Move, 1981 #05462, Subseries: "2.4. Audiocassettes" C-5462/134Audiocassette Music and Land Workshop- Nov. 1981. Tape 8. |
| Audiocassette C-5462/135 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/135Audiocassette Music to Learn. |
| Audiocassette C-5462/136 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/136Audiocassette Tape 35-10/24/82. Songs at end of 50th. Tape 36 10/24/82 Interview with Zila Daniels. |
| Audiocassette C-5462/137 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/137Audiocassette Tape 37- 10/24/82. Continued Interview with Zila Daniels Tape 38 10/24/82 Interview with Zila Daniels. |
| Audiocassette C-5462/138 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/138Audiocassette "You Got to Move" (Highlander Film Project). |
| Audiocassette C-5462/139 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/139Audiocassette Highlander Film Project. |
| Audiocassette C-5462/140 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/140Audiocassette Highlander 50th Sunday morning. 1,2. |
| Audiocassette C-5462/141 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/141Audiocassette Highlander 50th Sunday morning. 3, 4. |
| Audiocassette C-5462/142 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/142Audiocassette Highlander 50th Sunday afternoon. 5,6. |
| Audiocassette C-5462/143 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/143Audiocassette Highlander 50th Sunday afternoon. 7,8. |
| Audiocassette C-5462/144 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/144Audiocassette Highlander 50th Anniversary. |
| Audiocassette C-5462/145 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/145Audiocassette Highlander 50th Anniversary. |
| Audiocassette C-5462/146 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/146Audiocassette B.C. and Y.C. Meeting 3/7/82. SR A, B, C, D. |
| Audiocassette C-5462/147 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/147Audiocassette B.C. and Y.C. Meeting 3/7/82. SR E,F,G,H. |
| Audiocassette C-5462/148 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/148Audiocassette B.C. and Y.C. Meeting 3/7/82. SR H. |
| Audiocassette C-5462/149 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/149Audiocassette BC: Linda, Mary Lee, and Gail Richard. 3/7/82. ORIG. |
| Audiocassette C-5462/150 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/150Audiocassette BC: Linda, Mary Lee, and Gail Richard. 3/7/82. COPY. |
| Audiocassette C-5462/151 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/151Audiocassette Bumpass Cove. Public Hearing (from Casey) 7/15/82. |
| Audiocassette C-5462/152 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/152Audiocassette Nashville/Closure. B.C. Aug. 3, 1982. |
| Audiocassette C-5462/153 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/153Audiocassette Nashville/B.C. Closure 8/3/82. |
| Audiocassette C-5462/154 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/154Audiocassette Gail Story, Mary Lee Rogers. Bumpass Cove, Tn. 9/13/82. |
| Audiocassette C-5462/155 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/155Audiocassette Russell. Bumpass Cove Song. |
| Audiocassette C-5462/156 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/156Audiocassette Toxics Workshop-Bumpass Cove. Education Session. |
| Audiocassette C-5462/157 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/157Audiocassette Cranks Creek-4/8/82. Tape 1. |
| Audiocassette C-5462/158 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/158Audiocassette Cranks Creek-4/8/82. Tape 2. Only Music After Meeting. |
| Audiocassette C-5462/159 |
You Got to Move, 1983 #05462, Subseries: "2.4. Audiocassettes" C-5462/159Audiocassette A. Cranks Creek Music. B. Smithsonian Symposium Aug. 1983. |
| Audiocassette C-5462/160 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/160Audiocassette NPR All Things Considered 7/2/82 on Highlander. Crickets and Night Sounds 7/5/82. |
| Audiocassette C-5462/161 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/161Audiocassette "You Got to Move" for transcription. |
| Audiocassette C-5462/162 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/162Audiocassette We Shall Overcome. |
| Audiocassette C-5462/163 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/163Audiocassette Synfuels- Tom Schlesinger. |
| Audiocassette C-5462/164 |
You Got to Move, 1981 #05462, Subseries: "2.4. Audiocassettes" C-5462/164Audiocassette TCH Sub Committee Meeting- 12/81. |
| Audiocassette C-5462/165 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/165Audiocassette Reuse V and L talk of Film. Oct. 2. |
| Audiocassette C-5462/166 |
You Got to Move, circa 1981-1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/166Audiocassette No description. |
| Audiocassette C-5462/167 |
You Got to Move, 1984 #05462, Subseries: "2.4. Audiocassettes" C-5462/167Audiocassette Richard and Russell. B.C. 5/14/84. Becky Simpson. Highlander 5/19/84. |
| Audiocassette C-5462/168 |
You Got to Move, 1985 #05462, Subseries: "2.4. Audiocassettes" C-5462/168Audiocassette We Shall Over Come. 7/85. |
| Audiocassette C-5462/169 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/169Audiocassette Tape 23. Highlander Center Breakfast. Tape 24. Highlander 10/23/82. |
| Audiocassette C-5462/170 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/170Audiocassette Tape 25. Highlander. Center 10/23/82. Tape 26. Music Tent. Story Daughters interviews. Highlander Center. 10/23/82. |
| Audiocassette C-5462/171 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/171Audiocassette Tape 27, 10/23/82. Cont. Story Girls. [?] "We Shall Overcome." Tape 28. Breakfast H. 10/24/82. |
| Audiocassette C-5462/172 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/172Audiocassette Tape 29. 10/24/82. Interview with Bill Saunders. Tape 30. 10/24/82. cont. Interview with B. Saunders with Elizabeth [?]. |
| Audiocassette C-5462/173 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/173Audiocassette Tape 31. 10/24/82. Tributes to Myles/Myles Speech Tape 32. 10/24/82. Myles. Kabn[?] "50 Years." Study War No More. |
| Audiocassette C-5462/174 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/174Audiocassette Tape 33. 10/24/82. Music- McCracken Interview. Tape 34. 10/24/82. Interviews McCracken, Seeger and Hollis. |
| Audiocassette C-5462/175 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/175Audiocassette CT. Vivian. |
| Audiocassette C-5462/176 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/176Audiocassette Tape 13. Wild Track on Hill. Myles, Mary Lee and Gail- 10/19/82. Tape 14. Cont. |
| Audiocassette C-5462/177 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/177Audiocassette Tape 15. Myles, Gail, and Mary Lee. Cont. 10/19/82. Tape 16. Car, drawing, with Richard. 10/19/82. |
| Audiocassette C-5462/178 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/178Audiocassette Tape 17. Chucky's 10/19. Myles in Garden-10/20. Mostly Sound Effects. Tape 18- Highlander Myles in Garden, Mostly Sound Effects. |
| Audiocassette C-5462/179 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/179Audiocassette Tape 19. Interview with Myles. 10/20/82. Tape 20. 10/20/82. [?] Interview with Myles. |
| Audiocassette C-5462/180 |
You Got to Move, 1982 #05462, Subseries: "2.4. Audiocassettes" C-5462/180Audiocassette Tape 21. Highlander 10/21/82. Mostly Sound Effects. Tape 22. 10/22/82. Highlander Center. Myles talking and wild track. |
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Series 3. Addition of July 2014 (Acc. 102065)
Papers, photographs, films, and videos related to documentary film projects by Phenix. The majority of materials relate to You Got To Move and Don't Know, We'll See: The Work of Karen Karnes.
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Subseries 3.1. Papers
Includes correspondence, interview transcripts, and additional materials on You Got To Move, as well as files relating to the documentary Don't Know, We'll See: The Work of Karen Karnes.
Processing information: Note that original arrangement and file folder titles have, for the most part, been retained.
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Subseries 3.2. Photographs, circa 1980s
Processing information: Photographs added to finding aid in December 2018. Processed by Patrick Cullom.
Mostly photographic prints, negatives, and related printed materials on You Got To Move
| Image Folder PF-5462/2 |
"Archival photographs used for projects," circa 1980s #05462, Subseries: "3.2. Photographs, circa 1980s" PF-5462/2300 images Photographic Prints (Copies) |
| Image Folder PF-5462/3 |
You Got To Move: Photographs by Lucy Massie Phenix, circa 1980s #05462, Subseries: "3.2. Photographs, circa 1980s" PF-5462/3600 images Photographic Prints and Negatives |
Image Folder PF-5462/4-14
PF-5462/4PF-5462/5PF-5462/6PF-5462/7PF-5462/8PF-5462/9PF-5462/10PF-5462/11PF-5462/12PF-5462/13PF-5462/14 |
You Got To Move: Photographic prints, circa 1980s #05462, Subseries: "3.2. Photographs, circa 1980s" PF-5462/4-14350 images Photographic Prints and Negatives Appears to include prints of Phenix's original negatives, copy-prints of other photographer's work, as well as stills from the film. |
Image Folder PF-5462/15-16
PF-5462/15PF-5462/16 |
You Got To Move: Photographic paperwork, circa 1980s #05462, Subseries: "3.2. Photographs, circa 1980s" PF-5462/15-16Printed Materials Appears to include photograph release forms, citations, and descriptions of images used in productions. |
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Subseries 3.3. Films, 1982 and undated.
Arrangement: Alphabetical by project title or item title.
Processing information: Films added to finding aid in March 2019. Processed by Melanie Meents and Anne Wells. Titles were compiled from original containers.
Mostly original motion picture film elements and outtakes related to You Got To Move. Also includes loose papers, such as log notes, lab notes, memos, and letters, found with films in the series.
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Subseries 3.4. Videotapes, 1984-2009 and undated.
Arrangement: Alphabetical by project title or item title.
Processing information: Videotapes added to finding aid in March 2019. Processed by Melanie Meents and Anne Wells. Titles compiled from original containers.
Mostly videotapes related to You Got To Move, including works in progress, interviews conducted by Phenix, and materials related to the DVD release.
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Subseries 2.5. Video Recording of Interviews, 2007
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Series 4. Addition of August 2017 (Acc. 103135)
Papers, videotapes, and photographs pertaining to the documentary You Got to Move.
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Series 5. Addition of October 2017 (Acc. 103155)
Arrangement: Chronological
Note that original arrangement and file folder titles have, for the most part, been retained.
The Addition of October 2017 contains personal papers primarily consisting of subject files relating to organizations Phenix was involved with, including the Student Nonviolent Coordinating Committee, Students for a Democratic Society, and American Friends Service Committee, 1965-1967 and materials from Phenix's time as an undergraduate student at Connecticut College for Women, 1960-1964. Items include school work, printed material, and clippings.
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Series 6. Addition of November 2017 (Acc. 103282)
Arrangement: This series has not been arranged.
Processing information: Materials in this series have been placed in folders and boxes for use in the reading room at Wilson Special Collections Library, but have not been analyzed or fully described.
This addition contains personal papers, research files particularly about Myles Horton of the Highlander Research and Education Center, and files about the documentary films You Got to Move and Winter Soldier.
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Series 7. Addition of December 2019 (Acc. 193767)
Arrangement: Materials are grouped by documentary production, with papers listed first followed by video recordings.
Processing information: Manuscript materials in this series have been placed in folders and boxes for use in the reading room at Wilson Special Collections Library, but have not been analyzed or fully described. For the most part, titles for videotapes were compiled from original containers. Titles supplied by the processing archivist are in brackets.
This addition contains files, production notes, photographic materials, and video elements related to the documentary films Cancer In Two Voices (1994), Regret To Inform (1999), and Stranger With a Camera (2000). Files consist of editing notebooks, tape logs, invoices and contracts, scripts, press kits, and printed materials, among other materials. The addition also includes publicity stills, including negatives and photographic prints, and color snapshots related to the production of Cancer In Two Voices. The series also contains a VHS copy of You Got to Move (1985) and a "work tape" of Don’t Know, Well See: The Work of Karen Karnes (2008). Video recordings are on VHS and U-Matic.
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Series 8. Addition of January 2020 (Acc. 20200110.1)
Arrangement: Paper materials are grouped by documentary production, followed by correspondence and audiovisual materials.
Processing information: Manuscript materials in this series have been placed in folders and boxes for use in the reading room at Wilson Special Collections Library, but have not been analyzed or fully described. For the most part, titles for moving image materials were compiled from original containers. Titles supplied by the processing archivist are in brackets.
This series contains additional materials that are not processed and are currently not available to researchers. This series contains additional born-digital materials that are not processed and are currently not available to researchers. These materials include floppy discs, zip disks, and optical media related to the production of Don't Know We'll See: The Work of Karen Karnes (1993). For information about access to these materials, contact Research and Instructional Services staff. Please be advised that preparing unprocessed materials for access can be a lengthy process.
This addition contains audiovisual elements, personal papers, files, and production notes, such as editing notebooks, fundraising materials, publicity materials, and clippings, related to the documentary films Winter Soldier (1972), Word Is Out (1977), Cancer In Two Voices (1994), Don't Know We'll See: The Work of Karen Karnes (1993), and Regret To Inform (1998). The series also contains personal papers and photographic prints related to youth orchestras; correspondence, 1950s-1980s, to and from Lucy Massie Phenix with family, artist Karen Karnes, and others; loose papers found with materials; photographic printouts, photographic prints, and audio elements related to the production and distribution of Don't Know We'll See: The Work of Karen Karnes (1993); and photographic printouts and photographic prints related to You Got to Move (1985). Additionally, the series includes a VHS copy and 16mm motion picture film elements of You Got to Move (1985), including original color A-B roll negatives of the film.
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Items Separated
Processed by: Jackie Dean, July 2010
Encoded by: Jackie Dean, July 2010
Revisions: Finding aid updated in May 2011 by Sarah Arnold; June 2017 by Amy Morgan and Laura Smith; December 2017 by Laura Hart; December 2018 by Patrick Cullom; March 2019 by Anne Wells and Melanie Meents; May 2019 by Clare Carlson and Laura Smith; February 2020 by Anne Wells and Rebecca Stubbs; March 2021 by Anne Wells; August 2022 by Andrew Cook and Laura Smith
Archival processing of the additions of December 2019 and January 2020 was made possible through a grant from the Andrew W. Mellon Foundation.
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