This collection has access restrictions. For details, please see the restrictions.
This is a finding aid. It is a description of archival material held in the Wilson Library at the University of North Carolina at Chapel Hill. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the World Wide Web. See the Duplication Policy section for more information.
Size | 766.0 feet of linear shelf space (approximately 6170 items) |
Abstract | Archival records and original film footage of Florentine Films and Ken Burns, documentary filmmaker, director, producer, and cinematographer. On some projects, Burns worked with Amy Stechler Burns, Stephen Ives, and others. Projects documented include: Brooklyn Bridge (1981), The Shakers (1984), Huey Long (1985), The Statue of Liberty (1985), Thomas Hart Benton (1988), The Congress (1988), The Civil War (1990), Empire of the Air (1991), William Segal (1992), Baseball (1994), Thomas Jefferson (1996), The West (1996), and Lewis & Clark (1997). |
Creator | Florentine Films. |
Curatorial Unit | University of North Carolina at Chapel Hill. Library. Southern Historical Collection. |
Language | English. |
Processed by: Tim Pyatt and Roslyn Holdzkom, January 2001
Encoded by: Roslyn Holdzkom, January 2001
Updated by: Anne Wells and Gregory Helmstetter, August 2017; Anne Wells and Andrew Crook, June 2019; Nancy Kaiser, October 2020; Andrew Crook and Laura Smith, December 2022; 2023; Andrew Crook and Dawne Lucas, 2024
This finding aid describes the administrative records and select archival film footage produced by Florentine Films and arranged by project. A complete inventory to the archival film footage is not available. The original film shipping lists are available for some projects. Please consult with reference staff at wilsonlibrary@unc.edu.
Back to TopThe following terms from Library of Congress Subject Headings suggest topics, persons, geography, etc. interspersed through the entire collection; the terms do not usually represent discrete and easily identifiable portions of the collection--such as folders or items.
Clicking on a subject heading below will take you into the University Library's online catalog.
Florentine Films was founded in 1976 by Ken Burns, Roger Sherman, Buddy Squires, and Larry Hott, who work independently under the Florentine Films name. Florentine Films often works in cooperation with other organizations to produce films on various subjects.
Ken Burns is a documentary filmmaker, director, producer, and cinematographer. He was born in Brooklyn, N.Y., in 1953 and graduated from Hampshire College in Amherst, Mass., in 1975. In 1981, he produced and directed the Academy Award nominated Brooklyn Bridge . He then made several other award-winning films, including The Shakers: Hands to Work, Hearts to God; The Statue of Liberty , also nominated for an Oscar; Huey Long , the story of the turbulent Southern dictator; The Congress: The History and Promise of Representative Government ; Thomas Hart Benton , a portrait of the regionalist artist; and Empire of the Air: The Men Who Made Radio . Burns also produced and directed three films, William Segal, Vezelay, and In the Marketplace, which explore the question of search and individual identity through the work and teachings of philosopher and painter William Segal. The three films are distributed together as Seeing, Searching, Being: William Segal.
Ken Burns was also the director, producer, co-writer, chief cinematographer, music director and executive producer of the television series The Civil War, which was the highest rated series in the history of American Public Television, attracting an audience of 40 million during its premiere in September 1990. He was the director, producer, co-writer, chief cinematographer, music director and executive producer of the Public Television series Baseball (1994), which was then the most watched series in PBS history, attracting more than 45 million viewers. In the fall of 1996, The West was released, followed by Lewis and Clark: The Journey of the Corps of Discovery (1997); Frank Lloyd Wright , co-directed and produced with his longtime collaborator Lynn Novick (1998); Not For Ourselves Alone: The Story of Elizabeth Cady Stanton and Susan B. Anthony (1999), co-produced with Paul Barnes; and Jazz (2001).
Back to TopArchival records and original film footage of Florentine Films and Ken Burns, documentary filmmaker, director, producer, and cinematographer. On some projects, Burns worked with Amy Stechler Burns, Stephen Ives, and others. Projects documented include: Brooklyn Bridge (1981), The Shakers (1984), Huey Long (1985), The Statue of Liberty (1985), Thomas Hart Benton (1988), The Congress (1988), The Civil War (1990), Empire of the Air (1991), William Segal (1992), Baseball (1994), Thomas Jefferson (1996), The West (1996), and Lewis & Clark (1997).
Back to TopAcademy Award nominated history of the Brooklyn Bridge. Contains primarily correspondence and copies of grants.
Box 1-2
Box 1Box 2 |
Brooklyn Bridge |
Multiple award winning hour-long history of the Shakers religious sect that has produced beautiful architecture and crafts. Contains minimal documentation; primarily transparencies pertaining to titles and credits.
Box 3 |
The Shakers |
A 90-minute award winning portrait of the turbulent life and times of Louisiana's colorful politician, Huey Long, known as the "Kingfish." Contains scripts, interview transcripts, and timing sheets.
Box 4 |
Huey Long |
Film F-20193/2631 |
Harold and Myrtle Bigler interview, pix16mm motion picture film 400 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 33B-34A, Harold and Myrtle Bigler, Resync, Including Sound Fill Outs, Code HB; Leader Note: Harold and Myrtle Bigler, 33B-34A, Pix, Huey Long |
Film F-20193/2632 |
Harold and Myrtle Bigler interview, mag16mm motion picture film 400 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 33B-34A, Harold and Myrtle Bigler, Resync, Including Sound Fill Outs, Code HB; Leader Note: Harold and Myrtle Bigler, 33B-34A, Sound, Huey Long |
Film F-20193/2633 |
Betty Carter interview, pix16mm motion picture film 400 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 22-23, Betty Carter, Resync; Leader Note: Carter, Huey, Rolls 22 23, Pix |
Film F-20193/2634 |
Betty Carter interview, mag16mm motion picture film 400 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 22-23, Betty Carter, Resync; Leader Note: Carter, Huey, Rolls 22 23, Sound |
Film F-20193/2635 |
John DeArmond and Scouts interview, pix16mm motion picture film 125 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 42B-43A, Leona Guirard, 48-49, John DeArmond and Scouts, Resync, Including Sound Full Outs; Leader Note: John DeArmond and Scouts, 48-49, Pix, Huey Long |
Film F-20193/2636 |
John DeArmond and Scouts interview, mag16mm motion picture film 150 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 42B-43A, Leona Guirard, 48-49, John DeArmond and Scouts, Resync, Including Sound Full Outs; Leader Note: John DeArmond and Scouts, 48-49, Sound, Huey Long |
Film F-20193/2637 |
Bill Dodd interview, pix16mm motion picture film 450 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 44B-45, Bill Dodd, Resync, Including Sound Full Outs, Code BD; Leader Note: Bill Dodd, 44B-45, Pix, Huey Long |
Film F-20193/2638 |
Bill Dodd interview, mag16mm motion picture film 500 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 44B-45, Bill Dodd, Resync, Including Sound Full Outs, Code BD; Leader Note: Bill Dodd, 44B-45, Sound, Huey Long |
Film F-20193/2639 |
John Fornet interview, pix16mm motion picture film 950 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 11-12-13, John Fornet, Resync, Code JF; Leader Note: Fornet, Huey, Rolls 11 12 13, Pix |
Film F-20193/2640 |
John Fornet interview, mag16mm motion picture film 1000 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 11-12-13, John Fornet, Resync, Code JF; Leader Note: Fornet, Huey, Rolls 11 12 13, Sound |
Film F-20193/2641 |
Cleveland Fruge interview, pix16mm motion picture film 600 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 36-37A, Cleveland Fruge, Code CF; Leader Note: 36-37A, Cleveland Fruge, Pix, Huey Long |
Film F-20193/2642 |
Cleveland Fruge interview, mag16mm motion picture film 650 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 36-37A, Cleveland Fruge, Code CF; Leader Note: 36-37A, Cleveland Fruge, Sound, Huey Long |
Film F-20193/2643 |
Leona Guirard interview, pix16mm motion picture film 325 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 42B-43A, Leona Guirard, 48-49, John DeArmond and Scouts, Resync, Including Sound Full Outs; Leader Note: Leona Guirard, Pix, 42B-43A, Huey Long |
Film F-20193/2644 |
Leona Guirard interview, mag16mm motion picture film 325 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 42B-43A, Leona Guirard, 48-49, John DeArmond and Scouts, Resync, Including Sound Full Outs; Leader Note: Leona Guirard, Sound, Sound Pulled, Huey Long |
Film F-20193/2645 |
The Hueys interview, pix16mm motion picture film 775 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 62-63, The Hueys, Resync, Code ZZ; Leader Note: The Hueys, Pix, 62-63, Huey Long |
Film F-20193/2646 |
The Hueys interview, mag16mm motion picture film 800 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 62-63, The Hueys, Resync, Code ZZ; Leader Note: The Hueys, Sound, 62-63, Huey Long |
Film F-20193/2647 |
Lucille Hunt interview, pix16mm motion picture film 800 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 67-68-66, Lucille Hunt, Resync, Including Sound Pull Outs, Code LH; Leader Note: Lucille Hunt, Pix, 67-68-66, Huey Long |
Film F-20193/2648 |
Lucille Hunt interview, mag16mm motion picture film 850 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 67-68-66, Lucille Hunt, Resync, Including Sound Pull Outs, Code LH; Leader Note: Lucille Hunt, Sound, 67-68-66, Huey Long |
Film F-20193/2649 |
Ruth Johnson interview, pix16mm motion picture film 500 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 19-20, Ruth Johnson, Resync; Leader Note: Johnson, Huey, Rolls 19/20, Pix |
Film F-20193/2650 |
Ruth Johnson interview, mag16mm motion picture film 525 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 19-20, Ruth Johnson, Resync; Leader Note: Johnson, Huey, Rolls 19/20, Sound |
Film F-20193/2651 |
Journalism Students interview, pix16mm motion picture film 700 feet Positive ; Polyester ; Color ; SilentSide of Box: Rolls 80-81, Huey, Interview with Journalism Students; Leader Note: Rolls 80-81, Interview with Journalism Students - Huey, Pix |
Film F-20193/2652 |
Journalism Students interview, mag16mm motion picture film 650 feet Mag Track ; Acetate ; MagneticSide of Box: Rolls 80-81, Huey, Interview with Journalism Students; Leader Note: Rolls 80-81, Interview with Journalism Students - Huey, Sound |
Film F-20193/2653 |
Ivy Keyes interview, pix16mm motion picture film 200 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 34B Alcide Venet, 39 Charlie Moore, 41B-42A Ivy Keyes, Resync, Including Sound Full Outs; Leader Note: Ivy Keyes, 41B-42A, Pix, Huey Long |
Film F-20193/2654 |
Ivy Keyes interview, mag16mm motion picture film 200 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 34B Alcide Venet, 39 Charlie Moore, 41B-42A Ivy Keyes, Resync, Including Sound Full Outs; Leader Note: Ivy Keyes, 41B-42A, Sound, Huey Long |
Film F-20193/2655 |
Russell Long interview, pix16mm motion picture film 900 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 46-47-48, Russel Long, Resync, Including Sound Full Outs, Code BB; Leader Note: Russell Long, 46-47-48, Pix, Huey Long |
Film F-20193/2656 |
Russell Long interview, mag16mm motion picture film 900 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 46-47-48, Russel Long, Resync, Including Sound Full Outs, Code BB; Leader Note: Russell Long, 46-47-48, Sound, Huey Long |
Film F-20193/2657 |
Ragan Madden interview, pix16mm motion picture film 550 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 39B-40-41, Ragan Madden, Including Sound Full Outs, Resync, Code AG; Leader Note: Ragan Madden, Pix, 39B-40-41A, Huey Long |
Film F-20193/2658 |
Ragan Madden interview, mag16mm motion picture film 550 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 39B-40-41, Ragan Madden, Including Sound Full Outs, Resync, Code AG; Leader Note: Ragan Madden, Sound, 39B-40-41, Huey Long |
Film F-20193/2659 |
Charlie Moore interview, pix16mm motion picture film 150 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 34B Alcide Venet, 39 Charlie Moore, 41B-42A Ivy Keyes, Resync, Including Sound Full Outs; Leader Note: Charlie Moore, Pix, 39, Huey Long |
Film F-20193/2660 |
Charlie Moore interview, mag16mm motion picture film 150 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 34B Alcide Venet, 39 Charlie Moore, 41B-42A Ivy Keyes, Resync, Including Sound Full Outs; Leader Note: Charlie Moore, Sound, 39, Huey Long |
Film F-20193/2661 |
Cecil Morgan interview, pix 116mm motion picture film 600 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 6-7, Cecil Morgan, Resync, Code CE, To Be Continued on 8; Leader Note: Cecil Morgan, Huey, Rolls 6-7, Pix |
Film F-20193/2662 |
Cecil Morgan interview, mag 116mm motion picture film 625 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 6-7, Cecil Morgan, Resync, Code CE, To Be Continued on 8; Leader Note: Cecil Morgan, Huey, Rolls 6-7, Sound |
Film F-20193/2663 |
Cecil Morgan interview, pix 216mm motion picture film 350 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 8, Cecil Morgan, Resync, Code CE, Continued From 6-7; Leader Note: Cecil Morgan, Huey, Roll 8, Pix |
Film F-20193/2664 |
Cecil Morgan interview, mag 216mm motion picture film 375 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 8, Cecil Morgan, Resync, Code CE, Continued From 6-7; Leader Note: Cecil Morgan, Huey, Roll 8, Sound |
Film F-20193/2665 |
Jennings Randolph interview, pix16mm motion picture film 450 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 54-55, Jennings Randolph, Resync, Including Sound Fill Outs, Code JE; Leader Note: Jennings Randolph, 54-55, Pix, Huey Long |
Film F-20193/2666 |
Jennings Randolph interview, mag16mm motion picture film 450 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 54-55, Jennings Randolph, Resync, Including Sound Fill Outs, Code JE; Leader Note: Jennings Randolph, 54-55, Sound, Huey Long |
Film F-20193/2667 |
Ed Riggs interview, pix16mm motion picture film 300 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 35, Ed Riggs, Resync, Including Sound Full Outs, Code ED; Leader Note: 35, Ed Riggs, Pix, Huey Long |
Film F-20193/2668 |
Ed Riggs interview, mag16mm motion picture film 325 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 35, Ed Riggs, Resync, Including Sound Full Outs, Code ED; Leader Note: 35, Ed Riggs, Sound, Huey Long |
Film F-20193/2669 |
Roll 23, Miscellaneous Footage, pix16mm motion picture film 400 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, Roll 23, Misc Footage; Leader Note: Huey, Extra, CR 23, Pix |
Film F-20193/2670 |
Elois Sahul interview, pix16mm motion picture film 675 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 60-61, Elois Sahul, Resync, Code ES, Including Sound Fill Outs; Leader Note: Elois Sahul, Pix, Roll 60-61, Huey Long |
Film F-20193/2671 |
Elois Sahul interview, mag16mm motion picture film 700 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 60-61, Elois Sahul, Resync, Code ES, Including Sound Fill Outs; Leader Note: Elois Sahul, Sound, Roll 60-61, Huey Long |
Film F-20193/2672 |
John Schlesinger interview, pix16mm motion picture film 650 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 51-52-53, Arthur Schlesinger, Resync, Including Sound Fill Outs; Leader Note: Arthur Schlesinger, 51-52-53, Pix, Huey Long |
Film F-20193/2673 |
John Schlesinger interview, mag16mm motion picture film 650 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 51-52-53, Arthur Schlesinger, Resync, Including Sound Fill Outs; Leader Note: Arthur Schlesinger, 51-52-53, Sound, Huey Long |
Film F-20193/2674 |
I.F. Stone interview, pix16mm motion picture film 300 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 80 - Interview with Tom Wicker, 81 - Interview with I.F. Stone; Leader Note: Roll 81, Interview w/ I.F. Stone, Pix |
Film F-20193/2675 |
I.F. Stone interview, mag16mm motion picture film 300 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 80 - Interview with Tom Wicker, 81 - Interview with I.F. Stone; Leader Note: Roll 81, Interview w/ I.F. Stone, Sound |
Film F-20193/2676 |
Alcide Venet interview, pix16mm motion picture film 150 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 34B Alcide Venet, 39 Charlie Moore, 41B-42A Ivy Keyes, Resync, Including Sound Full Outs; Leader Note: Alcide Venet, 34B, Pix, Huey Long |
Film F-20193/2677 |
Alcide Venet interview, mag16mm motion picture film 150 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 34B Alcide Venet, 39 Charlie Moore, 41B-42A Ivy Keyes, Resync, Including Sound Full Outs; Leader Note: Alcide Venet, 34B, Sound, Huey Long |
Film F-20193/2678 |
Douglas T. Ward interview, pix16mm motion picture film 350 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, Roll 72, Interview w/ Douglas T. Ward; Leader Note: Roll 72, Int. w/ Douglas T. Ward, Huey, Pix |
Film F-20193/2679 |
Douglas T. Ward interview, mag16mm motion picture film 350 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, Roll 72, Interview w/ Douglas T. Ward; Leader Note: Roll 72, Int. w/ Douglas T. Ward, Huey, Snd |
Film F-20193/2680 |
Robert Penn Warren interview, pix 116mm motion picture film 650 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 1-2, Robert Penn Warren, Resync, Including Sound Full Outs, Code EE, To Be Continued on Rolls 3-4-5; Leader Note: Robert Penn Warren, Huey, 1-2, Pix |
Film F-20193/2681 |
Robert Penn Warren interview, mag 116mm motion picture film 700 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 1-2, Robert Penn Warren, Resync, Including Sound Full Outs, Code EE, To Be Continued on Rolls 3-4-5; Leader Note: Robert Penn Warren, Huey, 1-2, Sound |
Film F-20193/2682 |
Robert Penn Warren interview, pix 216mm motion picture film 950 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 3-4-5, Robert Penn Warren, Resync; Leader Note: Robert Penn Warren, Huey, 3-4-5, Pix |
Film F-20193/2683 |
Robert Penn Warren interview, mag 216mm motion picture film 950 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 3-4-5, Robert Penn Warren, Resync; Leader Note: Robert Penn Warren, Huey, 3-4-5, Sound |
Film F-20193/2684 |
Thomas Weiss interview, pix16mm motion picture film 700 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 70 71, Thomas Weiss, Resync, Including Sound Fill Outs; Leader Note: Thomas Weiss, Pix, 70-71, Huey Long |
Film F-20193/2685 |
Thomas Weiss interview, mag16mm motion picture film 700 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 70 71, Thomas Weiss, Resync, Including Sound Fill Outs; Leader Note: Thomas Weiss, Sound, 70-71, Huey Long |
Film F-20193/2686 |
Tom Wicker interview, pix16mm motion picture film 175 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 80 - Interview with Tom Wicker, 81 - Interview with I.F. Stone; Leader Note: Roll 80, Interview w/ Tom Wicker, Pix |
Film F-20193/2687 |
Tom Wicker interview, mag16mm motion picture film 175 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 80 - Interview with Tom Wicker, 81 - Interview with I.F. Stone; Leader Note: Roll 80, Interview w/ Tom Wicker, Sound |
Film F-20193/2688 |
Jim Wright interview, pix16mm motion picture film 450 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 37B-38A, Jim Wright, Resync, Including Sound Fill Outs, Code JJ; Leader Note: 37B-38A, Jim Wright, Pix, Huey Long |
Film F-20193/2689 |
Jim Wright interview, mag16mm motion picture film 500 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, 37B-38A, Jim Wright, Resync, Including Sound Fill Outs, Code JJ; Leader Note: 37B-38A, Jim Wright, Sound, Huey Long |
SFC Audio Open Reel FT-20193/565 |
Harold and Myrtle Bigler interview; Alcide Venet interview1/4" Open Reel 5" PolyesterBack of Box: Roll #20, Pict 33 34, Harold + Myrtle Bigler, Alcide Venet, 4-11-84, Huey Long; Side of Box: Huey, Harold + Myrtle, Alcide, SND 20 |
SFC Audio Open Reel FT-20193/566 |
Betty Carter interview1/4" Open Reel 5" PolyesterBack of Box: Huey Long, Intv. Betty Carter, SND Roll 9, Cam Roll 22+23; Side of Box: Snd #9, Huey Long, Betty Carter |
SFC Audio Open Reel FT-20193/567 |
Johnny DeArmond interview1/4" Open Reel 5" PolyesterBack of Box: SND 29, Pict 48, Johnny DeArmond, Int., Sync, Huey Long; Leader Note: Huey, SND 29, Johnny D'Arman |
SFC Audio Open Reel FT-20193/568 |
Bill Dodd interview1/4" Open Reel 5" PolyesterBack of Box: SND 26, Pict 45, Bill Dodd, Int. Sync, Huey Long; Side of Box: Huey, SND 26, Dodd |
SFC Audio Open Reel FT-20193/569 |
John Fornet interview, tape 1 of 21/4" Open Reel 5" PolyesterBack of Box: Huey Long - Chief Fornet Interview, Tape 6; Side of Box: SN 6, Huey Long, Fournet |
SFC Audio Open Reel FT-20193/570 |
John Fornet interview, tape 2 of 21/4" Open Reel 5" PolyesterBack of Box: Huey Long, 1-7-80, Snd Roll 7, Intv. John Fornet; Side of Box: Sound #7, Huey Long, Fournet |
SFC Audio Open Reel FT-20193/571 |
Cleveland Fruge interview1/4" Open Reel 5" PolyesterBack of Box: Snd 22, Pict 36-37, Judge Fruge, Journalist Intv., Huey Long; Side of Box: Huey, SND 22, Fruge, Wright |
SFC Audio Open Reel FT-20193/572 |
Leona Guirard interview; Bill Dodd interview1/4" Open Reel 5" PolyesterBack of Box: SND 25, Pict. 43-44, Int. Sync; Side of Box: Huey, SND 25, Guirard, Dodd |
SFC Audio Open Reel FT-20193/573 |
Lucille Long Hunt interview1/4" Open Reel 5" PolyesterBack of Box: Huey Long, Sound Roll 22, Lucille Long Hunt; Side of Box: Huey Long, Roll 22 |
SFC Audio Open Reel FT-20193/574 |
Ruth Johnson interview1/4" Open Reel 5" PolyesterBack of Box: Huey Long, Intv. Ruth Johnson, Roll 8, Cam Roll 19-20; Side of Box: Huey Long, Sound Roll 8, Ruth Johnson |
SFC Audio Open Reel FT-20193/575 |
Journalism Students interview1/4" Open Reel 5" PolyesterBack of Box: Huey Long, Sound Roll 50, Picture 80 + 81, Corbin + Ctrek + Forchet, Emma Lazar; Side of Box: Huey Long, Sn R 50, Journalism Students |
SFC Audio Open Reel FT-20193/576 |
Russel Long interview1/4" Open Reel 5" PolyesterBack of Box: Snd 27, Pict. Russel Long, Int. Sync, Huey Long; Side of Box: Huey, SND 27, Long |
SFC Audio Open Reel FT-20193/577 |
Russel Long interview; Edwin Edwards interview1/4" Open Reel 5" PolyesterBack of Box: Snd 28, Pict 47-48-49, Russel Long, Edwin Edwards, Int. Sync, Huey Long; Side of Box: Huey Long, SND 28, Long, Edwards |
SFC Audio Open Reel FT-20193/578 |
Cecil Morgan interview, tape 1 of 21/4" Open Reel 5" PolyesterBack of Box: Huey Long, Interview w/ Cecil Morgan, Sound #4; Side of Box: #4, Huey Long, Morgan Interview |
SFC Audio Open Reel FT-20193/579 |
Cecil Morgan interview, tape 2 of 21/4" Open Reel 5" PolyesterBack of Box: Huey Long, Interview w/ Cecil Morgan, Sound #5; Side of Box: #5, Huey Long, Morgan Interview |
SFC Audio Open Reel FT-20193/580 |
Ragan Madden interview; Irv Keyes interview; Leona Guirard interview1/4" Open Reel 5" PolyesterBack of Box: SND 24, Pict 40-41-42, Ragan Madden, Wood Carmen, Greg's Mother; Side of Box: Huey, SND 24, Madden, Keyes, Guirard |
SFC Audio Open Reel FT-20193/581 |
Jennings Randolph interview1/4" Open Reel 5" PolyesterBack of Box: Huey Long, Interview, Jennings Randolph, Sound #32, Pix 54 55; Side of Box: Huey Long, SND 32, Randolph |
SFC Audio Open Reel FT-20193/582 |
Ed Riggs interview; Cleveland Fruge interview1/4" Open Reel 5" PolyesterBack of Box: Snd 21, Pict 35-36, Mr. Riggs, Judge Fruge, Huey Long; Leader Note: Huey, SND 21, Riggs + Fruge |
SFC Audio Open Reel FT-20193/583 |
Elois Sahul interview1/4" Open Reel 5" PolyesterBack of Box: Snd Roll 20?, Huey Long, Sehul, Elois, Room Sound; Side of Box: Huey, Roll 20 |
SFC Audio Open Reel FT-20193/584 |
Arthur Schlesinger interview, tape 1 of 21/4" Open Reel 5" PolyesterBack of Box: Sound #30, Pix 51 52, Interview Arthur Schlesinger, Huey Long; Side of Box: Huey Long, SND 30, Schlesinger |
SFC Audio Open Reel FT-20193/585 |
Arthur Schlesinger interview, tape 2 of 21/4" Open Reel 5" PolyesterBack of Box: Huey Long, Interview, Arthur Schlesinger, Sound 31, Pix 52 53; Side of Box: Huey Long, SND 31, Schlesinger |
SFC Audio Open Reel FT-20193/586 |
Douglas Turner Ward interview1/4" Open Reel 5" PolyesterBack of Box: Huey Long, 12-19-84, Interview w/ Douglas Turner Ward, Snd Roll 35, Pic Roll 72; Side of Box: R-35 |
SFC Audio Open Reel FT-20193/587 |
Robert Penn Warren interview, tape 1 of 31/4" Open Reel 5" PolyesterBack of Box: Huey Long, SN #1, R.P. Warren; Side of Box: Long, R.P.W., Roll 1 |
SFC Audio Open Reel FT-20193/588 |
Robert Penn Warren interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: Huey Long, SN 2, Interview, R.P. Warren; Side of Box: Long, RPW, Roll 2 |
SFC Audio Open Reel FT-20193/589 |
Robert Penn Warren interview, tape 3 of 31/4" Open Reel 5" PolyesterBack of Box: Huey Long, SN #3, Interview, R.P. Warren; Side of Box: Long, R.P.W., Roll 3 |
SFC Audio Open Reel FT-20193/590 |
Thomas Weiss interview, tape 1 of 21/4" Open Reel 5" PolyesterBack of Box: Snd Roll 23, Huey P Long, Dr. Weiss, Int. Sync; Side of Box: Huey Long, Roll 23 |
SFC Audio Open Reel FT-20193/591 |
Thomas Weiss interview, tape 2 of 21/4" Open Reel 5" PolyesterBack of Box: Snd Roll 24, Huey P Long, Dr. Weiss, Int. Sync; Side of Box: Huey Long, Roll 24 |
SFC Audio Open Reel FT-20193/592 |
Jim Wright interview; Charlie Moore interview1/4" Open Reel 5" PolyesterBack of Box: SND 23, Pict 37-40, Journalist, Huey Long, No Slate on Last Take; Side of Box: Huey, SND 23, Wright, Moore |
SFC Audio Cassette FS-20193/66 |
Harold and Myrtle Bigler interview; Alcide Venet interview; Ed Riggs interview; Cleveland Fruge interviewAudiocassette A-Side Tape Label: Huey, #20; B-Side Tape Label: Huey, #21 |
SFC Audio Cassette FS-20193/67 |
Harold and Myrtle Bigler interview; Alcide Venet interview; Ed Riggs interview; Cleveland Fruge interviewAudiocassette A-Side Tape Label: SR #20, Huey Long; B-Side Tape Label: SR #21, Huey Long |
SFC Audio Cassette FS-20193/68 |
Johnny DeArmond interview; Arthur Schlesinger interviewAudiocassette A-Side Tape Label: 29; B-Side Tape Label: 30 |
SFC Audio Cassette FS-20193/69 |
Bill Dodd interview; Russel Long interviewAudiocassette A-Side Tape Label: Huey, #26; B-Side Tape Label: Huey, #27 |
SFC Audio Cassette FS-20193/70 |
John Fornet interviewAudiocassette A-Side Tape Label: #6, Huey Long; B-Side Tape Label: #7, Huey Long |
SFC Audio Cassette FS-20193/71 |
Ruth Johnson interview; Betty Carter interviewAudiocassette A-Side Tape Label: #8, Huey Long; B-Side Tape Label: #9, Huey Long |
SFC Audio Cassette FS-20193/72 |
Journalism Students interviewAudiocassette Tape Label: SR #50, Huey Long |
SFC Audio Cassette FS-20193/73 |
Russel Long interview; Edwin Edwards interviewAudiocassette A-Side Tape Label: 27; B-Side Tape Label: 28 |
SFC Audio Cassette FS-20193/74 |
Russel Long interview; Edwin Edwards interview; Johnny DeArmond interviewAudiocassette A-Side Tape Label: Huey, #28; B-Side Tape Label: Huey, #29 |
SFC Audio Cassette FS-20193/75 |
Ragan Madden interview; Irv Keyes interview; Leona Guirard interviewAudiocassette Tape Label: SR #24, Huey Long |
SFC Audio Cassette FS-20193/76 |
Cecil Morgan interviewAudiocassette A-Side Tape Label: #4, Huey Long; B-Side Tape Label: #5, Huey Long |
SFC Audio Cassette FS-20193/77 |
Jennings Randolph interviewAudiocassette Front of Case: Senator Jennings Randolph; Tape Label: SR #32, Huey Long |
SFC Audio Cassette FS-20193/78 |
Arthur Schlesinger interviewAudiocassette Front of Case: Schlesinger; Tape Label: Huey Long, 30 31 |
SFC Audio Cassette FS-20193/79 |
Douglas Turner Ward interviewAudiocassette A-Side Tape Label: Huey Long 35; B-Side Tape Label: Huey Long DAI |
SFC Audio Cassette FS-20193/80 |
Robert Penn Warren interview; Cecil Morgan interview; John Fornet interviewAudiocassette A-Side Tape Label: 3 4; B-Side Tape Label: 5 6 7 |
Film F-20193/2690 |
Mixed Interview Selects, pix 116mm motion picture film 400 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey Interviews, Roll #1, Resync, Schlesinger, Wright, Jennings, Stone, Wicker; Leader Note: Pix, Huey, Interview Ins, Con, Roll 1 |
Film F-20193/2691 |
Mixed Interview Selects, mag 116mm motion picture film 400 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Interviews, Roll #1, Resync, Schlesinger, Wright, Jennings, Stone, Wicker; Leader Note: Huey, Interview Ins, Con, Roll 1, Sound |
Film F-20193/2692 |
Mixed Interview Selects, pix 216mm motion picture film 400 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, Interviews, Roll #2, Resync, Long, Fruge, Dodd, Madden; Leader Note: Huey, Interview Ins, Pro, Roll #2, Pix |
Film F-20193/2693 |
Mixed Interview Selects, mag 216mm motion picture film 400 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, Interviews, Roll #2, Resync, Long, Fruge, Dodd, Madden; Leader Note: Huey, Interview Ins, Pro, Roll #2, Sound |
Film F-20193/2694 |
Mixed Interview Selects, pix 316mm motion picture film 300 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, Interviews, Roll #3, Biglers, Riggs, Venet, Moore, Keyes, Guirard, Resync; Leader Note: Huey, Interview Ins, Roll #3, Pix |
Film F-20193/2695 |
Mixed Interview Selects, mag 316mm motion picture film 300 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, Interviews, Roll #3, Biglers, Riggs, Venet, Moore, Keyes, Guirard, Resync; Leader Note: Huey, Interview Ins, Pro, Roll #3, Sound |
Film F-20193/2696 |
Mixed Interview Selects, pix 416mm motion picture film 325 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, Interview Selects, Resync; Leader Note: Huey Long, Interview Selects, Pix |
Film F-20193/2697 |
Mixed Interview Selects, mag 416mm motion picture film 350 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, Interview Selects, Resync; Leader Note: Huey Long, Interview Selects, Sound |
Film F-20193/2698 |
Archives and Capitol, Live Views, pix16mm motion picture film 175 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 42 43 44 - Archives Capitol Live Views, 45 48 50 - Dodd Wild, State House, Bridge, 54 56 - Washington Views, Randolph Archives; Huey, Rolls 42 43 44, Archives + Capitol, Live Views |
Film F-20193/2699 |
Bayou Views, pix16mm motion picture film 375 feet Positive ; Polyester ; Color ; SilentHuey, 32 33 - Bayou Views, 34 38 39 - Venet Wild, Plantation and H.L. Statue; Leader Note: Huey Long, Rolls 32 33, Bayou View |
Film F-20193/2700 |
Bayou Views and Archives, pix16mm motion picture film 325 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 30 31, Bayou Views and Archives; Leader Note: Huey Long, Rolls 30 31, Bayou Views and Archives |
Film F-20193/2701 |
Bill Dodd Wild, State House, Huey Bridge, pix16mm motion picture film 100 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 42 43 44 - Archives Capitol Live Views, 45 48 50 - Dodd Wild, State House, Bridge, 54 56 - Washington Views, Randolph Archives; Huey, Rolls 45 48 50, Bill Dodd Wild, State House, Huey Bridge |
Film F-20193/2702 |
Live Views, pix 116mm motion picture film 650 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, Live Views, 1+2; Leader Note: Live, Huey, LA Views, Ins |
Film F-20193/2703 |
Live Views, pix 216mm motion picture film 575 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, Live Views, 1+2; Leader Note: Huey, Live Views #2 |
Film F-20193/2704 |
Louisiana Views, pix 116mm motion picture film 300 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 11 14 15 20, Louisiana Views and Archives; Leader Note: Louisiana Views, Huey, Rolls, 11 14 20, MOS |
Film F-20193/2705 |
Louisiana Views, pix 216mm motion picture film 600 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 9-10, Morgan Archives, Louisiana Views; Leader Notes: Louisiana Views, Huey, Rolls 9 and 10, MOS |
Film F-20193/2706 |
Louisiana Views, November 1984, pix16mm motion picture film 150 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 66+69, LA. Views, Nov. 84; Leader Note: Rolls 66 and 69, Live LA. Views, Nov 84 |
Film F-20193/2707 |
Venet Wild, pix; Plantation, pix; Huey Long Statue, pix16mm motion picture film 150 feet Positive ; Polyester ; Color ; SilentHuey, 32 33 - Bayou Views, 34 38 39 - Venet Wild, Plantation and H.L. Statue; Leader Note: Rolls 34 38 39, Venet Wild, Plantation, Huey Statue, Huey Long |
Film F-20193/2708 |
Washington Views, Randolph Archives, pix16mm motion picture film 75 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 42 43 44 - Archives Capitol Live Views, 45 48 50 - Dodd Wild, State House, Bridge, 54 56 - Washington Views, Randolph Archives; Huey, Rolls Washington Views + Randolph Archives, 54+56, Huey long |
Film F-20193/2709 |
David McCullough Narration, First Narration, mag 116mm motion picture film 775 feet Mag Track ; Polyester ; MagneticSide of Box: 1st David, R-1; Back of Box: Narr R1; Leader Note: 1st David, R-1 |
Film F-20193/2710 |
David McCullough Narration, First Narration, mag 216mm motion picture film 750 feet Mag Track ; Polyester ; MagneticSide of Box: 1st David, R-2; Back of Box: Narr R2; Leader Note: 1st David, 2 |
Film F-20193/2711 |
David McCullough Narration, First Narration, mag 316mm motion picture film 800 feet Mag Track ; Polyester ; MagneticSide of Box: 1st David, R3; Back of Box: NARR, R3; Leader Note: 1st David, 3 |
Film F-20193/2712 |
David McCullough Narration, First Narration, mag 416mm motion picture film 700 feet Mag Track ; Acetate ; MagneticSide of Box: 1st David, R4; Back of Box; Narr R4, 3/18/85; Leader Note: 1st David, Reel 4 |
Film F-20193/2713 |
David McCullough Narration, First Narration, Room Tone, mag16mm motion picture film 500 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, Scratch Narration, 1st David RT; Leader Note: 1st David Tone |
Film F-20193/2714 |
David McCullough Narration, Second Narration, mag 116mm motion picture film 950 feet Mag Track ; Acetate ; MagneticSide of Box: 2nd David 1; Back of Box: Reel #1; Leader Note: 2nd David #1 |
Film F-20193/2715 |
David McCullough Narration, Second Narration, mag 216mm motion picture film 925 feet Mag Track ; Acetate ; MagneticSide of Box: 2nd David #2; Leader Note: 2nd David, R2 |
Film F-20193/2716 |
David McCullough Narration, Second Narration, mag 316mm motion picture film 900 feet Mag Track ; Acetate ; MagneticSide of Box: 2nd David #3; Leader Note: 2nd D, R3 |
Film F-20193/2717 |
David McCullough Narration, Second Narration, mag 416mm motion picture film 900 feet Mag Track ; Acetate ; MagneticSide of Box: 2nd David #4; Back of Box: Reel 4; Leader Note: 2nd David, R4 |
Film F-20193/2718 |
David McCullough Narration, Second Narration, mag 516mm motion picture film 800 feet Mag Track ; Acetate ; MagneticSide of Box: 2nd David #5; Back of Box: Reel 5; Leader Note: 2nd David, R5 |
Film F-20193/2719 |
David McCullough Narration, Third Narration, mag 116mm motion picture film 1100 feet Mag Track ; Acetate ; MagneticSide of Box: 3rd David, Reel 1; Back of Box: Long, Reel #1, 5/27/85; Leader Note: 3D, R1 |
Film F-20193/2720 |
David McCullough Narration, Third Narration, mag 216mm motion picture film 1250 feet Mag Track ; Acetate ; MagneticSide of Box: 3rd David, Reel 2; Back of Box: Long, Reel #2, 5/27/85; Leader Note: 3D, R2 |
Film F-20193/2721 |
David McCullough Narration, Third Narration, mag 316mm motion picture film 1250 feet Mag Track ; Acetate ; MagneticSide of Box: 3rd David, Reel 3; Leader Note: 3D, R3 |
Film F-20193/2722 |
David McCullough Narration, Third Narration, mag 416mm motion picture film 1200 feet Mag Track ; Acetate ; MagneticSide of Box: 3rd David, Reel 4; Back of Box: Reel 4; Leader Note: 3D, R4 |
Film F-20193/2723 |
David McCullough Narration, First In's, mag16mm motion picture film Mag Track ; Acetate ; Magnetic Side of Box: David 1st Narr, Ins |
Film F-20193/2724 |
David McCullough Narration, outtakes, mag16mm motion picture film 750 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, Narration, David; Leader Note: David, Bin Outs |
Film F-20193/2725 |
Ken Burns Scratch Narration, mag 116mm motion picture film 1100 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, Ken's Narration; Leader Note: Huey, Ken's Narration |
Film F-20193/2726 |
Ken Burns Scratch Narration, mag 216mm motion picture film 75 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, Scratch Narration, 1st David RT; Leader Note: Ken's Narration |
Film F-20193/2727 |
Ken Burns Scratch Narration, outtakes, mag16mm motion picture film 625 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, Ken's Narration; Leader Note: Ken's Nar. Out |
Film F-20193/2728 |
Scratch Narration, track 2, mag16mm motion picture film 225 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, Scratch Narration, 1st David RT; Leader Note: Huey Long, Scratch Narration #2, 12/18/84 |
Film F-20193/2729 |
Scratch Narration, track 3, mag16mm motion picture film 500 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, Scratch Narration, 1st David RT; Leader Note: Huey Long, Scratch #3 |
Film F-20193/2730 |
Scratch Narration, outtakes, mag16mm motion picture film 200 feet Mag Track ; Acetate ; MagneticSide of Box: Huey, Scratch Narration, 1st David RT; Leader Note: Scratch Narration, Out |
SFC Audio Open Reel FT-20193/593 |
David McCullough Narration, Reels 1 and 21/4" Open Reel 7" PolyesterFront of Box: David's Narration, Reels 1&2 |
SFC Audio Open Reel FT-20193/594 |
David McCullough Narration, Reels 3 and 41/4" Open Reel 7" PolyesterFront of Box: David's Narration, Reels 3&4 |
SFC Audio Open Reel FT-20193/595 |
Scratch Narration1/4" Open Reel 10" PolyesterFront of Box: Huey Long, Huey Scratch; Side of Box: Huey Scratch Narration |
Film F-20193/2731 |
Dialogue, track A, reel 1, mag16mm motion picture film 1200 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Long, R-1, Dial A&B; Leader Note: Huey, Reel 1, Dial A |
Film F-20193/2732 |
Dialogue, track B, reel 1, mag16mm motion picture film 1150 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Long, R-1, Dial A&B; Leader Note: Huey, R1, Dialogue B |
Film F-20193/2733 |
Dialogue, Track A, reel 2, mag16mm motion picture film 1100 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Long, R2, DIAL A&B; Leader Note: Huey Long, Reel 2, DIAL A |
Film F-20193/2734 |
Dialogue, Track B, reel 2, mag16mm motion picture film 1100 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Long, R2, DIAL A&B; Leader Note: Huey Long, Reel 2, DIAL B |
Film F-20193/2735 |
Dialogue, Track C, reel 2, mag16mm motion picture film 1100 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Long, R2, DIAL C and Music; Leader Note: Huey Long, Reel 2, DIAL C |
Film F-20193/2736 |
Dialogue, track A, reel 3, mag16mm motion picture film 1000 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Long, R-3, DIAL A&B; Leader Note: Huey, R3, Dialogue A |
Film F-20193/2737 |
Dialogue, track B, reel 3, mag16mm motion picture film 1000 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Long, R-3, DIAL A&B; Leader Note: Huey, R3, Dialogue B |
Film F-20193/2738 |
FX, track A, reel 3, mag16mm motion picture film 1000 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Long, R3, Music & FX A; Leader Note: Huey, R3, FX A |
Film F-20193/2739 |
Grindberg Soundtracks, optical track35mm motion picture film Optical Track ; Polyester ; Optical Top of Can: Huey, Grindberg 35, Soundtracks |
Film F-20193/2740 |
Music, reel 2, mag16mm motion picture film 1100 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Long, R2, DIAL C and Music; Leader Note: Huey Long, Reel 2, Music |
Film F-20193/2741 |
Music, reel 3, mag16mm motion picture film 1000 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Long, R3, Music & FX A; Leader Note: Huey, R3, Music |
Film F-20193/2742 |
Music and Effects, reels 1 and 2, mag16mm motion picture film Mag Track ; Acetate ; Magnetic Side of Box: HL, M&E, Reel 1 and 2 |
Film F-20193/2743 |
Music and Effects, reel 3, mag16mm motion picture film Mag Track ; Acetate ; Magnetic Side of Box: M+E, R#3 |
SFC Audio Open Reel FT-20193/596 |
Reel 11/4" Open Reel 10" PolyesterBack of Box: R-1 |
SFC Audio Open Reel FT-20193/597 |
Reel 21/4" Open Reel 10" PolyesterBack of Box: R-2 |
SFC Audio Open Reel FT-20193/598 |
Reel 1, 11 April 19851/4" Open Reel 10" PolyesterBack of Box: 1/4" Safety, 4/11/85, Reel #1 |
SFC Audio Open Reel FT-20193/599 |
Reel 2, 11 April 19851/4" Open Reel 10" PolyesterBack of Box: 1/4" Safety, 4/11/85, Reel #2 |
SFC Audio Open Reel FT-20193/600 |
Reel 3, 11 April 19851/4" Open Reel 10" PolyesterBack of Box: 1/4" Safety, 4/11/85, Reel #3 |
SFC Audio Open Reel FT-20193/601 |
Reel 4, 11 April 19851/4" Open Reel 10" PolyesterBack of Box: 1/4" Safety, 4/11/85, Reel #4 |
SFC Audio Open Reel FT-20193/602 |
Reel 5, 11 April 19851/4" Open Reel 10" PolyesterBack of Box: 1/4" Safety, 4/11/85, Reel #5 |
SFC Audio Open Reel FT-20193/603 |
Reel 1, 27 May 19851/4" Open Reel 10" PolyesterBack of Box: Long, Reel 1, 5/27/85 |
SFC Audio Open Reel FT-20193/604 |
Reel 2, 27 May 19851/4" Open Reel 10" PolyesterBack of Box: Safety, 5/27/85, Long, Reel 2 |
SFC Audio Open Reel FT-20193/605 |
Reel 3, 27 May 19851/4" Open Reel 10" PolyesterBack of Box: Safety, 5/27/85, Long, Reel 3 |
SFC Audio Open Reel FT-20193/606 |
Reel 4, 27 May 19851/4" Open Reel 10" PolyesterBack of Box: Safety, 5/27/85, Long, Reel 4 |
SFC Audio Open Reel FT-20193/607 |
Reel 5, 27 May 19851/4" Open Reel 10" PolyesterBack of Box: Safety, 5/27/85, Long, #5 |
SFC Audio Open Reel FT-20193/608 |
Scratch Track #21/4" Open Reel 7" PolyesterFront of Box: Huey Long, Scratch Track #2 |
SFC Audio Open Reel FT-20193/609 |
Scratch Track #31/4" Open Reel 7" PolyesterFront of Box: Huey Long, Scratch Track #3 |
Film F-20193/2744 |
"A Wildness in the Air"16mm motion picture film 25 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey - Titles; Leader Note: "A Wildness In the Air" |
Film F-20193/2745 |
Archives: Historic New Orleans, pix 116mm motion picture film 125 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 11 14 15 20, Louisiana Views and Archives; Leader Note: Archives, Hist. N.O., Huey, Rolls 14 15, MOS |
Film F-20193/2746 |
Archives: Historic New Orleans, pix 216mm motion picture film 50 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 11 14 15 20, Louisiana Views and Archives; Leader Note: Archives, Hist. N.O., Huey, Roll 16, MOS |
Film F-20193/2747 |
Archives: LSL, pix16mm motion picture film 150 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 11 14 15 20, Louisiana Views and Archives; Leader Note: Archives, LSL, Huey, Rolls 17 18, MOS |
Film F-20193/2748 |
Archives, Rolls 75-76, pix16mm motion picture film 50 feet Positive ; Polyester ; Color ; SilentSide of Box: 72-86, Misc Archives and Live La. Views; Leader Note: Rolls 75 76, Archives, Huey |
Film F-20193/2749 |
Archives and Louisiana Live views, pix16mm motion picture film 50 feet Positive ; Polyester ; Color ; SilentSide of Box: 72-86, Misc Archives and Live La. Views; Leader Note: Live La., Archives, Rolls 82 and 84, Huey |
Film F-20193/2751 |
Funeral, pix16mm motion picture film 100 feet Positive ; Polyester ; Color ; SilentSide of Box: Archives #2, Huey and Others, Speeches and Crowds, Funeral, LA. Views, Graphics; Leader Note: Huey, Funeral, Archives #2 |
Film F-20193/2752 |
Graphics, pix16mm motion picture film 225 feet Positive ; Polyester ; Color ; SilentSide of Box: Archives #2, Huey and Others, Speeches and Crowds, Funeral, LA. Views, Graphics; Leader Note: Huey Graphics #2 |
Film F-20193/2753 |
Huey and Others, pix16mm motion picture film 175 feet Positive ; Polyester ; Color ; SilentSide of Box: Archives #2, Huey and Others, Speeches and Crowds, Funeral, LA. Views, Graphics; Leader Note: Huey and Others #2 |
Film F-20193/2754 |
Louisiana Views, pix16mm motion picture film 50 feet Positive ; Polyester ; Color ; SilentSide of Box: Archives #2, Huey and Others, Speeches and Crowds, Funeral, LA. Views, Graphics; Leader Note: Huey, LA. Views, Archives #2 |
Film F-20193/2755 |
Miscellaneous Archives, Roll 77, pix16mm motion picture film 50 feet Positive ; Polyester ; Color ; SilentSide of Box: 72-86, Misc Archives and Live La. Views; Leader Note: Misc Archives, Huey, 77 |
Film F-20193/2756 |
Miscellaenous Archives, Rolls 79-81, pix16mm motion picture film 50 feet Positive ; Polyester ; Color ; SilentSide of Box: 72-86, Misc Archives and Live La. Views; Leader Note: Rolls 79-81, Mar 85, LA Archives, Huey |
Film F-20193/2757 |
Miscellaneous Archives, Roll 85-86, pix16mm motion picture film 50 feet Positive ; Polyester ; Color ; SilentSide of Box: 72-86, Misc Archives and Live La. Views; Leader Note: Rolls 85-86, March 1985 |
Film F-20193/2758 |
Miscellaneous Archives and I.F. Rolls, pix16mm motion picture film 50 feet Positive ; Polyester ; Color ; SilentSide of Box: 72-86, Misc Archives and Live La. Views; Leader Note: Misc Archives and I.F. Rolls, 72 73 74, Huey |
Film F-20193/2759 |
Miscellaneous Louisiana Archives, pix16mm motion picture film 275 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 59 - Titles and Animation, 61-71 Misc. LA. Archives; Leader Note: Misc. LA. Archives, Nov 84 |
Film F-20193/2760 |
Speeches, pix16mm motion picture film 150 feet Positive ; Polyester ; Color ; SilentSide of Box: Archives #2, Huey and Others, Speeches and Crowds, Funeral, LA. Views, Graphics; Leader Note: Huey Speeches, Archives #2 |
Film F-20193/2750 |
Crawl, pix16mm motion picture film 25 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey - Titles; Leader Note: Huey Long - Crawl |
Film F-20193/2800 |
Crawl, negative, pix16mm motion picture film 100 feet Negative ; Acetate ; Color ; SilentLeader Note: Huey Long - Crawl, Roll #1; Note Attached to Reel: F 297 1628-F 287 1878 |
Film F-20193/2761 |
Horizon Titles, pix16mm motion picture film 75 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey - Titles; Leader Note: Horizon Titles, Huey Long - Archives |
Film F-20193/2762 |
Slop Titles, pix16mm motion picture film 500 feet Positive ; Acetate ; Color ; SilentSide of Box: Huey - Titles; Leader Note: Slop Titles, Huey, Supered Titles |
Film F-20193/2763 |
Titles, Burn In, reel 1, pix35mm motion picture film 200 feet Positive ; Polyester ; BW ; SilentLeader Note: Huey Long, Burn In, Part 1 |
Film F-20193/2764 |
Titles, Burn In, reel 2, pix35mm motion picture film 150 feet Positive ; Polyester ; BW ; SilentLeader Note: Huey Long, Burn In, R-2 |
Film F-20193/2765 |
Titles, Shadow, negative, pix35mm motion picture film 200 feet Negative ; Polyester ; BW ; SilentLeader Note: Huey Long, Shadow |
Film F-20193/2766 |
Titles, Shadow, reel 2, negative, pix35mm motion picture film 150 feet Negative ; Polyester ; BW ; SilentLeader Note: Huey Long, Shadow, R#2 |
Film F-20193/2767 |
Titles and Animation, pix16mm motion picture film 50 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey, 59 - Titles and Animation, 61-71 Misc. LA. Archives |
Film F-20193/2768 |
Titles and Miscellaneous Archives, pix16mm motion picture film 50 feet Positive ; Polyester ; Color ; SilentSide of Box: 72-86, Misc Archives and Live La. Views; Leader Note: Huey, RL 78, Titles and Misc |
Film F-20193/2769 |
Titles and Revised Titles, negative, pix16mm motion picture film 200 feet Negative ; Acetate ; Color ; SilentSide of Box: Huey Long, Roll Nos. 4 5; Leader Note: Huey Long, Titles and Revised Titles, Neg |
Film F-20193/2770 |
Title Trims, pix16mm motion picture film 50 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey - Titles; Leader Note: Title Trims |
Film F-20193/2771 |
Silent Print and Mag, reel 1, pix16mm motion picture film 1100 feet Positive ; Polyester ; Color ; SilentFront of Box: R-1 of 3, Silent Print and Mag |
Film F-20193/2772 |
Silent Print and Mag, reel 1, mag16mm motion picture film 1200 feet Mag Track ; Acetate ; MagneticFront of Box: R-1 of 3, Silent Print and Mag |
Film F-20193/2773 |
Silent Print and Mag, reels 2 and 3, pix16mm motion picture film 1000 feet Positive ; Polyester ; Color ; SilentFront of Box: R-2 and 3, Silent Print and Mag; Side of Box: R-2 |
Film F-20193/2774 |
Silent Print and Mag, reels 2 and 3, mag16mm motion picture film 1050 feet Mag Track ; Acetate ; MagneticFront of Box: R-2 and 3, Silent Print and Mag; Side of Box: R-2 |
Film F-20193/2775 |
Silent Print and Mag, reel 3, pix16mm motion picture film 900 feet Positive ; Polyester ; Color ; SilentFront of Box: R-3 of 3, Silent Print & Mag; Leader Note: Huey Long, R-3 |
Film F-20193/2776 |
Silent Print and Mag, reel 3, mag16mm motion picture film 1000 feet Mag Track ; Acetate ; MagneticFront of Box: R-3 of 3, Silent Print & Mag |
Film F-20193/2777 |
Slop Pix and Narration, reel 1, pix16mm motion picture film 1200 feet Positive ; Acetate ; Color ; SilentSide of Box: Huey Long, R-1, Pix and Narr; Leader Note: Slop Pix, Reel 1, Huey Long |
Film F-20193/2778 |
Slop Pix and Narration, reel 1, mag16mm motion picture film 1200 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Long, R-1, Pix and Narr; Leader Note: Huey, R1, Narration |
Film F-20193/2779 |
Slop Pix and Narration, reel 2, pix16mm motion picture film 1100 feet Positive ; Acetate ; Color ; SilentSide of Box: Huey Long, Pix and Narr; Leader Note: Huey Long, Reel 2, Slop Pix |
Film F-20193/2780 |
Slop Pix and Narration, reel 2, mag16mm motion picture film 1100 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Long, Pix and Narr; Leader Note: Huey Long, Reel 2, NARR |
Film F-20193/2781 |
Slop Pix and Narration, reel 3, pix16mm motion picture film 1050 feet Positive ; Acetate ; Color ; SilentSide of Box: Huey Long, R3, Pix and Narr; Leader Note: Huey Long, Reel 3, Slop Pix |
Film F-20193/2782 |
Slop Pix and Narration, reel 3, mag16mm motion picture film 1000 feet Mag Track ; Acetate ; MagneticSide of Box: Huey Long, R3, Pix and Narr; Leader Note: Huey, R3, Narration |
Film F-20193/2783 |
Workprint, reel 3, pix16mm motion picture film 1000 feet Positive ; Polyester ; Color ; SilentSide of Box: R 3 of 3, 85G 81376, Huey Long, 16mm Workprint; Leader Note: Huey, R3, Workpix |
Film F-20193/2784 |
Camera Rolls 1-4, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2785 |
Camera Rolls 5-9, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2786 |
Camera Rolls 10-14, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2787 |
Camera Rolls 15-16, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2788 |
Camera Rolls 18-23, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2789 |
Camera Rolls 30-34, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2790 |
Camera Rolls 35-40, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2791 |
Camera Roll 42, negative, pix; Camera Rolls 45-48, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent Side of Box: Huey Long, Roll Nos. 45 46 47; Leader Note: Roll Nos 42-43-44; Note on Slate: 4-9-84, Roll No 42; Note Attached to Reel : CX 123 3327-123 4125 |
Film F-20193/2792 |
Camera Rolls 49-53, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2793 |
Camera Rolls 54-58, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2794 |
Camera Rolls 59-63, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2795 |
Camera Rolls 64-68, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2796 |
Camera Rolls 69-73, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2797 |
Camera Rolls 74-78, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2798 |
Camera Rolls 79-81, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2799 |
Camera Rolls 82-86, negative, pix16mm motion picture film Negative ; Acetate ; Color ; Silent |
Film F-20193/2801 |
ECN, reel 1, negative, pix16mm motion picture film 600 feet Negative ; Acetate ; Color ; SilentSide of Box: Huey Long, 16mm, ECN, R1, R2, 5-30-85, Huey Long, Pulled Orig Color Neg for Supers; Leader Note: Huey Long, ECN R1 |
Film F-20193/2802 |
ECN, reel 2, negative, pix16mm motion picture film 600 feet Negative ; Acetate ; Color ; SilentSide of Box: Huey Long, 16mm, ECN, R1, R2, 5-30-85, Huey Long, Pulled Orig Color Neg for Supers; Leader Note: Huey Long, ECN R2 |
Film F-20193/2803 |
France Test, negative, pix16mm motion picture film 150 feet Negative ; Acetate ; Color ; SilentLeader Note: Roll #1, France Test; Note Attached to Reel: J2 I9 14 899-J2 I9 15 100 |
Film F-20193/2804 |
John E. Allen, RKB Long, Color Internegative, negative, pix16mm motion picture film 75 feet Negative ; Polyester ; Color ; SilentLeader Note: John E. Allen - RKB Long, #678-1 - Color Interneg |
Film F-20193/2805 |
Unnumbered Camera Rolls, negative, pix16mm motion picture film Negative ; Polyester ; Color ; Silent |
Film F-20193/2806 |
Interpositive, reel 1, pix35mm motion picture film 900 feet Interpositive ; Polyester ; Color ; SilentLeader Note: Huey Long, 6-4-85, Interpos, Reel #1 |
Film F-20193/2807 |
Interpositive, reel 2, pix35mm motion picture film 650 feet Interpositive ; Polyester ; Color ; SilentLeader Note: Huey Long, 8-4-85, Interpos, R-2 |
Film F-20193/2808 |
Pulls for Opticals, pix16mm motion picture film Positive ; Polyester ; Color ; Silent Side of Box: Huey Opticals; Leader Note: Huey Long, Pulls for Opt, Trims and Outs |
Film F-20193/2809 |
Supered Titles, pix 116mm motion picture film 475 feet Positive ; Polyester ; Color ; SilentSide of Box: Huey Opticals; Leader Note: Supered Titles, Huey |
Film F-20193/2810 |
Supered Titles, pix 216mm motion picture film 75 feet Positive ; Polyester ; Color ; SilentNote on Can: Roger, Buddy, Janos, Huey Optical P/W Workprint; Leader Note: Huey Long, Supered Titles, Alcide |
Film F-20193/2811 |
Supers and Dissolve Trims, pix16mm motion picture film Positive ; Polyester ; Color ; Silent Side of Box: Huey, Supers, Dissolve Trims, Slop |
SFC Audio Open Reel FT-20193/610 |
LPB - Huey's1/4" Open Reel 5" PolyesterBack of Box: Sound Roll 21?, Huey P. Long, LPB - Huey's |
SFC Audio Cassette FS-20193/81 |
Sound Rolls 14-15Audiocassette A-Side Tape Label: 14; B-Side Tape Label: 15 |
SFC Audio Cassette FS-20193/82 |
Sound Roll 16Audiocassette Tape Label: 16 |
SFC Audio Cassette FS-20193/83 |
Sound Rolls 17-18Audiocassette A-Side Tape Label: 17; B-Side Tape Label: 18 |
SFC Audio Cassette FS-20193/84 |
Sound Rolls 22-23Audiocassette A-Side Tape Label: Huey #22; B-Side Tape Label: Huey #23 |
SFC Audio Cassette FS-20193/85 |
Sound Rolls 22-23Audiocassette A-Side Tape Label: SR #22, Huey Long; B-Side Tape Label: SR #23, Huey Long |
SFC Audio Cassette FS-20193/86 |
Sound Rolls 24-25Audiocassette A-Side Tape Label: #24; B-Side Tape Label: #25 |
An Academy Award nominated 60-minute history of the Statue of Liberty. Contains interviews, scripts, interview transcripts, and cue sheets.
Box 5-6
Box 5Box 6 |
The Statue of Liberty |
Film F-20193/1684 |
James Baldwin interview, pix16mm motion picture film 150 feet Polyester ; ColorSide of Box: 40, James Baldwin, Code FF; Leader Note: Roll 40, Interview w/ James Baldwin, Pix, Statue |
Film F-20193/1685 |
James Baldwin interview, mag16mm motion picture film 150 feet AcetateSide of Box: 40, James Baldwin, Code FF; Leader Note: Roll 40, Interview w/ James Baldwin, Sound, Statue |
Film F-20193/1686 |
James Baldwin interview, trims, pix16mm motion picture film Polyester ; ColorSide of Box: 40, James Baldwin, Code FF; Leader Note: Baldwin, Trims, FF |
Film F-20193/1687 |
Daniel Boorstein interview, pix16mm motion picture film 200 feet Acetate ; ColorSide of Box: 83 - Daniel Daniel Boorstein, Code AE, 70 - Jerzy Kosinski, Code AF; Leader Note: Roll 83, Interview w/ Daniel Boorstein, Pix, Statue |
Film F-20193/1688 |
Daniel Boorstein interview, mag16mm motion picture film 200 feet AcetateSide of Box: 83 - Daniel Daniel Boorstein, Code AE, 70 - Jerzy Kosinski, Code AF; Leader Note: Roll 83, Interview w/ Daniel Boorstein, Sound, Statue |
Film F-20193/1689 |
Brighton Beach interviews, pix16mm motion picture film 700 feet Polyester ; ColorSide of Box: 94 95 96, Brighton Beach Interviews, Code BB; Leader Note: Rolls 94-96, Brighton Beach Interviews, Statue, Pix |
Film F-20193/1690 |
Brighton Beach interviews, mag16mm motion picture film 700 feet AcetateSide of Box: 94 95 96, Brighton Beach Interviews, Code BB; Leader Note: Rolls 94-96, Brighton Beach Interviews, Statue, Sound |
Film F-20193/1691 |
Brighton Beach interviews, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 94 95 96, Brighton Beach Interviews, Code BB; Leader Note: Trims, BB, Ordinary People |
Film F-20193/1692 |
Helen Caldecott interview, pix16mm motion picture film 200 feet Acetate ; ColorSide of Box: 87, Helen Caldecott, Code - EE; Leader Note: Roll 87, Interview w/ Helen Caldecott, Pix, Statue |
Film F-20193/1693 |
Helen Caldecott interview, mag16mm motion picture film 200 feet AcetateSide of Box: 87, Helen Caldecott, Code - EE; Leader Note: Roll 87, Interview w/ Helen Caldecott, Sound, Statue |
Film F-20193/1694 |
Andre Castelet interview, pix16mm motion picture film 300 feet Acetate ; ColorSide of Box: 48 - Int w/ M. Devergne, 64 - Int. w/ Andre Catelet, French Version; Leader Note: Statue, Roll 64, Int. w/ Andre Catelet, Pix |
Film F-20193/1695 |
Andre Castelet interview, mag16mm motion picture film 400 feet AcetateSide of Box: 48 - Int w/ M. Devergne, 64 - Int. w/ Andre Catelet, French Version; Leader Note: Castelet, Fr. Version, Sound |
Film F-20193/1696 |
Ray Charles interview, pix16mm motion picture film 250 feet Acetate ; ColorSide of Box: 101 - Carolyn Forche, Code CF, 102 - Ray Charles, Code CC; Leader Note: Roll 102, Interview w/ Ray Charles, Statue, Pix |
Film F-20193/1697 |
Ray Charles interview, mag16mm motion picture film 250 feet AcetateSide of Box: 101 - Carolyn Forche, Code CF, 102 - Ray Charles, Code CC; Leader Note: Roll 102, Interview w/ Ray Charles, Statue, Sound |
Film F-20193/1698 |
Ray Charles interview, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 101 - Carolyn Forche, Code CF, 102 - Ray Charles, Code CC; Leader Note: Trims, CC, Ray Charles |
Film F-20193/1699 |
Mario Cuomo interview, pix16mm motion picture film 200 feet Acetate ; ColorSide of Box: 86, Mario Cuomo, Code BB; Leader Note: Roll 86, Interview w/ Mario Cuomo, Pix, Statue |
Film F-20193/1700 |
Mario Cuomo interview, mag16mm motion picture film 200 feet AcetateSide of Box: 86, Mario Cuomo, Code BB; Leader Note: Roll 86, Interview w/ Mario Cuomo, Sound, Statue |
Film F-20193/1701 |
Mario Cuomo interview, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 86, Mario Cuomo, Code BB; Leader Note: Trims BB, Cuomo |
Film F-20193/1702 |
Andrei Cordescu interview, pix16mm motion picture film 300 feet Acetate ; ColorSide of Box: 73 74, Andre Cordescu, Code - AB; Leader Note: Rolls 73-74, Interview w/ Andre Cordescu, Pix, Statue |
Film F-20193/1703 |
Andrei Cordescu interview, mag16mm motion picture film 300 feet AcetateSide of Box: 73 74, Andre Cordescu, Code - AB; Leader Note: Rolls 73-74, Interview w/ Andre Cordescu, Sound, Statue |
Film F-20193/1704 |
Andrei Cordescu interview, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 73 74, Andre Cordescu, Code - AB; Leader Note: Cordescu |
Film F-20193/1705 |
De Laboulaye interview, pix16mm motion picture film 500 feet Acetate ; ColorSide of Box: 57 + 58, De Laboulaye, Code - 3 AD; Leader Note: Rolls 57-58, Interview w/ Laboulaye, Pix, Statue |
Film F-20193/1706 |
De Laboulaye interview, mag16mm motion picture film 500 feet AcetateSide of Box: 57 + 58, De Laboulaye, Code - 3 AD; Leader Note: Rolls 57-58, Interview w/ Laboulaye, Sound, Statue |
Film F-20193/1707 |
Thierry Despont interview, pix16mm motion picture film 600 feet Polyester ; ColorSide of Box: 92 93, Thiery Despont, Code DD; Leader Note: Rolls 92-93, Interview w/ Thiery Despont, Statue, Pix |
Film F-20193/1708 |
Thierry Despont interview, mag16mm motion picture film 600 feet AcetateSide of Box: 92 93, Thiery Despont, Code DD; Leader Note: Rolls 92-93, Interview w/ Thiery Despont, Statue, Sound |
Film F-20193/1709 |
Thierry Despont interview, Bartholdi Quotes, mag16mm motion picture film 100 feet AcetateSide of Box: MISC Trk, Ken 2/14 Outs, Forman 2/22, Jeremiah Demo, Thierry and McC Penultimates; Leader Note: Thiery's Bartholdi Quotes |
Film F-20193/1710 |
M. Devergne interview, pix16mm motion picture film 200 feet Acetate ; ColorSide of Box: 48 - Int w/ M. Devergne, 64 - Int. w/ Andre Catelet, French Version; Leader Note: Roll 48, Interview w/ M. Devergne, Pix, Statue |
Film F-20193/1711 |
M. Devergne interview, mag16mm motion picture film 200 feet AcetateSide of Box: 48 - Int w/ M. Devergne, 64 - Int. w/ Andre Catelet, French Version; Leader Note: Roll 48, Interview w/ M. Devergne, Sound, Statue |
Film F-20193/1712 |
Fenway Park interviews, pix16mm motion picture film 600 feet Polyester ; ColorSide of Box: 89 90 91, Interviews at Fenway Park, Code FE; Leader Note: Rolls 89-91, Interviews at Fenway Park, Pix, Statue |
Film F-20193/1713 |
Fenway Park interviews, mag16mm motion picture film 600 feet AcetateSide of Box: 89 90 91, Interviews at Fenway Park, Code FE; Leader Note: Rolls 89-91, Interviews at Fenway Park, Sound, Statue |
Film F-20193/1714 |
Carolyn Forche interview, pix16mm motion picture film 100 feet Acetate ; ColorSide of Box: 101 - Carolyn Forche, Code CF, 102 - Ray Charles, Code CC; Leader Note: Roll 101, Interview w/ Carolyn Forche, Statue, Pix |
Film F-20193/1715 |
Carolyn Forche interview, mag16mm motion picture film 100 feet AcetateSide of Box: 101 - Carolyn Forche, Code CF, 102 - Ray Charles, Code CC; Leader Note: Roll 101, Interview w/ Carolyn Forche, Statue, Sound |
Film F-20193/1716 |
Carolyn Forche interview, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 101 - Carolyn Forche, Code CF, 102 - Ray Charles, Code CC; Leader Note: Trims, CF Forche |
Film F-20193/1717 |
Milos Forman interview, pix16mm motion picture film 250 feet Acetate ; ColorSide of Box: 97 - Milos Forman, Code FF; Leader Note: Roll 97, Interview w/Milos Forman, Statue, Pix |
Film F-20193/1718 |
Milos Forman interview, mag16mm motion picture film 250 feet AcetateSide of Box: 97 - Milos Forman, Code FF; Leader Note: Roll 97, Interview w/Milos Forman, Statue, Sound |
Film F-20193/1719 |
Milos Forman interview, mag16mm motion picture film 200 feet AcetateSide of Box: MISC Trk, Ken 2/14 Outs, Forman 2/22, Jeremiah Demo, Thierry and McC Penultimates; Leader Note: Forman |
Film F-20193/1720 |
Milos Forman interview, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 97 - Milos Forman, Code FF; Leader Note: Forman, Trims, FF |
Film F-20193/1721 |
Vartan Gregorian interview, pix16mm motion picture film 150 feet Acetate ; ColorSide of Box: Statue Box 1, 81 - Vartan Gregorian, Code - CC; Leader Note: Roll 81 - Interview w/ Vartan Gregorian, Pix, Statue |
Film F-20193/1722 |
Vartan Gregorian interview, mag16mm motion picture film 150 feet AcetateSide of Box: Statue Box 1, 81 - Vartan Gregorian, Code - CC; Leader Note: Roll 81 - Interview w/ Vartan Gregorian, Sound, Statue |
Film F-20193/1723 |
Vartan Gregorian interview, trims, pix16mm motion picture film Acetate ; ColorSide of Box: Statue Box 1, 81 - Vartan Gregorian, Code - CC; Leader Note: Gregorian, Trims, CC |
Film F-20193/1724 |
Arlo Guthrie interview, pix; Angela Davis interview, pix; Betty Friedan interview, pix16mm motion picture film 450 feet Acetate ; ColorSide of Box: Statue Box 1, 69 + 78, Arlo, Davis, Friedan, Code - AA; Leader Note: Leader Note: 69 + 78, Int. W/ Arlo, Davis, Friedan, Pix |
Film F-20193/1725 |
Arlo Guthrie interview, mag; Angela Davis interview, mag; Betty Friedan interview, mag16mm motion picture film 450 feet AcetateSide of Box: Statue Box 1, 69 + 78, Arlo, Davis, Friedan, Code - AA; Leader Note: Leader Note: 69 + 78, Int. W/ Arlo, Davis, Friedan, Sound |
Film F-20193/1726 |
Haitian Immigrants interview, pix16mm motion picture film 900 feet Acetate ; ColorSide of Box: 99-101, Interviews w/ Haitian Immigrants, Code - HH; Leader Note: Rolls 99-101, Int w/ Haitian Immigrants, Statue, Pix |
Film F-20193/1727 |
Haitian Immigrants interview, mag16mm motion picture film 900 feet AcetateSide of Box: 99-101, Interviews w/ Haitian Immigrants, Code - HH; Leader Note: Rolls 99-101, Int w/ Haitian Immigrants, Statue, Sound |
Film F-20193/1728 |
Rick Hill interview, pix16mm motion picture film 200 feet Acetate ; ColorSide of Box: 98 - Rick Hill, Indian, Code - AA; Leader Note: Roll 98, Interview w/ Rick Hill Indian, Statue, Pix |
Film F-20193/1729 |
Rick Hill interview, mag16mm motion picture film 200 feet AcetateSide of Box: 98 - Rick Hill, Indian, Code - AA; Leader Note: Roll 98, Interview w/ Rick Hill Indian, Statue, Sound |
Film F-20193/1730 |
Paul Horgan interview, pix16mm motion picture film 450 feet Acetate ; ColorSide of Box: Statue Box 1, 78 79, Paul Horgan, Code AC; Leader Note: Rolls 78 79, Interview w/ Paul Horgan, Pix, Statue |
Film F-20193/1731 |
Paul Horgan interview, mag16mm motion picture film 450 feet AcetateSide of Box: Statue Box 1, 78 79, Paul Horgan, Code AC; Leader Note: Rolls 78 79, Interview w/ Paul Horgan, Sound, Statue |
Film F-20193/1732 |
Barbara Jordan interview, pix16mm motion picture film 175 feet Acetate ; ColorSide of Box: 114 - Barbara Jordan I'view, BJ0; Leader Note: Statue, 114, Barbara Jordan I'view, Code BJ0000, Pix |
Film F-20193/1733 |
Barbara Jordan interview, mag16mm motion picture film 175 feet AcetateSide of Box: 114 - Barbara Jordan I'view, BJ0; Leader Note: Statue, 114, Barbara Jordan I'view, Code BJ0000, Trk |
Film F-20193/1734 |
Barbara Jordan interview, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 114 - Barbara Jordan I'view, BJ0; Leader Note: Trims, BJ, Jordan |
Film F-20193/1735 |
Jerzy Kosinski interview, pix16mm motion picture film 200 feet Acetate ; ColorSide of Box: 83 - Daniel Daniel Boorstein, Code AE, 70 - Jerzy Kosinski, Code AF; Leader Note: Roll 70, Interview w/ Jerzy Kosinski, Pix, Statue |
Film F-20193/1736 |
Jerzy Kosinski interview, mag16mm motion picture film 200 feet AcetateSide of Box: 83 - Daniel Daniel Boorstein, Code AE, 70 - Jerzy Kosinski, Code AF; Leader Note: Roll 70, Interview w/ Jerzy Kosinski, Sound, Statue |
Film F-20193/1737 |
Jerzy Kosinski interview, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 83 - Daniel Daniel Boorstein, Code AE, 70 - Jerzy Kosinski, Code AF; Leader Note: Roll 70, Interview w/ Jerzy Kosinski, Sound, Statue |
Film F-20193/1738 |
Laboulaye, Pulitzer, Open Day16mm motion picture film 200 feet AcetateSide of Box: McC "Final" Narr NX/NY Remaining Selects, Laboulaye Pulitzer Open Day; Leader Note: Pulitzer Open Day |
Film F-20193/1739 |
Sol Linowitz interview, pix16mm motion picture film 250 feet Acetate ; ColorSide of Box: 84, Sol Linowitz, Code HH; Leader Note: Roll 84, Interview w/ Sol Linowitz, Pix, Statue |
Film F-20193/1740 |
Sol Linowitz interview, mag16mm motion picture film 250 feet AcetateSide of Box: 84, Sol Linowitz, Code HH; Leader Note: Roll 84, Interview w/ Sol Linowitz, Sound, Statue |
Film F-20193/1741 |
Sol Linowitz interview, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 84, Sol Linowitz, Code HH; Leader Note: Trims, HH, Linowitz |
Film F-20193/1742 |
Helen Mamikonian interview, pix16mm motion picture film 250 feet Polyester ; ColorSide of Box: 88, Helen Mamikonian, Code HE; Leader Note: Roll 88, Interview w/ Helen Mamikonian, Pix, Statue |
Film F-20193/1743 |
Helen Mamikonian interview, mag16mm motion picture film 250 feet AcetateSide of Box: 88, Helen Mamikonian, Code HE; Leader Note: Roll 88, Interview w/ Helen Mamikonian, Sound, Statue |
Film F-20193/1744 |
David McCullough interview, pix 116mm motion picture film 575 feet Acetate ; ColorSide of Box: Statue, 102 A, 103 A, Interview with David McCullough #1, DM0; Leader Note: Code DM 0000, Statue, D. McCullough I'view #1, 102 A, 103 A, Sync Pix |
Film F-20193/1745 |
David McCullough interview, mag 116mm motion picture film 575 feet AcetateSide of Box: Statue, 102 A, 103 A, Interview with David McCullough #1, DM0; Leader Note: Code DM 0000, Statue, D. McCullough I'view #1, 102 A, 103 A, Sync Trk |
Film F-20193/1746 |
David McCullough interview, pix 216mm motion picture film 450 feet Acetate ; ColorSide of Box: Statue Box 1, Statue 104 105 > Interview with David McCullough #2, DM 3; Leader Note: Code DM 3000, Statue, D. McCullough I'view #2, 104 105, Sync Pix |
Film F-20193/1747 |
David McCullough interview, mag 216mm motion picture film 450 feet AcetateSide of Box: Statue Box 1, Statue 104 105 > Interview with David McCullough #2, DM 3; Leader Note: Code DM 3000, Statue, D. McCullough I'view #2, 104 105, Sync Trk |
Film F-20193/1748 |
David McCullough interview, trims, pix16mm motion picture film Acetate ; ColorSide of Box: Statue Box 1, Statue 104 105 > Interview with David McCullough #2, DM 3; Leader Note: Trims, DM, David McCullough Int. |
Film F-20193/1749 |
George McGovern interview, pix16mm motion picture film 250 feet Acetate ; ColorSide of Box: Statue Box 1, 75 - George McGovern, Code DD; Leader Note: Roll 75, Interview w/ Geo. McGovern, Pix, Statue |
Film F-20193/1750 |
George McGovern interview, mag16mm motion picture film 250 feet AcetateSide of Box: Statue Box 1, 75 - George McGovern, Code DD; Leader Note: Roll 75, Interview w/ Geo. McGovern, Sound, Statue |
Film F-20193/1751 |
Alan Simpson interview, pix16mm motion picture film 300 feet Acetate ; ColorSide of Box: 82 - Alan Simpson, Code GG; Leader Note: Roll 82 - Interview w/ Alan Simpson, Pix, Statue |
Film F-20193/1752 |
Alan Simpson interview, mag16mm motion picture film 300 feet AcetateSide of Box: 82 - Alan Simpson, Code GG; Leader Note: Roll 82 - Interview w/ Alan Simpson, Sound, Statue |
Film F-20193/1753 |
I.F. Stone interview, pix16mm motion picture film 200 feet Acetate ; ColorSide of Box: 85, I.F. Stone, Code AD; Leader Note: Roll 85, Interview w/ I.F. Stone, Pix |
Film F-20193/1754 |
I.F. Stone interview, mag16mm motion picture film 200 feet AcetateSide of Box: 85, I.F. Stone, Code AD; Leader Note: Roll 85, Interview w/ I.F. Stone, Sound, Statue |
Film F-20193/1755 |
Tom Wicker interview, pix16mm motion picture film 250 feet Acetate ; ColorSide of Box: Statue Box 1, 80 - Tom Wicker, Code JJ; Leader Note: Roll 80, Interview w/ Tom Wicker, Pix, Statue |
Film F-20193/1756 |
Tom Wicker interview, mag16mm motion picture film 250 feet AcetateSide of Box: Statue Box 1, 80 - Tom Wicker, Code JJ; Leader Note: Roll 80, Interview w/ Tom Wicker, Sound, Statue |
SFC Audio Open Reel FT-20193/322 |
Ambassador interview, tape 1 of 41/4" Open Reel Audio 5" reel Top of Box: WNET, Ambassador, French Tape 2; Note Inside Box: Ambassador or French Sound, No. 2, Date 5 23rd 84 |
SFC Audio Open Reel FT-20193/323 |
Ambassador interview, tape 2 of 41/4" Open Reel Audio 5" reel Top of Box: French Tape No. 3; Back of Box: ITW Ambassador, Take 3 and Room Tone, Sound Tape No. 4 But French Tape No. 3 |
SFC Audio Open Reel FT-20193/324 |
Ambassador interview, tape 3 of 41/4" Open Reel Audio 5" reel Top of Box: A2, Liberty Son 2; Back of Box: A2, Ambassador; Note Inside Box: Date 23 May 86 |
SFC Audio Open Reel FT-20193/325 |
Ambassador interview, tape 4 of 41/4" Open Reel Audio 5" reel Top of Box: A2, Liberty Son 3; Back of Box: A2, Ambassador; Note Inside Box: No F3, ITW Ambassador |
SFC Audio Open Reel FT-20193/326 |
James Baldwin interview1/4" Open Reel Audio 5" reel Back of Box: Sound #1, Pix #10, Statue of Liberty, Interview w/ James Baldwin |
SFC Audio Open Reel FT-20193/327 |
Brighton Beach interviews, tape 1 of 21/4" Open Reel Audio 5" reel Side of Box: SND Roll 21, Brighton Beach; Back of Box: "Statue Liberty", Sound 21 |
SFC Audio Open Reel FT-20193/328 |
Brighton Beach interviews, tape 2 of 21/4" Open Reel Audio 5" reel Back of Box: Sound 22, Pix 99, Brighton Beach Baths |
SFC Audio Open Reel FT-20193/329 |
Dr. Helen Caldecott interview1/4" Open Reel Audio 5" reel Back of Box: Sound #17, Pix 87, Dr. Helen Caldicott Intv. |
SFC Audio Open Reel FT-20193/330 |
Andre Castelet interview, tape 1 of 21/4" Open Reel Audio 5" reel Top of Box: French Tape No. 4; Back of Box: WNET, Sound Tape No. 5, French Tape No. 4, M. Andre Castelet, 5 29th 86 |
SFC Audio Open Reel FT-20193/331 |
Andre Castelet interview, tape 2 of 21/4" Open Reel Audio 5" reel Top of Box: A2, Liberty, Bob, No 4; Back of Box: An Castelet, 29.5.86 |
SFC Audio Open Reel FT-20193/332 |
Ray Charles interview1/4" Open Reel Audio 5" reel Back of Box: "Statue of Liberty", Sound Roll 27, Pic 102, 9-23-84, Ray Charles |
SFC Audio Open Reel FT-20193/333 |
Andrei Cordescu interview; Ellis Island Wild Sound1/4" Open Reel Audio 5" reel Back of Box: Sound 8, Pix 74, Ellis Is. Jewish/Irish Story, 30 Questions, Wild, Andrei Cordescu Intvw. |
SFC Audio Open Reel FT-20193/334 |
Andrei Cordescu interview; George McGovern interview1/4" Open Reel Audio 5" reel Back of Box: Sound #9, Pix 73 75, Andrei Cordescu, George McGovern |
SFC Audio Open Reel FT-20193/335 |
Mario Cuomo interview1/4" Open Reel Audio 5" reel Back of Box: Sound #16, Pix 86, Mario Cuomo Intv., 7/6/84 |
SFC Audio Open Reel FT-20193/336 |
Angela Davis interview; Paul Horgan interview1/4" Open Reel Audio 5" reel Back of Box: Sound #10, Pix 78 79, "Statue of Liberty", Angela Davis, Paul Horgan |
SFC Audio Open Reel FT-20193/337 |
Thierry Despont interview1/4" Open Reel Audio 5" reel Back of Box: Sound 20, Pix 92 93, Thierry Despont Intv. |
SFC Audio Open Reel FT-20193/338 |
M. Devergne interview, tape 1 of 21/4" Open Reel Audio 5" reel Top of Box: M. Devergne, ITW; Back of Box: Interview M. Devergne; Note Inside Box: Date 19-5-86 |
SFC Audio Open Reel FT-20193/339 |
M. Devergne interview, tape 2 of 21/4" Open Reel Audio 5" reel Top of Box: M. Devergne, ITW; Back of Box: WNET, Tape 1 - #2, 5 19th 86, M Devergne; Note Inside Box: French Tape No. 1 |
SFC Audio Open Reel FT-20193/340 |
Fenway Park Interviews: Players, Ralph Houk and Rodolfo Cid1/4" Open Reel Audio 5" reel Back of Box: Sound #19, Pix 90 91, Fenway Park Interview, Players, Ralph Houk, Rodolfo Cid - Usher |
SFC Audio Open Reel FT-20193/341 |
Milos Forman interview1/4" Open Reel Audio 5" reel Back of Box: Sound #23, Pix 97, Statue of Liberty, Milos Forman |
SFC Audio Open Reel FT-20193/342 |
Vartan Gregorian interview1/4" Open Reel Audio 5" reel Back of Box: Sound #13, Pix 81, "Statue of Liberty", Dr. Vartan Gregorian Intv., NY Public Library |
SFC Audio Open Reel FT-20193/343 |
Arlo Guthrie interview; Betty Friedan interview1/4" Open Reel Audio 5" reel Back of Box: Sound #6, Pix #69, "Statue Liberty", Arlo Guthrie, Betty Friedan |
SFC Audio Open Reel FT-20193/344 |
Haitian Immigrants interview, tape 1 of 21/4" Open Reel Audio 5" reel Back of Box: Sound 25, Pix 99 100, Statue of Liberty, Haitian Refugees |
SFC Audio Open Reel FT-20193/345 |
Haitian Immigrants interview, tape 2 of 2; Carolyn Forche interview1/4" Open Reel Audio 5" reel Back of Box: Sound #26, Pix 101, "Statue of Liberty", Haitian Refugees, Carolyn Forche Intv |
SFC Audio Open Reel FT-20193/346 |
Rick Hill interview1/4" Open Reel Audio 5" reel Back of Box: Statue of Liberty, Reel 24, Sync Takes 1 2 3 4, Rick Hill Interview, 9/17/84 |
SFC Audio Open Reel FT-20193/347 |
Paul Horgan interview1/4" Open Reel Audio 5" reel Back of Box: Sound #11, Pix #79, "Statue Liberty", Paul Horgan |
SFC Audio Open Reel FT-20193/348 |
Barbara Jordan interview1/4" Open Reel Audio 5" reel Back of Box: SND Roll #30A, Pict. Roll #114, Barbara Jordan |
SFC Audio Open Reel FT-20193/349 |
Jerzy Kosinski interview1/4" Open Reel Audio 5" reel Back of Box: Sound #7, Pix 70, "Statue Liberty", Jerzy Kosinski |
SFC Audio Open Reel FT-20193/350 |
Helen Mamikonian interview; Fenway Park interviews1/4" Open Reel Audio 5" reel Back of Box: Sound #18, Pix 88 89 90, Helen Mamikonian Intv., Fenway Park Intv. |
SFC Audio Open Reel FT-20193/351 |
David McCullough interview, tape 1 of 31/4" Open Reel Audio 5" reel Back of Box: Sound 82, Pix 102 103, David McCullough Intv |
SFC Audio Open Reel FT-20193/352 |
David McCullough interview, tape 2 of 31/4" Open Reel Audio 5" reel Back of Box: Sound 29, Pix 103 104, "Statue of Liberty", David McCullough Intv. |
SFC Audio Open Reel FT-20193/353 |
David McCullough interview, tape 3 of 31/4" Open Reel Audio 5" reel Back of Box: Sound #30, Pix 104, "Statue of Liberty", David McCullough Intv. |
SFC Audio Open Reel FT-20193/354 |
Senator Alan Simpson interview1/4" Open Reel Audio 5" reel Back of Box: Sound #13, Pix 81, Senator Alan Simpson, Wyoming Interview |
SFC Audio Open Reel FT-20193/355 |
Alan Simpson interview; Daniel Boorstein interview; Sol Linowitz interview1/4" Open Reel Audio 5" reel Back of Box: Sound #14, "Statue of Liberty", Alan Simpson Intv., Daniel Boorstein Intv., Sol Linowitz Intv. |
SFC Audio Cassette FS-20193/25 |
Ambassador interview; Andre Castelet interviewAudiocassette Front of Case: France; Tape Label: Statue 1+2, Statue 3+4 |
SFC Audio Cassette FS-20193/26 |
James Baldwin interviewAudiocassette Front of Case: Baldwin; Tape Label: SR #1, Statue of Liberty |
SFC Audio Cassette FS-20193/27 |
Brighton Beach interviewsAudiocassette Tape Label: SR 22 Statue |
SFC Audio Cassette FS-20193/28 |
Helen Caldecott interviewAudiocassette Front of Case: Caldecott, Statue of Liberty #17 |
SFC Audio Cassette FS-20193/29 |
Ray Charles interviewAudiocassette Front of Case: Ray Charles; Tape Label: Statue R-27 |
SFC Audio Cassette FS-20193/30 |
Andrei Cordescu interview; George McGovern interviewAudiocassette Front of Case: Cordescu and McGovern; Tape Label: Statue #8 |
SFC Audio Cassette FS-20193/31 |
Mario Cuomo interviewAudiocassette Tape Label: Statue of Liberty 16 |
SFC Audio Cassette FS-20193/32 |
Angela Davis interview; Paul Horgan interviewAudiocassette Front of Case: Davis, Horgan; Tape Label: Statue #11 |
SFC Audio Cassette FS-20193/33 |
Thierry Despont interviewAudiocassette Tape Label: SR 20, Statue |
SFC Audio Cassette FS-20193/34 |
Carolyn Forche interviewAudiocassette Tape Label: Liberty 26, Carolyn Forche |
SFC Audio Cassette FS-20193/35 |
Vartan Gregorian interviewAudiocassette Front of Case: Vartan Gregorian; Tape Label: Statue of Liberty #13 |
SFC Audio Cassette FS-20193/36 |
Vartan Gregorian interview; Alan Simpson interview; Daniel Boorstein interview; Sol Linowitz interviewAudiocassette Tape Label: Statue of Liberty 13 & 14, 14 Rollback, 15 |
SFC Audio Cassette FS-20193/37 |
Arlo Guthrie interview; Betty Friedan interviewAudiocassette Front of Case: Guthrie and Friedan |
SFC Audio Cassette FS-20193/38 |
Indian interview; Milos Forman interviewAudiocassette Front of Case: Indian, Forman; Tape Label: Liberty 23 + 24 |
SFC Audio Cassette FS-20193/39 |
Barbara Jordan interviewAudiocassette Front of Case: Jordan; Tape Label: SR 30, Statue of Liberty |
SFC Audio Cassette FS-20193/40 |
Jerzy Kosinski interviewAudiocassette Front of Case: Kosinski, Statue #7 |
SFC Audio Cassette FS-20193/41 |
Helen Mamikonian interview; Fenway Park interviewsAudiocassette Front of Case: Mamikonian, Fenway; Tape Label: Statue/Liberty 18 19 |
SFC Audio Cassette FS-20193/42 |
David McCullough interviewAudiocassette Front of Case: McCullough; Tape Label: SR #28 29 30, Statue of Liberty |
SFC Audio Cassette FS-20193/43 |
Tom Wicker interviewAudiocassette Front of Case: Tom Wicker, Statue, Huey; Tape Label: Statue of Liberty #12 |
Film F-20193/1757 |
James Baldwin interview selects, pix16mm motion picture film 50 feet Polyester ; ColorSide of Box: 40, James Baldwin, Code FF; Leader Note: Pix, Statue, James Baldwin I'view, Selects |
Film F-20193/1758 |
James Baldwin interview selects, mag16mm motion picture film 50 feet AcetateSide of Box: 40, James Baldwin, Code FF; Leader Note: Trk, Statue, James Baldwin I'view, Selects |
Film F-20193/1759 |
Daniel Boorstein interview selects, pix16mm motion picture film 50 feet Acetate ; ColorSide of Box: I'view #3, Delaboulaye, Boorstein, Horgan, Linowitz, Selects; Leader Note: Statue, Sync/Pix, Daniel Boorstin I'view, Selects |
Film F-20193/1760 |
Daniel Boorstein interview selects, mag16mm motion picture film 50 feet AcetateSide of Box: I'view #3, Delaboulaye, Boorstein, Horgan, Linowitz, Selects; Leader Note: Statue, Sync/Trk, Daniel Boorstin I'view, Selects |
Film F-20193/1761 |
Helen Candicott interview selects, pix16mm motion picture film 75 feet Acetate ; ColorSide of Box: I'view #2, Cordescu, Caldicott, Simpson, Stone, Selects; Leader Note: Statue, Sync/Pix, Helen Caldicott I'view, Selects |
Film F-20193/1762 |
Helen Candicott interview selects, mag16mm motion picture film 75 feet AcetateSide of Box: I'view #2, Cordescu, Caldicott, Simpson, Stone, Selects; Leader Note: Statue, Sync/Pix, Helen Caldicott I'view, Selects |
Film F-20193/1763 |
Ray Charles interview selects, pix16mm motion picture film 25 feet Acetate ; ColorSide of Box: I'view #6, Mamikonian, Charles, Fenway/Brighton/Haitian, Selects; Leader Note: Statue, Sync/Pix, Ray Charles I'view, Selects |
Film F-20193/1764 |
Ray Charles interview selects, mag16mm motion picture film 25 feet AcetateSide of Box: I'view #6, Mamikonian, Charles, Fenway/Brighton/Haitian, Selects; Leader Note: Statue, Sync/Trk, Ray Charles I'view, Selects |
Film F-20193/2270 |
Andre Cordescu interview selects, pix16mm motion picture film 50 feet Acetate ; Color |
Film F-20193/2271 |
Andre Cordescu interview selects, mag16mm motion picture film 50 feet Acetate |
Film F-20193/1765 |
Mario Cuomo interview selects, pix16mm motion picture film 50 feet Acetate ; ColorSide of Box: I'view #1, Baldwin, Gregorian, Cuomo, Kosinski, Selects; Leader Note: Statue, Sync/Pix, Mario Cuomo, I'view, Selects |
Film F-20193/1766 |
Mario Cuomo interview selects, mag16mm motion picture film 50 feet AcetateSide of Box: I'view #1, Baldwin, Gregorian, Cuomo, Kosinski, Selects; Leader Note: Statue, Sync/Trk, Mario Cuomo, I'view, Selects |
Film F-20193/1767 |
Angela Davis interview selects, pix16mm motion picture film 50 feet Acetate ; ColorSide of Box: I'view #4, Wicker, McGovern, Guthrie, Davis, Selects; Leader Note: Statue, Sync/Pix, Angela Davis I'view, Selects |
Film F-20193/1768 |
Angela Davis interview selects, mag16mm motion picture film 50 feet AcetateSide of Box: I'view #4, Wicker, McGovern, Guthrie, Davis, Selects; Leader Note: Statue, Sync/Trk, Angela Davis I'view, Selects |
Film F-20193/1769 |
M. De Laboulaye interview selects, pix16mm motion picture film 75 feet Acetate ; ColorSide of Box: I'view #3, Delaboulaye, Boorstein, Horgan, Linowitz, Selects; Leader Note: Statue, Sync/Pix, M. De Laboulaye I'view, Selects |
Film F-20193/1770 |
M. De Laboulaye interview selects, mag16mm motion picture film 75 feet AcetateSide of Box: I'view #3, Delaboulaye, Boorstein, Horgan, Linowitz, Selects; Leader Note: Statue, Sync/Trk, M. De Laboulaye I'view, Selects |
Film F-20193/1771 |
Thierry Despont inteview selects, pix16mm motion picture film 200 feet Acetate ; ColorSide of Box: I'view #5, Despont, Forman, Forche, Hill, Selects; Leader Note: Statue, Sync/Pix, Thiery Despont I'view, Selects |
Film F-20193/1772 |
Thierry Despont inteview selects, mag16mm motion picture film 200 feet AcetateSide of Box: I'view #5, Despont, Forman, Forche, Hill, Selects; Leader Note: Statue, Sync/Trk, Thiery Despont I'view, Selects |
Film F-20193/1773 |
Fenway Park interview selects, pix; Bright Beach interview selects, pix; Haitian Immigrant interview selects, pix16mm motion picture film 125 feet Acetate ; ColorSide of Box: I'view #6, Mamikonian, Charles, Fenway/Brighton/Haitian, Selects; Leader Note: Statue, Sync/Pix, Fenway/Brighton/Haitian, Selects |
Film F-20193/1774 |
Fenway Park interview selects, mag; Bright Beach interview selects, mag; Haitian Immigrant interview selects, mag16mm motion picture film 125 feet AcetateSide of Box: I'view #6, Mamikonian, Charles, Fenway/Brighton/Haitian, Selects; Leader Note: Statue, Sync/Trk, Fenway/Brighton/Haitian, Selects |
Film F-20193/1775 |
Carolyn Forche interview selects, pix16mm motion picture film 25 feet Acetate ; ColorSide of Box: I'view #5, Despont, Forman, Forche, Hill, Selects; Leader Note: Statue, Sync/Pix, Carolyn Forche I'view, Selects |
Film F-20193/1776 |
Carolyn Forche interview selects, mag16mm motion picture film 25 feet AcetateSide of Box: I'view #5, Despont, Forman, Forche, Hill, Selects; Leader Note: Statue, Sync/Trk, Carolyn Forche I'view, Selects |
Film F-20193/1777 |
Milos Forman interview selects, pix16mm motion picture film 50 feet Acetate ; ColorSide of Box: I'view #5, Despont, Forman, Forche, Hill, Selects; Leader Note: Statue, Sync/Pix, Milos Forman I'view, Selects |
Film F-20193/1778 |
Milos Forman interview selects, mag16mm motion picture film 50 feet AcetateSide of Box: I'view #5, Despont, Forman, Forche, Hill, Selects; Leader Note: Statue, Sync/Trk, Milos Forman I'view, Selects |
Film F-20193/1779 |
Vartan Gregorian interview selects, pix16mm motion picture film 100 feet Acetate ; ColorSide of Box: I'view #1, Baldwin, Gregorian, Cuomo, Kosinski, Selects; Leader Note: Statue, Sync/Pix, Vartan Gregorian, I'view, Selects |
Film F-20193/1780 |
Vartan Gregorian interview selects, mag16mm motion picture film 100 feet AcetateSide of Box: I'view #1, Baldwin, Gregorian, Cuomo, Kosinski, Selects; Leader Note: Statue, Sync/Trk, Vartan Gregorian, I'view, Selects |
Film F-20193/1781 |
Arlo Guthrie interview selects, pix16mm motion picture film 100 feet Acetate ; ColorSide of Box: I'view #4, Wicker, McGovern, Guthrie, Davis, Selects; Leader Note: Statue, Sync/Pix, Arlo Guthrie I'view, Selects |
Film F-20193/1782 |
Arlo Guthrie interview selects, mag16mm motion picture film 100 feet AcetateSide of Box: I'view #4, Wicker, McGovern, Guthrie, Davis, Selects; Leader Note: Statue, Sync/Trk, Arlo Guthrie I'view, Selects |
Film F-20193/1783 |
Rick Hill interview selects, pix16mm motion picture film 75 feet Acetate ; ColorSide of Box: I'view #5, Despont, Forman, Forche, Hill, Selects; Leader Note: Statue, Sync/Pix, Rick Hill I'view, Selects |
Film F-20193/1784 |
Rick Hill interview selects, mag16mm motion picture film 75 feet AcetateSide of Box: I'view #5, Despont, Forman, Forche, Hill, Selects; Leader Note: Statue, Sync/Trk, Rick Hill I'view, Selects |
Film F-20193/1785 |
Paul Hogan interview selects, pix16mm motion picture film 200 feet Acetate ; ColorSide of Box: I'view #3, Delaboulaye, Boorstein, Horgan, Linowitz, Selects; Leader Note: Statue, Sync/Pix, Paul Hogan I'view, Selects |
Film F-20193/1786 |
Paul Hogan interview selects, mag16mm motion picture film 200 feet AcetateSide of Box: I'view #3, Delaboulaye, Boorstein, Horgan, Linowitz, Selects; Leader Note: Statue, Sync/Trk, Paul Hogan I'view, Selects |
Film F-20193/1787 |
Jerzy Kosinski interview selects, pix16mm motion picture film 50 feet Acetate ; ColorSide of Box: I'view #1, Baldwin, Gregorian, Cuomo, Kosinski, Selects; Leader Note: Statue, Sync/Pix, Jerzy Kozinski, I'view, Selects |
Film F-20193/1788 |
Jerzy Kosinski interview selects, mag16mm motion picture film 50 feet AcetateSide of Box: I'view #1, Baldwin, Gregorian, Cuomo, Kosinski, Selects; Leader Note: Statue, Sync/Trk, Jerzy Kozinski, I'view, Selects |
Film F-20193/1789 |
Sol Linowitz interview selects, pix16mm motion picture film 75 feet Acetate ; ColorSide of Box: I'view #3, Delaboulaye, Boorstein, Horgan, Linowitz, Selects; Leader Note: Statue, Sync/Pix, Sol Linowitz I'view, Selects |
Film F-20193/1790 |
Sol Linowitz interview selects, mag16mm motion picture film 75 feet AcetateSide of Box: I'view #3, Delaboulaye, Boorstein, Horgan, Linowitz, Selects; Leader Note: Statue, Sync/Trk, Sol Linowitz I'view, Selects |
Film F-20193/1791 |
Helen Mamikonian interview selects, pix16mm motion picture film 25 feet Acetate ; ColorSide of Box: I'view #6, Mamikonian, Charles, Fenway/Brighton/Haitian, Selects; Leader Note: Statue, Sync/Pix, Helen Mamikonian, Selects |
Film F-20193/1792 |
Helen Mamikonian interview selects, mag16mm motion picture film 25 feet AcetateSide of Box: I'view #6, Mamikonian, Charles, Fenway/Brighton/Haitian, Selects; Leader Note: Statue, Sync/Trk, Helen Mamikonian, Selects |
Film F-20193/1793 |
David McCullough interview selects, pix16mm motion picture film 300 feet Acetate ; ColorSide of Box: I'view, McCullough, Selects; Leader Note: Sync Pix, D. McCullough I'view, 102A-105, Selects |
Film F-20193/1794 |
David McCullough interview selects, mag16mm motion picture film 300 feet AcetateSide of Box: I'view, McCullough, Selects; Leader Note: Sync Trk, D. McCullough I'view, 102A-105, Selects |
Film F-20193/1795 |
George McGovern interview selects, pix16mm motion picture film 50 feet Acetate ; ColorSide of Box: I'view #4, Wicker, McGovern, Guthrie, Davis, Selects; Leader Note: Statue, Sync/Pix, George McGovern I'view, Selects |
Film F-20193/1796 |
George McGovern interview selects, mag16mm motion picture film 50 feet AcetateSide of Box: I'view #4, Wicker, McGovern, Guthrie, Davis, Selects; Leader Note: Statue, Sync/Trk, George McGovern I'view, Selects |
Film F-20193/1797 |
Alan Simpson interview selects, pix16mm motion picture film 50 feet Acetate ; ColorSide of Box: I'view #2, Cordescu, Caldicott, Simpson, Stone, Selects; Leader Note: Statue, Sync/Pix, Alan Simpson I'view, Selects |
Film F-20193/1798 |
Alan Simpson interview selects, mag16mm motion picture film 50 feet AcetateSide of Box: I'view #2, Cordescu, Caldicott, Simpson, Stone, Selects; Leader Note: Statue, Sync/Trk, Alan Simpson I'view, Selects |
Film F-20193/1799 |
I.F. Stone interview selects, pix16mm motion picture film 100 feet Acetate ; ColorSide of Box: I'view #2, Cordescu, Caldicott, Simpson, Stone, Selects; Leader Note: Statue, Sync/Pix, I.F. Stone I'view, Selects |
Film F-20193/1800 |
I.F. Stone interview selects, mag16mm motion picture film 100 feet AcetateSide of Box: I'view #2, Cordescu, Caldicott, Simpson, Stone, Selects; Leader Note: Statue, Sync/Trk, I.F. Stone I'view, Selects |
Film F-20193/1801 |
Tom Wicker interview selects, pix16mm motion picture film 100 feet Acetate ; ColorSide of Box: I'view #4, Wicker, McGovern, Guthrie, Davis, Selects; Leader Note: Statue, Sync/Pix, Tom Wicker I'view, Selects |
Film F-20193/1802 |
Tom Wicker interview selects, mag16mm motion picture film 100 feet AcetateSide of Box: I'view #4, Wicker, McGovern, Guthrie, Davis, Selects; Leader Note: Statue, Sync/Trk, Tom Wicker I'view, Selects |
Film F-20193/1803 |
Aerials, pix16mm motion picture film 550 feet Polyester ; ColorSide of Box: MOS 5, Aerials; Leader Note: Outs, Code C 3000, Statue, Aerial Shots, 11-12, MOS, Pix |
Film F-20193/1804 |
Aerials, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 9 10 - Night Shots & Aerials, 11 12- Aerial Shots, Outs, C0 3; Leader Note: Aerial Trims |
Film F-20193/1805 |
Black and White Views, pix16mm motion picture film 250 feet Acetate ; BWSide of Box: Statue, 20 - Live Views - Dawn, 21 - " " - Sunset, 22 - Black and White, Outs, D6, E0; Leader Note: Statue, Views - Black & White, 22, MOS, Pix |
Film F-20193/1806 |
Black and White Views, trims, pix16mm motion picture film Acetate ; BWSide of Box: Statue, 20 - Live Views - Dawn, 21 - " " - Sunset, 22 - Black and White, Outs, D6, E0; Leader Note: E0, 3 |
Film F-20193/1807 |
Dawn and Sunset, pix16mm motion picture film 500 feet Acetate ; ColorSide of Box: Statue, 20 - Live Views - Dawn, 21 - " " - Sunset, 22 - Black and White, Outs, D6, E0; Leader Note: Statue, Live Views, Dawn/Sunset, 20-21, MOS, Pix |
Film F-20193/1808 |
Dawn and Sunset, trims, pix16mm motion picture film Acetate ; ColorSide of Box: Statue, 20 - Live Views - Dawn, 21 - " " - Sunset, 22 - Black and White, Outs, D6, E0; Leader Note: Trims, D6 |
Film F-20193/1809 |
Ellis Island Live and Interiors, pix16mm motion picture film 400 feet Acetate ; ColorSide of Box: 38-39 - Ellis Is. Live + Interiors, Outs, J3; Leader Note: Code J 3000, Statue, Ellis Isle, Live/Interiors, 38-39, MOS, Pix |
Film F-20193/1810 |
Ellis Island Live and Interiors, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 38-39 - Ellis Is. Live + Interiors, Outs, J3; Leader Note: Trims, J0 3 |
Film F-20193/1811 |
Ellis Island Tour, pix 116mm motion picture film 125 feet Acetate ; ColorSide of Box: 73 - Ellis Island Tour, Sync, Ellis Island Tour - MOS, Ellis Island Tour, Wild Sound; Leader Note: Sync, Roll 73, Ellis Island Tour, Pix, Statue |
Film F-20193/1812 |
Ellis Island Tour, mag 116mm motion picture film 125 feet AcetateSide of Box: 73 - Ellis Island Tour, Sync, Ellis Island Tour - MOS, Ellis Island Tour, Wild Sound; Leader Note: Sync, Roll 73, Ellis Island Tour, Sound, Statue |
Film F-20193/1813 |
Ellis Island Tour, pix 216mm motion picture film 175 feet Acetate ; ColorSide of Box: 73 - Ellis Island Tour, Sync, Ellis Island Tour - MOS, Ellis Island Tour, Wild Sound; Leader Note: Roll 73, Ellis Is. Tour - MOS, Statue |
Film F-20193/1814 |
Ellis Island Tour, Wild Sound, mag 116mm motion picture film 250 feet AcetateSide of Box: 73 - Ellis Island Tour, Sync, Ellis Island Tour - MOS, Ellis Island Tour, Wild Sound; Leader Note: Ellis Is. Tour, Wild Sound |
Film F-20193/1815 |
Ellis Island Tour, Wild Sound, mag 216mm motion picture film 600 feet AcetateSide of Box: 73 - Ellis Island Tour, Sync, Ellis Island Tour - MOS, Ellis Island Tour, Wild Sound; Leader Note: Wild Sound, Ellis Is. |
Film F-20193/1816 |
France, negative, pix 116mm motion picture film 1000 feet Polyester ; ColorSide of Box: France, Florentine, Roll Nos. - 7 Thru 16 |
Film F-20193/1817 |
France, negative, pix 216mm motion picture film 950 feet Polyester ; ColorSide of Box: France, Florentine, Roll Nos. - 17 thru 25 |
Film F-20193/1818 |
France, negative, pix 316mm motion picture film 750 feet Polyester ; ColorSide of Box: Subject - France, Rolls 26 Thru 32 |
Film F-20193/1819 |
France, negative, pix 416mm motion picture film 650 feet Polyester ; ColorSide of Box: France, Florentine, Roll Nos. - 200 through 205 |
Film F-20193/1820 |
France, negative, pix 516mm motion picture film 125 feet Acetate ; ColorSide of Box: Subject - France |
Film F-20193/1821 |
France, negative, pix 616mm motion picture film 125 feet Acetate ; ColorSide of Box: Subject - France |
Film F-20193/1822 |
From New Jersey, pix; Terry's Live Views, pix16mm motion picture film 450 feet Acetate ; ColorSide of Box: Statue, 13 - From New Jersey, 14 - Live Views (Terry's), 15 - "", Outs, C6; Leader Note: Statue, Views - NJ/Terry's 13-15, MOS, Pix |
Film F-20193/1823 |
From New Jersey, trims, pix; Terry's Live Views, trims, pix16mm motion picture film Acetate ; ColorSide of Box: Statue, 13 - From New Jersey, 14 - Live Views (Terry's), 15 - "", Outs, C6; Leader Note: Trims, C6 |
Film F-20193/1824 |
Live Details, pix16mm motion picture film 300 feet Acetate ; ColorSide of Box: Statue, 18 - Statue Live - Details, Outs, D3; Leader Note: Statue, Live Details, 18, MOS, Pix |
Film F-20193/1825 |
Miscellaneous MOS, Edith's Photo and Bartheldi Re-Do's, pix16mm motion picture film Acetate ; ColorSide of Box: Misc. MOS, Edith's Photos, Batheldi Re-Do's, French Windows, No Code, U0; Leader Note: Misc MOS, Edith's Photo and Bart. Zoom Out, Re-Do, Trims French Windows, Trims Edith and Bartholdi |
Film F-20193/1826 |
Night Shots, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 9 10 - Night Shots & Aerials, 11 12- Aerial Shots, Outs, C0 3; Leader Note: Night Trims |
Film F-20193/1827 |
Night Shots and Aerials, pix16mm motion picture film 150 feet Acetate ; ColorSide of Box: 9 10 - Night Shots & Aerials, 11 12- Aerial Shots, Outs, C0 3; Leader Note: Code C0000, Statue, Night Shots & Aerials, 9-10, MOS Pix |
Film F-20193/1828 |
Night Shots and October Light, pix16mm motion picture film 400 feet Acetate ; ColorSide of Box: Statue, 16 - Night Shots, 17 - October Light, 1st Prints, Reprints, Outs, D0; Leader Note: Outs, Code D 0000, Statue, Night Shots/Oct. Light, 16 & 17 (Reprint), MOS, Pix |
Film F-20193/1829 |
Night Shots and October Light, trims, pix16mm motion picture film Acetate ; ColorSide of Box: Statue, 16 - Night Shots, 17 - October Light, 1st Prints, Reprints, Outs, D0; Leader Note: D0 3 |
Film F-20193/1830 |
Poster Transparencies, pix; Live Torch and Fireworks, pix; Hutton Pixilation, pix16mm motion picture film 200 feet Acetate ; ColorSide of Box: 88A 89A - Poster Transparencies, J41 J42 - Torch Lowering, Fireworks, * Hutton Pixilation; Leader Note: Statue, Poster Transp/Live Torch & Fireworks/Hutton Pix, 88A-89A, J41-J42, MOS, Pix |
Film F-20193/1831 |
Scaffolding Details, pix 116mm motion picture film 350 feet Acetate ; ColorSide of Box: Statue, 36A - Scaffolding Live, 37 - ", 37A - Live Details, Outs, H6 JO; Leader Note: Code H 6000, Statue, Scaffolding Live/Details, 36A, MOS, Pix |
Film F-20193/1832 |
Scaffolding Details, pix 216mm motion picture film 600 feet Acetate ; ColorSide of Box: Statue, 36A - Scaffolding Live, 37 - ", 37A - Live Details, Outs, H6 JO; Leader Note: Code J 0000, Statue, Scaffolding Live/Details, 37-37A, MOS, Pix |
Film F-20193/1833 |
Scaffolding Details, trims, pix16mm motion picture film Acetate ; ColorSide of Box: Statue, 36A - Scaffolding Live, 37 - ", 37A - Live Details, Outs, H6 JO; Leader Note: Trims, H6 |
Film F-20193/1834 |
Scaffolding Shots, pix16mm motion picture film 700 feet Acetate ; ColorSide of Box: Statue, 32-36, Scaffolding Shots/Live, Outs, H3; Leader Note: Code H 3000, Statue, Scaffolding Shots, 32-36, MOS, Pix |
Film F-20193/1835 |
Second Scaffolding Shoot, pix16mm motion picture film 275 feet Acetate ; ColorSide of Box: 111 112, 2nd Scaffolding Shoot, Many Details, Outs U3; Leader Note: Code U 3000, Statue, 2nd Scaffolding Shoot, MOS, Pix |
Film F-20193/1836 |
Second Scaffolding Shoot, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 111 112, 2nd Scaffolding Shoot, Many Details, Outs U3; Leader Note: Trims, U3 |
Film F-20193/1837 |
Statue Views, pix16mm motion picture film 600 feet Acetate ; ColorSide of Box: 5 6 - Statue Views, 7 8 Statue Views and Details, Outs, B 3 6; Leader Note: Code B 3000, Statue Views, R 5&6, MOS, Pix |
Film F-20193/1838 |
Statue Views, Reels 1 and 2, pix16mm motion picture film 500 feet Acetate ; ColorSide of Box: 1 2 3 4 Statue Views, Outs, A6 B0; Leader Note: Code A 6000, Statue, Views, R 1&2, MOS, Pix |
Film F-20193/1839 |
Statue Views, Reels 3 and 4, pix16mm motion picture film 300 feet Acetate ; ColorSide of Box: 1 2 3 4 Statue Views, Outs, A6 B0; Leader Note: Code B 0000, Statue Views, R 3&4, MOS, Pix |
Film F-20193/1840 |
Statue Views and Details, pix16mm motion picture film 400 feet Acetate ; ColorSide of Box: 5 6 - Statue Views, 7 8 Statue Views and Details, Outs, B 3 6; Leader Note: Code B 6000, Statue Views and Details, R 7&8, MOS, Pix |
Film F-20193/1841 |
Statue Views and Details, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 5 6 - Statue Views, 7 8 Statue Views and Details, Outs, B 3 6; Leader Note: Trims, B036 |
Film F-20193/1842 |
Sunset, Scaffolding and Pixilation, pix16mm motion picture film 500 feet Acetate ; ColorSide of Box: Statue, 29 - Sunset Scaffolding, 30 - Pixilation, 31 - Scaffolding, Live, Outs, H0; Leader Note: Outs, Code H 0000, Statue, Scaffolding - Sunset/Pixilation, 29-31, MOS, Pix |
Film F-20193/1843 |
Sunset, Scaffolding and Pixilation, trims, pix16mm motion picture film Acetate ; ColorSide of Box: Statue, 29 - Sunset Scaffolding, 30 - Pixilation, 31 - Scaffolding, Live, Outs, H0; Leader Note: Trims, H0 3 |
Film F-20193/1844 |
Terry's Night and Dawn, pix16mm motion picture film 600 feet Acetate ; ColorSide of Box: Statue, 23 - Live Views, 24 - Live Views, 22A - Terry's Night and Dawn Shots, Outs, E3; Leader Note: Outs, Code E 3000, Statue, Terry's Night and Dawn/Live Views, 22A-24, MOS Pix |
Film F-20193/1845 |
Winter Light, pix; Battery Park Timelapse, pix16mm motion picture film 500 feet Acetate ; ColorSide of Box: Statue, 25 - Live Views, 25A - Winter Light, 26 - Battery Pk Time Lapse, 27 - Live Views and Details, 28 - "", Outs, E6; Leader Note: Statue, Views/Winter Lite/Batt. Pk. Time Lapse, 25-28, MOS, Pix |
Film F-20193/1846 |
Winter Light, trims, pix; Battery Park Timelapse, trims, pix16mm motion picture film Acetate ; ColorSide of Box: Statue, 25 - Live Views, 25A - Winter Light, 26 - Battery Pk Time Lapse, 27 - Live Views and Details, 28 - "", Outs, E6; Leader Note: Trims, E6 |
Film F-20193/1847 |
Aerials, Selects, pix16mm motion picture film 250 feet Polyester ; ColorSide of Box: MOS 5, Aerials; Leader Note: Statue, Views, Selects, R-5, Aerials, MOS |
Film F-20193/1848 |
Black and White Views, selects, pix16mm motion picture film 150 feet Acetate ; BWSide of Box: Views, MOS 8 - Black and White, Selects; Leader Note: Statue, Views Selects, R-8, Black and White, MOS |
Film F-20193/1849 |
Ellis Island, selects, pix16mm motion picture film 300 feet Acetate ; ColorSide of Box: Views, MOS 9 - Ellis Island, MOS 10 - Scaffolding, Selects; Leader Note: Statue, Views, Selects, R-9, Ellis Island, MOS |
Film F-20193/1850 |
Harbor/N.Y. selects, pix16mm motion picture film 200 feet Acetate ; ColorSide of Box: Views, MOS 1 - Harbor/N.Y., Selects; Leader Note: Views Selects, R-1, Harbor/N.Y., MOS |
Film F-20193/1851 |
Mondo Views, selects, pix16mm motion picture film 1100 feet Polyester ; BWSide of Box: Views, Mondo Views, Combined Selects, Selects; Leader Note: Statue, Views Selects, R-2, Night MOS |
Film F-20193/1852 |
Pixilation, selects, pix16mm motion picture film 350 feet Acetate ; ColorSide of Box: Views, MOS 11, Snow, MOS 12, Pixilation, Selects; Leader Note: Statue, Views Selects, R-12, Pixilation, MOS |
Film F-20193/1853 |
Scaffold, selects, pix16mm motion picture film 150 feet Acetate ; ColorSide of Box: Views, MOS 9 - Ellis Island, MOS 10 - Scaffolding, Selects; Leader Note: Statue, Views, Selects, R-10 - Scaffolding, MOS |
Film F-20193/1854 |
Selected Ins, Selected Views, trims, pix16mm motion picture film Acetate ; ColorSide of Box: Selected Ins, Selected Views, No Selects Exist, Outs, A03; Leader Notes: Trims A3 6, Trims A2, T 3 6 |
Film F-20193/1855 |
Snow, selects, pix16mm motion picture film 100 feet Acetate ; ColorSide of Box: Views, MOS 11, Snow, MOS 12, Pixilation, Selects; Leader Note: Statue, Views Selects, R-11, Snow, MOS |
Film F-20193/1856 |
David McCullough Narration, Reel 1, mag16mm motion picture film 1000 feet AcetateSide of Box: New McC Narration, R-1 through 3, 1/16; Leader Note: Florentine, Statue, Start Code, L 0000, New McC, Reel 1 |
Film F-20193/1857 |
David McCullough Narration, Reel 2, mag16mm motion picture film 1000 feet AcetateSide of Box: New McC Narration, R-1 through 3, 1/16; Leader Note: Statue, R-2, Code L 5000 |
Film F-20193/1858 |
David McCullough Narration, Reel 3, mag16mm motion picture film 500 feet AcetateSide of Box: New McC Narration, R-1 through 3, 1/16; Leader Note: Statue, R-3, Code M 0000 |
Film F-20193/1859 |
David McCullough Narration, Remaining Selects, mag16mm motion picture film 500 feet AcetateSide of Box: McC "Final" Narr NX/NY Remaining Selects, Laboulaye Pulitzer Open Day |
Film F-20193/1860 |
David McCullough Narration, trims, mag16mm motion picture film AcetateSide of Box: Statue, TRK and Rolled Up Narr Trims |
Film F-20193/1861 |
David McCullough Scratch Narration, Reel 1, mag16mm motion picture film 900 feet AcetateSide of Box: McCullough Scratch Narration, (11/9), Part 1, C0000; Leader Note: Statue, 11/9, McCullough, Narr. R-1, Scratch, Code C0000, TRK |
Film F-20193/1862 |
David McCullough Narration, Penultimate Narration, mag16mm motion picture film 200 feet AcetateSide of Box: MISC Trk, Ken 2/14 Outs, Forman 2/22, Jeremiah Demo, Thierry and McC Penultimates; Leader Note: David, Penultimate Narr. |
Film F-20193/1863 |
Hugo Alt., mag16mm motion picture film 25 feet AcetateSide of Box: McCullough Scratch Narration, (11/9), Part 1, C0000; Leader Note: Hugo Alt. |
Film F-20193/1864 |
Narration, Trims, mag16mm motion picture film AcetateSide of Box: Cuts in "Old" Narration (11/9), Codes C |
Film F-20193/1865 |
Ken's Scratch Narration, mag16mm motion picture film AcetateSide of Box: Jeremy Irons, R-2, 3/5 Re-Dos, X3000; Leader Note: Ken's Scratch Narration |
Film F-20193/1866 |
Ken's Scratch Narration, mag16mm motion picture film 750 feet AcetateSide of Box: Quotes, Thiery Despont, R-1, (11/1), B 5000, 11/1 Scratch Narration (Uncoded); Leader Note: Ken's 1st Scratch Narration, Removed 11/16 |
Film F-20193/1867 |
Ken's Scratch Narration, Outtakes, mag16mm motion picture film 250 feet AcetateSide of Box: Quotes, Thiery, R-2 & 3, (12/4), E03, Ken's Scratch, 12/4, E0; Leader Note: Ken's, 12/4, Scratch Outs |
Film F-20193/1868 |
Ken's Scratch Narration and Music, mag16mm motion picture film 600 feet AcetateSide of Box: Ken's Scratch Asstd., French Music (from Disc), Pride of America, Video X-fer Mixed Trk; Leader Note: Statue of Libert Narration and Music |
SFC Audio Open Reel FT-20193/356 |
David McCullough Narration, tape 1 of 21/4" Open Reel Audio 10.5" reel Side of Box: Statue, Voice, David McC 2nd Session, 1/16, 1/4 Master, Reel 1; Front of Box: Statue of Liberty, 1-16-85 |
SFC Audio Open Reel FT-20193/357 |
David McCullough Narration, tape 2 of 21/4" Open Reel Audio 10.5" reel Side of Box: Statue/Voice/David McC, 2nd Session (1/16), 1/4 Master, R-2 |
SFC Audio Open Reel FT-20193/358 |
David McCullough Narration; DeLaboulaye1/4" Open Reel Audio 10.5" reel Side of Box: Statue, McC/Laboulaye, 2/28; Front of Box: 2-28-85, Reel 1 of 2 |
SFC Audio Open Reel FT-20193/359 |
Ken Burns Scratch Narration; MLK Speech1/4" Open Reel Audio 7" reel Front of Box: Statue of Liberty, Scratch Track 12-4-84, Ken Narration and MLK Speech |
SFC Audio Open Reel FT-20193/360 |
Scratch Narration, 14 February 19851/4" Open Reel Audio 5" reel Front of Box: Florentine Films, Liberty Scratch, 2/14/85 |
SFC Audio Open Reel FT-20193/361 |
Scratch Narration1/4" Open Reel Audio 7" reel Front of Box: Scratch Liberty, Statue of Liberty |
SFC Audio Open Reel FT-20193/362 |
Rush Narration1/4" Open Reel Audio 5" reel Front of Box: Florentine Films, Rush Narration |
SFC Audio Open Reel FT-20193/363 |
Milos Forman Narration1/4" Open Reel Audio 5" reel Front of Box: Florentine Films/American Documentaries, "Statue of Liberty", Milos Forman Narration |
SFC Audio Open Reel FT-20193/364 |
John Badila Commercial Spots Demo1/4" Open Reel Audio 5" reel Side of Box: Badila Commercial Spots; Note on Reel: John Badila |
SFC Audio Open Reel FT-20193/365 |
John Badila Narration Demo1/4" Open Reel Audio 5" reel Side of Box: Badlia Narrations |
Film F-20193/1869 |
Tucker Burr and Wendy Tilghman Voiceover, mag16mm motion picture film 800 feet AcetateSide of Box: Quotes, Tucker, Wendy, Richard, R-1, (11/28), D0000, D3000; Leader Note: Statue, Head, Tucker and Wendy Readings, Code D0 |
Film F-20193/1870 |
Cuts in Quotes, mag16mm motion picture film AcetateSide of Box: Cuts in Quotes |
Film F-20193/1871 |
Thierry Despont Voiceover, Reel 1, Outtakes, mag16mm motion picture film 850 feet AcetateSide of Box: Quotes, Thiery Despont, R-1, (11/1), B 5000, 11/1 Scratch Narration (Uncoded); Leader Note: Outs, Code B 5000, Statue, Thiery Despont, Quotes, R-1, Wild Trk |
Film F-20193/1872 |
Thierry Despont Voiceover, Reels 2 and 3, Outtakes, mag16mm motion picture film 800 feet AcetateSide of Box: Quotes, Thiery, R-2 & 3, (12/4), E03, Ken's Scratch, 12/4, E0; Leader Note: Thiery, 12/4, Outs |
Film F-20193/1873 |
French Auditions, January 1985, Roll 1 of 3, mag16mm motion picture film 600 feet AcetateSide of Box: French Auditions, Jan 85; Leader Note: French Auditions, Jan |
Film F-20193/1874 |
French Auditions, January 1985, Roll 2 of 3, mag16mm motion picture film 650 feet AcetateSide of Box: French Auditions, Jan 85; Leader Note: 1/10 Demo Vox, More French, 1/10 |
Film F-20193/1875 |
French Auditions, January 1985, Roll 3 of 3, mag16mm motion picture film 200 feet AcetateSide of Box: French Auditions, Jan 85; Leader Note: Other French Auditions |
Film F-20193/1876 |
Jeremy Irons Voiceover, Reel 1, Selects, mag16mm motion picture film AcetateSide of Box: Quotes, Jeremy Irons, R-1, Ins and Outs, X0; Leader Notes: Q-8A, Q-5, Q-37 2/14, Irons, Q-50 2/14. Irons, 2nd Choice |
Film F-20193/1877 |
Jeremy Irons Voiceover, Reel 2, Re-Do's, mag16mm motion picture film 50 feet AcetateSide of Box: Jeremy Irons, R-2, 3/5 Re-Dos, X3000; Leader Note: Jeremy Re-Do's (Some Opt) |
Film F-20193/1878 |
Jeremy Irons Voiceover Outtakes, Reel 1, mag 116mm motion picture film 450 feet AcetateSide of Box: Quotes, Jeremy Irons, R-1, Ins and Outs, X0; Leader Note: Irons (Eng), Outs |
Film F-20193/1879 |
Jeremy Irons Voiceover Outtakes, Reel 1, mag 216mm motion picture film 500 feet AcetateSide of Box: Quotes, Jeremy Irons, R-1, Ins and Outs, X0; Leader Note: Irons (Fr.), Outs |
Film F-20193/1880 |
Derek Jacobi Voiceover, Reel 1, mag16mm motion picture film 500 feet AcetateSide of Box: Quotes, Arthur Miller, R-1, Derek Jacobi, R-1, HO 0-1700; Leader Note: Statue of Liberty, Narration, 12/18/84, Jacobi |
Film F-20193/1881 |
Jerimiah Demo, mag16mm motion picture film 200 feet AcetateSide of Box: MISC Trk, Ken 2/14 Outs, Forman 2/22, Jeremiah Demo, Thierry and McC Penultimates; Leader Note: Jerimiah |
Film F-20193/1882 |
Lucien and Duval, Demo Quotes, mag16mm motion picture film AcetateSide of Box: Lucien & Duval, Demo Quotes |
Film F-20193/1883 |
Miller Voiceover Outtakes, mag16mm motion picture film 650 feet AcetateSide of Box: MISC Trk, Ken 2/14 Outs, Forman 2/22, Jeremiah Demo, Thierry and McC Penultimates; Leader Note: 12/18 Miller Outs |
Film F-20193/1884 |
Eric Nivelle Voiceover, reel 1, mag16mm motion picture film 900 feet AcetateSide of Box: Quotes, Paul Roebling, R-1, (11/1), A5000, Eric Nivelle, R-1, (11/1), B0000, Outs; Leader Note: Code B 0000, Eric Nivelle, Quotes, R-1, Wild TRK |
Film F-20193/1885 |
Quotes, 0s and 10s, Selects, mag16mm motion picture film AcetateSide of Box: Quotes, 0's and 10's, Selects |
Film F-20193/1886 |
Quotes, 20s and 30s, selects, mag16mm motion picture film AcetateSide of Box: Quotes, 20s and 30s, Selects |
Film F-20193/1887 |
Quotes, 40s and 50s, selects, mag16mm motion picture film AcetateSide of Box: Quotes, 40s and 50s, Selects |
Film F-20193/1888 |
Quotes, 60s and 70s, Selects, mag16mm motion picture film AcetateSide of Box: Quotes, 60's and 70's, Selects |
Film F-20193/1889 |
Quotes, 80s and 90s, Selects, mag16mm motion picture film AcetateSide of Box: Quotes, 80's and 90's, Selects |
Film F-20193/1890 |
Richard Voiceover, mag16mm motion picture film 650 feet AcetateSide of Box: Quotes, Tucker, Wendy, Richard, R-1, (11/28), D0000, D3000; Leader Note: Statue, Richard Readings, Code D3 |
Film F-20193/1891 |
Paul Roebling Voiceover, mag16mm motion picture film 850 feet AcetateSide of Box: Quotes, Paul Roebling, R-1, (11/1), A5000, Eric Nivelle, R-1, (11/1), B0000, Outs; Leader Note: Code A 5000, Statue, Paul Roebling, Quotes, R-1, Wild TRK |
SFC Audio Open Reel FT-20193/366 |
Charles Duvall and Lucien Richard audition tape1/4" Open Reel Audio 5" reel Back of Box: Florentine Films/American Doc, 12-18-84, Statue of Liberty, Audition Tape, Charles Duvall, Lucien Richard |
SFC Audio Open Reel FT-20193/367 |
A and J French Voice Demo1/4" Open Reel Audio 5" reel Front of Box: A+J French Voice Demo |
SFC Audio Open Reel FT-20193/368 |
Lary Lewman Narration Demo1/4" Open Reel Audio 5" reel Front of Box: Lary Lewman, Narration Demo |
SFC Audio Open Reel FT-20193/369 |
Dan Zirpoli Narration Demo1/4" Open Reel Audio 5" reel Front of Box: Narrations, Dan Zirpoli |
SFC Audio Open Reel FT-20193/370 |
Thierry Despont Voiceover1/4" Open Reel Audio 7" reel Front of Box: Thierry Despont, 12-4-84, Statue of Liberty |
SFC Audio Open Reel FT-20193/371 |
Jeremy Irons Voiceover1/4" Open Reel Audio 10.5" reel Side of Box: Statue, Voice, Jeremy Irons, Master, (2/14) |
SFC Audio Open Reel FT-20193/372 |
Jeremy Irons Voiceover, Re-Do's1/4" Open Reel Audio 10.5" reel Side of Box: Statue, Voice, Jeremy (ReDos), Master, 3/5; Front of Box: Statue of Liberty, Jeremy Irons, 3-5-84 |
SFC Audio Open Reel FT-20193/373 |
Derek Jacobi Voiceover; Arthur Miller Voiceover1/4" Open Reel Audio 10.5" reel Side of Box: Statue, Voice, Miller & Jacobi, Master, Session One; Front of Box: 12-18-84, Derek Jacobi, Arthur Miller |
SFC Audio Open Reel FT-20193/374 |
Richard Reading1/4" Open Reel Audio 7" reel Front of Box: Produced for 11-28-84, Richard Reading |
SFC Audio Open Reel FT-20193/375 |
Tucker Readings; Wendy Readings1/4" Open Reel Audio 7" reel Front of Box: Produced for 11-28-84, Tucker Readings, Wendy Readings |
Film F-20193/1892 |
DIA A, reel 1, mag16mm motion picture film 1000 feet AcetateSide of Box: The Statue, Florentine Films, Reel 1, DIA/V.O. A&B, R-1; Tape Label: The Statue, Reel 1, DIA/V.O. A |
Film F-20193/1893 |
DIA B, reel 1, mag16mm motion picture film 1100 feet AcetateSide of Box: The Statue, Florentine Films, Reel 1, DIA/V.O. A&B, R-1; Tape Label: The Statue, Reel 1, DIA/V.O. B |
Film F-20193/1894 |
DIA C, reel 1, mag16mm motion picture film 1100 feet AcetateSide of Box: "Statue", Florentine Films, Reel 1, DIA/VO C; Leader Note: Florentine, Statue, R-1, DIA/VO C, TRK |
Film F-20193/1895 |
Narration, Track A, reel 1, mag16mm motion picture film 1100 feet AcetateSide of Box: The Statue, Florentine Films, Reel 1, Narr A&B; Leader Note: The Statue, Reel 1, Narr A |
Film F-20193/1896 |
Narration, Track B, reel 1, mag16mm motion picture film 1100 feet AcetateSide of Box: The Statue, Florentine Films, Reel 1, Narr A&B; Leader Note: The Statue, Reel 1, Narr B |
Film F-20193/1897 |
A.I.A. Archives, outtakes, pix16mm motion picture film 325 feet Acetate ; ColorSide of Box: 63 65 66 - French Archives, 67 68 - A.I.A. Archives, 69 - Live NYC, Outs, P03; Leader Note: Code P 3000, Statue, A.I.A. Archives, 67-68, MOS Pix |
Film F-20193/1898 |
A.I.A. Archives, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 63 65 66 - French Archives, 67 68 - A.I.A. Archives, 69 - Live NYC, Outs, P03; Leader Note: Trims, P3 |
Film F-20193/1899 |
D&B Portfolio, outtakes, pix16mm motion picture film 350 feet Acetate ; ColorSide of Box: 54-55 Fr. Archives/D&B Portfolio, 56 Seria Animation; Leader Note: Code L 6000, Statue, D&B Portfolio, CR 54-55, MOS Pix |
Film F-20193/1900 |
D&B Portfolio, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 54-55 Fr. Archives/D&B Portfolio, 56 Seria Animation; Leader Note: Trims, L6 |
Film F-20193/1901 |
First Animation, pix16mm motion picture film 400 feet Acetate ; ColorTop of Can: Florentine Films, "Statue", 1st Animation, 1st Print, Roll 56 |
Film F-20193/1902 |
French Archives, outtakes, pix16mm motion picture film 450 feet Acetate ; ColorSide of Box: 63 65 66 - French Archives, 67 68 - A.I.A. Archives, 69 - Live NYC, Outs, P03; Leader Note: Code P 0000, Statue, French Archives, 63-66, MOS, Pix |
Film F-20193/1903 |
French Archives and CNAM, outtakes, pix16mm motion picture film 400 feet Acetate ; ColorSide of Box: 50-51, French Archives/CNAM, 52-53, " " and D&B Portfolio, Outs, L03; Leader Note: L 0000, Statue, French Archives/CNAM, 50-51, MOS Pix |
Film F-20193/1904 |
French Archives and CNAM, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 50-51, French Archives/CNAM, 52-53, " " and D&B Portfolio, Outs, L03; Leader Note: Trims, L0 |
Film F-20193/1905 |
French Archives and D&B Portfolio, outtakes, pix 116mm motion picture film 425 feet Polyester ; ColorSide of Box: 50-51, French Archives/CNAM, 52-53, " " and D&B Portfolio, Outs, L03; Leader Note: Outs, Code L 3000, Statue, French Archives/D&B Portfolio, MOS, PIX |
Film F-20193/1906 |
French Archives and D&B Portfolio, outtakes, pix 216mm motion picture film 500 feet Polyester ; ColorSide of Box: 58A 59 - Seria Animation, 61 62 - Fr. Archives, D&B Portfolio, Outs, N 3 6; Leader Note: N 6000, Statue, Fr. Archives/D&B Portfolio, 61-62, MOS Pix |
Film F-20193/1907 |
French Archives and D&B Portfolio, trims, pix 116mm motion picture film Acetate ; ColorSide of Box: 50-51, French Archives/CNAM, 52-53, " " and D&B Portfolio, Outs, L03; Leader Note: Trims, L3 |
Film F-20193/1908 |
French Archives and D&B Portfolio, trims, pix 216mm motion picture film Acetate ; ColorSide of Box: 58A 59 - Seria Animation, 61 62 - Fr. Archives, D&B Portfolio, Outs, N 3 6; Leader Note: N6 |
Film F-20193/1909 |
I.F. Animation, Rolls 110-111, pix16mm motion picture film 75 feet Acetate ; ColorSide of Box: Statue Box 1, 106-109 Walpole Archives, 110-111 10/25 I.F. Animation, Outs, T0,3; Leader Note: Statue, 10/25, I.F. Animation, CR 110-111, MOS, Pix |
Film F-20193/1910 |
I.F. Animation, Rolls 110-111, trims, pix16mm motion picture film Acetate ; ColorSide of Box: Statue Box 1, 106-109 Walpole Archives, 110-111 10/25 I.F. Animation, Outs, T0,3; Leader Note: Trims, T 0.3 |
Film F-20193/1911 |
I.F. Animation, Roll 113, pix16mm motion picture film 50 feet Acetate ; ColorSide of Box: 11/7, I.F. Animation, C.R. 113 (NG), Outs, U6; Leader Note: Statue, I.F. Animation, 11/7, Code U 6000 |
Film F-20193/1912 |
I.F. Animation, Roll 113, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 11/7, I.F. Animation, C.R. 113 (NG), Outs, U6; Leader Note: Trims, U6 |
Film F-20193/1913 |
I.F. Animation, Rolls 115-116, pix16mm motion picture film 150 feet Acetate ; ColorSide of Box: 12/5, I.F. Animation, 115-116, 1/10, " ", 117-118-119, 2/25, Y0, Outs, W03; Leader Note: Statue - Florentine Films, Code W0 |
Film F-20193/1914 |
I.F. Animation, Rolls 115-116, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 12/5, I.F. Animation, 115-116, 1/10, " ", 117-118-119, 2/25, Y0, Outs, W03; Leader Note: Trims, W0 |
Film F-20193/1915 |
I.F. Animation, Rolls 115-116, M.L. King trims, pix16mm motion picture film Acetate ; ColorSide of Box: 12/5, I.F. Animation, 115-116, 1/10, " ", 117-118-119, 2/25, Y0, Outs, W03; Leader Note: Trims, M.L. King, WE0 |
Film F-20193/1916 |
I.F. Animation, Rolls 117-118, pix16mm motion picture film 100 feet Acetate ; ColorSide of Box: 12/5, I.F. Animation, 115-116, 1/10, " ", 117-118-119, 2/25, Y0, Outs, W03; Leader Note: Florentine Films, O Am Rl. 117-118, Code W3000 |
Film F-20193/1917 |
I.F. Animation, Rolls 117-118, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 12/5, I.F. Animation, 115-116, 1/10, " ", 117-118-119, 2/25, Y0, Outs, W03; Leader Note: Trims, W3 |
Film F-20193/1918 |
I.F. Animation, Roll 119, pix16mm motion picture film 100 feet Acetate ; ColorSide of Box: 12/5, I.F. Animation, 115-116, 1/10, " ", 117-118-119, 2/25, Y0, Outs, W03; Leader Note: I.F. 2/25 |
Film F-20193/2272 |
NYHS Archives, pix16mm motion picture film 150 feet Acetate ; Color |
Film F-20193/1919 |
Seria Animation, outtakes, pix 116mm motion picture film 125 feet Polyester ; ColorSide of Box: 54-55 Fr. Archives/D&B Portfolio, 56 Seria Animation; Leader Note: N 0000, Statue, Seria Animation/France, CR 56, MOS Pix |
Film F-20193/1920 |
Seria Animation, trims, pix 116mm motion picture film Acetate ; ColorSide of Box: 54-55 Fr. Archives/D&B Portfolio, 56 Seria Animation; Leader Note: Trims, N0 |
Film F-20193/1921 |
Seria Animation, outtakes, pix 216mm motion picture film 200 feet Acetate ; ColorSide of Box: 58A 59 - Seria Animation, 61 62 - Fr. Archives, D&B Portfolio, Outs, N 3 6; Leader Note: Code N 3000, Statue, Seria Animation, 58A-59, MOS Pix |
Film F-20193/1922 |
Seria Animation, trims, pix 216mm motion picture film Acetate ; ColorSide of Box: 58A 59 - Seria Animation, 61 62 - Fr. Archives, D&B Portfolio, Outs, N 3 6; Leader Note: N3 |
Film F-20193/1923 |
SLNM Archives, outtakes, pix16mm motion picture film 200 feet Acetate ; ColorSide of Box: 70 - SLNM Archives, 71 72 - " ", Outs, P6; Leader Note: P 6000, Statue, SLNM Archives, 70-72, MOS Pix |
Film F-20193/1924 |
SLNM Archives, trims, pix16mm motion picture film Acetate ; ColorSide of Box: 70 - SLNM Archives, 71 72 - " ", Outs, P6; Leader Note: P6 Trims |
Film F-20193/1925 |
Stills, Rework Rolls 50-52, pix16mm motion picture film 1200 feet Polyester ; ColorNote Inside Can: Reprint of Re-work Rolls 50-51-52 |
Film F-20193/1926 |
Walpole Archive, Rolls 106-109, pix16mm motion picture film 200 feet Acetate ; ColorSide of Box: Statue Box 1, 106-109 Walpole Archives, 110-111 10/25 I.F. Animation, Outs, T0,3; Leader Note: Statue, Walpole Archives, 106-109, MOS, Pix |
Film F-20193/1927 |
End Credits, Burn In Crawl, pix35mm motion picture film 100 feet Polyester ; BWSide of Box: Statue, 35mm, Misc. Box 1; Leader Note: Burn In Crawl, Liberty |
Film F-20193/1928 |
End Credits, Shadow Crawl, negative, pix35mm motion picture film 100 feet Polyester ; BWSide of Box: Statue, 35mm, Misc. Box 1; Leader Note: Shadow Crawl |
Film F-20193/1929 |
Opening Titles, Burn In, pix35mm motion picture film 50 feet Polyester ; BWSide of Box: Statue, 35mm, Misc. Box 3; Leader Note: Statue of Library, Burn In, 4-17-86 |
Film F-20193/1930 |
Opening Titles, negative, pix35mm motion picture film 75 feet Polyester ; BWSide of Box: Statue, 35mm, Misc. Box 3; Leader Note: Shadow, Liberty, 4-17-85 |
Film F-20193/1931 |
Opening Titles and Subtitles, Burn In, pix35mm motion picture film 200 feet Polyester ; BWSide of Box: Statue, 35mm, Misc. Box 3; Leader Note: Burn In, Subtitles, Statue of Liberty, Burn In |
Film F-20193/1932 |
Opening Titles and Subtitles, negative, pix35mm motion picture film 200 feet Polyester ; BWSide of Box: Statue, 35mm, Misc. Box 3; Leader Note: Shadow (M and Subtitles), Statue of Liberty |
Film F-20193/1933 |
"Statue of Liberty", Reel 1, Dupe, pix16mm motion picture film 1100 feet Acetate ; ColorSide of Box: Florentine Films, "Statue", R-1, Color Dupe; Leader Note: Statue, Dupe, Reel 1 |
Film F-20193/1934 |
"Statue of Liberty", Reel 2, Dupe, pix16mm motion picture film 1150 feet Acetate ; ColorSide of Box: Florentine Films, "Statue", R-2, Color Dupe; Leader Note: Statue, Dupe, Reel 2 |
Film F-20193/1935 |
"Statue of Liberty", Workprint, Reel 1, pix16mm motion picture film 1050 feet Polyester ; ColorSide of Box: "Statue of Liberty", 16mm, Workprint; Leader Note: Short Version, The Statue, Pix, Reel 1 |
Film F-20193/1936 |
"Statue of Liberty", Workprint, Reel 2, pix16mm motion picture film 1100 feet Polyester ; ColorSide of Box: "Statue of Liberty", 16mm, Workprint; Leader Note: Short Version, Pre-Outs, Statue, Reel 2 |
Film F-20193/1937 |
Pixilation Roll 1, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Pixilation Roll Nos. 1; Notes on Reels: U 5714843-5715636, X 2475988-2476783; Note Inside Box: Roll 50 - CNAM, Roll 51 - CNAM, Roll 52 - CNAM |
Film F-20193/1938 |
Roll 1, negative, pix16mm motion picture film Acetate ; BWSide of Box: Subject - Statue of Liberty, B+W, Roll Nos. 1; Notes on Reels: CZ 6271388-6272031, X 5903496-5903826, JI84 38848-39637, K 6969769-6970562; Note Inside Box: Roll 19, B+W Neg |
Film F-20193/1939 |
Rolls 4-6, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 4 5 6; Notes On Reels: CZ 3546047-3546289, A 7364567-7365365, IJ 6500934-6501738, II 3376663-3376830 |
Film F-20193/1940 |
Rolls 7-9, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 7 8 9; Notes On Reels: U 6965272-6966081, A 1192249-1192462, A 1182606-1182749, K 6968951-6969758 |
Film F-20193/1941 |
Rolls 10-12, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 10 11 12; Notes on Reels: CT 2228889-2229257, X 5904516-5905227, CZ 6272194-6272965, JZ 39 27885-28115 |
Film F-20193/1942 |
Roll 12C, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 12C; Notes on Reels: CY 1003588-1004385, A 1181958-182588 |
Film F-20193/1943 |
Roll 13, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 13; Notes on Reels: K 7742945-7743028, T 7922505-7923100, II 3376841-3377640, II 3378605-3378639 |
Film F-20193/1944 |
Roll 14, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 14; Notes on Reels: CY 6430114-6430746, D 2328316-2328492, C 2262277-2262371, IJ 5504958-5505730 |
Film F-20193/1945 |
Roll 15, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Rolls Nos. 15; Notes on Reels: C 2263190-2263989 |
Film F-20193/1946 |
Roll 17, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 17; Notes on Reels: U 6968503-6969300, CX 3908655-3908885, CZ 6269773-6270560 |
Film F-20193/1947 |
Rolls 18 and 20-21, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 18, 20-21; Notes on Reels: CZ 3547107-3547906, A7363748-7363910, X 2475179-2475787 |
Film F-20193/1948 |
Roll 22, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Rolls Nos. 22; Notes on Reels: A 1188414-1189142, A 1184372-1185104, CV 1393985-1394604 |
Film F-20193/1949 |
Rolls 23-24, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Rolls Nos. 23-24; Notes on Reels: S 5790287-5790493, U 6966091-6966883, IO 6848797-6849578, CT 5918762-5918899 |
Film F-20193/1950 |
Roll 25, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Rolls Nos. 25A; Notes on Reels: T 7874517-7875314, CZ 6272045-6272173, II 6081252-6081457 |
Film F-20193/1951 |
Roll 25A, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Rolls Nos. 25A; Notes on Reels: K 7742497-7742581, IC 9424358-9425169, K 87022022-8702527, IJ 9426798-9427595 |
Film F-20193/1952 |
Rolls 27-28, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Rolls Nos. 27-28; Notes on Reels: H 2170231-2170321, T 7871266-7872075, T 7920668-7921480, CS 0632520-0632648; Note Inside Box: Roll 54 - D+B Coll, Roll 55 - D+B Coll., Roll 57 - Intv Amb. DeLaboulaye |
Film F-20193/1953 |
Roll 31, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Rolls Nos. 31; Notes on Reels: A 1185997-1186795, CV 1393174-1393928 |
Film F-20193/1954 |
Roll 32, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll No. 32; Notes on Reels: CT 5917948-5918400, U 6967699-6968492, II 6083891-6084521, II 6080649-6080658, 6080842-6081242 |
Film F-20193/1955 |
Roll 33, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 33; Notes on Reels: A 7365377-7366174m L 7742968-7743138, S 2999683-3000477 |
Film F-20193/1956 |
Rolls 36A 37 and 37A, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 36A-37-37A; Notes on Reels: F 2975257-2976021, S 2620467-2621263; Note inside lid: Roll 36A - Scaffold, Roll 37A - Scaffold |
Film F-20193/1957 |
Rolls 38-39, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 38-39; Notes on Reels: F 2970404-2970528, X 3715899-3716695, IS 2243911-2244019; Notes Inside Box: Ellis Is. |
Film F-20193/1958 |
Roll 40, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll No. 40; Notes on Reels: CV 1394611-1394780, IA 4042280-4043073, JZ 3644584-45385, D 1123932-1124141; Note Inside Lid: Intv. James Baldwin |
Film F-20193/1959 |
Rolls 41-43, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 41 42 43; Notes on Reels: A 119 2472-119 3270, A 1182760-1183515; Note Inside Box: Musee Bartholdi |
Film F-20193/1960 |
Rolls 44-46, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 44 45 46; Notes on reels: CX 0041919-0042716, N 0931093-0931876; Notes inside box: Roll 44, Musee Bartholdi, Roll 45 - Musee Bartholdi, Roll 46 - Colmer and Belfort |
Film F-20193/1961 |
Rolls 47-49, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 47 48 49; Notes on reels: X 2473557-2474354, A 1190378-1190825; Notes inside reel: Roll 47 - Eiffel Tower Coll + Meiser, Roll 48 Intv, Roll 49 - Meiser Buhler and CNAM |
Film F-20193/1962 |
Rolls 50-52, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 50 51 52; Notes on reels: CZ 5695754-5696469, IQ 2217028-2217289, C 2662381-2262557, A 5958377-5959185; Notes inside reel 117-Laboulaye Portrait, 118 Laboulaye Portrait, Roll 119 I.F. 1-8 |
Film F-20193/1963 |
Roll 56, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll No. 56; Notes on Reels: II 4206558-4207103, K 4901769-4902255, T 3594080-3594730, A 1190038-1190367 |
Film F-20193/1964 |
Rolls 58-60, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 58 59 60; Notes on Reels: ID 9425188-9425988, IJ 9425989-9426746, IQ 9360278-9360505; Notes Inside Box: Intv. Amb. DeLaboulaye, Animation 2, Animation 3 |
Film F-20193/1965 |
Rolls 64-66, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 64 65 66; Notes on Reels: S 7923594-7924245, JZ 67980-68122, J 6472456-6472663, S 7924401-7925175; Notes Inside Box: Intv. Andre Castelet, French Animation #4, French Animation #5 |
Film F-20193/1966 |
Rolls 67-68, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 67 68; Notes on Reels: IO 6848574-6848785, K 6971376-6972169, IJ 6503368-6504167, JZ 01 59883-59932; Notes inside box: Roll 67 - AIA, Roll 68 - AIA |
Film F-20193/1967 |
Roll 69, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll No. 69; Notes on Reels: T 792-1494-2015, A 7366993-7367782, A 7366555-7466982; Notes Inside Lid: Roll 69 - Arlo Guthrie and Betty Friedan |
Film F-20193/1968 |
Rolls 78-79, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 78-79; Notes on Reels: IQ 6847164-6847974, II 6084532-6084688, T 7873706-7874504 Notes Inside Lid: Roll 78 - Angela Davis and Paul Horgan, Roll 79 - Paul Horgan |
Film F-20193/1969 |
Roll 81, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 81; Notes on Reels: CX 0040292-0041102, CZ 0097029-0097817; Note Inside Lid: Dr. Vartan Gregorian, NY Public Library |
Film F-20193/1970 |
Rolls 88-89, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 88-89; Notes on Reels: CX 0041257-0041909, CZ 0096207-0097014 |
Film F-20193/1971 |
Rolls 95-96, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 95-96; Notes on Reels: JZ 2446017-46178, U 6966896-6967689, II 6082276-6083074, CV 3053072-3053278; Note Inside Lid: Roll 95 - Brighton Beach, Roll 96 - Brighton Beach |
Film F-20193/1972 |
Rolls 97-98, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 97 and 98; Notes on Reels: TQ 221 8802-2218910, CZ 384 3874-354 4628, II 3378459-3379259, X 2475796-2475974; Note Inside Lid: Int. Rick Hill, Int. Milos Forman |
Film F-20193/1973 |
Rolls 99-101, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 99 100 101; Notes on Reels: CZ 0097834-0098631, CZ 0102702-0103450; Notes Inside Box: Roll 99 - Haitians, Roll 100, Roll 101 -Intv. Fouche |
Film F-20193/1974 |
Rolls 102-103, negative, pix 116mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 102 103; Notes on Reels: IQ 6847986-6848564, K 6970572-6970942, CZ 6270579-6271368; Notes Inside Lid: Roll 102 - Intv David McCullough, Roll 103 - Intv David McCullough |
Film F-20193/1975 |
Rolls 102-103, negative, pix 216mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 102 103; Notes on Reels: CX 0043533-0044331, F 0050325-0051123; Notes Inside Box: Ray Charles and NYHS |
Film F-20193/1976 |
Rolls 106-109, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 106 107 108 109; Notes on Reels: CX 0042726-0043522, N0932714-0933514; Note Inside Lid: Walpole Archives |
Film F-20193/1977 |
Roll 113, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 113; Notes on Reels: IJ 6502558-6503357, X2472748-2473212, A118 3567-1184317 |
Film F-20193/1978 |
Rolls 117-119, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 117 118 119; Notes on Reels: A 1190857-1191654, A 1191665-1192239 |
Film F-20193/1979 |
Roll 121, negative, pix16mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty, Roll No. 121; Notes on Reels: CY 1038548-1039352, A1186806-1187527 |
Film F-20193/1980 |
Rolls 500-501, negative, pix16mm motion picture film Polyester ; ColorSide of Box: Subject - Statue of Liberty, Roll Nos. 500-501; Notes on Reels: G4216884-421-7682, IJ 6500111-6500923, J1/84 39734-39851, J2/3862895-62953, J1/82 74931-75033, J1/84 60393-60566 |
Film F-20193/1981 |
Unnumbered Roll, negative, pix 116mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty; Notes on reels: X 2473229-2473546, CZ 3545005-3545486, II 3376019-3376656, A 7366186-7366545 |
Film F-20193/1982 |
Unnumbered Roll, negative, pix 216mm motion picture film Acetate ; ColorSide of Box: Subject - Statue of Liberty; Notes on reels: CZ 3544692-3544992, T 2395041-2395667 |
Film F-20193/1983 |
ECN, Reels 1 and 2, negative, pix16mm motion picture film Acetate ; ColorSide of Box: "Statue of Liberty", 16ECN R1 R2, Pulled Orig Color and BW Neg |
Film F-20193/1984 |
FDR Fiftieth Anniversary, optical track35mm motion picture film 150 feet Polyester ; BWSide of Box: 35 Sound, FDR 50th Anniversary, Statue Gets New Crown |
Film F-20193/1985 |
Fox St., Reel 1 of 2, optical track35mm motion picture film 450 feet Polyester ; BWSide of Box: 35 Sound, Fox St.; Leader Note: Fox St. |
Film F-20193/1986 |
Fox St., Reel 2 of 2, optical track35mm motion picture film 300 feet Polyester ; BWSide of Box: 35 Sound, Fox St.; Leader Note: Fox St. 9078 |
Film F-20193/1987 |
Interpositive for Revision, pix35mm motion picture film 150 feet Polyester ; ColorSide of Box: Statue, 35mm, Misc. Box 1; Leader Note: Florentine, Liberty, Interpos (For Revision), 3-26-85 |
Film F-20193/1988 |
Interview Room Tone Loops, mag16mm motion picture film AcetateSide of Box: Int. Room Tone Loops, "Statue" |
Film F-20193/1989 |
Ken 2/14 Outs, mag16mm motion picture film 75 feet AcetateSide of Box: MISC Trk, Ken 2/14 Outs, Forman 2/22, Jeremiah Demo, Thierry and McC Penultimates; Leader Note: Ken 2/14 Outs |
Film F-20193/1990 |
Paul's Working Materials16mm motion picture film Acetate ; ColorSide of Box: Paul's Working Materials |
Film F-20193/1991 |
Paul Simon, "American Tune", mag16mm motion picture film AcetateSide of Box: Paul Simon, "American Tune" |
Film F-20193/1992 |
"Planet", mag16mm motion picture film 200 feet AcetateLeader Note: Florentine, "Planet", Trk |
Film F-20193/1993 |
Pulls for Optical, pix16mm motion picture film 400 feet Acetate ; ColorLeader Note: Florentine, "Statue", Pulls for Optical, Pix |
Film F-20193/1994 |
Rolls 47-49, First Print, pix16mm motion picture film 900 feet Polyester ; ColorNote on Reel: R-47-48-49, 1st Print, Bad |
Film F-20193/1995 |
Rolled Up Bin Trims and Miscellaneous Sound, mag16mm motion picture film AcetateSide of Box: "Statue", Trk, Rolled Up Bin Trims and Misc. Trk |
Film F-20193/1996 |
Rolled Up Bin Trims, mag16mm motion picture film AcetateSide of Box: "Statue", Trk, Rolled Up Bin Trims |
Film F-20193/1997 |
Room Tone, mag16mm motion picture film AcetateSide of Box: Room Tone |
Film F-20193/1998 |
Room Tone and Miscellaneous Wild Sound16mm motion picture film AcetateSide of Box: Room Tone and Misc Room Tone |
Film F-20193/1999 |
Statue Get's New Crown, optical track35mm motion picture film 100 feet Polyester ; BWSide of Box: 35 Sound, FDR 50th Anniversary, Statue Gets New Crown |
Film F-20193/2000 |
"Statue of Liberty", Reel 1, interpositive, pix35mm motion picture film 1000 feet Polyester ; ColorSide of Box: Statue, 35mm, Misc. Box 1; Leader Note: Statue of Liberty, Interpos, R#1 |
Film F-20193/2001 |
"Statue of Liberty", Reel 1, negative, optical track16mm motion picture film 1000 feet Acetate ; BWSide of Box: Statue of Liberty, R1, 16mm, B-Wind, Track, Neg |
Film F-20193/2002 |
"Statue of Liberty", Reel 2, negative, optical track16mm motion picture film 1100 feet Acetate ; BWSide of Box: Statue of Liberty, R2, 16mm, B-Wind, Track, Neg |
Film F-20193/2003 |
Various Loops for Reels 1 and 2, mag16mm motion picture film PolyesterSide of Box: The Statue, Various Loops for R1 & R2 |
Film F-20193/2004 |
Voice and Interview Trims, mag16mm motion picture film AcetateSide of Box: Bygones and Has Beens; Leader Notes: Simpson, DeLaboulaye, Mamikonian, Caldicott, Wicker, McGovern, Rick Hill "Lib. is threatened by", Boorstin |
Film F-20193/2005 |
[unidentified film item]16mm motion picture film 150 feet AcetateSide of Can: Statue Box 14 |
Film F-20193/2006 |
[unidentified film item]35mm motion picture film 125 feet Acetate ; ColorSide of Box: Statue, 35mm, Misc. Box 1; Leader Note: Statue of Liberty, B&W, 3/14/85, Interpos, Florentine |
Film F-20193/2007 |
[unidentified film item]16mm motion picture film 100 feet PolyesterSide of Can: Statue Box 14 |
SFC Audio Open Reel FT-20193/376 |
Ellis Island, Wild Sound1/4" Open Reel Audio 5" reel Back of Box: Florentine Films/American Doc, Sound #502, "Statue of Liberty", Wild Sound, Ellis Island |
SFC Audio Open Reel FT-20193/377 |
Movie Clips1/4" Open Reel Audio 5" reel Back of Box: Florentine Films/American Docs, Sound #501, Pix #501, Statue of Liberty, Movie Clips |
SFC Audio Open Reel FT-20193/378 |
Dard and Blanchett, safety master1/4" Open Reel Audio 7" reel Side of Box: Dard + Blanchet, 1st Safety |
SFC Audio Open Reel FT-20193/379 |
Dard and Blanchett, master1/4" Open Reel Audio 7" reel Side of Box: Dard + Blanchet, 1st Master |
SFC Audio Open Reel FT-20193/380 |
[unidentified audio recording]1/4" Open Reel Audio 5" reel Tape Label: Statue of Liberty, L Ch. Only @ 4, No Filt on Sync |
SFC Audio Open Reel FT-20193/381 |
[unidentified audio recording]1/4" Open Reel Audio 5" reel Front of Box: ?, Statue of Liberty, Take #14 (from 16 Mag) |
A 90-minute portrait of the life and work of Thomas Hart Benton, one of America's best and most controversial painters. Contains film logs and related notes.
Box 7-10
Box 7Box 8Box 9Box 10 |
Thomas Hart Benton |
Film F-20193/2812 |
Henry Adams interview, pix 116mm motion picture film 450 feet Polyester ; Color ; SilentSide of Box: AB 0000, THB - Henry Adams, Cam #88 89, SND #46 47, 36; Leader Note: Henry Adams, SND #46 47, Cam #88 89, THB, Pic |
Film F-20193/2813 |
Henry Adams interview, mag 116mm motion picture film 450 feet Acetate ; MagneticSide of Box: AB 0000, THB - Henry Adams, Cam #88 89, SND #46 47, 36; Leader Note: Henry Adams, Cam #88 89, SND #46 47, THB, SND |
Film F-20193/2814 |
Henry Adams interview, pix 216mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: AB 3000, THB - Henry Adams, Outs, Cam #90, SND #48, 37; Leader Note: Henry Adams, SND #48, Cam #90, THB, Pic |
Film F-20193/2815 |
Henry Adams interview, mag 216mm motion picture film 200 feet Acetate ; MagneticSide of Box: AB 3000, THB - Henry Adams, Outs, Cam #90, SND #48, 37; Leader Note: Henry Adams, Cam #90, SND #48, THB, SND |
Film F-20193/2816 |
Henry Adams interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: AB 0000, THB - Henry Adams, Cam #88 89, SND #46 47, 36 |
Film F-20193/2817 |
Matthew Baigell interview, pix16mm motion picture film 375 feet Polyester ; Color ; SilentSide of Box: AC 0000, THB - Matthew Baigell, Cam #91 92, SND #49 50, Outs, 38; Leader Note: Matthew Baigell, SND #49 50, Cam #91 92, THB, Pic |
Film F-20193/2818 |
Matthew Baigell interview, mag16mm motion picture film 400 feet Acetate ; MagneticSide of Box: AC 0000, THB - Matthew Baigell, Cam #91 92, SND #49 50, Outs, 38; Leader Note: Matthew Baigell, Cam #91 92, SND #49 50, THB, SND |
Film F-20193/2819 |
Matthew Baigell interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: AC 0000, THB - Matthew Baigell, Cam #91 92, SND #49 50, Outs, 38 |
Film F-20193/2820 |
Earl Bennett interview, pix 116mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: BH 0000, THB - Earl Bennett, Cam #80 81, SND #41 42, 47; Leader Note: Cam #80 81, Earl Bennett, THB, Pic |
Film F-20193/2821 |
Earl Bennett interview, mag 116mm motion picture film 700 feet Acetate ; MagneticSide of Box: BH 0000, THB - Earl Bennett, Cam #80 81, SND #41 42, 47; Leader Note: Cam #80 81, SND #41 42, Earl Bennett, THB, Sound |
Film F-20193/2822 |
Earl Bennett interview, pix 216mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: KC 3000, THB - Earl Bennett, Cam #82, SND #43; Leader Note: Cam #82, Earl Bennett, THB, Pic |
Film F-20193/2823 |
Earl Bennett interview, mag 216mm motion picture film 300 feet Acetate ; MagneticSide of Box: KC 3000, THB - Earl Bennett, Cam #82, SND #43; Leader Note: SND #43, Cam #82, Earl Bennett, THB, SND |
Film F-20193/2824 |
Earl Bennett interview, Wild Sound, mag 116mm motion picture film 975 feet Acetate ; MagneticSide of Box: C0000-C3000, THB Wild SND, Earl Bennett Interview, 1002; Leader Note: THB, Box 1002, Earl Bennett Int., Code C0000, W.S. |
Film F-20193/2825 |
Earl Bennett interview, Wild Sound, mag 216mm motion picture film 800 feet Acetate ; MagneticSide of Box: C0000-C3000, THB Wild SND, Earl Bennett Interview, 1002; Leader Note: THB, Box 1002, Earl Bennett Int., Code C3000, W.S. |
Film F-20193/2826 |
Earl Bennett interview, Wild Sound, mag 316mm motion picture film 350 feet Acetate ; MagneticSide of Box: C6000, THB Wild Sound, Earl Bennett Interview, 1003; Leader Note: THB, Earl Bennett Int., Box 1003, Code C 6000, W.S. |
Film F-20193/2827 |
Earl Bennett interview, trims, mag16mm motion picture film Acetate ; MagneticSide of Box: C0000-C3000, THB Wild SND, Earl Bennett Interview, 1002; Leader Note: In 1952... |
Film F-20193/2828 |
Jessie Benton interview, pix 116mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: BJ 0000, THB - Jessie Benton Outs, Cam #102 103, SND #57 58 - AKA Cam #109 110, 48; Leader Note: Jessie Benton, SND #57 58, Cam #102 103, THB, Pic |
Film F-20193/2829 |
Jessie Benton interview, mag 116mm motion picture film 600 feet Acetate ; MagneticSide of Box: BJ 0000, THB - Jessie Benton Outs, Cam #102 103, SND #57 58 - AKA Cam #109 110, 48; Leader Note: Jessie Benton, Cam #102 103, SND #57 58, THB, SND |
Film F-20193/2830 |
Jessie Benton interview, pix 216mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: BJ 0000, THB - Jessie Benton, Outs, Cam #104, SND #59 AKA Cam #111, 49; Leader Note: Jessie Benton, SND #59, Cam #104, THB, Pic |
Film F-20193/2831 |
Jessie Benton interview, mag 216mm motion picture film 300 feet Acetate ; MagneticSide of Box: BJ 0000, THB - Jessie Benton, Outs, Cam #104, SND #59 AKA Cam #111, 49; Leader Note: Jessie Benton, AKA #111, Cam #104, SND #59, THB, SND |
Film F-20193/2832 |
Jessie Benton interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: BJ 0000, THB - Jessie Benton Outs, Cam #102 103, SND #57 58 - AKA Cam #109 110, 48; Leader Note: BJ |
Film F-20193/2833 |
John Callison interview, pix 116mm motion picture film 575 feet Polyester ; Color ; SilentSide of Box: DD 0000, THB - John Callison, CAM Roll #10-11/SND Roll #8 9; Leader Note: Roll #10 11, THB, Pic |
Film F-20193/2834 |
John Callison interview, mag 116mm motion picture film 600 feet Acetate ; MagneticSide of Box: DD 0000, THB - John Callison, CAM Roll #10-11/SND Roll #8 9; Leader Note: John Callison, (Cam Roll #10 11), Roll #8 9, THB, SND |
Film F-20193/2835 |
John Callison interview, pix 216mm motion picture film 350 feet Polyester ; Color ; SilentSide of Box: DD 3000, THB - John Callison, Outs, Cam Roll #12/SND Roll #10, 8; Leader Note: John Callison, (SND Roll #10), Roll #12, THB, Pic |
Film F-20193/2836 |
John Callison interview, mag 216mm motion picture film 375 feet Acetate ; MagneticSide of Box: DD 3000, THB - John Callison, Outs, Cam Roll #12/SND Roll #10, 8; Leader Note: John Callison, (Cam Roll #12), Roll #10, THB, SND |
Film F-20193/2837 |
Vincent Campanella interview, pix 116mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: AE 0000, THB - Vincent Campanella, Outs, Cam #95 96, SND #52 53, 40; Leader Note: Vincent Campanella, SND #52 53, Cam #95 96, THB, Pic |
Film F-20193/2838 |
Vincent Campanella interview, mag 116mm motion picture film 500 feet Acetate ; MagneticSide of Box: AE 0000, THB - Vincent Campanella, Outs, Cam #95 96, SND #52 53, 40; Leader Note: Vincent Campanella, Cam #95 96, SND #52 53, THB, SND |
Film F-20193/2839 |
Vincent Campanella interview, pix 216mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: AE 3000, THB - Vincent Campanella, Outs, Cam #97, SND #54, 41; Leader Note: Vincent Campanella, SND #54, Cam #97, THB, Pic |
Film F-20193/2840 |
Vincent Campanella interview, mag 216mm motion picture film 175 feet Acetate ; MagneticSide of Box: AE 3000, THB - Vincent Campanella, Outs, Cam #97, SND #54, 41; Leader Note: Vincent Campanella, Cam #97, SND #54, THB, SND |
Film F-20193/2841 |
Vincent Campanella interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: AE 0000, THB - Vincent Campanella, Outs, Cam #95 96, SND #52 53, 40; Leader Note: AE |
Film F-20193/2842 |
Anna and Lee Constable interview, pix16mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: FF0000, THB - Anna and Lee Constable, Outs, Cam Roll #19 20 18, SND Roll 13 14, 10; Leader Note: Anna and Lee Constable, (SND Roll 13 14), Roll 19 20 18, THB, Pic |
Film F-20193/2843 |
Anna and Lee Constable interview, mag16mm motion picture film 625 feet Acetate ; MagneticSide of Box: FF0000, THB - Anna and Lee Constable, Outs, Cam Roll #19 20 18, SND Roll 13 14, 10; Leader Note: Anna and Lee Constable, (Cam Roll 19 20 18), Roll #13 14, THB, SND |
Film F-20193/2844 |
Dick Craven interview, pix 116mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: JC 0000, THB - Dick Craven, Outs, Cam #53 54, SND #24, 17; Leader Note: SND #24, Cam #53 54, Dick Craven, THB, Pic |
Film F-20193/2845 |
Dick Craven interview, mag 116mm motion picture film 650 feet Acetate ; MagneticSide of Box: JC 0000, THB - Dick Craven, Outs, Cam #53 54, SND #24, 17; Leader Note: Cam #53 54, SND #24, Dick Craven, THB, SND |
Film F-20193/2846 |
Dick Craven interview, pix 216mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: JC 3000, THB - Dick Craven, Outs, Cam #55, SND #24, 18; Leader Note: SND #24, Cam #55, Dick Craven, THB, Pic |
Film F-20193/2847 |
Dick Craven interview, mag 216mm motion picture film 150 feet Acetate ; MagneticSide of Box: JC 3000, THB - Dick Craven, Outs, Cam #55, SND #24, 18; Leader Note: Cam #55, SND #24, Dick Craven, THB, SND |
Film F-20193/2848 |
Dick Craven interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: JC 0000, THB - Dick Craven, Outs, Cam #53 54, SND #24, 17 |
Film F-20193/2849 |
Arthur Danto interview, pix16mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: BL 0000, THB, Art Danto, Outs, 58; Leader Note: Code BL 0000, Benton, CR 124-125, Sync Pix, Arthur Danto Int'view |
Film F-20193/2850 |
Arthur Danto interview, mag16mm motion picture film 625 feet Acetate ; MagneticSide of Box: BL 0000, THB, Art Danto, Outs, 58; Leader Note: Code BL 0000, Benton, SND RL 65, Sync TRK, Arthur Danto Int'view |
Film F-20193/2851 |
Lyman Field interview, pix 116mm motion picture film 450 feet Polyester ; Color ; SilentSide of Box: JB 0000, THB - Lyman Field, Outs, CAM Roll #37 38, SND Roll #21 22, 15; Leader Note: Lyman Field, (SND Roll #21 22), Roll #37 38, THB, Pic |
Film F-20193/2852 |
Lyman Field interview, mag 116mm motion picture film 500 feet Acetate ; MagneticSide of Box: JB 0000, THB - Lyman Field, Outs, CAM Roll #37 38, SND Roll #21 22, 15; Leader Note: Lyman Field, (Cam Roll #37 38), Roll #21 22, THB, SND |
Film F-20193/2853 |
Lyman Field interview, pix 216mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: JB 3000, THB - Lyman Field, Outs, Cam Roll #39, SND Roll #23, 16; Leader Note: Lyman Field, (SND Roll #23), Roll #39, THB, Pic |
Film F-20193/2854 |
Lyman Field interview, mag 216mm motion picture film 300 feet Acetate ; MagneticSide of Box: JB 3000, THB - Lyman Field, Outs, Cam Roll #39, SND Roll #23, 16; Leader Note: Lyman Field, (Cam Roll #39), Roll #23, THB, SND |
Film F-20193/2855 |
Lyman Field interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: JB 0000, THB - Lyman Field, Outs, CAM Roll #37 38, SND Roll #21 22, 15; Leader Note: JB |
Film F-20193/2856 |
Ed Fry interview, pix16mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: JF 0000, THB - Ed Fry, Cam #60, SND #27, 22; Leader Note: (SND #27), Cam #60, Ed Fry, THB, Pic |
Film F-20193/2857 |
Ed Fry interview, mag16mm motion picture film 425 feet Acetate ; MagneticSide of Box: JF 0000, THB - Ed Fry, Cam #60, SND #27, 22; Leader Note: (Cam #60), SND #27, Ed Fry, THB, SND |
Film F-20193/2858 |
Lloyd Goodrich interview, pix 116mm motion picture film 350 feet Polyester ; Color ; SilentSide of Box: JD 0000, THB - Lloyd Goodrich, Outs, Cam #55 56, SND #25, 19; Leader Note: SND #25, Cam #55 56, Lloyd Goodrich, THB, Pic |
Film F-20193/2859 |
Lloyd Goodrich interview, mag 116mm motion picture film 350 feet Acetate ; MagneticSide of Box: JD 0000, THB - Lloyd Goodrich, Outs, Cam #55 56, SND #25, 19; Leader Note: Cam #55 56, SND #25, Lloyd Goodrich, THB, SND |
Film F-20193/2860 |
Lloyd Goodrich interview, pix 216mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: JD 3000, THB - Lloyd Goodrich, Outs, Cam #57, SND #25, 20; Leader Note: (SND #25), Cam #57, Lloyd Goodrich, THB, Pic |
Film F-20193/2861 |
Lloyd Goodrich interview, mag 216mm motion picture film 200 feet Acetate ; MagneticSide of Box: JD 3000, THB - Lloyd Goodrich, Outs, Cam #57, SND #25, 20; Leader Note: (Cam #57), SND #25, Lloyd Goodrich, THB, SND |
Film F-20193/2862 |
Lloyd Goodrich interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: JD 0000, THB - Lloyd Goodrich, Outs, Cam #55 56, SND #25, 19 |
Film F-20193/2863 |
Pam Hoelsel interview, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: JJ 0000, THB - Pam Hoelsel, Outs, Cam Roll #36 35, SND Roll #20, 26; Leader Note: Pam Hoelsel, (SND Roll #20), Roll #36 35, THB, Pic |
Film F-20193/2864 |
Pam Hoelsel interview, mag16mm motion picture film 175 feet Acetate ; MagneticSide of Box: JJ 0000, THB - Pam Hoelsel, Outs, Cam Roll #36 35, SND Roll #20, 26; Leader Note: Pam Hoelsel, (Cam Roll #36 35), Roll #20, THB, SND |
Film F-20193/2865 |
Burl Ives interview, pix16mm motion picture film 625 feet Polyester ; Color ; SilentSide of Box: KD 0000, THB - Burl Ives, Outs, Cam #83 84, SND #44 45, 35; Leader Note: Cam #83 84, Burl Ives, THB, Pic |
Film F-20193/2866 |
Burl Ives interview, mag16mm motion picture film 650 feet Acetate ; MagneticSide of Box: KD 0000, THB - Burl Ives, Outs, Cam #83 84, SND #44 45, 35; Leader Note: #44, Cam #83 84, Burl Ives, THB, SND |
Film F-20193/2867 |
Dan James interview, pix16mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: KA 0000, THB - Dan James, Outs, Cam #73 74, SND #36, 30; Leader Note: SND #36, Cam #73 74, Dan James, THB, Pic |
Film F-20193/2868 |
Dan James interview, mag16mm motion picture film 500 feet Acetate ; MagneticSide of Box: KA 0000, THB - Dan James, Outs, Cam #73 74, SND #36, 30; Leader Note: Cam #73 74, SND #36, Dan James, THB, SND |
Film F-20193/2869 |
Dan James interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: KA 0000, THB - Dan James, Outs, Cam #73 74, SND #36, 30; Leader Note: KA |
Film F-20193/2870 |
Dan James and Mrs. James interview, pix; The Waves, pix16mm motion picture film 325 feet Polyester ; Color ; SilentSide of Box: KA 3000, THB - Dan James & Mrs. James & The Waves, Outs, Cam #75, SND #36/MOS; Leader Note: SND #36, Cam #75, Dan and Mrs. James & The Waves, THB, Pic |
Film F-20193/2871 |
Dan James and Mrs. James interview, mag; The Waves, mag16mm motion picture film 400 feet Acetate ; MagneticSide of Box: KA 3000, THB - Dan James & Mrs. James & The Waves, Outs, Cam #75, SND #36/MOS; Leader Note: KA 3000, Dan James, TRK |
Film F-20193/2872 |
Hilton Kramer interview, pix 116mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: BB 0000, THB - Hilton Kramer, Outs, Cam Roll #6 7, SND Roll 4 5, 4; Leader Note: Hilton Kramer, (SND Roll #4 5), Roll #6 7, THB, Pic |
Film F-20193/2873 |
Hilton Kramer interview, mag 116mm motion picture film Acetate ; MagneticSide of Box: BB 0000, THB - Hilton Kramer, Outs, Cam Roll #6 7, SND Roll 4 5, 4 |
Film F-20193/2874 |
Hilton Kramer interview, pix 216mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: BB 3000, THB - Hilton Kramer, Outs, Cam Roll #8, SND Roll #6; Leader Note: Hilton Kramer, (SND Roll #6), Roll #8, THB, Pic |
Film F-20193/2875 |
Hilton Kramer interview, mag 216mm motion picture film 100 feet Acetate ; MagneticSide of Box: BB 3000, THB - Hilton Kramer, Outs, Cam Roll #8, SND Roll #6; Leader Note: Hilton Kramer, (Cam Roll #8), Roll #6, THB, SND |
Film F-20193/2876 |
Hilton Kramer interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: BB 0000, THB - Hilton Kramer, Outs, Cam Roll #6 7, SND Roll 4 5, 4 |
Film F-20193/2877 |
Syd Larson interview, pix 116mm motion picture film 525 feet Polyester ; Color ; SilentSide of Box: HH0000, THB - Sid Larson, Outs, Cam Roll #31 32, SND Roll #16 17; Leader Note: Syd Larson, (SND Roll 16 17), Roll #31 32, THB, Pic |
Film F-20193/2878 |
Syd Larson interview, mag 116mm motion picture film 575 feet Acetate ; MagneticSide of Box: HH0000, THB - Sid Larson, Outs, Cam Roll #31 32, SND Roll #16 17; Leader Note: Syd Larson, (Cam Roll #31 32), Roll #16 17, THB |
Film F-20193/2879 |
Syd Larson interview, pix 216mm motion picture film 175 feet Polyester ; Color ; SilentSide of Box: HH 3000, THB - Syd Larson and 2 Photos of Syd W/ THB MOS, Outs, Cam Roll 33, SND Roll 18, 13; Leader Note: Syd Larson, SND Roll #18, Roll #33, THB, Pic |
Film F-20193/2880 |
Syd Larson interview, mag 216mm motion picture film 200 feet Acetate ; MagneticSide of Box: HH 3000, THB - Syd Larson and 2 Photos of Syd W/ THB MOS, Outs, Cam Roll 33, SND Roll 18, 13; Leader Note: Syd Larson, Cam Roll #33, Roll #18, THB, SND |
Film F-20193/2881 |
Karal Marling interview, pix16mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: AD 0000, THB - Karal Marling, Cam #92 93, SND #50 51, Outs, 39; Leader Note: Karla Marling, SND #50 51, Cam #92 93, THB, Pic |
Film F-20193/2882 |
Karal Marling interview, mag16mm motion picture film 500 feet Acetate ; MagneticSide of Box: AD 0000, THB - Karal Marling, Cam #92 93, SND #50 51, Outs, 39; Leader Note: Karla Marling, Cam #92 93, SND 50 51, THB, SND |
Film F-20193/2883 |
Karal Marling interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: AD 0000, THB - Karal Marling, Cam #92 93, SND #50 51, Outs, 39 |
Film F-20193/2884 |
Bill McKim interview, pix16mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: E 0000, THB - Bill McKim, Outs, Cam Roll #14 15/SND Roll #11 12, 9; Leader Note: Bill McKim, (SND Roll #11 12), Roll #14 15, THB, Pic |
Film F-20193/2885 |
Bill McKim interview, mag16mm motion picture film 525 feet Acetate ; MagneticSide of Box: E 0000, THB - Bill McKim, Outs, Cam Roll #14 15/SND Roll #11 12, 9; Leader Note: Bill McKim, (Cam Roll #14 15), Roll #11 12, THB, SND |
Film F-20193/2886 |
Roger Medearis interview, pix 116mm motion picture film 625 feet Polyester ; Color ; SilentSide of Box: KB 0000, THB - Roger Medearis, Outs, Cam #76 77, SND #37 38, 32; Leader Note: SND #37 38, Cam #76 77, Roger Medeiros, THB, Pic |
Film F-20193/2887 |
Roger Medearis interview, mag 116mm motion picture film 625 feet Acetate ; MagneticSide of Box: KB 0000, THB - Roger Medearis, Outs, Cam #76 77, SND #37 38, 32; Leader Note: Cam #76 77, SND #37 38, Roger Medeiros, THB, SND |
Film F-20193/2888 |
Roger Medearis interview, pix 216mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: KB 3000, THB - Roger Medearis, Outs, Cam #78 79, SND #39 40, 33; Leader Note: SND #39 40, Cam #78 79, Roger Medearis, THB, Pic |
Film F-20193/2889 |
Roger Medearis interview, mag 216mm motion picture film 650 feet Acetate ; MagneticSide of Box: KB 3000, THB - Roger Medearis, Outs, Cam #78 79, SND #39 40, 33; Leader Note: Cam #78 79, SND #39 40, Roger Medearis, THB, SND |
Film F-20193/2890 |
Roger Medearis interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: KB 3000, THB - Roger Medearis, Outs, Cam #78 79, SND #39 40, 33; Leader Note: KB |
Film F-20193/2891 |
Dorothy Miller interview, pix16mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: CC 0000, THB - Dorothy Miller, Outs, Cam Roll #8 9, SND Roll #6 7, 6; Leader Note: Dorothy Miller, (SND Roll #6 7), Roll #8 9 , THB, Pic |
Film F-20193/2892 |
Dorothy Miller interview, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: CC 0000, THB - Dorothy Miller, Outs, Cam Roll #8 9, SND Roll #6 7, 6; Leader Note: Dorothy Miller, Roll #6 7, (Pic Roll #8 9), THB, SND |
Film F-20193/2893 |
George O'Malley interview, pix16mm motion picture film 325 feet Polyester ; Color ; SilentSide of Box: JA 0000, THB - George O'Malley, Outs, Cam Roll #34 35, SND Roll #19 20, 14; Leader Note: George O'Mally, (SND Roll #19 20), Roll #34 35, THB, Pic |
Film F-20193/2894 |
George O'Malley interview, mag16mm motion picture film Acetate ; MagneticSide of Box: JA 0000, THB - George O'Malley, Outs, Cam Roll #34 35, SND Roll #19 20, 14 |
Film F-20193/2895 |
George O'Malley interview, trims, pix16mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: JA 0000, THB - George O'Malley, Outs, Cam Roll #34 35, SND Roll #19 20, 14; Leader Note: JA |
Film F-20193/2896 |
Eleanor Piacenza interview, pix 116mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: JG 0000, THB - Eleanor Piacenza, Outs, Cam #61 62, SND #28 29, 23; Leader Note: (SND #28 29), Cam #61 62, Eleanor Piacenza, THB, Pic |
Film F-20193/2897 |
Eleanor Piacenza interview, mag 116mm motion picture film 600 feet Acetate ; MagneticSide of Box: JG 0000, THB - Eleanor Piacenza, Outs, Cam #61 62, SND #28 29, 23; Leader Note: (Cam #61 62), SND 28 29, Eleanor Piacenza, THB, SND |
Film F-20193/2898 |
Eleanor Piacenza interview, pix 216mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: JG 3000, THB - Eleanor Piacenza, Outs, JG 3000, Cam #63 64, SND #30, 24; Leader Note: (SND #30), Cam #63 64, Eleanor Piacenza, THB, Pic |
Film F-20193/2899 |
Eleanor Piacenza interview, mag 216mm motion picture film 525 feet Acetate ; MagneticSide of Box: JG 3000, THB - Eleanor Piacenza, Outs, JG 3000, Cam #63 64, SND #30, 24; Leader Note: (Cam #63 64), SND #30, Eleanor Piacenza, THB, SND |
Film F-20193/2900 |
Santos Piacenza interview, pix16mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: JH 0000, THB - Santos Piacenza, Outs, Cam #65, SND #31, 25; Leader Note: (SND #31), Cam #65, Santos Piacenza, THB, Pic |
Film F-20193/2901 |
Santos Piacenza interview, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: JH 0000, THB - Santos Piacenza, Outs, Cam #65, SND #31, 25; Leader Note: Cam #65, SND #31, Santos Piacenza, THB, SND |
Film F-20193/2902 |
Henry and Peggy Scott interview, pix 116mm motion picture film 475 feet Polyester ; Color ; SilentSide of Box: JK 0000, THB - The Scotts, Outs, Cam #67 68, SND #32 33, 27; Leader Note: SND #32 33, Cam #67 68, Henry & Peggy Scott, THB, Pic |
Film F-20193/2903 |
Henry and Peggy Scott interview, mag 116mm motion picture film 500 feet Acetate ; MagneticSide of Box: JK 0000, THB - The Scotts, Outs, Cam #67 68, SND #32 33, 27; Leader Note: Cam #67 68, SND #32 33, Henry & Peggy Scott, THB, SND |
Film F-20193/2904 |
Henry and Peggy Scott interview, pix 216mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: JK 6000, THB - The Scotts, Outs, Cam #71, SND #35, 29; Leader Note: SND #35, Cam #71, The Scotts, THB, Pic |
Film F-20193/2905 |
Henry and Peggy Scott interview, mag 216mm motion picture film 125 feet Acetate ; MagneticSide of Box: JK 6000, THB - The Scotts, Outs, Cam #71, SND #35, 29; Leader Note: Cam #71, SND #35, The Scotts, THB, SND |
Film F-20193/2906 |
Henry and Peggy Scott interview, pix 316mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: JK 3000, THB - The Scotts, Outs, Cam #69 70, SND #34 35, 28; Leader Note: SND #34 35, Cam #69 70, Henry and Peggy Scott, THB, Pic |
Film F-20193/2907 |
Henry and Peggy Scott interview, mag 316mm motion picture film 650 feet Acetate ; MagneticSide of Box: JK 3000, THB - The Scotts, Outs, Cam #69 70, SND #34 35, 28; Leader Note: Cam #69 70, SND #34 35, Henry and Peggy Scott, THB, SND |
Film F-20193/2908 |
Henry and Peggy Scott interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: JK 0000, THB - The Scotts, Outs, Cam #67 68, SND #32 33, 27; Leader Note: JK |
Film F-20193/2909 |
Mildred Small interview, pix 116mm motion picture film 525 feet Polyester ; Color ; SilentSide of Box: AA 0000, THB - M Small Interview, Rolls 1&2, 1; Leader Note: Mildred Small, (SND Roll 1 2), Roll #1 2, THB, Pic |
Film F-20193/2910 |
Mildred Small interview, mag 116mm motion picture film 575 feet Acetate ; MagneticSide of Box: AA 0000, THB - M Small Interview, Rolls 1&2, 1; Leader Note: Mildred Small, (Cam Roll #1 2), Roll #1 2, THB, SND |
Film F-20193/2911 |
Mildred Small interview, pix 216mm motion picture film 475 feet Polyester ; Color ; SilentSide of Box: AA 3000, THB , Rolls 3&4, Outs, Mildred Small Interview, 2; Leader Note: Mildred Small, (SND Roll #3 4), Roll #3 4, THB, Pic |
Film F-20193/2912 |
Mildred Small interview, mag 216mm motion picture film Acetate ; MagneticSide of Box: AA 3000, THB , Rolls 3&4, Outs, Mildred Small Interview, 2 |
Film F-20193/2913 |
Mildred Small interview, pix 316mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: AA 6000, THB Roll 5, Mildred Small Interview, Outs, 3; Leader Note: Mildred Small, (SND Roll #5), Roll #5, THB, Pic |
Film F-20193/2914 |
Mildred Small interview, mag 316mm motion picture film 325 feet Acetate ; MagneticSide of Box: AA 6000, THB Roll 5, Mildred Small Interview, Outs, 3; Leader Note: Mildred Small, (Cam Roll #5), Roll #5, THB, SND |
Film F-20193/2915 |
Mildred Small interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: AA 0000, THB - M Small Interview, Rolls 1&2, 1 |
Film F-20193/2916 |
Raphael Soyer interview, pix16mm motion picture film 525 feet Polyester ; Color ; SilentSide of Box: JE 0000, THB - Raphael Soyer, Cam #58 59, SND #26, 21; Leader Note: (SND #26), Cam #58 59, Raphael Soyer, THB, Pic |
Film F-20193/2917 |
Raphael Soyer interview, mag16mm motion picture film 550 feet Acetate ; MagneticSide of Box: JE 0000, THB - Raphael Soyer, Cam #58 59, SND #26, 21; Leader Note: (Cam #58 59), SND #26, Raphael Soyer, THB, SND |
Film F-20193/2918 |
Raphael Soyer interview, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: JE 0000, THB - Raphael Soyer, Cam #58 59, SND #26, 21; Leader Note: JE |
Film F-20193/2919 |
Calvin Trillim interview, pix16mm motion picture film 375 feet Polyester ; Color ; SilentSide of Box: BK 6000, THB Calvin Trillim, 57; Leader Note: THB, Calvin Trillim, Code BK 6000, Pic |
Film F-20193/2920 |
Calvin Trillim interview, mag16mm motion picture film 375 feet Acetate ; MagneticSide of Box: BK 6000, THB Calvin Trillim, 57; Leader Note: THB, Calvin Trillim, Code BK 6000, TRK |
Film F-20193/2921 |
Mike Wallace interview, pix16mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: BK 0000, THB Mike Wallace, 55; Leader Note: THB, Mike Wallace, Code BK 0000, Pic |
Film F-20193/2922 |
Mike Wallace interview, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: BK 0000, THB Mike Wallace, 55; Leader Note: THB, Mike Wallace, Code BK 0000, TRK |
Film F-20193/2923 |
Andrew Warren and Don Grace interview, pix16mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: GG 0000, THB Andrew Warren/Don Grace, Outs, Cam Roll #30/SND Roll #15, 11; Leader Note: Andrew Warren/Don Grace, (SND Roll #15), Roll #30, THB |
Film F-20193/2924 |
Andrew Warren and Don Grace interview, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: GG 0000, THB Andrew Warren/Don Grace, Outs, Cam Roll #30/SND Roll #15, 11; Leader Note: Andrew Warren/Don Grace, (Pic Roll #30), Roll #15, THB |
Film F-20193/2925 |
Joe Wershba interview, pix16mm motion picture film 275 feet Polyester ; Color ; SilentSide of Box: BK 3000, THB Joe Wershba, 56; Leader Note: THB, Joe Wershba, BK 3000, Pic |
Film F-20193/2926 |
Joe Wershba interview, mag16mm motion picture film 275 feet Acetate ; MagneticSide of Box: BK 3000, THB Joe Wershba, 56; Leader Note: THB, Joe Wershba, BK 3000, TRK |
SFC Audio Open Reel FT-20193/611 |
Henry Adams interview, tape 1 of 31/4" Open Reel 5" PolyesterBack of Box: Benton, Henry Adams, 4/10/87, Reel #46, Cam Roll #88 |
SFC Audio Open Reel FT-20193/612 |
Henry Adams interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: Benton, Henry Adams, 4/10/87, Reel #47, Cam Roll #89 |
SFC Audio Open Reel FT-20193/613 |
Henry Adams interview, tape 3 of 31/4" Open Reel 5" PolyesterBack of Box: Benton, Henry Adams, 4/10/87, Reel #48, Cam Roll #90 |
SFC Audio Open Reel FT-20193/614 |
Matthew Baigell interview tape 1 of 21/4" Open Reel 5" PolyesterBack of Box: Benton, Matthew Baigell, 4/11/87, Reel #49, Cam Roll #91 |
SFC Audio Open Reel FT-20193/615 |
Matthew Baigell interview tape 2 of 2; Karal Marling interview1/4" Open Reel 5" PolyesterBack of Box: Benton, Matthew Baigell, Karal Marling, 4/11/87, Reel #50, Cam Roll #92 |
SFC Audio Open Reel FT-20193/616 |
Earl Bennett interview, tape 1 of 31/4" Open Reel 5" PolyesterBack of Box: Benton Project, Earl Fred Bennett, 41, 18 Feb 87 |
SFC Audio Open Reel FT-20193/617 |
Earl Bennett interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: Benton Project, Earl Fred Bennett, 42, 18 Feb 87 |
SFC Audio Open Reel FT-20193/618 |
Earl Bennett interview, tape 3 of 31/4" Open Reel 5" PolyesterBack of Box: Benton Project, Earl Fred Bennett, 43 |
SFC Audio Open Reel FT-20193/619 |
Jessie Benton interview, tape 1 of 31/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, CR - 102, SR - 57, J. Benton, June 15 1987 |
SFC Audio Open Reel FT-20193/620 |
Jessie Benton interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, CR - 103, SR - 58, J. Benton, June 15 1987 |
SFC Audio Open Reel FT-20193/621 |
Jessie Benton interview, tape 3 of 31/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, CR - 104, SR - 59, J. Benton, June 15 1987 |
SFC Audio Open Reel FT-20193/622 |
John Callison interview, tape 1 of 31/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. John Callison, SND 8, Pix 10 |
SFC Audio Open Reel FT-20193/623 |
John Callison interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, John Callison Intv. (cont), Sound 9, Pix 11 |
SFC Audio Open Reel FT-20193/624 |
John Callison interview, tape 3 of 31/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, John Callison Intv. (cont), SND 10, Pix 12 |
SFC Audio Open Reel FT-20193/625 |
Vincent Campanella interview, tape 1 of 31/4" Open Reel 5" PolyesterBack of Box: Benton, Vincent Campanella, 4/12/87, Reel #52, Cam Roll #95 |
SFC Audio Open Reel FT-20193/626 |
Vincent Campanella interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: Benton, Vincent Campanella, 4/12/87, Reel #53, Cam Roll #96 |
SFC Audio Open Reel FT-20193/627 |
Vincent Campanella interview, tape 3 of 3; Benton Bash1/4" Open Reel 5" PolyesterBack of Box: Benton, Vincent Campanell's + Benton Bash, 4/12/87, Reel #54, Cam Roll #97 |
SFC Audio Open Reel FT-20193/628 |
Anna and Lee Constable interview, tape 1 of 21/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. Anna + Lee Constable, SND 13, Pix 19 |
SFC Audio Open Reel FT-20193/629 |
Anna and Lee Constable interview, tape 2 of 21/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. Anna + Lee Constable, SND 14, Pix 20 18 |
SFC Audio Open Reel FT-20193/630 |
Dick Craven interview1/4" Open Reel 7" PolyesterBack of Box: No 24, Thomas Hart Benton, 1/19/87, SR #24, CR #53 54 55, Dick Craven Interview + Roomtone, Slates 1-4 |
SFC Audio Open Reel FT-20193/631 |
Arthur Danto interview1/4" Open Reel 5" PolyesterBack of Box: Benton, SR #65, CR #124 125, Arthur Danto, 11/4/87 |
SFC Audio Open Reel FT-20193/632 |
Lyman Field interview, tape 1 of 31/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. Lyman Field, SND 21, Pix 37 |
SFC Audio Open Reel FT-20193/633 |
Lyman Field interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Lyman Field intv. (cont.), Snd 22, Pix 38, May have ID as SND 22-Pix 39 |
SFC Audio Open Reel FT-20193/634 |
Lyman Field interview, tape 3 of 3; Voiceover1/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Lyman Field intv/V.O. Readings, Snd 23, Pix 39 |
SFC Audio Open Reel FT-20193/635 |
Ed Fry interview1/4" Open Reel 7" PolyesterBack of Box: No 27, Thomas Hart Benton, 1/20/87, SR #27, CR #60, Ed Fry Interview + Roomtone |
SFC Audio Open Reel FT-20193/636 |
Lloyd Goodrich interview1/4" Open Reel 7" PolyesterBack of Box: No 25, Thomas Hart Benton, 1/19/87, SR #25, CR #55 56 57, Lloyd Goodrich Interview + Roomtone, Slates 5-7 |
SFC Audio Open Reel FT-20193/637 |
Burl Ives interview, tape 1 of 21/4" Open Reel 5" PolyesterBack of Box: Benton Project, Burl Ives, Roll #44 |
SFC Audio Open Reel FT-20193/638 |
Burl Ives interview, tape 2 of 21/4" Open Reel 5" PolyesterBack of Box: Benton Project, Burl Ives, Roll #45 |
SFC Audio Open Reel FT-20193/639 |
Dan James and Mrs. James interview1/4" Open Reel 7" PolyesterBack of Box: Thomas Hart Benton, Interview with Dan James, Cam Roll 73, Slate Nos 1 2, Cam Roll 74, Slate Nos 3, Cam Roll 75, Slate Nos 4, Int. Mrs. James, Slate Nos. 5; Note on Reel: SR 36, Thomas Hart Benton, 2/16/87 |
SFC Audio Open Reel FT-20193/640 |
Hilton Kramer interview, tape 1 of 31/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. Hilton Cramer, SND 4, Pix 6 |
SFC Audio Open Reel FT-20193/641 |
Hilton Kramer interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. Hilton Cramer, SND 5, Pix 7 |
SFC Audio Open Reel FT-20193/642 |
Hilton Kramer interview, tape 3 of 3; Dorothy Miller interview1/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. Hilton Kramer cont., Intv. Dorothy Miller, SND #6, Pix 8 |
SFC Audio Open Reel FT-20193/643 |
Syd Larson interview, tape 1 of 31/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. Syd Larson, SND 16, Pix 31 |
SFC Audio Open Reel FT-20193/644 |
Syd Larson interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. Syd Larson, SND 17, Pix 32 |
SFC Audio Open Reel FT-20193/645 |
Syd Larson interview, tape 3 of 31/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. Syd Larson, SND 18, Pix 33 |
SFC Audio Open Reel FT-20193/646 |
Karal Marling interview1/4" Open Reel 5" PolyesterBack of Box: Benton, Karal Marlin, 4/11/87, Reel #51, Cam Roll #93 |
SFC Audio Open Reel FT-20193/647 |
Bill McKim interview, tape 1 of 21/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. Bill McKim, SND 11, Pix 14 |
SFC Audio Open Reel FT-20193/648 |
Bill McKim interview, tape 2 of 21/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. Bill McKim, SND 12, Pix 15 |
SFC Audio Open Reel FT-20193/649 |
Roger Medearis interview, tape 1 of 41/4" Open Reel 5" PolyesterBack of Box: 17 Feb 87, Roger Medeiros, Takes 1 2, Roll #37 |
SFC Audio Open Reel FT-20193/650 |
Roger Medearis interview, tape 2 of 41/4" Open Reel 5" PolyesterBack of Box: Roll 38, Roger Medearis, 17 Feb 87 |
SFC Audio Open Reel FT-20193/651 |
Roger Medearis interview, tape 3 of 41/4" Open Reel 5" PolyesterBack of Box: Roll 39, Roger Medearis, 17 Feb 87 |
SFC Audio Open Reel FT-20193/652 |
Roger Medearis interview, tape 4 of 41/4" Open Reel 5" PolyesterBack of Box: Roll 40, Roger Medearis, 17 Feb 87 |
SFC Audio Open Reel FT-20193/653 |
Dorothy Miller interview1/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. Dorothy Miller (cont.), SND #7, Pix 9 |
SFC Audio Open Reel FT-20193/654 |
George O'Malley interview, tape 1 of 21/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, George O'Mally Intv. (cont.), SND 19, Pix 34 |
SFC Audio Open Reel FT-20193/655 |
George O'Malley interview, tape 2 of 2; Pam Hoelsel interview1/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, George O'Mally Intv. (cont.), Pam Hoelsel intv., SND 20, Pix 35 36 35 |
SFC Audio Open Reel FT-20193/656 |
Eleanor Piacenza interview, tape 1 of 31/4" Open Reel 5" PolyesterBack of Box: Thomas Hart Benton, SR 28, CR 61, Eleanor Piacenza, Takes 1, 21 Jan 87 |
SFC Audio Open Reel FT-20193/657 |
Eleanor Piacenza interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: Thomas Hart Benton, SR 29, CR 62, Takes 2-5, Eleanor Piacenza, 21 Jan 87 |
SFC Audio Open Reel FT-20193/658 |
Eleanor Piacenza interview, tape 3 of 31/4" Open Reel 5" PolyesterBack of Box: Thomas Hart Benton, SR 30, CR 63 64, Takes 5-7, Eleanor Piacenza cont., 21 Jan 87 |
SFC Audio Open Reel FT-20193/659 |
Santos Piacenza interview1/4" Open Reel 5" PolyesterBack of Box: Thomas Hart Benton, SR 31, CR 65, Takes 1 2, Interview Santo Piacenza, 21 Jan 87 |
SFC Audio Open Reel FT-20193/660 |
Scotts interview, tape 1 of 41/4" Open Reel 5" PolyesterBack of Box: Thomas Hart Benton, SR 32, CR 67, Takes 1, Martha's Vineyard, Scotts' Interview, 22 Jan 87 |
SFC Audio Open Reel FT-20193/661 |
Scotts interview, tape 2 of 41/4" Open Reel 5" PolyesterBack of Box: Thomas Hart Benton, SR 33, CR 68, Takes 2, Scott's Interview cont. |
SFC Audio Open Reel FT-20193/662 |
Scotts interview, tape 3 of 41/4" Open Reel 5" PolyesterBack of Box: Thomas Hart Benton, SR 34, CR 69, Takes 3, Scott's interview cont. |
SFC Audio Open Reel FT-20193/663 |
Scotts interview, tape 4 of 41/4" Open Reel 5" PolyesterBack of Box: Thomas Hart Benton, SR 35, CR 70 71, Takes 4-8, Scotts interview cont. |
SFC Audio Open Reel FT-20193/664 |
Mildred Small interview, tape 1 of 31/4" Open Reel 5" PolyesterBack of Box: Thomas Hart Benton, Mrs. Mildred Small, SR Roll 1, Sync Cam Roll 1, 3/6/86 |
SFC Audio Open Reel FT-20193/665 |
Mildred Small interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: SR 2, Thomas Hart Benton, Mrs. Mildred Small, Sync, Cam Roll 2, Cam Roll 3, 3/6/86 |
SFC Audio Open Reel FT-20193/666 |
Mildred Small interview, tape 3 of 31/4" Open Reel 5" PolyesterBack of Box: SR 3, Thomas Hart Benton, Mrs. Mildred Small, Sync, Cam Roll 4, Cam Roll 5, 3/6/86 |
SFC Audio Open Reel FT-20193/667 |
Raphael Soyer interview1/4" Open Reel 7" PolyesterBack of Box: No 26, Thomas Hart Benton, SR #26, CR #58 59, Raphael Soyer, Slates 8-9 |
SFC Audio Open Reel FT-20193/668 |
Andrew Warren and Don Grace interview1/4" Open Reel 5" PolyesterBack of Box: T.H. Benton, Intv. Andrew Warren, Don Grace, SND 15, Pix 30 |
SFC Audio Open Reel FT-20193/669 |
Joe Wershba interview; Calvin Trillim interview1/4" Open Reel 5" PolyesterBack of Box: Benton, SR 64, CR 119 120, Joe Wershba, Calvin Trillim, 10/13/87 |
SFC Audio Cassette FS-20193/87 |
Henry Adams interview; Matthew Baigell interviewAudiocassette A-Side Tape Label: Benton 46-47; B-Side Tape Label: Benton 48-49 |
SFC Audio Cassette FS-20193/88 |
Matthew Baigell interview; Karal Marling interview; Vincent Campanella interviewAudiocassette A-Side Tape Label: Benton 50-51; B-Side Tape Label: Benton 52-53 |
SFC Audio Cassette FS-20193/89 |
Earl Bennett interview; Burl Ives interviewAudiocassette A-Side Tape Label: Benton SR #43-44; B-Side Tape Label: Benton, SR #45 |
SFC Audio Cassette FS-20193/90 |
Jessie Benton interviewAudiocassette Tape Label: Benton, SR 57 58 59 |
SFC Audio Cassette FS-20193/91 |
John Callison interview; Bill McKim interview; Anna and Lee Constable interviewAudiocassette A-Side Tape Label: Thomas Hart Benton, SR #8 9 10; B-Side Tape Label: B-Side Tape Label: Thomas Hart Benton, SR #11 12 13 |
SFC Audio Cassette FS-20193/92 |
Anna and Lee Constable interview; Andrew Warren interview; Don Grace interview; Syd Larson interview; George O'Malley interviewAudiocassette A-Side Tape Label: Thomas Hart Benton, SR #14 15 16; B-Side Tape Label: Thomas Hart Benton, SR #17 18 19 |
SFC Audio Cassette FS-20193/93 |
Arthur Danto interviewAudiocassette Front of Case: Arthur Danto, THB; Tape Label: Florentine Films #65 |
SFC Audio Cassette FS-20193/94 |
Ed Fry interview; Eleanor Piacenza interview; Scotts interviewAudiocassette A-Side Tape Label: Benton, SR #27-29; B-Side Tape Label: Benton, SR #30-32 |
SFC Audio Cassette FS-20193/95 |
Lloyd Goodrich interviewAudiocassette Tape Label: Thomas Hart Benton, SR #25 |
SFC Audio Cassette FS-20193/96 |
Dan James and Mrs. James interview; Roger Medearis interviewAudiocassette A-Side Tape Label: Benton, SR #36; B-Side Tape Label: Benton, SR #37-38 |
SFC Audio Cassette FS-20193/97 |
Hilton Kramer interview; Dorothy Miller interviewAudiocassette A-Side Tape Label: Thomas Hart Benton, SR #4&5; B-Side Tape Label: Hilton Kramer, Dorothy Miller, SR 6&7, Thomas Hart Benton |
SFC Audio Cassette FS-20193/98 |
Roger Medearis interview; Earl Bennett interviewAudiocassette A-Side Tape Label: Benton, SR #39-40; B-Side Tape Label: Benton, SR #41-42 |
SFC Audio Cassette FS-20193/99 |
George O'Malley interview; Lyman Field interviewAudiocassette A-Side Tape Label: Thomas Hart Benton, SR #20 21 22; B-Side Tape Label: Thomas Hart Benton, SR #23 |
SFC Audio Cassette FS-20193/100 |
Scotts interviewAudiocassette Tape Label: Benton, SR #33-35 |
SFC Audio Cassette FS-20193/101 |
Mildred Small interview, tape 1 of 2Audiocassette Front of Case: Benton, Mildred Small; A-Side Tape Label: Florentine #1; B-Side Tape Label: #2 |
SFC Audio Cassette FS-20193/102 |
Mildred Small interview, tape 2 of 2Audiocassette Front of Case: Benton, Mildred Small; Tape Label: Florentine 3, Mildred Small |
SFC Audio Cassette FS-20193/103 |
Raphael Soyer interviewAudiocassette Tape Label: Thomas Hart Benton, SR #26 |
Film F-20193/2927 |
Henry Adams interview selects, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: AB, Ins, THB - Henry Adams, 10; Leader Note: Selects, Henry Adams, Pix |
Film F-20193/2928 |
Henry Adams interview selects, mag16mm motion picture film 225 feet Acetate ; MagneticSide of Box: AB, Ins, THB - Henry Adams, 10; Leader Note: Selects, Henry Adams, Trk |
Film F-20193/2929 |
Matthew Baigell interview selects, pix16mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: AC, Ins, THB - Matthew Baigell, 11; Leader Note: AC 0000, Baigell Selects, Pix |
Film F-20193/2930 |
Matthew Baigell interview selects, mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: AC, Ins, THB - Matthew Baigell, 11; Leader Note: AC 0000, Baigell Selects, Trk |
Film F-20193/2931 |
Earl Bennett interview selects, pix16mm motion picture film 175 feet Polyester ; Color ; SilentSide of Box: BH + KC, THB, Ins, Earl Bennett, 15; Leader Note: BH0000-KC0000, Bennett, Selects, Pic |
Film F-20193/2932 |
Earl Bennett interview selects, mag16mm motion picture film 175 feet Acetate ; MagneticSide of Box: BH + KC, THB, Ins, Earl Bennett, 15; Leader Note: BH0000-KC0000, Bennett, Selects, TRK |
Film F-20193/2933 |
Jessie Benton interview selects, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: BJ, Ins, Jessie Benton, 16; Leader Note: BJ0000-3000, Benton, Selects, Pic |
Film F-20193/2934 |
Jessie Benton interview selects, mag16mm motion picture film 150 feet Acetate ; MagneticSide of Box: BJ, Ins, Jessie Benton, 16; Leader Note: BJ0000-3000, Benton, Selects, TRK |
Film F-20193/2935 |
John Callison interview selects, pix16mm motion picture film 175 feet Polyester ; Color ; SilentSide of Box: DD INS, THB - John Callison, Cam #10 11 12, SND #8 9 10, 4; Leader Note: Selects, John Callison, Pix |
Film F-20193/2936 |
John Callison interview selects, mag16mm motion picture film 200 feet Acetate ; MagneticSide of Box: DD INS, THB - John Callison, Cam #10 11 12, SND #8 9 10, 4; Leader Note: Selects, John Callison, Trk |
Film F-20193/2937 |
Vincent Campanella interview selects, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: AE, Ins, THB - Vincent Campanella, 13; Leader Note: AD 0000, Vincent Campanella, Pix |
Film F-20193/2938 |
Vincent Campanella interview selects, mag16mm motion picture film 150 feet Acetate ; MagneticSide of Box: AE, Ins, THB - Vincent Campanella, 13; Leader Note: AD 0000, Vincent Campanella, Trk |
Film F-20193/2939 |
The Constables interview selects, pix16mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: FF, Ins, THB - The Constables, 6; Leader Note: FF 0000, The Constables, Selects, Pix |
Film F-20193/2940 |
The Constables interview selects, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: FF, Ins, THB - The Constables, 6; Leader Note: FF 0000, The Constables, Selects, Trk |
Film F-20193/2941 |
Dick Craven interview selects, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: JC, Ins, THB, Dick Craven, 22; Leader Note: JC 0000, Selects, Tom Craven, Pix |
Film F-20193/2942 |
Dick Craven interview selects, mag16mm motion picture film 150 feet Acetate ; MagneticSide of Box: JC, Ins, THB, Dick Craven, 22; Leader Note: JC 0000, Selects, Tom Craven, SND |
Film F-20193/2943 |
Art Danto interview selects, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: BL, Ins, THB - Art Danto, 19; Leader Note: THB, Art Danto - Selects, BL 0000, Pic |
Film F-20193/2944 |
Art Danto interview selects, mag16mm motion picture film 150 feet Acetate ; MagneticSide of Box: BL, Ins, THB - Art Danto, 19; Leader Note: THB, Art Danto - Selects, BL 0000, Trk |
Film F-20193/2945 |
Lyman Field interview selects, pix16mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: JB, Ins, THB - Lyman Field, Cam #37-39, SND #21-23, 21; Leader Note: (SND #21-23), Cam #37-39, Code JB, Lyman Field, Ins, THB, Pic |
Film F-20193/2946 |
Lyman Field interview selects, mag16mm motion picture film 475 feet Acetate ; MagneticSide of Box: JB, Ins, THB - Lyman Field, Cam #37-39, SND #21-23, 21; Leader Note: Cam #37-39, SND #21-23, Code JB, Lyman Field, Ins, THB, SND |
Film F-20193/2947 |
Lloyd Goodrich interview selects, pix16mm motion picture film 225 feet Polyester ; Color ; SilentSide of Box: JD, Ins, THB, Lloyd Goodrich, 23; Leader Note: Master Ins III, THB, Pic |
Film F-20193/2948 |
Lloyd Goodrich interview selects, mag16mm motion picture film 250 feet Acetate ; MagneticSide of Box: JD, Ins, THB, Lloyd Goodrich, 23; Leader Note: Master Ins III, THB, SND |
Film F-20193/2949 |
Pam Hoelsel interview selects, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: JJ, Ins, THB - Pam Hoelsel, Cam #36 35, SND #20, 9; Leader Note: JJ 0000, Pam Hoelzel, Selects, Pix |
Film F-20193/2950 |
Pam Hoelsel interview selects, mag16mm motion picture film 50 feet Acetate ; MagneticSide of Box: JJ, Ins, THB - Pam Hoelsel, Cam #36 35, SND #20, 9; Leader Note: JJ 0000, Pam Hoelzel, Selects, Trk |
Film F-20193/2951 |
Burl Ives interview selects, pix16mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: KD, Ins, THB, Burl Ives, 30; Leader Note: KD 0000, Selects, Burl Ives, Pix |
Film F-20193/2952 |
Burl Ives interview selects, mag16mm motion picture film 125 feet Acetate ; MagneticSide of Box: KD, Ins, THB, Burl Ives, 30; Leader Note: KD 0000, Selects, Burl Ives, TRK |
Film F-20193/2953 |
Dan James interview selects, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: KA, Ins, THB - Dan James, 28; Leader Note: KA 0000, Dan James, Selects, Pix |
Film F-20193/2954 |
Dan James interview selects, mag16mm motion picture film 200 feet Acetate ; MagneticSide of Box: KA, Ins, THB - Dan James, 28; Leader Note: KA 0000, Dan James, Selects, TRK |
Film F-20193/2955 |
Hilton Kramer interview selects, pix16mm motion picture film 350 feet Polyester ; Color ; SilentSide of Box: BB, Ins, THB - Hilton Kramer, Cam #6 7 8, SND #4 5 6, 2; Leader Note: SND 4 5 6, Code BB, Hilton Kramer, Ins, THB, Pic |
Film F-20193/2956 |
Hilton Kramer interview selects, mag16mm motion picture film 350 feet Acetate ; MagneticSide of Box: BB, Ins, THB - Hilton Kramer, Cam #6 7 8, SND #4 5 6, 2; Leader Note: Pic 6 7 8, SND 4 5 6, Code BB, Hilton Kramer, Ins, THB, SND |
Film F-20193/2957 |
Syd Larson interview selects, pix16mm motion picture film 325 feet Polyester ; Color ; SilentSide of Box: HH, Ins, THB - Sid Larson, 8; Leader Note: HH 0000, Selects, Sid Larson, Pix |
Film F-20193/2958 |
Syd Larson interview selects, mag16mm motion picture film 350 feet Acetate ; MagneticSide of Box: HH, Ins, THB - Sid Larson, 8; Leader Note: HH 0000, Selects, Sid Larson, Trk |
Film F-20193/2959 |
Karal Marling interview selects, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: AD, Ins, THB - Karal Marling, 12; Leader Note: Karal Marling Selects, Pix |
Film F-20193/2960 |
Karal Marling interview selects, mag16mm motion picture film 150 feet Acetate ; MagneticSide of Box: AD, Ins, THB - Karal Marling, 12; Leader Note: Karal Marling Selects, Trk |
Film F-20193/2961 |
Bill McKim interview selects, pix16mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: EE, Ins, THB - Bill McKim, Cam #14 15, SND #11 12, 5; Leader Note: EE 0000, Bill McKim, Selects, Pix |
Film F-20193/2962 |
Bill McKim interview selects, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: EE, Ins, THB - Bill McKim, Cam #14 15, SND #11 12, 5; Leader Note: EE 0000, Bill McKim, Selects, Trk |
Film F-20193/2963 |
Roger Medearis interview selects, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: KB, Ins, THB, Roger Medearis, 29; Leader Note: KB 0000, Medearis Selects, Pix |
Film F-20193/2964 |
Roger Medearis interview selects, mag16mm motion picture film 200 feet Acetate ; MagneticSide of Box: KB, Ins, THB, Roger Medearis, 29; Leader Note: KB 0000, Medearis Selects, TRK |
Film F-20193/2965 |
Dorothy Miller interview selects, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: CC, Ins, THB - Dorothy Miller, Cam #8 9, SND #6 7, 3; Leader Note: CC 0000, Dorothy Miller Selects, Pix |
Film F-20193/2966 |
Dorothy Miller interview selects, mag16mm motion picture film 150 feet Acetate ; MagneticSide of Box: CC, Ins, THB - Dorothy Miller, Cam #8 9, SND #6 7, 3; Leader Note: CC 0000, Dorothy Miller Selects, Trk |
Film F-20193/2967 |
George O'Malley interview selects, pix16mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: JA, Ins, THB, George O'Malley, 20; Leader Note: JA 0000, George O'Malley Selects, Pix |
Film F-20193/2968 |
George O'Malley interview selects, mag16mm motion picture film 325 feet Acetate ; MagneticSide of Box: JA, Ins, THB, George O'Malley, 20; Leader Note: JA 0000, George O'Malley Selects, Trk |
Film F-20193/2969 |
Eleanor Piacenza interview selects, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: JC, Ins, THB, Eleanor Piacenza, 25; Leader Note: JC 3000, Eleanor Piacenza, Selects, Pix |
Film F-20193/2970 |
Eleanor Piacenza interview selects, mag16mm motion picture film 175 feet Acetate ; MagneticSide of Box: JC, Ins, THB, Eleanor Piacenza, 25; Leader Note: JC 3000, Eleanor Piacenza, Selects, TRK |
Film F-20193/2971 |
Santos Piacenza interview selects, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: JH, Ins, Santo Piacenza, 26; Leader Note: JH 0000, Santos Piacenza, Selects, Pix |
Film F-20193/2972 |
Santos Piacenza interview selects, mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: JH, Ins, Santo Piacenza, 26; Leader Note: JH 0000, Santos Piacenza, Selects, TRK |
Film F-20193/2973 |
Henry and Peggy Scott interview selects, pix16mm motion picture film 275 feet Polyester ; Color ; SilentSide of Box: JK, Ins, THB - The Scotts, Cam #67 68 69 70 71, SND #32-35, 27; Leader Note: JK 0000, The Scotts, Selects, Pix |
Film F-20193/2974 |
Henry and Peggy Scott interview selects, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: JK, Ins, THB - The Scotts, Cam #67 68 69 70 71, SND #32-35, 27; Leader Note: JK 0000, The Scotts, Selects, TRK |
Film F-20193/2975 |
Mildred Small interview selects, pix16mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: AA, Ins, THB - Mildred Small, Cam # 1 2 3 4 5, SND # 1 2 3, 1; Leader Note: Mildred Small, SND #1-3, Cam #1-5, Ins, THB, Pic |
Film F-20193/2976 |
Mildred Small interview selects, mag16mm motion picture film 550 feet Acetate ; MagneticSide of Box: AA, Ins, THB - Mildred Small, Cam # 1 2 3 4 5, SND # 1 2 3, 1; Leader Note: Mildred Small, SND #1-3, Cam #1-5, Ins, THB, SND |
Film F-20193/2977 |
Raphael Soyer interview selects, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: JE, Ins, THB - Raphael Soyer, 24; Leader Note: R. Soyer Selects, Pix |
Film F-20193/2978 |
Raphael Soyer interview selects, mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: JE, Ins, THB - Raphael Soyer, 24; Leader Note: R. Soyer Selects, TRK |
Film F-20193/2979 |
Mike Wallace interview selects, pix16mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: BK 0000, Int, THB, Mike Wallace, 17; Leader Note: THB, Mike Wallace - Selects, BK 0000, Pic |
Film F-20193/2980 |
Mike Wallace interview selects, mag16mm motion picture film 75 feet Acetate ; MagneticSide of Box: BK 0000, Int, THB, Mike Wallace, 17; Leader Note: THB, Mike Wallace - Selects, BK 0000, TRK |
Film F-20193/2981 |
Andrew Warren interview selects, pix16mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: GG, Ins, THB - Andrew Warren, Cam #30, SND #15, 7; Leader Note: GG 0000, Andrew Warren, Selects, Pix |
Film F-20193/2982 |
Andrew Warren interview selects, mag16mm motion picture film 75 feet Acetate ; MagneticSide of Box: GG, Ins, THB - Andrew Warren, Cam #30, SND #15, 7; Leader Note: GG 0000, Andrew Warren, Selects, Trk |
Film F-20193/2983 |
Joe Wershba interview selects, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: BK 3000, Ins, THB - Joe Wershba, 18; Leader Note: THB, Joe Wershba - Selects, BK 3000, Pic |
Film F-20193/2984 |
Joe Wershba interview selects, mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: BK 3000, Ins, THB - Joe Wershba, 18; Leader Note: THB, Joe Wershba - Selects, BK 3000, Trk |
Film F-20193/2985 |
Bash, pix 116mm motion picture film 475 feet Polyester ; Color ; SilentSide of Box: AG 0000, THB - Bash, Cam #97 98, SND #54 55, 43; Leader Note: Bash, SND #54 55, Cam #97 98, THB, Pic |
Film F-20193/2986 |
Bash, mag 116mm motion picture film 475 feet Acetate ; MagneticSide of Box: AG 0000, THB - Bash, Cam #97 98, SND #54 55, 43; Leader Note: Bash, Cam #97 98, SND #54 55, THB, SND |
Film F-20193/2987 |
Bash, pix 216mm motion picture film 375 feet Polyester ; Color ; SilentSide of Box: AG 3000, THB - Bash, Outs, Cam 99, Snd #56; Leader Note: "Bash", SND #56, Cam #99, THB, Pic |
Film F-20193/2988 |
Bash, mag 216mm motion picture film 350 feet Acetate ; MagneticSide of Box: AG 3000, THB - Bash, Outs, Cam 99, Snd #56; Leader Note: "Bash", Cam #99, SND #56, THB, Pic |
Film F-20193/2989 |
Bash, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: AG 0000, THB - Bash, Cam #97 98, SND #54 55, 43; Leader Note: AG |
Film F-20193/2990 |
Bash selects, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: AG, THB, Ins, "Bash", 14; Leader Note: THB, Bash Selects, AG 0000, Pic |
Film F-20193/2991 |
Bash selects, mag16mm motion picture film Acetate ; MagneticSide of Box: AG, THB, Ins, "Bash", 14; Leader Note: THB, Bash Selects, AG 0000, Trk |
Film F-20193/2992 |
Benton at Jefferson City, Wild Sound, mag16mm motion picture film 400 feet Acetate ; MagneticSide of Box: Outs, THB - Misc., Mildred Small, Wild SND, Outs, Benton at Jefferson City - Wild Sound, MOS - Cam Roll #30/Cam Roll #35; Leader Note: Benton at Jefferson City, N.G. Bad Quality, THB, Wild SND |
Film F-20193/2993 |
Buffalo River, pix 116mm motion picture film 925 feet Polyester ; Color ; SilentSide of Box: J3000, THB, MOS, 1987, Buffalo River, 116; Leader Note: Box 116, J3000-5513, Buffalo River, 1987, MOS |
Film F-20193/2994 |
Buffalo River, pix 216mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: THB, Views, Buffalo River, Martha's Vineyard - 112 113, Frameshop 114, Jeff City Hodges 100-103 105 106, Cam # 104 105 106 (MOS); Leader Note: Views - Buffalo River, Cam #104 105, MOS, THB, Pic |
Film F-20193/2995 |
Buffalo River, pix 316mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: THB, Views, Buffalo River, Martha's Vineyard - 112 113, Frameshop 114, Jeff City Hodges 100-103 105 106, Cam # 104 105 106 (MOS); Leader Note: Views - Buffalo R, Cam #106, MOS, THB, Pic |
Film F-20193/2996 |
Countryside at Sunset, pix; Benton Trust, pix16mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Benton Trust and Views - Countryside at Sunset, Cam Roll #25 26 (MOS); Leader Note: Views - Countryside at Sunset, Benton Trust, MOS, Roll #25 26, THB, Pic |
Film F-20193/2997 |
Debate on Modern Art, mag 116mm motion picture film 800 feet Acetate ; MagneticSide of Box: D0000-D3000, THB, Wild SND, Town Meeting, 1004; Leader Note: THB, Box 1004, Debate on Modern Art, Code D0000, W.S. |
Film F-20193/2998 |
Debate on Modern Art, mag 216mm motion picture film 750 feet Acetate ; MagneticSide of Box: D0000-D3000, THB, Wild SND, Town Meeting, 1004; Leader Note: THB, Box 1004, Debate on Modern Art, Code D3000, W.S. |
Film F-20193/2999 |
Exterior Night Views, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Misc., Mildred Small, Wild SND, Outs, Benton at Jefferson City - Wild Sound, MOS - Cam Roll #30/Cam Roll #35; Leader Note: Exterior Night Views, MOS, Roll #30, THB, Pic |
Film F-20193/3000 |
Independence Lecture, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: D4893, THB, Wild SND, Independence Lecture, 1009-A; Leader Note: Independence Lecture, Box 1009, D4893, W.S. |
Film F-20193/3001 |
Indiana Sunsets, pix16mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: N 1452-2027 3564-3641 4233-4394, THB, MOS, 1988, Indiana Sunsets, Nelson Atkins Int., 123; Leader Note: Box 123, THB, Indiana Sunsets, 1988, N1419-1574, MOS |
Film F-20193/3002 |
Jefferson City, pix16mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: THB, Views, Buffalo River, Martha's Vineyard - 112 113, Frameshop 114, Jeff City Hodges 100-103 105 106, Cam # 104 105 106 (MOS); Leader Note: Jeff City, MOS, Cam #100 101, THB, Pic |
Film F-20193/3003 |
Jefferson City, pix; Buffalo River, pix 116mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: THB, Views, Buffalo River, Martha's Vineyard - 112 113, Frameshop 114, Jeff City Hodges 100-103 105 106, Cam # 104 105 106 (MOS); Leader Note: Arch - Jeff City, Hodges, Views - Look Feel, Buffalo R., 102 103, MOS, THB, Pic |
Film F-20193/3004 |
Jefferson City Mural Tour, Wild Sound, mag 116mm motion picture film 850 feet Acetate ; MagneticSide of Box: B0000-B3000, THB, Jeff City Tour, 1001; Leader Note: THB, Benton's Jeff City Mural Tour, Box 1001, Code B 0000, W.S. |
Film F-20193/3005 |
Jefferson City Mural Tour, Wild Sound, mag 216mm motion picture film 400 feet Acetate ; MagneticSide of Box: B0000-B3000, THB, Jeff City Tour, 1001; Leader Note: THB, Benton's Jeff City Mural Tour, Box 1001, Code B 3000, W.S. |
Film F-20193/3006 |
Kansas City, pix16mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: H3000, THB, MOS, 1987, 1987 Missouri, Kansas City, 117; Leader Note: Box 114, THB, Kansas City. Code H 3000-4025, 1987, MOS |
Film F-20193/3007 |
Martha's Vineyard, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: THB, Views, Buffalo River, Martha's Vineyard - 112 113, Frameshop 114, Jeff City Hodges 100-103 105 106, Cam # 104 105 106 (MOS); Leader Note: Martha's Vineyard, Cam #112 113 AKA 105 106 (MOS), THB, Pic |
Film F-20193/3008 |
Mildred Small, Take 2, mag 116mm motion picture film 500 feet Acetate ; MagneticSide of Box: Outs, THB - Mildred Small, SND, "Take 2", #1-3, Outs; Leader Note: Civil War, Sound Roll #1 |
Film F-20193/3009 |
Mildred Small, Take 2, mag 216mm motion picture film 800 feet Acetate ; MagneticSide of Box: Outs, THB - Mildred Small, SND, "Take 2", #1-3, Outs; Leader Note: Civil War, Sound Roll #2 |
Film F-20193/3010 |
Mildred Small, Take 2, mag 316mm motion picture film 800 feet Acetate ; MagneticSide of Box: Outs, THB - Mildred Small, SND, "Take 2", #1-3, Outs; Leader Note: Civil War, Sound Roll #3 |
Film F-20193/3011 |
Mildred Small, Wild Sound, mag16mm motion picture film 75 feet Acetate ; MagneticSide of Box: Outs, THB - Misc., Mildred Small, Wild SND, Outs, Benton at Jefferson City - Wild Sound, MOS - Cam Roll #30/Cam Roll #35; Leader Note: Mildred Small, Roll #1, THB, Wild SND |
Film F-20193/3012 |
Mildred Small, Wild Sound, selects, mag16mm motion picture film 50 feet Acetate ; MagneticSide of Box: Outs, THB - Misc., Mildred Small, Wild SND, Outs, Benton at Jefferson City - Wild Sound, MOS - Cam Roll #30/Cam Roll #35; Leader Note: Mildred Small, Ins, Wild SND, Select |
Film F-20193/3013 |
Missouri, pix16mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: H3000, THB, MOS, 1987, 1987 Missouri, Kansas City, 117; Leader Note: Box 114, THB, Missouri, H 4028-4321, MOS |
Film F-20193/3014 |
Nelson Atkins Interiors, pix16mm motion picture film 275 feet Polyester ; Color ; SilentSide of Box: N 1452-2027 3564-3641 4233-4394, THB, MOS, 1988, Indiana Sunsets, Nelson Atkins Int., 123; Leader Note: Box 122, THB, 1988, Nelson Atkins Int., N1580-2027, 3564-3641, 4233-4394, Pix |
Film F-20193/3015 |
"Opening of the West" Selects, mag16mm motion picture film Acetate ; MagneticSide of Box: G0000, "Opening of the West", Selects, 1010 |
Film F-20193/3016 |
Ozark Region, pix16mm motion picture film 575 feet Polyester ; Color ; SilentSide of Box: J0000, THB, MOS, 1987, Ozark Region, 115; Leader Note: Box 115, Ozark Region, Code J0000-1468, 1987, MOS |
Film F-20193/3017 |
Roll #35, pix16mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Misc., Mildred Small, Wild SND, Outs, Benton at Jefferson City - Wild Sound, MOS - Cam Roll #30/Cam Roll #35; Leader Note: MOS, Roll #35, THB, Pic |
Film F-20193/3018 |
Vineyard, pix16mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: K0000, THB, MOS 1987, Vineyard 1987, Press, 117; Leader Note: Box 117, K0000-1303, Vineyard '87, MOS |
Film F-20193/3019 |
Wild Sound, Sound Roll 21, Retransfer, mag16mm motion picture film 400 feet Acetate ; MagneticSide of Box: THB, Wild SND, Retransfer, SR 21, 1012; Leader Note: THB, Retransfer, SR 21, WS, TRK |
Film F-20193/3020 |
William Rockhill Nelson Gallery of Art, pix16mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Equitable/John Callison's Collection, Cam Roll #9 10 (Incomplete), 13 (MOS); Leader Note: Views, William Rockhill Nelson Gallery of Art, MOS, Roll #14, THB, Pic |
SFC Audio Open Reel FT-20193/670 |
Benton Bash, tape 1 of 21/4" Open Reel 5" PolyesterBack of Box: Benton, Benton Bash, 4/12/86, Reel #55, Cam Roll #98 |
SFC Audio Open Reel FT-20193/671 |
Benton Bash, tape 2 of 21/4" Open Reel 5" PolyesterBack of Box: Benton, Benton Bash, 4/12/86, Reel #56, Cam Roll #99 |
SFC Audio Open Reel FT-20193/672 |
"Opening of the West", selects1/4" Open Reel 7" PolyesterFront of Box: 68, Selects - "Opening of the West"; Note on Reel: Independence and the "Opening of the West", Selects, 68 |
SFC Audio Cassette FS-20193/104 |
Benton BashAudiocassette Tape Label: Benton 56 |
Film F-20193/3021 |
Jason Robards narration, reel 1, mag 116mm motion picture film 400 feet Acetate ; MagneticSide of Box: 3007, Narration by Jason Robards, NC 0-4802, NE 0-1570, Reel 1; Leader Note: T.H. Benton, NC 0-2019, Reel 1, NARR, Sc. 1-7 |
Film F-20193/3022 |
Jason Robards narration, reel 1, mag 216mm motion picture film 350 feet Acetate ; MagneticSide of Box: 3007, Narration by Jason Robards, NC 0-4802, NE 0-1570, Reel 1; Leader Note: T.H. Benton, R-1, NARR, Sc. 8-14 |
Film F-20193/3023 |
Jason Robards narration, reel 1, mag 316mm motion picture film 400 feet Acetate ; MagneticSide of Box: 3007, Narration by Jason Robards, NC 0-4802, NE 0-1570, Reel 1; Leader Note: T.H. Benton, Sc. 15-22, Reel 1 |
Film F-20193/3024 |
Jason Robards narration, reel 1, mag 416mm motion picture film 600 feet Acetate ; MagneticSide of Box: 3009, TH Benton, Narr, NF 0-3588, Reel 1; Leader Note: TH Benton, NF 0-3588, Reel 1, Robards 2 Narr, SR 5+6 |
Film F-20193/3025 |
Jason Robards narration, reel 1, trims, mag 116mm motion picture film Acetate ; MagneticSide of Box: 3007, Narration by Jason Robards, NC 0-4802, NE 0-1570, Reel 1 |
Film F-20193/3026 |
Jason Robards narration, reel 1, trims, mag 216mm motion picture film Acetate ; MagneticSide of Box: 3009, TH Benton, Narr, NF 0-3588, Reel 1 |
Film F-20193/3027 |
Jason Robards narration, reel 2, mag 116mm motion picture film 300 feet Acetate ; MagneticSide of Box: 3008, Benton, Narr of Jason Robards, NC 4828-5746, ND 0-2347, NE 1580-, ND 3008-4498, Reel 2 3; Leader Note: TH Benton, Jason Robards, ND 0000- NARR (Sc 23-38), Reel 2 |
Film F-20193/3028 |
Jason Robards narration, reel 2, mag 216mm motion picture film 300 feet Acetate ; MagneticSide of Box: 3008, Benton, Narr of Jason Robards, NC 4828-5746, ND 0-2347, NE 1580-, ND 3008-4498, Reel 2 3; Leader Note: TH Benton, NARR (Sc 39-46), Reel 2 |
Film F-20193/3029 |
Jason Robards narration, reels 2-3, mag16mm motion picture film 400 feet Acetate ; MagneticSide of Box: 3010, T.H. Benton, Narr, NF 6000-7437, NF 7447-7980, Reel 3, Reel 2, Also CO; Leader Note: T.H. Benton, Robards 2 Narr, Code NF 6000, Reel 2+3 |
Film F-20193/3030 |
Jason Robards narration, reels 2-3, trims, mag 116mm motion picture film Acetate ; MagneticSide of Box: 3010, T.H. Benton, Narr, NF 6000-7437, NF 7447-7980, Reel 3, Reel 2, Also CO |
Film F-20193/3031 |
Jason Robards narration, reels 2-3, trims, mag 216mm motion picture film Acetate ; MagneticSide of Box: 3008, Benton, Narr of Jason Robards, NC 4828-5746, ND 0-2347, NE 1580-, ND 3008-4498, Reel 2 3 |
Film F-20193/3032 |
Jason Robards narration, reel 3, mag 116mm motion picture film 300 feet Acetate ; MagneticSide of Box: 3008, Benton, Narr of Jason Robards, NC 4828-5746, ND 0-2347, NE 1580-, ND 3008-4498, Reel 2 3; Leader Note: TH Benton, ND 3000, Reel 3, Jason Robards, NARR |
Film F-20193/3033 |
Narration selects, reel 1, mag16mm motion picture film Acetate ; MagneticSide of Box: NARR, Selects 1st, Reel 1, Thomas Hart Benton |
Film F-20193/3034 |
Narration selects, reels 2-3, mag16mm motion picture film Acetate ; MagneticSide of Box: NARR, Selects 1st, Reel 2 3, Thomas Hart Benton |
Film F-20193/3035 |
Scratch Narration, mag 116mm motion picture film 500 feet Acetate ; MagneticSide of Box: NA 0000, NB 0000, THB - WS, Narration, 1-11, 2-10, 3002; Leader Note: Box 2003, THB, NA 0000-2800, 1-11 Scratch, TRK |
Film F-20193/3036 |
Scratch Narration, mag 216mm motion picture film 225 feet Acetate ; MagneticSide of Box: NA 0000, NB 0000, THB - WS, Narration, 1-11, 2-10, 3002; Leader Note: 1-11 Outs |
Film F-20193/3037 |
Scratch Narration, mag 316mm motion picture film 200 feet Acetate ; MagneticSide of Box: NA 0000, NB 0000, THB - WS, Narration, 1-11, 2-10, 3002; Leader Note: Box 2003, THB, 2-10 - Scratch, NB 0000-0700, TRK |
Film F-20193/3038 |
Ken Burns Scratch Narration, Outtakes, mag16mm motion picture film Acetate ; MagneticSide of Box: THB, Wild SND, Mike Wallace Narr., 10-20 Ken Narration 10-20 |
Film F-20193/3039 |
Old Narration, Labeled, mag16mm motion picture film Acetate ; MagneticSide of Box: THB - Old Narration, Labeled, 11-9/12-1 |
Film F-20193/3040 |
Old Narration, Not Labeled, mag16mm motion picture film Acetate ; MagneticSide of Box: THB - Old Narration, Not Labeled, 3001 |
Film F-20193/3041 |
Paul Roebling narration, mag16mm motion picture film 450 feet Acetate ; MagneticSide of Box: VM 5000, THB - Paul Roebling Narration, 3005; Leader Note: T.H. Benton, P. Roebling Narr. |
Film F-20193/3042 |
Paul Roebling narration, trims, mag16mm motion picture film Acetate ; MagneticSide of Box: VM 5000, THB - Paul Roebling Narration, 3005 |
Film F-20193/3043 |
Mike Wallace narration, mag16mm motion picture film 150 feet Acetate ; MagneticSide of Box: THB, Wild SND, Mike Wallace Narr., 10-20 Ken Narration 10-20; THB - Wallace Narration, Code, WS, TRK |
Film F-20193/3044 |
G. Ward narration, mag16mm motion picture film 250 feet Acetate ; MagneticSide of Box: NB 0700, THB - G. Ward, Narration, 3006; Leader Note: Narr. G. Ward |
SFC Audio Open Reel FT-20193/673 |
Jason Robards narration, tape 1 of 41/4" Open Reel 10" PolyesterSide of Box: Narr, Jason Robards; Back of Box: T.H.B. Reel 1, Robards Narration, Takes 1-51, Post Sunk, 5-2-88 |
SFC Audio Open Reel FT-20193/674 |
Jason Robards narration, tape 2 of 41/4" Open Reel 10" PolyesterSide of Box: Narr, Jason Robards; Back of Box: T.H.B. Reel 2, Robards Narration, Takes 52-133, Post Sunk, 5-2-88 |
SFC Audio Open Reel FT-20193/675 |
Jason Robards narration, tape 3 of 41/4" Open Reel 10" PolyesterBack of Box: Thomas Hart Benton, Reel 3, Narration, Takes 134-202, Post Sunk 5/2/88 |
SFC Audio Open Reel FT-20193/676 |
Jason Robards narration, tape 4 of 41/4" Open Reel 10" PolyesterSide of Box: Narr, Jason Robards; Back of Box: Thomas Hart Benton, Reel 4, Narration, Takes 203-268, Post Sunk, 5/2/88 |
SFC Audio Open Reel FT-20193/677 |
Jason Robards narration, Second Narration, tape 1 of 21/4" Open Reel 10" PolyesterSide of Box: T.H. Benton, Narr, Robards 2, TK 1-79, SR 97; Back of Box: May 20 1988, R-5, Takes 1-79, Thomas Hart Benton |
SFC Audio Open Reel FT-20193/678 |
Jason Robards narration, Second Narration, tape 2 of 21/4" Open Reel 10" PolyesterSide of Box: T.H. Benton, Narr, Robards 2, TK 79-190, SR 98; Back of Box: May 20 1988, R-6, Takes 79-2, Thomas Hart Benton |
SFC Audio Open Reel FT-20193/679 |
Scratch Track1/4" Open Reel 7" PolyesterFront of Box: Benton, Scratch Track, 11/24/87, 76 |
SFC Audio Open Reel FT-20193/680 |
Bill scratch narration1/4" Open Reel 7" PolyesterFront of Box: 1-11, Scratch, Bill |
SFC Audio Open Reel FT-20193/681 |
Ken Burns scratch narration1/4" Open Reel 7" PolyesterFront of Box: Thomas Hart Benton, Ken Burns, Scratch Narration |
SFC Audio Open Reel FT-20193/682 |
Ken Burns scratch narration, supplemental1/4" Open Reel 7" PolyesterFront of Box: Nov 9 1987, THB, Supplemental, Scratch Narration, Ken, #72 |
SFC Audio Open Reel FT-20193/683 |
Paul Roebling scratch narration1/4" Open Reel 7" PolyesterBack of Box: Thomas Hart Benton, Scratch, Paul Roebling, 4/14/88 |
SFC Audio Open Reel FT-20193/684 |
Mike Wallace narration, wild sound and room tone1/4" Open Reel 7" PolyesterBack of Box: Benton, 10/13/87, SR #63, CR #118, Mike Wallace, Wild - Narration and Room Tone |
SFC Audio Open Reel FT-20193/685 |
Geoff Ward scratch narration1/4" Open Reel 7" PolyesterBack of Box: 7/15/88, Thomas Hart Benton, 3 of 3, Scratch Track, Geoff Ward, Benton |
SFC Audio Cassette FS-20193/105 |
Mike Wallace narration; Joe Wershba interview; Calvin Trillim interviewAudiocassette A-Side Tape Label: Benton, SR 63; B-Side Tape Label: Benton, SR 64 |
Film F-20193/3045 |
Dialogue, Track A, reel 1, mag16mm motion picture film 1150 feet Acetate ; MagneticSide of Box: T.H. Benton, DIA A/B, Reel 1; Leader Note: Thomas Hart Benton, Dialogue "A", Reel 1 |
Film F-20193/3046 |
Dialogue, Track B, reel 1, mag16mm motion picture film 1150 feet Acetate ; MagneticSide of Box: T.H. Benton, DIA A/B, Reel 1; Leader Note: Thomas Hart Benton, Dialogue "B", Reel 1 |
Film F-20193/3047 |
Dialogue, Track C, reel 1, mag16mm motion picture film 1150 feet Acetate ; MagneticSide of Box: T.H. Benton, DIA C, Track 1; Leader Note: T.H. Benton, DIA "C", Reel 1 |
Film F-20193/3048 |
Dialogue, Track A, reel 2, mag16mm motion picture film 1100 feet Acetate ; MagneticSide of Box: T.H. Benton, DIA A+B, Reel 2; Leader Note: T.H. Benton, DIA A, Reel 2 |
Film F-20193/3049 |
Dialogue, Track B, reel 2, mag16mm motion picture film 1100 feet Acetate ; MagneticSide of Box: T.H. Benton, DIA A+B, Reel 2; Leader Note: T.H. Benton, DIA B, Reel 2 |
Film F-20193/3050 |
Dialogue, Track C, reel 2, mag16mm motion picture film 1125 feet Acetate ; MagneticSide of Box: T.H. Benton, DIA C, Reel 1; Leader Note: T.H. Benton, DIA C, Reel 2 |
Film F-20193/3051 |
Dialogue, Track A, reel 3, mag16mm motion picture film 1000 feet Acetate ; MagneticSide of Box: T.H. Benton, DIA A/B, Reel 3; Leader Note: T.H. Benton, DIA A, Reel 3 |
Film F-20193/3052 |
Dialogue, Track B, reel 3, mag16mm motion picture film 1000 feet Acetate ; MagneticSide of Box: T.H. Benton, DIA A/B, Reel 3; Leader Note: T.H. Benton, DIA B, Reel 3 |
Film F-20193/3053 |
Dialogue, Track C, reel 3, mag16mm motion picture film 1000 feet Acetate ; MagneticSide of Box: TH Benton, DIA C + X, Reel 3; Leader Note: Thomas Hart Benton, Reel 3, DIA C |
Film F-20193/3054 |
Final Mix, reel 1, mag16mm motion picture film 1100 feet Polyester ; MagneticSide of Box: Benton, Reel 1, Final Mix; Leader Note: TH Benton, Final Mix, 16mm Safety, Reel 1 |
Film F-20193/3055 |
Final Mix, reel 2, mag16mm motion picture film 1100 feet Polyester ; MagneticSide of Box: Benton, Reel 2, Final Mix; Leader Note: TH Benton, Final Mix, 16mm Safety, Reel 2 |
Film F-20193/3056 |
Final Mix, reel 3, mag16mm motion picture film 1100 feet Polyester ; MagneticSide of Box: Benton, Reel 3, Final Mix; Leader Note: TH Benton, Final Mix, 16mm Safety, Reel 3 |
Film F-20193/3057 |
Music, Track A, reel 1, mag16mm motion picture film 1125 feet Acetate ; MagneticSide of Box: T.H. Benton, MUS A/B, Reel No. 1; Leader Note: T.H. Benton, Reel 1, Mus "A" |
Film F-20193/3058 |
Music, Track B, reel 1, mag16mm motion picture film 1125 feet Acetate ; MagneticSide of Box: T.H. Benton, MUS A/B, Reel No. 1; Leader Note: T.H. Benton, Reel 1, Mus "B" |
Film F-20193/3059 |
Narration, Track A, reel 1, mag16mm motion picture film 1150 feet Acetate ; MagneticSide of Box: T.H. Benton, NARR, A/B, Reel 1; Leader Note: T.H. Benton, NARR "A", Reel 1 |
Film F-20193/3060 |
Narration, Track B, reel 1, mag16mm motion picture film 1150 feet Acetate ; MagneticSide of Box: T.H. Benton, NARR, A/B, Reel 1 |
Film F-20193/3061 |
Narration, Track A, reel 2, mag16mm motion picture film 1100 feet Acetate ; MagneticSide of Box: T.H. Benton, NARR A/B, Reel 2; Leader Note: Thomas Hart Benton, Florentine Films, Reel 2, NARR A |
Film F-20193/3062 |
Narration, Track B, reel 2, mag16mm motion picture film 1100 feet Acetate ; MagneticSide of Box: T.H. Benton, NARR A/B, Reel 2; Leader Note: Thomas Hart Benton, Florentine Films, Reel 2, NARR B |
Film F-20193/3063 |
Narration, Track C, reel 2, mag16mm motion picture film 1100 feet Acetate ; MagneticSide of Box: Thomas H. Benton, NARR C, Reel 2; Leader Note: Thomas Hart Benton, Reel 2, NARR C |
Film F-20193/3064 |
Narration, Track A, reel 3, mag16mm motion picture film 1000 feet Acetate ; MagneticSide of Box: Thomas Hart Benton, NARR A, Reel 3; Leader Note: T.H. Benton, Reel 3, NARR |
Film F-20193/3065 |
Rough Cut, Track A, reel 1, optical track16mm motion picture film 800 feet Polyester ; BW ; OpticalSide of Box: Reel 1, Rough Cut, TRK A&B; Leader Note: THB, Rough Cut, TRK A, R-1 |
Film F-20193/3066 |
Rough Cut, Track B, reel 1, optical track16mm motion picture film 800 feet Polyester ; BW ; OpticalSide of Box: Reel 1, Rough Cut, TRK A&B; Leader Note: THB, Rough Cut, TRK B, R-1 |
Film F-20193/3067 |
Rough Cut, Track C, reel 1, optical track16mm motion picture film 1100 feet Polyester ; BW ; OpticalSide of Box: Reel 1, THB, Rough Cut, TRK C, Scratch Mix, WK 0000; Leader Note: Rough Cut, R-1, TRK C |
Film F-20193/3068 |
Rough Cut, Track A, reel 2, optical track16mm motion picture film 600 feet Polyester ; BW ; OpticalSide of Box: Reel 2, THB, Rough Cut, TRK A&B; Leader Note: THB, Rough Cut, R-2, TRK A |
Film F-20193/3069 |
Rough Cut, Track B, reel 2, optical track16mm motion picture film 1000 feet Polyester ; BW ; OpticalSide of Box: Reel 2, THB, Rough Cut, TRK A&B; Leader Note: THB, Rough Cut, R-2, TRK B |
Film F-20193/3070 |
Rough Cut, Track C, reel 3, optical track16mm motion picture film 1000 feet Polyester ; BW ; OpticalSide of Box: Reel 3, THB, Rough Cut, C+D, Scratch Mix, WK 6000; Leader Note: THB, Rough Cut, R-3, TRK C |
Film F-20193/3071 |
Rough Cut, Track D, reel 3, optical track16mm motion picture film 950 feet Polyester ; BW ; OpticalSide of Box: Reel 3, THB, Rough Cut, C+D, Scratch Mix, WK 6000; Leader Note: THB, Rough Cut, R-3, TRK D |
Film F-20193/3072 |
Scratch Mix, reel 1, mag16mm motion picture film 1100 feet Acetate ; MagneticSide of Box: Reel 1, THB, Rough Cut, TRK C, Scratch Mix, WK 0000; Leader Note: Thomas Hart Benton, Scratch Mix, WK 0000-2708, TRK, R-1 |
Film F-20193/3073 |
Scratch Mix, reel 1, mag16mm motion picture film 1050 feet Polyester ; MagneticSide of Box: Scratch Mix, T.H. Benton, Reel 1; Leader Note: THB, Sound Roll 1 of 3, Xfer |
Film F-20193/3074 |
Scratch Mix, reel 2, mag16mm motion picture film 850 feet Acetate ; MagneticSide of Box: Reel 2, THB, Rough Cut, TRK C + Scratch Mix, WK 3000; Leader Note: Thomas Hart Benton, WK3000-5630, TRK, Scratch Mix, R-2 |
Film F-20193/3075 |
Scratch Mix, reel 2, mag16mm motion picture film 1050 feet Polyester ; MagneticSide of Box: TH Benton, X, Reel 2; Leader Note: T.H. Benton, Scratch Mix, Reel 2 |
Film F-20193/3076 |
Scratch Mix, reel 2, X Roll, mag16mm motion picture film 1000 feet Polyester ; MagneticSide of Box: TH Benton, X, Reel 2; Leader Note: Thomas Hart Benton, Reel 2, Scratch, X |
Film F-20193/3077 |
Scratch Mix, reel 2, trims, mag16mm motion picture film Acetate ; MagneticSide of Box: Reel 2, THB, Rough Cut, TRK C + Scratch Mix, WK 3000 |
Film F-20193/3078 |
Scratch Mix, reel 3, mag16mm motion picture film 950 feet Polyester ; MagneticSide of Box: Scratch Mix, T.H. Benton, Reel 3; Leader Note: T.H. Benton, Scratch Mix, Reel 3 |
Film F-20193/3079 |
Scratch Mix Outtakes, mag16mm motion picture film Acetate ; MagneticSide of Box: WK 0000, WK 3000, WK 6000, THB - Scratch Mix, 3004 |
Film F-20193/3080 |
X, reel 1, mag16mm motion picture film 1050 feet Acetate ; MagneticSide of Box: T.H. Benton, X, Reel 1; Leader Note: "X", Reel 1, Thomas Hart Benton |
Film F-20193/3081 |
X, reel 3, mag16mm motion picture film 1000 feet Acetate ; MagneticSide of Box: TH Benton, DIA C + X, Reel 3; Leader Note: Thomas Hart Benton, "X", Reel 3 |
Film F-20193/3082 |
Artwork: American Life Exteriors, pix 116mm motion picture film 800 feet Polyester ; Color ; SilentSide of Box: A0000, THB, MOS, Art, WW1, American Life Exteriors, 100; Leader Note: Box 100, Code A0000, Art - Am. Life Ext., MOS, Pix |
Film F-20193/3083 |
Artwork: American Life Exteriors, pix 216mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: A0000, THB, MOS, Art, WW1, American Life Exteriors, 100; Leader Note: Box 100, Am. Life Ext., X |
Film F-20193/3084 |
Artwork: American Life Exteriors, Indiana Bandstand, pix16mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: A0000, THB, MOS, Art, WW1, American Life Exteriors, 100; Leader Note: THB, AM Life Ext, Indiana Bandstand, N3656-3700, MOS |
Film F-20193/3085 |
Artwork: American Life Interior, pix 116mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: A 5000, THB, MOS, Art, Amer. Life Int., 101; Leader Note: Box 101, THB, Code A 5000, Box 101, Amer. Life Int., Art, MOS |
Film F-20193/3086 |
Artwork: American Life Interior, pix 216mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: A 5000, THB, MOS, Art, Amer. Life Int., 101; Leader Note: Box 101, X, Am. Life Int. |
Film F-20193/3087 |
Artwork: American Life Interior, pix 316mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: A 5000, THB, MOS, Art, Amer. Life Int., 101; Leader Note: Box 101, THB, Indiana - Minstrels, Am. Life Int., N3701-3740, MOS |
Film F-20193/3088 |
Artwork: Early, pix 116mm motion picture film 325 feet Polyester ; Color ; SilentSide of Box: B0000, THB, MOS, Art, Early, 102; Leader Note: THB, Early, Box 102, Art, B0000-1068, MOS |
Film F-20193/3089 |
Artwork: Early, pix 216mm motion picture film 50 feet Acetate ; Color ; SilentSide of Box: B0000, THB, MOS, Art, Early, 102; Leader Note: Box 102, Early - X |
Film F-20193/3090 |
Artwork: Family Portraits, pix 116mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: C 0000, THB, MOS, Art, Portraits, Family Portraits, Self Portraits, 104; Leader Note: THB, Family Portrait, Art, C0982-1582, MOS |
Film F-20193/3091 |
Artwork: Miscellaneous Nudes, pix16mm motion picture film 125 feet Acetate ; Color ; SilentSide of Box: B2000, THB, MOS, Art, Still Lifes and Misc, New York, Other Artists, Ozarks, 103; Leader Note: Box 103, THB, Misc Nudes, Art, B2000 |
Film F-20193/3092 |
Artwork: New York, pix16mm motion picture film 125 feet Acetate ; Color ; SilentSide of Box: B2000, THB, MOS, Art, Still Lifes and Misc, New York, Other Artists, Ozarks, 103; Leader Note: Box 103, THB, New York, Art, B2289-2650 |
Film F-20193/3093 |
Artwork: Other Artists, pix16mm motion picture film 150 feet Acetate ; Color ; SilentSide of Box: B2000, THB, MOS, Art, Still Lifes and Misc, New York, Other Artists, Ozarks, 103; Leader Note: Box 103, THB, Other Artists, Art, B2652-3048, MOS |
Film F-20193/3094 |
Artwork: Ozarks, pix16mm motion picture film 100 feet Acetate ; Color ; SilentSide of Box: B2000, THB, MOS, Art, Still Lifes and Misc, New York, Other Artists, Ozarks, 103; Leader Note: THB, Ozarks, Art, B3049-3352, MOS |
Film F-20193/3095 |
Artwork: Persephone, pix16mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: C 5000, THB, MOS, Art, Themes, Persephone, 105; Leader Note: THB, Persephone, Box 105, Art, C 6076-6826, MOS |
Film F-20193/3096 |
Artwork: Portraits, pix 116mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: C 0000, THB, MOS, Art, Portraits, Family Portraits, Self Portraits, 104; Leader Note: Code C0000-0981, Portraits, Art, Box 104, MOS |
Film F-20193/3097 |
Artwork: Portraits, pix 216mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: C 0000, THB, MOS, Art, Portraits, Family Portraits, Self Portraits, 104; Leader Note: Box 104, Portraits, X |
Film F-20193/3098 |
Artwork: Self Portraits, pix 116mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: C 0000, THB, MOS, Art, Portraits, Family Portraits, Self Portraits, 104; Leader Note: Box 104, Portraits-Self, Art, C1583-2199, MOS |
Film F-20193/3099 |
Artwork: Self Portraits, pix 216mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: C 0000, THB, MOS, Art, Portraits, Family Portraits, Self Portraits, 104; Leader Note: Box 104, Self Portraits, X |
Film F-20193/3100 |
Artwork: Self Portraits, pix 316mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: C 0000, THB, MOS, Art, Portraits, Family Portraits, Self Portraits, 104; Leader Note: THB, Box 104, Y-Roll, Self Portrait, Pix |
Film F-20193/3101 |
Artwork: Themes, pix16mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: C 5000, THB, MOS, Art, Themes, Persephone, 105; Leader Note: Box 105, Code C5000-6075, Themes, Art, MOS |
Film F-20193/3102 |
Artwork: Vineyard, pix 116mm motion picture film 350 feet Polyester ; Color ; SilentSide of Box: C6828, THB, MOS, Art, Vineyard, 106; Leader Note: Box 106, THB, Vineyard, Art, C6828-7798, MOS |
Film F-20193/3103 |
Artwork: Vineyard, pix 216mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: C6828, THB, MOS, Art, Vineyard, 106; Leader Note: Box 106, X, Vineyard |
Film F-20193/3104 |
Artwork: WWI, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: A0000, THB, MOS, Art, WW1, American Life Exteriors, 100; Leader Note: WW1, Box 100, Art, A-2505 - A-2679, MOS |
Film F-20193/3105 |
Benton Crawl, Reshoot, negative, pix16mm motion picture film 25 feet Acetate ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 6-7; Note on Slate: Benton Crawl, Reshoot, 6-8-88; Note Attached to Reel: IS 903 0224-0390 |
Film F-20193/3106 |
Benton House, pix; Truman Library, pix; Benton Trust, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Constable Family Archives, Truman Library, Benton Trust, Independence Mural, Cam Roll #21 22 23 24, MOS; Leader Note: Views - Benton House, Truman Lib., Benton Trust, MOS, Roll #23 24, THB, Pic |
Film F-20193/3107 |
Craven Collection, pix16mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: THB - Craven Collection, Outs, Cam #55; Leader Note: Craven Collection, MOS, Cam #55, THB, Pic |
Film F-20193/3108 |
End Titles, negative, pix16mm motion picture film 100 feet Acetate ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 162; Note on Slate: Benton End Titles; Note Attached to Reel: CR 090 7925-8139 |
Film F-20193/3109 |
Equitable, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Equitable/John Callison's Collection, Cam Roll #9 10 (Incomplete), 13 (MOS); Leader Note: Equitable, MOS, Roll #9 10, THB, Pic |
Film F-20193/3110 |
Frameshop, pix 116mm motion picture film Polyester ; Color ; SilentSide of Box: THB, Views, Buffalo River, Martha's Vineyard - 112 113, Frameshop 114, Jeff City Hodges 100-103 105 106, Cam # 104 105 106 (MOS); Leader Note: CR 114 |
Film F-20193/3111 |
Frameshop, pix 216mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: Outs, Y Coded MOS, CR 150 151 152; Leader Note: TH Benton, Frameshop, CR 150 151 |
Film F-20193/3112 |
Frameshop, pix 316mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Outs, Y Coded MOS, CR 150 151 152; Leader Note: TH Benton, Frameshop, CR 152, Code Y0300 |
Film F-20193/3113 |
Frameshop, pix 416mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Outs, Y Coded MOS, CR 150 151 152; Leader Note: TH Benton, Frameshop, CR 153-4, Code Y0700 |
Film F-20193/3114 |
Independence Mural, pix; Truman Library, pix; Benton Trust, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Constable Family Archives, Truman Library, Benton Trust, Independence Mural, Cam Roll #21 22 23 24, MOS; Leader Note: Independence Mural, Constable Family Archives, Truman Library, MOS, Roll #21 22, THB, Pic |
Film F-20193/3115 |
John Callison's Collection, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Equitable/John Callison's Collection, Cam Roll #9 10 (Incomplete), 13 (MOS); Leader Note: John Callison's Collection, MOS, Roll #13, THB, Pic |
Film F-20193/3116 |
Ken's January 1988 shoot, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: Outs, CR #128-134, Ken's Jan '88 Shoot |
Film F-20193/3117 |
Lower Thirds, Burn In, pix35mm motion picture film 150 feet Polyester ; BW ; SilentLeader Note: BI, T.H. Benton |
Film F-20193/3118 |
Lower Thirds, negative, pix 135mm motion picture film 150 feet Polyester ; BW ; SilentLeader Note: T.H. Benton, Shadow |
Film F-20193/3119 |
Lower Thirds, negative, pix 235mm motion picture film 50 feet Polyester ; BW ; SilentLeader Note: H.C. Neg, 6/7, T.H. Benton |
Film F-20193/3120 |
Lower Thirds, 22 June 1988, negative, pix35mm motion picture film 150 feet Polyester ; BW ; SilentLeader Note: Shad/Off, 6/23/88, TH Benton |
Film F-20193/3121 |
Lower Thirds, reshoot, 17 June 1988, negative, pix35mm motion picture film 50 feet Polyester ; BW ; SilentLeader Note: H.C., 6/17/88, T.H. Benton; Note Attached to Reel: H.C. Neg, 6/24, Rev. |
Film F-20193/3122 |
Murals: Am. Hist. Epic, pix16mm motion picture film 175 feet Polyester ; Color ; SilentSide of Box: N 0030-1413 2037-2798 3027-3376 3278-3540 3740-4232, THB, Mural, MOS, Indiana Details, Indiana Gallery, Am. Hist. Epic, 122; Leader Note: Box 122, AM. Hist. Epic, Mural, N3740-4232, MOS |
Film F-20193/3123 |
Murals: America Today, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: D0000, D3000, THB, MOS, Murals, America Today (Fades and Studies), America Today (Static), 107; Leader Note: Box 107, X, Am. Today |
Film F-20193/3124 |
Murals: America Today, Static, pix16mm motion picture film 450 feet Polyester ; Color ; SilentSide of Box: D0000, D3000, THB, MOS, Murals, America Today (Fades and Studies), America Today (Static), 107; Leader Note: Box 107, THB, Static, America Today, D3000-4242, MOS |
Film F-20193/3125 |
Murals: America Today, Fades and Studies, pix16mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: D0000, D3000, THB, MOS, Murals, America Today (Fades and Studies), America Today (Static), 107; Leader Note: Box 107, THB, Am. Today, Fades and Studies, Murals, D0000-1592, MOS |
Film F-20193/3126 |
Murals: Arts of America, pix 116mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: D 5000, THB, MOS, Murals, Arts of America, Country Music, Independence, X-Joplin, 108; Leader Note: Box 108, D5000-5307, Arts of Am., Murals, MOS |
Film F-20193/3127 |
Murals: Arts of America, pix 216mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: D 5000, THB, MOS, Murals, Arts of America, Country Music, Independence, X-Joplin, 108; Leader Note: Box 108, Arts of America, X |
Film F-20193/3128 |
Murals: Country Music, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: D 5000, THB, MOS, Murals, Arts of America, Country Music, Independence, X-Joplin, 108; Leader Note: Box 108, THB, Country Music, Murals, |
Film F-20193/3129 |
Murals: Independence, pix16mm motion picture film 700 feet Polyester ; Color ; SilentSide of Box: D 5000, THB, MOS, Murals, Arts of America, Country Music, Independence, X-Joplin, 108; Leader Note: Box 108, THB, Independence, Murals, D5355-7313, MOS |
Film F-20193/3130 |
Murals: Indiana, Details, pix16mm motion picture film 800 feet Polyester ; Color ; SilentSide of Box: N 0030-1413 2037-2798 3027-3376 3278-3540 3740-4232, THB, Mural, MOS, Indiana Details, Indiana Gallery, Am. Hist. Epic, 122; Leader Note: THB, Indiana - Details, Mural, N0030-1413 2037-2303 2364-2798 3027-3276, Box 122 |
Film F-20193/3131 |
Murals: Indiana Gallery, pix16mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: N 0030-1413 2037-2798 3027-3376 3278-3540 3740-4232, THB, Mural, MOS, Indiana Details, Indiana Gallery, Am. Hist. Epic, 122; Leader Note: THB, Indiana Gallery, Mural, N2303-2364, N3278-3548, MOS |
Film F-20193/3132 |
Murals: Jefferson City, pix16mm motion picture film 700 feet Polyester ; Color ; SilentSide of Box: E 0000, THB MOS, Murals, Jefferson City, Crane Shots, 109A; Leader Note: 109 B, Crane Shots, Code E0000, Murals - Jefferson City, MOS, Pix |
Film F-20193/3133 |
Murals: Jefferson City, Details, pix 116mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: E 1971-E3000, THB, MOS, Murals, Jeff City, Details, 109B; Leader Note: Box 109A, THB, Jeff City - Details, Murals, E1971-2306, MOS |
Film F-20193/3134 |
Murals: Jefferson City, Details, pix 216mm motion picture film 725 feet Polyester ; Color ; SilentSide of Box: E 1971-E3000, THB, MOS, Murals, Jeff City, Details, 109B; Leader Note: THB, Detail, Jeff City, Murals, Code E 3000, MOS |
Film F-20193/3135 |
Murals: Jefferson City Mural Crane Shots, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Jeff. City Mural Crane Shots, Cam Roll #27 28 29 (MOS); Leader Note: Jeff City Mural Crane Shots, MOS, Roll #28 29, THB, Pic |
Film F-20193/3136 |
Murals: Power Auth., pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: F 0000, THB, MOS, Murals, Power Auth., Year of Peril, 110; Leader Note: Box 110, THB, Power Auth., Murals, F 0000-0360, MOS |
Film F-20193/3137 |
Murals: Year of Peril, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: F 0000, THB, MOS, Murals, Power Auth., Year of Peril, 110; Leader Note: Box 110, THB, Year of Peril, Murals, F0365-0872, MOS |
Film F-20193/3138 |
Nelson-Atkins, pix 116mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: THB - Nelson-Atkins, Cam Roll #16 17 18, MOS; Leader Note: Nelson-Atkins, MOS, Roll #16 17, THB, Pic |
Film F-20193/3139 |
Nelson-Atkins, pix 216mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: THB - Nelson-Atkins, Cam Roll #16 17 18, MOS; Leader Note: Nelson-Atkins, MOS, Roll #18, THB, Pic |
Film F-20193/3140 |
Photos: Ancestral, pix 116mm motion picture film 175 feet Polyester ; Color ; SilentSide of Box: G 0000, THB, MOS, Photos, Family Ancestral, Family Groups, Piacenza, 111; Leader Note: THB, Box 111, Ancestral, Photos, G0000-0543, MOS |
Film F-20193/3141 |
Photos: Ancestral, pix 216mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: G 0000, THB, MOS, Photos, Family Ancestral, Family Groups, Piacenza, 111; Leader Note: Box 111, Ancestral, X |
Film F-20193/3142 |
Photos: Family Groups, pix 116mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: G 0000, THB, MOS, Photos, Family Ancestral, Family Groups, Piacenza, 111; Leader Note: Box 111, THB, Family Groups, Photos, G0934-2381, MOS |
Film F-20193/3143 |
Photos: Family Groups, pix 216mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: G 0000, THB, MOS, Photos, Family Ancestral, Family Groups, Piacenza, 111; Leader Note: Box 111, Family Groups, X |
Film F-20193/3144 |
Photos: Friends, pix 116mm motion picture film 325 feet Polyester ; Color ; SilentSide of Box: G 5000, HH 3690 3747, THB, MOS, Photos, Friends, P.R., 112; Leader Note: Box 112, THB, Friends, Photos, G 5000-5907, MOS |
Film F-20193/3145 |
Photos: Friends, pix 216mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: G 5000, HH 3690 3747, THB, MOS, Photos, Friends, P.R., 112; Leader Note: Box #2, Friends, X |
Film F-20193/3146 |
Photos: In Studio, pix 116mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: H0000, THB, MOS, Photos, Tom Photos, Sketching, Studio, Alone, 113; Leader Note: Box 113, THB, In Studio, Photos, H0456-0845, MOS |
Film F-20193/3147 |
Photos: In Studio, pix 216mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: H0000, THB, MOS, Photos, Tom Photos, Sketching, Studio, Alone, 113; Leader Note: Box 113, THB, In Studio, X |
Film F-20193/3148 |
Photos: Piacenzia, pix 116mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: G 0000, THB, MOS, Photos, Family Ancestral, Family Groups, Piacenza, 111; Leader Note: Box 111, Piacenzia, Photos, G0547-0933, MOS |
Film F-20193/3149 |
Photos: Piacenzia, pix 216mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: G 0000, THB, MOS, Photos, Family Ancestral, Family Groups, Piacenza, 111; Leader Note: Box 111, Piacenzia, X |
Film F-20193/3150 |
Photos: P.R., pix 116mm motion picture film 325 feet Polyester ; Color ; SilentSide of Box: G 5000, HH 3690 3747, THB, MOS, Photos, Friends, P.R., 112; Leader Note: Box 112, THB, P.R., Photos, G5908-6958 |
Film F-20193/3151 |
Photos: P.R., pix 216mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: G 5000, HH 3690 3747, THB, MOS, Photos, Friends, P.R., 112; Leader Note: Box #2, P.R., X |
Film F-20193/3152 |
Photos: Sketching, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: H0000, THB, MOS, Photos, Tom Photos, Sketching, Studio, Alone, 113; Leader Note: Box 113, THB, Sketching, Photos, H0000-0454, MOS |
Film F-20193/3153 |
Photos: Students, pix 116mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: M 0000, THB, MOS, Photos, Students, 119; Leader Note: THB, Box 119, Photos, Code M0000, Students, MOS |
Film F-20193/3154 |
Photos: Students, pix 216mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: M 0000, THB, MOS, Photos, Students, 119; Leader Note: Box 119, Students, X |
Film F-20193/3155 |
Photos: Tom Alone, pix 116mm motion picture film 350 feet Polyester ; Color ; SilentSide of Box: H0000, THB, MOS, Photos, Tom Photos, Sketching, Studio, Alone, 113; Leader Note: Box 113, THB, Tom Alone, Photos, H0846-2010, MOS |
Film F-20193/3156 |
Photos: Tom Alone, pix 216mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: H0000, THB, MOS, Photos, Tom Photos, Sketching, Studio, Alone, 113; Leader Note: Box 113, THB, Y Roll, Tom Alone, Pix |
Film F-20193/3157 |
Photos: Tom Alone, pix 316mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: H0000, THB, MOS, Photos, Tom Photos, Sketching, Studio, Alone, 113; Leader Note: Box 113, Tom Alone, X |
Film F-20193/3158 |
Photos: Young Tom, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: Thomas Hart Benton, CR 165, Young Tom Photo for Frameshop, Late June 88; Leader Note: Young Tom, CR 165, Reshoot Family Pix |
Film F-20193/3159 |
Piacenza Archives Collection, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: THB - Piacenza/Scott Archives Collection, Cam #66 67 71, MOS; Leader Note: Outs, THB - Piacenza Archives/Collection, MOS, Cam #66 67, THB, Pic |
Film F-20193/3160 |
Press, pix 116mm motion picture film 250 feet Polyester ; Color ; SilentSide of Box: K0000, THB, MOS 1987, Vineyard 1987, Press, 117; Leader Note: Box 117, K0000-1303, Vineyard '87, MOS |
Film F-20193/3161 |
Press, pix 216mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: K0000, THB, MOS 1987, Vineyard 1987, Press, 117; Leader Note: Box 117, Press, X |
Film F-20193/3162 |
Scott Archives, pix16mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: THB - Piacenza/Scott Archives Collection, Cam #66 67 71, MOS; Leader Note: MOS, Cam #71, Scott Archives, THB, Pic |
Film F-20193/3163 |
Titles, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: Code - X, Code - Y, Un-Coded, THB - Titles, 200; Front of Box: X 1046-1182 (Head #), X 5741-5960, X 6000-6242, X 7823-7885 (Head #), X 9297-9395, Y 0332-0474, Uncoded - Introductory Notes, C/Y 892 9512-9660, CR:155 |
Film F-20193/3164 |
Titles, negative, pix16mm motion picture film 125 feet Acetate ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 8-9; Leader Note: 12, Benton, 6/7 Titles; Note Attached to Reel: IS 902 9880-903 0048 |
Film F-20193/3165 |
Transparencies, pix 116mm motion picture film 750 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Transparencies, Cam Roll #40 41 42, MOS; Leader Note: Transparencies, MOS, Roll #40 41, THB, Pic |
Film F-20193/3166 |
Transparencies, pix 216mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Transparencies, Cam Roll #40 41 42, MOS; Leader Note: Transparencies, MOS, Roll #42, THB, Pic |
Film F-20193/3167 |
Transparencies, pix 316mm motion picture film 375 feet Polyester ; Color ; SilentSide of Box: Outs - Transparencies, Cam Roll #43; Leader Note: Transparencies, MOS, Roll #43, THB, Pic |
Film F-20193/3168 |
Transparencies: Frameshop, pix 116mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: Outs - Transpares - Frameshop, Cam #44 45 46, MOS; Leader Note: Transparencies, MOS, Cam Roll #44, THB, Pic |
Film F-20193/3169 |
Transparencies: Frameshop, pix 216mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Outs - Transpares - Frameshop, Cam #44 45 46, MOS; Leader Note: CR 44 |
Film F-20193/3170 |
Transparencies: Frameshop, pix 316mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: Outs - Transpares - Frameshop, Cam #44 45 46, MOS; Leader Note: Transparencies - Frameshop, MOS, Cam #45 46, THB, Pic |
Film F-20193/3171 |
Transparencies: Frameshop, pix 416mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Transpares Frameshop, Cam #47 48 49, MOS; Leader Note: Transparencies - Frameshop, MOS, Cam #47, THB, Pic |
Film F-20193/3172 |
Transparencies: Frameshop, pix 516mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: Outs - Transpares - Frameshop, Cam #50 51 52; Leader Note: Transpares - Frameshop, (MOS), Cam #50 51, THB, Pic |
Film F-20193/3173 |
Transparencies: Frameshop, pix 616mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: Outs - Transpares - Frameshop, Cam #50 51 52; Leader Note: Transpares - Frameshop, (MOS), Cam #52, THB, Pic |
Film F-20193/3174 |
Transparencies: Frameshop, pix 716mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Transpares Frameshop, Cam #85 MOS, 86 87 72 107 108; Leader Note: Cam #72, Transparencies - Frameshop, MOS, THB, Pic |
Film F-20193/3175 |
Transparencies: Frameshop, pix 816mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Outs, THB - Transpares Frameshop, Cam #85 MOS, 86 87 72 107 108; Leader Note: Cam #85, Transparencies - Frameshop, MOS, THB, Pic |
Film F-20193/3176 |
Transparencies: Frameshop, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: Outs, THB - Transpares Frameshop, Cam #85 MOS, 86 87 72 107 108 |
Film F-20193/3177 |
Workprint, reel 1, pix16mm motion picture film 1100 feet Acetate ; Color ; SilentSide of Box: T.H. Benton, Work Pix + Dupe, Reel 1; Leader Note: THB, Rough Cut, R-1 |
Film F-20193/3178 |
Workprint, reel 1, Dupe, pix16mm motion picture film 1100 feet Acetate ; Color ; SilentSide of Box: Benton, Dupe Pix, R1 and R2; Leader Note: T.H. Benton, Dupe Pix, Reel 1 |
Film F-20193/3179 |
Workprint, reel 2, pix16mm motion picture film 1025 feet Polyester ; Color ; SilentSide of Box: T.H. Benton, Work Pix + Dupe, Reel 2; Leader Note: THB, Rough Cut, R-2, Pix |
Film F-20193/3180 |
Workprint, reel 2, Dupe, pix16mm motion picture film 1100 feet Acetate ; Color ; SilentSide of Box: Benton, Dupe Pix, R1 and R2; Leader Note: T.H. Benton, Dupe Pix, Reel 2 |
Film F-20193/3181 |
Workprint, reel 3, pix16mm motion picture film 1000 feet Polyester ; Color ; SilentSide of Box: T.H. Benton, Work Pix + Dupe, Reel 3; Leader Note: T.H. Benton, Work Pix, Reel 3 |
Film F-20193/3182 |
Workprint, reel 3, Dupe, pix16mm motion picture film 1000 feet Acetate ; Color ; SilentSide of Box: R-3, THB, Dupe; Leader Note: T.H. Benton, Reel 3, Dupe, Pix |
Film F-20193/3183 |
Workprint: Extensions and Mock Ups, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: TH Benton, Super Workprint + Extensions + Mock Ups |
Film F-20193/3184 |
Camera Roll 1, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3185 |
Camera Rolls 1-3, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3186 |
Camera Roll 2, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3187 |
Camera Roll 3, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3188 |
Camera Rolls 4-5, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3189 |
Camera Roll 6, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3190 |
Camera Rolls 6-14, negative, pix16mm motion picture film 425 feet Acetate ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 37; Head Leader Note: 273806, EFX 14552, R-1, 6/3/88, OCN 6-14, TH Benton; Tail Leader Note: Rolls 88 89 90; Note Attached to Reel: C 193 3874-4660, J1 83 022-149 |
Film F-20193/3191 |
Camera Roll 7, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3192 |
Camera Rolls 8-9, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3193 |
Camera Rolls 10-12, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3194 |
Camera Rolls 13-14, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3195 |
Camera Rolls 15-18, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3196 |
Camera Rolls 20-22, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3197 |
Camera Rolls 24-26, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3198 |
Camera Rolls 27-30, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3199 |
Camera Rolls 32-36, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3200 |
Camera Rolls 38-39, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3201 |
Camera Rolls 40-42, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3202 |
Camera Rolls 44-46, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3203 |
Camera Rolls 47-49, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3204 |
Camera Rolls 50-52, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3205 |
Camera Rolls 53-56, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3206 |
Camera Rolls 59-61, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3207 |
Camera Rolls 62-65, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3208 |
Camera Rolls 66-67, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3209 |
Camera Rolls 70-72, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3210 |
Camera Rolls 75-78, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3211 |
Camera Rolls 79-82, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3212 |
Camera Rolls 83-86, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3213 |
Camera Rolls 87-89, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3214 |
Camera Rolls 90-92, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3215 |
Camera Rolls 93-95, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3216 |
Camera Rolls 96-98, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3217 |
Camera Rolls 99-101, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3218 |
Camera Rolls 102-103, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3219 |
Camera Roll 104, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3220 |
Camera Rolls 105-106, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3221 |
Camera Rolls 107-108, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3222 |
Camera Roll 114-115, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3223 |
Camera Roll 118, negative, pix16mm motion picture film 400 feet Acetate ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 105-106; Leader Note: Roll #118 119 120; Note on Slate: Intv. Mike Wallace, Reel 118; Note on Reel: IS 724 2281-3054 |
Film F-20193/3224 |
Camera Rolls 120-122, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3225 |
Camera Rolls 123-125, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3226 |
Camera Rolls 128-129, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3227 |
Camera Rolls 130-132, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3228 |
Camera Rolls 133-134, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3229 |
Camera Rolls 135-137, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3230 |
Camera Rolls 150-153, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3231 |
Camera Rolls 154-155, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3232 |
Camera Roll 158, negative, pix16mm motion picture film 100 feet Acetate ; Color ; SilentSide of Box: Benton, Roll Nos. 132-133-134; Leader Note: Roll #158; Note Attached to Reel: CY 892 9715-9868, X357 2152-2163 |
Film F-20193/3233 |
Camera Roll 162, negative, pix16mm motion picture film 150 feet Acetate ; Color ; SilentSide of Box: Benton, Roll Nos. 132-133-134; Leader Note: Roll 162; Note Attached to Reel CY 893 0078-0323 |
Film F-20193/3234 |
Camera Rolls V3-V4, negative, pix16mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3235 |
EFX Roll 1, negative, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 114; Leader Note: EFX - 1 Roll; Note Attached to Reel: J2 24 69708-69977 |
Film F-20193/3280 |
EFX #274044, negative, pix16mm motion picture film 50 feet Polyester ; Color ; SilentLeader Note: #274044, EFX, T.H. Benton, R-1 of 1, 1-Roll, 6/9/88 |
Film F-20193/3236 |
EFX #274145, negative, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 03-04; Leader Note: 274145 EFX, 1 Roll; Note Attached to Reel: J2 39 90091-90361 |
Film F-20193/3237 |
EFX #274327, negative, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 19 20 21; Leader Note: #274327, EFX, TH Benton, R-1 of 1; Note Attached to Reel: J2 24 70421-70772 |
Film F-20193/3238 |
EFX #274955, negative, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 03-04; Leader Note: 274955, EFX; Note Attached to Reel: J2 10 65000-65360 |
Film F-20193/3239 |
EFX #275350, negative, pix16mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 45-46-47; Leader Note: EFX #275350, 1-R1; Note Attached to Reel: J2 24 71049-71145 |
Film F-20193/3240 |
EFX 261649, negative, pix16mm motion picture film 150 feet Acetate ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 158; Leader Note: EFX 261649; Note Attached to Reel: J1 83 10 654-11 156 |
Film F-20193/3241 |
Flicker Test, negative, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 6-7; Leader Note: Thomas Hart Benton Flicker Test; Note Attached to Reel: J2 39 89567-89681 |
Film F-20193/3242 |
Karal, negative, pix16mm motion picture film 400 feet Acetate ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 22 23 24; Leader Note: OCN Karal; Note Attached to Reel: IQ 375 7069-7866 |
Film F-20193/3243 |
Mixed Slates, negative, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Benton, Roll Nos. 102 103 104; Note on Slate: CR 57; Note Attached to Reel: U 478 6805-7511 |
Film F-20193/3244 |
Pentacles, negative, pix16mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: Benton, Roll Nos. 118-119-120; Leader Note: Pentacle, 3 RCS, A36346; Note Attached to Reel: J2 01 77 892-952, J2 01 77 979-78 042, J2 01 78 070-134 |
Film F-20193/3245 |
Pentacle, 7/Sects Tied, negative, pix16mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: Thomas Hart Benton, Roll Nos. 105-106; Leader Note: Pentacle, Thomas Hart Benton, 7/Sects Tied, B-Wind Neg; Note on Reel: J2 39 94 960-65 022, J2 39 65 054-155, J2 39 64 678-840, J2 39 64 455-642, J2 39 64 376-421, J2 39 65 193-262, J2 39 64 877-928 |
Film F-20193/3246 |
Unnumbered Camera Rolls, negative, pix 116mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3247 |
Unnumbered Camera Rolls, negative, pix 216mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3248 |
Unnumbered Camera Rolls, negative, pix 316mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3249 |
Unnumbered Camera Rolls, negative, pix 416mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3250 |
Unnumbered Camera Rolls, negative, pix 516mm motion picture film Acetate ; Color ; Silent |
Film F-20193/3251 |
Benton Home Movies: Martha's Vineyard, pix 116mm motion picture film 800 feet Polyester ; Color ; SilentSide of Box: L 0000, Benton, Benton on M.V. (1+2) (Jessie's Home Movies), Cam #116 117, MOS; Leader Note: Box 118, T.H.B., M. Vineyard, Benton Home Movies, Code L0000, MOS |
Film F-20193/3252 |
Benton Home Movies: Martha's Vineyard, pix 216mm motion picture film 350 feet Polyester ; Color ; SilentSide of Box: L 0000, Benton, Benton on M.V. (1+2) (Jessie's Home Movies), Cam #116 117, MOS; Leader Note: Box 118, T.H.B., M. Vineyard, Benton Home Movies, Code L3000, MOS |
Film F-20193/3253 |
Colby Music, Takes 1-12, mag16mm motion picture film Acetate ; MagneticSide of Box: P0000, THB, Wild Sound, Colby Music, Takes 1-12, 1024 |
Film F-20193/3254 |
Colby Music, Takes 13-26, mag16mm motion picture film Acetate ; MagneticSide of Box: P1197, THB, Wild Sound, Takes 13-26, 1025 |
Film F-20193/3255 |
Colby Music, Takes 27-40, mag16mm motion picture film Acetate ; MagneticSide of Box: P2592, THB, Wild Sound, Wild Sound, Colby Music, Takes 27-40, 1026 |
Film F-20193/3256 |
Completed Supers, Uncoded, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: Un-Coded, Completed Supers, No. 201 |
Film F-20193/3257 |
Earl, mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: Scratch Mix, T.H. Benton, Reel 2; Leader Note: Earl |
Film F-20193/3258 |
Interpositive #3, pix35mm motion picture film 50 feet Polyester ; Color ; SilentSide of Can: T.H. Benton, IP - R#1 - R, IP #3; Leader Note: IP #3, T.H. Benton |
Film F-20193/3259 |
Interpositive, 14 June 1988, Reel 1, pix35mm motion picture film 350 feet Polyester ; Color ; SilentSide of Can: T.H. Benton, IP - R#1 - R, IP #3; Leader Note: IP - R - #1 R, T.H. Benton, Replaced IP 6/14/88 |
Film F-20193/3260 |
Interpositive, Remake, 20 June 1988, Reel 1, pix35mm motion picture film 350 feet Polyester ; Color ; SilentSide of Can: T.H. Benton, IP - Reel 1, Remake 2, 6/20/88; Leader Note: IP #1, Remake 2, TH Benton, 6/20/88 |
Film F-20193/3261 |
Interpositive, Remake, 22 June 1988, Reel 1, pix35mm motion picture film 175 feet Polyester ; Color ; SilentSide of Can: T.H. Benton, IP Remake, 6/22/88; Leader Note: IP, Reel 1, 5300 HS, T.H. Benton, 6/22/88 |
Film F-20193/3262 |
Interpositive, Remake, 22 June 1988, Reel 2, pix35mm motion picture film 200 feet Polyester ; Color ; SilentSide of Can: T.H. Benton, IP Remake, 6/22/88; Leader Note: IP, Reel 1, Remake, T.H. Benton |
Film F-20193/3263 |
Interpositive, 8 July 1988, pix35mm motion picture film 475 feet Polyester ; Color ; SilentSide of Can: T.H. Benton, Interpos, 7-8-88, Retakes; Leader Note: T.H. Benton, IP, 7-8-88 |
Film F-20193/3264 |
Interpositive, 19 July 1988, pix35mm motion picture film 300 feet Polyester ; Color ; SilentSide of Can: T.H. Benton, Karal & Murrow & IP, 7-19; Leader Note: IP, 7-19-88, T.H. Benton |
Film F-20193/3265 |
Interpositive, Reel 2, pix35mm motion picture film 400 feet Polyester ; Color ; SilentLeader Note: IP Reel 2, T.H. Benton, 2800 Start, 6/23/88 |
Film F-20193/3266 |
Jessie, Low Loop, mag16mm motion picture film 75 feet Acetate ; MagneticSide of Box: Scratch Mix, T.H. Benton, Reel 2; Leader Note: Jessie - Low Loop |
Film F-20193/3267 |
Karal and Murrow, Burn In, pix35mm motion picture film 50 feet Polyester ; BW ; SilentSide of Can: T.H. Benton, Karal & Murrow & IP, 7-19; Leader Note: BI, Karal and Murrow, T.H. Benton |
Film F-20193/3268 |
Karal and Murrow, HC negative, pix35mm motion picture film 50 feet Polyester ; BW ; SilentSide of Can: T.H. Benton, Karal & Murrow & IP, 7-19; Leader Note: HC Neg, T.H. Benton, Karal and Murrow |
Film F-20193/3269 |
Karal and Murrow Interpositive, pix35mm motion picture film 100 feet Polyester ; Color ; SilentSide of Can: T.H. Benton, Karal & Murrow & IP, 7-19; Leader Note: IP - Karal - Ed, T.H. Benton |
Film F-20193/3270 |
Karal and Murrow, Shadow, pix35mm motion picture film 50 feet Polyester ; BW ; SilentSide of Can: T.H. Benton, Karal & Murrow & IP, 7-19; Leader Note: Shad, Karal - Morrow w/ Off, T.H. Benton |
Film F-20193/3271 |
Mildred Small, Tone, mag16mm motion picture film 125 feet Acetate ; MagneticSide of Box: Scratch Mix, T.H. Benton, Reel 2; Leader Note: Mildred Small Tone |
Film F-20193/3272 |
Music, mag16mm motion picture film Acetate ; MagneticSide of Box: N0000, THB, Wild Sound, Music, 1023 |
Film F-20193/3273 |
Pulls, mag16mm motion picture film Acetate ; MagneticSide of Box: Pulls, Who Could Resist?, The Depression, Wash D.C. |
Film F-20193/3274 |
Pulls: Washington D.C.16mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: Pulls, Who Could Resist?, The Depression, Wash D.C.; Leader Note: Wash D.C. |
Film F-20193/3275 |
Pulls: "Who Could Resist Her?", pix16mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: Pulls, Who Could Resist?, The Depression, Wash D.C.; Leader Note: Who Could Resist? |
Film F-20193/3276 |
Pulls: "Who Could Resist Her?", mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: Pulls, Who Could Resist?, The Depression, Wash D.C.; Leader Note: Resis |
Film F-20193/3277 |
Santo, mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: Scratch Mix, T.H. Benton, Reel 2; Leader Note: Santo |
Film F-20193/3278 |
Supers, Final Print, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: T.H. Benton, Supers, Final Print |
Film F-20193/3279 |
X and Y Rolls, trims, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: X MOS, Trims, Y MOS |
A 90-minute history of the United States Congress with two dozen interviews, rare archival footage, and movie clips. Contains scripts, filming schedules, and logs.
Box 11-14
Box 11Box 12Box 13Box 14 |
The Congress |
Film F-20193/2273 |
Richard Bolling interview, pix 116mm motion picture film 625 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-17, Code JA 0000, 2039, Richard Bolling, CR 46 47, SR 24; Leader Note: Congress, CR 46 47, SR 24, Richard Bolling, Code JA 0000, Sync, R-17 |
Film F-20193/2274 |
Richard Bolling interview, mag 116mm motion picture film 625 feet Acetate ; MagneticSide of Box: Congress, Sync, R-17, Code JA 0000, 2039, Richard Bolling, CR 46 47, SR 24; Leader Note: Congress, CR 46 47, SR 24, Richard Bolling, Code JA 0000, Sync, R-17 |
Film F-20193/2275 |
Richard Bolling interview, pix 216mm motion picture film 350 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-18, Code JA 3000, 4015, Richard Bolling, CR 48, SR 24; Leader Note: Congress, CR 48, SR 24, Richard Bolling, Code JA 3000, Sync, R-18 |
Film F-20193/2276 |
Richard Bolling interview, mag 216mm motion picture film 350 feet Acetate ; MagneticSide of Box: Congress, Sync, R-18, Code JA 3000, 4015, Richard Bolling, CR 48, SR 24; Leader Note: Congress, CR 48, SR 24, Richard Bolling, Code JA 3000, Sync, R-18 |
Film F-20193/2277 |
Richard Bolling interview, Wild TRK, mag16mm motion picture film 350 feet Acetate ; MagneticSide of Box: Congress, Sync, R-18, Code JA 3000, 4015, Richard Bolling, CR 48, SR 24; Leader Note: Congress, SR 24, Richard Bolling, Code JA 6000, Wild TRK, R-1 |
Film F-20193/2278 |
David Broder interview, pix16mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-13, Code GG 0000, 2088, David Broder, CR 39 40 41, SR 18 19 20; Leader Note: Congress, CR 39 40 41, SR 18 19 20, David Broder, Code GG 0000, Sync R-13 |
Film F-20193/2279 |
David Broder interview, mag16mm motion picture film 425 feet Acetate ; MagneticSide of Box: Congress, Sync, R-13, Code GG 0000, 2088, David Broder, CR 39 40 41, SR 18 19 20; Leader Note: Congress, CR 39 40 41, SR 18 19 20, David Broder, Code GG 0000, Sync R-13 |
Film F-20193/2280 |
James MacGregor Burns interview, pix16mm motion picture film 425 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-20, Code JB 0000, 2097, James McG Burns, CR 70A 71A, SR 26 27; Leader Note: Congress, CR 70A 71A, SR 26 27, James McG Burns, Code JB 0000, Sync, R-20 |
Film F-20193/2281 |
James MacGregor Burns interview, mag16mm motion picture film 450 feet Acetate ; MagneticSide of Box: Congress, Sync, R-20, Code JB 0000, 2097, James McG Burns, CR 70A 71A, SR 26 27; Leader Note: Congress, James McG Burns, Code JB 0000, Sync, R-20 |
Film F-20193/2282 |
Alistair Cooke interview, pix16mm motion picture film 475 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-21, Code AC 0000, 2018, Alistair Cooke, CR 75A 76, SR 28 29; Leader Note: Congress, CR 75A 76, Alistair Cooke, Code AC 0000, Sync, R-21 |
Film F-20193/2283 |
Alistair Cooke interview, mag16mm motion picture film 500 feet Acetate ; MagneticSide of Box: Congress, Sync, R-21, Code AC 0000, 2018, Alistair Cooke, CR 75A 76, SR 28 29; Leader Note: Congress, Alistair Cooke, Code AC 0000, Sync, R-21 |
Film F-20193/2284 |
Correspondent interviews, pix16mm motion picture film 325 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-33, Code RR 0000, 1033, Correspondent, CR 114, SR 42; Leader Note: Congress, CR 114, SR 42, Code RR 0000, Sync, R-33 |
Film F-20193/2285 |
Correspondent interviews, mag16mm motion picture film 325 feet Acetate ; MagneticSide of Box: Congress, Sync, R-33, Code RR 0000, 1033, Correspondent, CR 114, SR 42; Leader Note: Congress, 2 Tass Men, Code RR 0000, Sync, R-33 |
Film F-20193/2286 |
Liz Drew interview, pix16mm motion picture film 650 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-6, Code CC 0000, 1966, Liz Drew, CR 28 29, CR 7 8 |
Film F-20193/2287 |
Liz Drew interview, mag16mm motion picture film 700 feet Acetate ; MagneticSide of Box: Congress, Sync, R-6, Code CC 0000, 1966, Liz Drew, CR 28 29, CR 7 8; Leader Note: Congress, CR 28 29, SR 7 8, Liz Drew, Code CC 0000, Sync, R-6 |
Film F-20193/2288 |
Father Robert Drinan interview, pix16mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-24, Code JF 0000, 1579, Father Drinan, CR 91 92, SR 35 36; Leader Note: Congress, CR 91 92, SR 35 36, Father Drinan, Code JF 0000, Sync, R-24 |
Film F-20193/2289 |
Father Robert Drinan interview, mag16mm motion picture film 500 feet Acetate ; MagneticSide of Box: Congress, Sync, R-24, Code JF 0000, 1579, Father Drinan, CR 91 92, SR 35 36; Leader Note: Congress, Father Drinan, Code JF 0000, Sync, R-24 |
Film F-20193/2290 |
Allen Drury interview, pix 116mm motion picture film 700 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-15, Code JJ 0000, 2053, Allen Drury, CR 43 44, SR 23; Leader Note: Congress, CR 43 44, SR 23, Allen Drury, Code JJ 0000, Sync, R-15 |
Film F-20193/2291 |
Allen Drury interview, mag 116mm motion picture film 750 feet Acetate ; MagneticSide of Box: Congress, Sync, R-15, Code JJ 0000, 2053, Allen Drury, CR 43 44, SR 23; Leader Note: Congress, CR 43 44, SR 23, Allen Drury, Code JJ 0000, Sync, R-15 |
Film F-20193/2292 |
Allen Drury interview, pix 216mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-16, Code JJ 3000, 4023, Allen Drury, CR 45, SR 23; Leader Note: Congress, CR 45, SR 23, Allen Drury, Code JJ 3000, Sync, R-16 |
Film F-20193/2293 |
Allen Drury interview, mag 216mm motion picture film 400 feet Acetate ; MagneticSide of Box: Congress, Sync, R-16, Code JJ 3000, 4023, Allen Drury, CR 45, SR 23; Leader Note: Congress, CR 45, SR 23, Allen Drury, Code JJ 3000, Sync, R-16 |
Film F-20193/2294 |
E. Dubrow interview, pix16mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-31, Code PP 0000, 2169, E. Dubrow, CR 109 110, SR 40; Leader Note: E. Dubrow, CR 109 110, SR 40, Congress, Code PP 0000, Sync, R-31 |
Film F-20193/2295 |
E. Dubrow interview, mag 116mm motion picture film 600 feet Acetate ; MagneticSide of Box: Congress, Sync, R-31, Code PP 0000, 2169, E. Dubrow, CR 109 110, SR 40; Leader Note: Congress, E. Dubrow, Code PP 0000, Sync, R-31 |
Film F-20193/2296 |
E. Dubrow interview, mag 216mm motion picture film 800 feet Acetate ; MagneticSide of Box: Congress, Sync, R-31, Code PP 0000, 2169, E. Dubrow, CR 109 110, SR 40; Leader Note: Congress, SR 40 |
Film F-20193/2297 |
Barbara Fields interview, pix16mm motion picture film 350 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-36, Code VV 0000, Barbara Fields, CR 109 110, SR 46; Leader Note: Congress, Barbara Fields, CR 109 110, SR 46, Code VV 0000, Sync, R-36 |
Film F-20193/2298 |
Barbara Fields interview, mag16mm motion picture film 350 feet Acetate ; MagneticSide of Box: Congress, Sync, R-36, Code VV 0000, Barbara Fields, CR 109 110, SR 46; Leader Note: Barbara Fields, Congress, SR 46, Code VV 0000, Sync, R-36 |
Film F-20193/2299 |
Hamilton Fish interview, pix16mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-34, Code SS 0000, Hamilton Fish, CR 152 153, SR 44; Leader Note: Congress, SR 44, CR 152 153, Code SS 0000, Sync, R-34 |
Film F-20193/2300 |
Hamilton Fish interview, mag16mm motion picture film 600 feet Acetate ; MagneticSide of Box: Congress, Sync, R-34, Code SS 0000, Hamilton Fish, CR 152 153, SR 44; Leader Note: Congress, SR 44, CR 152 153, Code SS 0000, Sync, R-34 |
Film F-20193/2301 |
John Garraty interview, pix16mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-22, Code JG 0000, 2018, John Garraty, CR 77 78 AKA 87A, SR 30 31; Leader Note: Congress, SR 30 31, CR 77 78, John Garraty, Code JG 0000, Sync, R-22 |
Film F-20193/2302 |
John Garraty interview, mag16mm motion picture film 900 feet Acetate ; MagneticSide of Box: Congress, Sync, R-22, Code JG 0000, 2018, John Garraty, CR 77 78 AKA 87A, SR 30 31; Leader Note: Congress, John Garraty, Code JG 0000, Sync, R-22 |
Film F-20193/2303 |
Charles Mathias interview, pix 116mm motion picture film 625 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-11, Code FF 0000, 2009, Sen Charles Mathias, CR 36 37, R 15 16; Leader Note: Congress, CR 36 37, SR 15 16, Sen Charles Mathias, Code FF 0000, Sync, R-11 |
Film F-20193/2304 |
Charles Mathias interview, mag 116mm motion picture film 625 feet Acetate ; MagneticSide of Box: Congress, Sync, R-11, Code FF 0000, 2009, Sen Charles Mathias, CR 36 37, R 15 16; Leader Note: Congress, CR 36 37, SR 15 16, Sen Charles Mathias, Code FF 0000, Sync, R-11 |
Film F-20193/2305 |
Charles Mathias interview, pix 216mm motion picture film 250 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-12, Code FF 3000, 3763, Sen Charles Mathias, CR 38, SR 17; Leader Note: Congress, CR 17, SR 17, Sen Charles Mathias, Code FF3000, Sync, R-12 |
Film F-20193/2306 |
Charles Mathias interview, mag 216mm motion picture film 250 feet Acetate ; MagneticSide of Box: Congress, Sync, R-12, Code FF 3000, 3763, Sen Charles Mathias, CR 38, SR 17; Leader Note: Congress, CR 17, SR 17, Sen Charles Mathias, Code FF3000, Sync, R-12 |
Film F-20193/2307 |
Eugene McCarthy interview, pix16mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-14, Code HH 0000, 1709, Sen. Eugene McCarthy, CR 42 41, SR 21 22; Leader Note: Congress, CR 42 41, SR 21 22, Sen Eugene McCarthy, Code HH 0000, Sync R-14 |
Film F-20193/2308 |
Eugene McCarthy interview, mag16mm motion picture film 600 feet Acetate ; MagneticSide of Box: Congress, Sync, R-14, Code HH 0000, 1709, Sen. Eugene McCarthy, CR 42 41, SR 21 22; Leader Note: Congress, CR 42 41, SR 21 22, Sen Eugene McCarthy, Code HH 0000, Sync R-14 |
Film F-20193/2309 |
David McCullough interview, pix 116mm motion picture film 450 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-26, Code KK 0000, 2015, David McCullough, CR 96 97, SR 39; Leader Note: Congress, SR 39, CR 96 97, David McCullough, Code KK 0000, Sync, R-26 |
Film F-20193/2310 |
David McCullough interview, mag 116mm motion picture film 500 feet Acetate ; MagneticSide of Box: Congress, Sync, R-26, Code KK 0000, 2015, David McCullough, CR 96 97, SR 39; Leader Note: Congress, David McCullough, Code KK 0000, Sync, R-26 |
Film F-20193/2311 |
David McCullough interview, pix 216mm motion picture film 450 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-27, Code KK 5000, 7104, David McCullough, CR 98 99, SR 40; Leader Note: Congress, CR 98 99, SR 40, David McCullough, Code KK 5000, R-27 |
Film F-20193/2312 |
David McCullough interview, mag 216mm motion picture film 450 feet Acetate ; MagneticSide of Box: Congress, Sync, R-27, Code KK 5000, 7104, David McCullough, CR 98 99, SR 40; Leader Note: Congress, David McCullough, Code KK 5000, R-27 |
Film F-20193/2313 |
David McCullough interview, pix 316mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-28, Code LL 0000, 2009, David McCullough, CR 100 101, SR 41; Leader Note: CR 100 101, Congress, David McCullough, Code LL 0000, Sync, R-28 |
Film F-20193/2314 |
David McCullough interview, mag 316mm motion picture film 500 feet Acetate ; MagneticSide of Box: Congress, Sync, R-28, Code LL 0000, 2009, David McCullough, CR 100 101, SR 41 |
Film F-20193/2315 |
David McCullough interview, pix 416mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-29, Code LL 5000, 6010, David McCullough, CR 102, SR 42; Leader Note: CR 102, SR 42, Congress, David McCullough, Code LL 5000, Sync, R-29 |
Film F-20193/2316 |
David McCullough interview, mag 416mm motion picture film 300 feet Acetate ; MagneticSide of Box: Congress, Sync, R-29, Code LL 5000, 6010, David McCullough, CR 102, SR 42; Leader Note: Congress, David McCullough, Code LL 5000, Sync, R-29 |
Film F-20193/2317 |
Charlie McDowell interview, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-25, Code JK 0000, 1400, Charlie McDowell, CR 92 96, SR 38; Leader Note: Congress, CR 92 96, SR 38, Charlie McDowell, Code JK 0000, Sync, R-25 |
Film F-20193/2318 |
Charlie McDowell interview, mag16mm motion picture film 125 feet Acetate ; MagneticSide of Box: Congress, Sync, R-25, Code JK 0000, 1400, Charlie McDowell, CR 92 96, SR 38; Leader Note: Congress, Charlie McDowell, Code JK 0000, Sync, R-25 |
Film F-20193/2319 |
Ralph Nader interview, pix16mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-35, Code TT 0000, Ralph Nader, CR 155 156, SR 45; Leader Note: Congress, CR 155 156, Ralph Nader, Code TT 0000, Sync, R-35 |
Film F-20193/2320 |
Ralph Nader interview, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: Congress, Sync, R-35, Code TT 0000, Ralph Nader, CR 155 156, SR 45; Leader Note: Congress, SR 45, Code TT 0000, Sync, R-35 |
Film F-20193/2321 |
Jennings Randolph interview, pix16mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-23, Code JE 0000, 1860, Jennings Randolf, CR 80 87, SR 32 33A; Leader Note: Congress, CR 80 87, SR 32 33, Jennings Randolf, Code JE 0000, Sync, R-23 |
Film F-20193/2322 |
Jennings Randolph interview, mag16mm motion picture film 600 feet Acetate ; MagneticSide of Box: Congress, Sync, R-23, Code JE 0000, 1860, Jennings Randolf, CR 80 87, SR 32 33A; Leader Note: Congress, Jennings Randolf, Code JE 0000, Sync, R-23 |
Film F-20193/2323 |
Cokie Roberts interview, pix 116mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-1, Code AA 0000, 2069, Cokie Roberts, CR 21 22, SR 1 2; Leader Note: Congress, CR 21 22, SR 1 2, Cokie Roberts, Code AA 0000, Sync, R-1 |
Film F-20193/2324 |
Cokie Roberts interview, mag 116mm motion picture film 550 feet Acetate ; MagneticSide of Box: Congress, Sync, R-1, Code AA 0000, 2069, Cokie Roberts, CR 21 22, SR 1 2; Leader Note: Congress, CR 21 22, SR 1 2, Cokie Roberts, Code AA 0000, Sync, R-1 |
Film F-20193/2325 |
Cokie Roberts interview, pix 216mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-2, Code AA 3000, 4438, Cokie Roberts, CR 23 24, SR 3; Leader Note: Congress, CR 23 24, SR 3, Cokie Roberts, Code AA 3000, Sync R-2 |
Film F-20193/2326 |
Cokie Roberts interview, mag 216mm motion picture film 375 feet Acetate ; MagneticSide of Box: Congress, Sync, R-2, Code AA 3000, 4438, Cokie Roberts, CR 23 24, SR 3; Leader Note: Congress, CR 23 24, SR 3, Cokie Roberts, Code AA 3000, Sync R-2 |
Film F-20193/2327 |
Cokie Roberts interview, pix 316mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-3, Code AA 6000, 6600, Cokie Roberts, CR 25, SR 4 |
Film F-20193/2328 |
Cokie Roberts interview, mag 316mm motion picture film 200 feet Acetate ; MagneticSide of Box: Congress, Sync, R-3, Code AA 6000, 6600, Cokie Roberts, CR 25, SR 4 |
Film F-20193/2329 |
John Stennis interview, pix 116mm motion picture film 700 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-9, Code EE 0000, 1993, Sen. John Stennis, CR 33 34, SR 12 13; Leader Note: "Congress", CR 33 34, SR 12 13, Sen John Stennis, Code EE 0000, Sync, R-9 |
Film F-20193/2330 |
John Stennis interview, mag 116mm motion picture film 700 feet Acetate ; MagneticSide of Box: Congress, Sync, R-9, Code EE 0000, 1993, Sen. John Stennis, CR 33 34, SR 12 13; Leader Note: "Congress", CR 33 34, SR 12 13, Sen John Stennis, Code EE 0000, Sync, R-9 |
Film F-20193/2331 |
John Stennis interview, pix 216mm motion picture film 350 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-10, Code EE 3000, 4008, Sen John Stennis, CR 35, SR 14; Leader Note: Congress, CR 35, SR 14, Sen John Stennis, Code EE 3000, Sync, R-10 |
Film F-20193/2332 |
John Stennis interview, mag 216mm motion picture film 350 feet Acetate ; MagneticSide of Box: Congress, Sync, R-10, Code EE 3000, 4008, Sen John Stennis, CR 35, SR 14; Leader Note: Congress, CR 35, SR 14, Sen John Stennis, Code EE 3000, Sync, R-10 |
Film F-20193/2333 |
George Tames interview, pix 116mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-7, Code DD 0000, 2031, George Tames, CR 30 31, SR 9 10; Leader Note: "Congress", CR 30 31, SR 9 10, George Tames, Code DD 0000, Sync R_7 |
Film F-20193/2334 |
George Tames interview, mag 116mm motion picture film 500 feet Acetate ; MagneticSide of Box: Congress, Sync, R-7, Code DD 0000, 2031, George Tames, CR 30 31, SR 9 10; Leader Note: "Congress", CR 30 31, SR 9 10, George Tames, Code DD 0000, Sync R_7 |
Film F-20193/2335 |
George Tames interview, pix 216mm motion picture film 325 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-8, Code DD 3000, 4030, George Tames, CR 32, SR 11; Leader Note: Congress, CR 32, SR 11, George Tames, Code DD 3000, Sync R-8 |
Film F-20193/2336 |
George Tames interview, mag 216mm motion picture film 325 feet Acetate ; MagneticSide of Box: Congress, Sync, R-8, Code DD 3000, 4030, George Tames, CR 32, SR 11; Leader Note: Congress, CR 32, SR 11, George Tames, Code DD 3000, Sync R-8 |
Film F-20193/2337 |
Dr. Olive Taylor interview, pix16mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-32, Code QQ 0000, 1613, Dr. Olive Taylor, CR 113 115, SR 42 43; Leader Note: Congress, SR 42 43, CR 113 115, Dr. Olive Taylor, Code QQ 0000, Sync, R-32 |
Film F-20193/2338 |
Dr. Olive Taylor interview, mag16mm motion picture film 600 feet Acetate ; MagneticSide of Box: Congress, Sync, R-32, Code QQ 0000, 1613, Dr. Olive Taylor, CR 113 115, SR 42 43; Leader Note: Congress, Dr. Olive Taylor, Code QQ 0000, Sync, R-32 |
Film F-20193/2339 |
Mark Trice interview, pix 116mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-4, Code BB 0000, 1568, Mark Trice, CR 25 26, SR 4 5; Leader Note: Congress, CR 25 26, SR 4 5, Mark Trice, Code BB 0000, Sync, R-4 |
Film F-20193/2340 |
Mark Trice interview, mag 116mm motion picture film 600 feet Acetate ; MagneticSide of Box: Congress, Sync, R-4, Code BB 0000, 1568, Mark Trice, CR 25 26, SR 4 5; Leader Note: Congress, CR 25 26, SR 4 5, Mark Trice, Code BB 0000, Sync, R-4 |
Film F-20193/2341 |
Mark Trice interview, pix 216mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-5, Code BB 3000, 4323, Mark Trice, CR 27 28, SR 6 7; Leader Note: Congress, CR 27 28, SR 6 7, Mark Trice, Code BB 3000, Sync, R-5 |
Film F-20193/2342 |
Mark Trice interview, mag 216mm motion picture film 500 feet Acetate ; MagneticSide of Box: Congress, Sync, R-5, Code BB 3000, 4323, Mark Trice, CR 27 28, SR 6 7; Leader Note: Congress, CR 27 28, SR 6 7, Mark Trice, Code BB 3000, Sync, R-5 |
SFC Audio Open Reel FT-20193/467 |
Richard Bolling interview1/4" Open Reel Audio 7" reel PolyesterBack of Box: Sound Roll 24, Richard Bolling, Cam Roll #46, Takes 1-, Cam Roll #47, Takes 2-3-4, Cam Rol #48, Takes-5, Voice Over/No Picture, Room Tone; Side of Box: Congress, SR 24 |
SFC Audio Open Reel FT-20193/468 |
David Broder interview, tape 1 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 14 1987, Congress, CR-39, SR-18, Int. David Brod; Side of Box: Congress, SR 18, CR 39 |
SFC Audio Open Reel FT-20193/469 |
David Broder interview, tape 2 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 14 1987, Congress, CR-40, SR-18, Int. David Brod; Side of Box: Congress, SR 18, CR 40 |
SFC Audio Open Reel FT-20193/470 |
David Broder interview, tape 3 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 14 1987, Congress, CR-41, SR-20, Int. David Bory; Side of Box: Congress, SR 20, CR 41 |
SFC Audio Open Reel FT-20193/471 |
James MacGregor Burns interview, tape 1 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: July 13 1987, CR-70, SR-26, J. McG Burns; Side of Box: Congress, CR-70, SR-26, James McG Burns |
SFC Audio Open Reel FT-20193/472 |
James MacGregor Burns interview, tape 2 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: July 13 1987, Congress, CR-71, SR-27, James McG Burns; Side of Box: Congress, CR-71, SR-27, James McG Burns |
SFC Audio Open Reel FT-20193/473 |
Alistair Cooke interview, tape 1 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: July 15 1987, Congress, CR-75, SR-28, Alistair Cooke; Side of Box: Congress, SR 28, Alistair Cooke |
SFC Audio Open Reel FT-20193/474 |
Alistair Cooke interview, tape 2 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: July 15 1987, Congress, CR-76, SR-29, Alistair Cooke; Side of Box: Congress, SR 29, Alistair Cooke |
SFC Audio Open Reel FT-20193/475 |
Eric Drew interview1/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 12 1987, Congress, CR-29, SR-8, Int. E. Drew; Side of Box: Congress, CR-29, SR-8 |
SFC Audio Open Reel FT-20193/476 |
Robert Drinan interview, tape 1 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: July 20 1987, Congress, CR-91, SR-35, Int Robert Drinan SJ; Side of Box: Congress, SR 35, Drinan |
SFC Audio Open Reel FT-20193/477 |
Robert Drinan interview, tape 2 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: July 20 1987, Congress, CR-92, SR-36, Int Robert Drinan SJ; Side of Box: Congress, SR 36, Drinan |
SFC Audio Open Reel FT-20193/478 |
Allen Drury interview1/4" Open Reel Audio 7" reel PolyesterBack of Box: Alan Drury, Cam Roll #43, Takes 1-3, Cam Roll #44, Takes 4, Cam Roll #45, Takes 5-6, Room Tone; Side of Box: Congress, SR 23 |
SFC Audio Open Reel FT-20193/479 |
E. Dubrow interview1/4" Open Reel Audio 7" reel PolyesterBack of Box: Congress, E. Dubrow, SR 40, CR 109+110; Side of Box: Congress, SR 40 |
SFC Audio Open Reel FT-20193/480 |
Barbara Fields interview1/4" Open Reel Audio 7" reel PolyesterBack of Box: SR 46, Tail End of B. Fields Interview, Newsreel off TV; Side of Box: Congress, SR 46 |
SFC Audio Open Reel FT-20193/481 |
Hamilton Fish interview1/4" Open Reel Audio 7" reel PolyesterBack of Box: Congress, SR 44, CR 152 153, 3/16/88; Side of Box: Congress, SR 44 |
SFC Audio Open Reel FT-20193/482 |
Shelby Foote interview1/4" Open Reel Audio 7" reel PolyesterFront of Box: Congress, Shelby Foote, 5-4-88; Side of Box: Congress, Shelby Foote, 5-4-88 |
SFC Audio Open Reel FT-20193/483 |
John Garraty interview, tape 1 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: July 15 1987, Congress, CR-77, SR-30, Int. John Garraty; Side of Box: Congress, SR 30, Jack Garraty |
SFC Audio Open Reel FT-20193/484 |
John Garraty interview, tape 2 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: July 15 1987, Congress, CR-78, SR-31, Int. John Garraty; Side of Box: Congress, SR 31, Jack Garraty |
SFC Audio Open Reel FT-20193/485 |
Charles Mathias interview, tape 1 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 13 1987, Congress, CR 36, SR 15, Int. Charles Mc C Mathias; Side of Box: Congress, SR 15, CR 36 |
SFC Audio Open Reel FT-20193/486 |
Charles Mathias interview, tape 2 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 13 1987, CR-37, SR-16, Sen. Charles Mathias; Side of Box: Congress, SR 16, CR 37 |
SFC Audio Open Reel FT-20193/487 |
Charles Mathias interview, tape 3 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 13 1987, Congress, CR 38, SR-17, Sen Charles Mathias; Side of Box: Congress, SR 17, CR 38 |
SFC Audio Open Reel FT-20193/488 |
David McCullough interview, tape 1 of 41/4" Open Reel Audio 5" reel PolyesterBack of Box: The Congress, SR 39, 24 Sep 87, Interview David McCullough, CR 96 97, Takes 1-4 |
SFC Audio Open Reel FT-20193/489 |
David McCullough interview, tape 2 of 41/4" Open Reel Audio 5" reel PolyesterBack of Box: Congress, SR 40, CR 98 99, Takes 5-10, 24 Sep 87, Interview David McCullough; Side of Box: The Congress, SR 40 |
SFC Audio Open Reel FT-20193/490 |
David McCullough interview, tape 3 of 41/4" Open Reel Audio 5" reel PolyesterBack of Box: Congress, 41, 24 Sep 87, David McCullough, Takes 11-14, CR 100 101; Side of Box: Congress, 41 |
SFC Audio Open Reel FT-20193/491 |
David McCullough interview, tape 4 of 41/4" Open Reel Audio 5" reel PolyesterBack of Box: Congress, 42, 24 Sep 87, David McCullough, Takes 15-19 (end) and Roomtone, CR 102 |
SFC Audio Open Reel FT-20193/492 |
Eugene McCarthy interview, tape 1 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 14 1987, Congress, CR-41, SR-22, Sen McCarthy; Side of Box: Congress, SR 22, CR 41 |
SFC Audio Open Reel FT-20193/493 |
Eugene McCarthy interview, tape 2 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 14 1987, CR 42, SR 21, E. McCarthy; Side of Box: Congress, SR 21, CR 42 |
SFC Audio Open Reel FT-20193/494 |
Charles McDowell interview1/4" Open Reel Audio 5" reel PolyesterBack of Box: July 21 1987, Congress, CR-92 96, SR-38, Int Charles McDowell; Side of Box: Congress, 38, McDowell |
SFC Audio Open Reel FT-20193/495 |
Ralph Nader interview; Video Clips: Advise and Consent, Rebel Rabbit, Mr. Smith Goes to Washington1/4" Open Reel Audio 7" reel PolyesterBack of Box: Congress, 3.21.88, CR 154, SR 45, Video Clips, Advise + Consent, Rebel Rabbit, Mr. Smith Goes to Washington, Interview - Ralph Nader, Room Tone; Side of Box: Congress, SR 45; Note on Reel: Congress #47 |
SFC Audio Open Reel FT-20193/496 |
Jennings Randolph interview, tape 1 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: July 20 1987, CR-80, SR-32, Int J. Randolph; Side of Box: Congress, SR 32, Jennings Randolph |
SFC Audio Open Reel FT-20193/497 |
Jennings Randolph interview, tape 2 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: July 20 1987, CR-87, SR-33A, Int J. Randolph; Side of Box: Congress, SR 33A, Jennings Randolph |
SFC Audio Open Reel FT-20193/498 |
Cokie Roberts interview, tape 1 of 41/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 12 1987, Congress, CR-21, SR-1, Int. C. Roberts; Side of Box: Congress, CR-21, SR-1 |
SFC Audio Open Reel FT-20193/499 |
Cokie Roberts interview, tape 2 of 41/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 12 1987, Congress, CR-22, SR-2, Int. C. Roberts; Side of Box: Congress, CR-22, SR-2 |
SFC Audio Open Reel FT-20193/500 |
Cokie Roberts interview, tape 3 of 41/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 12 1987, Congress, CR-23 24, SR-3, Int. C. Roberts; Side of Box: Congress, CR-23 24, SR-3 |
SFC Audio Open Reel FT-20193/501 |
Cokie Roberts interview, tape 4 of 4; Mark Trice interview1/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 12 1987, Congress, CR-25, SR-4, Int. C. Roberts, M. Trice; Side of Box: Congress, CR-24, SR-4 |
SFC Audio Open Reel FT-20193/502 |
John Stennis interview, tape 1 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 13 1987, Congress, CR 33, SR-12, Int Sen John Stennis; Side of Box: Congress, SR 12, CR 33 |
SFC Audio Open Reel FT-20193/503 |
John Stennis interview, tape 2 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 13 1987, CR-34, SR-13, Int. Sen. John Stennis; Side of Box: Congress, SR 13, SR 34 |
SFC Audio Open Reel FT-20193/504 |
John Stennis interview, tape 3 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 13 1987, Congress, CR 35, SR-14, Int Sen John Stennis; Side of Box: Congress, SR 14, CR 35 |
SFC Audio Open Reel FT-20193/505 |
George Tames interview, tape 1 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 12 1987, Congress, CR-30, SR-9, Int. George Tames |
SFC Audio Open Reel FT-20193/506 |
George Tames interview, tape 2 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 12 1987, Congress, CR-31, SR-10, Int George Tames; Side of Box: Congress, CR-31. SR-10 |
SFC Audio Open Reel FT-20193/507 |
George Tames interview, tape 3 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 12 1987, Congress, CR-32, SR-11, Int George Tames; Side of Box: Congress, CR-32, SR-11 |
SFC Audio Open Reel FT-20193/508 |
Dr. Olive Taylor interview, tape 1 of 21/4" Open Reel Audio 7" reel PolyesterBack of Box: TASS Correspondents, Dr. Olive Taylor, Congress, 11/13/87, SR 42, CR 114 113 In That Order; Side of Box: Congress, SR 42 |
SFC Audio Open Reel FT-20193/509 |
Dr. Olive Taylor interview, tape 2 of 21/4" Open Reel Audio 7" reel PolyesterBack of Box: Congress, SR 43, CR 115, 11/13/87, Dr. Olive Taylor; Side of Box: Congress, SR 43 |
SFC Audio Open Reel FT-20193/510 |
Mark Trice interview, tape 1 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 12 1987, Congress, CR-26, SR-5, Int. M. Trice; Side of Box: Congress, CR-26, SR-5 |
SFC Audio Open Reel FT-20193/511 |
Mark Trice interview, tape 2 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 12 1987, Congress, CR-27, SR-6, Int. M. Trice; Side of Box: Congress, CR-27, SR-6 |
SFC Audio Open Reel FT-20193/512 |
Mark Trice interview, tape 3 of 3; Eric Drew interview1/4" Open Reel Audio 5" reel PolyesterBack of Box: Jan 12 1987, Congress, CR-28, SR-7, Int. M. Trice, E. Drew; Side of Box: Congress, CR-28, SR-7 |
SFC Audio Cassette FS-20193/44 |
Richard Bolling interview, tape 1 of 2Audiocassette Tape Label: Congress, SR #24 |
SFC Audio Cassette FS-20193/45 |
Richard Bolling interview, tape 2 of 2Audiocassette Tape Label: Congress, SR #24 Continued |
SFC Audio Cassette FS-20193/46 |
David Broder interview; Eugene McCarthy interviewAudiocassette Tape Label: Congress, SR #20-22 |
SFC Audio Cassette FS-20193/47 |
James MacGregor Burns interviewAudiocassette A-Side Tape Label: Congress, SR #26, J.M. Burns; B-Side Tape Label: Congress, SR #27 |
SFC Audio Cassette FS-20193/48 |
Alistair Cooke interview; John Garraty interviewAudiocassette A-Side Tape Label: Congress, SR #28+29, Alistair Cook; B-Side Tape Label: Congress, SR #30+31, Prof. Garraty |
SFC Audio Cassette FS-20193/49 |
Father Robert Drinan interviewAudiocassette Tape Label: Congress, SR #35+36, Father Drinan |
SFC Audio Cassette FS-20193/50 |
Barbara Fields interviewAudiocassette Tape Label: Barbara Fields Reshoot, Congress, SR 46 |
SFC Audio Cassette FS-20193/51 |
Hamilton Fish interviewAudiocassette Tape Label: Congress, SR 44 |
SFC Audio Cassette FS-20193/52 |
Charles Mathias interview; David Broder interviewAudiocassette Tape Label: Congress, SR #17-19 |
SFC Audio Cassette FS-20193/53 |
David McCullough interview, tape 1 of 4Audiocassette A-Side Tape Label: Congress, SR 39; B-Side Tape Label: Congress, SR 40 |
SFC Audio Cassette FS-20193/54 |
David McCullough interview, tape 2 of 4Audiocassette A-Side Tape Label: Congress, SR 41; B-Side Tape Label: Congress, SR 42 |
SFC Audio Cassette FS-20193/55 |
David McCullough interview, tape 3 of 4Audiocassette A-Side Tape Label: Congress, SR 39; B-Side Tape Label: Congress, SR 40 |
SFC Audio Cassette FS-20193/56 |
David McCullough interview, tape 4 of 4Audiocassette A-Side Tape Label: Congress, SR 41; B-Side Tape Label: Congress, SR 42+43 |
SFC Audio Cassette FS-20193/57 |
Charlie McDowell interviewAudiocassette Tape Label: SR 37-38, Congress, Charlie McDowell, Start of Tape, Second Half, Sharon's Whisp., J.Q. Adams, Sharon's intro to House Chambers, Intro to Tour, Sharon Walking |
SFC Audio Cassette FS-20193/58 |
Ralph Nader interviewAudiocassette Tape Label: SR 45, Ralph Nader |
SFC Audio Cassette FS-20193/59 |
Jennings Randolph interviewAudiocassette A-Side Tape Label: Congress, SR 32+33, Jennings Randolph, Also Ger. Tour, Walking, Oriental, Hebrew Tour, Inter. W/ Kid, Intro Cap Tdor, Sharon; B-Side Tape Label: Congress, SR #33A+34, Cont. Jennings Randolph |
SFC Audio Cassette FS-20193/60 |
Cokie Roberts interviewAudiocassette A-Side Tape Label: Congress, SR #1-2; B-Side Tape Label: Congress, SR #3-4 |
SFC Audio Cassette FS-20193/61 |
John Stennis interview; Charles Mathias interviewAudiocassette A-Side Tape Label: Congress, SR #11-13; B-Side Tape Label: Congress, SR #14-16 |
SFC Audio Cassette FS-20193/62 |
Mark Trice interview; George Tames interviewAudiocassette A-Side Tape Label: Congress, SR #5-7; B-Side Tape Label: Congress, SR #8-10 |
Film F-20193/2343 |
Richard Bolling interview selects, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: Congress, Selects, Code FF and HH and JA, Richard Bolling, CR 46 47 48, Sen Eug McCarthy, CR 41 42, CR 36 37 38, Sen Charles Mathias; Leader Note: Richard Bolling, Code 3A, Sel R |
Film F-20193/2344 |
Richard Bolling interview selects, mag16mm motion picture film 225 feet Acetate ; MagneticSide of Box: Congress, Selects, Code FF and HH and JA, Richard Bolling, CR 46 47 48, Sen Eug McCarthy, CR 41 42, CR 36 37 38, Sen Charles Mathias; Leader Note: Richard Bolling, Code 3A, Sel R |
Film F-20193/2345 |
David Broder interview selects, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: Congress, Selects, Code GG, CR 39 40 41, David Broder; Leader Note: David Broder, Code GG, Sel R |
Film F-20193/2346 |
David Broder interview selects, mag16mm motion picture film 225 feet Acetate ; MagneticSide of Box: Congress, Selects, Code GG, CR 39 40 41, David Broder; Leader Note: David Broder, Code GG, Sel R |
Film F-20193/2347 |
David Broder interview selects, trims16mm motion picture film Acetate ; Color ; MagneticSide of Box: Congress, Selects, Code GG, CR 39 40 41, David Broder |
Film F-20193/2348 |
James MacGregor Burns interview selects, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: Congress, Selects, R-20, Code JB, CR 70 71, James McG Burns; Leader Note: James McG Burns, Code JB, Sel R |
Film F-20193/2349 |
James MacGregor Burns interview selects, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: Congress, Selects, R-20, Code JB, CR 70 71, James McG Burns; Leader Note: James McG Burns, Code JB, Sel R |
Film F-20193/2350 |
James MacGregor Burns interview selects, trims16mm motion picture film Acetate ; Color ; MagneticSide of Box: Congress, Selects, R-20, Code JB, CR 70 71, James McG Burns |
Film F-20193/2351 |
Alistair Cooke interview selects, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: Congress, Selects, R-21, Code AC, CR 75 76, Alistair Cooke; Leader Note: Alistair Cooke, Code AC, Sel R |
Film F-20193/2352 |
Alistair Cooke interview selects, mag16mm motion picture film 250 feet Acetate ; MagneticSide of Box: Congress, Selects, R-21, Code AC, CR 75 76, Alistair Cooke; Leader Note: Alistair Cooke, Code AC, Sel R |
Film F-20193/2353 |
Alistair Cooke interview selects, trims16mm motion picture film Acetate ; Color ; MagneticSide of Box: Congress, Selects, R-21, Code AC, CR 75 76, Alistair Cooke |
Film F-20193/2354 |
Liz Drew interview selects, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: Congress, Selects, Code BB + CC, Liz Drew CR 28 29, Mark Trice CR 27; Leader Note: Liz Drew, Code CC, Sel |
Film F-20193/2355 |
Liz Drew interview selects, mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: Congress, Selects, Code BB + CC, Liz Drew CR 28 29, Mark Trice CR 27; Leader Note: Liz Drew, Code CC, Sel |
Film F-20193/2356 |
Father Robert Drinan interview selects, pix16mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: Congress, Selects, Code JJ and JF, PP Dubrow, QQ Taylor, RR Correspondent, Father R. Drinan, CR 91 92, CR 43 44 45, Allen Drury; Leader Note: Father Robert Drinan, Code JF, Sel R |
Film F-20193/2357 |
Father Robert Drinan interview selects,mag16mm motion picture film 125 feet Acetate ; MagneticSide of Box: Congress, Selects, Code JJ and JF, PP Dubrow, QQ Taylor, RR Correspondent, Father R. Drinan, CR 91 92, CR 43 44 45, Allen Drury; Leader Note: Father Robert Drinan, Code JF, Sel R |
Film F-20193/2358 |
Allen Drury interview selects, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: Congress, Selects, Code JJ and JF, PP Dubrow, QQ Taylor, RR Correspondent, Father R. Drinan, CR 91 92, CR 43 44 45, Allen Drury; Leader Note: Allen Drury, Code JJ, Sel R |
Film F-20193/2359 |
Allen Drury interview selects, mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: Congress, Selects, Code JJ and JF, PP Dubrow, QQ Taylor, RR Correspondent, Father R. Drinan, CR 91 92, CR 43 44 45, Allen Drury; Leader Note: Allen Drury, Code JJ, Sel R |
Film F-20193/2360 |
E. Dubrow interview selects, pix; Dr. Olive Taylor interview selects, pix; Correspondent interview selects, pix16mm motion picture film 325 feet Polyester ; Color ; SilentSide of Box: Congress, Selects, Code JJ and JF, PP Dubrow, QQ Taylor, RR Correspondent, Father R. Drinan, CR 91 92, CR 43 44 45, Allen Drury; Leader Note: Codes PP QQ RR, Sel Roll |
Film F-20193/2361 |
E. Dubrow interview selects, mag; Dr. Olive Taylor interview selects, mag; Correspondent interview selects, mag16mm motion picture film 325 feet Acetate ; MagneticSide of Box: Congress, Selects, Code JJ and JF, PP Dubrow, QQ Taylor, RR Correspondent, Father R. Drinan, CR 91 92, CR 43 44 45, Allen Drury; Leader Note: Codes PP QQ RR, Sel Roll |
Film F-20193/2362 |
Barbara Fields interview selects, trims16mm motion picture film Acetate ; Color ; MagneticSide of Box: R-36, Code VV0000 Barbara Fields, Sel R-34, Code SS0000, CR 152 153, Selects R-35, Code TT0000, Nader; Leader Note: Barbara Fields, VV 0000 |
Film F-20193/2363 |
Hamilton Fish interview selects, pix; Ralph Nader interview selects, pix16mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: R-36, Code VV0000 Barbara Fields, Sel R-34, Code SS0000, CR 152 153, Selects R-35, Code TT0000, Nader; Leader Note: Fish/Nader |
Film F-20193/2364 |
Hamilton Fish interview selects, mag; Ralph Nader interview selects, mag16mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: R-36, Code VV0000 Barbara Fields, Sel R-34, Code SS0000, CR 152 153, Selects R-35, Code TT0000, Nader; Leader Note: Fish/Nader |
Film F-20193/2365 |
John Garraty interview selects, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: John Stennis CR 33 34 35, Selects, Code JE, Stennis, Code EE + JG, John Garraty, CR 77 78, CR 80 87, Jennings Randolf; Leader Note: John Garraty, Code JG, Sel R |
Film F-20193/2366 |
John Garraty interview selects, mag16mm motion picture film 175 feet Acetate ; MagneticSide of Box: John Stennis CR 33 34 35, Selects, Code JE, Stennis, Code EE + JG, John Garraty, CR 77 78, CR 80 87, Jennings Randolf; Leader Note: John Garraty, Code JG, Sel R |
Film F-20193/2367 |
Charles Mathias interview selects, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: Congress, Selects, Code FF and HH and JA, Richard Bolling, CR 46 47 48, Sen Eug McCarthy, CR 41 42, CR 36 37 38, Sen Charles Mathias; Leader Note: Sel R, Code FF, Sen Charles Mathias |
Film F-20193/2368 |
Charles Mathias interview selects, mag16mm motion picture film 200 feet Acetate ; MagneticSide of Box: Congress, Selects, Code FF and HH and JA, Richard Bolling, CR 46 47 48, Sen Eug McCarthy, CR 41 42, CR 36 37 38, Sen Charles Mathias; Leader Note: Sel R, Code FF, Sen Charles Mathias |
Film F-20193/2369 |
Eugene McCarthy interview selects, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Congress, Selects, Code FF and HH and JA, Richard Bolling, CR 46 47 48, Sen Eug McCarthy, CR 41 42, CR 36 37 38, Sen Charles Mathias; Leader Note: Sen Eugene McCarthy, Code HH, Sel R |
Film F-20193/2370 |
Eugene McCarthy interview selects, mag16mm motion picture film 50 feet Acetate ; MagneticSide of Box: Congress, Selects, Code FF and HH and JA, Richard Bolling, CR 46 47 48, Sen Eug McCarthy, CR 41 42, CR 36 37 38, Sen Charles Mathias; Leader Note: Sen Eugene McCarthy, Code HH, Sel R |
Film F-20193/2371 |
David McCullough interview selects, pix16mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: Congress, David McCullough, Selects, R-26 27, Code KK 0000 5000, CR 96 97 98 99, Selects, R-28 29, Code LL 0000 5000, CR 100 101 102; Leader Note: David McCullough, Code KK/LL, Sel R |
Film F-20193/2372 |
David McCullough interview selects, mag16mm motion picture film 900 feet Acetate ; MagneticSide of Box: Congress, David McCullough, Selects, R-26 27, Code KK 0000 5000, CR 96 97 98 99, Selects, R-28 29, Code LL 0000 5000, CR 100 101 102; Leader Note: David McCullough, Code KK/LL, Sel R |
Film F-20193/2373 |
David McCullough interview selects, trims16mm motion picture film Polyester ; Color ; MagneticSide of Box: Congress, David McCullough, Selects, R-26 27, Code KK 0000 5000, CR 96 97 98 99, Selects, R-28 29, Code LL 0000 5000, CR 100 101 102 |
Film F-20193/2374 |
Charlie McDowell interview selects, pix16mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: Congress, Code JK, CR 92 96, Charlie McDowell; Leader Note: Charles McDowell, Code JK, Sel R |
Film F-20193/2375 |
Charlie McDowell interview selects, mag16mm motion picture film 175 feet Acetate ; MagneticSide of Box: Congress, Code JK, CR 92 96, Charlie McDowell; Leader Note: Charles McDowell, Code JK, Sel R |
Film F-20193/2376 |
Charlie McDowell interview selects, trims16mm motion picture film Polyester ; Color ; MagneticSide of Box: Congress, Code JK, CR 92 96, Charlie McDowell; Leader Note: JK |
Film F-20193/2377 |
Ralph Nader interview selects, pix; Barbara Fields interview selects, pix16mm motion picture film 225 feet Polyester ; Color ; SilentSide of Box: R-36, Code VV0000 Barbara Fields, Sel R-34, Code SS0000, CR 152 153, Selects R-35, Code TT0000, Nader; Leader Note: Code TT VV, Sel R |
Film F-20193/2378 |
Ralph Nader interview selects, mag; Barbara Fields interview selects, mag16mm motion picture film 325 feet Acetate ; MagneticSide of Box: R-36, Code VV0000 Barbara Fields, Sel R-34, Code SS0000, CR 152 153, Selects R-35, Code TT0000, Nader; Leader Note: Code TT VV, Sel |
Film F-20193/2379 |
Jennings Randolph interview selects, pix16mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: John Stennis CR 33 34 35, Selects, Code JE, Stennis, Code EE + JG, John Garraty, CR 77 78, CR 80 87, Jennings Randolf; Leader Note: Jennings Randolf, Code JE, Sel R |
Film F-20193/2380 |
Jennings Randolph interview selects, mag16mm motion picture film 125 feet Acetate ; MagneticSide of Box: John Stennis CR 33 34 35, Selects, Code JE, Stennis, Code EE + JG, John Garraty, CR 77 78, CR 80 87, Jennings Randolf; Leader Note: Jennings Randolf, Code JE, Sel R |
Film F-20193/2381 |
Cokie Roberts interview selects, pix16mm motion picture film 275 feet Polyester ; Color ; SilentSide of Box: Congress, Selects, Code AA, Cokie Roberts, CR 21 22; Leader Note: Cokie Roberts, Code AA, Sel |
Film F-20193/2382 |
Cokie Roberts interview selects, mag16mm motion picture film 400 feet Acetate ; MagneticSide of Box: Congress, Selects, Code AA, Cokie Roberts, CR 21 22; Leader Note: Cokie Roberts, Code AA, Sel |
Film F-20193/2383 |
Cokie Roberts interview selects, trims16mm motion picture film Acetate ; Color ; MagneticSide of Box: Congress, Selects, Code AA, Cokie Roberts, CR 21 22 |
Film F-20193/2384 |
John Stennis interview selects, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: John Stennis CR 33 34 35, Selects, Code JE, Stennis, Code EE + JG, John Garraty, CR 77 78, CR 80 87, Jennings Randolf; Leader Note: Sen John Stennis, Code EE, Sel R |
Film F-20193/2385 |
John Stennis interview selects, mag16mm motion picture film 125 feet Acetate ; MagneticSide of Box: John Stennis CR 33 34 35, Selects, Code JE, Stennis, Code EE + JG, John Garraty, CR 77 78, CR 80 87, Jennings Randolf; Leader Note: Sen John Stennis, Code EE, Sel R |
Film F-20193/2386 |
George Tames interview selects, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: Congress, Selects, Code DD, CR 30 31 32, George Tames; Leader Note: George Tames, Code DD, Sel R |
Film F-20193/2387 |
George Tames interview selects, mag16mm motion picture film 225 feet Acetate ; MagneticSide of Box: Congress, Selects, Code DD, CR 30 31 32, George Tames; Leader Note: George Tames, Code DD, Sel R |
Film F-20193/2388 |
George Tames interview selects, trims16mm motion picture film Acetate ; Color ; MagneticSide of Box: Congress, Selects, Code DD, CR 30 31 32, George Tames |
Film F-20193/2389 |
Mark Trice interview selects, pix16mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: Congress, Selects, Code BB + CC, Liz Drew CR 28 29, Mark Trice CR 27; Leader Note: Sel BB |
Film F-20193/2390 |
Mark Trice interview selects, mag16mm motion picture film 25 feet Acetate ; MagneticSide of Box: Congress, Selects, Code BB + CC, Liz Drew CR 28 29, Mark Trice CR 27; Leader Note: Sel BB |
Film F-20193/2391 |
Bronze Door and Old Senate Chamber, pix16mm motion picture film 375 feet Polyester ; Color ; SilentSide of Box: Congress, MOS CR 61 62 64 65 66, AKA M13 M16 M17 M18, Views - Capitol, LOC, Transpares-Views, Dome; Leader Note: Bronze Door/Old Senate Chamber, Views, MOS, AKA M18, Cam #66, Congress, Pic |
Film F-20193/2392 |
The Building, pix 116mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-20 21 23, XA 0000, X 0000, Y 0000, Capitol Ext, Re-Construction, The Bldg., People/Subway/Etc, Misc Views, LOC, Cemetary, Flowers; Leader Note: Congress, The Building, Code X0000, MOS, R-20 |
Film F-20193/2393 |
The Building, pix 216mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-20 21 23, XA 0000, X 0000, Y 0000, Capitol Ext, Re-Construction, The Bldg., People/Subway/Etc, Misc Views, LOC, Cemetary, Flowers; Leader Note: Congress, The Building, Pix |
Film F-20193/2394 |
The Building, trims16mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, R-20 21 23, XA 0000, X 0000, Y 0000, Capitol Ext, Re-Construction, The Bldg., People/Subway/Etc, Misc Views, LOC, Cemetary, Flowers |
Film F-20193/2395 |
Capitol Construction, pix16mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-20 21 23, XA 0000, X 0000, Y 0000, Capitol Ext, Re-Construction, The Bldg., People/Subway/Etc, Misc Views, LOC, Cemetary, Flowers; Leader Note: Congress, CR 501, Capitol Construction, Code XA 0000, MOS, R-3 |
Film F-20193/2396 |
Capitol Exteriors, pix 116mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-5, Code F 0000, 1976 F3, Cap Ext. (Pt 2), Double and Flowers; Leader Note: F 6826, MOS, R-5A, Cap Ext |
Film F-20193/2397 |
Capitol Exteriors, pix 216mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 108 111 113 116 117 118 119 120 121-122 123 124 125 126 127 128, Capitol Ext., Cap. Int., Managers, P.V., Arch Stills, Transp.; Leader Note: Congress, CR 111 113 116 117 118 119 120 |
Film F-20193/2398 |
Capitol Exteriors: Construction, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: Congress, MOS CR 97 98 103 104 105 106 107, Capitol Ext, Capitol Int, Views Fireworks, CR 501 Cap Ext Construction, Outs; Leader Note: Congress, Reel #501 |
Film F-20193/2399 |
Capitol Exteriors: Double and Flowers, pix16mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-5, Code F 0000, 1976 F3, Cap Ext. (Pt 2), Double and Flowers; Leader Note: Congress, Capitol Ext., Double and Flowers, Code F0000, MOS, R-5 |
Film F-20193/2400 |
Capitol Exteriors: School Kids, pix16mm motion picture film 625 feet Polyester ; Color ; SilentSide of Box: Congress, Sync, R-30, Code MM 0000, 1668, Capitol Ext. School Kids, CR 105 112, SR 39 41; Leader Note: Congress, Capitol Ext. Students, CR 105 112, SR 39 41, Code MM 0000, Sync, R-30 |
Film F-20193/2401 |
Capitol Exteriors: School Kids, mag16mm motion picture film 625 feet Acetate ; MagneticSide of Box: Congress, Sync, R-30, Code MM 0000, 1668, Capitol Ext. School Kids, CR 105 112, SR 39 41; Leader Note: Congress, Code MM 0000, Sync, R-30 |
Film F-20193/2402 |
Capitol Exteriors: Snow, pix16mm motion picture film 250 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-4 8, Code D 0000, 1950, J0, Cap Int Dolly, Snow Ext.; Leader Note: Congress, Cap Snow Ext., Code J0000, MOS, R-8 |
Film F-20193/2403 |
Capitol Exteriors: Sunset, pix16mm motion picture film 550 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-5, Code F 0000, 1976 F3, Cap Ext. (Pt 2), Double and Flowers; Leader Note: Congress, Capitol Ext Pt. 2, Code F3000, MOS, R-5, Sunset |
Film F-20193/2404 |
Capitol Exteriors: Vietnam Veterans, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-5, Code F 0000, 1976 F3, Cap Ext. (Pt 2), Double and Flowers; Leader Note: Viet. Veterans, Capitol Ext Vet, Code F3000 |
Film F-20193/2405 |
Capitol Exteriors: Tourists and Workers Outside Capitol Steps, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-5, Code F 0000, 1976 F3, Cap Ext. (Pt 2), Double and Flowers; Leader Note: Tourists and Workers Outside Capitol Steps, F 6132-6653 |
Film F-20193/2406 |
Capitol Exteriors and Interiors, pix 116mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 15 16 17 18 19 20, Capitol Views, Statuary Hall, Brumidi Corridor, Outs; Leader Note: Capital Views, Int/Ext, MOS, Cam #19 20, Congress, Pic |
Film F-20193/2407 |
Capitol Exteriors and Interiors, pix 216mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: Congress, MOS CR 97 98 103 104 105 106 107, Capitol Ext, Capitol Int, Views Fireworks, CR 501 Cap Ext Construction, Outs; Leader Note: Congress, CR 103 104 105, MOS |
Film F-20193/2408 |
Capitol Exteriors and Interiors, pix 316mm motion picture film 175 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 108 111 113 116 117 118 119 120 121-122 123 124 125 126 127 128, Capitol Ext., Cap. Int., Managers, P.V., Arch Stills, Transp.; Leader Note: Congress, CR 108, MOS |
Film F-20193/2409 |
Capitol Interiors, pix 116mm motion picture film 800 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-3, Code C 0000, 2608, Cap Int., Old Senate House; Leader Note: Congress, Pt 1, Cap Int., Code C 0000, MOS, R-3 |
Film F-20193/2410 |
Capitol Interiors, pix 216mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 15 16 17 18 19 20, Capitol Views, Statuary Hall, Brumidi Corridor, Outs; Leader Note: Capital Views, Interior, MOS, CAM #17 18, Congress, Pic |
Film F-20193/2411 |
Capitol Interiors, pix 316mm motion picture film 900 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-3A 3B, Code C3000, 5927, C6, Cap Int. Pt 2 3, Stairs, Staturary, House of SGN, Chandelier, Paintings; Leader Note: Congress, Capitol Int., Pt 2 Code C 3000, MOS, R-3A |
Film F-20193/2412 |
Capitol Interiors, pix 416mm motion picture film 550 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-3A 3B, Code C3000, 5927, C6, Cap Int. Pt 2 3, Stairs, Staturary, House of SGN, Chandelier, Paintings; Leader Note: Congress, Capitol Int., Pt 3, Code C 6000, MOS, R-3B |
Film F-20193/2413 |
Capitol Interiors, pix 516mm motion picture film 350 feet Polyester ; Color ; SilentSide of Box: Congress, Views, Capitol Interiors, #78 79, Cam #80 81 82, MOS; Leader Note: Views, Capitol Interiors, MOS, Cam 78 79, Congress, Pic |
Film F-20193/2414 |
Capitol Interiors, pix 616mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: Congress, Views, Capitol Interiors, #78 79, Cam #80 81 82, MOS; Leader Note: Views, Capitol Interiors, MOS, Cam 80 81 82, Congress, Pic |
Film F-20193/2415 |
Capitol Interiors, pix 716mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 74 75 83 84 85 86 93-95, AKA M37 M38, Views Capitol Interiors, Views Cap Rotunda; Leader Note: Views Capitol Interiors, MOS, Cam 83 84, Congress, Pic |
Film F-20193/2416 |
Capitol Interiors, pix 816mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 74 75 83 84 85 86 93-95, AKA M37 M38, Views Capitol Interiors, Views Cap Rotunda; Leader Note: Views Capitol Interiors, MOS, Cam 85 86, Congress, Pic |
Film F-20193/2417 |
Capitol Interiors, pix 916mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 74 75 83 84 85 86 93-95, AKA M37 M38, Views Capitol Interiors, Views Cap Rotunda; Leader Note: Views Capitol Interiors, MOS, Cam 93 94 95, Congress, Pic |
Film F-20193/2418 |
Capitol Interiors: Dolly Shot, pix16mm motion picture film 700 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-4 8, Code D 0000, 1950, J0, Cap Int Dolly, Snow Ext.; Leader Note: Congress, Cap Int Dolly, Code D0000, MOS, R-4 |
Film F-20193/2419 |
Capitol Interiors: Flowers, pix16mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-3, Code C 0000, 2608, Cap Int., Old Senate House; Leader Note: Flowers |
Film F-20193/2420 |
Capitol Interiors: Old Senate House, pix16mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-3, Code C 0000, 2608, Cap Int., Old Senate House; Leader Note: Congress, Cap Int Old Senates, C0000, 3000 |
Film F-20193/2421 |
Capitol Interiors: Senate, pix16mm motion picture film 225 feet Polyester ; Color ; SilentSide of Box: MOS, CR 68-69, 71-73, 74, 88, 89, 90, Arch. American Heritage, Walpole Arch., Arch. L.O.C., Cap Views; Leader Note: AKA 69 70, Interiors - Senate (MOS), Cam Roll # M-27, M-28/69-70, Congress, Pic - 69 70 |
Film F-20193/2422 |
Capitol Pixilation, pix16mm motion picture film 450 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-24, Code XB 0000, Capitol Pixelation; Leader Note: Congress, Capitol Pixelation, Code XB 0000, MOS, R-24 |
Film F-20193/2423 |
Capitol Pixilation, trims16mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-24, Code XB 0000, Capitol Pixelation; Leader Note: XB, MOS, Pixelation |
Film F-20193/2424 |
Capitol Rotunda, pix16mm motion picture film 325 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 74 75 83 84 85 86 93-95, AKA M37 M38, Views Capitol Interiors, Views Cap Rotunda; Leader Note: Views Capitol Rotunda, AKA M-37 M-38, MOS, CAM 74 75, Congress, Pic |
Film F-20193/2425 |
Capitol Views, pix 116mm motion picture film 425 feet Polyester ; Color ; SilentSide of Box: Congress, MOS CR 61 62 64 65 66, AKA M13 M16 M17 M18, Views - Capitol, LOC, Transpares-Views, Dome; Leader Note: Capitol Views, MOS, AKA M-16 M-17, CAM # 64 65, Congress, Pic |
Film F-20193/2426 |
Capitol Views, pix 216mm motion picture film 375 feet Polyester ; Color ; SilentSide of Box: MOS, CR 68-69, 71-73, 74, 88, 89, 90, Arch. American Heritage, Walpole Arch., Arch. L.O.C., Cap Views; Leader Note: Views Capital, #71 72 73, AKA Cam #M-31 M-32 M-33, MOS, Congress, Pic |
Film F-20193/2427 |
Congressional Cemetery, pix16mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 38 39 54 55 56 57 58 59, AKA M7 M8 M9 M10 M11 M12, Tames at Times, Views - Congressional Cemetary, L.O.C., Outs; Leader Note: MOS, AKA M7 M8, CAM #54 55, Congress, Pic |
Film F-20193/2428 |
Congressional Cemetery and Capitol Dome, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: Congress, MOS CR 61 62 64 65 66, AKA M13 M16 M17 M18, Views - Capitol, LOC, Transpares-Views, Dome; Leader Note: Views Congr. Cem. - Capitol Dome, MOS, Cam #63, Congress, Pic |
Film F-20193/2429 |
CR 56 57 58 59, pix16mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 38 39 54 55 56 57 58 59, AKA M7 M8 M9 M10 M11 M12, Tames at Times, Views - Congressional Cemetary, L.O.C., Outs; Leader Note: MOS, AKA M9-M12, Cam #56 57 58 59, Congress, Pic |
Film F-20193/2430 |
July 4th Fireworks, pix16mm motion picture film 275 feet Polyester ; Color ; SilentSide of Box: Congress, MOS CR 97 98 103 104 105 106 107, Capitol Ext, Capitol Int, Views Fireworks, CR 501 Cap Ext Construction, Outs; Leader Note: Views - July 4 Fireworks, MOS, Cam #97 98, Congress |
Film F-20193/2431 |
Library of Congress, pix 116mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 1 2 3 4 5 6 7 8 9 10 11 12 13 14, Old Print Shop, Senate Hist. Office, Capitol Views, L.O.C., Arch of Cap., Outs; Leader Note: Leader Note: Capital Views, Library of Congress, MOS, Roll #1 2, Congress, Pic |
Film F-20193/2432 |
Library of Congress, pix 216mm motion picture film 175 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 1 2 3 4 5 6 7 8 9 10 11 12 13 14, Old Print Shop, Senate Hist. Office, Capitol Views, L.O.C., Arch of Cap., Outs; Leader Note: Leader Note: Library of Cong., Capital Views, MOS, Roll #3 4, Congress, Pic |
Film F-20193/2433 |
Live Exteriors, pix16mm motion picture film 450 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 1, AKA 131, CR 2, AKA 130, CR 1 CR 2, AKA 136, CR 137, CR A, 1-28-88, Live Ext - 138 139 140, Cap Ext - 141 142 101A, 143 144, Title 145 146 147 148, Outs; Leader Note: CR 138 139 140 |
Film F-20193/2434 |
Miscellaneous Views, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-20 21 23, XA 0000, X 0000, Y 0000, Capitol Ext, Re-Construction, The Bldg., People/Subway/Etc, Misc Views, LOC, Cemetary, Flowers; Leader Note: Congress, Misc View, Code Y0000, MOS, R-21 |
Film F-20193/2435 |
Rotunda, Statuary Hall, Brumidi Corridor, pix16mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 15 16 17 18 19 20, Capitol Views, Statuary Hall, Brumidi Corridor, Outs; Leader Note: Brumidi Corridor, Statuary Hall, Views, Rotunda, AKA M-3 M-4, MOS, Roll #15 16, Congress |
Film F-20193/2436 |
Wild Ambience: Capitol Exterior, mag16mm motion picture film 750 feet Acetate ; MagneticSide of Box: Congress, Wild Amb., R-2, Code WB 0000, 1937, Capitol Ext., SR 39 41; Leader Note: Congress, SR 39 41, Code WB 0000, Wild Amb., R-2 |
Film F-20193/2437 |
Wild Ambience: Capitol Building and Rotunda, mag16mm motion picture film Acetate ; MagneticSide of Box: Congress, Wild Amb., R-1, Code WA 0000, 33 34 Capitol Building, 37 - Rotunda, SR 33 34 37; Leader Note: Congress, SR 33 34 37, Code WA 0000, Wild Amb R-1 |
SFC Audio Open Reel FT-20193/513 |
Capitol, Wild Sound, tape 1 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: Congress, SR-37, Wild Sound of Capitol; Side of Box: SR 37, Wild |
SFC Audio Open Reel FT-20193/514 |
Capitol, Wild Sound, tape 2 of 21/4" Open Reel Audio 7" reel PolyesterFront of Box: Movie, Wild Track, Probably Wild Sound, Capitol, July 87 |
SFC Audio Open Reel FT-20193/515 |
Capitol Exteriors: School Kids1/4" Open Reel Audio 7" reel PolyesterBack of Box: Congress, SR 39, CR 105; Side of Box: Congress, SR 39 |
SFC Audio Open Reel FT-20193/516 |
Hearings1/4" Open Reel Audio 10" reel Front of Box: Congress, SR 33 34 37, Wild Amb. R-1, Speed 7 1/2, 1/4 Full TRK Mono, For Ira Glass; Note on Reel: Hearings |
SFC Audio Open Reel FT-20193/517 |
House of Reps Opens Up1/4" Open Reel Audio 7" reel PolyesterLabel on Reel: House of Reps Opens Up |
SFC Audio Open Reel FT-20193/518 |
Photo Session, Capitol Steps1/4" Open Reel Audio 7" reel PolyesterBack of Box: Congress, 11/12/87, SR 41, CR 112, Photo Session-Cap. Steps; Side of Box: Congress, SR 41 |
SFC Audio Open Reel FT-20193/519 |
Tours of Capitol, tape 1 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: July 20 1987, Congress, Wild-Tours of Capital; Side of Box: Congress, SR 33, Wild |
SFC Audio Open Reel FT-20193/520 |
Tours of Capitol, tape 2 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: July 20 1987, Congress, Wild-Tours of Capital; Side of Box: Congress, SR 34, Wild |
Film F-20193/2438 |
David McCullough narration, 3 March 1988, mag 116mm motion picture film 650 feet Acetate ; MagneticSide of Box: Congress, NARR R-1, Code A 0000, 2403, 2403, 5506, Intro and Build DEB, David McCullough, 3-3-88, Pt. 1, Outs; Leader Note: Congress, 3-3-88, Intro and Builders, Code A 0000-2403, NARR, R-1 |
Film F-20193/2439 |
David McCullough narration, 3 March 1988, mag 216mm motion picture film 800 feet Acetate ; MagneticSide of Box: Congress, NARR R-1, Code A 0000, 2403, 2403, 5506, Intro and Build DEB, David McCullough, 3-3-88, Pt. 1, Outs; Leader Note: Congress, 3-3-88, DEB, Code A 2404-5506, David's NARR, R-1A |
Film F-20193/2440 |
David McCullough narration, 3 March 1988, mag 316mm motion picture film 400 feet Acetate ; MagneticSide of Box: Congress, NARR R-2, Code B 0000-1388 1389, David McCullough, 3-3-88, Pt 2, Outs; Leader Note: Bosses, 3-3-88, Congress, Code B0000-1388, David's NARR, R-2 |
Film F-20193/2441 |
David McCullough narration, 3 March 1988, mag 416mm motion picture film 700 feet Acetate ; MagneticSide of Box: Congress, NARR R-2, Code B 0000-1388 1389, David McCullough, 3-3-88, Pt 2, Outs; Leader Note: Progressive, 3-3-88, Congress, Code B1389-, David's NARR, R-2B |
Film F-20193/2442 |
David McCullough narration, 3 March 1988, trims, mag16mm motion picture film 50 feet Acetate ; MagneticSide of Box: Congress, NARR R-2, Code B 0000-1388 1389, David McCullough, 3-3-88, Pt 2, Outs; Leader Note: Managed Dub Narr |
Film F-20193/2443 |
David McCullough narration, 3 May 1988, mag 116mm motion picture film 900 feet Acetate ; MagneticSide of Box: Congress, Final Narr, Code D E, Intro, Bosses, Builders, Debators, 5-3-88; Leader Notes: "Congress", 5-3-88, Narration, Code D, Roll #1 |
Film F-20193/2444 |
David McCullough narration, 3 May 1988, mag 216mm motion picture film 900 feet Acetate ; MagneticSide of Box: Congress, Final Narr, Code D E, Intro, Bosses, Builders, Debators, 5-3-88; Leader Notes: "Congress", 5-3-88, Narration, Code E, Roll #2 |
Film F-20193/2445 |
David McCullough narration, 3 May 1988, mag 316mm motion picture film 900 feet Acetate ; MagneticSide of Box: Congress, Final Narr, Code G I, Bosses, Progressives, Manager, 5-3-88; Leader Note: Congress, 3-5-88, Narration, Code G, Roll #3 |
Film F-20193/2446 |
David McCullough narration, 3 May 1988, mag 416mm motion picture film 250 feet Acetate ; MagneticSide of Box: Congress, Final Narr, Code G I, Bosses, Progressives, Manager, 5-3-88; Leader Note: Congress, 3-5-88, Narration, Code H, Roll #4 |
Film F-20193/2447 |
David McCullough narration, 23 June 1988, mag 116mm motion picture film 900 feet Acetate ; MagneticSide of Box: Congress, Really The Final Narration, Narr, Mag #1, Code K0000-2937, Mag #2 K2938-3035, L0000-2770; Leader Note: Mag #1 for R-1, Code K0000, Congress, Final Narration, 6-23-88, TRK |
Film F-20193/2448 |
David McCullough narration, 23 June 1988, mag 216mm motion picture film 850 feet Acetate ; MagneticSide of Box: Congress, Really The Final Narration, Narr, Mag #1, Code K0000-2937, Mag #2 K2938-3035, L0000-2770; Leader Note: Mag #2 for R-1, Code K2938/L0000, Congress, Final Narration, 6-23-88, TRK |
Film F-20193/2449 |
David McCullough narration, 23 June 1988, mag 316mm motion picture film 600 feet Acetate ; MagneticSide of Box: Congress, Really The Final Narr., Code M0000-1922, 2012-3689; Leader Note: Mag #3 for Reel 3, Congress, Code M0000, Narration |
Film F-20193/2450 |
David McCullough narration, 23 June 1988, mag 416mm motion picture film 600 feet Acetate ; MagneticSide of Box: Congress, Really The Final Narr., Code M0000-1922, 2012-3689; Leader Note: Mag #4 for Reel 2, Congress, Code M0000, Final Narr, 6-23-88 |
Film F-20193/2451 |
Ken Burns scratch narration, 24 November 1987, mag 116mm motion picture film 450 feet Acetate ; MagneticSide of Box: Congress, Scratch Narr. R-1, Code SA 0000-, Nov 24 1987, Ken Burns, Outs; Leader Note: Congress, 11-24-87, Code SA 0000, Scratch Narr R-1 |
Film F-20193/2452 |
Ken Burns scratch narration, 24 November 1987, mag 216mm motion picture film 925 feet Acetate ; MagneticSide of Box: Congress, Scratch Narr. R-1, Code SA 0000-, Nov 24 1987, Ken Burns, Outs; Leader Note: Congress, 11-24-87, Scratch Narr |
Film F-20193/2453 |
Ken Burns scratch narration, 4 December 1987, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: Congress Scratch Narr R-2, Final Narr, D0000, Piece RIXF, 12-4-1987, 12-22-87; Leader Note: Congress, 12-4-1987, No Code, Scratch Narr |
Film F-20193/2454 |
Ken Burns scratch narration, 4 December 1987, trims and lifts, mag16mm motion picture film Acetate ; MagneticSide of Box: Congress Scratch Narr R-2, Final Narr, D0000, Piece RIXF, 12-4-1987, 12-22-87 |
Film F-20193/2455 |
Ken Burns scratch narration, 22 December 1987, mag16mm motion picture film Acetate ; MagneticSide of Box: Scratch Narr, 12-22-87, Ken and Steve, No 1/4", Ken's Narr H1965+2232 |
Film F-20193/2456 |
Ken Burns scratch narration, 13 January 1988, mag16mm motion picture film 500 feet Acetate ; MagneticSide of Box: Congress, Scratch Narr, R-3, Code NC 0000, Ken's Scratch Narr, SR ID 1-13-88, R-1 + R-2, Outs; Leader Note: Congress, 1-13-88, Ken, R1+R2, Code NC 0000, Scratch Narr, R-3 |
Film F-20193/2457 |
Ken Burns scratch narration, 13 January 1988, trims and lifts, mag16mm motion picture film Acetate ; MagneticSide of Box: Congress, Scratch Narr, R-3, Code NC 0000, Ken's Scratch Narr, SR ID 1-13-88, R-1 + R-2, Outs |
Film F-20193/2458 |
Narration Selects, mag16mm motion picture film Acetate ; MagneticSide of Box: Narr Selects, A B D E G/I, 3-3-88, 5-3-88 |
SFC Audio Open Reel FT-20193/521 |
David McCullough narration, 3 March 1988, tape 1 of 21/4" Open Reel Audio 10" reel PolyesterFront of Box: 3-3-88, Tape 1 of 2, David McCullough, Narration One; Side of Box: David McCullough, Narr. 1, 3-3-88 |
SFC Audio Open Reel FT-20193/522 |
David McCullough narration, 3 March 1988, tape 2 of 21/4" Open Reel Audio 10" reel PolyesterFront of Box: 3-3-88, 1st Session, Narr David McCullough, R 2 of 2 |
SFC Audio Open Reel FT-20193/523 |
David McCullough narration, 3 May 19881/4" Open Reel Audio 10" reel PolyesterFront of Box: Congress, 5-3-88; Side of Box: David McCullough, 5-3-88; Note on Reel: Reel #1 |
SFC Audio Open Reel FT-20193/524 |
David McCullough narration, 23 June 1988, tape 1 of 21/4" Open Reel Audio 10" reel PolyesterFront of Box: 6-23-88, Congress, Last Narration, 1 of 2; Note on Reel: Reel #1 |
SFC Audio Open Reel FT-20193/525 |
David McCullough narration, 23 June 1988, tape 2 of 21/4" Open Reel Audio 10" reel PolyesterFront of Box: 6-23-88, Congress, Last Narration, 2 of 2; Note on Reel: Reel #2 |
SFC Audio Open Reel FT-20193/526 |
Ken Burns scratch narration, 24 November 19871/4" Open Reel Audio 10" reel PolyesterBack of Box: Congress, Scratch Narration, 11/24/87 |
SFC Audio Open Reel FT-20193/527 |
Ken Burns scratch narration, 4 December 19871/4" Open Reel Audio 7" reel PolyesterFront of Box: Congress, R-2; Side of Box: 12-4-87, R-2, S. Narr and Quotes |
SFC Audio Open Reel FT-20193/528 |
Ken Burns scratch narration, 13 January 1988, tape 1 of 21/4" Open Reel Audio 7" reel PolyesterFront of Box: Congress, Scratch Narration Ken, Reel 1; Side of Box: 1-13-88, Ken's Narr |
SFC Audio Open Reel FT-20193/529 |
Ken Burns scratch narration, 13 January 1988, tape 2 of 21/4" Open Reel Audio 7" reel PolyesterFront of Box: Congress, Scratch Narration Ken, Reel 2; Side of Box: 1-13-88, Ken's Narr |
SFC Audio Open Reel FT-20193/530 |
Ken Burns scratch narration, 21 February 19881/4" Open Reel Audio 7" reel PolyesterFront of Box: Congress, Narration Redos; Side of Box: Ken's Scratch Narr., 2-12-1988, Congress |
Film F-20193/2459 |
Lindy Boggs voiceover, mag16mm motion picture film 375 feet Acetate ; MagneticSide of Box: Congress, V1, R-15+16, Code VS 0000, VR 0000, S 0000, Lindy Boggs, SR 1028, Shelby Foot, Douglas Ward SR 4-8-88, SR 5-4-88; Leader Note: Congress, Lindy Boggs, VO, SR 1025 |
Film F-20193/2460 |
Jerome Dempsey voiceover, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: Congress, VT VX R-18 + VZ/Y, Bob Nichols, Jerome Dempsey, Pamela Reed, Ronnie Gilbert; Leader Note: Congress, Voiceover, Dempsey, Code VX0000 |
Film F-20193/2461 |
Colleen Dewhurst voiceover, mag16mm motion picture film 50 feet Acetate ; MagneticSide of Box: Audio Montage + Colleen Dewhurst, Congress; Leader Note: Colleen Dewhurst, Congress |
Film F-20193/2462 |
Horton Foote voiceover, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: Congress, VR, R-10+12, Code VL 0000, VN, Horton Foote, 3-2-88, Arthur Miller, 2-11-88, Outs; Leader Note: Congress, H. Foote, 3-2-88, Code VN 0000, Voice R-12 |
Film F-20193/2463 |
Shelby Foote voiceover, mag16mm motion picture film 425 feet Acetate ; MagneticSide of Box: Congress, V1, R-15+16, Code VS 0000, VR 0000, S 0000, Lindy Boggs, SR 1028, Shelby Foot, Douglas Ward SR 4-8-88, SR 5-4-88; Leader Note: Shelby Foote, Code VS 0000, Voice, R-16 |
Film F-20193/2464 |
Morgan Freeman voiceover, mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: Congress, VR R-13+14, Code VP 0000, VQ, Morgan Freeman, SR 4-5-88, 3-8-88, Rev. McKeachie, Outs; Leader Note: Morgan Friedman, 4-6-88, Code VQ 0000, Voice, R-14 |
Film F-20193/2465 |
Ronnie Gilbert voiceover, mag16mm motion picture film 175 feet Acetate ; MagneticSide of Box: Congress, VT VX R-18 + VZ/Y, Bob Nichols, Jerome Dempsey, Pamela Reed, Ronnie Gilbert; Leader Note: Congress, CW #1045, Ronnie Gilbert, Code Y8573, Voice, R-17 |
Film F-20193/2466 |
Donald Hall voiceover, mag; Wendy Tilghman voiceover, mag16mm motion picture film 200 feet Acetate ; MagneticSide of Box: Congress, VR, R-3, Code VC 0000, 0588, Donald Hall, Wendy Tilghman, CW 1006-1007, Outs; Leader Note: Congress, SR 1006-1007, Hall-Tilghman, Code VC 0000, VR, R-3 |
Film F-20193/2467 |
Julie Harris voiceover, mag16mm motion picture film 150 feet Acetate ; MagneticSide of Box: Congress, VR, R-1/2, VA 0000, VB 0000, Julie Harris, Derek Jacobi, SR CW 1016, SR 10001, Outs; Leader Note: Congress, Julie Harris, Code VA 0000, VR, R-1 |
Film F-20193/2468 |
David I voiceover, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: Congress, VR, R-5, Brad W., Code VE 2080, 3050, VR R-5A, David I, Code VE 5000, 5976, R-12-11-87; Leader Note: 12-11-87, Congress, Code VE 5000, VR-5A |
Film F-20193/2469 |
Derek Jacobi voiceover, mag16mm motion picture film 600 feet Acetate ; MagneticSide of Box: Congress, VR, R-1/2, VA 0000, VB 0000, Julie Harris, Derek Jacobi, SR CW 1016, SR 10001, Outs; Leader Note: Congress, D. Jacobi, Code VB 0000, VR, R-2 |
Film F-20193/2470 |
Garrison Keillor voiceover, mag16mm motion picture film 600 feet Acetate ; MagneticSide of Box: Congress, VR, R-8, Code VJ 0000, Kurt Vonnegut, VR, R-9, Code VK 0000, G. Keillor, 2-10-88; Leader Note: Keillor, Congress, 1/4" Reel, 2-10-88, Code VK 0000, Voice, R-9 |
Film F-20193/2471 |
Reverend McKeachie voiceover, mag16mm motion picture film 1100 feet Acetate ; MagneticSide of Box: Congress, VR R-13+14, Code VP 0000, VQ, Morgan Freeman, SR 4-5-88, 3-8-88, Rev. McKeachie, Outs; Leader Note: Rev. McKeachie, 3-9-88, "Congress", Code VP 0000, VR-13 |
Film F-20193/2472 |
Walt McPherson voiceover, mag16mm motion picture film 1000 feet Acetate ; MagneticSide of Box: Congress, Voice, R-6, Code VG 0000, VD 0000, Walt McPherson 1-11-88, Chris Mearny 12-4-87, R-1; Leader Note: Congress, 1-11-1988, Code VG 0000, Voice Reel 6 |
Film F-20193/2473 |
Chris Mearny voiceover, mag16mm motion picture film 800 feet Acetate ; MagneticSide of Box: Congress, Voice, R-6, Code VG 0000, VD 0000, Walt McPherson 1-11-88, Chris Mearny 12-4-87, R-1 |
Film F-20193/2474 |
Arthur Miller voiceover, mag16mm motion picture film 350 feet Acetate ; MagneticSide of Box: Congress, VR, R-10+12, Code VL 0000, VN, Horton Foote, 3-2-88, Arthur Miller, 2-11-88, Outs; Leader Note: 2-11-88, Congress, Arthur Miller, Code VL 0000, VR-10 |
Film F-20193/2475 |
Bob Nichols voiceover, mag16mm motion picture film 250 feet Acetate ; MagneticSide of Box: Congress, VT VX R-18 + VZ/Y, Bob Nichols, Jerome Dempsey, Pamela Reed, Ronnie Gilbert; Leader Note: Congress, Voiceover, Bob Nichols, Code VT0000 |
Film F-20193/2476 |
George Plympton voiceover, mag 116mm motion picture film 450 feet Acetate ; MagneticSide of Box: Congress, Voice, R-7, Code VH 0000, George Plympton 1-15-88, Ken's 100 101 102 79 77, Outs; Leader Note: Congress, George Plympton, Code VH 0000, Voice R-7 |
Film F-20193/2477 |
George Plympton voiceover, mag 216mm motion picture film 300 feet Acetate ; MagneticSide of Box: Congress, Voice, R-7, Code VH 0000, George Plympton 1-15-88, Ken's 100 101 102 79 77, Outs; Leader Note: Congress, George Plympton, Code VH 3000, Voice R-7 |
Film F-20193/2478 |
Quotes Selects, mag 116mm motion picture film Acetate ; MagneticTop of Box: Quotes Selects |
Film F-20193/2630 |
Quotes Selects, mag 216mm motion picture film Acetate ; MagneticTop of Box: Quotes Selects |
Film F-20193/2479 |
Pamela Reed voiceover, mag16mm motion picture film 325 feet Acetate ; MagneticSide of Box: Congress, VT VX R-18 + VZ/Y, Bob Nichols, Jerome Dempsey, Pamela Reed, Ronnie Gilbert; Leader Note: Congress, Pamela Reed, Code VZ0000, TRK |
Film F-20193/2480 |
Paul Robeling voiceover, mag 116mm motion picture film 600 feet Acetate ; MagneticSide of Box: Congress, VR, R-11, Code VM 0000, Paul Roebling, 2-16-88, Outs; Leader Note: Congress, 2-16-1988, Paul Roebling, Code VM 0000, VR-11 |
Film F-20193/2481 |
Paul Robeling voiceover, mag 216mm motion picture film 500 feet Acetate ; MagneticSide of Box: Congress, VR, R-11, Code VM 0000, Paul Roebling, 2-16-88, Outs; Leader Note: 4-14-88, Code VM 5000, Voice, R-11A |
Film F-20193/2482 |
Wendy Tilghman voiceover, mag16mm motion picture film 450 feet Acetate ; MagneticSide of Box: Congress, VR, R-3, Code VC 0000, 0588, Donald Hall, Wendy Tilghman, CW 1006-1007, Outs; Leader Note: CW 1036, Wendy Tilghman, Code VC 1000, Voice, R-3 |
Film F-20193/2483 |
Wendy Tilghman voiceover, mag; Julie Harris voiceover, mag16mm motion picture film 50 feet Acetate ; MagneticSide of Box: Congress, VR, R-1/2, VA 0000, VB 0000, Julie Harris, Derek Jacobi, SR CW 1016, SR 10001, Outs; Leader Note: Wendy Tilghman/Julie Harris Voices, You Would Not Know/How Narr |
Film F-20193/2484 |
Various Voices, pix 116mm motion picture film Acetate ; Magnetic |
Film F-20193/2485 |
Various Voices, pix 216mm motion picture film Acetate ; Magnetic |
Film F-20193/2486 |
Various Voices, pix 316mm motion picture film Acetate ; Magnetic |
Film F-20193/2487 |
Various Voices, pix 416mm motion picture film Acetate ; Magnetic |
Film F-20193/2488 |
Kurt Vonnegut voiceover, mag16mm motion picture film 250 feet Acetate ; MagneticSide of Box: Congress, VR, R-8, Code VJ 0000, Kurt Vonnegut, VR, R-9, Code VK 0000, G. Keillor, 2-10-88; Leader Note: Congress, 2-10-88, Kurt Vonnegut, Code VJ 0000, Voice, R-8 |
Film F-20193/2489 |
Brad W voiceover, mag16mm motion picture film 350 feet Acetate ; MagneticSide of Box: Congress, VR, R-5, Brad W., Code VE 2080, 3050, VR R-5A, David I, Code VE 5000, 5976, R-12-11-87 |
Film F-20193/2490 |
Douglas Ward voiceover, mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: Congress, V1, R-15+16, Code VS 0000, VR 0000, S 0000, Lindy Boggs, SR 1028, Shelby Foot, Douglas Ward SR 4-8-88, SR 5-4-88; Leader Note: 4-8-88, Douglas Ward Voice, R-15, Code VR 0000 |
SFC Audio Open Reel FT-20193/531 |
Colleen Dewhurst voiceover1/4" Open Reel Audio 5" reel PolyesterFront of Box: Congress, Colleen Dewhurst |
SFC Audio Open Reel FT-20193/532 |
Horton Foote voiceover1/4" Open Reel Audio 7" reel PolyesterFront of Box: Congress, Horton Foote V.O.; Side of Box: Congress, Horton Foote, 3-2-88 |
SFC Audio Open Reel FT-20193/533 |
Morgan Freeman voiceover1/4" Open Reel Audio 7" reel PolyesterFront of Box: Congress, Morgan Freeman; Side of Box: Congress, Morgan Freeman, 4-5-88 |
SFC Audio Open Reel FT-20193/534 |
Julie Harris voiceover1/4" Open Reel Audio 7" reel PolyesterFront of Box: Congress/Julie Harris, 15 IPS, T.O., 9-8-87 |
SFC Audio Open Reel FT-20193/535 |
Garrison Keillor voiceover1/4" Open Reel Audio 7" reel PolyesterFront of Box: Congress, Garrison Keillor #2; Side of Box: G. Keillor #2 |
SFC Audio Open Reel FT-20193/536 |
Garrison Keillor voiceover; Kurt Vonnegut voiceover1/4" Open Reel Audio 10" reel PolyesterFront of Box: Keillor, Congress; Side of Box: Congress, Garrison Keillor, Kurt Vonnegut, 2-10-88 |
SFC Audio Open Reel FT-20193/537 |
Reverend McKeachie voiceover1/4" Open Reel Audio 7" reel PolyesterFront of Box: Congress Quotes, 3-7-88, Rev. McKeachie V.O.; Side of Box: Congress, McKeachie, 3-8-88 |
SFC Audio Open Reel FT-20193/538 |
Arthur Miller voiceover1/4" Open Reel Audio 7" reel PolyesterFront of Box: Arthur Miller, Congress; Side of Box: Congress, Arthur Miller, 2-11-88 |
SFC Audio Open Reel FT-20193/539 |
Bob Nichols voiceover; Jerome Dickey voiceover1/4" Open Reel Audio 7" reel PolyesterFront of Box: Congress, Bob Nichols, Jerome Dempsey, Voice Over, 6-9-88; Side of Box: Congress, Bob Nichols/Jerome Dempsey |
SFC Audio Open Reel FT-20193/540 |
George Plimpton voiceover1/4" Open Reel Audio 7" reel PolyesterFront of Box: Congress #1039; Side of Box: Congress #1039, G. Plimpton Quotes |
SFC Audio Open Reel FT-20193/541 |
George Plimpton voiceover; Scratch Narration1/4" Open Reel Audio 7" reel PolyesterFront of Box: Plimpton and Scratch Nar. Plus KB-Quote; Side of Box: Congress, George Plimpton, 1-15-88 |
SFC Audio Open Reel FT-20193/542 |
Pamela Reed voiceover1/4" Open Reel Audio 5" reel PolyesterFront of Box: Jeanette Rankin, Pamela Reed, Congress |
SFC Audio Open Reel FT-20193/543 |
Paul Roebling voiceover, tape 1 of 21/4" Open Reel Audio 10" reel PolyesterFront of Box: Congress, Paul Roebling; Side of Box: Congress, Paul Roebling, 2-16-88 |
SFC Audio Open Reel FT-20193/544 |
Paul Roebling voiceover, tape 2 of 21/4" Open Reel Audio 7" reel PolyesterBack of Box: 4/14/88, The Congress, V.O, Paul Roebling; Side of Box: Congress, Paul Roebling, 4-14-88 |
SFC Audio Open Reel FT-20193/545 |
Voices; Scratch Narration, 4 December 19871/4" Open Reel Audio 10" reel PolyesterSide of Box: 12-4-1987, Congress, Voices, Scratch Narration |
SFC Audio Open Reel FT-20193/546 |
Douglas Ward voiceover1/4" Open Reel Audio 5" reel PolyesterSide of Box: Congress, Douglas Ward, 4-8-88; Front of Box: "Congress", Douglas Turner Ward |
SFC Audio Open Reel FT-20193/547 |
Brad Washburn voiceover; David Ives voiceover1/4" Open Reel Audio 10" reel PolyesterSide of Box: Brad Washington, David Ives, Quotes |
Film F-20193/2491 |
DIA A, reel 1, mag16mm motion picture film 1100 feet Acetate ; MagneticTop of Box: DIA A+B, Congress, R-1; Leader Note: Congress, DIAL A, R-1 |
Film F-20193/2492 |
DIA B, reel 1, mag16mm motion picture film 1100 feet Acetate ; MagneticTop of Box: DIA A+B, Congress, R-1; Leader Note: Congress, DIAL A, R-2 |
Film F-20193/2493 |
DIA C, reel 1, mag16mm motion picture film 1200 feet Acetate ; MagneticLeader Note: Congress, DIAL C, R-1 |
Film F-20193/2494 |
DIA A, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: DIA A B, Congress, R-2; Leader Note: Congress, Reel 2, DIAL A |
Film F-20193/2495 |
DIA B, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: DIA A B, Congress, R-2; Leader Note: Congress, Reel 2, DIAL B |
Film F-20193/2496 |
DIA C, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: DIA C D, Congress, R-2; Leader Note: Congress, Reel 2, DIAL C |
Film F-20193/2497 |
DIA D, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: DIA C D, Congress, R-2; Leader Note: Congress, Reel 2, DIAL D |
Film F-20193/2498 |
DIA A, reel 3, mag16mm motion picture film 1300 feet Acetate ; MagneticLeader Note: R-3, DIAL A |
Film F-20193/2499 |
DIA B, reel 3, mag16mm motion picture film 1300 feet Acetate ; MagneticLeader Note: Congress, DIAL B, TRK B, R-3 |
Film F-20193/2500 |
DIA C, reel 3, mag16mm motion picture film 1300 feet Acetate ; MagneticLeader Note: Congress, R-3, DIAL C |
Film F-20193/2501 |
FX A, reel 1, mag16mm motion picture film 1050 feet Acetate ; MagneticTop of Box: FX A+B, Congress, R-1; Leader Note: Congress, R-1, Fx A |
Film F-20193/2502 |
FX B, reel 1, mag16mm motion picture film 1050 feet Acetate ; MagneticTop of Box: FX A+B, Congress, R-1; Leader Note: Congress, R-1, Fx B |
Film F-20193/2503 |
FX C, reel 1, mag16mm motion picture film 1050 feet Acetate ; MagneticTop of Box: FX TRK C+D, R-1; Leader Note: Congress, R1, FX C |
Film F-20193/2504 |
FX D, reel 1, mag16mm motion picture film 1050 feet Acetate ; MagneticTop of Box: FX TRK C+D, R-1; Leader Note: Congress, R1, FX D |
Film F-20193/2505 |
FX A, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: FX TRK A B, R-2, Congress; Leader Note: Congress, FX A, R-2 |
Film F-20193/2506 |
FX B, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: FX TRK A B, R-2, Congress; Leader Note: Congress, FX B, R-2 |
Film F-20193/2507 |
FX C, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: FX C+D, Congress, R-2; Leader Note: Congress, R-2, FX C |
Film F-20193/2508 |
FX D, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: FX C+D, Congress, R-2; Leader Note: Congress, R-2, FX D |
Film F-20193/2509 |
FX A, reel 3, mag16mm motion picture film 1200 feet Acetate ; MagneticLeader Note: Congress, R-3, FX A |
Film F-20193/2510 |
FX B, reel 3, mag16mm motion picture film 1200 feet Acetate ; MagneticLeader Note: Congress, R-3, FX B |
Film F-20193/2511 |
FX C, reel 3, mag16mm motion picture film 1200 feet Acetate ; MagneticLeader Note: Congress, R-3, FX C |
Film F-20193/2512 |
FX D, reel 3, mag16mm motion picture film 1275 feet Acetate ; MagneticLeader Note: Congress, R-3, FX D, MOS |
Film F-20193/2513 |
Music, Track A, reel 3, mag16mm motion picture film 1250 feet Acetate ; MagneticLeader Note: Congress, Original Music A, R-3 |
Film F-20193/2514 |
Music, Track B, reel 3, mag16mm motion picture film 1200 feet Acetate ; MagneticLeader Note: Congress, Music B, R-3 |
Film F-20193/2515 |
Music, Track C, reel 3, mag16mm motion picture film 1250 feet Acetate ; MagneticLeader Note: Congrees, Music, TRK C, R-3, Center Edge |
Film F-20193/2516 |
Music Track, reel 1, mag35mm motion picture film 200 feet Acetate ; MagneticLeader Note: Congress, R-1, Music Trk |
Film F-20193/2517 |
Music Track, reel 3, mag35mm motion picture film 250 feet Acetate ; MagneticLeader Note: Congress, R-3, 35mm Mus TRK, 2650' Start Mark |
Film F-20193/2518 |
Optical Track35mm motion picture film 200 feet Polyester ; B/W ; OpticalSide of Box: 35mm Optical and 1/4" Safety, PMN 2612/PMNC 1515A |
Film F-20193/2519 |
Narration, Track A, reel 1, mag16mm motion picture film 1100 feet Acetate ; MagneticTop of Box: NARR A+B, Congress, R-1; Leader Note: Congress, Narration A, R-1 |
Film F-20193/2520 |
Narration, Track B, reel 1, mag16mm motion picture film 1100 feet Acetate ; MagneticTop of Box: NARR A+B, Congress, R-1; Leader Note: Congress, Narration B, R-1 |
Film F-20193/2521 |
Narration, Track A, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: NARR A B, R-2, Congress; Leader Note: Congress, Narration A, R-2 |
Film F-20193/2522 |
Narration, Track B, reel 2, mag16mm motion picture film 1050 feet Acetate ; MagneticTop of Box: NARR A B, R-2, Congress; Leader Note: Congress, Narration B, R-2 |
Film F-20193/2523 |
Narration, Track A, reel 3, mag16mm motion picture film 1250 feet Acetate ; MagneticLeader Note: Congress, A-Narr-A, R-3 |
Film F-20193/2524 |
Narration, Track B, reel 3, mag16mm motion picture film 1300 feet Acetate ; MagneticLeader Note: Congress, NARR B, R-3 |
Film F-20193/2525 |
Scratch Mix, reel 1, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: Scratch Mix, R-1, Congress; Leader Note: Congress, R-1, Scratch Mix, TRK |
Film F-20193/2526 |
Scratch Mix, reel 2, mag16mm motion picture film 950 feet Acetate ; MagneticTop of Box: Scratch Mix TRK, R-2, Congress; Leader Note: Congress, R-2, Scratch Mix, TRK |
Film F-20193/2527 |
Scratch Mix, reel 3, mag16mm motion picture film 1200 feet Acetate ; MagneticLeader Note: Congress, R-3, Scratch Mix, TRK |
Film F-20193/2528 |
Tones, Track A, reel 1, mag16mm motion picture film 1050 feet Acetate ; MagneticTop of Box: Tones, A + B, Congress, R-1; Leader Note: Congress, Tones, TRK A, R-1 |
Film F-20193/2529 |
Tones, Track B, reel 1, mag16mm motion picture film 1050 feet Acetate ; MagneticTop of Box: Tones, A + B, Congress, R-1; Leader Note: Congress, Tones, TRK B, R-1 |
Film F-20193/2530 |
Tones, Track C, reel 1, mag16mm motion picture film 1050 feet Acetate ; MagneticTop of Box: Tones, C + D, Congress, R-1; Leader Note: Congress, Tones, Trk C, R-1 |
Film F-20193/2531 |
Tones, Track D, reel 1, mag16mm motion picture film 1050 feet Acetate ; MagneticTop of Box: Tones, C + D, Congress, R-1; Leader Note: Congress, Tones, Trk D, R-1 |
Film F-20193/2532 |
Tones, Track A, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: Tones, TRK A, TRK B, R-2, Congress; Leader Note: Congress, Tone, TRK A, R-2 |
Film F-20193/2533 |
Tones, Track B, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: Tones, TRK A, TRK B, R-2, Congress; Leader Note: Congress, Tone, TRK B, R-2 |
Film F-20193/2534 |
Tones, Track C, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: Tones, TRK C D, Congress, R-2; Leader Note: Congress, Tones, TRK C, R-2 |
Film F-20193/2535 |
Tones, Track D, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticTop of Box: Tones, TRK C D, Congress, R-2; Leader Note: Congress, Tones, TRK D, R-2 |
Film F-20193/2536 |
Tones, Track A, reel 3, mag16mm motion picture film 1250 feet Acetate ; MagneticLeader Note: Congress, Tones, TRK A, R-3 |
Film F-20193/2537 |
Tones, Track B, reel 3, mag16mm motion picture film 1250 feet Acetate ; MagneticLeader Note: Congress, Tones, TRK B, R-3 |
Film F-20193/2538 |
[unidentified film element], optical track35mm motion picture film 200 feet Polyester ; Optical
|
SFC Audio Open Reel FT-20193/548 |
Final Mix TRK1/4" Open Reel Audio 10" reel PolyesterFront of Box: Final Mix TRK, Original 1/4", 1/4" Tape Congress Mix |
SFC Audio Open Reel FT-20193/549 |
Mix Elements, 3 December 19871/4" Open Reel Audio 7" reel PolyesterSide of Box: Mix Elements, Congress, 12-3-87 |
SFC Audio Open Reel FT-20193/550 |
Mix from F.C., tape 1 of 31/4" Open Reel Audio 7" reel PolyesterFront of Box: Final Original Mix, 8/3/88, Reel 1, Mix From F.C. |
SFC Audio Open Reel FT-20193/551 |
Mix from F.C., tape 2 of 31/4" Open Reel Audio 7" reel PolyesterFront of Box: 8/3/88, Reel 2, Mix From F.C. |
SFC Audio Open Reel FT-20193/552 |
Mix from F.C., tape 3 of 31/4" Open Reel Audio 7" reel PolyesterFront of Box: 8/3/88, Reel 3, Mix From F.C. |
SFC Audio Open Reel FT-20193/553 |
Music, reel 21/4" Open Reel Audio 10" reel PolyesterNote on Reel: Music, M-2, Reel #2 |
SFC Audio Open Reel FT-20193/554 |
Scratch Mix, tape 1 of 31/4" Open Reel Audio 10" reel PolyesterFront of Box: Congress (Scratch Mix), Reel 1 of 3, Date 7-11-88 |
SFC Audio Open Reel FT-20193/555 |
Scratch Mix, tape 2 of 31/4" Open Reel Audio 10" reel PolyesterFront of Box: Congress (Scratch Mix), Reel 2 of 3, Date 7-11-88 |
SFC Audio Open Reel FT-20193/556 |
Scratch Mix, tape 3 of 31/4" Open Reel Audio 10" reel PolyesterFront of Box: Congress (Scratch Mix), Reel 3 of 3, Date 7-11-88 |
Film F-20193/2539 |
Arch. of the Capitol, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 1 2 3 4 5 6 7 8 9 10 11 12 13 14, Old Print Shop, Senate Hist. Office, Capitol Views, L.O.C., Arch of Cap., Outs; Leader Note: Arch. Of the Capitol, MOS, Roll #12 13 14, Congress, Pic |
Film F-20193/2540 |
Architecture: American Heritage, pix 116mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: MOS, CR 68-69, 71-73, 74, 88, 89, 90, Arch. American Heritage, Walpole Arch., Arch. L.O.C., Cap Views; Leader Note: Arch - American Heritage, Cam # 72A 73A, Congress, Pic |
Film F-20193/2541 |
Architecture: American Heritage, pix 216mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: MOS, CR 68-69, 71-73, 74, 88, 89, 90, Arch. American Heritage, Walpole Arch., Arch. L.O.C., Cap Views; Leader Note: Arch - Am. Heritage, Cam #74-A, Congress, Pic |
Film F-20193/2542 |
Architecture: L.O.C., pix 116mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: MOS, CR 68-69, 71-73, 74, 88, 89, 90, Arch. American Heritage, Walpole Arch., Arch. L.O.C., Cap Views; Leader Note: Arch, L.O.C., MOS, CAM #88 89, Congress, Pic |
Film F-20193/2543 |
Architecture: L.O.C., pix 216mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: MOS, CR 68-69, 71-73, 74, 88, 89, 90, Arch. American Heritage, Walpole Arch., Arch. L.O.C., Cap Views; Leader Note: Arch. L.O.C., MOS, Cam #90, Congress, Pic |
Film F-20193/2544 |
Architecture: Walpole Architecture, pix16mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: MOS, CR 68-69, 71-73, 74, 88, 89, 90, Arch. American Heritage, Walpole Arch., Arch. L.O.C., Cap Views; Leader Note: Arch - Walpole, MOS, CAM #68-A 69-A, Congress, Pic |
Film F-20193/2545 |
Archival Stills, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 108 111 113 116 117 118 119 120 121-122 123 124 125 126 127 128, Capitol Ext., Cap. Int., Managers, P.V., Arch Stills, Transp. |
Film F-20193/2546 |
Bosses People, pix16mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-14, Code Q 0000-4608, Bosses People, J.G. Blaine; Leader Note: Congress, Bosses People, Code Q0000, MOS, R-14 |
Film F-20193/2547 |
Bosses People, trims16mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, R-14, Code Q 0000-4608, Bosses People, J.G. Blaine; Leader Note: Q 0000 |
Film F-20193/2548 |
Bosses People: Detail, Tattooed Man, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-14, Code Q 0000-4608, Bosses People, J.G. Blaine; Leader Note: Congress, Bosses People, Detail, Tattooed Man, Pix |
Film F-20193/2549 |
Bosses People: Detail, Tattooed Man, trims16mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, R-14, Code Q 0000-4608, Bosses People, J.G. Blaine; Leader Note: Q 3000, Det Views and Tattoo Man |
Film F-20193/2550 |
Bosses View, pix 116mm motion picture film 1000 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-15, 15A, Code R 0000, 2750, R3, Bosses View, Pt. 1 2; Leader Note: Congress, Boss V, Code R 0000, MOS, R-15 |
Film F-20193/2551 |
Bosses View, pix 216mm motion picture film 700 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-15, 15A, Code R 0000, 2750, R3, Bosses View, Pt. 1 2; Leader Note: Congress, Bosses View Pt. 2, Code R 3000, MOS, R-15 |
Film F-20193/2552 |
Builder People, pix16mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-10, Code L0000-1282, Builder People; Leader Note: Congress, Build P, Code L 0000, MOS, R-10 |
Film F-20193/2553 |
Builder People, trims16mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, R-10, Code L0000-1282, Builder People; Leader Note: L0000, Builder People |
Film F-20193/2554 |
Builder View, pix 116mm motion picture film 800 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-11, Code M0000-2939, Builder View Pt. 1, R. Drawing; Leader Note: Congress, Build V, Code M0000, MOS, R-11 |
Film F-20193/2555 |
Builder View, pix 216mm motion picture film 425 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-11A, Code M, 2940-4338, Builder View, Pt. 2; Leader Note: Code M2940, Builder V. |
Film F-20193/2556 |
Builder View, pix 316mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-11A, Code M, 2940-4338, Builder View, Pt. 2; Leader Note: Code M 4338, Congress, Cont. Builders View |
Film F-20193/2557 |
Builder View, pix 416mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-11A, Code M, 2940-4338, Builder View, Pt. 2; Leader Note: Code M 44405, Congress, Builder View |
Film F-20193/2558 |
Builder View: Capitol Photo Reshoot, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-11, Code M0000-2939, Builder View Pt. 1, R. Drawing; Leader Note: Congress, 8/5/88, Capitol Photo Reshoot for Builders View, Pix |
Film F-20193/2559 |
Builder View: Floor Plan Drawings of Dome, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-11, Code M0000-2939, Builder View Pt. 1, R. Drawing; Leader Note: Builder, Floor Plan Drawings of Dome, Code M0000, MOS, R-11 |
Film F-20193/2560 |
Builder View, trims16mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, R-11, Code M0000-2939, Builder View Pt. 1, R. Drawing |
Film F-20193/2561 |
Civil War Shot, pix16mm motion picture film 25 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-13, Code P 0000, 7891, Debator View, Misc. View, Civil War Shot; Leader Note: Reshot for Congress, Not Coded, CR 230, Congress, Civil War Shot, Pix |
Film F-20193/2562 |
CR 105 106 and 107, pix16mm motion picture film 275 feet Polyester ; Color ; SilentSide of Box: Congress, MOS CR 97 98 103 104 105 106 107, Capitol Ext, Capitol Int, Views Fireworks, CR 501 Cap Ext Construction, Outs; Leader Note: Congress, CR 105 106 107, MOS |
Film F-20193/2563 |
Debator People, pix16mm motion picture film 500 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-12, Code N0000-2213, Deb P.; Leader Note: Congress, Deb P., Code N0000, MOS, R-12 |
Film F-20193/2564 |
Debator People, trims16mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, R-12, Code N0000-2213, Deb P.; Leader Note: N0000, Debator People |
Film F-20193/2565 |
Debator People: Calhoun, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-12, Code N000-, Deb. People, Clay, Calhoun, Webster, J.Q.A., Comp 1850; Leader Note: Debator, N0000, Calhoun, MOS, R-12 |
Film F-20193/2566 |
Debator People: Clay, pix16mm motion picture film 325 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-12, Code N000-, Deb. People, Clay, Calhoun, Webster, J.Q.A., Comp 1850; Leader Note: Debator, Congress, Clay, Code N0000, MOS, R-12 |
Film F-20193/2567 |
Debator People: Compromise of 1850, pix16mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-12, Code N000-, Deb. People, Clay, Calhoun, Webster, J.Q.A., Comp 1850; Leader Note: N0000, P0000, Compromise of 1850, Deb |
Film F-20193/2568 |
Debator People: John Q. Adams, pix16mm motion picture film 175 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-12, Code N000-, Deb. People, Clay, Calhoun, Webster, J.Q.A., Comp 1850; Leader Note: Congress, John Q. Adams, MOS R-12, Code N0000, MOS R-10, Code L0000 |
Film F-20193/2569 |
Debator People: Webster, pix16mm motion picture film 550 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-12, Code N000-, Deb. People, Clay, Calhoun, Webster, J.Q.A., Comp 1850; Leader Note: Congress, Webster, Code N0000, MOS, R-12 |
Film F-20193/2570 |
Debator View, reshoot, pix16mm motion picture film 400 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-?, Code K0000-0121, Misc Capitol Stills, Extra Print Liquid Gate, Debator View, No Code; Leader Note: Congress, 3-31-88, R-123, Reshoot - W/ Liquid Gate/Debator Views |
Film F-20193/2571 |
Debator View and Miscellaneous Views, pix16mm motion picture film 1050 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-13, Code P 0000, 7891, Debator View, Misc. View, Civil War Shot; Leader Note: Congress, Deb V., Pt 1, Code P0000, MOS, R-13 |
Film F-20193/2572 |
Frame Shop and Transpares, pix16mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: Congress, MOS CR 61 62 64 65 66, AKA M13 M16 M17 M18, Views - Capitol, LOC, Transpares-Views, Dome; Leader Note: Frame Shop, Transpares, MOS, CAM 60 61 62, Congress, Pic |
Film F-20193/2573 |
George Tames at NY Times, pix16mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 38 39 54 55 56 57 58 59, AKA M7 M8 M9 M10 M11 M12, Tames at Times, Views - Congressional Cemetary, L.O.C., Outs; Leader Note: Archives, MOS, Cam #38 39, Congress, Pic |
Film F-20193/2574 |
Inaugurations, pix16mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R 1+2, Code A+B 0000-0380, Inaug, Lincoln 2nd, Grant, Hayes, Taft, Cleveland, McKinley, Roosevelt, Intro; Leader Note: Congress, Inaug, Code B0000, MOS, R-2 |
Film F-20193/2575 |
Intro, pix16mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R 1+2, Code A+B 0000-0380, Inaug, Lincoln 2nd, Grant, Hayes, Taft, Cleveland, McKinley, Roosevelt, Intro; Leader Note: Congress, Intro, Code A0000, MOS, R-1 |
Film F-20193/2576 |
J.G. Blaine, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-14, Code Q 0000-4608, Bosses People, J.G. Blaine; Leader Note: Code Q 0000, MOS, R-14, J.G. Blaine |
Film F-20193/2577 |
Leland Stanford, pix16mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-14, Code Q 0000-4608, Bosses People, J.G. Blaine; Leader Note: Code Q4609, Bosses, Leland Stanford, Pix |
Film F-20193/2578 |
Manager People, pix 116mm motion picture film 750 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-18, Code 0000-3319, Manager People; Leader Note: Congress, Man P, Code V0000, MOS R-18 |
Film F-20193/2579 |
Manager People, pix 216mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-18, Code 0000-3319, Manager People; Leader Note: V 2635, Managers (Cont), Pix |
Film F-20193/2580 |
Manager People, trims16mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, R-18, Code 0000-3319, Manager People; Leader Note: Manager People, V0000 |
Film F-20193/2581 |
Manager Views, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-19, Code W0000-0611, Manager V.; Leader Note: Congress, Man V, Code W0000, MOS, R-19 |
Film F-20193/2582 |
Manager Views, trims16mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, R-19, Code W0000-0611, Manager V.; Leader Note: Manager Views, W0000 |
Film F-20193/2583 |
Miscellaneous Capitol Stills, pix16mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-?, Code K0000-0121, Misc Capitol Stills, Extra Print Liquid Gate, Debator View, No Code; Leader Note: Congress, Cap Misc., Code K0000, MOS, R-9 |
Film F-20193/2584 |
Norris Reshoot, pix16mm motion picture film 75 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-16A, Code S 3000-5553, Prog P. Pt. 2 and Norris Reshoot; Leader Note: Congress, CR 232, 8-1-88, Norris Reshoot, Pix |
Film F-20193/2585 |
Old Print Shop, Senate Historical Office, pix16mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 1 2 3 4 5 6 7 8 9 10 11 12 13 14, Old Print Shop, Senate Hist. Office, Capitol Views, L.O.C., Arch of Cap., Outs; Leader Note: Capital Views, Old Print Shop, Senate Historical Office, MOS, Roll #5 6 7, Congress, Pic |
Film F-20193/2586 |
Progressive People, pix 116mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-16, Code S0000-2359, Prog P. Pt. 1; Leader Note: Congress, Prog P Pt. 1, Code S 0000, MOS, R-16 |
Film F-20193/2587 |
Progressive People, trims 116mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, R-16, Code S0000-2359, Prog P. Pt. 1; Leader Note: S0000, Progressive People |
Film F-20193/2588 |
Progressive People, pix 216mm motion picture film 600 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-16A, Code S 3000-5553, Prog P. Pt. 2 and Norris Reshoot; Leader Note: Congress, Prog P Pt. 2, Code S3000, MOS, R-16 |
Film F-20193/2589 |
Progressive People, pix 316mm motion picture film 50 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-16A, Code S 3000-5553, Prog P. Pt. 2 and Norris Reshoot; Leader Note: Code S 8115, Congress, Progressive People, Pix |
Film F-20193/2590 |
Progressive People, trims 216mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, R-16A, Code S 3000-5553, Prog P. Pt. 2 and Norris Reshoot; Leader Note: S 3000, Prog. People |
Film F-20193/2591 |
Progressive View, pix16mm motion picture film 700 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, R-17, Code T0000-2563, Prog View; Leader Note: Congress, Prog V, Code T0000, MOS, R-17 |
Film F-20193/2592 |
Progressive View, trims16mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, R-17, Code T0000-2563, Prog View; Leader Note: Progressive View, T0000 |
Film F-20193/2593 |
Reed/Woman and Boy/Hayes, pix16mm motion picture film 100 feet Polyester ; Color ; SilentSide of Box: Congress, Gary Becker, Bad Shoot; Leader Note: Reed/Woman and Boy/Hayes, Congress |
Film F-20193/2594 |
Rolls #200, 201, 202, pix16mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: Congress, Gary Becker, Bad Shoot; Leader Note: Title - Congress, Roll #200 201 202 |
Film F-20193/2595 |
Senate Curator's Office, pix 116mm motion picture film 150 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 49 50 51 52 53, Senate Curators Office, Outs; Leader Note: Senate Curator's Office, MOS, Cam 49 50, Congress |
Film F-20193/2596 |
Senate Curator's Office, pix 216mm motion picture film 225 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 49 50 51 52 53, Senate Curators Office, Outs; Leader Note: Senate Curator's Office, MOS, Cam 51, Congress |
Film F-20193/2597 |
Senate Curator's Office, pix 316mm motion picture film 300 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 49 50 51 52 53, Senate Curators Office, Outs; Leader Note: Senate Curator's Office, MOS, Cam 52 53, Congress |
Film F-20193/2598 |
Senate Historical Office, pix16mm motion picture film 200 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 1 2 3 4 5 6 7 8 9 10 11 12 13 14, Old Print Shop, Senate Hist. Office, Capitol Views, L.O.C., Arch of Cap., Outs; Leader Note: Senate Historical Office, MOS, Roll #8 9, Congress, Pic |
Film F-20193/2599 |
Senate Historical Office, Arch. of Capitol, pix16mm motion picture film 125 feet Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 1 2 3 4 5 6 7 8 9 10 11 12 13 14, Old Print Shop, Senate Hist. Office, Capitol Views, L.O.C., Arch of Cap., Outs; Leader Note: Senate Hist. Office, Arch. Of Capitol, MOS, Roll #10 11, Congress, Pic |
Film F-20193/2600 |
Various MOS, pix 116mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 150-151, CR 102A 3-7-88, CR 154-156, CR 160-161, CR 157 158-159, CR 162-163, CR 203 204 205, CR 206 207 208, CW 377, CR A 4-14-88, CR 215-216, CR 1 2 4-25-88, 223 224 228-229 |
Film F-20193/2601 |
Various MOS, pix 216mm motion picture film Polyester ; Color ; SilentSide of Box: Congress, MOS, CR 1, AKA 131, CR 2, AKA 130, CR 1 CR 2, AKA 136, CR 137, CR A, 1-28-88, Live Ext - 138 139 140, Cap Ext - 141 142 101A, 143 144, Title 145 146 147 148, Outs |
Film F-20193/2602 |
End Title Cards, pix35mm motion picture film 100 feet Polyester ; B/W ; SilentLeader Note: Congress, Burn In Cards |
Film F-20193/2603 |
End Title Cards, negative, pix35mm motion picture film 100 feet Polyester ; B/W ; SilentLeader Note: Congress, Shadow, 8-13-88 |
Film F-20193/2604 |
End Title Crawl, pix35mm motion picture film 175 feet Polyester ; B/W ; SilentLeader Note: Crawl, Burn In, Congress |
Film F-20193/2605 |
End Title Crawl, negative, pix35mm motion picture film 175 feet Polyester ; B/W ; SilentLeader Note: Congress, Crawl, Shadow, 7-13-88 |
Film F-20193/2606 |
Optical Check Prints, pix16mm motion picture film Polyester ; Color ; SilentSide of Box: Check Prints - Opticals, Optical Prt. |
Film F-20193/2607 |
Original Lower Thirds and Trims from Last EFX Pass, pix16mm motion picture film Acetate ; Color ; SilentSide of Box: Congress, W/P Orig. Lower 1/3s and Trims From Last EFX Pass Which Is Cut In |
Film F-20193/2608 |
Titles, pix35mm motion picture film Polyester ; B/W ; SilentTop of Box: EFX; Leader Note: Florentine, Congress |
Film F-20193/2609 |
Titles, Lower Third, pix 135mm motion picture film 200 feet Polyester ; B/W ; SilentSide of Box: Congress, Shad #3, BI #3, Shad, BI; Leader Note: B1, Congress |
Film F-20193/2610 |
Titles, Lower Third, negative, pix 135mm motion picture film 200 feet Polyester ; B/W ; SilentSide of Box: Congress, Shad #3, BI #3, Shad, BI; Leader Note: Shadow #1, Congress |
Film F-20193/2611 |
Titles, Lower Third, pix 235mm motion picture film 100 feet Polyester ; B/W ; SilentSide of Box: Congress, Shad #3, BI #3, Shad, BI; Leader Note: Congress, Burn In #1 |
Film F-20193/2612 |
Titles, Lower Third, negative, pix 235mm motion picture film 100 feet Polyester ; B/W ; SilentSide of Box: Congress, Shad #3, BI #3, Shad, BI; Leader Note: Shadow #3, Congress |
Film F-20193/2613 |
Titles and Crawl, pix16mm motion picture film Polyester ; B/W ; SilentSide of Box: Congress, MOS, No Code, Titles and Crawl, CR 129 |
Film F-20193/2614 |
Slop Pix, reel 1, pix16mm motion picture film 1050 feet Acetate ; Color ; SilentFront of Box: Congress, Slop Pix Reel 1, Mixed Mag Reel 1; Leader Note: Congress, R-1, Slop Pix |
Film F-20193/2615 |
Slop Pix, Final Mix, reel 1, mag16mm motion picture film 1000 feet Acetate ; MagneticFront of Box: Congress, Slop Pix Reel 1, Mixed Mag Reel 1; Leader Note: Congress, Final Mix, Mag, R-1, TRK |
Film F-20193/2616 |
Slop Pix, reel 2, pix16mm motion picture film 1000 feet Acetate ; Color ; SilentFront of Box: Workprint, R-2, Congress; Leader Note: Congress, R-2, Slop Pix |
Film F-20193/2617 |
Slop Pix, Final Mix, reel 2, mag16mm motion picture film 900 feet Acetate ; MagneticFront of Box: Workprint, R-2, Congress; Leader Note: Congress, Final Mix Mag, R-2, TRK |
Film F-20193/2618 |
Slop Pix, reel 3, pix16mm motion picture film 1250 feet Acetate ; Color ; SilentSide of Box: Congress, Slop Pix, Mix Mag, Reel 3; Leader Note: Congress, Slop Pix, R-3 |
Film F-20193/2619 |
Slop Pix, Final Mix, reel 3, mag16mm motion picture film 1200 feet Acetate ; MagneticSide of Box: Congress, Slop Pix, Mix Mag, Reel 3; Leader Note: Congress, R-3, Final Mix - Mag, TRK |
Film F-20193/2620 |
Workprint, reel 1, pix16mm motion picture film 1100 feet Polyester ; Color ; SilentSide of Box: Congress, Work Pix, R-1; Leader Note: Congress, Work Print, R-1 |
Film F-20193/2621 |
Workprint, reel 2, pix16mm motion picture film 1000 feet Polyester ; Color ; SilentSide of Box: Congress, WP, R-2; Leader Note: Congress, Reel 2, Workpix |
Film F-20193/2622 |
Workprint, reel 3, pix16mm motion picture film 1300 feet Polyester ; Color ; SilentFront of Box: 3rd Reel, Workprint, Congress; Leader Note: Congress, Workprint, R-3 |
Film F-20193/2623 |
Audio Montage, mag16mm motion picture film Acetate ; Magnetic Side of Box: Audio Montage + Colleen Dewhurst, Congress |
Film F-20193/2624 |
Interpositive for Crawl, pix35mm motion picture film 150 feet Polyester ; Color ; SilentLeader Note: IP for Crawl, Florentine, IP - Congress, 7-8-88 |
Film F-20193/2625 |
Interpositive and Remake Interpositive, pix35mm motion picture film Polyester ; Color ; Silent Leader Note: IP, Watergate House, Remake IP, Congress |
Film F-20193/2626 |
Miscellaneous interviews, interpositive, pix 135mm motion picture film 800 feet Polyester ; Color ; SilentLeader Note: I.P. Congress |
Film F-20193/2627 |
Miscellaneous interviews, interpositive, pix 235mm motion picture film Polyester ; Color ; Silent Side of Can: Florentine - Congress, 9/14 IP; |
Film F-20193/2628 |
Retransfer Outtakes, mag16mm motion picture film Acetate ; Magnetic Side of Box: Re-Xfer Outs, Original TRK (Damaged), Replaced by RTXFR's, YAFFAMAINA |
Film F-20193/2629 |
Shenandoah for Congress, mag35mm motion picture film Polyester ; Magnetic Leader Note: Shenandoah for Congress, HD to R-3 |
SFC Audio Open Reel FT-20193/557 |
Room Tone for Charles McDowell1/4" Open Reel Audio 5" reel PolyesterBack of Box: July 21 1987, Congress, CR-97, SR-39, Note, 1st Minute Room Tone for Charles McDowell; Side of Box: Congress, Room Tone, SR 39 |
SFC Audio Open Reel FT-20193/558 |
Test Tones1/4" Open Reel Audio 7" reel PolyesterFront of Box: Test Tones, Tails, 1000 Hz, 40 ", 12000 "; Side of Box: Tone, L.W.; Back of Box: H/0, Tones, 1000-40-12000 |
SFC Audio Open Reel FT-20193/559 |
Tones1/4" Open Reel Audio 7" reel PolyesterSide of Box: #B45-2, Tones, Masters Only; Front of Box: Cantrell Tones, 5 IPS, Tones Only, Master |
SFC Audio Open Reel FT-20193/560 |
Tones1/4" Open Reel Audio 7" reel PolyesterSide of Box: 5/5/82, Tone, BF, #B46-2; Back of Box: Tones, BF, 1st Only, " " ", 8/4/82, A+B |
SFC Audio Open Reel FT-20193/561 |
Tones, 12 November 19891/4" Open Reel Audio 7" reel PolyesterSide of Box: Tones, 11/12/89; Back of Box: 2 Sets of Tones, 11/12/89 |
SFC Audio Open Reel FT-20193/562 |
[unidentified audio recording]1/4" Open Reel Audio 5" reel PolyesterBack of Box: 7 1/2 ips, 2 trk |
SFC Audio Open Reel FT-20193/563 |
[unidentified audio recording]1/4" Open Reel Audio 3" reel AcetateSide of Box: Reel No. 219, Subject 3/27/57 |
SFC Audio Open Reel FT-20193/564 |
[unidentified audio recording]1/4" Open Reel Audio 7" reel PolyesterSide of Box: 9/14/83, Tape at Variable Speed |
SFC Audio Cassette FS-20193/63 |
Audio Montage; Narration for Joplin ImprovAudiocassette Back of Case: Audio Montage, Narr for Joplin Improv; A-Side Tape Label: Congress, Audio Montage; B-Side Tape Label: Narration for Joplin Improv |
SFC Audio Cassette FS-20193/64 |
Man and the RiverAudiocassette Tape Label: Man and the River |
SFC Audio Cassette FS-20193/65 |
Oscard, Florentine DemoAudiocassette Tape Label: Oscard - Florentine Demo |
Digital Audiotape DAT-20193/41 |
Abigail AdamsDigital Audio Tape (DAT) Tape Label: L.O. 17491, Congress, Dub from R1, Abigail Adams, W/29.97 ND |
A nine-part, eleven-hour history of the American Civil War as told through the lives and experiences of the people who lived through it.
Box 15-22
Box 15Box 16Box 17Box 18Box 19Box 20Box 21Box 22 |
The Civil War: Notebooks (logs) |
Box 23-24
Box 23Box 24 |
The Civil War: Cue sheetsBox 24 also contains loose papers, such as lab notes, letters, and memos found with select moving image materials (F-20193/1007-1010; F-20193/1295; F-20193/1397). |
Box 25 |
The Civil War: Titles |
Audiovisual materials affiliated with the nine-part 1990 documentary miniseries, Civil War. Materials consist primarily of picture ("pix") and magnetic ("mag") sound elements on 16mm motion picture film, including interview outtakes, selected interviews, B-roll footage, and narration tracks by David McCullough, among other elements.
Arrangement: Materials were arranged by categories determined by the film production team. These categories include Interview Outtakes, Interview Selects, B-roll, Narration, Sound Mix Elements, Titles and Stills, Workprints, and Other Elements. Production categories were combined to create B-roll (referred to by the production team as "MOS," "Live," and "Verite"), Narration (referred to by the production team as "Narration", "Scratch Narration," "Narration Audition," and "Voices"), Sound Mix Elements ("Dialogue Mix", "Sound Effects", "Music"), Titles and Stills ("Titles", "Stills", "Maps"), and Other Elements ("Lifts" and other miscellaneous elements).
Processing information: Titles and descriptions compiled from original containers. In most cases, the item descriptions are transcribed directly from their original containers. Documentation on the containers also include codes and documentary film terminology. In order to preserve this production information, film descriptions also include element type ("pix" or "mag") and edit codes (i.e. "DP 3000", "DD 0000", "CH 6000", etc), as well as information on camera rolls ("CR") and sound rolls ("SR"). Edit codes were used by the production team to synchronize picture and magnetic sound elements, while camera and sound roll information help determine the order of recording during production.
Arrangement: Alphabetical.
Outtakes of interviews on separate 16mm motion picture ("pix") and magnetic sound ("mag") elements. Outtakes are defined as either (1) a segment of original film not used in the final edited version, or (2) a segment of film eliminated during editing. The elements consist primarily of silent motion picture elements, most of which have separate magnetic film soundtracks.
Film F-20193/913 |
Ed Bearss interview, pix 116mm motion picture film 500 feet Side of Box: Civil War, Ed Bearss, CAM Roll #32 33, SND Roll #21 22, EE0, Outs, Camera Out #5, Code EEE0000; Leader Note: Ed Bearss, SND Roll #21 22, Roll #32 33, Civil War, PIC Head |
Film F-20193/914 |
Ed Bearss interview, mag 116mm motion picture film 500 feet Side of Box: Civil War, Ed Bearss, CAM Roll #32 33, SND Roll #21 22, EE0, Outs, Camera Out #5, Code EEE0000; Leader Note: Ed Bearss, CAM Roll #32 33, Roll #21 22, Civil War, SND Head |
Film F-20193/915 |
Ed Bearss interview, pix 216mm motion picture film 400 feet Side of Box: Civil War, Ed Bearss, Cam Roll #34 35, SND Roll 23 24, EE3000, Camera Out #5; Leader Note: Ed Bearss, SND Roll #23 24, Roll #34 35, Civil War, PIC, Head |
Film F-20193/916 |
Ed Bearss interview, mag 216mm motion picture film 400 feet Side of Box: Civil War, Ed Bearss, Cam Roll #34 35, SND Roll 23 24, EE3000, Camera Out #5; Leader Note: Ed Bearss, CAM Roll #34 35, Roll #23 24, Civil War, SND, Head |
Film F-20193/917 |
Ed Bearss interview, pix 316mm motion picture film 500 feet Side of Box: Civil War, Ed Bearss, EE6000, CAM Roll #36 37, SND Roll #25 26, Camera Out #5; Leader Note: Ed Bearss, SND Roll #25 26, Roll #36 37, Civil War, PIC, Head |
Film F-20193/918 |
Ed Bearss interview, mag 316mm motion picture film 500 feet Side of Box: Civil War, Ed Bearss, EE6000, CAM Roll #36 37, SND Roll #25 26, Camera Out #5; Leader Note: Ed Bearss, CAM Roll #36 37, Roll #25 26, Civil War, SND, Head |
Film F-20193/919 |
Mary Tyler Cheek interview, pix16mm motion picture film 500 feet Side of Box: Outs, Civil War, Mary Tyler Creek, CAM #203 204, SND #42 43, AF0000; Leader Note: Mary Tyler Cheek, SND #42 43, CAM #203 204, Civil War, Pic, Head |
Film F-20193/920 |
Mary Tyler Cheek interview, mag16mm motion picture film 500 feet Side of Box: Outs, Civil War, Mary Tyler Creek, CAM #203 204, SND #42 43, AF0000; Leader Note: HEAD SND, Civil War, SND #42 43, CAM #203 204, Mary Tyle Cheek |
Film F-20193/921 |
Gordon Cotton interview, pix16mm motion picture film 200 feet Side of Box: Outs, Civil War, Gordon Cotton, CAM 222, SND 46, AJ0000; Leader Note: Gordon Cotton, SND #46, CAM #222, Civil War, Pic, Head |
Film F-20193/922 |
Gordon Cotton interview, mag16mm motion picture film 200 feet Side of Box: Outs, Civil War, Gordon Cotton, CAM 222, SND 46, AJ0000; Leader Note: Gordon Cotton, SND #46, CAM #222, Civil War, SND, Head |
Film F-20193/923 |
Virginius Dabney interview, pix16mm motion picture film 500 feet Side of Box: Outs, Civil War, Virginius Dabny, CAM #201 202, SND #41, AE0000; Leader Note: Virginius Dabny, SND #41, CAM #201 202, Civil War, PIC Head |
Film F-20193/924 |
Virginius Dabney interview, mag16mm motion picture film 500 feet Side of Box: Outs, Civil War, Virginius Dabny, CAM #201 202, SND #41, AE0000; Leader Note: Virginius Dabny, SND #41, CAM #201 202, Civil War, SND Head |
Film F-20193/925 |
Barbara Fields interview, pix 116mm motion picture film 700 feet Side of Box: Civil War, Barbara Fields, CAM #136 137, SND #28 29, FF0000, Outs, Camera Out #5; Leader Note: SND #28 29, CAM #136 137, Barbara Fields, Civil War, PIC, Head |
Film F-20193/926 |
Barbara Fields interview, mag 116mm motion picture film 675 feet Side of Box: Civil War, Barbara Fields, CAM #136 137, SND #28 29, FF0000, Outs, Camera Out #5; Leader Note: CAM #136 137, SND #28 29, Barbara Fields, Civil War, SND, Head |
Film F-20193/927 |
Barbara Fields interview, pix 216mm motion picture film 450 feet Side of Box: Civil War, Barbara Fields, FF3000, CAM #138 139, SND #30 31, Camera Out #5; Leader Note: SND #30 31, CAM #138 139, Barbara Fields, Civil War, PIC, Head |
Film F-20193/928 |
Barbara Fields interview, mag 216mm motion picture film 450 feet Side of Box: Civil War, Barbara Fields, FF3000, CAM #138 139, SND #30 31, Camera Out #5; Leader Note: CAM #138 139, SND #30 31, Barbara Fields, Civil War, SND |
Film F-20193/929 |
Barbara Fields interview, pix 316mm motion picture film 450 feet Side of Box: C.W. B Fields Int. (Redo), CR #380-381, SR 59, Code BE 3, PIX and TRK, Camera Out #4; Leader Note: C.W. B. Fields Int., CR 380-1, Code BE3, HD |
Film F-20193/930 |
Barbara Fields interview, mag 316mm motion picture film 400 feet Side of Box: C.W. B Fields Int. (Redo), CR #380-381, SR 59, Code BE 3, PIX and TRK, Camera Out #4; Leader Note: C.W. B. Fields Int., CR 380-1, Code BE3, HD |
Film F-20193/931 |
Barbara Fields interview, pix 416mm motion picture film 375 feet Side of Box: Outs, B Fields Int. (Redo), SR 59-60, CR 382-382, Code Be 6, PIX and TRK, Camera Out #5; Leader Note: C.W., Code BE 6, CR 382-384, Sync/Pix, B. Fields Reshoot, HD |
Film F-20193/932 |
Barbara Fields interview, mag 416mm motion picture film 350 feet Side of Box: Outs, B Fields Int. (Redo), SR 59-60, CR 382-382, Code Be 6, PIX and TRK, Camera Out #5; Leader Note: C.W., B. Fields INT. Re-Do, CR 382-4, SR 59-60, Code BE6, HD |
Film F-20193/933 |
Shelby Foote interview, pix 116mm motion picture film 375 feet Side of Box: Civil War Rolls 1 & 2, Shelby Foote, Cam and Sound, AA0000, Camera Out #3; Leader Note: Civil War, Shelby Foote, CR #1-2, Head, Cut Color Pos. Workprint, A-Wind, Reg 16mm |
Film F-20193/934 |
Shelby Foote interview, mag 116mm motion picture film 350 feet Side of Box: Civil War Rolls 1 & 2, Shelby Foote, Cam and Sound, AA0000, Camera Out #3; Leader Note: Code AA0000, Shelby Foote Int., Track, (Cam Rolls 1,2), Synch Roll 1 2, 360', Heads |
Film F-20193/935 |
Shelby Foote interview, pix 216mm motion picture film 325 feet Side of Box: Civil War Rolls 3 & 4, Shelby Foote, Cam and Sound, AA3000, Camera Out #3; Leader Note: "Civil War-Shelby Foote", CR #2-3, Head, Cut, Color, Pos. Workprint, A-Wind, Reg. 16mm |
Film F-20193/936 |
Shelby Foote interview, mag 216mm motion picture film 325 feet Side of Box: Civil War Rolls 3 & 4, Shelby Foote, Cam and Sound, AA3000, Camera Out #3; Leader Note: AA3000, Shelby Foote INT., 330', Synch, (Cam Roll 3, 4), Roll #3 4, TRK, Heads |
Film F-20193/937 |
Shelby Foote interview, pix 316mm motion picture film 400 feet Side of Box: Civil War Rolls 5 & 6, Shelby Foote, Cam and SND, AA6000, Camera Out #3; Leader Note: "Civil War - Shelby Foote" CR 5-6, Head, Cut Color Pos. Workprint, A-Wind, Reg 16mm |
Film F-20193/938 |
Shelby Foote interview, mag 316mm motion picture film 400 feet Side of Box: Civil War Rolls 5 & 6, Shelby Foote, Cam and SND, AA6000, Camera Out #3; Leader Note: Head, AA#6000, Synch Roll #5 6 |
Film F-20193/939 |
Shelby Foote interview, pix 416mm motion picture film 475 feet Side of Box: Civil War, Shelby Foot #2, Cam Roll 173-174, SND Roll 31-32, Camera Out #3; Leader Note: "Civil War - Shelby Foote", CR #173-174, Head, Cut Color Pos. Workprint, A-Wind, Rec. 16mm |
Film F-20193/940 |
Shelby Foote interview, mag 416mm motion picture film 425 feet Side of Box: Civil War, Shelby Foot #2, Cam Roll 173-174, SND Roll 31-32, Camera Out #3; Leader Note: Head, Synch Roll #173 174, AB0000 |
Film F-20193/941 |
Shelby Foote interview, pix 516mm motion picture film 450 feet Side of Box: Civil War, Shelby Foote #2, Cam Rolls #175 176, SND #33 34, AB3000; Leader Note: "Civil War - Shelby Foote", CR #175 176, Head, Cut, Color, Pos., Workprint, A-Wind, Rec. 16mm |
Film F-20193/942 |
Shelby Foote interview, mag 516mm motion picture film 425 feet Side of Box: Civil War, Shelby Foote #2, Cam Rolls #175 176, SND #33 34, AB3000; Leader Note: Head, Synch Roll #175 176, AB3000 |
Film F-20193/943 |
Shelby Foote interview, pix 616mm motion picture film 400 feet Side of Box: Civil War, Cam Roll #177 178, SND #35 36, Shelby Foote #2, AB6000, Outs, Camera Out #3; Leader Note: "Civil War - Shelby Foote", CR #178-179, Head, Cut Colo Pos. Workprint, A-Wind, Rel. 16mm |
Film F-20193/944 |
Shelby Foote interview, mag 616mm motion picture film 375 feet Side of Box: Civil War, Cam Roll #177 178, SND #35 36, Shelby Foote #2, AB6000, Outs, Camera Out #3; Leader Note: Head, Synch, Roll #177 178, AB6000 |
Film F-20193/945 |
Shelby Foote interview, pix 716mm motion picture film 500 feet Side of Box: Civil War, Shelby Foote #2, Cam Roll #179 180, SND Roll #37 38, Outs, AC0000, Camera Out #3; Leader Note: "Civil War - Shelby Foote", CR #179-180, Head, Cut Color Ps. Workprint, Reg 16mm, A-Wind |
Film F-20193/946 |
Shelby Foote interview, mag 716mm motion picture film 475 feet Side of Box: Civil War, Shelby Foote #2, Cam Roll #179 180, SND Roll #37 38, Outs, AC0000, Camera Out #3; Leader Note: Head, Synch Roll #179 180, AC:0000 |
Film F-20193/947 |
Shelby Foote interview, pix 816mm motion picture film 200 feet Side of Box: Civil War, Shelby Foote #2, Cam Roll #181, SND Roll #39, Outs, AC3000, Camera Outs #3; Leader Note: (Code AC3000), Shelby Foote Int., Outs, Synch Cam #181, 180', Heads |
Film F-20193/948 |
Shelby Foote interview, mag 816mm motion picture film 175 feet Side of Box: Civil War, Shelby Foote #2, Cam Roll #181, SND Roll #39, Outs, AC3000, Camera Outs #3; Leader Note: Head, Synch Roll #181, AC:3000 |
Film F-20193/949 |
Shelby Foote Reading16mm motion picture film 150 feet Side of Box: C.W. Shelby Foote Wild SND, SND RL 39, Code: A2500; Leader Note: Shelby Reading SND #39, Civil War, SND Head |
Film F-20193/950 |
James McPherson interview, pix 116mm motion picture film 500 feet Side of Box: Civil War, James McPherson, CR 426-427, SR 60, 61, Outs, Camera Out #5; Leader Note: CR 426-427, McPherson Int., Code BG 0, Sync/Pix RL 21 HD |
Film F-20193/951 |
James McPherson interview, mag 116mm motion picture film 500 feet Side of Box: Civil War, James McPherson, CR 426-427, SR 60, 61, Outs, Camera Out #5; Leader Note: SR 60 61, McPherson, Code BG 0, Sync/TRK RL 21 HD |
Film F-20193/952 |
James McPherson interview, pix 216mm motion picture film 600 feet Side of Box: C.W. James McPherson, CR 428 9, SR 62 63, Outs, Selects #2; Leader Note: C.W. CR 428-9, J McPherson Int., Code BG3, Sync Pix RL 22, HD |
Film F-20193/953 |
James McPherson interview, mag 216mm motion picture film 600 feet Side of Box: C.W. James McPherson, CR 428 9, SR 62 63, Outs, Selects #2; Leader Note: C.W. Cam Roll 428-9, J McPherson Int., Code BG3, Sync TRK RL 22, HD |
Film F-20193/954 |
James McPherson interview, pix 316mm motion picture film 500 feet Side of Box: C.W. James McPherson, CR 430-1, SR 64 65 Outs, Selects #2; Leader Note: C.W., Cam RL 430-1, J. McPherson Int., Sync Pix RL 23, Code BG 6, HD |
Film F-20193/955 |
James McPherson interview, mag 316mm motion picture film 500 feet Side of Box: C.W. James McPherson, CR 430-1, SR 64 65 Outs, Selects #2; Leader Note: C.W., CR 430-1, J. McPherson Int., Sync TRK RL 23, Code BG 6, HD |
Film F-20193/956 |
Stephen Oates interview, pix 116mm motion picture film 400 feet Side of Box: Civil War, CR 368-369, SR 52 53, Stephen Oates, Outs; Leader Note: C.W. Outs, CR 368-369, Stephen Oates Int.view, Code BD0, HD |
Film F-20193/957 |
Stephen Oates interview, mag 116mm motion picture film 400 feet Side of Box: Civil War, CR 368-369, SR 52 53, Stephen Oates, Outs; Leader Note: C.W. Outs, SR 52-53, Sync TRK, Stephen Oates Int.view, Code BD0, HD |
Film F-20193/958 |
Stephen Oates interview, pix 216mm motion picture film 400 feet Side of Box: Civil War, CR 370-371, SR 54 55, Stephen Oates, BD3; Leader Note: Outs Code BD3000, C.W. Sync, S. Oats Int., Cam Rl 370 & 371, HD |
Film F-20193/959 |
Stephen Oates interview, mag 216mm motion picture film 400 feet Side of Box: Civil War, CR 370-371, SR 54 55, Stephen Oates, BD3; Leader Note: C.W. Outs, SR 54 55, Sync Trk, Stephen Oates Int.view, Code BD3, HD |
Film F-20193/960 |
Stephen Oates interview, pix 316mm motion picture film 450 feet Side of Box: Civil War, CR 372 373, SR 56 57, Outs, Stephen Oates, BD 6; Leader Note: Outs, Code BD 6, C.W. Sync, S. Oates Int., Cam RL 372 373, HD |
Film F-20193/961 |
Stephen Oates interview, mag 316mm motion picture film 400 feet Side of Box: Civil War, CR 372 373, SR 56 57, Outs, Stephen Oates, BD 6; Leader Note: C.W. Outs, Sync/TRK, Stephen Oates Int.view, Code BD 6, HD |
Film F-20193/962 |
Dorothy Redford interview, pix16mm motion picture film 200 feet Side of Box: Outs, Civil War, Dorothy Redford, CAM #200, SND #40, AD0000; Leader Note: Dorothy Redford, CAM #200, SND #40, Civil War, PIC, Head |
Film F-20193/963 |
Dorothy Redford interview, mag16mm motion picture film 200 feet Side of Box: Outs, Civil War, Dorothy Redford, CAM #200, SND #40, AD0000; Leader Note: Dorothy Redford, CAM #200, SND #40, Civil War, SND, Head |
Film F-20193/964 |
William Safire interview, pix16mm motion picture film 450 feet Side of Box: Civil War, W. Safire, CR 374-5, SR 58, BE 0, Outs; Leader Note: Congress RL 154, CW Wm. Saphire Int., C.R. 374 375, Code Be 0 |
Film F-20193/965 |
William Safire interview, mag16mm motion picture film 450 feet Side of Box: Civil War, W. Safire, CR 374-5, SR 58, BE 0, Outs; Leader Note: CW SR 58, Sync/TRK, William Safire, Code BE 0 HD |
Film F-20193/966 |
James Symington interview, pix 116mm motion picture film 600 feet Side of Box: Civil War, James Symington, DD0000, Cam Rolls 25 26, SND Rolls 15 16, Outs, Camera Out #5; Leader Note: James Symington, SND Roll #15 16, Roll #25 26, Civil War, PIC, Head |
Film F-20193/967 |
James Symington interview, mag 116mm motion picture film 600 feet Side of Box: Civil War, James Symington, DD0000, Cam Rolls 25 26, SND Rolls 15 16, Outs, Camera Out #5; Leader Note: James Symington, CAM Roll #25 26, Roll #15 16, Civil War, SND, Head |
Film F-20193/968 |
James Symington interview, pix 216mm motion picture film 425 feet Side of Box: Civil War, James Symington, DD3000, CAM Rolls 27 28, SND Roll 17 18, Outs, Camera Out #5; Leader Note: James Symington, SND Roll #17 18, Roll #27 28, Civil War, PIC, Head |
Film F-20193/969 |
James Symington interview, mag 216mm motion picture film 425 feet Side of Box: Civil War, James Symington, DD3000, CAM Rolls 27 28, SND Roll 17 18, Outs, Camera Out #5; Leader Note: James Symington, CAM Roll #27 28, Roll #17 18, Civil War, SND, Head |
Film F-20193/970 |
James Symington interview, pix 316mm motion picture film 500 feet Side of Box: Civil War, James Symington, CAM Roll #29 30, SND Roll #19 20, DD6, Outs, Camera Out #5; Leader Note: James Symington, SND Roll #19 20, Roll #29 30, Civil War, PIC, Head |
Film F-20193/971 |
James Symington interview, mag 316mm motion picture film 500 feet Side of Box: Civil War, James Symington, CAM Roll #29 30, SND Roll #19 20, DD6, Outs, Camera Out #5; Leader Note: James Symington, CAM Roll #29 30, Roll #19 20, Civil War, SND, Head |
Film F-20193/972 |
Dr. Olive Taylor interview, pix16mm motion picture film 300 feet Side of Box: Civil War, CR 326, Dr. Olive Taylor, PIX and TRK, BC 6, Camera Out #4; Leader Note: Sync/Pix, C.W., Interview, Dr. Oliver Taylor, CR #326 & 327, Code BC 6,HD |
Film F-20193/973 |
Dr. Olive Taylor interview, mag16mm motion picture film 300 feet Side of Box: Civil War, CR 326, Dr. Olive Taylor, PIX and TRK, BC 6, Camera Out #4; Leader Note: C.W., SR 51, CR 326, INT. Dr. O. Taylor, Sync/TRK, Code: BC 6, HD |
Film F-20193/974 |
Daisy Turner interview, pix 116mm motion picture film 500 feet Side of Box: Civil War, Daisy Turner, CAM #233 234, SND #48 49, BC0000; Leader Note: Daisy Turner, SND 48 49, CAM #233 234, Civil War, PIC, Head |
Film F-20193/975 |
Daisy Turner interview, mag 116mm motion picture film 500 feet Side of Box: Civil War, Daisy Turner, CAM #233 234, SND #48 49, BC0000; Leader Note: Daisy Turner, CAM #233 234, SND #48 49, Civil War, SND, Head |
Film F-20193/976 |
Daisy Turner interview, pix 216mm motion picture film 250 feet Side of Box: Civil War, Daisy Turner and Sound Outs, CAM #235, SND #50, Outs, BC3000; Leader Note: Daisy Turner, SND 50, CAM #235, Civil War, PIC, Head |
Film F-20193/977 |
Daisy Turner interview, mag 216mm motion picture film 250 feet Side of Box: Civil War, Daisy Turner and Sound Outs, CAM #235, SND #50, Outs, BC3000; Leader Note: Daisy Turner, CAM #235, CAM 50, Civil War, SND, Head |
Film F-20193/978 |
Daisy Turner interview, Outtake Sound, mag16mm motion picture film 25 feet Side of Box: Civil War, Daisy Turner and Sound Outs, CAM #235, SND #50, Outs, BC3000 |
Film F-20193/979 |
Robert Penn Warren interview, pix 116mm motion picture film 750 feet Side of Box: Civil War, R.P. Warren, CAM ROLL #17 18, SND ROLL #7 8, BB0000; Leader Note: Robert Penn Warren, SND Roll #7 8, Roll #17 18, Civil War, Pic HEAD |
Film F-20193/980 |
Robert Penn Warren interview, mag 116mm motion picture film 750 feet Side of Box: Civil War, R.P. Warren, CAM ROLL #17 18, SND ROLL #7 8, BB0000; Leader Note: Robert Penn Warren, CAM Roll #17 18, Roll #7 8, Civil War, SND HEAD |
Film F-20193/981 |
Robert Penn Warren interview, pix 216mm motion picture film 800 feet Side of Box: Civil War, R.P. Warren, CAM ROLL #19 20, SND ROLL #9 10, Code: BB3000; Leader Note: Robert Penn Warren, SND Roll #9 10, Roll #19 20, Civil War Pic, Head |
Film F-20193/982 |
Robert Penn Warren interview, mag 216mm motion picture film 800 feet Side of Box: Civil War, R.P. Warren, CAM ROLL #19 20, SND ROLL #9 10, Code: BB3000; Leader Note: Robert Penn Warren, CAM Roll #19 20, SND Roll #9 10, Civil War SND, Head |
Film F-20193/983 |
Robert Penn Warren interview, pix 316mm motion picture film 600 feet Side of Box: Civil War, Robert Penn Warren, CAM ROLL #21 22, SND ROLL #11 12, BB6000; Leader Note: Robert Penn Warren, SND Roll #11 12, Roll #21 22, Civil War, PIC HEAD |
Film F-20193/984 |
Robert Penn Warren interview, mag 316mm motion picture film 600 feet Side of Box: Civil War, Robert Penn Warren, CAM ROLL #21 22, SND ROLL #11 12, BB6000; Leader Note: Robert Penn Warren, SND Roll #11 12, Roll #21 22, Civil War, PIC HEAD |
Film F-20193/985 |
C. Vann Woodward interview, pix 116mm motion picture film 650 feet Side of Box: Civil War, C. Van Woodward, CC0000, Cam Roll #22 23, SND Roll #12 13, Camera Out #5; Leader Note: C. Van Woodward, SND Roll #12 13, Roll #22 23, Civil War, Pic, Head |
Film F-20193/986 |
C. Vann Woodward interview, mag 116mm motion picture film 650 feet Side of Box: Civil War, C. Van Woodward, CC0000, Cam Roll #22 23, SND Roll #12 13, Camera Out #5; Leader Note: C. Van Woodward, Cam Roll #22 23, Roll #12 13, Civil War, SND, Head |
Film F-20193/987 |
C. Vann Woodward interview, pix 216mm motion picture film 400 feet Side of Box: Civil War, C. Van Woodward and Wild SND C. Van Woodward, Cam Roll #24, SND Roll #13, C3000, Outs; Leader Note: C. Van Woodward, SND Roll #14, Roll #24, Civil War, Pic, Head |
Film F-20193/988 |
C. Vann Woodward interview, mag 216mm motion picture film 400 feet Side of Box: Civil War, C. Van Woodward and Wild SND C. Van Woodward, Cam Roll #24, SND Roll #13, C3000, Outs; Leader Note: C. Van Woodward, CAM Roll #24, Roll #14, Civil War, SND, Head |
Film F-20193/989 |
C. Vann Woodward interview, Wild Sound, mag16mm motion picture film 125 feet Side of Box: Civil War, C. Van Woodward and Wild SND C. Van Woodward, Cam Roll #24, SND Roll #13, C3000, Outs; Leader Note: C. Van Woodward, Roll #14, Civil War, WILD SND, Head |
Film F-20193/990 |
Miscellaneous interviews, Interpositive, pix 135mm motion picture film 975 feet Side of Can: Civil War, IP for 16mm Neg, Roll 1; Leader Note: Head, Civil War, IP Roll 1 |
Film F-20193/991 |
Miscellaneous interviews, Interpositive, pix 235mm motion picture film 975 feet Side of Can: Civil War, IP for 16mm Negative, Roll 2; Leader Note: Reel 2, Head, Civil War, IP |
Film F-20193/992 |
Miscellaneous interviews, Interpositive, pix 335mm motion picture film 200 feet Side of Can: Civil War, HC Shadows and BI for Opt.; Leader Note: Civil War, Crawl, Reel #4, IP |
Film F-20193/993 |
Miscellaneous interviews, Interpositive, pix 435mm motion picture film 100 feet Side of Can: Civil War, New Sep Roll #1 + Roll 4, IP for Neg; Leader Note: New Sep, Opt #4 + 21, Head |
Film F-20193/994 |
Miscellaneous interviews and Archival Stills, Interpositive, pix35mm motion picture film 375 feet Side of Can: Civil War, IP for 16mm Negative, Roll 3; Leader Note: Head, Civil War, IP, Roll 3 |
Arrangement: Alphabetical.
Processing information: Loose cue sheets found with films F-20193/1007 through F-20193/1010 reside in Box 24 found in Subseries 7.1 Papers.
Interviews that were selected for inclusion in the rough or final cut of the production. Recordings are on 16mm motion picture ("pix") and magnetic sound ("mag") elements.
Film F-20193/995 |
Ed Bearss interview selects, pix16mm motion picture film 600 feet Side of Box: The Civil War, Sync RL. 9 - Ed Bearss, Pix and Trk, EE0 - 6, Selects #1; Leader Note: C.W. Sync/Pix, Ed Bearss Int'view, Sel Rl 9, Code EE, HD |
Film F-20193/996 |
Ed Bearss interview selects, mag16mm motion picture film 600 feet Side of Box: The Civil War, Sync RL. 9 - Ed Bearss, Pix and Trk, EE0 - 6, Selects #1; Leader Note: C.W. Sync/Trk, Ed Bearss Int'view, Sel Rl 9, Code EE, HD |
Film F-20193/997 |
Mary Tyler Cheek interview selects, pix16mm motion picture film 200 feet Side of Box: The Civil War Sync 12 V. Dabney, 13 M.T. Creek, Pix and Trk, Interview, AE0, AF0; Leader Note: C.W., Sync/Pix, Mary Tyler Cheek Interview Sel. 13, HD |
Film F-20193/998 |
Mary Tyler Cheek interview selects, mag16mm motion picture film 200 feet Side of Box: The Civil War Sync 12 V. Dabney, 13 M.T. Creek, Pix and Trk, Interview, AE0, AF0; Leader Note: C.W., Sync/Trk, Mary Tyler Cheek Interview Sel. 13, HD |
Film F-20193/999 |
Gordon Cotton interview selects, pix16mm motion picture film 200 feet Side of Box: The Civil War, Sync RL 14 Dr.O Taylor, 15 G.Cotton, Pix and TRK, Interview, AJ0, Selects #1; Leader Note: C.W. Sync/Pix, Gordon Cotton Interview Sel. 15 HD |
Film F-20193/1000 |
Gordon Cotton interview selects, mag16mm motion picture film 200 feet Side of Box: The Civil War, Sync RL 14 Dr.O Taylor, 15 G.Cotton, Pix and TRK, Interview, AJ0, Selects #1; Leader Note: C.W. Sync/Track, Gordon Cotton Interview Sel. 15 HD |
Film F-20193/1001 |
Virginius Dabney interview selects, pix16mm motion picture film 50 feet Side of Box: The Civil War Sync 12 V. Dabney, 13 M.T. Creek, Pix and Trk, Interview, AE0, AF0; Leader Note: C.W., Sync/Pix, V.Danby Int'view, Sel. Rl 12, Code AE0, HD |
Film F-20193/1002 |
Virginius Dabney interview selects, mag16mm motion picture film 50 feet Side of Box: The Civil War Sync 12 V. Dabney, 13 M.T. Creek, Pix and Trk, Interview, AE0, AF0; Leader Note: C.W., Sync/Trk, V.Danby Int'view, Sel. Rl 12, Code AE0, HD |
Film F-20193/1003 |
James Dickey interview selects, pix 116mm motion picture film 600 feet Side of Box: Civil War, James Dickey, CAM #209 210, SND #44 45, AG0000, Selects #2; Leader Note: James Dickey, (SND 44, 45), CAM #209 210, Civil War Pic, Head |
Film F-20193/1004 |
James Dickey interview selects, mag 116mm motion picture film 550 feet Side of Box: Civil War, James Dickey, CAM #209 210, SND #44 45, AG0000, Selects #2; Leader Note: James Dickey, (CAM #209 210), SND #44 45, Civil War Pic, Head |
Film F-20193/1005 |
James Dickey interview selects, pix 216mm motion picture film 225 feet Side of Box: Civil War, James Dickey, CAM #211, SND #45, AG3000, Selects #2; Leader Note: James Dicky, (SND #45), CAM #211, Civil War Pic Head |
Film F-20193/1006 |
James Dickey interview selects, mag 216mm motion picture film 225 feet Side of Box: Civil War, James Dickey, CAM #211, SND #45, AG3000, Selects #2; Leader Note: James Dicky, (CAM #211), SND #45, Civil War SND Head |
Film F-20193/1007 |
Barbara Fields interview selects, pix 116mm motion picture film 150 feet Side of Box: The Civil War Sync 10, B. Fields, 11 D. Redford, Pix and Trk, FF 0 3, AD 0, Selects #1; Leader Note: C.W. Sync/Pix, B. Fields Int'view Sel Rl 10, Code FF, HD |
Film F-20193/1008 |
Barbara Fields interview selects, mag 116mm motion picture film 150 feet Side of Box: The Civil War Sync 10, B. Fields, 11 D. Redford, Pix and Trk, FF 0 3, AD 0, Selects #1; Leader Note: C.W. Sync/Trk, B. Fields Int'view Sel Rl 10, Code FF, HD |
Film F-20193/1009 |
Barbara Fields interview selects, pix 216mm motion picture film 50 feet Side of Box: The Civil War Sync 10, B. Fields, 11 D. Redford, Pix and Trk, FF 0 3, AD 0, Selects #1 |
Film F-20193/1010 |
Barbara Fields interview selects, mag 216mm motion picture film 50 feet Side of Box: The Civil War Sync 10, B. Fields, 11 D. Redford, Pix and Trk, FF 0 3, AD 0, Selects #1 |
Film F-20193/1011 |
Barbara Fields interview selects, pix 316mm motion picture film 250 feet Side of Box: The Civil War, Select Sync Rl 20, B. Fields, Pix and Trk, Interview, BE3, Selects #2; Leader Note: Civil War, B. Fields Interview, Selects, BE3000 |
Film F-20193/1012 |
Barbara Fields interview selects, mag 316mm motion picture film 250 feet Side of Box: The Civil War, Select Sync Rl 20, B. Fields, Pix and Trk, Interview, BE3, Selects #2; Leader Note: Civil War, B. Fields Interview, Selects, BE3000 |
Film F-20193/1013 |
Barbara Fields interview selects, pix 416mm motion picture film 300 feet Side of Box: The Civil War, Sync Rl. 21, B. Fields, Pix and Trk, Interview, BE6, Selects #2; Leader Note: Civil War, Barbara Fields, Interview, RL 2 Selects, BE 6000, Pix Head |
Film F-20193/1014 |
Barbara Fields interview selects, mag 416mm motion picture film 300 feet Side of Box: The Civil War, Sync Rl. 21, B. Fields, Pix and Trk, Interview, BE6, Selects #2; Leader Note: Civil War, Barbara Fields, Interview, RL 2 Selects, BE 6000, Trk Head |
Film F-20193/1015 |
Barbara Fields interview selects, pix 516mm motion picture film 75 feet Side of Box: The Civil War, Sync Rl. 21, B. Fields, Pix and Trk, Interview, BE6, Selects #2 |
Film F-20193/1016 |
Barbara Fields interview selects, mag 516mm motion picture film 50 feet Side of Box: The Civil War, Sync Rl. 21, B. Fields, Pix and Trk, Interview, BE6, Selects #2 |
Film F-20193/1017 |
Barbara Fields interview selects, pix 616mm motion picture film 50 feet Side of Box: The Civil War, Sync Rl. 21, B. Fields, Pix and Trk, Interview, BE6, Selects #2 |
Film F-20193/1018 |
Barbara Fields interview selects, mag 616mm motion picture film 50 feet Side of Box: The Civil War, Sync Rl. 21, B. Fields, Pix and Trk, Interview, BE6, Selects #2 |
Film F-20193/1019 |
Barbara Fields interview selects, pix 716mm motion picture film 50 feet Side of Box: The Civil War, Sync Rl. 21, B. Fields, Pix and Trk, Interview, BE6, Selects #2 |
Film F-20193/1020 |
Shelby Foote interview selects, pix 116mm motion picture film 425 feet Side of Box: The Civil War, Sync RL 1, Shelby Foote, Selects, Pix + TRK, Interview, AA0 3, Selects #1; Leader Note: "Civil War - Shelby Foote", Selects Roll #1, Head, Cut, Color Pos., Workprint, A-Wind, Rec. 16mm |
Film F-20193/1021 |
Shelby Foote interview selects, mag 116mm motion picture film 425 feet Side of Box: The Civil War, Sync RL 1, Shelby Foote, Selects, Pix + TRK, Interview, AA0 3, Selects #1; Leader Note: AA 0-3, Shelby Foote Interview Selects, Roll #1, TRK, Heads |
Film F-20193/1022 |
Shelby Foote interview selects, pix 216mm motion picture film 325 feet Side of Box: The Civil War, Sync RL 2, Shelby Foote, Selects, Pix + TRK, Interview, AA6, Selects #1; Leader Note: "Civil War - Shelby Foote", Selects Roll #2, Head, Cut, Color Pos., Workprint, Rec. 16mm |
Film F-20193/1023 |
Shelby Foote interview selects, mag 216mm motion picture film 325 feet Side of Box: The Civil War, Sync RL 2, Shelby Foote, Selects, Pix + TRK, Interview, AA6, Selects #1; Leader Note: Head, Selects Roll #2 |
Film F-20193/1024 |
Shelby Foote interview selects, pix 316mm motion picture film 550 feet Side of Box: The Civil War, Sync RL 3, Shelby Foote, Selects, Pix + TRK, Interview, AB0 3, Selects #1; Leader Note: #55470, 12/9/10, "Civil War - Shelby Foote", Selects Roll #2, Head, Cut, Color Pos., Workprint, Rec. 16mm, A-Wind |
Film F-20193/1025 |
Shelby Foote interview selects, mag 316mm motion picture film 525 feet Side of Box: The Civil War, Sync RL 3, Shelby Foote, Selects, Pix + TRK, Interview, AB0 3, Selects #1; Leader Note: Head, Selects Roll #3, AB0 |
Film F-20193/1026 |
Shelby Foote interview selects, pix 416mm motion picture film 325 feet Side of Box: The Civil War, Sync RL 4, Shelby Foote, Selects, Pix + TRK, Interview, AB6, Selects #1; Leader Note: "Civil War - Shelby Foote", Selects, Roll #4, Head, Cut, Color Pos., Workprint, A-Wind, Rec. 16mm |
Film F-20193/1027 |
Shelby Foote interview selects, mag 416mm motion picture film 325 feet Side of Box: The Civil War, Sync RL 4, Shelby Foote, Selects, Pix + TRK, Interview, AB6, Selects #1; Leader Note: Head, Selects, Roll #4, AB6 |
Film F-20193/1028 |
Shelby Foote interview selects, pix 516mm motion picture film 600 feet Side of Box: The Civil War, Sync RL 5, Shelby Foote, Selects, Pix + TRK, Inteview, AC0 3, BA0, Selects #1; Leader Note: "Civil War - Shelby Foote", Selects, Roll #2, Head, Cut, Color Pos., Workprint, A-Wind, Rec. 16mm |
Film F-20193/1029 |
Shelby Foote interview selects, mag 516mm motion picture film 575 feet Side of Box: The Civil War, Sync RL 5, Shelby Foote, Selects, Pix + TRK, Inteview, AC0 3, BA0, Selects #1; Leader Note: Head, Selects, Roll #5, AC 0 3, BA0 |
Film F-20193/1030 |
James McPherson interview selects, pix16mm motion picture film 600 feet Side of Box: The Civil War Select Sync Rl. 22, J. McPherson, Pix and Trk, Interview, BG 036, Selects #2; Leader Note: Civil War, Sel. Rl. Int. J. McPherson, Code BG, HD |
Film F-20193/1031 |
James McPherson interview selects, mag16mm motion picture film 600 feet Side of Box: The Civil War Select Sync Rl. 22, J. McPherson, Pix and Trk, Interview, BG 036, Selects #2; Leader Note: Civil War, Sel. Rl. Int. J. McPherson, Code BG 036, HD |
Film F-20193/1032 |
Stephen Oates interview selects, pix 116mm motion picture film 400 feet Side of Box: The Civil War, Sync RL. 17 S. Oates, Pix and Trk, Interview, BD0, Selects #2; Leader Note: S. Oates I'view Sync, R-17, Code BD0, HD |
Film F-20193/1033 |
Stephen Oates interview selects, mag 116mm motion picture film 400 feet Side of Box: The Civil War, Sync RL. 17 S. Oates, Pix and Trk, Interview, BD0, Selects #2; Leader Note: S. Oates I'view Sync, R-17, Code BD0, HD |
Film F-20193/1034 |
Stephen Oates interview selects, pix 216mm motion picture film 25 feet Side of Box: The Civil War, Sync RL. 17 S. Oates, Pix and Trk, Interview, BD0, Selects #2 |
Film F-20193/1035 |
Stephen Oates interview selects, mag 216mm motion picture film 10 feet Side of Box: The Civil War, Sync RL. 17 S. Oates, Pix and Trk, Interview, BD0, Selects #2 |
Film F-20193/1036 |
Stephen Oates interview selects, pix 316mm motion picture film 600 feet Side of Box: The Civil War, Select Sync Rl 18 S. Oates, Pix and Trk, Interview, BD 3 6, Selects #2; Leader Note: C.W. S. Oates In. Sync R 18, Code B 3 6, HD |
Film F-20193/1037 |
Stephen Oates interview selects, mag 316mm motion picture film 600 feet Side of Box: The Civil War, Select Sync Rl 18 S. Oates, Pix and Trk, Interview, BD 3 6, Selects #2; Leader Note: C.W. S. Oates Int. Sync R 18, Code B 3 6, HD |
Film F-20193/1038 |
Dorothy Redford interview selects, pix16mm motion picture film 200 feet Side of Box: The Civil War Sync 10, B. Fields, 11 D. Redford, Pix and Trk, FF 0 3, AD 0, Selects #1; Leader Note: C.W. Sync/Pix, D. Redford Int'view Sel Rl 11, HD |
Film F-20193/1039 |
Dorothy Redford interview selects, mag16mm motion picture film 200 feet Side of Box: The Civil War Sync 10, B. Fields, 11 D. Redford, Pix and Trk, FF 0 3, AD 0, Selects #1; Leader Note: C.W. Sync/Trk, D. Redford Int'view Sel Rl 11, HD |
Film F-20193/1040 |
William Safire interview selects, pix16mm motion picture film 300 feet Side of Box: The Civil War, Sync RL. 19 W. Safire, Pix and Trk, Int'view, BE0, Selects #2; Leader Note: C.W. Sync/Pix, BE0, William Safire, Sel Rl 19, HD |
Film F-20193/1041 |
William Safire interview selects, mag16mm motion picture film 300 feet Side of Box: The Civil War, Sync RL. 19 W. Safire, Pix and Trk, Int'view, BE0, Selects #2; Leader Note: C.W. Sync/Trk BE0, William Safire, Sel Rl 19, HD |
Film F-20193/1042 |
James Symington interview selects, pix 116mm motion picture film 450 feet Side of Box: The Civil War, Sync Rl. 8, James Symington, Pix and Trk, Interview, DD0 - 6, Selects #1; Leader Note: C.W. Sync/Pix, J. Symington Int'view Sel, RL 8, HD |
Film F-20193/1043 |
James Symington interview selects, mag 116mm motion picture film 450 feet Side of Box: The Civil War, Sync Rl. 8, James Symington, Pix and Trk, Interview, DD0 - 6, Selects #1; Leader Note: C.W. Sync/Trk, J. Symington Int'view Sel, RL 8, HD |
Film F-20193/1044 |
James Symington interview selects, pix 216mm motion picture film 50 feet Side of Box: The Civil War, Sync Rl. 8, James Symington, Pix and Trk, Interview, DD0 - 6, Selects #1 |
Film F-20193/1045 |
James Symington interview selects, mag 216mm motion picture film 50 feet Side of Box: The Civil War, Sync Rl. 8, James Symington, Pix and Trk, Interview, DD0 - 6, Selects #1 |
Film F-20193/1046 |
Dr. Olive Taylor interview selects, pix16mm motion picture film 175 feet Side of Box: The Civil War, Sync RL 14 Dr.O Taylor, 15 G.Cotton, Pix and TRK, Interview, AJ0, Selects #1; Leader Note: C.W. Sync/Pix, Dr. O. Taylor Interview, RL 14 HD |
Film F-20193/1047 |
Dr. Olive Taylor interview selects, mag16mm motion picture film 175 feet Side of Box: The Civil War, Sync RL 14 Dr.O Taylor, 15 G.Cotton, Pix and TRK, Interview, AJ0, Selects #1; Leader Note: C.W. Sync/Trk, Dr. O. Taylor Interview, RL 14 HD |
Film F-20193/1048 |
Daisy Turner interview selects, pix 116mm motion picture film 325 feet Side of Box: The Civil War, Sync Rl 16 Daisy, BC, BD 0, Selects #1; Leader Note: C.W. Sync/Pix, Daisy Turner Int'view, RL 16, BC, HD |
Film F-20193/1049 |
Daisy Turner interview selects, mag 116mm motion picture film 325 feet Side of Box: The Civil War, Sync Rl 16 Daisy, BC, BD 0, Selects #1; Leader Note: C.W. Sync/Trk, Daisy Turner Int'view, RL 16, BC, HD |
Film F-20193/1050 |
Daisy Turner interview selects, pix 216mm motion picture film 50 feet Side of Box: The Civil War, Sync Rl 16 Daisy, BC, BD 0, Selects #1; Leader Note: C.W. Sync/Pix, Daisy Turner Int'view, RL 19, BC, HD |
Film F-20193/1051 |
Daisy Turner interview selects, mag 216mm motion picture film 75 feet Side of Box: The Civil War, Sync Rl 16 Daisy, BC, BD 0, Selects #1; Leader Note: C.W. Sync/Trk, Daisy Turner Int'view, RL 19, BC, HD |
Film F-20193/1052 |
Robert Penn Warren interview selects, pix16mm motion picture film 50 feet Side of Box: The Civil War Sync 6, R.P. Warren, 7 C.V. Woodward, Pix and Track, Interview, BB, CC 03, Selects #1; Leader Note: C.W. Sync/Pix, R. Penn Warren Int'view, Sel. Rl. 6, Code BB, HD |
Film F-20193/1053 |
Robert Penn Warren interview selects, mag16mm motion picture film 50 feet Side of Box: The Civil War Sync 6, R.P. Warren, 7 C.V. Woodward, Pix and Track, Interview, BB, CC 03, Selects #1; Leader Note: C.W. Sync/Trk, R. Penn Warren Int'view, Sel. Rl. 6, Code BB, HD |
Film F-20193/1054 |
C. Vann Woodward interview selects, pix16mm motion picture film 50 feet Side of Box: The Civil War Sync 6, R.P. Warren, 7 C.V. Woodward, Pix and Track, Interview, BB, CC 03, Selects #1; Leader Note: C.W. Sync/Pix, Woodward Int'view Sel Rl 7, Code CC, HD |
Film F-20193/1055 |
C. Vann Woodward interview selects, mag16mm motion picture film 50 feet Side of Box: The Civil War Sync 6, R.P. Warren, 7 C.V. Woodward, Pix and Track, Interview, BB, CC 03, Selects #1; Leader Note: C.W. Sync/Trk, Woodward Int'view Sel Rl 7, Code CC, HD |
Film F-20193/1056 |
Ric's Final interview selects, pix16mm motion picture film 500 feet Side of Box: The Civil War, Ric's Final Interview Selects of Selects; Note Attached to Box: 1 Ed Bearss, 2 James Symington, 3 Barbara Fields, 4 S. Oates, 5 W. Safire; Leader Note: "Civil War" Sel of Sel Interviews, Various Codes, HD |
Film F-20193/1057 |
Ric's Final interview selects, mag16mm motion picture film 500 feet Side of Box: The Civil War, Ric's Final Interview Selects of Selects; Note Attached to Box: 1 Ed Bearss, 2 James Symington, 3 Barbara Fields, 4 S. Oates, 5 W. Safire; Leader Note: "Civil War" Sel of Sel Interviews, Various Codes, TRK |
Arrangement: Alphabetical.
Original live footage shot in a cinema verite style with or without soundtrack (referred to by the production team as "sync verite") and original live footage filmed without a soundtrack (referred to by the production team as "MOS"). The majority of the B-roll footage document sites and battle fields related to the Civil War. The series also includes elements that include a mix of live footage (sometimes referred to as the production team as "views"), stills, and titles. Recordings are on 16mm motion picture ("pix") and magnetic sound ("mag") elements.
Film F-20193/1058 |
54th Massachusetts Monument, pix16mm motion picture film 175 feet Side of Box: The Civil War, 133 54th Massachusetts, 132 White House, Views VL6000, Selects #9; Leader Note: "C.W.", 54th Mass. Monument (A. Moore), Views Rl. #133, Code VL7000, HD |
Film F-20193/1059 |
Aerials and Georgia, pix16mm motion picture film 375 feet Side of Box: C. War, Misc. Box; Note attached to reel: I A 518 0896 #47 1695 |
Film F-20193/1060 |
Antietam, pix16mm motion picture film 500 feet Side of Box: Civil War, Sel. Rl. #'s 101-105, Wrk Pix, MOS, Selects #12; Leader Note: C.W., MOS, Antietam, View, Sel. Rl. 101, Code VA3, HD |
Film F-20193/1061 |
Appomattox, pix16mm motion picture film 850 feet Side of Box: The Civil War, 102 Appomattox, 103 Bull Run, Views, VA6, VB0, Selects #8; Leader Note: C.W., MOS, Appomattox, View, Sel Rl. 102, Code VA6, HD |
Film F-20193/1062 |
Arch. O' Capitol, pix 116mm motion picture film 375 feet Side of Box: C War Misc. Box; Note attached to film: D823 #211 8600 9402 |
Film F-20193/1063 |
Arch. O' Capitol, pix 216mm motion picture film 325 feet Side of Box: C War Misc. Box; Note attached to film: D823 #211 9411 824 0202 |
Film F-20193/1064 |
Arlington, pix16mm motion picture film 700 feet Side of Box: The Civil War, 100 Arlington, 101 Antietam, Views, VA0, VA3, Selects #8; Leader Note: C.W., MOS, Arlington Etc., Views Sel. Rl. 100, Code VA0, HD |
Film F-20193/1065 |
Black and White, Cam, Original Reversal, pix16mm motion picture film 150 feet Side of Box: B+W Cam. Orig. Reversal; Note on box lid: Make 16mm B-Wind Color Negative from B+W Camera Original Reversal |
Film F-20193/1066 |
Bull Run, pix16mm motion picture film 300 feet Side of Box: The Civil War, 102 Appomattox, 103 Bull Run, Views, VA6, VB0, Selects #8; Leader Note: C.W., MOS, Bull Run, Views, Sel. Rl. 103, VB0, HD |
Film F-20193/1067 |
Cemetery, pix16mm motion picture film 500 feet Side of Box: 110 Vic'burg Pet'burg, 111 Cemetary, Views, VD3, VD6, Selects #8; Leader Note: C.W., MOS, Cemetary, Views Sel. RL 111, Code VD6000, HD |
Film F-20193/1068 |
Clarksville Spring, pix16mm motion picture film 950 feet Side of Box: The Civil War 124 Clarksville Spring, 125 Aerials N. England, Views, VK0, VK3, Selects #9; Leader Note: C.W., RL 124, Selects/Outs, Clarksville Spring Views, Code VK0, HD |
Film F-20193/1069 |
Congress, pix16mm motion picture film 50 feet Side of Box: Civil War Box #24, Views, CR 442 460 Walpole Night, 465-466 Linc. Mem and Lee Mansion, 505-507 Horses & DC & Linc. Mem., 525-526 Appomx; 154 Congress, Camera Out #2 |
Film F-20193/1070 |
Deer Isle Winter, pix16mm motion picture film 625 feet Side of Box: The Civil War, 122 Walpole Winter/Fall, 123 Deer Isle Winter, Views, VJ3, VJ6, Selects #9; Leader Note: C.W. MOS, Deer Isle Winter, Dailies/Sel., RL 123, VJ6, HD |
Film F-20193/1071 |
Fort Pillow, Shiloh, Tennessee River, pix16mm motion picture film 1000 feet Side of Box: Civil War, Views, (Fire) Ft. Pillows, Shiloh, Tenn. River, 258-261 (C-5>C-6); Views Shiloh (C-7) 262; Camera Roll: 258-261 |
Film F-20193/1072 |
Fort Sumter and Charleston, Buone Hall, Beauford, Sheldon Church S.C., Fort Pulaski, Savannah, Sheldon, Vicksburg, pix16mm motion picture film 950 feet Side of Box: Civil War Box #11, 205 206 Views N.C., 211 212: Archive U of SC/Views Charleston SC; 214 215 Views of Ft. Sumter/Charleston, 216 Views: Buone Hall, Beauford, Sheldon Church SC, 217 218 Views: Ft. Pulaski/Savannah/Sheldon, 219: Views Vicksburg, Camera Out #1 |
Film F-20193/1073 |
Fredericksburg, Spotsylvania, pix16mm motion picture film 425 feet Side of Box: The Civil War, 104 F-Burg Spots, 105 Gettysburg, Views, VB3, VB6, Selects #8; Leader Note: C.W. MOS, F.Burg, Spots.vania, View Sel Rl 104, Code VB3, HD |
Film F-20193/1074 |
Georgia Aerials, pix16mm motion picture film 500 feet Side of Box: Civil War, Sel. Rl. #'s 118-119, Wrk Pix, MOS, Selects #12, 118 Aerials GA, 119 "" Maryland; Leader Note: C.W., CR 267-8, MOS, GA Aerials, View Sel Rl 118, Code VH0, HD |
Film F-20193/1075 |
Georgia, Tennessee, pix16mm motion picture film 625 feet Side of Box: The Civil War, 106 Georgia TN, 107 So. Carolina, View, VC0, VC3, Selects #8; Leader Note: C.W. MOS, Georgia TN Views, Sel Rl. 106, Code VC0, HD |
Film F-20193/1076 |
Gettysburg, pix 116mm motion picture film 825 feet Side of Box: Civil War, Sel. Rl. #'s 101-105, Wrk Pix, MOS, Selects #12; Leader Note: C.W., MOS, Gettysburg, View, Sel. Rl. 105, Code VB6, HD |
Film F-20193/1077 |
Gettysburg, pix 216mm motion picture film 800 feet Side of Box: Civil War Box #18, Views, G'burg, 305-308, 310-314; Camera Out #2; Camera Rolls: 305-308 |
Film F-20193/1078 |
Gettysburg, pix 316mm motion picture film 1000 feet Side of Box: Civil War Box #18, Views, G'burg, 305-308, 310-314; Camera Out #2; Camera Rolls: 310-314 |
Film F-20193/1079 |
Gettysburg Black and White, pix 116mm motion picture film 300 feet Side of Box: The Civil War, 120 G'burg B+W, 121 G'burg Fog, Views, VH6, VJ0, Selects #8; Leader Note: C.W., CR330, MOS, Views, G'burg, B+W, Dailies/Selects, RL 120, Code VH6, HD |
Film F-20193/1080 |
Gettysburg Black and White, pix 216mm motion picture film 125 feet Side of Box: The Civil War, 120 G'burg B+W, 121 G'burg Fog, Views, VH6, VJ0, Selects #8; Leader Note: C.W., (Reprint from Color Neg), G'burg B+W, Code RG0, HD |
Film F-20193/1081 |
Gettysburg Black and White, pix 316mm motion picture film 50 feet Side of Box: The Civil War, 120 G'burg B+W, 121 G'burg Fog, Views, VH6, VJ0, Selects #8; Leader Note: C.W., G'burg (Replaced w/ New Print), HD |
Film F-20193/1082 |
Gettysburg Fog, pix16mm motion picture film 175 feet Side of Box: Civil War, Sel. Rl. #'s 121-122, Wrk Pix, MOS, Ford Theatre/Cyclo./Stone's River, Views: Lookout Mt., Chickamauga, Roll # M-26 29 30 (MOS), #236 237 238; Leader Note: C.W., MOS, G'burg Fog, View Sel. RL 121, Code VJ0, HD |
Film F-20193/1083 |
Gettysburg Views and Archive Stills; Alton Illinois Views and Archive Stills, pix16mm motion picture film 800 feet Side of Box: Civil War Box #19, F-Stop, Frameshop, L.O.C. - 318-322A-325, 331-343; Views Walpole, G'burg, Ill., Wash. - 315-317, 327, 341, 361-378, 407-408; Camera Out #2; Camera Roll: 315-317, 327, 341, 361-378, 407-408 |
Film F-20193/1084 |
Gun and Sword Still Life, pix16mm motion picture film 225 feet Side of Box: The Civil War, 128 Capitol Ext. Night, 129 Gun & Sword Still Lifes, Views, VK6, VL0, Selects #9; Leader Note: Civil War, MOS, Gun Still-Lifes, Sel. Rl. 129 ,Views, VL0 Code, PIX, Head |
Film F-20193/1085 |
Horses, pix16mm motion picture film 225 feet Side of Box: The Civil War, 131 Horses-Day and Night; 130 Horses-Sync, Views, VL2000, VL4000, Selects #9; Leader Note: C.W. "Horses-Live", Sel. Rl. 130, Code VL2000, Sync/Pix, HD |
Film F-20193/1086 |
Horses, mag16mm motion picture film 225 feet Side of Box: The Civil War, 131 Horses-Day and Night; 130 Horses-Sync, Views, VL2000, VL4000, Selects #9; Leader Note: C.W. "Horses-Live", Sel. Rl. 130, Code VL2000, Sync/Trk, HD |
Film F-20193/1087 |
Horses Day and Night, pix16mm motion picture film 200 feet Side of Box: The Civil War, 131 Horses-Day and Night; 130 Horses-Sync, Views, VL2000, VL4000, Selects #9; Leader Note: C.W. "Horses-Live", Sel. Rl. 131, Code VL4000, HD |
Film F-20193/1088 |
Jackson, Davis, Lee, pix16mm motion picture film 850 feet Side of Box: The Civil War, 112 Lincoln Harpers (Memorial Wash DC), 113 Jack Davis Lee, VE0, VE3; Leader Note: C.W. MOS, Jackson Davis Lee, View Sel RL 113, Code VE3, HD |
Film F-20193/1089 |
Lincoln, Harper's Ferry, pix16mm motion picture film 850 feet Side of Box: The Civil War, 112 Lincoln Harpers (Memorial Wash DC), 113 Jack Davis Lee, VE0, VE3; Leader Note: C.W. MOS, Lincoln Harper's F., View Sel RL 112, Code VE0, HD |
Film F-20193/1090 |
Lookout Mountain, Chickamauga, Nashville, Columbia, Arch: Stones Throw, pix16mm motion picture film 700 feet Side of Box: Civil War Box #13; View; Lookout Mtn and Chicka/Nashville, Columbia, Arch: Stones Throw, 239-243 (B-1 and 2); Nashv., Murfressb, Franklin, Kent TN, 244-247, B-3 4 5, Camera Out #2 |
Film F-20193/1091 |
Maryland Aerials, pix16mm motion picture film 625 feet Side of Box: Civil War, Sel. Rl. #'s 118-119, Wrk Pix, MOS, Selects #12, 118 Aerials GA, 119 "" Maryland; Leader Note: C.W., MOS, CR 321-322, Maryland Aerials, Views Sel. Rl. 119, Code VH3, HD; Note on reel: SGI No Selex |
Film F-20193/1092 |
Miscellaneous Aerials, pix 116mm motion picture film 250 feet Side of Box: C. War, Misc. Box; Note attached to reel: I A 518 0094 #48 0885 |
Film F-20193/1093 |
Miscellaneous Aerials, pix 216mm motion picture film 325 feet Side of Box: C. War, Misc. Box; Note attached to reel: C V 525 3247 #178 - 3787 |
Film F-20193/1094 |
Miscellaneous Aerials, pix 316mm motion picture film 400 feet Note attached to reel: D379 0270-1069 #102 |
Film F-20193/1095 |
Miscellaneous Views, pix 116mm motion picture film 350 feet Note attached to reel: D379 1083-1873 #102 |
Film F-20193/1096 |
Miscellaneous Views, pix 216mm motion picture film 325 feet Note attached to reel: C V895 0102-0763 #202 |
Film F-20193/1097 |
Miscellaneous Views, pix 316mm motion picture film 250 feet Side of Box: C. War, Misc. Box; Note attached to reel: C V 895 2540 #202 - 3228 |
Film F-20193/1098 |
Miscellaneous Views and Aerials, pix 116mm motion picture film 325 feet Side of Box: Civil War, Selex, Views + Aerials, Wrkpix MOS, VA, VB, VC, VD, VH, VJ, Selects #12; Leader Note: Insignia, 'Lindbergh', Civil War Selex, VA, VB, VC, VD, VH, VJ, HD |
Film F-20193/1099 |
Miscellaneous Views and Aerials, pix 216mm motion picture film 75 feet Side of Box: Civil War, Selex, Views + Aerials, Wrkpix MOS, VA, VB, VC, VD, VH, VJ, Selects #12 |
Film F-20193/1100 |
Miscellaneous Views and Archive Stills, Outtakes, pix 116mm motion picture film 1000 feet Side of Box: Civil War Box #8, 165-170 (M 14-22), Fredericksburg, Stonewall Jackson; 171-173 (+170) G'Burg Cyclorama, Outs, Camera Out #1 |
Film F-20193/1101 |
Miscellaneous Views and Archive Stills, Outtakes, pix 216mm motion picture film 800 feet Side of Box: Civil War Box #9, 183-186 Views: Spotsylvania/Archive: Sanders; 187-188 Sanders, 189 190 M.O.C./Pale Snare, Views Petersburg, 191 192 P'Burg Appomattox Archive, Outs, Camera Out #1 |
Film F-20193/1102 |
Miscellaneous Views and Archive Stills, Outtakes, pix 316mm motion picture film 850 feet Side of Box: Civil War Box #9, 183-186 Views: Spotsylvania/Archive: Sanders; 187-188 Sanders, 189 190 M.O.C./Pale Snare, Views Petersburg, 191 192 P'Burg Appomattox Archive, Outs, Camera Out #1 |
Film F-20193/1103 |
Miscellaneous Views and Archive Stills, Outtakes, pix 416mm motion picture film 700 feet Side of Box: Civil War Box #10, 193 194 - Archive and Views, 195 196 Appomattox and Lex. VA., 197 198 Archives: Washand Lee, VMI Jackson House; 199-204 Views VA: Cold Harbor, Ft. Monroe, Richmond; 207 208, Archive, NC Archive/Views and Columbia SC; 209 213 Millwood Ruins and Ft. Sumter, Outs, Camera Out #1 |
Film F-20193/1104 |
Miscellaneous Views and Archive Stills, Outtakes, pix 516mm motion picture film 900 feet Side of Box: Civil War Box #10, 193 194 - Archive and Views, 195 196 Appomattox and Lex. VA., 197 198 Archives: Washand Lee, VMI Jackson House; 199-204 Views VA: Cold Harbor, Ft. Monroe, Richmond; 207 208, Archive, NC Archive/Views and Columbia SC; 209 213 Millwood Ruins and Ft. Sumter, Outs, Camera Out #1 |
Film F-20193/1105 |
Miscellaneous Views and Archive Stills, Outtakes, pix 616mm motion picture film 800 feet Side of Box: Civil War Box #11, 205 206 Views N.C., 211 212: Archive U of SC/Views Charleston SC; 214 215 Views of Ft. Sumter/Charleston, 216 Views: Buone Hall, Beauford, Sheldon Church SC, 217 218 Views: Ft. Pulaski/Savannah/Sheldon, 219: Views Vicksburg, Camera Out #1 |
Film F-20193/1106 |
Miscellaneous Views and Archive Stills, Outtakes, pix 716mm motion picture film 900 feet Side of Box: Civil War Box #12, 225 226 Views Pentagon Barracks, Arch L.S.U.; 220 221 Views V'Burg, Arch V'Burg Old Ct. House; 223 224 Views V'Burg/Miss; 227 Views: Louisiana; 228 229 Archive L.S.U., Tulane U.; 230 231 Hist. N. Orleans; 232 Hist. N.O./V'Burg Old Ct. House 236-238, Camera Out #1 |
Film F-20193/1107 |
Miscellaneous Views and Archive Stills, Outtakes, pix 816mm motion picture film 900 feet Side of Box: Civil War Box #12, 225 226 Views Pentagon Barracks, Arch L.S.U.; 220 221 Views V'Burg, Arch V'Burg Old Ct. House; 223 224 Views V'Burg/Miss; 227 Views: Louisiana; 228 229 Archive L.S.U., Tulane U.; 230 231 Hist. N. Orleans; 232 Hist. N.O./V'Burg Old Ct. House 236-238, Camera Out #1 |
Film F-20193/1108 |
Miscellaneous Views and Archive Stills, Outtakes, pix 916mm motion picture film 900 feet Side of Box: Civil War Box #14, View Ill. Hist Lib., Vandalia Ill., Linc. Law Office, 248-253 (B-6>B-11); View Linc. House, Ft. Pillow, Willow Creek, Pea Ridge, Ill. Hist. Lib.; Camera Out #2; Camera Rolls: 248-253 |
Film F-20193/1109 |
Miscellaneous Views and Archive Stills, Outtakes, pix 1016mm motion picture film 600 feet Side of Box: Civil War Box #14, View Ill. Hist Lib., Vandalia Ill., Linc. Law Office, 248-253 (B-6>B-11); View Linc. House, Ft. Pillow, Willow Creek, Pea Ridge, Ill. Hist. Lib.; Camera Out #2; Camera Rolls: 254-257 |
Film F-20193/1110 |
Miscellaneous Views and Archive Stills, Outtakes, pix 1116mm motion picture film 850 feet Side of Box: Civil War Box #16, Views Train/Chicka, Madison GA, Cyclo, Aerials (Pulled): 264-269 (C-9>C-12); Cyclo, Frameshop, B&J Hayes, Views Bowdoin, J.L.C. Museum, Walpole 270-284 (288B); Camera Rolls: 269-284 |
Film F-20193/1111 |
Miscellaneous Views and Archive Stills, Outtakes, pix 1216mm motion picture film 325 feet Note attached to reel: C S126 8174-8972 #203 |
Film F-20193/1112 |
Miscellaneous Views and Archival Stills, Interpositive, pix35mm 75 feet Side of Can: Civil War, IP for 16mm Negative, Roll 3; Leader Note: Head, IP |
Film F-20193/1113 |
Miscellaneous Views and Titles, Outtakes, pix 116mm motion picture film 900 feet Side of Box: Civil War #21, F-Stop & Frameshop, Extension, Walpole, NYHS; {404-406, 412-415, 423-424, 434-441}, 442-459-NYHS, 461-477A, Camera Out #2; Camera Rolls: 442-459, 461-477A |
Film F-20193/1114 |
Miscellaneous Views and Titles, Outtakes, pix 216mm motion picture film 950 feet Side of Box: Civil War Box #22, Frameshop, CR # {478-491, 490 Walpole Arch}, {492-496A, 499-520}, Camera Out #2; Camera Rolls: 492-496A, 499-520 |
Film F-20193/1115 |
Nashville, Murfreesboro, Franklin, Kent, pix16mm motion picture film 900 feet Side of Box: Civil War Box #13; View; Lookout Mtn and Chicka/Nashville, Columbia, Arch: Stones Throw, 239-243 (B-1 and 2); Nashv., Murfressb, Franklin, Kent TN, 244-247, B-3 4 5, Camera Out #2 |
Film F-20193/1116 |
New England Aerials, pix16mm motion picture film 675 feet Side of Box: Civil War, Sel. Rl. #125, Wrk Pix, MOS, Selects #12; C.W., N. England Aerials, Views, Sel. Rl. #125, Code VK3, HD; Note attached to reel: NO Selex/SGI |
Film F-20193/1117 |
North Carolina, Virginia, pix16mm motion picture film 300 feet Side of Box: Civil War, Sel. Rl. #'s 108-109, Wrk Pix, MOS, Selects #12; Leader Note: C.W., MOS, No. Carolina, VA, Views, Sel. Rl. 108, Code VC6, HD |
Film F-20193/1118 |
Northern Views, pix16mm motion picture film 700 feet Side of Box: The Civil War, 116 No. Views, 117 RR & Snakes, Views, VG3, VG6, Selects #8; Leader Note: C.W. MOS, Northern Views, Sel Rl 116, Code VG3, HD |
Film F-20193/1119 |
Railroad and Snakes, pix16mm motion picture film 250 feet Side of Box: The Civil War, 116 No. Views, 117 RR & Snakes, Views, VG3, VG6, Selects #8; Leader Note: C.W. MOS, RR & Snakes, View Sel. RL 117, Code VG6, HD |
Film F-20193/1120 |
Shenandoah, Arlington National Cemetery, Robert E. Lee's Birthplace, pix16mm motion picture film 550 feet Side of Box: Civil War Box #17, Views Shenandoah/Arl. Nat. Cem. And Lee's Birthplace, 272-274, 291; Walpole, W. Poin, Am. Heri, Burns, 285-301; Burns, Katz, 302-303, 306, Outs; Camera Out #2; Camera Rolls: 272-274, 291 |
Film F-20193/1121 |
Shiloh, pix16mm motion picture film 200 feet Side of Box: Civil War, Sel. Rl. #'s 108-109, Wrk Pix, MOS, Selects #12; Leader Note: C.W., MOS, Shiloh, View Sel. Rl. 109, Code VD0, HD |
Film F-20193/1122 |
Shiloh, Capitol and Arlington, Antietam, Manassas, pix16mm motion picture film 700 feet Side of Box: Civil War Box #1, 7A 8-16 Library of Congress; Views, 7B Shiloh, 74 and 75, Capitol and Arlington, 76, Antietam and Manassas, Outs, Camera Outs #1 |
Film F-20193/1123 |
Shiloh, Train, pix16mm motion picture film 600 feet Side of Box: Civil War, Views, (Fire) Ft. Pillows, Shiloh, Tenn. River, 258-261 (C-5>C-6); Views Shiloh (C-7) 262; Camera Roll: 262-263 |
Film F-20193/1124 |
Skies, pix16mm motion picture film 725 feet Side of Box: The Civil War, 114 Skies, 115 Misc. So. Views, Views, VE6, VG0, Selects #8; Leader Note: C.W., MOS, Skies, View Sel. RL-114, Code VE6, HD |
Film F-20193/1125 |
South Carolina, pix16mm motion picture film 500 feet Side of Box: The Civil War, 106 Georgia TN, 107 So. Carolina, View, VC0, VC3, Selects #8; Leader Note: C.W. MOS, South Carolina Views, Sel Rl 107, Code VC3, HD |
Film F-20193/1126 |
Southern Views, pix16mm motion picture film 550 feet Side of Box: The Civil War, 114 Skies, 115 Misc. So. Views, Views, VE6, VG0, Select #8; Leader Note: C.W., MOS, Misc. So. Views, View Sel. Rl 115, Code VG0, HD |
Film F-20193/1127 |
Train, Chickamauga, Madison, GA., pix16mm motion picture film 950 feet Side of Box: Civil War Box #16, Views Train/Chicka, Madison GA, Cyclo, Aerials (Pulled): 264-269 (C-9>C-12); Cyclo, Frameshop, B&J Hayes, Views Bowdoin, J.L.C. Museum, Walpole 270-284 (288B); Camera Rolls: 264-268 |
Film F-20193/1128 |
U.S. Capitol Exterior, pix 116mm motion picture film 525 feet Side of Box: The Civil War, 126 Capitol Ext. Day (I), 127 " " " (II), Views, F0, F3, Selects #9; Leader Note: Civil War, Capitol Ext. Day/Sunset (P.I), Views, RL 126, Code F0, HD |
Film F-20193/1129 |
U.S. Capitol Exterior, pix 216mm motion picture film 550 feet Side of Box: The Civil War, 126 Capitol Ext. Day (I), 127 " " " (II), Views, F0, F3, Selects #9; Leader Note: Civil War, Capitol Ext. Day/Sunset (P.II), Views, RL 127, Code F3, HD |
Film F-20193/1130 |
U.S. Capitol Exterior, pix 316mm motion picture film 700 feet Side of Box: The Civil War, 128 Capitol Ext. Night, 129 Gun & Sword Still Lifes, Views, VK6, VL0, Selects #9; Leader Note: Civil War, Views, Sel., Rl. 128, Capitol Night Ext./Fireworks, Code VK6, HD |
Film F-20193/1131 |
Vicksburg, Petersburg, pix16mm motion picture film 375 feet Side of Box: 110 Vic'burg Pet'burg, 111 Cemetary, Views, VD3, VD6, Selects #8; Leader Note: C.W., MOS, Vicksburg, Pete'burg, Views, Sel. RL 110, Code VD3, HD |
Film F-20193/1132 |
Walpole Night, Lincoln Memorial, Lee Mansion, Horses, Washington D.C., Lincoln Memorial, Appomattox, pix16mm motion picture film 400 feet Side of Box: Civil War Box #24, Views, CR 442 460 Walpole Night, 465-466 Linc. Mem and Lee Mansion, 505-507 Horses & DC & Linc. Mem., 525-526 Appomx; 154 Congress, Camera Out #2 |
Film F-20193/1133 |
Walpole Winter, pix16mm motion picture film 600 feet Side of Box: Civil War, Sel. Rl. #'s 121-122, Wrk Pix, MOS, Ford Theatre/Cyclo./Stone's River, Views: Lookout Mt., Chickamauga, Roll # M-26 29 30 (MOS), #236 237 238; Leader Note: C.W., MOS, CR 337, Walpole Winter, Dailies/Selects, RL 122, Code VJ3, HD |
Film F-20193/1134 |
White House, pix16mm motion picture film 125 feet Side of Box: The Civil War, 133 54th Massachusetts, 132 White House, Views VL6000, Selects #9; Leader Note: "C.W.", "White House-Live", Sel. RL 132, Code VL6000, HD |
Arrangement: Alphabetical.
Narration by David McCullough. Recordings are on 16mm magnetic ("mag") sound elements.
Film F-20193/1136 |
David McCullough Narration A, Episode 4, reel 4, mag16mm motion picture film 1050 feet Side of Box: C.W., Ep IV, R-1, NARR A, NARR B, 1863, Part I, Sound Mix #12; Leader Note: "C.W.", 1863, Ep Four, R-1, NARR A, HD |
Film F-20193/1137 |
David McCullough Narration B, Episode 4, reel 4, mag16mm motion picture film 1050 feet Side of Box: C.W., Ep IV, R-1, NARR A, NARR B, 1863, Part I, Sound Mix #12; Leader Note: "C.W.", 1863, Ep Four, R-1, NARR B, HD |
Film F-20193/1138 |
David McCullough Tone Loop 2, mag16mm motion picture film 1100 feet Side of Box: David McC. Tone Reel, SF/X #6; Leader Note: "C.W.", David McCullough, Tone Loop #1, TRK, HD |
Film F-20193/1139 |
David McCullough Tone Loop 3, mag16mm motion picture film 1100 feet Side of Box: David McC. Tone Reel, SF/X #6; Leader Note: "C.W.", David McCullough, Tone Loop #3, TRK, HD |
Arrangement: Alphabetical.
Sound mix elements and wild sound related to the production. Recordings are on 16mm and 35mm magnetic ("mag") sound elements.
Film F-20193/1135 |
Slave Tapes, wild sound trims, mag16mm motion picture film Side of Box: Wild SND, Slave Tapes, Selects, A0 3, S/FX #5; Leader Note, Reel 1: C.W., Wild SND, Slave Tape Selects, HD; Leader Note, Reel 2, Slave Tape 1st Man; Leader Note, Reel 3: Slave Tape, "2nd Woman" |
Film F-20193/1140 |
DIA A, Episode 1, reel 1, mag16mm motion picture film 1000 feet Side of Box: C.W. Ep. 1, R-1, DIAL A, DIAL B, 1861, Sound Mix #1; Leader Note: "C.W.", 1861, Ep One, R-1, DIA A, HD |
Film F-20193/1141 |
DIA B, Episode 1, reel 1, mag16mm motion picture film 1000 feet Side of Box: C.W. Ep. 1, R-1, DIAL A, DIAL B, 1861, Sound Mix #1; Leader Note: "C.W.", 1861, Ep One, R-1, DIA B, HD |
Film F-20193/1142 |
DIA C, Episode 1, reel 1, mag16mm motion picture film 1000 feet Side of Box: C.W.,Ep I, R-1, DIAL C, DIAL D, 1861, Sound Mix #1; Leader Note: "C.W.", 1861-Ep One-R-1, DIA-C, HD |
Film F-20193/1143 |
DIA D, Episode 1, reel 1, mag16mm motion picture film 975 feet Side of Box: C.W.,Ep I, R-1, DIAL C, DIAL D, 1861, Sound Mix #1; Leader Note: "C.W.", 1861-Ep One-R-1, DIA-D, HD |
Film F-20193/1144 |
DIA A, Episode 1, reel 2, mag16mm motion picture film 850 feet Side of Box: C.W., Ep I, R-2, DIAL A, DIAL B, 1861, Sound Mix #1; Leader Note: "C.W.", 1861, Ep I, R-2, DIAL A, HD |
Film F-20193/1145 |
DIA B, Episode 1, reel 2, mag16mm motion picture film 875 feet Side of Box: C.W., Ep I, R-2, DIAL A, DIAL B, 1861, Sound Mix #1; Leader Note: "C.W.", 1861, Ep I, R-2, DIAL B, HD |
Film F-20193/1146 |
DIA C, Episode 1, reel 2, mag16mm motion picture film 875 feet Side of Box: C.W., Ep I, R-2, DIAL C, DIAL D, 1861, Sound Mix #1; Leader Note: "C.W.", 1861, Ep 1, R-2, DIAL C, HD |
Film F-20193/1147 |
DIA D, Episode 1, reel 2, mag16mm motion picture film 875 feet Side of Box: C.W., Ep I, R-2, DIAL C, DIAL D, 1861, Sound Mix #1; Leader Note: "C.W.", 1861, Ep 1, R-2, DIAL D, HD |
Film F-20193/1148 |
DIA A, Episode 1, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W., Ep I, R-3, DIA A, DIA B, 1861, Sound Mix #2; Leader Note: "Civil War", 1861, Ep. One - RL. 3, DIA A, HD |
Film F-20193/1149 |
DIA B, Episode 1, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W., Ep I, R-3, DIA A, DIA B, 1861, Sound Mix #2; Leader Note: "Civil War", 1861, Ep. One - RL. 3, DIA B, HD |
Film F-20193/1150 |
DIA C, Episode 1, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W., Ep I, R-3, DIA C, DIA D, 1861, Sound Mix #2; Leader Note: "Civil War", 1861, Ep. One - RL. 3, DIA C, HD |
Film F-20193/1151 |
DIA D, Episode 1, reel 3, mag16mm motion picture film 725 feet Side of Box: C.W., Ep I, R-3, DIA C, DIA D, 1861, Sound Mix #2; Leader Note: "Civil War", 1861, Ep. One - RL. 3, DIA D, HD |
Film F-20193/1152 |
DIA A, Episode 1, reel 4, mag16mm motion picture film 950 feet Side of Box: C.W., Ep I, R-4, DIA A, DIA B, 1861, Sound Mix #2; Leader Note: "Civil War", 1861, Ep. One, RL. 4, DIA A, HD |
Film F-20193/1153 |
DIA B, Episode 1, reel 4, mag16mm motion picture film 975 feet Side of Box: C.W., Ep I, R-4, DIA A, DIA B, 1861, Sound Mix #2; Leader Note: "Civil War", 1861, Ep. One, RL. 4, DIA B, HD |
Film F-20193/1154 |
DIA C, Episode 1, reel 4, mag16mm motion picture film 975 feet Side of Box: C.W. Ep I, R-4, DIAL C, DIAL D, 1861, Sound Mix #2; Leader Note: "C.W.", 1861, Ep One R-4, DIAL C, HD |
Film F-20193/1155 |
DIA D, Episode 1, reel 4, mag16mm motion picture film 975 feet Side of Box: C.W. Ep I, R-4, DIAL C, DIAL D, 1861, Sound Mix #2; Leader Note: "C.W.", 1861, Ep One R-4, DIAL D, HD |
Film F-20193/1156 |
DIA A, Episode 2, reel 1, mag16mm motion picture film 825 feet Side of Box: C.W., Ep II, R-1, DIAL A, DIAL B, 1862, Part I, Sound Mix #3; Leader Note: "Civil War", 1862, Ep Two, R-1, DIAL A, HD |
Film F-20193/1157 |
DIA B, Episode 2, reel 1, mag16mm motion picture film 825 feet Side of Box: C.W., Ep II, R-1, DIAL A, DIAL B, 1862, Part I, Sound Mix #3; Leader Note: "Civil War", 1862, Ep Two, R-1, DIAL B, HD |
Film F-20193/1158 |
DIA C, Episode 2, reel 1, mag16mm motion picture film 800 feet Side of Box: C.W., Ep II, R-1, DIAL C, DIAL D, 1862, Part I, Sound Mix #3; Leader Note: "C.W.", 1862, Ep Two, R-1, DIAL C, HD |
Film F-20193/1159 |
DIA D, Episode 2, reel 1, mag16mm motion picture film 825 feet Side of Box: C.W., Ep II, R-1, DIAL C, DIAL D, 1862, Part I, Sound Mix #3; Leader Note: "C.W.", 1862, Ep Two, R-1, DIAL D, HD |
Film F-20193/1160 |
DIA E, Episode 2, reel 1, mag16mm motion picture film 825 feet Side of Box: C.W., Ep II, R-1, DIAL E, 1862, Part I, Sound Mix #3; Leader Note: "C.W.", 1862, Ep Two, R-1, DIAL E, HD |
Film F-20193/1161 |
DIA A, Episode 2, reel 2, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep II, R-2, DIAL A, DIAL B, 1862, Part I, Sound Mix #3; Leader Note: "Civil War", 1862, Ep. Two, R-2, DIA A, HD |
Film F-20193/1162 |
DIA B, Episode 2, reel 2, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep II, R-2, DIAL A, DIAL B, 1862, Part I, Sound Mix #3; Leader Note: "Civil War", 1862, Ep. Two, R-2, DIA-B, HD |
Film F-20193/1163 |
DIA C, Episode 2, reel 2, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep II, R-2, DIAL C, DIAL D, 1862, Part I, Sound Mix #3; Leader Note: "Civil War", 1862, Ep. Two, R-2, DIA C, HD |
Film F-20193/1164 |
DIA D, Episode 2, reel 2, mag16mm motion picture film 950 feet Side of Box: C.W., Ep II, R-2, DIAL C, DIAL D, 1862, Part I, Sound Mix #3; Leader Note: "Civil War", 1862, Ep. Two - R-2, DIA D, HD |
Film F-20193/1165 |
DIA E, Episode 2, reel 2, mag16mm motion picture film 950 feet Side of Box: C.W., Ep II, R-2, DIAL E, 1862, Part I, Sound Mix #3; Leader Note: "Civil War", 1862, Ep Two, R-2, DIA E, HD |
Film F-20193/1166 |
DIA A, Episode 2, reel 3, mag16mm motion picture film 675 feet Side of Box: C.W. Ep II, R-3, DIA A, DIA B, 1862, Sound Mix #4; Leader Note: C.W. Ep Two, R-3, DIA A, HD |
Film F-20193/1167 |
DIA B, Episode 2, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W. Ep II, R-3, DIA A, DIA B, 1862, Sound Mix #4; Leader Note: C.W. Ep Two, R-3, DIA B, HD |
Film F-20193/1168 |
DIA C, Episode 2, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W. Ep II, R-3, DIA C, DIA D, 1862, Sound Mix #4; Leader Note: "Civil War", 1862, Ep Two R-3, DIA C |
Film F-20193/1169 |
DIA D, Episode 2, reel 3, mag16mm motion picture film 675 feet Side of Box: C.W. Ep II, R-3, DIA C, DIA D, 1862, Sound Mix #4; Leader Note: "Civil War", 1862, Ep Two R-3, DIA D, HD |
Film F-20193/1170 |
DIA E, Episode 2, reel 3, mag16mm motion picture film 675 feet Side of Box: C.W. Ep II, R-3, DIA E, 1862, Sound Mix #4; Leader Note: "C.W.", 1862, Ep Two, R-3, DIA E, HD |
Film F-20193/1171 |
DIA A, Episode 3, reel 1, mag16mm motion picture film 900 feet Side of Box: C.W. Ep III, R-1, DIA A, DIA B, Sound Mix #4; Leader Note: "C.W.", 1862 Ep Three, R-1 DIA A, Head |
Film F-20193/1172 |
DIA B, Episode 3, reel 1, mag16mm motion picture film 875 feet Side of Box: C.W. Ep III, R-1, DIA A, DIA B, Sound Mix #4; Leader Note: "C.W.", 1862 Ep Three, R-1 DIA B, Head |
Film F-20193/1173 |
DIA C, Episode 3, reel 1, mag16mm motion picture film 875 feet Side of Box: C.W. Ep 3, R-1, DIA C, DIA D, Sound Mix #4; Leader Note: "C.W." 1862 Ep Three, R-1, DIA C, Head |
Film F-20193/1174 |
DIA D, Episode 3, reel 1, mag16mm motion picture film 875 feet Side of Box: C.W. Ep 3, R-1, DIA C, DIA D, Sound Mix #4; Leader Note: "C.W." 1862 Ep Three, R-1, DIA D, Head |
Film F-20193/1175 |
DIA E, Episode 3, reel 1, mag16mm motion picture film 975 feet Side of Box: C.W. Ep. 3, R-1, DIA E, Sound Mix #4; Leader Note: "C.W.", 1862, Ep Three, R-1, DIA E, Head |
Film F-20193/1176 |
DIA A, Episode 3, reel 2, mag16mm motion picture film 725 feet Side of Box: C.W., Ep III, R-2, DIAL A, DIAL B, 1862, Part II, Sound Mix #5; Leader Note: "C.W.", 1862, Ep Three, R-2, DIA A - HD |
Film F-20193/1177 |
DIA B, Episode 3, reel 2, mag16mm motion picture film 725 feet Side of Box: C.W., Ep III, R-2, DIAL A, DIAL B, 1862, Part II, Sound Mix #5; Leader Note: "C.W.", 1862, Ep Three, R-2, DIA B - HD |
Film F-20193/1178 |
DIA C, Episode 3, reel 2, mag16mm motion picture film 725 feet Side of Box: C.W. Ep. III, R-2, DIAL-C, DIAL-D, 1862, Part II, Sound Mix #5; Leader Note: "C.W.", 1862, Ep. Three, R-2, DIA C, HD |
Film F-20193/1179 |
DIA D, Episode 3, reel 2, mag16mm motion picture film 750 feet Side of Box: C.W. Ep. III, R-2, DIAL-C, DIAL-D, 1862, Part II, Sound Mix #5; Leader Note: "C.W.", 1862, Ep. Three, R-2, DIA D, HD |
Film F-20193/1180 |
DIA E, Episode 3, reel 2, mag16mm motion picture film 800 feet Side of Box: C.W. Ep III, R-2, DIAL E and Answer PRT, 1862 Part II; Leader Note: "C.W." 1862 EP Three, R-2, DIA E, HD |
Film F-20193/1181 |
DIA A, Episode 3, reel 3, mag16mm motion picture film 1175 feet Side of Box: C.W., Ep 3, R-3, DIAL A, DIAL B, 1862, Part II, Sound Mix #12; Leader Note: C.W., 1862, Ep Three, R-3, DIA A, HD |
Film F-20193/1182 |
DIA B, Episode 3, reel 3, mag16mm motion picture film 1125 feet Side of Box: C.W., Ep 3, R-3, DIAL A, DIAL B, 1862, Part II, Sound Mix #12; Leader Note: C.W., 1862, Ep Three, R-3, DIA B, HD |
Film F-20193/1183 |
DIA C, Episode 3, reel 3, mag16mm motion picture film 1150 feet Side of Box: C.W., Ep 3, R-3, DIAL C, DIAL D, 1862, Part II, Sound Mix #12; Leader Note: "C.W.", 1862, Ep Three, R-3, DIA C, HD |
Film F-20193/1184 |
DIA D, Episode 3, reel 3, mag16mm motion picture film 1150 feet Side of Box: C.W., Ep 3, R-3, DIAL C, DIAL D, 1862, Part II, Sound Mix #12; Leader Note: "C.W.", 1862, Ep Three, R-3, DIA D, HD |
Film F-20193/1185 |
DIA E, Episode 3, reel 3, mag16mm motion picture film 1125 feet Side of Box: C.W. Ep. 3, R-3, DIA E, 1862, Part II, Sound Mix #12; Leader Note: C.W. 1862 Ep Three, R-3, DIA E, HD |
Film F-20193/1186 |
DIA A, Episode 4, reel 1, mag16mm motion picture film 1075 feet Side of Box: C.W., Ep. IV, R-1, DIAL A, DIAL B, 1863, Sound Mix #12; Leader Note: "C.W.", 1863, Ep. Four, R-1, DIA A, HD |
Film F-20193/1187 |
DIA B, Episode 4, reel 1, mag16mm motion picture film 1075 feet Side of Box: C.W., Ep. IV, R-1, DIAL A, DIAL B, 1863, Sound Mix #12; Leader Note: "C.W.", 1863, Ep. Four, R-1, DIA B, HD |
Film F-20193/1188 |
DIA C, Episode 4, reel 1, mag16mm motion picture film 1050 feet Side of Box: C.W., Ep IV, R-1, DIAL C, 1863, Part I, Sound Mix #12; Leader Note: "C.W.", 1863, Ep Four, R-1, DIA C, HD |
Film F-20193/1189 |
DIA A, Episode 4, reel 2, mag16mm motion picture film 1150 feet Side of Box: C.W., Ep. IV, R-2, DIAL A, DIAL B, 1863, Part I, Sound Mix #12; Leader Note: "C.W.", 1863, Ep Four, R-2, DIA A, HD |
Film F-20193/1190 |
DIA B, Episode 4, reel 2, mag16mm motion picture film 1100 feet Side of Box: C.W., Ep. IV, R-2, DIAL A, DIAL B, 1863, Part I, Sound Mix #12; Leader Note: "C.W.", 1863, Ep Four, R-2, DIA B, HD |
Film F-20193/1191 |
DIA C, Episode 4, reel 2, mag16mm motion picture film 1150 feet Side of Box: C.W., Ep IV, R-2, DIAL C, 1863, Part I, Sound Mix #13; Leader Note: "C.W.", 1863, Ep Four, R-2, DIA C, HD |
Film F-20193/1192 |
DIA A, Episode 5, reel 1, mag16mm motion picture film 1200 feet Side of Box: C.W., Ep. V, R-1, DIAL-A, DIAL-B, 1863, Part II, Sound Mix #13; Leader Note: "C.W.", 1863, Ep Five, R-1, DIAL-A, HD |
Film F-20193/1193 |
DIA B, Episode 5, reel 1, mag16mm motion picture film 1175 feet Side of Box: C.W., Ep. V, R-1, DIAL-A, DIAL-B, 1863, Part II, Sound Mix #13; Leader Note: "C.W.", 1863, Ep Five, R-1, DIAL-B, HD |
Film F-20193/1194 |
DIA A, Episode 5, reel 2, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep V, R-2, DIAL-A, DIAL-B, 1863, Part II, Sound Mix #14; Leader Note: "C.W.", 1863, Ep Five, R-2, DIAL-A, HD |
Film F-20193/1195 |
DIA B, Episode 5, reel 2, mag16mm motion picture film 1025 feet Side of Box: C.W., Ep V, R-2, DIAL-A, DIAL-B, 1863, Part II, Sound Mix #14; Leader Note: "C.W.", 1863, Ep Five, R-2, DIAL-B, HD |
Film F-20193/1196 |
DIA C, Episode 5, reel 2, mag16mm motion picture film 1025 feet Side of Box: C.W., Ep V, R-2, DIAL C, DIAL D, 1863, Part II, Sound Mix #14; Leader Note: "C.W.", 1863, Ep Five, R-2, DIAL-C, HD |
Film F-20193/1197 |
DIA D, Episode 5, reel 2, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep V, R-2, DIAL C, DIAL D, 1863, Part II, Sound Mix #14; Leader Note: "C.W.", 1863, Ep Five, R-2, DIAL-D, HD |
Film F-20193/1198 |
DIA A, Episode 5, reel 3, mag16mm motion picture film 900 feet Side of Box: C.W., Ep V, R-3, DIAL-A, DIAL-B, 1863, Part II, Sound Mix #6; Leader Note: "C.W.", 1863, Ep Five, R-3, DIAL-A, HD |
Film F-20193/1199 |
DIA B, Episode 5, reel 3, mag16mm motion picture film 900 feet Side of Box: C.W., Ep V, R-3, DIAL-A, DIAL-B, 1863, Part II, Sound Mix #6; Leader Note: "C.W.", 1863, Ep Five, R-3, DIAL-B, HD |
Film F-20193/1200 |
DIA C, Episode 5, reel 3, mag16mm motion picture film 900 feet Side of Box: C.W., Ep V, R-3, DIAL-C, DIAL-D, 1863, Part II, Sound Mix #6; Leader Note: "C.W.", 1863, Ep Five, R-3, DIAL-C, HD |
Film F-20193/1201 |
DIA D, Episode 5, reel 3, mag16mm motion picture film 900 feet Side of Box: C.W., Ep V, R-3, DIAL-C, DIAL-D, 1863, Part II, Sound Mix #6; Leader Note: "C.W.", 1863, Ep Five, R-3, DIAL-D, HD |
Film F-20193/1202 |
DIA A, Episode 5, reel 4, mag16mm motion picture film 400 feet Side of Box: C.W., Ep. V, R-4, DIAL-A, DIAL-B, 1863, Part II, Sound Mix #6; Leader Note: "C.W.", 1863, Ep. Five, R-4, DIAL-A, HD |
Film F-20193/1203 |
DIA B, Episode 5, reel 4, mag16mm motion picture film 400 feet Side of Box: C.W., Ep. V, R-4, DIAL-A, DIAL-B, 1863, Part II, Sound Mix #6; Leader Note: "C.W.", 1863, Ep. Five, R-4, DIAL-B, HD |
Film F-20193/1204 |
DIA C, Episode 5, reel 4, mag16mm motion picture film 400 feet Side of Box: C.W., Ep. V, R-4, DIAL-C, 1863, Part II, Sound Mix #6; Leader Note: "C.W.", 1863, Ep. Five, R-4, DIAL-C, HD |
Film F-20193/1205 |
DIA A, Episode 6, reel 1, mag16mm motion picture film 775 feet Side of Box: C.W., Ep VI, R-1, DIA A, DIA B, 1864, Part I, Sound Mix #7; Leader Note: "Civil War", 1864, Ep. Six, RL-1, DIA A, HD |
Film F-20193/1206 |
DIA B, Episode 6, reel 1, mag16mm motion picture film 750 feet Side of Box: C.W., Ep VI, R-1, DIA A, DIA B, 1864, Part I, Sound Mix #7; Leader Note: "Civil War", 1864, Ep. Six, R-1, DIA B, HD |
Film F-20193/1207 |
DIA C, Episode 6, reel 1, mag16mm motion picture film 800 feet Side of Box: C.W., Ep VI, R-1, DIA C, DIA D, 1864, Part I, Sound Mix #7; Leader Note: "Civil War", 1864, Ep Six, R-1, DIA-C, HD |
Film F-20193/1208 |
DIA D, Episode 6, reel 1, mag16mm motion picture film 750 feet Side of Box: C.W., Ep VI, R-1, DIA C, DIA D, 1864, Part I, Sound Mix #7; Leader Note: "Civil War", 1864, Ep Six, R-1, DIA-D, HD |
Film F-20193/1209 |
DIA E, Episode 6, reel 1, mag16mm motion picture film 800 feet Side of Box: C.W., Ep. VI, R-1, DIA E, 1864, Part I, Sound Mix #7; Leader Note: "Civil War", 1864, Ep. Six, R-1, DIA E, HD |
Film F-20193/1210 |
DIA A, Episode 6, reel 2, mag16mm motion picture film 1025 feet Side of Box: C.W., Ep VI, R-2, DIAL A, DIAL B, 1864, Part I, Sound Mix #4; Leader Note: C.W., 1864, Ep Six, R-2, DIA A, Head |
Film F-20193/1211 |
DIA B, Episode 6, reel 2, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep VI, R-2, DIAL A, DIAL B, 1864, Part I, Sound Mix #4; Leader Note: C.W., 1864, Ep Six, R-2, DIA B, Head |
Film F-20193/1212 |
DIA C, Episode 6, reel 2, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep VI, R-2, DIAL C, DIAL D, 1864, Part I, Sound Mix #14; Leader Note: "C.W.", 1864, Ep Six, R-2, DIAL C, HEAD |
Film F-20193/1213 |
DIA D, Episode 6, reel 2, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep VI, R-2, DIAL C, DIAL D, 1864, Part I, Sound Mix #14; Leader Note: "C.W.", 1864, Ep Six, R-2, DIAL D, HEAD |
Film F-20193/1214 |
DIA E, Episode 6, reel 2, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep VI, R-2, DIA E, 1864, Part I, Sound Mix #14; Leader Note: "C.W.", 1864, Ep Six, R-2, DIAL E, HD |
Film F-20193/1215 |
DIA A, Episode 6, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W., Ep. VI, R-3, DIAL-A, DIAL-B, 1864, Part I, Sound Mix #7; Leader Note: "Civil War", 1864, Ep. Six, R-3, DIA A, HD |
Film F-20193/1216 |
DIA B, Episode 6, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W., Ep. VI, R-3, DIAL-A, DIAL-B, 1864, Part I, Sound Mix #7; Leader Note: "Civil War", 1864, Ep. Six, R-3, DIA B, HD |
Film F-20193/1217 |
DIA C, Episode 6, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W., Ep. VI, R-3, DIAL-C, DIAL-D, 1864 Part I, Sound Mix #7; Leader Note: "Civil War", 1864, Ep. Six, RL-3, DIA C, HD |
Film F-20193/1218 |
DIA D, Episode 6, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W., Ep. VI, R-3, DIAL-C, DIAL-D, 1864 Part I, Sound Mix #7; Leader Note: "Civil War", 1864, Ep. Six, RL-3, DIA D, HD |
Film F-20193/1219 |
DIA E, Episode 6, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W., Ep VI, R-3, DIAL-E, 1864, Part I, Sound Mix #8; Leader Note: "Civil War", 1864, Ep Six, RL-3, DIA E, HD |
Film F-20193/1220 |
DIA A, Episode 7, reel 1, mag16mm motion picture film 800 feet Side of Box: "C.W.", Ep 7, R-1, DIAL-A, DIAL-B, 1864, Part II; Leader Note: "C.W.", 1864, Ep Seven, R-1, DIAL-A, HD |
Film F-20193/1221 |
DIA B, Episode 7, reel 1, mag16mm motion picture film 800 feet Side of Box: "C.W.", Ep 7, R-1, DIAL-A, DIAL-B, 1864, Part II; Leader Note: "C.W.", 1864, Ep Seven, R-1, DIAL-B, HD |
Film F-20193/1222 |
DIA C, Episode 7, reel 1, mag16mm motion picture film 800 feet Side of Box: "C.W.", Ep VII, R-1, DIAL-C, DIAL-D, 1864, Part II, Sound Mix #8; Leader Note: "C.W.", 1864, Ep Seven, R-1, DIAL-C, HD |
Film F-20193/1223 |
DIA D, Episode 7, reel 1, mag16mm motion picture film 800 feet Side of Box: "C.W.", Ep VII, R-1, DIAL-C, DIAL-D, 1864, Part II, Sound Mix #8; Leader Note: "C.W.", 1864, Ep Seven, R-1, DIAL-D, HD |
Film F-20193/1224 |
DIA A, Episode 7, reel 2, mag16mm motion picture film 1000 feet Side of Box: C.W. Ep VII, R-2, DIAL A, DIAL B, 1864, Part II; Leader Note: "C.W.", 1864, EP Seven, R-2, DIAL A, HD |
Film F-20193/1225 |
DIA B, Episode 7, reel 2, mag16mm motion picture film 1000 feet Side of Box: C.W. Ep VII, R-2, DIAL A, DIAL B, 1864, Part II; Leader Note: "C.W.", 1864, EP Seven, R-2, DIAL B, HD |
Film F-20193/1226 |
DIA C, Episode 7, reel 2, mag16mm motion picture film 925 feet Side of Box: C.W., Ep VII, R-2, DIAL-C, DIAL-D, 1864, Part II, Sound Mix #15; Leader Note: "C.W.", 1864, Ep Seven, R-2, DIAL-C, HD |
Film F-20193/1227 |
DIA D, Episode 7, reel 2, mag16mm motion picture film 975 feet Side of Box: C.W., Ep VII, R-2, DIAL-C, DIAL-D, 1864, Part II, Sound Mix #15; Leader Note: "C.W.", 1864, Ep Seven, R-2, DIAL-D, HD |
Film F-20193/1228 |
DIA A, Episode 7, reel 3, mag16mm motion picture film 900 feet Side of Box: C.W., Ep. VII, R-3, DIAL-A, DIAL-B, 1864, Part II, Sound Mix #9; Leader Note: "C.W.", 1864, Ep. Seven, R-3, DIAL-A, HD |
Film F-20193/1229 |
DIA B, Episode 7, reel 3, mag16mm motion picture film 850 feet Side of Box: C.W., Ep. VII, R-3, DIAL-A, DIAL-B, 1864, Part II, Sound Mix #9; Leader Note: "C.W.", 1864, Ep. Seven, R-3, DIAL-B, HD |
Film F-20193/1230 |
DIA C, Episode 7, reel 3, mag16mm motion picture film 850 feet Side of Box: C.W. Ep VII, R-3, DIAL-C, DIAL-D, 1864, Part II, Sound Mix #9; Leader Note: "C.W.", 1864, Ep Seven, R-3, DIAL-C, HD |
Film F-20193/1231 |
DIA D, Episode 7, reel 3, mag16mm motion picture film 875 feet Side of Box: C.W. Ep VII, R-3, DIAL-C, DIAL-D, 1864, Part II, Sound Mix #9; Leader Note: "C.W.", 1864, Ep Seven, R-3, DIAL-D, HD |
Film F-20193/1232 |
DIA A, Episode 8, reel 1, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep VIII, R-1, DIAL-A, DIAL-B, 1865, Part I, Sound Mix #5; Leader Note: "C.W.", 1865, Ep. Eight, R-1, DIAL-A, HD |
Film F-20193/1233 |
DIA B, Episode 8, reel 1, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep VIII, R-1, DIAL-A, DIAL-B, 1865, Part I, Sound Mix #5; Leader Note: "C.W.", 1865, Ep. Eight, R-1, DIAL-B, HD |
Film F-20193/1234 |
DIA C, Episode 8, reel 1, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep VIII, R-1, DIAL C, DIAL D, 1865, Part I, Sound Mix #15; Leader Note: "C.W.", 1865, Ep Eight, R-1, DIAL-C, HD |
Film F-20193/1235 |
DIA D, Episode 8, reel 1, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep VIII, R-1, DIAL C, DIAL D, 1865, Part I, Sound Mix #15; Leader Note: "C.W.", 1865, Ep Eight, R-1, DIAL-D, HD |
Film F-20193/1236 |
DIA A, Episode 8, reel 2, mag16mm motion picture film 775 feet Side of Box: C.W., Ep 8, R-2, DIAL A, DIAL B, 1865, Part I, Sound Mix #9; Leader Note: C.W., Ep Eight, RL-2, DIAL A, Head |
Film F-20193/1237 |
DIA B, Episode 8, reel 2, mag16mm motion picture film 775 feet Side of Box: C.W., Ep 8, R-2, DIAL A, DIAL B, 1865, Part I, Sound Mix #9; Leader Note: C.W., Ep Eight, RL-2, DIAL B, Head |
Film F-20193/1238 |
DIA C, Episode 8, reel 2, mag16mm motion picture film 750 feet Side of Box: C.W., Ep 8, R-2, DIAL C, DIAL D, 1865 Part I, Sound Mix #9; Leader Note: "C.W.", 1865, Ep Eight, R-2, DIAL C, Head |
Film F-20193/1239 |
DIA D, Episode 8, reel 2, mag16mm motion picture film 775 feet Side of Box: C.W., Ep 8, R-2, DIAL C, DIAL D, 1865 Part I, Sound Mix #9; Leader Note: "C.W.", 1865, R-2, EP Eight, DIAL D, Head |
Film F-20193/1240 |
DIA A, Episode 8, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W., Ep. 8, R-2, DIA A, DIA B, 1865, Part I, Sound Mix #10; Leader Note: "Civil War", 1865, Ep. Eight, RL-3, DIA-A, HD |
Film F-20193/1241 |
DIA B, Episode 8, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W., Ep. 8, R-2, DIA A, DIA B, 1865, Part I, Sound Mix #10; Leader Note: "Civil War", 1865, Ep. Eight, RL-3, DIA-B, HD |
Film F-20193/1242 |
DIA C, Episode 8, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W., Ep 8, R-3, DIAL C, DIAL D, 1865, Sound Mix #10; Leader Note: "Civil War", 1865, Ep Eight, R-3, DIAL C, HD |
Film F-20193/1243 |
DIA D, Episode 8, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W., Ep 8, R-3, DIAL C, DIAL D, 1865, Sound Mix #10; Leader Note: "C.W.", 1865, Ep Eight, R-3, DIAL D, HD |
Film F-20193/1244 |
DIA E, Episode 8, reel 3, mag16mm motion picture film 700 feet Side of Box: C.W., Ep 8, R-3, DIAL E, 1865, Part I, Sound Mix #10; Leader Note: "C.W.", 1865, Ep Eight, R-3, DIAL E, HD |
Film F-20193/1245 |
DIA A, Episode 9, reel 1, mag16mm motion picture film 900 feet Side of Box: C.W., EP IX, R-1, DIAL A, DIAL B, 1865, Part II, Sound Mix #17; Leader Note: "C.W.", 1865, EP Nine, R-1, DIAL A, Head |
Film F-20193/1246 |
DIA B, Episode 9, reel 1, mag16mm motion picture film 900 feet Side of Box: C.W., EP IX, R-1, DIAL A, DIAL B, 1865, Part II, Sound Mix #17; Leader Note: "C.W.", 1865, EP Nine, R-1, DIAL B, Head |
Film F-20193/1247 |
DIA C, Episode 9, reel 1, mag16mm motion picture film 900 feet Side of Box: C.W. Ep IX, R-1, DIAL C, DIAL D, 1865, Part II, Sound Mix #17; Leader Note: "C.W.", 1865, EP Nine, R-1, DIAL C, Head |
Film F-20193/1248 |
DIA D, Episode 9, reel 1, mag16mm motion picture film 1000 feet Side of Box: C.W. Ep IX, R-1, DIAL C, DIAL D, 1865, Part II, Sound Mix #17; Leader Note: "C.W.", 1865, EP Nine, R-1, DIAL D, Head |
Film F-20193/1249 |
DIA E, Episode 9, reel 1, mag16mm motion picture film 1000 feet Side of Box: C.W. Ep IX, R-1, DIAL E, 1865, Part II; Leader Note: "C.W." 1865, EP Nine, R-1, DIAL E Head |
Film F-20193/1250 |
DIA C, Episode 9, reel 2, mag16mm motion picture film 1075 feet Side of Box: C.W., Ep IX, R-2, DIAL-C, DIAL-D, 1865, Part II, Sound Mix #17; Leader Note: "C.W.", 1865, Ep Nine, R-2, DIAL C, HD |
Film F-20193/1251 |
DIA D, Episode 9, reel 2, mag16mm motion picture film 1100 feet Side of Box: C.W., Ep IX, R-2, DIAL-C, DIAL-D, 1865, Part II, Sound Mix #17; Leader Note: "C.W.", 1865, Ep Nine, R-2, DIAL D, HD |
Film F-20193/1252 |
DIA E, Episode 9, reel 2, mag16mm motion picture film 1100 feet Side of Box: C.W., Ep IX, R-2, DIAL E, 1862, Part II, Sound Mix #17; Leader Note: "C.W.", 1865, Ep Nine, R-2, DIAL E, HD |
Film F-20193/1253 |
DIA C, Episode 9, reel 3, mag16mm motion picture film 500 feet Side of Box: C.W., Ep IX, R-3, DIAL C, DIAL D, 1865, Part II, Sound Mix #16; Leader Note: "C.W.", 1865, Ep Nine, R-3, DIAL C, HD |
Film F-20193/1254 |
DIA D, Episode 9, reel 3, mag16mm motion picture film 500 feet Side of Box: C.W., Ep IX, R-3, DIAL C, DIAL D, 1865, Part II, Sound Mix #16; Leader Note: "C.W.", 1865, Ep Nine, R-3, DIAL D, HD |
Film F-20193/1255 |
DIA E, Episode 9, reel 3, mag16mm motion picture film 500 feet Side of Box: C.W., Ep IX, R-3, DIAL E, 1865, Part II, Sound Mix #16; Leader Note: "C.W.", 1865, Ep Nine, R-3, DIAL E, HD |
Film F-20193/1256 |
MX A, Episode 2, reel 2, mag16mm motion picture film 1000 feet Side of Box: C.W., Ep II, R-2, MX A, MX B, 1862, Part I, Sound Mix #3; Leader Note: "C.W.", 1862, Ep Two, R-2, MX A, HD |
Film F-20193/1257 |
MX B, Episode 2, reel 2, mag16mm motion picture film 975 feet Side of Box: C.W., Ep II, R-2, MX A, MX B, 1862, Part I, Sound Mix #3; Leader Note: "C.W.", 1862, Ep Two, R-2, MX B, HD |
Film F-20193/1258 |
MX C, Episode 6, reel 1, mag16mm motion picture film 750 feet Side of Box: C.W., Ep. VI, R-1, (Dolby A), MX-C, 1864, Part I, Sound Mix #7; Leader Note: "Civil War", 1864, Ep. Six, R-1, MX C-Dolby, HD |
Film F-20193/1259 |
[unidentified sound recording], mag 135mm motion picture film 400 feet Side of Can: 35mm Optical TRK, C.W.?, Source? |
Film F-20193/1260 |
[unidentified sound recording], mag 235mm motion picture film 800 feet Side of Can: 35mm Optical CW?; Note at tail: 7205 |
Film F-20193/1261 |
[unidentified sound recording], mag 335mm motion picture film 75 feet Side of Can: 35mm Optical TRK, C.W.?, Source? |
Arrangement: Alphabetical.
Processing information: Lab notes and memos found with film F-20193/1295 reside in Box 24 found in Subseries 7.1 Papers.
Titles, stills, and maps related to the production. The series consists mostly of pan and zoom over archival stills. Recordings are on 16mm and 35mm motion picture ("pix) elements.
Film F-20193/1262 |
Archive Stills, Outtakes, pix 116mm motion picture film 1000 feet Side of Box: Civil War Box #1, 7A 8-16 Library of Congress; Views, 7B Shiloh, 74 and 75, Capitol and Arlington, 76, Antietam and Manassas, Outs, Camera Outs #1 |
Film F-20193/1263 |
Archive Stills, Outtakes, pix 216mm motion picture film 1000 feet Side of Box: Civil War Box #2, 38-49 L.O.C.; 50-53, Transparencies and Slides; 54-61, L.O.C./Rare Books, Outs, Camera Outs #1 |
Film F-20193/1264 |
Archive Stills, Outtakes, pix 316mm motion picture film 1000 feet Side of Box: Civil War Box #2, 38-49 L.O.C.; 50-53, Transparencies and Slides; 54-61, L.O.C./Rare Books, Outs, Camera Outs #1 |
Film F-20193/1265 |
Archive Stills, Outtakes, pix 416mm motion picture film 800 feet Side of Box: Civil War Box #3, 62-73, Old Printshop/N.A.; 77-78, Manassas (Dubose House), 79 80, Agrarama Cotton Gin (Dubose House), 81 82, Westville/Andersonville Graveyard, Outs, Camera Outs #1 |
Film F-20193/1266 |
Archive Stills, Outtakes, pix 516mm motion picture film 950 feet Side of Box: Civil War Box #3, 62-73, Old Printshop/N.A.; 77-78, Manassas (Dubose House), 79 80, Agrarama Cotton Gin (Dubose House), 81 82, Westville/Andersonville Graveyard, Outs, Camera Outs #1 |
Film F-20193/1267 |
Archive Stills, Outtakes, pix 616mm motion picture film 500 feet Side of Box: Civil War Box #4, 83-88 Andersonville GA, ALA State Archives, Atlanta Historical Society; 89, Jefferson City MO St. Capitol; 90-93 (MI 2 5 6), Antietam, Manassas, Harper's Ferry, Outs, Camera Outs #1 |
Film F-20193/1268 |
Archive Stills, Outtakes, pix 716mm motion picture film 800 feet Side of Box: Civil War Box #4, 83-88 Andersonville GA, ALA State Archives, Atlanta Historical Society; 89, Jefferson City MO St. Capitol; 90-93 (MI 2 5 6), Antietam, Manassas, Harper's Ferry, Outs, Camera Outs #1 |
Film F-20193/1269 |
Archive Stills, Outtakes, pix 816mm motion picture film 900 feet Side of Box: Civil War Box #5, 94-107 Carlisle PA; 108-117 Carslile PA; 118 119 Walpole Archives; Camera Outs #1 |
Film F-20193/1270 |
Archive Stills, Outtakes, pix 916mm motion picture film 850 feet Side of Box: Civil War Box #5, 94-107 Carlisle PA; 108-117 Carslile PA; 118 119 Walpole Archives; Camera Outs #1 |
Film F-20193/1271 |
Archive Stills, Outtakes, pix 1016mm motion picture film 900 feet Side of Box: Civil War Box #6, 120-122 Walpole Archives, 123 124 Frame Shop, 125-130 Boston Athaneum MA Historical Society, 132-135 139-144 Brown U Hays Lib RI Hist Society Chicago Hist Society, 145-147 Forbes AH, Outs, Camera Outs #1 |
Film F-20193/1272 |
Archive Stills, Outtakes, pix 1116mm motion picture film 1000 feet Side of Box: Civil War Box #6, 120-122 Walpole Archives, 123 124 Frame Shop, 125-130 Boston Athaneum MA Historical Society, 132-135 139-144 Brown U Hays Lib RI Hist Society Chicago Hist Society, 145-147 Forbes AH, Outs, Camera Outs #1 |
Film F-20193/1273 |
Archive Stills, Outtakes, pix 1216mm motion picture film 1000 feet Side of Box: Civil War Box #7, 148 149 Schonber Ctr, 150-156 NYPL, Annex and Print Shop, 157 158 161 VA. Hist. Soc./Valentine Museum, 159-160 Frameshop; 162-164 VA. Hist. Soc./Valentine Mus, 165 166 (M, 14 15) F'Burg Archival, 182 Shelby Foote Collection, Camera Out #1 |
Film F-20193/1274 |
Archive Stills, Outtakes, pix 1316mm motion picture film 400 feet Side of Box: Civil War Box #7, 148 149 Schonber Ctr, 150-156 NYPL, Annex and Print Shop, 157 158 161 VA. Hist. Soc./Valentine Museum, 159-160 Frameshop; 162-164 VA. Hist. Soc./Valentine Mus, 165 166 (M, 14 15) F'Burg Archival, 182 Shelby Foote Collection, Camera Out #1 |
Film F-20193/1275 |
Archive Stills, Outtakes, pix 1416mm motion picture film 1000 feet Side of Box: Civil War Box #17, Views Shenandoah/Arl. Nat. Cem. And Lee's Birthplace, 272-274, 291; Walpole, W. Poin, Am. Heri, Burns, 285-301; Burns, Katz, 302-303, 306, Outs; Camera Out #2; Camera Rolls: 285-301 |
Film F-20193/1276 |
Archive Stills, Outtakes, pix 1516mm motion picture film 150 feet Side of Box: Civil War Box #17, Views Shenandoah/Arl. Nat. Cem. And Lee's Birthplace, 272-274, 291; Walpole, W. Poin, Am. Heri, Burns, 285-301; Burns, Katz, 302-303, 306, Outs; Camera Out #2; Camera Rolls: 302-303, 306 |
Film F-20193/1277 |
Archive Stills, Outtakes, pix 1616mm motion picture film 950 feet Side of Box: Civil War Box #19, F-Stop, Frameshop, L.O.C. - 318-322A-325, 331-343; Views Walpole, G'burg, Ill., Wash. - 315-317, 327, 341, 361-378, 407-408; Camera Out #2; Camera Roll: 318-322A-325, 331-343 |
Film F-20193/1278 |
Archive Stills, Outtakes, pix 1716mm motion picture film 900 feet Side of Box: Civil War Box #20, CR # {345-346, 349-363}; F-Stop, Walpole Arch., NYPL-Newspapers, L.O.C., {367, 374A-403}; Camera Out #2 |
Film F-20193/1279 |
Archive Stills, Outtakes, pix 1816mm motion picture film 850 feet Side of Box: Civil War Box #20, CR # {345-346, 349-363}; F-Stop, Walpole Arch., NYPL-Newspapers, L.O.C., {367, 374A-403}; Camera Out #2 |
Film F-20193/1280 |
Archive Stills, Outtakes, pix 1916mm motion picture film 900 feet Side of Box: Civil War #21, F-Stop & Frameshop, Extension, Walpole, NYHS; {404-406, 412-415, 423-424, 434-441}, 442-459-NYHS, 461-477A, Camera Out #2; Camera Rolls: 404-406, 412-415, 423-424, 434-441 |
Film F-20193/1281 |
Archive Stills, Outtakes, pix 2016mm motion picture film 1000 feet Side of Box: Civil War Box #22, Frameshop, CR # {478-491, 490 Walpole Arch}, {492-496A, 499-520}, Camera Out #2; Camera Rolls: 478-491 |
Film F-20193/1282 |
Archive Stills, Outtakes, pix 2116mm motion picture film 1000 feet Side of Box: Civil War Box #23, Frame Shop CR #{521-524, 527-535, 532 A, 536-543}, {545-557, 566-567}, Camera Out #2; Camera Rolls: 521-524, 527-535, 532A, 536-543 |
Film F-20193/1283 |
Archive Stills, Outtakes, pix 2216mm motion picture film 700 feet Side of Box: Civil War Box #23, Frame Shop CR #{521-524, 527-535, 532 A, 536-543}, {545-557, 566-567}, Camera Out #2; Camera Rolls: 545-557, 566-567 |
Film F-20193/1284 |
Archive Stills from Episode 9, reel 1, pix16mm motion picture film 75 feet Box contains order forms and receipts indicating that content on reel is for use on reel one of episode nine. |
Film F-20193/1285 |
Archive Stills from Episode 9, reel 1, Negative, pix16mm motion picture film 100 feet Box contains order forms and receipts indicating that content on reel is for use on reel one of episode nine. |
Film F-20193/1286 |
Gettysburg Cyclorama, pix16mm motion picture film 700 feet Side of Box: Civil War Box #8, 165-170 (M 14-22), Fredericksburg, Stonewall Jackson; 171-173 (+170) G'Burg Cyclorama, Outs, Camera Out #1 |
Film F-20193/1287 |
Maps, Roll 1B, pix35mm motion picture film 825 feet Side of Can: C. War, Misc #1, Civil War, Maps, OCN, Roll 1-B; Leader Note: Head, Civil War, Maps,OCN, Roll 1-B |
Film F-20193/1288 |
Maps, Roll 2B, pix35mm motion picture film 400 feet Side of Can: Civil War, Misc #1; Leader Note: Civil War Maps, Head, OCN, Roll 2-B |
Film F-20193/1289 |
Maps, Interpositive, pix 135mm motion picture film 900 feet Side of Can: Civil War - Maps, IP for 16mm Negative, Roll 1; Leader Note: Head, Roll #1, IP, "Maps" |
Film F-20193/1290 |
Maps, Interpositive, pix 235mm motion picture film 650 feet Side of Can: Civil War - Maps, IP for 16mm Negative, Roll 2; Leader Note: Head, Maps, Roll 2, IP |
Film F-20193/1291 |
Maps, Interpositive, pix 335mm motion picture film 175 feet Side of Can: Civil War, IP for 16mm Neg, Roll 3+4; Leader Note: Head, Roll 3, Maps |
Film F-20193/1292 |
Maps, Interpositive, pix 435mm motion picture film 75 feet Side of Can: Civil War, IP for 16mm Neg, Roll 3+4; Leader Note: Head, Roll 4, IP |
Film F-20193/1293 |
Maps, Interpositive, pix 535mm motion picture film 75 feet Side of Can: Civil War, IP for 16mm Neg, Roll 3+4; Leader Note: Head, IP, Map 24 Rev. |
Film F-20193/1294 |
Maps, Interpositive, pix 635mm motion picture film 75 feet Side of Can: Civil War, IP for 16mm Neg, Roll 3+4; Leader Note: Head, G Roll |
Film F-20193/1295 |
End Titles trims, pix16mm motion picture film Side of Box: Subject: Civil War End Title Rev, Type 7243; Top of Box: Replacement for End Credit All 9 Episodes Processing information: Lab notes and memos found with film F-20193/1295 reside in Box 24 found in Subseries 7.1 Papers. |
Film F-20193/1296 |
End Titles Revised, Negative, pix35mm motion picture film 275 feet Side of Box: Civil War, Revised End Crawl, 11/1/89, HC Neg; Leader Note: Head, HC Neg, Rev-Crawl, 11/3/89 |
Film F-20193/1297 |
End Title Stills, pix35mm motion picture film 75 feet Side of Can: Civil War, New Sep Roll #1 + Roll 4, IP for Neg; Leader Note: Head, Static Title Roll |
Film F-20193/1298 |
End Titles, 9 November 1989, pix35mm motion picture film 300 feet Side of Can: Civil War, New Sep Roll #1 + Roll 4, IP for Neg; Leader Note: Head, Crawl, 11/9/89 |
Film F-20193/1299 |
Titles, Pre-Optical Shadows, pix35mm motion picture film 150 feet Side of Can: Civil War, HC Shadows and BI for Opt.; Leader Note: Head, Pre-Opt, Shad. |
Film F-20193/1300 |
Titles, Burn In reel, pix35mm motion picture film 75 feet Side of Can: Civil War, HC Shadows and BI for Opt.; Leader Note: Civil War, BI |
Film F-20193/1301 |
Titles, Lower Thirds, Original Shadows, pix35mm motion picture film 75 feet Side of Can: Civil War, HC Shadows and BI for Opt.; Leader Note: Head, Orig., Shad., HC Neg.; Text on film reel: "Civil War", Lower 3rds, 8/18/89 |
Arrangement: Alphabetical.
Workprints and trims related to the production. A workprint is a rough version of a motion picture, used by the film editor(s) during the editing process. Recordings are on 16mm motion picture ("pix") and magnetic sound ("mag") elements.
Film F-20193/1302 |
Workprint, Episode 1, reel 1, pix16mm motion picture film 1000 feet Side of Box: The Civil War, Ep I, I-1, I-2, Pix, (Work Print), Workprint #1; Note on top of box: All changes ready for Noelle; Leader Note: "Civil War", 1861, RL 1, Pix, HD |
Film F-20193/1303 |
Workprint, Episode 1, reel 1, Slop pix, pix16mm motion picture film 1000 feet Side of Box: The Civil War, Ep I, R-1, Dupe, Mixed Mag, Dupes #1; Leader Note: "Civil War", Ep I Reel 1, Slop Pix, HD |
Film F-20193/1304 |
Workprint, Episode 1, reel 1, Final Mix, mag16mm motion picture film 1000 feet Side of Box: The Civil War, Ep I, R-1, Dupe, Mixed Mag, Dupes #1; Leader Note: "Civil War", Ep. I Reel One, Final Mix,HD |
Film F-20193/1305 |
Workprint, Episode 1, reel 2, pix16mm motion picture film 875 feet Side of Box: The Civil War, Ep I, I-1, I-2, Pix, (Work Print), Workprint #1; Note on top of box: All changes ready for Noelle; Leader Note: Epi I, R2, PIX, HD |
Film F-20193/1306 |
Workprint, Episode 1, reel 2, Dupe, pix16mm motion picture film 900 feet Side of Box: The Civil War, Ep I, The Meteor thru Ft. Sumter, Locked, 24:34, R-2, Dupe, Mixed Mag, 1861, Dupes #1; Leader Note: "Civil War", Code: QB0, Ep. I, Reel Two, Head |
Film F-20193/1307 |
Workprint, Episode 1, reel 2, Final Mix, mag16mm motion picture film 850 feet Side of Box: The Civil War, Ep I, The Meteor thru Ft. Sumter, Locked, 24:34, R-2, Dupe, Mixed Mag, 1861, Dupes #1; Leader Note: "Civil War", Ep. I, Reel Two, Final Mix, HD |
Film F-20193/1308 |
Workprint, Episode 1, reel 3, pix16mm motion picture film 700 feet Side of Box: The Civil War, Ep I, R-3, Pix, Workprint #1; Leader Note: Epi I, Reel 3, Pix, HD |
Film F-20193/1309 |
Workprint, Episode 1, reel 3, Dupe, pix16mm motion picture film 700 feet Side of Box: The Civil War, Ep. I, Traitors & Patriots thru War Breaks Out, Locked, 20:18, R-3, Dupe, Mixed Mag, 1861, Dupes #1; Leader Note: "Civil War", QC0, Ep. 1, RL-3, Head |
Film F-20193/1310 |
Workprint, Episode 1, reel 3, Final Mix, mag16mm motion picture film 725 feet Side of Box: The Civil War, Ep. I, Traitors & Patriots thru War Breaks Out, Locked, 20:18, R-3, Dupe, Mixed Mag, 1861, Dupes #1; Leader Note: "Civil War", Ep. One, Reel 3, Final Mix, HD |
Film F-20193/1311 |
Workprint, Episode 1, reel 4, pix16mm motion picture film 1000 feet Side of Box: The Civil War, Ep I, R-4, Work-Pix, Workprint #1; Note in box: R4 Epi 1, Change in End Credits at 837'08 FRS.; Leader Note: "Civil War", Episode 1, Reel 4, Pix |
Film F-20193/1312 |
Workprint, Episode 1, reel 4, Dupe, pix16mm motion picture film 950 feet Side of Box: The Civil War, Ep. I, RL 4, Dupe, Mixed Mag, Dupes #1; Leader Note: Civil War, Code CQ0, Ep. 1 RL-4, Head |
Film F-20193/1313 |
Workprint, Episode 1, reel 4, Final Mix, mag16mm motion picture film 950 feet Side of Box: The Civil War, Ep. I, RL 4, Dupe, Mixed Mag, Dupes #1; Leader Note: "Civil War", 1861, Ep. One RL 4, Final Mix, HD |
Film F-20193/1314 |
Workprint, Episode 2, reel 1, pix16mm motion picture film 800 feet Side of Box: The Civil War, Ep II, R-1, Pix, Workprint #1; Leader Note: Civil War, Episode II, Reel 1, Pix, Head |
Film F-20193/1315 |
Workprint, Episode 2, reel 1, Dupe, pix16mm motion picture film 800 feet Side of Box: The Civil War, Ep II, 1862, Part I, R-1, Dupe, Final Mix, Dupes #1; Leader Note: "Civil War", 1862, Ep. Two, R-1, Code RA0, Dupe Pix, HD |
Film F-20193/1316 |
Workprint, Episode 2, reel 1, Final Mix, mag16mm motion picture film 800 feet Side of Box: The Civil War, Ep II, 1862, Part I, R-1, Dupe, Final Mix, Dupes #1; Leader Note: "Civil War", Episode II - R-1, Final Mix - TRK, HD |
Film F-20193/1317 |
Workprint, Episode 2, reel 2, pix16mm motion picture film 975 feet Side of Box: The Civil War Ep II, 1862 Part I, R 2 3, Pix, Workprint #1; Leader Note: "Civil War", 1862, Ep. Two, R-2, Pix, HD |
Film F-20193/1318 |
Workprint, Episode 2, reel 2, Dupe, pix16mm motion picture film 1000 feet Side of Box: The Civil War, Ep II, 1862, Part I, R-2, Dupe, Final Mix, Dupes #1; Leader Note: "Civil War", 1862, Ep. Two, R-2, Code RB0, Dupe Pix, HD |
Film F-20193/1319 |
Workprint, Episode 2, reel 2, Final Mix, mag16mm motion picture film 950 feet Side of Box: The Civil War, Ep II, 1862, Part I, R-2, Dupe, Final Mix, Dupes #1; Leader Note: "Civil War", 1862, Ep II, R-2, Final Mix, HD |
Film F-20193/1320 |
Workprint, Episode 2, reel 3, pix16mm motion picture film 650 feet Side of Box: The Civil War Ep II, 1862 Part I, R 2 3, Pix, Workprint #1; Leader Note: "Civil War", 1862, Ep. Two, R-3, Pix, HD |
Film F-20193/1321 |
Workprint, Episode 2, reel 3, Dupe, pix16mm motion picture film 675 feet Side of Box: The Civil War, Ep II, 1862, Part I, R-3, Dupe, Final Mix, Dupes #1; Leader Note: "Civil War", 1862, Ep. Two, R-3, Code RC0, Dupe Pix, HD |
Film F-20193/1322 |
Workprint, Episode 2, reel 3, Final Mix, mag16mm motion picture film 625 feet Side of Box: The Civil War, Ep II, 1862, Part I, R-3, Dupe, Final Mix, Dupes #1; Leader Note: "Civil War", 1862, Ep. Two, Reel 3, Final Mix, Head |
Film F-20193/1323 |
Workprint, Episode 3, reel 1, pix16mm motion picture film 850 feet Side of Box: C.W., Ep III, R-1 & R-2 Workprint, Workprint #2; Leader Note: Civil War, Ep III, R 1, "Forever Free", HD |
Film F-20193/1324 |
Workprint, Episode 3, reel 1, Dupe, pix16mm motion picture film 900 feet Side of Box: The Civil War, Ep III, 1862 Part II, R-1, Dupe, Final Mix, Dupes #2; Leader Note: "Civil War", Dupe, Ep 3 RL-1, Head |
Film F-20193/1325 |
Workprint, Episode 3, reel 1, Final Mix, mag16mm motion picture film 800 feet Side of Box: The Civil War, Ep III, 1862 Part II, R-1, Dupe, Final Mix, Dupes #2; Leader Note: "Civil War", 1862, Episode Three, RL. One, Final Mix, HD |
Film F-20193/1326 |
Workprint, Episode 3, reel 2, pix16mm motion picture film 700 feet Side of Box: C.W., Ep III, R-1 & R-2 Workprint, Workprint #2; Leader Note: Civil War, "Forever Free", Ep III, RL 2, Work Pix, HD |
Film F-20193/1327 |
Workprint, Episode 3, reel 2, Slop pix, pix16mm motion picture film 750 feet Side of Box: The Civil War, Ep III, 1862 Part II, RL 2, Dupe, Dupe #2; Leader Note: "Civil War", 1862 Part II, Ep III RL 2, Code SB0, Slop Pix, HD |
Film F-20193/1328 |
Workprint, Episode 3, reel 2, Rough Mix, mag16mm motion picture film 650 feet Side of Box: The Civil War, Ep III, 1862 Part II, RL 2, Dupe, Dupe #2; Leader Note: "Civil War", 1862 Part II, Ep III RL 2, Rough Mix, HD |
Film F-20193/1329 |
Workprint, Episode 3, reel 3, pix16mm motion picture film 1100 feet Side of Box: The Civil War, Ep III, 1862 Part Two, RL 3, Workpix, Workprint #2; Leader Note: Civil War, Forever Free, Episode III, RL 3, Workpix, Head |
Film F-20193/1330 |
Workprint, Episode 3, reel 3, Dupe, pix16mm motion picture film 1100 feet Side of Box: The Civil War, Ep III, 1862 Part Two, RL 3, Dupe, Dupes #2; Leader Note: "Civil War", 1862 Part II, Ep III RL 3, Code SC0, Dupe, Pix, HD |
Film F-20193/1331 |
Workprint, Episode 3, reel 3, Rough Mix, mag16mm motion picture film 1000 feet Side of Box: The Civil War, Ep III, 1862 Part Two, RL 3, Dupe, Dupes #2; Leader Note: "Civil War", 1862 Part II, Ep III RL 3, Rough Mix, HD |
Film F-20193/1332 |
Workprint, Episode 4, reel 1, pix16mm motion picture film 1100 feet Side of Box: The Civil War, Episode IV, 1863 Part I, R-1 2, PIX, TRK A, Workprint #2; Leader Note: Civil War, Ep IV, RL 1, PIX, HD |
Film F-20193/1333 |
Workprint, Episode 4, reel 1, Slop pix, pix16mm motion picture film 1100 feet Side of Box: The Civil War, Ep IV, 1863 Part I, RL 1, Dupe, Mixed Mag, Dupes #2; Leader Note: "Civil War", "Forever Free", 1863 Part 1, Episode IV, Reel 1, Code: TA0, Slop Pix, HD |
Film F-20193/1334 |
Workprint, Episode 4, reel 1, Rough Mix, mag16mm motion picture film 1000 feet Side of Box: The Civil War, Ep IV, 1863 Part I, RL 1, Dupe, Mixed Mag, Dupes #2; Leader Note: "Civil War", 1863 Ep. IV Rl. 1, Rough Mix, HD |
Film F-20193/1335 |
Workprint, Episode 4, reel 2, pix16mm motion picture film 1150 feet Side of Box: The Civil War, Episode IV, 1863 Part I, R-1 2, PIX, TRK A, Workprint #2; Leader Note: Civil War, Ep IV, RL 2, PIX, HD |
Film F-20193/1336 |
Workprint, Episode 4, reel 2, Slop pix, pix16mm motion picture film 1200 feet Side of Box: The Civil War, Ep IV, 1863 Part I, RL 2, Dupe, Mixed Mag, Dupes #2; Leader Note: "Civil War", "Forever Free", 1863 Part 1, Episode IV Reel 2, Code TB0, Slop Pix, HD |
Film F-20193/1337 |
Workprint, Episode 4, reel 2, Rough Mix, mag16mm motion picture film 1050 feet Side of Box: The Civil War, Ep IV, 1863 Part I, RL 2, Dupe, Mixed Mag, Dupes #2; Leader Note: "Civil War", 1863 Ep. IV RL 2, Rough Mix, HD |
Film F-20193/1338 |
Workprint, Episode 5, reel 1, pix16mm motion picture film 1100 feet Side of Box: The Civil War, Ep V, 1863 Part II, RL 1, RL 2, Work Pix, Workprint #2; Leader Note: "Civil War", Ep V, RL 1, Pix, HD |
Film F-20193/1339 |
Workprint, Episode 5, reel 1, Dupe, pix16mm motion picture film 1175 feet Side of Box: The Civil War, Ep V, 1863, Part II, RL 1, Dupe, Final Mix, Dupes #3; Leader Note: "Civil War", Ep V, R-1, Code is N6, Head |
Film F-20193/1340 |
Workprint, Episode 5, reel 1, Final Mix, mag16mm motion picture film 1075 feet Side of Box: The Civil War, Ep V, 1863, Part II, RL 1, Dupe, Final Mix, Dupes #3; Leader Note: "Civil War", 1863, Ep Five, RL-1, Final Mix, HD |
Film F-20193/1341 |
Workprint, Episode 5, reel 2, pix16mm motion picture film 1000 feet Side of Box: The Civil War, Ep V, 1863 Part II, RL 1, RL 2, Work Pix, Workprint #2; Leader Note: "Civil War", Ep V, RL 2 (1863 p.2), Pix, HD |
Film F-20193/1342 |
Workprint, Episode 5, reel 2, Dupe, pix16mm motion picture film 1025 feet Side of Box: The Civil War, Ep. V, 1863, Part II, RL 2, Dupe, Final Mix, Dupes #3; Leader Note: "Civil War", Ep. V, R-2, Dupe, Code VB0, Head |
Film F-20193/1343 |
Workprint, Episode 5, reel 2, Final Mix, mag16mm motion picture film 950 feet Side of Box: The Civil War, Ep. V, 1863, Part II, RL 2, Dupe, Final Mix, Dupes #3; Leader Note: "Civil War", 1863, Ep. Five, R-2, Final Mix, HD |
Film F-20193/1344 |
Workprint, Episode 5, reel 3, pix16mm motion picture film 900 feet Side of Box: The Civil War, Ep. V, 1863 Part II, RL 3 4, Pix, Workprint #1; Leader Note: "C.W.", 1863, Ep. Five, R-3, Pix, HD |
Film F-20193/1345 |
Workprint, Episode 5, reel 3, Dupe, pix16mm motion picture film 925 feet Side of Box: The Civil War, Ep V, 1863, Part II, RL 3, Dupe, Mixed Mag, Dupes #3; Leader Note: "Civil War", Ep V - R-3, Code VC0, HD |
Film F-20193/1346 |
Workprint, Episode 5, reel 3, Final Mix, mag16mm motion picture film 850 feet Side of Box: The Civil War, Ep V, 1863, Part II, RL 3, Dupe, Mixed Mag, Dupes #3; Leader Note: "Civil War", 1863, Ep Five, R-3, Final Mix, HD |
Film F-20193/1347 |
Workprint, Episode 5, reel 4, pix16mm motion picture film 375 feet Side of Box: The Civil War, Ep. V, 1863 Part II, RL 3 4, Pix, Workprint #1; Leader Note: "C.W.", 1863, Ep. Five, R-4, Pix, HD |
Film F-20193/1348 |
Workprint, Episode 5, reel 4, Dupe, pix16mm motion picture film 400 feet Side of Box: The Civil War, 1863, Part II, RL 4, Dupe Pix, Mixed Mag, Dupes #3; Leader Note: "C.W.", Ep V, RL-4, Code VD0, Dupe, HD |
Film F-20193/1349 |
Workprint, Episode 5, reel 4, Mixed mag, mag16mm motion picture film 350 feet Side of Box: The Civil War, 1863, Part II, RL 4, Dupe Pix, Mixed Mag, Dupes #3; Leader Note: "C.W.", 1863, Ep Five, R-4, Mixed Mag, HD |
Film F-20193/1350 |
Workprint, Episode 6, reel 1, pix16mm motion picture film 750 feet Side of Box: C.W. Ep VI, R-1 & R-2, Work-Pix; Leader Note: C.W. EP VI RL1, PIX HD |
Film F-20193/1351 |
Workprint, Episode 6, reel 1, Dupe, pix16mm motion picture film 775 feet Side of Box: C.W., Ep VI, R-1, Dupe, Mixed Mag, 1864, Part I, Dupes #1; Leader Note: "C.W.", 1864, EP VI-I, WA0, Dupe, HD |
Film F-20193/1352 |
Workprint, Episode 6, reel 1, Slop Mix, mag16mm motion picture film 700 feet Side of Box: C.W., Ep VI, R-1, Dupe, Mixed Mag, 1864, Part I, Dupes #1; Leader Note: "C.W.", 1864, Ep Six, R-1, Slop Mix, Head |
Film F-20193/1353 |
Workprint, Episode 6, reel 2, pix16mm motion picture film 1000 feet Side of Box: C.W. Ep VI, R-1 & R-2, Work-Pix; Leader Note: C.W. EP VI RL2, PIX HD |
Film F-20193/1354 |
Workprint, Episode 6, reel 2, Dupe, pix16mm motion picture film 1025 feet Side of Box: The Civil War, Ep VI, Locked, 1864, Part I, RL 2, Dupe, Mixed Mag, Dupes #3; Leader Note: "C.W.", 1864, Ep VI-2, WB0, Dupe, HD |
Film F-20193/1355 |
Workprint, Episode 6, reel 2, Mixed mag, mag16mm motion picture film 1050 feet Side of Box: The Civil War, Ep VI, Locked, 1864, Part I, RL 2, Dupe, Mixed Mag, Dupes #3; Leader Note: "C.W.", Ep Six, R-2, Mixed Mag, TRK, HD |
Film F-20193/1356 |
Workprint, Episode 6, reel 3, pix16mm motion picture film 700 feet Side of Box: C.W., Ep VI, R-3, Workprint; Leader Note: "Civil War", 1864, Episode Six, Reel 3, PIX HD |
Film F-20193/1357 |
Workprint, Episode 6, reel 3, Dupe, pix16mm motion picture film 700 feet Side of Box: C.W., Ep. VI, R-3, Dupe, Mixed Mag, 1864, Part 1, Dupes #1; Leader Note: "C.W.", 1864, EP VI-3, Dupe, HD |
Film F-20193/1358 |
Workprint, Episode 6, reel 3, Slop Mix, mag16mm motion picture film 675 feet Side of Box: C.W., Ep. VI, R-3, Dupe, Mixed Mag, 1864, Part 1, Dupes #1; Leader Note: "C.W.", 1864, EP Six, R-3, Slop Mix, Head |
Film F-20193/1359 |
Workprint, Episode 7, reel 1, pix16mm motion picture film 800 feet Side of Box: C.W. Ep. VII, RLs 1 & 2, Work Print, Workprint #1; Leader Note: C.W., EP VII RL 1, Pix, HD |
Film F-20193/1360 |
Workprint, Episode 7, reel 1, Dupe, pix16mm motion picture film 825 feet Side of Box: The Civil War, Ep VII, 1864, Part II, R-1, Dupe Pix, Mixed Mag, Dupes #1; Leader Note: "C.W.", 1864, Ep Seven, R-1, Dupe Pix, HD |
Film F-20193/1361 |
Workprint, Episode 7, reel 1, Mixed mag, mag16mm motion picture film 750 feet Side of Box: The Civil War, Ep VII, 1864, Part II, R-1, Dupe Pix, Mixed Mag, Dupes #1; Leader Note: "C.W.", 1864, Ep Seven, R-1, Mixed Mag, HD |
Film F-20193/1362 |
Workprint, Episode 7, reel 2, pix16mm motion picture film 900 feet Side of Box: C.W. Ep. VII, RLs 1 & 2, Work Print, Workprint #1; Leader Note: C.W., EP VII RL 2, Pix, HD |
Film F-20193/1363 |
Workprint, Episode 7, reel 2, Dupe, pix16mm motion picture film 975 feet Side of Box: The Civil War, Episode VII, 1864 Part II, R-2, Dupe Pix, Mixed Mag; Leader Note: "C.W." 1864, Ep Seven, R-2, Dupe Pix, HD |
Film F-20193/1364 |
Workprint, Episode 7, reel 2, Mixed mag, mag16mm motion picture film 850 feet Side of Box: The Civil War, Episode VII, 1864 Part II, R-2, Dupe Pix, Mixed Mag; Leader Note: "C.W." 1864, Ep Seven, R-2, Mixed Mag, HD |
Film F-20193/1365 |
Workprint, Episode 7, reel 3, pix16mm motion picture film 850 feet Side of Box: C.W. Ep. VII, RL 3, Workprint, Workprint #1; Leader Note: Civil War, RL 3, Ep 7, Pix, HD |
Film F-20193/1366 |
Workprint, Episode 7, reel 3, Dupe, pix16mm motion picture film 875 feet Side of Box: The Civil War, 1864 Part II, R-3, Dupe Pix, Mixed Mag, Dupes #1; Leader Note: "C.W.", 1864, Ep Seven, R-3, Dupe Pix, HD |
Film F-20193/1367 |
Workprint, Episode 7, reel 3, Mixed mag, mag16mm motion picture film 800 feet Side of Box: The Civil War, 1864 Part II, R-3, Dupe Pix, Mixed Mag, Dupes #1; Leader Note: "C.W.", 1864, Ep Seven, R-3, Mixed Mag, HD |
Film F-20193/1368 |
Workprint, Episode 8, reel 1, pix16mm motion picture film 1000 feet Side of Box: The Civil War, Episode VIII, 1865 Part I, RL 1, R-2, Pix, Workprint #2; Leader Note: "Civil War", Ep VIII RL 1, Pix, HD |
Film F-20193/1369 |
Workprint, Episode 8, reel 1, Mixed mag, mag16mm motion picture film 925 feet Side of Box: The Civil War, Ep VIII, 1865 Part I, R-1, Dupe Pix, Mixed Mag, Dupes #2; Leader Note: "Civil War", 1865, Episode VIII R-1, Mixed Mag |
Film F-20193/1370 |
Workprint, Episode 8, reel 1, Dupe, pix16mm motion picture film 1000 feet Side of Box: The Civil War, Ep VIII, 1865 Part I, R-1, Dupe Pix, Mixed Mag, Dupes #2; Leader Note: "C.W.", 1865, Ep Eight R-1, Dupe, HD |
Film F-20193/1371 |
Workprint, Episode 8, reel 2, pix16mm motion picture film 750 feet Side of Box: The Civil War, Episode VIII, 1865 Part I, RL 1, R-2, Pix, Workprint #2; Leader Note: "CW", (1865 p.1), Ep VIII RL 2, Pix, HD |
Film F-20193/1372 |
Workprint, Episode 8, reel 2, Dupe, pix16mm motion picture film 800 feet Side of Box: The Civil War, Ep VIII, 1865, Part I, R-2, Dupe Pix, Mixed Mag, Dupes #2; Leader Note: "C.W.", 1865, Ep Eight, R-2, Dupe, HD |
Film F-20193/1373 |
Workprint, Episode 8, reel 2, Mixed mag, mag16mm motion picture film 700 feet Side of Box: The Civil War, Ep VIII, 1865, Part I, R-2, Dupe Pix, Mixed Mag, Dupes #2; Leader Note: "C.W.", Ep VIII, RL 2, Mixed Mag, HD |
Film F-20193/1374 |
Workprint, Episode 8, reel 3, pix16mm motion picture film 700 feet Side of Box: C.W., Ep. VIII, R-3, Work Pix, Workprint #2; Leader Note: "C.W." (1865 p.1), Ep. VIII RL 3, Pix, HD |
Film F-20193/1375 |
Workprint, Episode 8, reel 3, Dupe, pix16mm motion picture film 700 feet Side of Box: The Civil War, VIII, 1865, Part I, R-3, Dupe Pix, Mixed Mag, Dupes #2; Leader Note: "C.W.", 1865, Ep VIII-3, YC0, Dupe, Head |
Film F-20193/1376 |
Workprint, Episode 8, reel 3, Mixed mag, mag16mm motion picture film 650 feet Side of Box: The Civil War, VIII, 1865, Part I, R-3, Dupe Pix, Mixed Mag, Dupes #2; Leader Note: "Civil War", Ep VIII, RL 3, Mixed Mag, HD |
Film F-20193/1377 |
Workprint, Episode 9, reel 1, pix16mm motion picture film 900 feet Side of Box: C.W. Ep IX, R-1, R-2, Workprint, Workprint #2; Leader Note: Civil War, EP IX RL 1, Pix, HD |
Film F-20193/1378 |
Workprint, Episode 9, reel 1, Dupe, pix16mm motion picture film 950 feet Side of Box: The Civil War, Ep IX, 1865, RL 1, Mixed Mag, Dupe, Dupes #3; Leader Note: "C.W.", 1865, Ep IX-1, Dupe, HD |
Film F-20193/1379 |
Workprint, Episode 9, reel 1, Mixed mag, mag16mm motion picture film 825 feet Side of Box: The Civil War, Ep IX, 1865, RL 1, Mixed Mag, Dupe, Dupes #3; Leader Note: "C.W.", 1865, Ep IX-1, Mixed Mag, HD |
Film F-20193/1380 |
Workprint, Episode 9, reel 2, pix16mm motion picture film 1000 feet Side of Box: C.W. Ep IX, R-1, R-2, Workprint, Workprint #2; Leader Note: C.W. 1865 p.2, EP IX RL 2, Pix, HD |
Film F-20193/1381 |
Workprint, Episode 9, reel 2, Dupe, pix16mm motion picture film 1075 feet Side of Box: The Civil War, Ep. IX, 1865, Part II, RL 2, Dupe, Mixed Mag, Dupes #3; Leader Note: "C.W.", 1865, EP IX-2, Spot Code ZB0000, HD |
Film F-20193/1382 |
Workprint, Episode 9, reel 2, Mixed mag16mm motion picture film 950 feet Side of Box: The Civil War, Ep. IX, 1865, Part II, RL 2, Dupe, Mixed Mag, Dupes #3; Leader Note: "Civil War", Ep IX, RL 2, Mixed Mag, HD |
Film F-20193/1383 |
Workprint, Episode 9, reel 3, pix16mm motion picture film 475 feet Side of Box: C.W. Ep IX, R-3 Workprint, Workprint #1; Leader Note: Civil War, Ep 9, Rl 3, Pix, HD |
Film F-20193/1384 |
Workprint, Episode 9, reel 3, Dupe, pix16mm motion picture film 525 feet Side of Box: The Civil War, Ep IX, 1865, Part II, RL 3, Dupe, Mixed Mag, Dupe #3; Leader Note: "C.W.", 1865, EP IX-3, ZC0, Dupe, HD |
Film F-20193/1385 |
Workprint, Episode 9, reel 3, Scratch Mix, mag16mm motion picture film 525 feet Side of Box: The Civil War, Ep IX, 1865, Part II, RL 3, Dupe, Mixed Mag, Dupe #3; Leader Note: "Civil War", Ep IX, R-3, Scratch Mix, HD |
Arrangement: Alphabetical.
Processing information: A letter from Michon Boston of PBS found with film F-20193/1397 resides in Box 24 found in Subseries 7.1 Papers.
Miscellaneous elements, consisting mostly of 'Lifts", which were possibly used for trailers or promotional materials. Recordings are on 16mm motion picture ("pix") and magnetic sound ("mag") elements.
Film F-20193/1386 |
Lifts, Episode 1, pix16mm motion picture film 525 feet Side of Box: C.W., Lifts, Ep I, 1861, Selects #11; Leader Note: "Civil War", 1861, Ep. One, Lifts, Pix, HD |
Film F-20193/1387 |
Lifts, Episode 1, mag16mm motion picture film 475 feet Side of Box: C.W., Lifts, Ep I, 1861, Selects #11; Leader Note: "Civil War", 1861, Ep. One, Lifts, TRK, HD |
Film F-20193/1388 |
Lifts, Episode 2, pix16mm motion picture film 350 feet Side of Box: C.W., Lifts, Ep II, Ep III, 1862, 1863, Selects #11; Leader Note: Lifts, Ep. II, HD, Pix |
Film F-20193/1389 |
Lifts, Episode 2, mag16mm motion picture film 325 feet Side of Box: C.W., Lifts, Ep II, Ep III, 1862, 1863, Selects #11; Leader Note: Lifts, Ep. II, HD, Trk |
Film F-20193/1390 |
Lifts, Episode 3, pix16mm motion picture film 175 feet Side of Box: C.W., Lifts, Ep II, Ep III, 1862, 1863, Selects #11; Leader Note: HD, Ep III, Lifts, Pix, "Civil War" |
Film F-20193/1391 |
Lifts, Episode 3, mag16mm motion picture film 175 feet Side of Box: C.W., Lifts, Ep II, Ep III, 1862, 1863, Selects #11; Leader Note: Ep III, Lifts, TRKs, HD, "C.W." |
Film F-20193/1392 |
Lifts, Episode 4, pix16mm motion picture film 425 feet Side of Box: C.W., Lifts, Ep IV, 1864, Selects #11; Leader Note: "Civil War", 1864, Lifts - Ep IV, Pix, HD |
Film F-20193/1393 |
Lifts, Episode 4, mag16mm motion picture film 425 feet Side of Box: C.W., Lifts, Ep V, 1865, Selects #11; Leader Note: "Civil War", 1864, TRK, Lifts, Ep. IV, HD |
Film F-20193/1394 |
Lifts, Episode 5, pix16mm motion picture film 500 feet Side of Box: C.W., Lifts, Ep IV, 1864, Selects #11; Leader Note: "C.W.", Lifts, Ep V, Pix, HD |
Film F-20193/1395 |
Lifts, Episode 5, mag16mm motion picture film 475 feet Side of Box: C.W., Lifts, Ep V, 1865, Selects #11; Leader Note: "C.W.", Lifts, Ep V, HD |
Film F-20193/1396 |
Lifts, Miscellaneous Lifts trims16mm motion picture film |
Film F-20193/1397 |
PBS End Credit Music, mag16mm motion picture film 500 feet Side of Box: End Credit Music for PBS Broadcast Versions (Box Contains TRK/Pix Leader Template/Sheet of Instructions); Leader Note: "Civil War" P.B.S. End Credit Music HD Processing information: A letter from Michon Boston of PBS found with film F-20193/1397 resides in Box 24 found in Subseries 7.1 Papers. |
Film F-20193/1398 |
Interpositive, Two Shots Pulled for Optical, pix16mm motion picture film 50 feet Note on Can: "The Civil War", Negative (2 Shots) Pulled for Optical (White Outs), Workprint (2 Shots), To Moses; Leader Note: "Civil War", Pulled Orig Color Neg |
A two-hour history of the people who made radio. Contains scripts, interview transcripts, and logs.
Box 26-30
Box 26Box 27Box 28Box 29Box 30 |
Empire of the Air |
Audiovisual materials affiliated with the 1991 documentary miniseries, Empire of the Air: The Men Who Made Radio. Materials consist primarily of picture ("pix") and magnetic ("mag") sound elements on 16mm motion picture film, including interview outtakes, selected interviews, thematically organized interviews, B-roll footage, and narration tracks by Jason Robards, among other elements.
Arrangement: Materials were arranged by categories determined by the film production team. These categories include Interview Outtakes, Interview Selects, and Interview Themes. Other production categories were combined to create B-roll (referred to by the production team as "MOS," "Live," and "Verite") and Narration (referred to by the production team as "Narration", "Scratch Narration," "Narration Audition," and "Voices") series.
Processing information: Titles and descriptions compiled from original containers. In most cases, the item descriptions are transcribed directly from their original containers. Documentation on the containers also include codes and documentary film terminology. In order to preserve this production information, film descriptions also include element type ("pix" or "mag") and edit codes (i.e. "DP 3000", "DD 0000", "CH 6000", etc), as well as information on camera rolls ("CR") and sound rolls ("SR"). Edit codes were used by the production team to synchronize picture and magnetic sound elements, while camera and sound roll information help determine the order of recording during production.
Arrangement: Alphabetical.
Outtakes of interviews on separate 16mm motion picture ("pix") and magnetic sound ("mag") elements. Outtakes are defined as either (1) a segment of original film not used in the final edited version, or (2) a segment of film eliminated during editing. The elements consist primarily of silent motion picture elements, most of which have separate magnetic film soundtracks.
Film F-20193/738 |
Erik Barnouw interview, pix 116mm motion picture film 750 feet Spine of Box: "Radio Pioneers", Sync, Erik Barnouw, AA0000, CR:1 2, SR:1, Outs; Leader Note: Radio Pioneers, CR:1 2, SR:1, Erik Barnouw Int., Code: AA0000, PIX HD |
Film F-20193/739 |
Erik Barnouw interview, mag 116mm motion picture film 700 feet Spine of Box: "Radio Pioneers", Sync, Erik Barnouw, AA0000, CR:1 2, SR:1, Outs; Leader Note: Radio Pioneers, CR:1 2, SR:1, Erik Barnouw Int., Code: AA0000, TRK HD |
Film F-20193/740 |
Erik Barnouw interview, pix 216mm motion picture film 700 feet Spine of Box: "Radio Pioneers", Sync, Erik Barnouw, AA3000, CR:3 4, SR:2 3, Outs; Leader Note: TL PIX, Code: AA3000, Erik Barnouw Int., CR:3 4, SR:2 3, Radio Pioneer |
Film F-20193/741 |
Erik Barnouw interview, mag 216mm motion picture film 700 feet Spine of Box: "Radio Pioneers", Sync, Erik Barnouw, AA3000, CR:3 4, SR:2 3, Outs; Leader Note: TL TRK, Code: AA3000, Erik Barnouw Int., CR:3 4, SR:2 3, Radio Pioneer |
Film F-20193/742 |
Erik Barnouw interview, pix 316mm motion picture film 325 feet Spine of Box: "Radio Pioneers", Sync, Erik Barnouw, AA6000, CR:5, SR:4, Outs; Leader Note: Radio Pioneers, CR:5, SR:4, Erik Barnouw Int., Code: AA6000, PIX HD |
Film F-20193/743 |
Erik Barnouw interview, mag 316mm motion picture film 300 feet Spine of Box: "Radio Pioneers", Sync, Erik Barnouw, AA6000, CR:5, SR:4, Outs; Leader Note: Radio Pioneers, CR:5, SR:4, Erik Barnouw Int., Code: AA6000, TRK HD |
Film F-20193/744 |
Erik Barnouw and Eric Sevareid interview Clips, mag16mm motion picture film 450 feet Spine of Box: "Radio Pioneers", I. Interviews Barnouw-Sevareid, Saudek Story, Beverage Story, Wild Track, Not Yet Coded; Leader Note: "Radio Pioneers", Wild Track: Interviews (Barnouw - Sevareid), W.T. RL1 |
Film F-20193/745 |
John Beach interview, pix16mm motion picture film 175 feet Spine of Box: "Radio Pioneers", Sync, John Beach, KK0000, CR:34, SR:22, Outs; Leader Note: "Radio Pioneers", SR:22, CR:34, John Beach Int., Code: KK0000, PIX HD |
Film F-20193/746 |
John Beach interview, mag16mm motion picture film 175 feet Spine of Box: "Radio Pioneers", Sync, John Beach, KK0000, CR:34, SR:22, Outs; Leader Note: "Radio Pioneers", SR:22, CR:34, John Beach Int., Code: KK0000, TRK HD |
Film F-20193/747 |
Harold Beverage interview, pix16mm motion picture film 800 feet Spine of Box: "Radio Pioneers", Synch, Harold Beverage, AB 0000, CR:80, SR:41, Outs; Leader Note: "Radio Pioneers", SR:41, CR:80, Harold Beverage Intw., Code: AB 0000, PIX HD |
Film F-20193/748 |
Harold Beverage interview, mag16mm motion picture film 800 feet Spine of Box: "Radio Pioneers", Synch, Harold Beverage, AB 0000, CR:80, SR:41, Outs; Leader Note: "Radio Pioneers", SR:41, CR:80, Harold Beverage Intvw., Code AB 0000, TRK HD |
Film F-20193/749 |
Harold Beverage interview, "War Story", mag16mm motion picture film 100 feet Spine of Box: "Radio Pioneers", I. Interviews Barnouw-Sevareid, Saudek Story, Beverage Story, Wild Track, Not Yet Coded; Leader Note: Beverage Intvw., War Story, Wild |
Film F-20193/750 |
Ken Bilby interview, pix16mm motion picture film 850 feet Spine of Box: "Radio Pioneers", Sync, Ken Bilby, BB0000, CR:6 7 8, SR:5 6; Leader Note: Radio Pioneers, CR:7 8 9, SR:5 6, Ken Bilby Int., Code: BB0000, PIX HD |
Film F-20193/751 |
Ken Bilby interview, mag16mm motion picture film 800 feet Spine of Box: "Radio Pioneers", Sync, Ken Bilby, BB0000, CR:6 7 8, SR:5 6; Leader Note: Radio Pioneers, CR:7 8 9, SR:5 6, Ken Bilby Int., Code: BB0000, TRK HD |
Film F-20193/752 |
Tom Buzalski interview, pix16mm motion picture film 400 feet Spine of Box: "Radio Pioneers", Sync, Buzalski, HH0000, CR:17, SR:15, Outs; Leader Note: "Radio Pioneers", SR:15, CR:17, Buzalski Int., Code HH0000, PIX HD |
Film F-20193/753 |
Tom Buzalski interview, mag16mm motion picture film 400 feet Spine of Box: "Radio Pioneers", Sync, Buzalski, HH0000, CR:17, SR:15, Outs; Leader Note: "Radio Pioneers", SR:15, CR:17, Buzalski Int., Code HH0000, TRK HD |
Film F-20193/754 |
Norman Corwin interview, pix16mm motion picture film 1000 feet Spine of Box: "Radio Pioneers", Sync, Norman Corwin, VV 0000, CR:56-58, SR:38-39, Out; Leader Note: "Radio Pioneers", SR:38-39, CR:56-58, Norman Corwin Intw., Code: VV 0000, PIX HD |
Film F-20193/755 |
Norman Corwin interview, mag16mm motion picture film 1000 feet Spine of Box: "Radio Pioneers", Sync, Norman Corwin, VV 0000, CR:56-58, SR:38-39, Out; Leader Note: "Radio Pioneers", SR:38-39, CR:56-58, Norman Corwin Intw., Code: VV 0000, TRK HD |
Film F-20193/756 |
Susan Douglas interview, pix 116mm motion picture film 700 feet Spine of Box: "Radio Pioneers", Sync, Susan Douglas, QQ0000, CR:46 47, SR:29 30, Outs; Leader Note: TL PIX, Code: QQ0000, Susan Douglas Int., CR:46 47, SR:29 30, "Radio Pioneers" |
Film F-20193/757 |
Susan Douglas interview, mag 116mm motion picture film 700 feet Spine of Box: "Radio Pioneers", Sync, Susan Douglas, QQ0000, CR:46 47, SR:29 30, Outs; Leader Note: TL TRK, Code: QQ0000, Susan Douglas Int., CR:46 47, SR:29 30, "Radio Pioneers" |
Film F-20193/758 |
Susan Douglas interview, pix 216mm motion picture film 400 feet Spine of Box: "Radio Pioneers", Sync, Susan Douglas, QQ3000, CR:48, SR:31, Outs; Leader Note: TL PIX, Code: QQ3000, Susan Douglas Int., CR:48, SR:31, "Radio Pioneers" |
Film F-20193/759 |
Susan Douglas interview, mag 216mm motion picture film 400 feet Spine of Box: "Radio Pioneers", Sync, Susan Douglas, QQ3000, CR:48, SR:31, Outs; Leader Note: TL TRK, Code: QQ3000, Susan Douglas Int., CR:48, SR:31, "Radio Pioneers" |
Film F-20193/760 |
Maynard Edmeston interview, pix16mm motion picture film 700 feet Spine of Box: "Radio Pioneers", Sync, Maynard Edmeston, LL0000, CR:35 36, SR:23, Outs; Leader Note: "Radio Pioneers", SR:23, CR:35 36, Maynard Edmeston Int., Code: LL0000, PIX HD |
Film F-20193/761 |
Maynard Edmeston interview, mag16mm motion picture film 650 feet Spine of Box: "Radio Pioneers", Sync, Maynard Edmeston, LL0000, CR:35 36, SR:23, Outs; Leader Note: "Radio Pioneers", SR:23, CR:35 36, Maynard Edmeston Int., Code: LL0000, TRK HD |
Film F-20193/762 |
Frank Gunther interview, pix 116mm motion picture film 700 feet Spine of Box: "Radio Pioneers", Sync, Gunther, GG0000, CR:14 15, SR:12 13, Outs; Leader Note: "Radio Pioneers", SR:12 13, CR:14 15, Gunther Int., Code: GG0000, PIX HD |
Film F-20193/763 |
Frank Gunther interview, mag 116mm motion picture film 700 feet Spine of Box: "Radio Pioneers", Sync, Gunther, GG0000, CR:14 15, SR:12 13, Outs; Leader Note: "Radio Pioneers", SR:12 13, CR:14 15, Gunther Int., Code: GG0000, TRK HD |
Film F-20193/764 |
Frank Gunther interview, pix 216mm motion picture film 400 feet Spine of Box: "Radio Pioneers", Sync, Gunther, GG3000, CR:16, SR:14, Outs; Leader Note: "Radio Pioneers", SR:14, CR:16, Gunther Int., Code: GG3000, PIX HD |
Film F-20193/765 |
Frank Gunther interview, mag 216mm motion picture film 400 feet Spine of Box: "Radio Pioneers", Sync, Gunther, GG3000, CR:16, SR:14, Outs; Leader Note: "Radio Pioneers", SR:14, CR:16, Gunther Int., Code: GG3000, TRK HD |
Film F-20193/766 |
Jeanne Hammond interview, pix16mm motion picture film 800 feet Spine of Box: "Radio Pioneers", Sync, Jeanne Hammond, SS 0000, CR:51 52 53 SR:34 35, Outs; Leader Note: TL PIX, Code: SS 0000, Jeanne Hammond Int., CR: 51 52 53, SR:34 35, "Radio Pioneers" |
Film F-20193/767 |
Jeanne Hammond interview, mag16mm motion picture film 800 feet Spine of Box: "Radio Pioneers", Sync, Jeanne Hammond, SS 0000, CR:51 52 53, SR:34 35, Outs; Leader Note: TL TRK, Code: SS 0000, Jeanne Hammond Int., CR: 51 52 53, SR:34 35, "Radio Pioneers" |
Film F-20193/768 |
Loren Jones interview, pix16mm motion picture film 750 feet Spine of Box: "Radio Pioneers", Synch, Loren Jones, AC 0000, CR:82, SR:42; Leader Note: TL PIX, Code: AC 0000, Jones Intvw., SR:42, CR:82, "Radio Pioneers" |
Film F-20193/769 |
Loren Jones interview, mag16mm motion picture film 800 feet Spine of Box: "Radio Pioneers", Synch, Loren Jones, AC 0000, CR:82, SR:42; Leader Note: TL TRK, Code: AC 0000, Jones Intvw., SP:42, CR:82, "Radio Pioneers" |
Film F-20193/770 |
Charlotte Katchurin interview, pix16mm motion picture film 500 feet Spine of Box: "Radio Pioneers", Charlotte Katchurin, XX 0000, CR:59-60, SR:39, Outs; Leader Note: "Radio Pioneers", SR:39, CR:59-60, Charlotte Katchurin Intw., Code: XX 0000, PIX HD |
Film F-20193/771 |
Charlotte Katchurin interview, mag16mm motion picture film 500 feet Spine of Box: "Radio Pioneers", Charlotte Katchurin, XX 0000, CR:59-60, SR:39, Outs; Leader Note: "Radio Pioneers", SR:39, CR:59-60, Charlotte Katchurin Intw., Code: XX 0000, TRK HD |
Film F-20193/772 |
Garrison Keillor interview, pix16mm motion picture film 600 feet Spine of Box: "Radio Pioneers", Sync, Garrison Keillor, TT 0000, CR:54 55, SR: 36 37, Outs; Leader Note: "Radio Pioneers", SR:36 37, CR: 54 55, Garrison Keillor Int., Code: TT0000, PIX HD |
Film F-20193/773 |
Garrison Keillor interview, mag16mm motion picture film 600 feet Spine of Box: "Radio Pioneers", Sync, Garrison Keillor, TT 0000, CR:54 55, SR: 36 37, Outs; Leader Note: "Radio Pioneers", SR:36 37, CR: 54 55, Garrison Keillor Int., Code: TT0000, TRK HD |
Film F-20193/774 |
Bruce Kelley interview, pix 116mm motion picture film 725 feet Spine of Box: "Radio Pioneers", Sync, Bruce Kelley, JJ0000, CR:30 31, SR:20, Outs; Leader Note: "Radio Pioneers", SR:20, CR:30 31, Bruce Kelley Int., Code: JJ0000, PIX HD |
Film F-20193/775 |
Bruce Kelley interview, mag 116mm motion picture film 725 feet Spine of Box: "Radio Pioneers", Sync, Bruce Kelley, JJ0000, CR:30 31, SR:20, Outs; Leader Note: "Radio Pioneers", SR:20, CR:30 31, Bruce Kelley Int., Code: JJ0000, TRK HD |
Film F-20193/776 |
Bruce Kelley interview, pix 216mm motion picture film 650 feet Spine of Box: "Radio Pioneers", Sync, Bruce Kelley, JJ3000, CR:32 33, SR:21 22, Outs; Leader Note: "Radio Pioneers", SR:21 22, CR:32 33, Bruce Kelley Int., Code: JJ3000, PIX HD |
Film F-20193/777 |
Bruce Kelley interview, mag 216mm motion picture film 650 feet Spine of Box: "Radio Pioneers", Sync, Bruce Kelley, JJ3000, CR:32 33, SR:21 22, Outs; Leader Note: "Radio Pioneers", SR:21 22, CR:32 33, Bruce Kelley Int., Code: JJ3000, TRK HD |
Film F-20193/778 |
Helen Kelley interview, pix16mm motion picture film 500 feet Spine of Box: "Radio Pioneers", Sync, Helen Kelley, MM0000, CR:36 37, SR:23, Outs; Leader Note: "Radio Pioneers", SR:23, CR:36 37, Helen Kelley Int., Code: MM0000, PIX HD |
Film F-20193/779 |
Helen Kelley interview, mag16mm motion picture film 500 feet Spine of Box: "Radio Pioneers", Sync, Helen Kelley, MM0000, CR:36 37, SR:23, Outs; Leader Note: "Radio Pioneers", SR:23, CR:36 37, Helen Kelley Int., Code: MM0000, TRK HD |
Film F-20193/780 |
Robert Morris interview, pix 116mm motion picture film 750 feet Spine of Box: "Radio Pioneers", Sync, Robert Morris, EE0000, CR 11 and 12, SR 9 and 10, Outs; Leader Note: "Radio Pioneers", SR:9 10, CR:11 12, Robert Morris Int., Code: EE0000, PIX HD |
Film F-20193/781 |
Robert Morris interview, mag 116mm motion picture film 700 feet Spine of Box: "Radio Pioneers", Sync, Robert Morris, EE0000, CR 11 and 12, SR 9 and 10, Outs; Leader Note: "Radio Pioneers", SR:9 10, CR:11 12, Robert Morris Int., Code: EE0000, TRK HD |
Film F-20193/782 |
Robert Morris interview, pix 216mm motion picture film 350 feet Spine of Box: "Radio Pioneers", Sync, Robert Morris, EE3000, CR:13, SR:11, Outs; Leader Note: "Radio Pioneers", SR:11, CR:13, Robert Morris Int., Code EE3000, PIX HD |
Film F-20193/783 |
Robert Morris interview, mag 216mm motion picture film 350 feet Spine of Box: "Radio Pioneers", Sync, Robert Morris, EE3000, CR:13, SR:11, Outs; Leader Note: "Radio Pioneers", SR:11, CR:13, Robert Morris Int., Code EE3000, TRK HD |
Film F-20193/784 |
Eleanor Peck interview, pix16mm motion picture film 950 feet Spine of Box: "Radio Pioneers", Synch, Eleanor Peck, AE 0000, CR:94-96, SR:47 ; Leader Note: TL PIX, AE 0000, Eleanor Peck Intvw., "Radio Pioneers" |
Film F-20193/785 |
Eleanor Peck interview, mag16mm motion picture film 950 feet Spine of Box: "Radio Pioneers", Synch, Eleanor Peck, AE 0000, CR:94-96, SR:47 ; Leader Note: TL Synch TRK, Code: AE 0000, Eleanor Peck Intvw., "Radio Pioneers" |
Film F-20193/786 |
Dana Reymond interview, pix16mm motion picture film 700 feet Spine of Box: "Radio Pioners", Sync, Dana Reymond, CC0000, CR:8 9 10, SR:7 8, Outs; Leader Note: "Radio Pioneers", CR:8 9 10, SR:7 8, Dana Reymond Int., Code CC0000, PIX HD |
Film F-20193/787 |
Dana Reymond interview, mag16mm motion picture film 650 feet Spine of Box: "Radio Pioners", Sync, Dana Reymond, CC0000, CR:8 9 10, SR:7 8, Outs; Leader Note: "Radio Pioneers", CR:8 9 10, SR:7 8, Dana Reymond Int., Code CC0000, TRK HD |
Film F-20193/788 |
Mrs. Reymond interview, pix16mm motion picture film 300 feet Spine of Box: "Radio Pioneers", Sync, Mrs. Reymond, DD0000, CR:10, SR:8, Outs; Leader Note: "Radio Pioneers", SR:8, CR:10, Mrs. Reymond Int., Code: DD0000, PIX HD |
Film F-20193/789 |
Mrs. Reymond interview, mag16mm motion picture film 300 feet Spine of Box: "Radio Pioneers", Sync, Mrs. Reymond, DD0000, CR:10, SR:8, Outs; Leader Note: "Radio Pioneers", SR:8, CR:10, Mrs. Reymond Int., Code: DD0000, TRK HD |
Film F-20193/790 |
Bruce Roloson interview, pix16mm motion picture film 950 feet Spine of Box: "Radio Pioneers", Sync, Bruce Roloson, NN0000, CR:38 39 40, SR:24 25, Outs; Leader Note: TL PIX, Code: NN0000, Bruce Roloson Int., CR:38 39 40, SR:24 25, "Radio Pioneers" |
Film F-20193/791 |
Bruce Roloson interview, mag16mm motion picture film 925 feet Spine of Box: "Radio Pioneers", Sync, Bruce Roloson, NN0000, CR:38 39 40, SR:24 25, Outs; Leader Note: TL TRK, Code: NN0000, Bruce Roloson Int., CR:38 39 40, SR:24 25, "Radio Pioneers" |
Film F-20193/792 |
Robert Sarnoff interview, pix16mm motion picture film 750 feet Spine of Box: "Radio Pioneers", Sync, Robert Sarnoff, ZZ 0000, CR:63-64, SR:40, Outs ; Leader Note: "Radio Pioneers", SR:40, CR:63-64, Robert Sarnoff Intw., Code: ZZ 0000, PIX HD |
Film F-20193/793 |
Robert Sarnoff interview, mag16mm motion picture film 750 feet Spine of Box: "Radio Pioneers", Sync, Robert Sarnoff, ZZ 0000, CR:63-64, SR:40, Outs ; Leader Note: "Radio Pioneers", SR:40, CR:63-64, Robert Sarnoff Intw., Code: ZZ 0000, TRK HD |
Film F-20193/794 |
Robert Saudek interview, pix16mm motion picture film 1100 feet Spine of Box: "Radio Pioneers", Sync, Robert Saudek, AD 0000, CR:84-85, SR:43-44 ; Leader Note: "Radio Pioneers", SR:43, CR:83, Robert Saudek Intvw., Code: AD 0000, PIX HD |
Film F-20193/795 |
Robert Saudek interview, mag16mm motion picture film 1100 feet Spine of Box: "Radio Pioneers", Sync, Robert Saudek, AD 0000, CR:84-85, SR:43-44 ; Leader Note: "Radio Pioneers", SR:43, CR:83, Robert Saudek Intvw., Code: AD 0000, TRK HD |
Film F-20193/796 |
Robert Saudek interview, "Headphones Story", mag16mm motion picture film 50 feet Spine of Box: "Radio Pioneers", I. Interviews Barnouw-Sevareid, Saudek Story, Beverage Story, Wild Track, Not Yet Coded; Leader Note: Saudek, Headphone Story, Wild |
Film F-20193/797 |
Eric Sevareid interview, pix 116mm motion picture film 800 feet Spine of Box: "Radio Pioneers", Sync, Eric Sevareid, PP0000, CR:43 44 SR:26 27, Outs; Leader Note: "Radio Pioneers", SR:26 27, CR:43 44, Eric Sevareid Int., Code: PP0000, Pix HD |
Film F-20193/798 |
Eric Sevareid interview, mag 116mm motion picture film 750 feet Spine of Box: "Radio Pioneers", Sync, Eric Sevareid, PP0000, CR:43 44 SR:26 27, Outs; Leader Note: "Radio Pioneers", SR:26 27, CR:43 44, Eric Sevareid Int., Code: PP0000, TRK HD |
Film F-20193/799 |
Eric Sevareid interview, pix 216mm motion picture film 400 feet Spine of Box: "Radio Pioneers", Sync, Eric Sevareid, PP3000, CR:45, SR:28, Outs; Leader Note: "Radio Pioneers", SR:28, CR:45, Eric Sevareid Int., Code: PP3000, PIX HD |
Film F-20193/800 |
Eric Sevareid interview, mag 216mm motion picture film 400 feet Spine of Box: "Radio Pioneers", Sync, Eric Sevareid, PP3000, CR:45, SR:28, Outs; Leader Note: "Radio Pioneers", SR:28, CR:45, Eric Sevareid Int., Code: PP3000, TRK HD |
Film F-20193/801 |
Spark Set 2, pix16mm motion picture film 300 feet Spine of Box: "Radio Pioneers", Synch, Live, Spark Set #II, RA2000, CR 117 118, SR 51 52; Leader Note: TL PIX, Code: RA2000, Spark Set #II, Radio Pioneers |
Film F-20193/802 |
Spark Set 2, mag16mm motion picture film 300 feet Spine of Box: "Radio Pioneers", Synch, Live, Spark Set #II, RA2000, CR 117 118, SR 51 52; Leader Note: "Radio Pioneers", Spark Set #II, Code: RA2000, TRK HD |
Film F-20193/884 |
Interview segments 17-86, A Roll, pix35mm motion picture film 650 feet Can Note: 17-86, Radio A Roll, Order: 6643, Date: 7/24/91, Stock: 5247, Ftg: 70', Rolls: 1, Cans: 1; Leader Note: Florentine Radio, #17-86, 7/22, A Roll |
Film F-20193/887 |
Interview segments 17-38, negative, pix, reel 116mm motion picture film 300 feet Spine of Can: 17 and 38, Radio Pioneers, R-1; Leader Note: R#1, #17-38, "Radi Pioneers", Pulled Orig Color Neg |
Arrangement: Alphabetical.
Narration by Jason Robards. Also includes scratch narration, or outtakes of tests of the narration script typically recorded by Ken Burns himself. Recordings are on 16mm magnetic sound ("mag") elements.
Film F-20193/827 |
Jason Robards Narration 1, mag16mm motion picture film 900 feet Spine of Box: "Radio Pioneers", Narr, Jason's Narr 5/1/91, RLs 1 and 2, RL-1, RL-2; Leader Note: TL TRK, Narr RL-1, 5/1/91, "Radio" |
Film F-20193/828 |
Jason Robards Narration 2, mag16mm motion picture film 950 feet Spine of Box: "Radio Pioneers", Narr, Jason's Narr 5/1/91, RLs 1 and 2, RL-1, RL-2; Leader Note: TL TRK, Narr RL-2, 5/1/91, "Radio" |
Film F-20193/829 |
Jason Robards Narration 3, mag16mm motion picture film 900 feet Spine of Box: "Radio Pioneers", Narr, Jason's Narr 5/1/91, RLs 3 and 4, RL-3, RL-4; Leader Note: "Radio" 5/1/91, NARR, RL-3 TRK HD |
Film F-20193/830 |
Jason Robards Narration 4, mag16mm motion picture film 950 feet Spine of Box: "Radio Pioneers", Narr, Jason's Narr 5/1/91, RLs 3 and 4, RL-3, RL-4; Leader Note: TL TRK, NARR, RL-4, 5/1/91, "Radio" |
Film F-20193/831 |
Jason Robards Narration 5, mag16mm motion picture film 800 feet Spine of Box: "Radio Pioneers", NARR, Jason's Narr 5/1/91, RLs 5 and 6, RL-5, RL-6; Leader Note: "Radio", 5/1/91, NARR, RL-5, TRK |
Film F-20193/832 |
Jason Robards Narration 6, mag16mm motion picture film 900 feet Spine of Box: "Radio Pioneers", NARR, Jason's Narr 5/1/91, RLs 5 and 6, RL-5, RL-6; Leader Note: TL TRK, NARR, RL-6, 5/1/91, "Radio" |
Film F-20193/833 |
Jason Robards Narration 7, mag16mm motion picture film 950 feet Spine of Box: "Radio Pioneers", Narr, Jason's Narr 5/1/91, RLs 7 and 8, RL-7, RL-8; Leader Note: "Radio", 5/1/91, NARR, RL-7, TRK HD |
Film F-20193/834 |
Jason Robards Narration 8, mag16mm motion picture film 975 feet Spine of Box: "Radio Pioneers", Narr, Jason's Narr 5/1/91, RLs 7 and 8, RL-7, RL-8; Leader Note: TL TRK, NARR, RL-8, 5/1/91, "Radio" |
Film F-20193/835 |
Jason Robards Narration 9, mag16mm motion picture film 900 feet Spine of Box: "Radio Pioneers", Narr, Jason's Narr 5/1/91, RLs 9 and 10, RL-9, RL-10; Leader Note: "Radio", 5/1/91, NARR, RL-9, TRK HD |
Film F-20193/836 |
Jason Robards Narration 10, mag16mm motion picture film 550 feet Spine of Box: "Radio Pioneers", Narr, Jason's Narr 5/1/91, RLs 9 and 10, RL-9, RL-10; Leader Note: "Radio", 5/1/91, NARR, RL-10, TRK HD |
Film F-20193/837 |
Jason Robards Narration 11, mag16mm motion picture film 1000 feet Spine of Box: "Radio Pioneers", NARR, Jason R's Narration 6-25-91, R-1, R-2, R-3; Leader Note: TL RL-1, Recording Session, 6-25-91, "Radio Pioneers" |
Film F-20193/838 |
Jason Robards Narration 12, mag16mm motion picture film 1000 feet Spine of Box: "Radio Pioneers", NARR, Jason R's Narration 6-25-91, R-1, R-2, R-3; Leader Note: "Radio", Recording Session 6-25-91, RL-2, HD |
Film F-20193/839 |
Jason Robards Narration 13, mag16mm motion picture film 375 feet Spine of Box: "Radio Pioneers", NARR, Jason R's Narration 6-25-91, R-1, R-2, R-3; Leader Note: "Radio", Recording Session 6-25-91, RL-3, HD |
Film F-20193/840 |
Jason Robards Narration, Alternate, reel 1, mag16mm motion picture film 150 feet Spine of Box: "Radio Pioneers", NARR, Jason's Alternate Narration; Leader Note: Jason R 6/25, Old or Alt. Narration R1 HD |
Film F-20193/841 |
Jason Robards Narration, Alternate, reel 2, mag16mm motion picture film 100 feet Spine of Box: "Radio Pioneers", NARR, Jason's Alternate Narration; Leader Note: Jason R 6/25, Old or Alt. Narration R2 HD |
Film F-20193/842 |
Jason Robards Narration, Alternate, reel 3, mag16mm motion picture film 75 feet Spine of Box: "Radio Pioneers", NARR, Jason's Alternate Narration; Leader Note: Jason R 6/25, Old or Alt. Narration R3 HD |
Film F-20193/843 |
Jason Robards Narration, Alternate, reel 4, mag16mm motion picture film 100 feet Spine of Box: "Radio Pioneers", NARR, Jason's Alternate Narration; Leader Note: Jason R 6/25, Old or Alt. Narration Outs R4 HD |
Film F-20193/844 |
Jason Robards Narration, First Selects, reel 1, mag16mm motion picture film 250 feet Spine of Box: "Radio Pioneers", NARR, Jason's Alternate Narration; Leader Note: Jason's 1st Narrs., Ken's First Choices (Replaced 5/23-24), TRK |
Film F-20193/845 |
Jason Robards Narration, First Selects, reel 2, mag16mm motion picture film 150 feet Spine of Box: "Radio Pioneers", NARR, Jason's Alternate Narration; Leader Note: Old Selects, NARR TRKS/RL2/HD |
Film F-20193/846 |
Jason Robards Narration, First Selects, reel 3, mag16mm motion picture film 150 feet Spine of Box: "Radio Pioneers", NARR, Jason's Alternate Narration; Leader Note: Old Selects, NARR/RL3/HD |
Film F-20193/847 |
Jason Robards Narration, First Selects, reel 4, mag16mm motion picture film 100 feet Spine of Box: "Radio Pioneers", NARR, Jason's Alternate Narration; Leader Note: Old Selects, NARR TKS, RL 4, HD |
Film F-20193/848 |
Scratch Narration, Outtakes from Scripts 1, mag16mm motion picture film 800 feet Spine of Box: "Radio Pioneers", NARR, OUTS, Original Outs from Script, Ken's; Leader Note: NARR I |
Film F-20193/849 |
Scratch Narration, Outtakes from Scripts 2, mag16mm motion picture film 275 feet Spine of Box: "Radio Pioneers", NARR, OUTS, Original Outs from Script, Ken's |
Film F-20193/850 |
Scratch Narration, Outtakes from Scripts 3, mag16mm motion picture film 350 feet Spine of Box: "Radio Pioneers", NARR, OUTS, Original Outs from Script, Ken's; Leader Note: NARR OUTS 4-9-91 |
Film F-20193/851 |
Scratch Narration, Outtakes from Scripts 4, mag16mm motion picture film 900 feet Spine of Box: "Radio Pioneers", NARR, OUTS, Pulled Narration (Ken's) from Scripts, 1-15-91, 3-5-91, NA0000, NF0000; Leader Note: Radio Pioneers, NA 0000, 1st NARR OUTS from Script 1-15-91, A Narr Pg. 3 Italy Born Inventor |
Film F-20193/852 |
Scratch Narration, Outtakes from Scripts 5, mag16mm motion picture film 500 feet Spine of Box: "Radio Pioneers", NARR, OUTS, Pulled Narration (Ken's) from Scripts, 1-15-91, 3-5-91, NA0000, NF0000; Leader Note: NF 0000, 3/15/91, Scripts, Outs, NARR HD |
SFC Audio Open Reel FT-20193/315 |
Scratch Narration, Fixes1/4" Open Reel Audio 7" reel Side of Box: Florentine - "Radio" - Ken's Scratch Narr. Fixes, 3-19-91; Front of Box: 3/19/91, Radio - Scratch Narration Fixes |
SFC Audio Open Reel FT-20193/316 |
Scratch Narration, reel 6 of 61/4" Open Reel Audio 7" reel Side of Box: Florentine , 6 of 6, Ken's Narr., "Radio, 5-1-91; Front of Box: Radio, Narr, 5-1-91, 6 of 6 |
SFC Audio Cassette FS-20193/15 |
Jason Robards Narration, tape 1 of 4Audiocassette Spine of Case: Jason's Narr. Session, 5-1-91, "Radio", 1 |
SFC Audio Cassette FS-20193/16 |
Jason Robards Narration, tape 2 of 4Audiocassette Spine of Case: Jason's Narr. Session #2, 5-1-91 |
SFC Audio Cassette FS-20193/17 |
Jason Robards Narration, tape 3 of 4Audiocassette Tape Label: Jason's Narr. 5-1-91, 3 |
SFC Audio Cassette FS-20193/18 |
Jason Robards Narration, tape 4 of 4Audiocassette Tape Label: Jason's Narr. 5-1-91, 4 |
SFC Audio Cassette FS-20193/19 |
Jason Robards Narration, ExamplesAudiocassette Spine of Case: Jason's Narr Examples; Back of Case: "Radio", 6-20-91 |
SFC Audio Cassette FS-20193/20 |
Narration, Acts 1-3Audiocassette Spine of Case: "Radio Pioneers", Narr.; Back of Case: Act I+II, Jingles, Act III, The 3 Men... |
Arrangement: Alphabetical.
Sound mix elements and wild sound related to the production, including dialogue ("DIA"), music ("MX"), optical track sound elements, and sound effects. Recordings are on 16mm magnetic sound ("mag") and 16mm optical track elements.
Film F-20193/861 |
DIA A, reel 1, mag16mm motion picture film 1000 feet Spine of Box: DIA A and B, "Radio Pioneers", R-1; Leader Note: "Radio Pioneers", R-1, DIA A, HD |
Film F-20193/862 |
DIA B, reel 1, mag16mm motion picture film 1000 feet Spine of Box: DIA A and B, "Radio Pioneers", R-1; Leader Note: "Radio Pioneers", RL-1, TRK, DIA B, HD |
Film F-20193/863 |
DIA C, reel 1, mag16mm motion picture film 1000 feet Spine of Box: DIA C and D, "Radio Pioneers", R-1; Leader Note: "Radio Pioneers", R-1, DIA C, HD |
Film F-20193/864 |
DIA D, reel 1, mag16mm motion picture film 1000 feet Spine of Box: DIA C and D, "Radio Pioneers", R-1; Leader Note: "Radio Pioneers", R-1, DIA D, HD |
Film F-20193/865 |
DIA E, reel 1, mag16mm motion picture film 1000 feet Spine of Box: DIA E and F, "Radio Pioneers", R-1; Leader Note: "Radio Pioneers", R-1, DIA E, TRK HD |
Film F-20193/866 |
DIA F, reel 1, mag16mm motion picture film 1000 feet Spine of Box: DIA E and F, "Radio Pioneers", R-1; Leader Note: "Radio Pioneers", RL-1, DIA F, TRK HD |
Film F-20193/867 |
DIA A, reel 2, mag16mm motion picture film 1000 feet Spine of Box: DIA A and B, "Radio Pioneers", R-2; Leader Note: "Radio Pioneers", RL-2, TRK, DIA A, HD |
Film F-20193/868 |
DIA B, reel 2, mag16mm motion picture film 1000 feet Spine of Box: DIA A and B, "Radio Pioneers", R-2; Leader Note: "Radio Pioneers", RL-2, TRK, DIA B, HD |
Film F-20193/869 |
DIA C, reel 2, mag16mm motion picture film 1000 feet Spine of Box: DIA C and D, "Radio Pioneers", R-2; Leader Note: "Radio Pioneers", R-2, TRK, DIA C, HD |
Film F-20193/870 |
DIA D, reel 2, mag16mm motion picture film 1050 feet Spine of Box: DIA C and D, "Radio Pioneers", R-2; Leader Note: "Radio Pioneers", R-2, TRK, DIA D, HD |
Film F-20193/871 |
DIA E, reel 2, mag16mm motion picture film 1000 feet Spine of Box: DIA E and F, "Radio Pioneers", R-2; Leader Note: "Radio Pioneers", RL-2, TRK, DIA E, HD |
Film F-20193/872 |
DIA F, reel 2, mag16mm motion picture film 1000 feet Spine of Box: DIA E and F, "Radio Pioneers", R-2; Leader Note: "Radio Pioneers", RL-2, TRK, DIA F, HD |
Film F-20193/873 |
DIA A, reel 3, mag16mm motion picture film 900 feet Spine of Box: DIA A and B, "Radio Pioneers", R-3; Leader Note: "Radio Pioneers", TRK, R-3, DIA A, HD |
Film F-20193/874 |
DIA B, reel 3, mag16mm motion picture film 900 feet Spine of Box: DIA A and B, "Radio Pioneers", R-3; Leader Note: "Radio Pioneers", R-3, TRK, DIA B, HD |
Film F-20193/875 |
DIA C, reel 3, mag16mm motion picture film 950 feet Spine of Box: DIA C and D, "Radio Pioneers", R-3; Leader Notes: "Radio Pioneers", TRK, RL-3, DIA C, HD |
Film F-20193/876 |
DIA D, reel 3, mag16mm motion picture film 850 feet Spine of Box: DIA C and D, "Radio Pioneers", R-3; Leader Notes: "Radio Pioneers", TRK, RL-3, DIA D, HD |
Film F-20193/877 |
DIA E, reel 3, mag16mm motion picture film 850 feet Spine of Box: DIA E and F, "Radio Pioneers", R-3; Leader Note: "Radio Pioneers", DIA E, R-3, HD |
Film F-20193/878 |
DIA F, reel 3, mag16mm motion picture film 850 feet Spine of Box: DIA E and F, "Radio Pioneers", R-3; Leader Note: "Radio Pioneers", TRK, RL-3, DIA F, HD |
Film F-20193/879 |
DIA A, reel 4, mag16mm motion picture film 1000 feet Spine of Box: DIA A and B, "Radio Pioneers", R-4; Leader Note: "Radio Pioneers", RL-4, TRK, DIA A, HD |
Film F-20193/880 |
DIA B, reel 4, mag16mm motion picture film 1000 feet Spine of Box: DIA A and B, "Radio Pioneers", R-4; Leader Note: "Radio Pioneers", RL-4, TRK, DIA B, HD |
Film F-20193/881 |
DIA C, reel 4, mag16mm motion picture film 1000 feet Spine of Box: DIA C and D, "Radio Pioneers", R-4; Leader Notes: "Radio Pioneers", TRK, RL-4, DIA C, HD |
Film F-20193/882 |
DIA D, reel 4, mag16mm motion picture film 1000 feet Spine of Box: DIA C and D, "Radio Pioneers", R-4; Leader Notes: "Radio Pioneers", R-4, TRK, DIA D, HD |
Film F-20193/883 |
DIA E, reel 4, mag16mm motion picture film 1000 feet Spine of Box: DIA E, "Radio Pioneers", R-4; Leader Note: "Radio Pioneers", RL-4, TRK, DIA E, HD |
Film F-20193/888 |
MX A, reel 1, mag16mm motion picture film 950 feet Spine of Box: MX A and B and C, "Radio Pioneers, R-1; Leader Note: "Radio Pioneers", RL-1, TRK MX A HD |
Film F-20193/889 |
MX B, reel 1, mag16mm motion picture film 950 feet Spine of Box: MX A and B and C, "Radio Pioneers, R-1; Leader Note: "Radio Pioneers", RL-1, TRK MX B HD |
Film F-20193/890 |
MX C, reel 1, mag16mm motion picture film 950 feet Spine of Box: MX A and B and C, "Radio Pioneers, R-1; Leader Note: "Radio Pioneers", RL-1, TRK MX C HD |
Film F-20193/891 |
MX A, reel 2, mag16mm motion picture film 1000 feet Spine of Box: MX A, B and C, "Radio Pioneers" R-2; Label Note: "Radio Pioneers", RL-2, TRK, Mx A |
Film F-20193/892 |
MX B, reel 2, mag16mm motion picture film 1000 feet Spine of Box: MX A, B and C, "Radio Pioneers" R-2; Label Note: "Radio Pioneers", RL-2, TRK, Mx B,HD |
Film F-20193/893 |
MX C, reel 2, mag16mm motion picture film 1000 feet Spine of Box: MX A, B and C, "Radio Pioneers" R-2; Label Note: "Radio Pioneers", RL-2, TRK, Mx C,HD |
Film F-20193/894 |
MX A, reel 3, mag16mm motion picture film 850 feet Spine of Box: MX A and B and C, "Radio Pioneers", R-3; Leader Note: "Radio Pioneers", R-3, MX A, HD |
Film F-20193/895 |
MX B, reel 3, mag16mm motion picture film 900 feet Spine of Box: MX A and B and C, "Radio Pioneers", R-3; Leader Note: "Radio Pioneers", R-3, MX B, HD |
Film F-20193/896 |
MX C, reel 3, mag16mm motion picture film 950 feet Spine of Box: MX A and B and C, "Radio Pioneers", R-3; Leader Note: "Radio Pioneers", R-3, MX C, HD |
Film F-20193/897 |
MX A, reel 4, mag16mm motion picture film 1000 feet Spine of Box: MX A, B, C, "Radio Pioneers", R-4; Leader Note: "Radio Pioneers", RL-4, TRK, MX A, HD |
Film F-20193/898 |
MX B, reel 4, mag16mm motion picture film 1000 feet Spine of Box: MX A, B, C, "Radio Pioneers", R-4; Leader Note: "Radio Pioneers", RL-4, TRK, MX B, HD |
Film F-20193/899 |
MX C, reel 4, mag16mm motion picture film 1000 feet Spine of Box: MX A, B, C, "Radio Pioneers", R-4; Leader Note: "Radio Pioneers", RL-4, TRK, MX C, HD |
Film F-20193/900 |
Sound, Optical Track, negative, reel 216mm motion picture film 1000 feet Spine of Box: 4-2-91, H107555, "Radio Pioneers", 16mm, B Wind, TRK Neg, 1098; Box Lid: Reel 2, 16mm, B Wind, Stock Type: 7373, Emulsion: 345, Eng: PF, Density: 2-11, Printing Lab: DuArt, Date: 8/22/91 |
Film F-20193/901 |
Sound, Optical Track, negative, reel 316mm motion picture film 1000 feet Spine of Box: G1H107555, Radio Pioneers R-3, 16mm B-Wind Track, 1094 ft; Box Lid: Reel 3, 16mm, B Wind, Stock Type: 7373, Emulsion: 345, Eng: PF, Density: 2-11, Printing Lab: DuArt, Date: 8/22/91 |
Film F-20193/902 |
Sound, Optical Track, negative, reel 416mm motion picture film 1000 feet Spine of Box: 4-4-91, H107555, "Radio Pioneers", 16mm, B Wind, TRK Neg, 1110; Box Lid: Reel 4, 16mm, B Wind, Stock Type: 7373, Emulsion: 345, Eng: PF, Density: 2-11, Printing Lab: DuArt, Date: 8/22/91 |
Film F-20193/803 |
Spark Set 2 sound effects, mag16mm motion picture film 250 feet Spine of Box: "Radio Pioneers", Wild, Spark Sets II, Thunderstorm, Back of the Mike, WX0000; Leader Notes: "Radio Pioneers", Code WX 0000, Spark Sets, FX Wild, TRK HD |
Film F-20193/804 |
Thunderstorm Section, mag16mm motion picture film 50 feet Spine of Box: "Radio Pioneers", Wild, Spark Sets II, Thunderstorm, Back of the Mike, WX0000; Leader Notes: Radio Pioneers, Thunderstorm Section, From Radio Shows, Studios and Stages |
SFC Audio Open Reel FT-20193/317 |
Spark Sets, reel 1 of 21/4" Open Reel Audio 7" reel Side of Box: "Radio Pioneers", Spark Sets I, Sound Roll 51, CR 118, 2/10/91; Front of Box: "Radio Pioneers", Sound Roll #51, Camera Roll #118, Spark Sets |
SFC Audio Open Reel FT-20193/318 |
Spark Sets, reel 2 of 21/4" Open Reel Audio 7" reel Side of Box: "Radio Pioneers", Spark Sets II, SR 52, CR 118, 2/9/91; Front of Box: "Radio Pioneers", Sound Roll 52, CR-118, Spark Sets |
SFC Audio Open Reel FT-20193/319 |
Titanic Distress Call; Titanic Survivor's List, Repeated; Letter "S"1/4" Open Reel Audio 7" reel Back of Box: "Empire of the Air", Engineer John Ward - M. Wesson, Titanic Distress Call, Titanic Survivor's List (Repeated), Letter "S" |
SFC Audio Open Reel FT-20193/320 |
Titanic Survivors; "S"; "Baseball Next"1/4" Open Reel Audio 7" reel Back of Box: Titanic Survivors - 2, "S" - 2, "Baseball Next" - 1 |
SFC Audio Cassette FS-20193/21 |
Spark SetsAudiocassette Tape Label: S.R. #26; Front of Case: Florentine Films, "Radio Pioneers", L.O. #299912, Spark Sets |
SFC Audio Cassette FS-20193/22 |
Spark SetsAudiocassette Tape Label: SR #51; Front of Case: Florentine Films, "Radio Pioneers", LO #305893 |
Arrangement: Alphabetical.
Titles and stills, consisting mostly of pan and zoom over archival stills. Also includes titles and interview film segments with titles. Recordings are on 16mm and 35mm motion picture ("pix") elements.
Film F-20193/805 |
Archive Stills, Outtake trims, pix16mm motion picture film feet |
Film F-20193/806 |
Early Sarnoff, pix16mm motion picture film 400 feet Spine of Box: "Radio Pioneers", MOS, Sarnoff, Early Years, The Boss, RL# 7 and 8, J 0000, K 0000; Leader Note: Early Sarnoff Potraits/Family, Code J 0000, Sel. Rl. #7, PIX HD |
Film F-20193/807 |
Edwin Armstrong, Additional Stills, pix16mm motion picture film 800 feet Spine of Box: "Radio Pioneers", MOS, Armstrong Extras, R-5A, F1500; Leader Note: "Radio Pioneers", More Armstrong Stills, Code: F-1500, MOS, PIX HD |
Film F-20193/808 |
Edwin Armstrong, Early Portraits/Family, pix16mm motion picture film 500 feet Spine of Box: "Radio Pioneers", MOS, Armstrong Early, Misc. Portraits, RL #3 and 4, C0000, D0000; Leader Note: TL PIX, Code C, Armstrong Early Portraits/Family |
Film F-20193/809 |
Edwin Armstrong, Inventor/Inventions, pix16mm motion picture film 450 feet Spine of Box: "Radio Pioneers", MOS, Armstrong, Inventor, Towers, RL# 5 and 6, F0000, H0000; Leader Note: "Radio Pioneers", Armstrong: Inventor/Inventions, Code F0000, Sel. Rl. #5, PIX HD |
Film F-20193/810 |
Edwin Armstrong, Portraits/Family, pix16mm motion picture film 600 feet Spine of Box: "Radio Pioneers", MOS, Armstrong Early, Misc. Portraits, RL #3 and 4, C0000, D0000; Leader Note: TL PIX, Code D0000, Armstrong Portraits/Family, "Radio Pioneers" |
Film F-20193/811 |
Edwin Armstrong, Towers, pix16mm motion picture film 475 feet Spine of Box: "Radio Pioneers", MOS, Armstrong, Inventor, Towers, RL# 5 and 6, F0000, H0000; Leader Note: TL PIX, Sel. Rl. #6, Code: H0000, Armstrong Towers, "Radio Pioneers" |
Film F-20193/812 |
Lee DeForest, pix16mm motion picture film 150 feet Spine of Box: "Radio Pioneers", MOS, Deforest Extras, R-2B, B2000; Leader Note: TL MOS Pix, Code: B4557, 'Deforest', 'Radio', Florentine |
Film F-20193/813 |
Lee DeForest Extras, pix16mm motion picture film 800 feet Spine of Box: "Radio Pioneers", MOS, Deforest Extras, R-2B, B2000; Leader Note: "Radio Pioneers", Code: B2000, Sel. Rl. 2B, PIX HD |
Film F-20193/814 |
Lee DeForest, Inventor/Inventions, pix16mm motion picture film 600 feet Spine of Box: "Radio Pioneers", MOS, Deforest Portraits Inventor, RL #1 and 2, A0000, B0000; Leader Note: "Radio Pioneers", Deforest: Inventor/Inventions, Code B0000, Sel RL #2, Pix HD |
Film F-20193/815 |
Lee DeForest, Portraits/Family Images, pix16mm motion picture film 700 feet Spine of Box: "Radio Pioneers", MOS, Deforest Portraits Inventor, RL #1 and 2, A0000, B0000; Leader Note: "Radio Pioneers", Deforest: Portraits/Family, Code A0000, Sel RL #1, Pix HD |
Film F-20193/816 |
Marconi, pix16mm motion picture film 300 feet Spine of Box: "Radio Pioneers", MOS, Marconi-Misc. People, R-11/11B, M0000; Leader Note: "Radio Pioneers", Marconi, Code: M0000, Sel. Rl. #11, Pix HD |
Film F-20193/817 |
Miscellaneous People, pix16mm motion picture film 200 feet Spine of Box: "Radio Pioneers", MOS, Marconi-Misc. People, R-11/11B, M0000; Leader Note: "Radio Pioneers", Misc. People, Code: M0944, Sel. Rl. #11B PIX HD |
Film F-20193/818 |
More Radio Listeners, pix16mm motion picture film 325 feet Spine of Box: "Radio Pioneers", MOS, Radio Listeners, RL #9 and 9A, L0000, L3000; Leader Note: "Radio Pioneers", More Radio Listeners, Stills, Code L3000, PIX HD |
Film F-20193/819 |
Radio Listeners, pix16mm motion picture film 800 feet Spine of Box: "Radio Pioneers", MOS, Radio Listeners, RL #9 and 9A, L0000, L3000; Leader Note: "Radio Pioneers", Radio Listeners, Code: L 0000, Sel. Rl. #9, PIX HD |
Film F-20193/820 |
Radio Listeners, Miscellaneous, pix16mm motion picture film 500 feet Spine of Box: "Radio Pioneers", Listeners/Misc. Shots (Radio Public Related), R-93, L 4000; Leader Note: "Radio Pioneers", Misc./Listeners Stills, Code: L4000, MOS PIX HD |
Film F-20193/821 |
Radio News Figures, pix16mm motion picture film 400 feet Spine of Box: "Radio Pioneers", MOS, Radio News, Radio Talent, RL #12 and 13, N 0000, S 0000; Leader Note: "Radio Pioneers", Radio News Figures, Code: N0000, Sel. Rl. 12, Pix HD |
Film F-20193/822 |
Radio Talent, pix16mm motion picture film 400 feet Spine of Box: "Radio Pioneers", MOS, Radio News, Radio Talent, RL #12 and 13, N 0000, S 0000; Leader Note: "Radio Pioneers", Radio Talent, Code S0000, Sel Rl. #13, Pix HD |
Film F-20193/823 |
Radio Technology, pix16mm motion picture film 500 feet Spine of Box: "Radio Pioneers", MOS, Radio Technology - TV Technology, RL #14 and 15, T0000, V000; Leader Note: "Radio Pioneers", Technology: Ships/Stations/Manufact., Code T0000, Pix HD |
Film F-20193/824 |
RCA, pix16mm motion picture film 500 feet Spine of Box: "Radio Pioneers", MOS, RCA, RL# 10, R0000; Leader Note: "Radio Pioneers", RCA, Code R0000, Sel. Rl. #10, PIX HD |
Film F-20193/825 |
Sarnoff: The Boss, pix16mm motion picture film 1000 feet Spine of Box: "Radio Pioneers", MOS, Sarnoff, Early Years, The Boss, RL# 7 and 8, J 0000, K 0000; Leader Note: "Radio Pioneers", Sarnoff-The Boss, Code K 0000, Sel. Rl. #8 |
Film F-20193/826 |
TV Technology, pix16mm motion picture film 300 feet Spine of Box: "Radio Pioneers", MOS, Radio Technology - TV Technology, RL #14 and 15, T0000, V000; Leader Note: "Radio Pioneers", TV Technology, Code: V0000, Pix HD |
Film F-20193/853 |
Titles 1, pix16mm motion picture film 125 feet Spine of Box: "Radio Pioneers", Titles, TX0000, TX0500, TX0650; Leader Note: TL PIX, "Titles", Code: TX0000, "Radio Pioneers" |
Film F-20193/854 |
Titles 2, pix16mm motion picture film 50 feet Spine of Box: "Radio Pioneers", Titles, TX0000, TX0500, TX0650; Leader Note: TL PIX, MOS, Titles, Code: TX 0500, |
Film F-20193/855 |
Titles 3, pix16mm motion picture film 75 feet Spine of Box: "Radio Pioneers", Titles, TX0000, TX0500, TX0650; Leader Note: "Radio", Titles, 4-12-91, Code: TX 0650,MOS PIX HD |
Film F-20193/856 |
Titles 4, pix16mm motion picture film 50 feet Spine of Box: "Radio Pioneers", Titles, TX0000, TX0500, TX0650; Leader Note: "Radio", Titles, 6-13-91, Code: TX 0850, PIX HD |
Film F-20193/857 |
End Crawl, negative, pix35mm 350 feet Can Note: JTO 398, RP 21; Note in Can: Florentine Radio, End Crawl, 8/27/91, End Crawl, 5369 Develop and Print |
Film F-20193/858 |
End Crawl, pix35mm 300 feet Can Note: 11 18-124 11, Radio, End Crawl, 11 R#W/C, RP 21; Leader Note: 8/28, #10-124, Florentine Radio, W/C Roll |
Film F-20193/859 |
Titles, Lower Thirds, First Shoot16mm motion picture film 275 feet Spine of Box: "Radio Pioneers", Various Title Materials; Leader Note: Lower Thirds, First Shoot |
Film F-20193/860 |
Titles, Lower Thirds, New Shoot16mm motion picture film 275 feet Spine of Box: "Radio Pioneers", Various Title Materials; Leader Note: Radio Pioneers, Lower Thirds, New Shoot; Note attached to film pack: This has outs of last titles shoot which were cut in and orig workpix of titles shots |
Film F-20193/885 |
interview Segment 17-86, Titles35mm 650 feet Can Note: 17-86, Radio, TR Roll; Leader Note: Florentine Radio, #17-86, 7/25, Head TR |
Film F-20193/886 |
interview Segment 17-86, Titles, negative35mm 650 feet Can Note: Order No. 6771, Date 7/24, Stock: 5272-236, Ftg: 125, Roles: 1, Cans: 1; Leader Note: Florentine Radio, #17-86, 7/25, Head, B-Roll |
Arrangement: Alphabetical.
Workprints and trims related to the production. A workprint is a rough version of a motion picture, used by the film editor(s) during the editing process. Recordings are on 16mm motion picture ("pix") and magnetic sound ("mag") elements.
Film F-20193/903 |
Cut Sequence trims from workprint, pix16mm motion picture film |
Film F-20193/904 |
Slop Print/Mix, reel 1, pix16mm motion picture film 1000 feet Spine of Box: "Radio Pioneers", Slop Print/Mix, RL-1; Leader Notes: "Radio Pioneers", Slop Pix, RL-1, HD |
Film F-20193/905 |
Slop Print/Mix, reel 1, mag16mm motion picture film 900 feet Spine of Box: "Radio Pioneers", Slop Print/Mix, RL-1; Leader Notes: "Radio Pioneers", Slop Mix, TRK, RL-1, HD |
Film F-20193/906 |
Slop Print/Mix, reel 2, pix16mm motion picture film 1050 feet Spine of Box: "Radio Pioneers" Slop Print/Mix, RL-2; Leader Note: "Radio Pioneers", RL-2, Slop Pix, HD |
Film F-20193/907 |
Slop Print/Mix, reel 2, mag16mm motion picture film 900 feet Spine of Box: "Radio Pioneers" Slop Print/Mix, RL-2; Leader Note: "Radio Pioneers", Slop Mix, RL-2, TRK, HD |
Film F-20193/908 |
Slop Print/Mix, reel 3, pix16mm motion picture film 900 feet Spine of Box: "Radio Pioneers", Slop Print/Mix, RL-3; Leader Note: "Radio Pioneers", RL-3, Slop Pix |
Film F-20193/909 |
Slop Print/Mix, reel 3, mag16mm motion picture film 900 feet Spine of Box: "Radio Pioneers", Slop Print/Mix, RL-3; Leader Note: "Radio Pioneers", Slop Mix, TRK, R-3, HD |
Film F-20193/910 |
Slop Print/Mix, reel 4, pix16mm motion picture film 1050 feet Spine of Box: Slop Print/Mix, R-4; Leader Note: "Radio Pioneers", RL-4, Slop Pix, HD |
Film F-20193/911 |
Slop Print/Mix, reel 4, mag16mm motion picture film 900 feet Spine of Box: Slop Print/Mix, R-4; Leader Note: "Radio Pioneers", Slop Mix, RL-4, TRK, HD |
Film F-20193/912 |
Slop Print/Mix, Cut Sequence trims, mag16mm motion picture film |
SFC Audio Open Reel FT-20193/274 |
Erik Barnouw interview, reel 1 of 31/4" Open Reel Audio 5" reel Side of Box: Radio Pioneers, SND Roll #1, Barnouw; Back of Box: "Radio Pioneers", Sound Roll 1, Cam R. 1 + 3/4 & 2, B. Squires, 4/26/90 |
SFC Audio Open Reel FT-20193/275 |
Erik Barnouw interview, reel 2 of 41/4" Open Reel Audio 5" reel Side of Box: Radio Pioneers, SND Roll #2, Barnouw; Back of Box: "Radio Pioneers", Sound Roll 2, Cam Roll 3, 4/26/90 |
SFC Audio Open Reel FT-20193/276 |
Erik Barnouw interview, reel 3 of 41/4" Open Reel Audio 5" reel Side of Box: Radio Pioneers, SND Roll #3, Barnouw; Back of Box: "Radio Pioneers", Sound Roll 3, Cam Roll 4, 4/26/90 |
SFC Audio Open Reel FT-20193/277 |
Erik Barnouw interview, reel 4 of 41/4" Open Reel Audio 5" reel Side of Box: Radio Pioneers, SND Roll #4, Barnouw; Back of Box: "Radio Pioneers", Sound Roll 4, Cam Roll 5, 4/26/90 |
SFC Audio Open Reel FT-20193/278 |
Harold Beverage interview1/4" Open Reel Audio 7" reel Side of Box: SR-41, "Radio Pioneers", Harold Beverage, 11/20/91, Florentine; Back of Box: "Radio Pioneers", 11/20/90, Harold Beveridge, SR-41, CR-80 81 |
SFC Audio Open Reel FT-20193/279 |
Ken Bilby interview, reel 1 of 21/4" Open Reel Audio 5" reel Side of Box: Radio Pioneers, SND Roll #5, Bilby; Back of Box: 4/27/1990, Ken Bilby, "Radio Pioneers", CR 6, Sound Roll 5 |
SFC Audio Open Reel FT-20193/280 |
Ken Bilby interview, reel 2 of 21/4" Open Reel Audio 5" reel Side of Box: Radio Pioneers, SND Roll #6, Bilby; Back of Box: 4/27/1990, Ken Bilby, "Radio Pioneers", CR 7, Sound Roll 6 |
SFC Audio Open Reel FT-20193/281 |
Tom Buzalski interview1/4" Open Reel Audio 5" reel Side of Box: SR-15, "Radio Pioneers", Buzalski, 4-29-90; Back of Box: "Radio Pioneers", 4/29/90, Buzalski, Sound Roll 15, Camera Roll 17 |
SFC Audio Open Reel FT-20193/282 |
Norman Corwin interview1/4" Open Reel Audio 7" reel Side of Box: SR-38, "Radio Pioneers", Norman Corwin, 10/21/1990, Florentine; Back of Box: Radio Pioneers, SR 38, Norman Corwin, 10/21/1990, Camera Mags, 56/57 |
SFC Audio Open Reel FT-20193/283 |
Norman Corwin interview; Charlotte Katchurin interview1/4" Open Reel Audio 7" reel Side of Box: 10/21/90, SR 39, Norman Corwin, Mag 58, Radio Pioneers, Charlotte Katchurin, Mag 59, 60 (Partial); Back of Box: 10/21/90, Radio Pioneers, Norman Corwin, SR39, Camera Mags 58, Mag 59/60, Charlotte Katchurin, 10/21/90, Florentine, Acct# 30391 |
SFC Audio Open Reel FT-20193/284 |
Susan Douglas interview, reel 1 of 31/4" Open Reel Audio 5" reel Side of Box: Florentine Films, Susan Douglas, Radio, SND 29; Back of Box: "Radio Pioneers", Sound Roll 29, Camera Roll 46, Susan Douglas |
SFC Audio Open Reel FT-20193/285 |
Susan Douglas interview, reel 2 of 31/4" Open Reel Audio 5" reel Side of Box: Florentine Films, Susan Douglas, Radio, SND 30; Back of Box: "Radio Pioneers", Sound Roll 30, Camera Roll 47 |
SFC Audio Open Reel FT-20193/286 |
Susan Douglas interview, reel 3 of 31/4" Open Reel Audio 5" reel Side of Box: Florentine Films, Susan Douglas, Radio, SND 31; Back of Box: "Radio Pioneers", Sound Roll 31, Camera Roll 48 |
SFC Audio Open Reel FT-20193/287 |
Maynard Edmeston interview; Helen Kelley interview1/4" Open Reel Audio 7" reel Side of Box: SR-23, "Radio Pioneers", Maynard Edmeston & Helen Kelly; Back of Box: Sound Roll 23-Maynard Edgerton + Helen Kelley, "Radio Pioneers", Florentine, "Radio Pioneers" |
SFC Audio Open Reel FT-20193/288 |
Frank Gunther interview, reel 1 of 31/4" Open Reel Audio 5" reel Side of Box: SR-12, "Radio Pioneers", Frank Gunther, 4/28/90; Back of Box: 4/28/90, Mr. Gunther, "Radio Pioneers", Sound Roll 12, Camera Roll 14 |
SFC Audio Open Reel FT-20193/289 |
Frank Gunther interview, reel 2 of 31/4" Open Reel Audio 5" reel Side of Box: SR-13, "Radio Pioneers", Frank Gunther, 4/28/90; Back of Box: 4/28/90, Mr. Gunther, "Radio Pioneers", Sound Roll 13, Camera Roll 15 |
SFC Audio Open Reel FT-20193/290 |
Frank Gunther interview, reel 3 of 31/4" Open Reel Audio 5" reel Side of Box: SR-14, "Radio Pioneers", Frank Gunther, 4/28/90; Back of Box: 4/28/90, Mr. Gunther, "Radio Pioneers", Sound Roll 14, Camera Roll 16 |
SFC Audio Open Reel FT-20193/291 |
Jean Hammond interview, reel 1 of 21/4" Open Reel Audio 5" reel Side of Box: SR 34, "Radio Pioneers", Jean Hammond; Back of Box: "Radio Pioneers", 8/8/90, Sound Roll 34, Camera Roll 51/52, Jean Hammond |
SFC Audio Open Reel FT-20193/292 |
Jean Hammond interview, reel 2 of 21/4" Open Reel Audio 5" reel Side of Box: SR 35, "Radio Pioneers", Jean Hammond; Back of Box: "Radio Pioneers", 8/8/90, Sound Roll 35, Camera Roll 53, Jean Hammond |
SFC Audio Open Reel FT-20193/293 |
Loren Jones interview1/4" Open Reel Audio 7" reel Side of Box: SR-42, "Radio Pioneers", Loren Jones, 11/20/90, Florentine; Back of Box: "Radio Pioneers", 11/20/90, Loren Jones, CR 82, Sound Roll 42 |
SFC Audio Open Reel FT-20193/294 |
Garrison Keillor interview, reel 1 of 21/4" Open Reel Audio 5" reel Side of Box: SR-36, "Radio Pioneers", Garrison Keillor; Back of Box: "Radio Pioneers", 8/8/90, Sound Roll 36, Camera Roll 54 |
SFC Audio Open Reel FT-20193/295 |
Garrison Keillor interview, reel 2 of 21/4" Open Reel Audio 5" reel Side of Box: SR-37, "Radio Pioneers", Garrison Keillor; Back of Box: "Radio Pioneers", 8/8/90, Sound Roll 37, Camera Roll 55 |
SFC Audio Open Reel FT-20193/296 |
Bruce Kelley interview, reel 1 of 21/4" Open Reel Audio 5" reel Side of Box: SR-20, "Radio Pioneers", Bruce Kelly; Back of Box: Sound Roll 20, Florentine Films, "Radio Pioneers", Bruce Kelley |
SFC Audio Open Reel FT-20193/297 |
Bruce Kelley interview, reel 2 of 21/4" Open Reel Audio 5" reel Side of Box: SR-21, "Radio Pioneers", Bruce Kelly; Back of Box: Sound Roll 21, Florentine Films, "Radio Pioneers", Bruce Kelley |
SFC Audio Open Reel FT-20193/321 |
Bruce Kelly and John Beach interview1/4" Open Reel Audio
Side of Box: SR-22, "Radio Pioneers", Bruce Kelly & John Beach; Back of Box: Sound Roll 22, Bruce Kelly + John Beach, "Radio Pioneers", Florentine Films |
SFC Audio Open Reel FT-20193/298 |
Robert Morris interview, reel 1 of 31/4" Open Reel Audio 5" reel Side of Box: SR-9, "Radio Pioneers", Robert Morris, 4/28/90; Back of Box: 4/28/90, Robert Morris, "Radio Pioneers", CR-11, Sound Roll 9 |
SFC Audio Open Reel FT-20193/299 |
Robert Morris interview, reel 2 of 31/4" Open Reel Audio 5" reel Side of Box: SR-10, "Radio Pioneers", Robert Morris, 4/28/90; Back of Box: 4/28/90, Robert Morris, "Radio Pioneers", Sound Roll 10, CR-12 |
SFC Audio Open Reel FT-20193/300 |
Robert Morris interview, reel 3 of 31/4" Open Reel Audio 5" reel Side of Box: SR-11, "Radio Pioneers", Robert Morris, 4/28/90; Back of Box: 4/28/90, Robert Morris, "Radio Pioneers", Sound Roll 11, CR-13 |
SFC Audio Open Reel FT-20193/301 |
Eleanor Peck interview1/4" Open Reel Audio 7" reel Side of Box: SR-47, "Radio Pioneers", Eleanor Peck; Back of Box: Florentine Films, Eleanor Peck, Pioneers of Radio, SR #47, Cam Rolls 94 95 96 |
SFC Audio Open Reel FT-20193/302 |
The Raymonds interview, reel 1 of 21/4" Open Reel Audio 5" reel Side of Box: Radio Pioneers, SND Roll #7, Raymonds; Back of Box: 4/27/90, The Raymonds, "Radio Pioneers", CR-8-9, Sound Roll 7 |
SFC Audio Open Reel FT-20193/303 |
The Raymonds interview, reel 2 of 21/4" Open Reel Audio 5" reel Side of Box: Radio Pioneers, SND Roll #8, Raymonds; Back of Box: 4/27/90, Raymond, "Radio Pioneers", CR-10, Sound Roll 8 |
SFC Audio Open Reel FT-20193/304 |
Bruce Roloson interview, reel 1 of 31/4" Open Reel Audio 5" reel Side of Box: SR-24, "Radio Pioneers", Bruce Roloson; Back of Box: Sound Reel 24, Florentine Films, "Radio Pioneers", Bruce Roloson |
SFC Audio Open Reel FT-20193/305 |
Bruce Roloson interview, reel 2 of 31/4" Open Reel Audio 5" reel Side of Box: SR-25, "Radio Pioneers", Bruce Roloson; Back of Box: Sound Reel 25, Florentine Films, "Radio Pioneers", Bruce Roloson |
SFC Audio Open Reel FT-20193/306 |
Bruce Roloson interview, reel 3 of 31/4" Open Reel Audio 5" reel Side of Box: SR-26, "Radio Pioneers", Bruce Roloson; Back of Box: Sound Reel 26, Florentine Films, "Radio Pioneers", Bruce Roloson |
SFC Audio Open Reel FT-20193/307 |
Robert Sarnoff interview1/4" Open Reel Audio 7" reel Side of Box: SR 40, "Radio Pioneers", 11/22/90, Robert Sarnoff, Florentine; Back of Box: Radio Pioneers, SR 40, CR 63, Robert Sarnoff, 10/22/90 |
SFC Audio Open Reel FT-20193/308 |
Robert Saudek interview, reel 1 of 21/4" Open Reel Audio 7" reel Side of Box: SR-43, "Radio Pioneers", Robert Saudek, Needs EQ; Back of Box: "Radio Pioneers", Bob Saudek, 11/20/90, SR-43, CR-84, CR-85-Mag 3, Mike change to ECM-44 |
SFC Audio Open Reel FT-20193/309 |
Robert Saudek interview, reel 2 of 21/4" Open Reel Audio 7" reel Side of Box: SR-44, "Radio Pioneers", Robert Saudek, 11/20/90, Florentine; Back of Box: "Radio Pioneers", Bob Saudek, 11/20/90, CR-86, SR-44 |
SFC Audio Open Reel FT-20193/310 |
Eric Sevareid interview, reel 1 of 31/4" Open Reel Audio 5" reel Side of Box: Florentine Films, Radio #26, Eric Sevareid; Back of Box: Florentine Films AD, Radio, SR #26, CR #43, Sevareid Intv., 8-6-90 |
SFC Audio Open Reel FT-20193/311 |
Eric Sevareid interview, reel 2 of 31/4" Open Reel Audio 5" reel Side of Box: Florentine Films, Radio #27, Eric Sevareid; Back of Box: Florentine Films AD, Radio, SR #27 |
SFC Audio Open Reel FT-20193/312 |
Eric Sevareid interview, reel 3 of 31/4" Open Reel Audio 5" reel Side of Box: Florentine Films, Radio #28, Eric Sevareid; Back of Box: Florentine Films ADI, Radio, SR #28, 8-6-90 |
SFC Audio Open Reel FT-20193/313 |
Gertrude Tyne interview, reel 1 of 21/4" Open Reel Audio 5" reel Side of Box: Gertrude Tyne, Florentine Films, Radio, SND 32; Back of Box: "Radio Pioneers", Sound Roll 32, Camera Roll 49, Gertrude Tyne |
SFC Audio Open Reel FT-20193/314 |
Gertrude Tyne interview, reel 2 of 21/4" Open Reel Audio 5" reel Side of Box: Gertrude Tyne, Florentine Films, Radio, SND 33; Back of Box: "Radio Pioneers", Sound Roll 33, Camera Roll 50, Gertrude Tyne |
SFC Audio Cassette FS-20193/2 |
Erik Barnouw interviewAudiocassette A-Side Tape Label: S.R. #1 & S.R. #2; B-Side Tape Label: S.R. #3 & S.R. #4; Front of Case: L.O. #297303, Florentine Films, "Radio Pioneers" |
SFC Audio Cassette FS-20193/3 |
John Beach interviewAudiocassette A-Side Tape Label: S.R. #23; B-Side Tape Label: S.R. #24-25; Front of Case: Florentine Films, "Radio Pioneers", L.O. #299912, John Beach, MW, Q+A |
SFC Audio Cassette FS-20193/4 |
Harold Beverage interview; Loren Jones interviewAudiocassette A-Side Tape Label: SR #41; B-Side Tape Label: SR #42; Front of Case: Florentine Films, LO# 304030 |
SFC Audio Cassette FS-20193/5 |
Ken Bilby interview; The Raymonds interviewAudiocassette A-Side Tape Label: S.R. #5 & S.R. #6; B-Side Tape Label: S.R. #7 & #8 |
SFC Audio Cassette FS-20193/6 |
Norman Corwin interview; Charlotte Katchurin interviewAudiocassette Tape Label: Corwin/Katchurin Intvws, "Radio Pioneers", SR 38&39; Front of Case: LO# 304030 |
SFC Audio Cassette FS-20193/7 |
Susan Douglas interview; Gertrude Tyne interviewAudiocassette A-Side Tape Label: S.R. #30-31; B-Side Tape Label: S.R. #32-33, Gertrude Tyne, Florentine Films, "Radio Pioneers", L.O. #300735 |
SFC Audio Cassette FS-20193/8 |
Frank Gunther interview; Tom Buzalski interviewAudiocassette A-Side Tape Label: S.R. #13-14; B-Side Tape Label: S.R. #15; Front of Case: Florentine Films, Radio Pioneers, L.O. #297396 |
SFC Audio Cassette FS-20193/9 |
Jeanne Hammond interview; Garrison Keillor interviewAudiocassette A-Side Tape Label: SR #34-35; B-Side Tape Label: SR #36-37 Keillor |
SFC Audio Cassette FS-20193/10 |
Bruce Kelley interviewAudiocassette Front of Case: Florentine Films, "Radio Pioneers", L.O. #299912, Bruce Kelley; A-Side Tape Label: S.R. #20-21; B-Side Tape Label: S.R. #22 |
SFC Audio Cassette FS-20193/11 |
Robert Morris interview; Frank Gunther interviewAudiocassette A-Side Tape Label: S.R. #9-10; B-Side Tape Label: S.R. #11-12; Front of Case: Florentine Films, Radio Pioneers, L.O. #297396 |
SFC Audio Cassette FS-20193/12 |
Eleanor Peck interviewAudiocassette Tape Label: SR# 47; Front of Case: Florentine Films, Radio Pioneers, LO#305049 |
SFC Audio Cassette FS-20193/13 |
Robert Saudek interviewAudiocassette A-Side Tape Label: SR# 43; B-Side Tape Label: SR#44; Front of Case: Florentine Films, LO#303040 |
SFC Audio Cassette FS-20193/14 |
Eric Sevareid interviewAudiocassette A-Side Tape Label: S.R. #26-27, Eric Severeid; B-Side Tape Label: S.R. #28-29 |
SFC Audio Cassette FS-20193/23 |
Judy CrichtonAudiocassette Tape Label: Judy Crichton |
SFC Audio Cassette FS-20193/24 |
[unidentified sound recording]Audiocassette |
A nine-part series on the history of baseball.
Contains papers, logs, and cue sheets.
Box 31-50
Box 31Box 32Box 33Box 34Box 35Box 36Box 37Box 38Box 39Box 40Box 41Box 42Box 43Box 44Box 45Box 46Box 47Box 48Box 49Box 50 |
Baseball: Papers |
Box 51-59
Box 51Box 52Box 53Box 54Box 55Box 56Box 57Box 58Box 59 |
Baseball: Logs |
Box 60 |
Baseball: Cue sheets, Inning 1 |
Box 61 |
Baseball: Cue sheets, Inning 2 |
Box 62 |
Baseball: Cue sheets, Inning 3 |
Box 63 |
Baseball: Cue sheets, Inning 4 |
Box 64 |
Baseball: Cue sheets, Inning 5 |
Box 65-66
Box 65Box 66 |
Baseball: Cue sheets, Inning 6 |
Box 67 |
Baseball: Cue sheets, Inning 7 |
Box 68 |
Baseball: Cue sheets, Inning 8 |
Box 69 |
Baseball: Cue sheets, Inning 9 |
Box 70 |
Baseball: Miscellaneous papers and materials pertaining to other projects |
Audiovisual materials affiliated with the nine-part 1994 documentary miniseries, Baseball. Materials consist primarily of picture ("pix") and magnetic ("mag") sound elements on 16mm motion picture film, including interview outtakes, selected interviews, thematically organized interviews, B-roll footage, and narration tracks by John Chancellor, Ken Burns, and others. Notable interviewees include Red Barber, Bob Costas, Billy Crystal, Mario Cuomo, Garrison Keillor, Mickey Mantle, Daniel Oakrent, Buck O'Neil III, John Sayles, Studs Terkel, and members of the All-American Girls Professional Baseball League (AAGPBL). Other formats include 1/4" open reel audio, digital audio tape (DAT), and audiocassette.
Arrangement: Materials were arranged by categories determined by the film production team. These categories include Interview Outtakes, Interview Selects, and Interview Themes. Other production categories were combined to create B-roll (referred to by the production team as "MOS," "Live," and "Verite") and Narration (referred to by the production team as "Narration", "Scratch Narration," "Narration Audition," and "Voices") series.
Processing information: Titles and descriptions compiled from original containers. In most cases, the item descriptions are transcribed directly from their original containers. Documentation on the containers also include codes and documentary film terminology. In order to preserve this production information, film descriptions also include element type ("pix" or "mag") and edit codes (i.e. "DP 3000", "DD 0000", "CH 6000", etc), as well as information on camera rolls ("CR") and sound rolls ("SR"). Edit codes were used by the production team to synchronize picture and magnetic sound elements, while camera and sound roll information help determine the order of recording during production.
Arrangement: Alphabetical.
Outtakes of interviews on separate 16mm motion picture ("pix") and magnetic sound ("mag") elements. Outtakes are defined as either (1) a segment of original film not used in the final edited version, or (2) a segment of film eliminated during editing. The elements consist primarily of silent motion picture elements, most of which have separate magnetic film soundtracks.
Film F-20193/1 |
AAGPBL players interviews (Dotty Green, Marie Kelly, Mary Pratt), pix16mm 450 feet Baseball HG 0000, CR 497-98, SR 178-79, outs, sync |
Film F-20193/2 |
AAGPBL players interviews (Dotty Green, Marie Kelly, Mary Pratt), mag16mm 350 feet Baseball HG 0000, CR 497-98, SR 178-79, outs, sync |
Film F-20193/3 |
Hank Aaron interview, pix 116mm 475 feet Baseball DP 0000, CR 308-309, SR 105-106, sync, outs |
Film F-20193/4 |
Hank Aaron interview, mag 116mm 450 feet Baseball DP 0000, CR 308-309, SR 105-106, sync, outs |
Film F-20193/5 |
Hank Aaron interview, pix 216mm 300 feet Baseball DP 3000, CR 310, SR 107, sync outs |
Film F-20193/6 |
Hank Aaron interview, mag 216mm 275 feet Baseball DP 3000, CR 310, SR 107, sync outs |
Film F-20193/7 |
Hugh Alexander interview, pix 216mm 200 feet Baseball DD 3000, CR 189, SR 86, sync, outs |
Film F-20193/8 |
Hugh Alexander interview, mag 216mm 175 feet Baseball DD 3000, CR 189, SR 86, sync, outs |
Film F-20193/9 |
Hugh Alexander interview, pix 116mm 625 feet Baseball DD 0000, CR 186, 187, 188, SR: 85-86, sync, outs |
Film F-20193/10 |
Hugh Alexander interview, mag 116mm 625 feet Baseball DD 0000, CR 186, 187, 188, SR: 85-86, sync, outs |
Film F-20193/11 |
Ethan Allen interview, pix16mm 200 feet Baseball DJ 0000, CR 170, SR 78, sync, outs |
Film F-20193/12 |
Ethan Allen interview, mag16mm 200 feet Baseball DJ 0000, CR 170, SR 78, sync, outs |
Film F-20193/13 |
Roger Angell interview, pix 116mm 500 feet Baseball CH 0000, CR 114-115, SR: 54, sync, outs |
Film F-20193/14 |
Roger Angell interview, mag 116mm 425 feet Baseball CH 0000, CR 114-115, SR: 54, sync, outs |
Film F-20193/15 |
Roger Angell interview, pix 216mm 550 feet Baseball CH 3000, CR 116-117, SR 55, sync, outs |
Film F-20193/16 |
Roger Angell interview, mag 216mm 450 feet Baseball CH 3000, CR 116-117, SR 55, sync, outs |
Film F-20193/17 |
Roger Angell interview, pix 316mm 500 feet Baseball CH 6000, CR 118-119, SR 55-56, sync, outs |
Film F-20193/18 |
Roger Angell interview, mag 316mm 400 feet Baseball CH 6000, CR 118-119, SR 55-56, sync, outs |
Film F-20193/19 |
Roger Angell interview, pix 416mm 600 feet Baseball CJ 0000, CR 120-121, SR 56-57, sync, outs |
Film F-20193/20 |
Roger Angell interview, mag 416mm 525 feet Baseball CJ 0000, CR 120-121, SR 56-57, sync, outs |
Film F-20193/21 |
Arthur Ashe interview, pix16mm 675 feet Baseball CF 0000, CR 106, SR 51, sync, outs |
Film F-20193/22 |
Arthur Ashe interview, mag16mm 625 feet Baseball CF 0000, CR 106, SR 51, sync, outs |
Film F-20193/23 |
Red Barber interview, pix 116mm 375 feet Baseball BA 0000, CR 1, 2; SR 1, 2; sync, outs |
Film F-20193/24 |
Red Barber interview, mag 116mm 350 feet Baseball BA 0000, CR 1, 2; SR 1, 2; sync, outs |
Film F-20193/25 |
Red Barber interview, pix 216mm 550 feet Baseball BA 3000, CR 3, 4; SR 3, 4; sync, outs |
Film F-20193/26 |
Red Barber interview, mag 216mm 400 feet Baseball BA 3000, CR 3, 4; SR 3, 4; sync, outs |
Film F-20193/27 |
Red Barber interview, pix 316mm 425 feet Baseball BA 6000, CR 5, 6; SR 5, 6; sync, outs |
Film F-20193/28 |
Red Barber interview, mag 316mm 375 feet Baseball BA 6000, CR 5, 6; SR 5, 6; sync, outs, Leader reads: "Radio Pioneers" |
Film F-20193/29 |
Bossard (Chicago groundskeeper), pix16mm 350 feet Baseball AD 0000, CR 34, SR 26, sync outs |
Film F-20193/30 |
Bossard (Chicago groundskeeper), mag16mm 350 feet Baseball AD 0000, CR 34, SR 26, sync outs |
Film F-20193/31 |
Tom Boswell interview, pix 116mm 400 feet Baseball CN 0000, CR 149-150, SR 65-66, sync, outs |
Film F-20193/32 |
Tom Boswell interview, mag 116mm 375 feet Baseball CN 0000, CR 149-150, SR 65-66, sync, outs |
Film F-20193/33 |
Tom Boswell interview, pix 216mm 300 feet Baseball CN 3000, CR 151, SR 67, sync, outs |
Film F-20193/34 |
Tom Boswell interview, mag 216mm 275 feet Baseball CN 3000, CR 151, SR 67, sync, outs |
Film F-20193/35 |
Bill Cash interview, pix16mm 600 feet Baseball EB 0000, CR 334, 335, 336; SR 124-125; sync, outs |
Film F-20193/36 |
Bill Cash interview, mag16mm 575 feet Baseball EB 0000, CR 334, 335, 336; SR 124-125; sync, outs |
Film F-20193/37 |
Happy Chandler interview, pix16mm 475 feet Baseball DN 0000, CR 269, 268; SR 99-100; sync, outs |
Film F-20193/38 |
Happy Chandler interview, mag16mm 450 feet Baseball DN 0000, CR 269, 268; SR 99-100; sync, outs |
Film F-20193/39 |
Andrei Codreseu interview, pix16mm 525 feet Baseball DL 0000, CR 245-246, SR 94-95, sync, outs |
Film F-20193/40 |
Andrei Codreseu interview, mag16mm 500 feet Baseball DL 0000, CR 245-246, SR 94-95, sync, outs |
Film F-20193/41 |
Comiskey Park fans, Joe Benate, pix, Chicago, Ill., 25 September 199016mm 200 feet Baseball AF 0000, CR 35, 37, SR 27, sync outs |
Film F-20193/42 |
Comiskey Park fans, Joe Benate, mag, Chicago, Ill., 25 September 199016mm 200 feet Baseball AF 0000, CR 35, 37, SR 27, sync outs |
Film F-20193/43 |
Bob Costas interview, pix 116mm 475 feet Baseball HB 0000, CR 466-467, SR 156-157, sync outs |
Film F-20193/44 |
Bob Costas interview, mag 116mm 375 feet Baseball HB 0000, CR 466-467, SR 156-157, sync outs |
Film F-20193/45 |
Bob Costas interview, pix 216mm 500 feet Baseball HB 3000, CR 468-469, SR 158-159, sync outs |
Film F-20193/46 |
Bob Costas interview, mag 216mm 450 feet Baseball HB 3000, CR 468-469, SR 158-159, sync outs |
Film F-20193/47 |
Bob Costas interview, pix 316mm 500 feet Baseball HB 6000, CR 470-471, SR 160-161, sync outs |
Film F-20193/48 |
Bob Costas interview, mag 316mm 375 feet Baseball HB 6000, CR 470-471, SR 160-161, sync outs |
Film F-20193/49 |
Bob Costas interview, pix 416mm 400 feet Baseball HC 0000, CR 472-473, SR 162-163, sync outs |
Film F-20193/50 |
Bob Costas interview, mag 416mm 350 feet Baseball HC 0000, CR 472-473, SR 162-163, sync outs |
Film F-20193/51 |
Robert Creamer interview, pix 116mm 475 feet Baseball HA 0000, CR 461-462, SR 153, sync outs |
Film F-20193/52 |
Robert Creamer interview, mag 116mm 400 feet Baseball HA 0000, CR 461-462, SR 153, sync outs |
Film F-20193/53 |
Robert Creamer interview, pix 216mm 500 feet Baseball HA 3000, CR 463-464, SR 154, sync outs |
Film F-20193/54 |
Robert Creamer interview, mag 216mm 375 feet Baseball HA 3000, CR 463-464, SR 154, sync outs |
Film F-20193/55 |
Robert Creamer interview, pix 316mm 200 feet Baseball HA 6000, CR 465, SR 155, sync outs |
Film F-20193/56 |
Robert Creamer interview, mag 316mm 150 feet Baseball HA 6000, CR 465, SR 155, sync outs |
Film F-20193/57 |
Billy Crystal interview, pix 116mm 325 feet Baseball EP 0000, CR 386-387, SR 146-147, sync outs |
Film F-20193/58 |
Billy Crystal interview, mag 116mm 250 feet Baseball EP 0000, CR 386-387, SR 146-147, sync outs |
Film F-20193/59 |
Billy Crystal interview, pix 216mm 175 feet Baseball EP 3000, CR 388, SR 148, sync outs |
Film F-20193/60 |
Billy Crystal interview, mag 216mm 150 feet Baseball EP 3000, CR 388, SR 148, sync outs |
Film F-20193/61 |
Mario Cuomo interview, pix 116mm 375 feet Baseball DA 0000, CR 177-178, SR 81-82, sync outs |
Film F-20193/62 |
Mario Cuomo interview, mag 116mm 300 feet Baseball DA 0000, CR 177-178, SR 81-82, sync outs |
Film F-20193/63 |
Mario Cuomo interview, pix 216mm 200 feet Baseball DA 3000, CR 179, SR 83, sync outs |
Film F-20193/64 |
Mario Cuomo interview, mag 216mm 150 feet Baseball DA 3000, CR 179, SR 83, sync outs |
Film F-20193/65 |
Bobby Doerr interview, pix16mm 650 feet Baseball BG 0000, CR 751-752, SR 207-208, sync, R-1 |
Film F-20193/66 |
Bobby Doerr interview, mag16mm 650 feet Baseball BG 0000, CR 751-752, SR 207-208, sync, R-1 |
Film F-20193/67 |
Gerald Early interview, pix 116mm 575 feet Baseball BF 0000, CR 736-737, sync, R-1 |
Film F-20193/68 |
Gerald Early interview, mag 116mm 575 feet Baseball BF 0000, CR 736-737, sync, R-1 |
Film F-20193/69 |
Gerald Early interview, pix 216mm 600 feet Baseball BF 3000, CR 738-739, sync, R-2 |
Film F-20193/70 |
Gerald Early interview, mag 216mm 550 feet Baseball BF 3000, CR 738-739, sync, R-2 |
Film F-20193/71 |
Gerald Early interview, pix 316mm 350 feet Baseball BF 6000, CR 740-741, sync, R-3 |
Film F-20193/72 |
Gerald Early interview, mag 316mm 275 feet Baseball BF 6000, CR 740-741, sync, R-3 |
Film F-20193/73 |
Maddy English (AAGPBL) interview, pix16mm 525 feet Baseball HG 6000, CR 501-502, SR 182-183, sync, outs |
Film F-20193/74 |
Maddy English (AAGPBL) interview, mag16mm 500 feet Baseball HG 6000, CR 501-502, SR 182-183, sync, outs |
Film F-20193/75 |
Chub Feeney interview, pix16mm 675 feet Baseball EG 0000, CR 363-364, SR 129, sync, outs |
Film F-20193/76 |
Chub Feeney interview, mag16mm 650 feet Baseball EG 0000, CR 363-364, SR 129, sync, outs |
Film F-20193/77 |
Bob Feller interview, pix 116mm 650 feet Baseball ES 0000, CR 413-414, SR 149-150, sync outs |
Film F-20193/78 |
Bob Feller interview, mag 116mm 600 feet Baseball ES 0000, CR 413-414, SR 149-150, sync outs |
Film F-20193/79 |
Bob Feller interview, pix 216mm 325 feet Baseball ES 3000, CR 415, SR 150, sync outs |
Film F-20193/80 |
Bob Feller interview, mag 216mm 300 feet Baseball ES 3000, CR 415, SR 150, sync outs |
Film F-20193/81 |
Curt Flood interview, pix 116mm 550 feet Baseball EH 0000, CR 370-371, SR 130-131, sync outs |
Film F-20193/82 |
Curt Flood interview, mag 116mm 475 feet Baseball EH 0000, CR 370-371, SR 130-131, sync outs |
Film F-20193/83 |
Curt Flood interview, pix 216mm 500 feet Baseball EH 3000, CR 372-373, SR 132-133, sync outs |
Film F-20193/84 |
Curt Flood interview, mag 216mm 400 feet Baseball EH 3000, CR 372-373, SR 132-133, sync outs |
Film F-20193/85 |
Shelby Foote interview, pix16mm 475 feet Baseball CA 0000, CR 86-87, SR 39-40, sync outs |
Film F-20193/86 |
Shelby Foote interview, mag16mm 400 feet Baseball CA 0000, CR 86-87, SR 39-40, sync outs |
Film F-20193/87 |
Milton Gaston interview, pix16mm 650 feet Baseball DC 0000, CR 184 -185, SR 85, sync outs |
Film F-20193/88 |
Milton Gaston interview, mag16mm 635 feet Baseball DC 0000, CR 184 -185, SR 85, sync outs |
Film F-20193/89 |
Rosie Gilhousen interview, pix16mm 450 feet Baseball CV 0000, CR 167-168, SR 77, sync outs |
Film F-20193/90 |
Rosie Gilhousen interview, mag16mm 425 feet Baseball CV 0000, CR 167-168, SR 77, sync outs |
Film F-20193/91 |
Doris Goodwin interview, pix 116mm 450 feet Baseball CM 0000, CR 129-130, SR 62-63, sync outs |
Film F-20193/92 |
Doris Goodwin interview, mag 116mm 375 feet Baseball CM 0000, CR 129-130, SR 62-63, sync outs |
Film F-20193/93 |
Doris Goodwin interview, pix 216mm 250 feet Baseball CM 3000, CR 131, SR 64, sync outs |
Film F-20193/94 |
Doris Goodwin interview, mag 216mm 175 feet Baseball CM 3000, CR 131, SR 64, sync outs |
Film F-20193/95 |
Stephen Gould interview, pix 116mm 400 feet Baseball CL 0000, CR 126-127, SR 59-60, sync outs |
Film F-20193/96 |
Stephen Gould interview, mag 116mm 350 feet Baseball CL 0000, CR 126-127, SR 59-60, sync outs |
Film F-20193/97 |
Stephen Gould interview, pix 216mm 250 feet Baseball CL 3000, CR 128, SR 61, sync outs |
Film F-20193/98 |
Stephen Gould interview, mag 216mm 225 feet Baseball CL 3000, CR 128, SR 61, sync outs |
Film F-20193/99 |
Wally Haas interview, pix16mm 425 feet Baseball EM 0000, CR 385, SR 145, sync Dailies |
Film F-20193/100 |
Wally Haas interview, mag16mm 400 feet Baseball EM 0000, CR 385, SR 145, sync Dailies |
Film F-20193/101 |
Hall interview, pix 116mm 525 feet Baseball BD 0000, CR 13-14, SR 10, sync outs |
Film F-20193/102 |
Hall interview, mag 116mm 500 feet Baseball BD 0000, CR 13-14, SR 10, sync outs |
Film F-20193/103 |
Hall interview, pix 216mm 500 feet Baseball BD 3000, CR 15-16, SR 11, sync outs |
Film F-20193/104 |
Hall interview, mag 216mm 450 feet Baseball BD 3000, CR 15-16, SR 11, sync outs |
Film F-20193/105 |
Hall interview, pix 316mm 475 feet Baseball BD 6000, CR 17-18, SR 12, sync outs |
Film F-20193/106 |
Hall interview, mag 316mm 500 feet Baseball BD 6000, CR 17-18, SR 12, sync outs |
Film F-20193/107 |
Sammie Haynes interview, pix 116mm 500 feet Baseball EK 0000 CR 380-381, SR 140-141, sync outs |
Film F-20193/108 |
Sammie Haynes interview, mag 116mm 425 feet Baseball EK 0000 CR 380-381, SR 140-141, sync outs |
Film F-20193/109 |
Sammie Haynes interview, pix 216mm 250 feet Baseball EK 3000, CR 382, SR 142, sync outs |
Film F-20193/110 |
Sammie Haynes interview, mag 216mm 225 feet Baseball EK 3000, CR 382, SR 142, sync outs |
Film F-20193/111 |
Billy Herman interview, pix16mm 675 feet DH 0000, CR 197 - 199, SR 88 - 89, Sync Outs |
Film F-20193/112 |
Billy Herman interview, mag16mm 650 feet DH 0000, CR 197 - 199, SR 88 - 89, Sync Outs |
Film F-20193/113 |
Chett Hoff interview, pix16mm 600 feet DG 0000, CR 195 - 196, SR 88, Sync Outs |
Film F-20193/114 |
Chett Hoff interview, mg16mm 550 feet DG 0000, CR 195 - 196, SR 88, Sync Outs |
Film F-20193/115 |
Monte Irvin interview, pix 116mm 625 feet Baseball DE 0000, CR 192-193, SR 87, sync outs |
Film F-20193/116 |
Monte Irvin interview, mag 116mm 600 feet Baseball DE 0000, CR 192-193, SR 87, sync outs |
Film F-20193/117 |
Monte Irvin interview, pix 216mm 300 feet Baseball DE 3000, CR 194, SR 87, sync outs |
Film F-20193/118 |
Monte Irvin interview, mag 216mm 275 feet Baseball DE 3000, CR 194, SR 87, sync outs |
Film F-20193/119 |
Johnson & Surratt interview, pix 116mm 325 feet Baseball AK 0000, CR 49-50, SR 33-34, sync outs |
Film F-20193/120 |
Johnson & Surratt interview, mag 116mm 300 feet Baseball AK 0000, CR 49-50, SR 33-34, sync outs |
Film F-20193/121 |
Johnson & Surratt interview, pix 216mm 175 feet Baseball AK 3000, CR 51, SR 35, sync outs |
Film F-20193/122 |
Johnson & Surratt interview, mag 216mm 175 feet Baseball AK 3000, CR 51, SR 35, sync outs |
Film F-20193/123 |
Garrison Keillor interview, pix16mm 450 feet BE 0000, CR 19 - 20, SR 13 - 14, Sync Outs |
Film F-20193/124 |
Garrison Keillor interview, mag16mm 450 feet BE 0000, CR 19 - 20, SR 13 - 14, Sync Outs |
Film F-20193/125 |
Sam Lacy interview, pix (1 of 3)16mm 600 feet AB 0000, CR 23 - 24, SR 17 - 18, Sync Outs |
Film F-20193/126 |
Sam Lacy interview, mag (1 of 3)16mm 600 feet AB 0000, CR 23 - 24, SR 17 - 18, Sync Outs |
Film F-20193/127 |
Sam Lacy interview, pix 216mm 625 feet Baseball AB 3000, CR 25-26, SR 19-20, sync outs |
Film F-20193/128 |
Sam Lacy interview, mag 216mm 600 feet Baseball AB 3000, CR 25-26, SR 19-20, sync outs |
Film F-20193/129 |
Sam Lacy interview, pix 316mm 800 feet Baseball AB 6000, CR 27-29, SR 21-23, sync outs |
Film F-20193/130 |
Sam Lacy interview, mag 316mm 775 feet Baseball AB 6000, CR 27-29, SR 21-23, sync outs |
Film F-20193/131 |
Bill Lee interview, pix 116mm 475 feet Baseball DV 0000, CR323-324, SR 117-118, sync outs |
Film F-20193/132 |
Bill Lee interview, mag 116mm 450 feet Baseball DV 0000, CR323-324, SR 117-118, sync outs |
Film F-20193/133 |
Bill Lee interview, pix 216mm 525 feet Baseball DV 3000, CR 325-326, SR 119-120, sync outs |
Film F-20193/134 |
Bill Lee interview, mag 216mm 475 feet Baseball DV 3000, CR 325-326, SR 119-120, sync outs |
Film F-20193/135 |
Mickey Mantle interview, pix 116mm 600 feet Baseball BR 0000, CR 718-719, SR 193-194, sync Dailies |
Film F-20193/136 |
Mickey Mantle interview, mag 116mm 575 feet Baseball BR 0000, CR 718-719, SR 193-194, sync Dailies |
Film F-20193/137 |
Mickey Mantle interview, pix 216mm 450 feet Baseball BR 3000, CR 720-721, SR 195-196, sync Dailies |
Film F-20193/138 |
Mickey Mantle interview, mag 216mm 450 feet Baseball BR 3000, CR 720-721, SR 195-196, sync Dailies |
Film F-20193/139 |
Charlie McDowell interview, pix16mm 600 feet Baseball CP 0000, CR 152-154, SR 68-70, sync outs |
Film F-20193/140 |
Charlie McDowell interview, mag16mm 550 feet Baseball CP 0000, CR 152-154, SR 68-70, sync outs |
Film F-20193/141 |
Marvin Miller interview, pix 116mm 525 feet Baseball ET 0000, CR 457-458, SR 151, sync outs |
Film F-20193/142 |
Marvin Miller interview, mag 116mm 475 feet Baseball ET 0000, CR 457-458, SR 151, sync outs |
Film F-20193/143 |
Marvin Miller interview, pix 216mm 575 feet Baseball ET 3000, CR 459-460, SR 152, sync outs |
Film F-20193/144 |
Marvin Miller interview, mag 216mm 475 feet Baseball ET 3000, CR 459-460, SR 152, sync outs |
Film F-20193/145 |
Willie Morris interview, pix16mm 525 feet Baseball DM 0000, CR 247-248, SR 96-97, sync outs |
Film F-20193/146 |
Willie Morris interview, mag16mm 525 feet Baseball DM 0000, CR 247-248, SR 96-97, sync outs |
Film F-20193/147 |
Three miscellaneous Negro League Players interview, pix16mm 350 feet Baseball EE 0000, CR 340-341, SR 128, sync outs |
Film F-20193/148 |
Three miscellaneous Negro League Players interview, mag16mm 350 feet Baseball EE 0000, CR 340-341, SR 128, sync outs |
Film F-20193/149 |
Buck O'Neil interview, pix 116mm 500 feet Baseball |
Film F-20193/150 |
Buck O'Neil interview, mag 116mm 500 feet Baseball |
Film F-20193/151 |
Buck O'Neil interview, pix 216mm 800 feet Baseball AL 3000, CR 54-55, SR 37-38, sync outs |
Film F-20193/152 |
Buck O'Neil interview, mag 216mm 775 feet Baseball AL 3000, CR 54-55, SR 37-38, sync outs |
Film F-20193/153 |
Buck O'Neil 2nd interview, pix16mm 600 feet Baseball EC 0000, CR 336-337, SR 126, sync outs |
Film F-20193/154 |
Buck O'Neil 2nd interview, mag16mm 550 feet Baseball EC 0000, CR 336-337, SR 126, sync outs |
Film F-20193/155 |
Buck O'Neil III interview, pix 116mm 725 feet Baseball CR 643-644, Edge code reads: BO 0000 |
Film F-20193/156 |
Buck O'Neil III interview, mag 116mm 725 feet Baseball CR 643, SR 186 |
Film F-20193/157 |
Buck O'Neil III interview, pix 216mm 650 feet Baseball BO 0000, CR 645-646, SR 188-189 |
Film F-20193/158 |
Buck O'Neil III interview, mag 216mm 650 feet Baseball BO 0000, CR 645-646, SR 188-189 |
Film F-20193/159 |
Buck O'Neil III interview, pix 316mm 700 feet Baseball BO 3000, CR 647-648, SR 190 -191 |
Film F-20193/160 |
Buck O'Neil III interview, mag 316mm 700 feet Baseball BO 3000, CR 647-648, SR 190 -191 |
Film F-20193/161 |
Buck O'Neil III interview, pix 416mm 300 feet Baseball BP 0000, CR 649, SR 192 |
Film F-20193/162 |
Buck O'Neil III interview, mag 416mm 300 feet Baseball BP 0000, CR 649, SR 192 |
Film F-20193/163 |
Dan Oakrent interview, pix 116mm 500 feet Baseball CB 0000, CR 93-94, SR 41-42, sync outs |
Film F-20193/164 |
Dan Oakrent interview, mag 116mm 450 feet Baseball CB 0000, CR 93-94, SR 41-42, sync outs |
Film F-20193/165 |
Dan Oakrent interview, pix 216mm 525 feet Baseball CB 3000, CR 95-96, SR 43-44, sync outs |
Film F-20193/166 |
Dan Oakrent interview, mag 216mm 450 feet Baseball CB 3000, CR 95-96, SR 43-44, sync outs |
Film F-20193/167 |
Dan Oakrent interview, pix 316mm 575 feet Baseball CB 6000, CR 97-98, SR 45-46, sync outs |
Film F-20193/168 |
Dan Oakrent interview, mag 316mm 425 feet Baseball CB 6000, CR 97-98, SR 45-46, sync outs |
Film F-20193/169 |
Dan Oakrent interview, pix 416mm 525 feet Baseball CC 0000, CR 99-101, SR 47-48, sync outs |
Film F-20193/170 |
Dan Oakrent interview, mag 416mm 425 feet Baseball CC 0000, CR 99-101, SR 47-48, sync outs |
Film F-20193/171 |
Dan Oakrent interview, pix 516mm 350 feet Baseball CC 3000, CR 102, SR 49, sync outs, Flash-Fogged |
Film F-20193/172 |
Dan Oakrent interview, mag 516mm 300 feet Baseball CC 3000, CR 102, SR 49, sync outs, Flash-Fogged |
Film F-20193/173 |
Dan Oakrent 2nd interview, pix 1, 9 August 199116mm 575 feet Baseball DZ 0000, CR 327-328, SR 121, sync outs |
Film F-20193/174 |
Dan Oakrent 2nd interview, mag 1 10 August 199116mm 425 feet Baseball DZ 0000, CR 327-328, SR 121, sync outs |
Film F-20193/175 |
Dan Oakrent 2nd interview, pix 2 11 August 199116mm 375 feet Baseball DZ 3000, CR 329-330, SR 122, sync outs |
Film F-20193/176 |
Dan Oakrent 2nd interview, mag 2 12 August 199116mm 325 feet Baseball DZ 3000, CR 329-330, SR 122, sync outs |
Film F-20193/177 |
Dan Oakrent 2nd interview, pix 3 13 August 199116mm 525 feet Baseball DZ 6000, CR 331-332, SR 123, sync outs |
Film F-20193/178 |
Dan Oakrent 2nd interview, mag 3 14 August 199116mm 475 feet Baseball DZ 6000, CR 331-332, SR 123, sync outs |
Film F-20193/179 |
George Plimpton interview, pix 116mm 450 feet Baseball CD 0000, CR 103-104, SR 50, sync outs |
Film F-20193/180 |
George Plimpton interview, mag 116mm 375 feet Baseball CD 0000, CR 103-104, SR 50, sync outs |
Film F-20193/181 |
George Plimpton interview, pix 216mm 300 feet Baseball CD 3000, CR 105, SR 50-51, sync outs |
Film F-20193/182 |
George Plimpton interview, mag 216mm 275 feet Baseball CD 3000, CR 105, SR 50-51, sync outs |
Film F-20193/183 |
Shirley Povich interview, pix 116mm 600 feet Baseball DS 0000, CR 315-316, SR 109-110, sync outs |
Film F-20193/184 |
Shirley Povich interview, mag 116mm 525 feet Baseball DS 0000, CR 315-316, SR 109-110, sync outs |
Film F-20193/185 |
Shirley Povich interview, pix 216mm 500 feet Baseball DS 3000, CR 317-318, SR 111- 112, sync outs |
Film F-20193/186 |
Shirley Povich interview, mag 216mm 475 feet Baseball DS 3000, CR 317-318, SR 111- 112, sync outs |
Film F-20193/187 |
Shirley Povich interview, pix 316mm 275 feet Baseball DS 6000, CR 319, SR 113, sync outs |
Film F-20193/188 |
Shirley Povich interview, mag 316mm 275 feet Baseball DS 6000, CR 319, SR 113, sync outs |
Film F-20193/189 |
Mary Pratt (AAGPBL) interview, pix16mm 675 feet Baseball HG 3000, CR 199-500, SR 180-181, sync outs |
Film F-20193/190 |
Mary Pratt (AAGPBL) interview, mag16mm 600 feet Baseball HG 3000, CR 199-500, SR 180-181, sync outs |
Film F-20193/191 |
"Double Duty" Radcliffe interview, pix16mm 475 feet Baseball EA 0000, CR 333-334, SR 124, sync outs |
Film F-20193/192 |
"Double Duty" Radcliffe interview, mag16mm 450 feet Baseball EA 0000, CR 333-334, SR 124, sync outs |
Film F-20193/193 |
Jimmy Reese interview, pix16mm 550 feet Baseball CT 0000, CR 166-167, SR 76, sync outs |
Film F-20193/194 |
Jimmy Reese interview, mag16mm 525 feet Baseball CT 0000, CR 166-167, SR 76, sync outs |
Film F-20193/195 |
Bill Rigney interview, pix 116mm 675 feet Baseball CZ 0000, CR 172-173, SR 79, sync outs |
Film F-20193/196 |
Bill Rigney interview, mag 116mm 625 feet Baseball CZ 0000, CR 172-173, SR 79, sync outs |
Film F-20193/197 |
Bill Rigney interview, pix 216mm 525 feet Baseball CZ 3000, CR 174-175, SR 81, sync outs |
Film F-20193/198 |
Bill Rigney interview, mag 216mm 500 feet Baseball CZ 3000, CR 174-175, SR 81, sync outs |
Film F-20193/199 |
Mrs. Robinson interview, pix 116mm 525 feet Baseball CK 0000, CR 122-123, SR 57-58, sync outs |
Film F-20193/200 |
Mrs. Robinson interview, mag 116mm 450 feet Baseball CK 0000, CR 122-123, SR 57-58, sync outs |
Film F-20193/201 |
Mrs. Robinson interview, pix 216mm 525 feet Baseball CK 3000, 124-125, SR 58, sync outs |
Film F-20193/202 |
Mrs. Robinson interview, mag 216mm 500 feet Baseball CK 3000, 124-125, SR 58, sync outs |
Film F-20193/203 |
Mamie Ruth interview, pix16mm 600 feet Baseball AA 0000, CR 21-22, SR 15-16, sync outs |
Film F-20193/204 |
Mamie Ruth interview, mag16mm 575 feet Baseball AA 0000, CR 21-22, SR 15-16, sync outs |
Film F-20193/205 |
John Sayles interview, pix 116mm 575 feet Baseball CG 0000, CR 111-112, SR 52, sync outs |
Film F-20193/206 |
John Sayles interview, mag 116mm 525 feet Baseball CG 0000, CR 111-112, SR 52, sync outs |
Film F-20193/207 |
John Sayles interview, pix 216mm 350 feet Baseball CG 3000, CR 113, SR 52-53, sync outs |
Film F-20193/208 |
John Sayles interview, mag 216mm 300 feet Baseball CG 3000, CR 113, SR 52-53, sync outs |
Film F-20193/209 |
Vin Scully interview, pix 116mm 475 feet Baseball EJ 0000, CR 376-377, SR 134-135, sync outs |
Film F-20193/210 |
Vin Scully interview, mag 116mm 400 feet Baseball EJ 0000, CR 376-377, SR 134-135, sync outs |
Film F-20193/211 |
Vin Scully interview, pix 216mm 400 feet Baseball EJ 3000, CR 378, SR 136, sync outs |
Film F-20193/212 |
Vin Scully interview, mag 216mm 325 feet Baseball EJ 3000, CR 378, SR 136, sync outs |
Film F-20193/213 |
Manuel Marquez Sterling interview, pix 116mm 550 feet Baseball HD 0000, CR 473-474, SR 163-164, sync outs |
Film F-20193/214 |
Manuel Marquez Sterling interview, mag 116mm 475 feet Baseball HD 0000, CR 473-474, SR 163-164, sync outs |
Film F-20193/215 |
Manuel Marquez Sterling interview, pix 216mm 300 feet Baseball HD 3000, CR 475, SR 165, sync outs |
Film F-20193/216 |
Manuel Marquez Sterling interview, mag 216mm 250 feet Baseball HD 3000, CR 475, SR 165, sync outs |
Film F-20193/217 |
Gardner Stern interview, pix, 25 September 199016mm 450 feet Baseball AC 0000, CR 32-33, SR, sync outs |
Film F-20193/218 |
Gardner Stern interview, mag, 25 September 199016mm 450 feet Baseball AC 0000, CR 32-33, SR, sync outs |
Film F-20193/219 |
Riley Stewart interview, pix 116mm 600 feet Baseball ED 0000, CR 338-339, SR 127, sync outs |
Film F-20193/220 |
Riley Stewart interview, mag 116mm 525 feet Baseball ED 0000, CR 338-339, SR 127, sync outs |
Film F-20193/221 |
Riley Stewart interview, pix 216mm 150 feet Baseball ED 3000, CR 340, SR 128, sync outs |
Film F-20193/222 |
Riley Stewart interview, mag 216mm 150 feet Baseball ED 3000, CR 340, SR 128, sync outs |
Film F-20193/223 |
Clide Sukeforth interview, pix 116mm 675 feet Baseball DT 0000, CR 320-321, SR 114-115, sync outs |
Film F-20193/224 |
Clide Sukeforth interview, mag 116mm 600 feet Baseball DT 0000, CR 320-321, SR 114-115, sync outs |
Film F-20193/225 |
Clide Sukeforth interview, pix 216mm 375 feet Baseball DT 3000, CR 322, SR 116, sync outs |
Film F-20193/226 |
Clide Sukeforth interview, mag 216mm 375 feet Baseball DT 3000, CR 322, SR 116, sync outs |
Film F-20193/227 |
Birdie Tebbetts interview, pix 116mm 475 feet Baseball DB 0000, CR 180-181, SR 84, sync outs |
Film F-20193/228 |
Birdie Tebbetts interview, mag 116mm 450 feet Baseball DB 0000, CR 180-181, SR 84, sync outs |
Film F-20193/229 |
Birdie Tebbetts interview, pix 216mm 300 feet Baseball DB 3000, CR 182, SR 84, sync outs |
Film F-20193/230 |
Birdie Tebbetts interview, mag 216mm 275 feet Baseball DB 3000, CR 182, SR 84, sync outs |
Film F-20193/231 |
John Thorn interview, pix 116mm 600 feet Baseball DK 0000, CR 210 -211, SR 91-92 |
Film F-20193/232 |
John Thorn interview, mag 116mm 500 feet Baseball DK 0000, CR 210 -211, SR 91-92 |
Film F-20193/233 |
John Thorn interview, pix 216mm 275 feet Baseball DK 3000, CR 212, SR 93, sync outs |
Film F-20193/234 |
John Thorn interview, mag 216mm 200 feet Baseball DK 3000, CR 212, SR 93, sync outs |
Film F-20193/235 |
Quincy Troope interview, pix16mm 450 feet Baseball AJ 0000, CR 40-42, SR 30-31, sync outs |
Film F-20193/236 |
Quincy Troope interview, mag16mm 450 feet Baseball AJ 0000, CR 40-42, SR 30-31, sync outs |
Film F-20193/237 |
Studs Terkel interview, pix 116mm 525 feet Baseball HE 0000, CR 477-478, SR 176, sync outs |
Film F-20193/238 |
Studs Terkel interview, mag 116mm 450 feet Baseball HE 0000, CR 477-478, SR 176, sync outs |
Film F-20193/239 |
Studs Terkel interview, pix 216mm 600 feet Baseball HE 3000, CR 479-480, SR 177, sync outs |
Film F-20193/240 |
Studs Terkel interview, mag 216mm 550 feet Baseball HE 3000, CR 479-480, SR 177, sync outs |
Film F-20193/241 |
Tweed Webb interview, pix16mm 350 feet Baseball AH 0000, CR 39-40, SR 28-29, sync outs |
Film F-20193/242 |
Tweed Webb interview, mag16mm 350 feet Baseball AH 0000, CR 39-40, SR 28-29, sync outs |
Film F-20193/243 |
George Will interview, pix 116mm 475 feet Baseball CS 0000, CR 155-156, SR 71-72, sync outs |
Film F-20193/244 |
George Will interview, mag 116mm 425 feet Baseball CS 0000, CR 155-156, SR 71-72, sync outs |
Film F-20193/245 |
George Will interview, pix 216mm 350 feet Baseball CS 3000, CR 154, 157; SR 70, 73; sync outs |
Film F-20193/246 |
George Will interview, mag 216mm 300 feet Baseball CS 3000, CR 154, 157; SR 70, 73; sync outs |
Film F-20193/247 |
George Will interview, pix 316mm 525 feet Baseball CS 6000, CR 158-159, SR 74-75, sync outs |
Film F-20193/248 |
George Will interview, mag 316mm 475 feet Baseball CS 6000, CR 158-159, SR 74-75, sync outs |
Film F-20193/249 |
Ted Williams interview, pix 116mm 525 feet Baseball HH 0000, CR 545-546, SR 185, sync Dailies |
Film F-20193/250 |
Ted Williams interview, mag 116mm 450 feet Baseball HH 0000, CR 545-546, SR 185, sync Dailies |
Film F-20193/251 |
Ted Williams interview, pix 216mm 800 feet Baseball HH 3000, CR 547-548, SR 185-184; HH 6000, CR 549, SR 184; sync Dailies |
Film F-20193/252 |
Ted Williams interview, mag 216mm 725 feet Baseball HH 3000, CR 547-548, SR 185-184; HH 6000, CR 549, SR 184; sync Dailies |
Film F-20193/253 |
Doc Young interview, pix16mm 550 feet Baseball EL 0000, CR 383-384, SR 143-144, sync Dailies |
Film F-20193/254 |
Doc Young interview, mag16mm 525 feet Baseball EL 0000, CR 383-384, SR 143-144, sync Dailies |
Arrangement: Alphabetical.
Interviews that were selected for inclusion in the rough or final cut of the production. Recordings are on 16mm motion picture ("pix") and magnetic sound ("mag") elements.
Film F-20193/255 |
AAGPBL interview selects, pix16mm 275 feet Baseball HG 0000, sync |
Film F-20193/256 |
AAGPBL interview selects, mag16mm 300 feet Baseball HG 0000, sync |
Film F-20193/257 |
Hank Aaron interview selects, pix16mm 325 feet Baseball DP 0000, DP 3000, sync |
Film F-20193/258 |
Hank Aaron interview selects, mag16mm 325 feet Baseball DP 0000, DP 3000, sync |
Film F-20193/259 |
Hugh Alexander interview selects, pix16mm 75 feet Baseball DD 0000, DD 3000, sync |
Film F-20193/260 |
Hugh Alexander interview selects, mag16mm 75 feet Baseball DD 0000, DD 3000, sync |
Film F-20193/261 |
Roger Angell interview selects, pix16mm 450 feet Baseball CH 7600, CJ 0000, sync |
Film F-20193/262 |
Roger Angell interview selects, mag16mm 450 feet Baseball CH 7600, CJ 0000, sync |
Film F-20193/263 |
Arthur Ashe interview selects, pix16mm 75 feet Baseball CF 0000, sync |
Film F-20193/264 |
Arthur Ashe interview selects, mag16mm 75 feet Baseball CF 0000, sync |
Film F-20193/265 |
Red Barber interview selects, pix 116mm 425 feet Baseball BA 0000, BA 6000, sync |
Film F-20193/266 |
Red Barber interview selects, mag 116mm 400 feet Baseball BA 0000, BA 6000, sync |
Film F-20193/267 |
Red Barber interview selects, pix 216mm 225 feet Baseball BA 0000, sync, Radio Select (Out), Radio Pioneers old selects |
Film F-20193/268 |
Red Barber interview selects, mag 216mm 200 feet Baseball BA 0000, sync, Radio Select (Out), Radio Pioneers old selects |
Film F-20193/269 |
Tom Boswell interview selects, pix16mm 200 feet Baseball CN 1075, CN 4049, sync |
Film F-20193/270 |
Tom Boswell interview selects, mag16mm 250 feet Baseball CN 1075, CN 4049, sync |
Film F-20193/271 |
Bill Cash interview selects, pix16mm 125 feet Baseball EB 0000, sync |
Film F-20193/272 |
Bill Cash interview selects, mag16mm 100 feet Baseball EB 0000, sync |
Film F-20193/273 |
Happy Chandler interview selects, pix16mm 150 feet Baseball DN 0000, sync |
Film F-20193/274 |
Happy Chandler interview selects, mag16mm 125 feet Baseball DN 0000, sync |
Film F-20193/275 |
Andre Codrescu interview selects, pix16mm 275 feet Baseball DL 0000, sync |
Film F-20193/276 |
Andre Codrescu interview selects, mag16mm 275 feet Baseball DL 0000, sync |
Film F-20193/277 |
Bob Costas interview selects, pix16mm 600 feet Baseball HB 0000, sync |
Film F-20193/278 |
Bob Costas interview selects, mag16mm 575 feet Baseball HB 0000, sync |
Film F-20193/279 |
Robert Creamer Interview Selects, pix16mm 450 feet Baseball HA 0000, HA 6000, sync |
Film F-20193/280 |
Robert Creamer Interview Selects, mag16mm 425 feet Baseball HA 0000, HA 6000, sync |
Film F-20193/281 |
Billy Crystal interview selects, pix16mm 275 feet Baseball EP 0000, sync |
Film F-20193/282 |
Billy Crystal interview selects, mag16mm 275 feet Baseball EP 0000, sync |
Film F-20193/283 |
Mario Cuomo interview selects, pix16mm 200 feet Baseball DA 0000, sync |
Film F-20193/284 |
Mario Cuomo interview selects, mag16mm 200 feet Baseball DA 0000, sync |
Film F-20193/285 |
Bobby Doerr interview selects, pix16mm 125 feet Baseball BG 0000, sync |
Film F-20193/286 |
Bobby Doerr interview selects, mag16mm 125 feet Baseball BG 0000, sync |
Film F-20193/287 |
Gerald Early interview selects, pix16mm 300 feet Baseball BF 0000, BF 3000, BF 6000, sync |
Film F-20193/288 |
Gerald Early interview selects, mag16mm 250 feet Baseball BF 0000, BF 3000, BF 6000, sync |
Film F-20193/289 |
Maddie English interview selects, pix16mm 100 feet Baseball HG 6000, sync |
Film F-20193/290 |
Maddie English interview selects, mag16mm 100 feet Baseball HG 6000, sync |
Film F-20193/291 |
Chub Feeney interview selects, pix16mm 80 feet Baseball EG 0000, sync |
Film F-20193/292 |
Chub Feeney interview selects, mag16mm 80 feet Baseball EG 0000, sync |
Film F-20193/293 |
Bob Feller interview selects, pix16mm 200 feet Baseball ES 0000, ES 3000, sync |
Film F-20193/294 |
Bob Feller interview selects, mag16mm 175 feet Baseball ES 0000, ES 3000, sync |
Film F-20193/295 |
Curt Flood interview selects, pix16mm 250 feet Baseball EH 0000, sync |
Film F-20193/296 |
Curt Flood interview selects, mag16mm 250 feet Baseball EH 0000, sync |
Film F-20193/297 |
Shelby Foote interview selects, pix16mm 125 feet Baseball CA 0000, sync |
Film F-20193/298 |
Shelby Foote interview selects, mag16mm 125 feet Baseball CA 0000, sync |
Film F-20193/299 |
Milt Gaston interview selects, pix16mm 80 feet Baseball DC 0000, sync |
Film F-20193/300 |
Milt Gaston interview selects, mag16mm 75 feet Baseball DC 0000, sync |
Film F-20193/301 |
Doris Goodwin interview selects, pix16mm 130 feet Baseball CM 3000, sync |
Film F-20193/302 |
Doris Goodwin interview selects, mag16mm 125 feet Baseball CM 3000, sync |
Film F-20193/303 |
Stephen Gould interview selects, pix16mm 300 feet Baseball CL 3000, sync |
Film F-20193/304 |
Stephen Gould interview selects, mag16mm 275 feet Baseball CL 3000, sync |
Film F-20193/305 |
Donald Hall interview selects, pix16mm 375 feet Baseball BD 0000, BD 3000, BD 6000, sync |
Film F-20193/306 |
Donald Hall interview selects, mag16mm 375 feet Baseball BD 0000, BD 3000, BD 6000, sync |
Film F-20193/307 |
Sammie Haynes interview selects, pix16mm 275 feet Baseball EK 0000, sync |
Film F-20193/308 |
Sammie Haynes interview selects, mag16mm 275 feet Baseball EK 0000, sync |
Film F-20193/309 |
Billy Herman Interview Selects, pix16mm 100 feet Baseball DH 0000, sync |
Film F-20193/310 |
Billy Herman Interview Selects, mag16mm 100 feet Baseball DH 0000, sync |
Film F-20193/311 |
Chet Hoff interview selects, pix16mm 200 feet Baseball DG 0000, sync |
Film F-20193/312 |
Chet Hoff interview selects, mag16mm 200 feet Baseball DG 0000, sync |
Film F-20193/313 |
Monte Irvin interview selects, pix16mm 210 feet Baseball DE 0000, sync |
Film F-20193/314 |
Monte Irvin interview selects, mag16mm 200 feet Baseball DE 0000, sync |
Film F-20193/315 |
Connie Johnson interview, pix16mm 300 feet Baseball AK 0000, AK 3000, sync |
Film F-20193/316 |
Connie Johnson interview, mag16mm 275 feet Baseball AK 0000, AK 3000, sync |
Film F-20193/317 |
Garrison Keillor interview selects, pix16mm 225 feet Baseball BE 0000, sync |
Film F-20193/318 |
Garrison Keillor interview selects, mag16mm 225 feet Baseball BE 0000, sync |
Film F-20193/319 |
Sam Lacy interview selects, pix16mm 325 feet Baseball AB 0000, AB 3000, AB 6000, sync |
Film F-20193/320 |
Sam Lacy interview selects, mag16mm 325 feet Baseball AB 0000, AB 3000, AB 6000, sync |
Film F-20193/321 |
Bill Lee interview sleects, pix16mm 350 feet Baseball DV 3000, sync |
Film F-20193/322 |
Bill Lee interview sleects, mag16mm 325 feet Baseball DV 3000, sync |
Film F-20193/323 |
Mickey Mantle interview selects, pix16mm 225 feet Baseball BR 0000, BR 3000, sync |
Film F-20193/324 |
Mickey Mantle interview selects, mag16mm 225 feet Baseball BR 0000, BR 3000, sync |
Film F-20193/325 |
Manuel Marquez Sterling interview selects, pix16mm 75 feet Baseball HD 0000, HD 3000, sync |
Film F-20193/326 |
Manuel Marquez Sterling interview selects, mag16mm 75 feet Baseball HD 0000, HD 3000, sync |
Film F-20193/327 |
Charlie McDowell interview selects, pix16mm 100 feet Baseball CP 0000, sync |
Film F-20193/328 |
Charlie McDowell interview selects, mag16mm 100 feet Baseball CP 0000, sync |
Film F-20193/329 |
Marvin Miller interview selects, pix16mm 360 feet Baseball ET 3000, sync |
Film F-20193/330 |
Marvin Miller interview selects, mag16mm 340 feet Baseball ET 3000, sync |
Film F-20193/331 |
Miscellaneous interview selects, pix16mm 75 feet Baseball Ethan Allen, Rosey Gilhousen, Chicago fan, groundskeeper, Washington Heights Players. sync. |
Film F-20193/332 |
Miscellaneous interview selects, mag16mm 75 feet Baseball Ethan Allen, Rosey Gilhousen, Chicago fan, groundskeeper, Washington Heights Players. sync. |
Film F-20193/333 |
Miscellaneous interview selects, mag16mm 80 feet Baseball Ethan Allen, Rosey Gilhousen, Chicago Fan/groundskeeper, Washington Heights Players. sync. |
Film F-20193/334 |
Miscellaneous interview selects to Consider Placing, pix16mm 125 feet Baseball Stray Heads |
Film F-20193/335 |
Miscellaneous interview selects to Consider Placing, mag16mm 125 feet Baseball Stray Heads |
Film F-20193/336 |
Willie Morris interview selects, pix16mm 125 feet Baseball DM 0000, sync |
Film F-20193/337 |
Willie Morris interview selects, mag16mm 125 feet Baseball DM 0000, sync |
Film F-20193/338 |
Daniel Oakrent interview selects, pix 116mm 600 feet Baseball CB 0000, CB 3000, CB 6000, Roll #1, sync |
Film F-20193/339 |
Daniel Oakrent interview selects, mag 116mm 575 feet Baseball CB 0000, CB 3000, CB 6000, Roll #1, sync |
Film F-20193/340 |
Daniel Oakrent interview selects, pix 216mm 650 feet Baseball Roll #2, sync |
Film F-20193/341 |
Daniel Oakrent interview selects, mag 216mm 610 feet Baseball Roll #2, sync |
Film F-20193/342 |
George Plimtpon interview selects, pix16mm 110 feet Baseball CD 0000, CD 3000, sync |
Film F-20193/343 |
George Plimtpon interview selects, mag16mm 110 feet Baseball CD 0000, CD 3000, sync |
Film F-20193/344 |
Shirley Povich interview selects, pix16mm 400 feet Baseball DS 3000, DS 6000, sync |
Film F-20193/345 |
Shirley Povich interview selects, mag16mm 375 feet Baseball DS 3000, DS 6000, sync |
Film F-20193/346 |
Mary Pratt interview selects, pix16mm 75 feet Baseball HG 3000, sync |
Film F-20193/347 |
Mary Pratt interview selects, mag16mm 75 feet Baseball HG 3000, sync |
Film F-20193/348 |
Double Duty Radcliffe interview selects, pix16mm 175 feet Baseball EA 0000, EE 0000, sync |
Film F-20193/349 |
Double Duty Radcliffe interview selects, mag16mm 175 feet Baseball EA 0000, EE 0000, sync |
Film F-20193/350 |
Jimmy Reese interview selects, pix16mm 75 feet Baseball CT 0000, sync |
Film F-20193/351 |
Jimmy Reese interview selects, mag16mm 75 feet Baseball CT 0000, sync |
Film F-20193/352 |
Bill Rigney interview selects, pix16mm 275 feet Baseball CZ 0000, CZ 3000, sync |
Film F-20193/353 |
Bill Rigney interview selects, mag16mm 275 feet Baseball CZ 0000, CZ 3000, sync |
Film F-20193/354 |
Rachel Robinson interview selects, pix 116mm 160 feet Baseball CK 3000, sync |
Film F-20193/355 |
Rachel Robinson interview selects, mag 116mm 150 feet Baseball CK 3000, sync |
Film F-20193/356 |
Rachel Robinson interview selects, mag 216mm 75 feet Baseball CK 3000, sync |
Film F-20193/357 |
Mamie Ruth-Moberly interview selects, pix16mm 175 feet Baseball AA 0000, sync |
Film F-20193/358 |
Mamie Ruth-Moberly interview selects, mag16mm 175 feet Baseball AA 0000, sync |
Film F-20193/359 |
John Sayles interview selects, pix16mm 80 feet Baseball CG 0000, CG 3000, sync |
Film F-20193/360 |
John Sayles interview selects, mag16mm 80 feet Baseball CG 0000, CG 3000, sync |
Film F-20193/361 |
Vin Scully interview selects, pix16mm 175 feet Baseball EJ 0000, EJ 3000, sync |
Film F-20193/362 |
Vin Scully interview selects, mag16mm 175 feet Baseball EJ 0000, EJ 3000, sync |
Film F-20193/363 |
Gardner Stern interview selects, pix16mm 290 feet Baseball AC 0000, sync |
Film F-20193/364 |
Gardner Stern interview selects, mag16mm 275 feet Baseball AC 0000, sync |
Film F-20193/365 |
Riley Stewart interview selects, pix16mm 175 feet Baseball ED 0000, ED 3000, sync |
Film F-20193/366 |
Riley Stewart interview selects, mag16mm 160 feet Baseball ED 0000, ED 3000, sync |
Film F-20193/367 |
Clyde Sukeforth interview selects, pix16mm 50 feet Baseball DT 0000, DT 3000, sync |
Film F-20193/368 |
Clyde Sukeforth interview selects, mag16mm 60 feet Baseball DT 0000, DT 3000, sync |
Film F-20193/369 |
Slick Surratt interview selects, pix16mm 210 feet Baseball AK 0000, AK 3000, sync |
Film F-20193/370 |
Slick Surratt interview selects, mag16mm 200 feet Baseball AK 0000, AK 3000, sync |
Film F-20193/371 |
Birdie Tebbetts interview selects, pix16mm 130 feet Baseball DB 0000, DB 3000, sync |
Film F-20193/372 |
Birdie Tebbetts interview selects, mag16mm 125 feet Baseball DB 0000, DB 3000, sync |
Film F-20193/373 |
Studs Terkel interview selects, pix16mm 190 feet Baseball HE 0000, HE 3000, sync |
Film F-20193/374 |
Studs Terkel interview selects, mag16mm 175 feet Baseball HE 0000, HE 3000, sync |
Film F-20193/375 |
John Thorn interview selects, pix 116mm 150 feet Baseball DK 0000, DK 3000, sync |
Film F-20193/376 |
John Thorn interview selects, mag 116mm 150 feet Baseball DK 0000, DK 3000, sync |
Film F-20193/377 |
John Thorn interview selects, mag 216mm 100 feet Baseball DK 0000, DK 3000, sync |
Film F-20193/378 |
Quincy Troupe interview selects, pix16mm 375 feet Baseball AJ 0000, sync |
Film F-20193/379 |
Quincy Troupe interview selects, mag16mm 375 feet Baseball AJ 0000, sync |
Film F-20193/380 |
Tweed Webb Interview, pix16mm 225 feet Baseball AH 0000, sync |
Film F-20193/381 |
Tweed Webb Interview, mag16mm 225 feet Baseball AH 0000, sync |
Film F-20193/382 |
George Will interview selects, pix16mm 325 feet Baseball CS 0000, CS 3000, CS 3516, CS 6000, sync |
Film F-20193/383 |
George Will interview selects, mag16mm 325 feet Baseball CS 0000, CS 3000, CS 3516, CS 6000, sync |
Film F-20193/384 |
Ted Williams interview selects, pix16mm 330 feet Baseball HH 0000, sync |
Film F-20193/385 |
Ted Williams interview selects, mag16mm 320 feet Baseball HH 0000, sync |
Arrangement: Alphabetical.
Film segments that were organized by Ken Burns to represent themes present in the final production. Examples of themes are cheating, failure/losing, and scouting. Recordings are on 16mm motion picture ("pix") and magnetic sound ("mag") elements.
Film F-20193/653 |
Anticipation, intervals of the game, time, mag16mm 110 feet Baseball, Interview Themes |
Film F-20193/654 |
Anticipation, intervals of the game, time, pix16mm 120 feet Baseball, Interview Themes |
Film F-20193/655 |
Baseball and literature, mag16mm 35 feet Baseball, Interview Themes |
Film F-20193/656 |
Baseball and literature, pix16mm 35 feet Baseball, Interview Themes |
Film F-20193/657 |
Baseball as a constant, mag16mm 80 feet Baseball, Interview Themes |
Film F-20193/658 |
Baseball as a constant, pix16mm 75 feet Baseball, Interview Themes |
Film F-20193/659 |
Baseball in Japan, Cuba, small towns, mag16mm 125 feet Baseball, Interview Themes |
Film F-20193/660 |
Baseball in Japan, Cuba, small towns, pix16mm 125 feet Baseball, Interview Themes |
Film F-20193/661 |
Baseball vs. Football, mag16mm 10 feet Baseball, Interview Themes |
Film F-20193/662 |
Baseball vs. Football, pix16mm 10 feet Baseball, Interview Themes |
Film F-20193/663 |
Baseball vs. everyday life, mag16mm 50 feet Baseball, Interview Themes |
Film F-20193/664 |
Baseball vs. everyday life, pix16mm 50 feet Baseball, Interview Themes |
Film F-20193/665 |
Casey at the Bat, mag16mm 485 feet Baseball, sync, Themes Selects; Costas, Hall, McDowell, Morris, Oakrent, Plimpton |
Film F-20193/666 |
Catching, stealing, fielding, mag16mm 240 feet Baseball, Interview Themes |
Film F-20193/667 |
Catching, stealing, fielding, pix16mm 240 feet Baseball, Interview Themes |
Film F-20193/668 |
Cheating, mag16mm 110 feet Baseball, Interview Themes |
Film F-20193/669 |
Cheating, pix16mm 110 feet Baseball, Interview Themes |
Film F-20193/670 |
Democracy and baseball, mag16mm 80 feet Baseball, Interview Themes |
Film F-20193/671 |
Democracy and baseball, pix16mm 80 feet Baseball, Interview Themes |
Film F-20193/672 |
Experiencing the game, mag16mm 25 feet Baseball, Interview Themes |
Film F-20193/673 |
Experiencing the game, pix16mm 25 feet Baseball, Interview Themes |
Film F-20193/674 |
Failure vs. losing, mag16mm 60 feet Baseball, Interview Themes |
Film F-20193/675 |
Failure vs. losing, pix16mm 60 feet Baseball, Interview Themes |
Film F-20193/676 |
Fairness, mag16mm 20 feet Baseball, Interview Themes |
Film F-20193/677 |
Fairness, pix16mm 20 feet Baseball, Interview Themes |
Film F-20193/678 |
Fenway Park, mag16mm 20 feet Baseball, Interview Themes |
Film F-20193/679 |
Fenway Park, pix16mm 20 feet Baseball, Interview Themes |
Film F-20193/680 |
Greatest hits selects, mag16mm 225 feet Baseball, Interview Themes |
Film F-20193/681 |
Greatest hits selects, pix16mm 225 feet Baseball, Interview Themes |
Film F-20193/682 |
House of David, mag16mm 20 feet Baseball, Interview Themes |
Film F-20193/683 |
House of David, pix16mm 20 feet Baseball, Interview Themes |
Film F-20193/684 |
Lefty Gomez, mag16mm 70 feet Baseball, Interview Themes |
Film F-20193/685 |
Lefty Gomez, pix16mm 75 feet Baseball, Interview Themes |
Film F-20193/686 |
Minor League Baseball, mag16mm 30 feet Baseball, Interview Themes |
Film F-20193/687 |
Minor League Baseball, pix16mm 30 feet Baseball, Interview Themes |
Film F-20193/688 |
Pitching, mag16mm 260 feet Baseball, Interview Themes |
Film F-20193/689 |
Pitching, pix16mm 275 feet Baseball, Interview Themes |
Film F-20193/690 |
Scouting, mag16mm 180 feet Baseball, Interview Themes |
Film F-20193/691 |
Scouting, pix16mm 200 feet Baseball, Interview Themes |
Film F-20193/692 |
Special Jackie Robinson roll, mag 116mm 325 feet Baseball, Interview Themes |
Film F-20193/693 |
Special Jackie Robinson roll, mag 216mm 50 feet Baseball, Interview Themes |
Film F-20193/694 |
Special Jackie Robinson roll, pix16mm 325 feet Baseball, Interview Themes |
Film F-20193/695 |
Statistics, mag16mm 50 feet Baseball, Interview Themes |
Film F-20193/696 |
Statistics, pix16mm 50 feet Baseball, Interview Themes |
Film F-20193/697 |
Superstition, mag16mm 25 feet Baseball, Interview Themes |
Film F-20193/698 |
Superstition, pix16mm 25 feet Baseball, Interview Themes |
Film F-20193/699 |
Take Me Out to the Ball Game, mag16mm 300 feet Baseball, Interview Themes, sync, Selects; Crystal, Gilhousen, Hoff, Keillor, Morris, Plimpton, Rigney, Sterling, Terkel |
Film F-20193/700 |
Winter, pix16mm 80 feet Baseball, Interview Themes, #1 Narrative Tone Loop, #2 Narrative Tone Loop, #3 Bash Crowd, #4 Roger, #5 Mildred Small, #6 Jessie R.T., #7 Earl R.T., #8 Henry Adam |
Film F-20193/736 |
Hitting, pix16mm 215 feet Baseball, Interview Themes, Selects |
Film F-20193/737 |
Hitting, mag16mm 200 feet Baseball, Interview Themes, Selects |
Arrangement: Alphabetical.
B-roll consists of original live footage shot in a cinema verite style with or without soundtrack (referred to by the production team as "sync verite") and original live footage filmed without a soundtrack (referred to by the production team as "MOS"). The majority of the B-roll footage documents major and minor league ballparks across the United States. Recordings are on 16mm motion picture ("pix") and magnetic sound ("mag") elements.
Film F-20193/386 |
Flip Book, Indians and Pirates spring, pix 116mm 175 feet Baseball SA 0000, SA 3000, SR 78/84, CR 169/183, sync verite |
Film F-20193/387 |
Flip Book, Indians and Pirates spring, pix 216mm 75 feet Baseball SA 0000, SA 3000, SR 78/84, CR 169/183, sync verite |
Film F-20193/388 |
Flip Book, Indians and Pirates spring, mag 116mm 175 feet Baseball SA 0000, SA 3000, SR 78/84, CR 169/183, sync verite |
Film F-20193/389 |
Flip Book, Indians and Pirates spring, mag 216mm 75 feet Baseball SA 0000, SA 3000, SR 78/84, CR 169/183, sync verite |
Film F-20193/390 |
Washington Heights game 1, pix, 10 May 199116mm 800 feet Baseball SB 0000, CR 270-271, SR 101-102, sync verite |
Film F-20193/391 |
Washington Heights game 1, mag, 11 May 199116mm 700 feet Baseball SB 0000, CR 270-271, SR 101-102, sync verite |
Film F-20193/392 |
Washington Heights game 2, pix, 12 May 199116mm 375 feet Baseball SB 3000, CR 272, SR 103, sync verite |
Film F-20193/393 |
Washington Heights game 2, mag, 13 May 199116mm 300 feet Baseball SB 3000, CR 272, SR 103, sync verite |
Film F-20193/394 |
Washington Heights players interviews, pix16mm 375 feet Baseball SB 6000, CR 272-273, SR 104, sync verite |
Film F-20193/395 |
Washington Heights players interviews, mag16mm 350 feet Baseball SB 6000, CR 272-273, SR 104, sync verite |
Film F-20193/396 |
Cooperstown game, pix16mm 100 feet Baseball SC 0000, CR 337.1, SR 125, sync verite |
Film F-20193/397 |
Cooperstown game, mag16mm 40 feet Baseball SC 0000, CR 337.1, SR 125, sync verite |
Film F-20193/398 |
Dodger radio announcer, pix16mm 80 feet Baseball SC 3000, CR 379, SR 139, sync verite |
Film F-20193/399 |
Dodger radio announcer, mag16mm 75 feet Baseball SC 3000, CR 379, SR 139, sync verite |
Film F-20193/400 |
Mickey Mantle, card show, pix16mm 800 feet Baseball SC 6000, CR 722-723, sync verite |
Film F-20193/401 |
Mickey Mantle, card show, mag16mm 800 feet Baseball SC 6000, CR 722-723, sync verite |
Film F-20193/532 |
Actionmaster, pix 116mm 825 feet Baseball, 10, JJGG 0000, Actionmaster I and II, MOS |
Film F-20193/533 |
Actionmaster, pix 216mm 275 feet Baseball, 10, JJGG 3000, Actionmaster III, MOS |
Film F-20193/534 |
Actionmaster N.B. Red Sox II, slo-mo redo, pix 116mm 575 feet Baseball, 15, LJ 0000, CR 347-349, outs MOS |
Film F-20193/535 |
Actionmaster N.B. Red Sox II, slo-mo redo, pix 216mm 600 feet Baseball, 15, LJ 3000, CR 350-351, outs MOS |
Film F-20193/536 |
Actionmaster N.B. Red Sox II, slo-mo redo, pix 316mm 550 feet Baseball, 16, LJ 6000, CR 352-353, outs MOS |
Film F-20193/537 |
Actionmaster N.B. Red Sox II, slo-mo redo, pix 416mm 425 feet Baseball, 16, LK 0000, 354-355, outs MOS |
Film F-20193/538 |
Aerials, pix 116mm 650 feet Baseball, 15, LF 3200-3969, LS 3000-7000, Reel #10, MOS |
Film F-20193/539 |
Aerials, pix 216mm 800 feet Baseball, 15, LF 3200-3969, LS 3000-7000, Reel #15, Aerials #1 and #2, MOS |
Film F-20193/540 |
Atlanta stadium, old Comiskey Park demolition, pix 116mm 425 feet Baseball, 14, LH 3000, CR 311-312, Atlanta Stadium, outs MOS |
Film F-20193/541 |
Atlanta stadium, old Comiskey Park demolition, pix 216mm 525 feet Baseball, 14, LH 6000, CR 313-314, Old Comiskey Park Demolition, outs MOS |
Film F-20193/542 |
Atlanta, Memorial, Tiger Stadium, pix 116mm 375 feet Baseball, 3, JJBB 0000, Atlanta, Memorial, Tiger Stadiums, MOS |
Film F-20193/543 |
Atlanta, Memorial, Tiger Stadium, pix 216mm 200 feet Baseball, 4, JJBB 5000, Tiger Stadium, MOS |
Film F-20193/544 |
Bat Factory, pix 116mm 650 feet Baseball, 17, LD 0000, MOS |
Film F-20193/545 |
Bat Factory, pix 216mm 500 feet Baseball, 17, LD 3000, MOS |
Film F-20193/546 |
Bob Feller holding baseball, Rawling factory, pix 116mm 40 feet Baseball, 18, LK 9000, MOS |
Film F-20193/547 |
Bob Feller holding baseball, Rawling factory, pix 216mm 325 feet Baseball, 18, LL 0000, CR 436-436, MOS |
Film F-20193/548 |
Boston Area aerials, pix, 28 July 199216mm 350 feet Baseball, 25, LS 3000, CR 590-592, Boston Area Ballfields, Fenway Aerials #3, outs MOS |
Film F-20193/549 |
Camden Yards 2, Fenway Park, pix 1, September 199216mm 200 feet Baseball, 28, LT 6000, Camden Yards #2, outs MOS |
Film F-20193/550 |
Camden Yards 2, Fenway Park, pix 216mm 230 feet Baseball, 28, LV 0000, Fenway Park, outs MOS |
Film F-20193/551 |
Comiskey Park (Night Games Empty; Demolition), pix 116mm 425 feet Baseball, 5, JJCC 0000, Comiskey Park: Games and Empty, MOS |
Film F-20193/552 |
Comiskey Park (Night Games Empty; Demolition), pix 216mm 225 feet Baseball, 6, JJCC 5000, Comiskey Park: Demolition, MOS |
Film F-20193/553 |
Comiskey Park, pix 116mm 450 feet Baseball, 1, LA 0000, CR 30-31, outs, MOS |
Film F-20193/554 |
Comiskey Park, pix 216mm 450 feet Baseball, 1, LA 3000, CR 35-38, outs, MOS |
Film F-20193/555 |
Dodger Fenway, pix 1, September 199116mm 210 feet Baseball, 17, LL 3000, CR 365-379, outs MOS |
Film F-20193/556 |
Dodger Fenway, pix 2, September 199116mm 30 feet Baseball, 17, LL 6000, CR 389-391, outs MOS |
Film F-20193/557 |
Dodger Stadium, Camden Yards, Fenway Park, pix 116mm 525 feet Baseball, 1, JJAA 0000, Dodger Stadium, Camden Yards, MOS |
Film F-20193/558 |
Dodger Stadium, Camden Yards, Fenway Park, pix 216mm 325 feet Baseball, 2, JJAA 5000, Fenway Park, MOS |
Film F-20193/559 |
Doubleday Field, game, aerials, Boston, Mass., pix 116mm 130 feet Baseball, 10, LF 0000, CR 279-286, outs MOS |
Film F-20193/560 |
Doubleday Field, game, aerials, Boston, Mass., pix 216mm 190 feet Baseball, 10, LF 3000, CR 303, outs MOS |
Film F-20193/561 |
Durham, N.C., Asheville, N.C., game park, pix 116mm 375 feet Baseball, 11, LF 6000, CR 303.1-304, Durham, NC Game/Park, outs MOS |
Film F-20193/562 |
Durham, N.C., Asheville, N.C., game park, pix 216mm 500 feet Baseball, 11, LG 6000, CR 305-306, Durham, NC/Asheville, NC, outs MOS |
Film F-20193/563 |
El Paso Ballparks; Indian Reservation Little League; Albuquerque, N.M. ballpark, pix 116mm 510 feet Baseball, 21, LP 0000, CR 564-566, El Paso Ballparks, Little League on Indian Reservation, outs MOS |
Film F-20193/564 |
El Paso Ballparks; Indian Reservation Little League; Albuquerque, N.M. ballpark, pix 216mm 325 feet Baseball, 21, LP 3000, CR 567.1, Albuquerque Ballpark, outs, MOS |
Film F-20193/565 |
Expos vs. Braves, Memorial Stadium, pix 116mm 650 feet Baseball, 6, LC 0000, CR 201-202, outs MOS |
Film F-20193/566 |
Expos vs. Braves, Memorial Stadium, pix 216mm 250 feet Baseball, 6, LC 3000, CR 228-229, outs MOS |
Film F-20193/567 |
Field at dusk, sweeping, Giants spring, Giants, Pirates spring, Pirates spring empty field, pix16mm 600 feet Baseball, 3, LB 0000, CR 171 Field at Dusk, sweeping, Giants Spring; CR 176 Giants Spring; CR 180 Pirates spring; CR 183 Pirates spring, empty field; outs MOS |
Film F-20193/568 |
Field dusk, baseballs, snow footage, sweeping, Angels Spring, field night, Indian Spring, Indians Pixilation, pix16mm 500 feet Baseball, 2, LA 6000, CR 79 Field Dusk; CR 82 Baseballs; CR 85 Snow footage; CR 167 Live Sweeping, Angels Spring; CR 168 Field Night; CR 169 Field at Night, Indians Spring; CR 170 Indians pixilation; outs, MOS |
Film F-20193/569 |
Field pix day to night, St. Lucie Mets, Field Expos vs. Braves, pix16mm 550 feet Baseball, 5, LB 6000, CR 197 Field Pix, Day to Night; CR 199 St. Lucie Mets Pix; CR 200 Field, Expos v. Braves; outs MOS |
Film F-20193/570 |
Iowa ballparks (Davenport, Westphalia), pix 116mm 650 feet Baseball, 23, LR 3000, CR 576.1-578.1, Davenport, Iowa Ballpark, outs MOS |
Film F-20193/571 |
Iowa ballparks (Davenport, Westphalia), pix 216mm 200 feet Baseball, 23, LR 6000, CR 572.1-575.1, Westphalia, Iowa Ballpark, outs MOS |
Film F-20193/572 |
Iowa ballparks (miscellaneous), pix16mm 425 feet Baseball, 24, LS 0000, CR 573.1-576.1, outs MOS |
Film F-20193/573 |
Minor League Parks: empty, rain, pix16mm 700 feet Baseball, 7, JJDD 0000, Minor League Parks (Empty, Rain), MOS |
Film F-20193/574 |
Minor League Parks: games, players, pix 116mm 675 feet Baseball, 8, JJEE 0000, Minor League Parks Games, MOS |
Film F-20193/575 |
Minor League Parks: games, players, pix 216mm 500 feet Baseball, 9, JJFF 0000, Players, MOS |
Film F-20193/576 |
Miscellaneous objects and locations, pix 116mm 775 feet Baseball, 11, JJHH 0000, MOS |
Film F-20193/577 |
Miscellaneous objects and locations, pix 216mm 525 feet Baseball, 11, JJHH 2055, MOS |
Film F-20193/578 |
N.B. Red Sox, High Speed, Slo-mo, pix 116mm 775 feet Baseball, 12, LG 0000, LG 3000, outs MOS |
Film F-20193/579 |
N.B. Red Sox, High Speed, Slo-mo, pix 216mm 625 feet Baseball, 12, LG 0000, LG 3000, outs MOS |
Film F-20193/580 |
Oklahoma City 89ers, Tulsa Drillers, Wichita Wranglers, Nebraska Ballparks, pix 116mm 600 feet Baseball, 22, LP 6000, CR 568.1-570.1, Oklahoma 89ers, outs MOS |
Film F-20193/581 |
Oklahoma City 89ers, Tulsa Drillers, Wichita Wranglers, Nebraska Ballparks, pix 216mm 625 feet Baseball, 22, LR 0000, CR 571.1-572.1, Wichita Wranglers, Nebraska Ballparks, outs MOS |
Film F-20193/582 |
Phillies Oil Tanks, Elysian Fields, Greenwood Cemetery, Ebbets Field; Hoboken, Camden Yards, pix 116mm 350 feet Baseball, 19, LL 6000, Hoboken/Camden Yards, outs MOS |
Film F-20193/583 |
Phillies Oil Tanks, Elysian Fields, Greenwood Cemetery, Ebbets Field; Hoboken, Camden Yards, pix 216mm 350 feet Baseball, 19, LM 0000, Philli Oil Tanks, Elysian Fields, Greenwood Cemetery, Ebbets Field, outs MOS |
Film F-20193/584 |
Phillies inter-squad game, Phillies, little kids, field at Dusk, pix16mm 400 feet Baseball, 4, LB 3000, CR 190 Stills, Phillies Inter Squad Game; CR 191 Phillies Inter Squad, Little Kids, Field at Dusk; outs MOS |
Film F-20193/585 |
Pixilation, pix 116mm 625 feet Baseball, 16, LA, LB, LC, LL, LK, LM, Some code #'s, pixilation, MOS |
Film F-20193/586 |
Pixilation, pix 216mm 275 feet Baseball, 16, LT 3000, CR 596-600, Reel 15, Tiger Stadium, Color, MOS |
Film F-20193/587 |
Small urban, rural parks, kids, pix 116mm 140 feet Baseball, 13, JJKK 0000, MOS |
Film F-20193/588 |
Small urban, rural parks, kids, pix 216mm 700 feet Baseball, 14, JJKK 50000, Small Urban/Rural Parks, MOS |
Film F-20193/589 |
Small urban, rural parks, kids, pix 316mm 90 feet Baseball, 13-14, outs-Kids' Stuff |
Film F-20193/590 |
Snowy field, pix16mm 300 feet Baseball, 20, JJJJ 0000, Roll 20, MOS |
Film F-20193/591 |
Spartansburg, Phillies Park, pix16mm 175 feet Baseball, 13, LH 0000, outs MOS |
Film F-20193/592 |
Sunsets, moons, fireworks, pix16mm 325 feet Baseball, 12, JJHH 5000, MOS |
Film F-20193/593 |
Tiger Stadium, pix 116mm 550 feet Baseball, 27, LT 0000, outs MOS |
Film F-20193/594 |
Tiger Stadium, pix 216mm 125 feet Baseball, 27, LT 3000, outs MOS |
Film F-20193/595 |
Walpole Girls' League; Townball in Cooperstown, pix 116mm 375 feet Baseball, 18, LM 3000, Walpole Girls' League, MOS |
Film F-20193/596 |
Walpole Girls' League; Townball in Cooperstown, pix 216mm 600 feet Baseball, 19, LM 6000, Townball in Cooperstown, MOS |
Film F-20193/597 |
Washington Heights Game, pix, 10 May 199116mm 150 feet Baseball, 9, LD 6000, CR 270-272 |
Film F-20193/598 |
Yankees Pix, pix16mm 50 feet Baseball, 7, LC 6000, 249-250, outs MOS |
Arrangement: Alphabetical.
Narration by John Chancellor, scratch narration by Ken Burns, and voice segments (referred to the production team as "voices") of famous personalities reading historical quotes. Also included are narration audition tapes by Richard Dysart, Kevin McCarthy, Michael Ontkean, Dick Schaap, David Strathairn, and others, as well as two recordings of singing and instrumentals. Recordings are on 16mm magnetic sound elements, 1/4" open reel audio, digital audio tape (DAT), and audiocassette.
Film F-20193/402 |
John Chancellor Narration 1, mag16mm 950 feet Baseball, YA 0000-2999, S-1, Inning 1, DAT 1, Part 1 |
Film F-20193/403 |
John Chancellor Narration 2, mag16mm 925 feet Baseball, YA 3000-5999, S-1, Inning 1, DAT 1, Part 2 |
Film F-20193/404 |
John Chancellor Narration 3, mag16mm 1000 feet Baseball, YA 6000-9000, S-1, Inning 1, DAT 1, Part 3 |
Film F-20193/405 |
John Chancellor Narration 4, mag16mm 1000 feet Baseball, YA 0000-2999, S-1, Inning 1, DAT 2, Part 4, Miscode, (Post-it note: N 105.2 YA 2675 TK 1 Red line session) |
Film F-20193/406 |
John Chancellor Narration 5, mag16mm 525 feet Baseball, YA 3000-4699, S-1, Inning 1, DAT 2, Part 5, DAT #3, Part 1, Miscode |
Film F-20193/407 |
John Chancellor Narration 6, mag16mm 450 feet Baseball, YA 4700-5999, S-1, Inning 2, DAT 4, Part 1, Miscode |
Film F-20193/408 |
John Chancellor Narration 7, mag16mm 1025 feet Baseball, YA 6000-8999, S-1, Inning 2, DAT 4, Part 2, Miscode |
Film F-20193/409 |
John Chancellor Narration 8, mag16mm 1025 feet Baseball, YB 0000-2999, S-1, Inning 1, DAT 2, Part 1, DAT 1, Part 4 |
Film F-20193/410 |
John Chancellor Narration 9, mag16mm 1025 feet Baseball, YB 3000-5999, S-1, Inning 1, DAT 2, Part 2 |
Film F-20193/411 |
John Chancellor Narration 10, mag16mm 1000 feet Baseball, YB 6000-9000, S-1, Inning 1, DAT 2, Part 3 |
Film F-20193/412 |
John Chancellor Narration 11, mag16mm 960 feet Baseball, YD 0000-2999, S-1, Inning 2, DAT 4, Part 3 |
Film F-20193/413 |
John Chancellor Narration 12, mag16mm 1025 feet Baseball, YD 3000-5999, S-1, Inning 2, DAT 4, Part 4 |
Film F-20193/414 |
John Chancellor Narration 13, mag16mm 930 feet Baseball, YD 6000-8999, S-1, Inning 2, DAT 4, Part 5, DAT 5, Part 1 |
Film F-20193/415 |
John Chancellor Narration 14, mag16mm 900 feet Baseball, YF 0000-2945, S-1, Inning 2, DAT 5, Part 2 |
Film F-20193/416 |
John Chancellor Narration 15, mag16mm 625 feet Baseball, YF 2950-4999, S-1, Inning 2, DAT 5, Part 3 |
Film F-20193/417 |
John Chancellor Narration 16, mag16mm 325 feet Baseball, YF 4850-5940, S-1, Inning 3, DAT 6, Part 1 |
Film F-20193/418 |
John Chancellor Narration 17, mag16mm 975 feet Baseball, YF 5950-8999, S-1, Inning 3, DAT 6, Part 2 |
Film F-20193/419 |
John Chancellor Narration 18, mag16mm 975 feet Baseball, YG 0045-2999, S-1, Inning 3, DAT 6, Part 3 |
Film F-20193/420 |
John Chancellor Narration 19, mag16mm 1075 feet Baseball, YG 3000-5999, S-1, Inning 3, DAT 6, Part 4 |
Film F-20193/421 |
John Chancellor Narration 20, mag16mm 1000 feet Baseball, YG 6000, S-1, Inning 3, DAT 7, Part 1 |
Film F-20193/422 |
John Chancellor Narration 21, mag16mm 850 feet Baseball, YH 0000-2999, S-1, Inning 3, DAT 7, Part 2 |
Film F-20193/423 |
John Chancellor Narration 22, mag16mm 900 feet Baseball, YH 3000-5999, S-1, Inning 3, DAT 7, Part 3 |
Film F-20193/424 |
John Chancellor Narration 23, mag16mm 140 feet Baseball, YH 6000-6415, S-1, Inning 3 end, DAT 7, Part 4 |
Film F-20193/425 |
John Chancellor Narration 24, mag16mm 310 feet Baseball, YH 6416-7473, S-1, Inning 3 pickups, Inning 8 maps, DAT 7, Part 4 cont. |
Film F-20193/426 |
John Chancellor Narration 25, mag16mm 530 feet Baseball, YH 7480, Inning 4, S-2, DAT 8, Part 2 |
Film F-20193/427 |
John Chancellor Narration 26, mag16mm 1150 feet Baseball, YJ 0060-2999, Inning 4, S-2, DAT 8, Part 1 |
Film F-20193/428 |
John Chancellor Narration 27, mag16mm 1100 feet Baseball, YJ 3000-5999, Inning 4, S-2, DAT 8, Part 3 |
Film F-20193/429 |
John Chancellor Narration 28, mag16mm 1050 feet Baseball, YJ 6000, Inning 4, S-2, DAT 8 part 4 |
Film F-20193/430 |
John Chancellor Narration 29, mag16mm 950 feet Baseball, YK 0000, Inning 4, S-2, DAT 8, Part 5, DAT 9, Part 1 |
Film F-20193/431 |
John Chancellor Narration 30, mag16mm 1100 feet Baseball, YK 3000, Inning 4, S-2, DAT 9, Part 2 |
Film F-20193/432 |
John Chancellor Narration 31, mag16mm 440 feet Baseball, YK 6000-7399, Inning 4, S-2, DAT 9, Part 4, Part 5 |
Film F-20193/433 |
John Chancellor Narration 32, mag16mm 430 feet Baseball, YK 7400, Inning 4, Pickups, S-2, DAT 9, part 5 cont. |
Film F-20193/434 |
John Chancellor Narration 33, mag16mm 950 feet Baseball, YL 0000, Inning 4, S-2, DAT 9 part 3 |
Film F-20193/435 |
John Chancellor Narration 34, mag16mm 475 feet Baseball, YL 3000-4499, Inning 4 pickups cont., S-2, DAT 10, Part 1 |
Film F-20193/436 |
John Chancellor Narration 35, mag16mm 410 feet Baseball, YL 4500, Inning 5, S-2, DAT 10, Part 1 cont. |
Film F-20193/437 |
John Chancellor Narration 36, mag16mm 910 feet Baseball, YL 6000, Inning 5, S-2, DAT 10 part 2 |
Film F-20193/438 |
John Chancellor Narration 37, mag16mm 925 feet Baseball, YM 0000, Inning 5, S-2, DAT 10, part 3 |
Film F-20193/439 |
John Chancellor Narration 38, mag16mm 925 feet Baseball, YM 3000, Inning 5, S-2, DAT 10, part 4, DAT 11, part 1 |
Film F-20193/440 |
John Chancellor Narration 39, mag16mm 925 feet Baseball, YM 6000, Inning 5, S-2, DAT 11 part 2 |
Film F-20193/441 |
John Chancellor Narration 40, mag16mm 210 feet Baseball, YO 8380, Inning 6 pickups, VIII-40 Map, S-2, DAT 14 cont. |
Film F-20193/442 |
John Chancellor Narration 41, mag16mm 125 feet Baseball, YK 8600, VIII-5.1 Map, S-2, DAT 14 cont. |
Film F-20193/443 |
John Chancellor Narration 42, mag16mm 1025 feet Baseball, YN 0000, Inning 5, S-2, DAT 11, Part 3 |
Film F-20193/444 |
John Chancellor Narration 43, mag16mm 925 feet Baseball, YN 3000, Inning 5, Session 2, DAT 11, Part 4 |
Film F-20193/445 |
John Chancellor Narration 44, mag16mm 1025 feet Baseball, YN 6000, Inning 6, Session 2, DAT 12, Part 3 |
Film F-20193/446 |
John Chancellor Narration 45, mag16mm 1050 feet Baseball, YO 0000, Inning 5, DAT 11, Part 5, Inning 6, DAT 12, Part 1 |
Film F-20193/447 |
John Chancellor Narration 46, mag16mm 1030 feet Baseball, YO 3000, Inning 6, Session 2, DAT 12, part 2 |
Film F-20193/448 |
John Chancellor Narration 47, mag16mm 800 feet Baseball, YO 6000, Inning 6, Session 2, DAT 12, Part 4 |
Film F-20193/449 |
John Chancellor Narration 48, mag16mm 1000 feet Baseball, YP 0000, Inning 6, Session 2, DAT 13, part 1 |
Film F-20193/450 |
John Chancellor Narration 49, mag16mm 975 feet Baseball, YP 3000, Inning 6, Session 2, DAT 13, part 2 |
Film F-20193/451 |
John Chancellor Narration 50, mag16mm 950 feet Baseball, YP 6000, Inning 6, Session 2, DAT 13, part 3 |
Film F-20193/452 |
John Chancellor Narration 51, mag16mm 1025 feet Baseball, YQ 0000, Inning 6, Session 2, DAT 13, part 4 |
Film F-20193/453 |
John Chancellor Narration 52, mag16mm 950 feet Baseball, YQ 3000, Inning 6 end, Session 2, DAT 14 |
Film F-20193/454 |
John Chancellor Narration 53, mag16mm 975 feet Baseball, YQ 6000, Inning 7, Session 3, DAT 15, part 1 |
Film F-20193/455 |
John Chancellor Narration 54, mag16mm 930 feet Baseball, YR 0000, Inning 7, Session 3, DAT 15, part 2 |
Film F-20193/456 |
John Chancellor Narration 55, mag16mm 950 feet Baseball, YR 3000, Inning 7, Session 3, DAT 15, part 3 |
Film F-20193/457 |
John Chancellor Narration 56, mag16mm 980 feet Baseball, YR 6000, Inning 7, Session 3, DAT 16, part 1 |
Film F-20193/458 |
John Chancellor Narration 57, mag, 28 September 199316mm 1050 feet Baseball, YS 0000, Inning 7, Session 3, DAT 16, part 2, programs 11-38 |
Film F-20193/459 |
John Chancellor Narration 58, mag, 28 September 199316mm 1025 feet Baseball, YS 3000, Inning 7, Session 3, DAT 16, part 3, programs 38 (cont.)-68 |
Film F-20193/460 |
John Chancellor Narration 59, mag, 28-29 September 199316mm 1050 feet Baseball, YS 6000, Inning 2 redos (Inning 7 end YS 8250), Session 3, DAT 17 part 1, programs 69-88 (DAT 16), programs 1-(DAT 17) |
Film F-20193/461 |
John Chancellor Narration 60, mag, 29 September 199316mm 1025 feet Baseball, YT 0000, Inning 2 redos, Session 3, DAT 17, part 2, programs 10 (cont.)-38 |
Film F-20193/462 |
John Chancellor Narration 61, mag, 29 September 199316mm 1000 feet Baseball, YT 3000, Inning 3 redos (Inning 2 redos through YT 3420), Session 3, DAT 17, part 3, programs 38 (cont.)-64 |
Film F-20193/463 |
John Chancellor Narration 62, mag, 29 September 199316mm 1060 feet Baseball, YT 6000, Inning 4 redos, Session 3, DAT 17, part 4, programs 65-93 |
Film F-20193/464 |
John Chancellor Narration 63, mag, 29 September 199316mm 1030 feet Baseball, YU 0000, Inning 4 redos, Session 3, DAT 17, part 5, DAT 18, part 1, programs 93-96 (DAT 17), programs 1-28 (DAT 18) |
Film F-20193/465 |
John Chancellor Narration 64, mag, 29 September 199316mm 980 feet Baseball, YU 3000, Inning 4 redos through 3460, Inning 5 redos, Session 3, DAT 18, part 2, programs 29-53 (DAT 18) |
Film F-20193/466 |
John Chancellor Narration 65, mag16mm 1025 feet Baseball, YU 6000, Inning 6 fix, Inning 5 redos, (redos finish) Inning 8 begin, Session 3, DAT 18, part 3, DAT 19, part 1 |
Film F-20193/467 |
John Chancellor Narration 66, mag16mm 950 feet Baseball, YW 0000, Inning 8, Session 3, DAT 19, Part 1, Part 2 cont. |
Film F-20193/468 |
John Chancellor Narration 67, mag16mm 910 feet Baseball, YW 6000, Inning 8, Session 3, DAT 19, part 3 |
Film F-20193/469 |
John Chancellor Narration 68, mag16mm 900 feet Baseball, YX 0000, Inning 8, Session 3, DAT 19, part 4, DAT 20, part 1 |
Film F-20193/470 |
John Chancellor Narration 69, mag16mm 990 feet Baseball, YX 3000, Inning 8, Session 3, DAT 20, part 2 |
Film F-20193/471 |
John Chancellor Narration 70, mag16mm 530 feet Baseball, YX 6000, Inning 8, Session 3, DAT 20, part 3 |
Film F-20193/472 |
John Chancellor Narration 71, mag, 18 October 199316mm 1025 feet Baseball, YY 0000, Inning 8 pickups, Inning 8 cont. w/ YAZ, V-59 pu for Yaffa, Session 4, DAT 21, part 1 |
Film F-20193/473 |
John Chancellor Narration 72, mag, 18 October 199316mm 940 feet Baseball, YY 6000, Inning 8, Session 4, DAT 21, part 2 |
Film F-20193/474 |
John Chancellor Narration 73, mag, 18 October 199316mm 1000 feet Baseball, YY 3000, Inning 8, Session 4, DAT 21, part 3 |
Film F-20193/475 |
John Chancellor Narration 74, mag, 18 October 199316mm 625 feet Baseball, YZ 0000, Inning 8 end, Session 4, DAT 21, part 4 |
Film F-20193/476 |
John Chancellor Narration 75, mag16mm 775 feet Baseball, YZ 3000, Inning 4 pickups, Session 4, DAT 24 all |
Film F-20193/477 |
John Chancellor Narration 76, mag16mm 990 feet Baseball, ZA 0000, Inning 9 start, Session 4, DAT 22, part 1 |
Film F-20193/478 |
John Chancellor Narration 77, mag16mm 940 feet Baseball, ZA 3000, Inning 9, Session 4, DAT 22, part 2 |
Film F-20193/479 |
John Chancellor Narration 78, mag16mm 1020 feet Baseball, ZA 6000, Inning 9, Session 4, DAT 22, part 3 |
Film F-20193/480 |
John Chancellor Narration 79, mag16mm 975 feet Baseball, ZB 0000, Inning 9, Session 4, DAT 22, part 4, DAT 23, part 1 |
Film F-20193/481 |
John Chancellor Narration 80, mag16mm 920 feet Baseball, ZB 3000, Inning 9, Session 4, DAT 23, part 2 |
Film F-20193/482 |
John Chancellor Narration 81, mag16mm 1015 feet Baseball, ZB 6000, Inning 9, Session 4, DAT 23, part 4 |
Film F-20193/483 |
John Chancellor Narration 82, mag16mm 850 feet Baseball, ZC 0000, Inning 9, Session 4, DAT 23, part 4 |
Film F-20193/484 |
John Chancellor Narration 83, mag16mm 1050 feet Baseball, ZC 3000, Inning 7 redos, Session 4, DAT 25 all |
Film F-20193/485 |
John Chancellor Narration 84, mag16mm 1060 feet Baseball, ZC 6000, Inning 7 redos, Session 4, DAT 25 all |
Film F-20193/486 |
John Chancellor Narration 85, mag, 15 November 199316mm 1000 feet Baseball, ZD 0000, Inning 3 redos, Session 5, DAT 26, part 1 |
Film F-20193/487 |
John Chancellor Narration 86, mag, 15 November 199316mm 960 feet Baseball, ZD 3000, Inning 3 redos, Session 5, DAT 26, part 2 |
Film F-20193/488 |
John Chancellor Narration 87, mag, 15 November 199316mm 960 feet Baseball, ZD 6000, Inning 3 redos, Session 5, DAT 26, part 3 |
Film F-20193/489 |
John Chancellor Narration 88, mag, 15 November 199316mm 950 feet Baseball, ZE 0000, Inning 3 redos, Session 5, DAT 26, part 4, DAT 27, part 1 |
Film F-20193/490 |
John Chancellor Narration 89, mag, 15 November 199316mm 975 feet Baseball, ZE 3000, Inning 4 redos, Session 5, DAT 27, part 2 |
Film F-20193/491 |
John Chancellor Narration 90, mag, 15 November 199316mm 950 feet Baseball, ZE 6000, Inning 4 redos, Session 5, DAT 27, part 3 |
Film F-20193/492 |
John Chancellor Narration 91, mag16mm 1000 feet Baseball, ZG 1000-2999, Miscode, Inning 4 redos, Session 5, DAT 28, part 1 |
Film F-20193/493 |
John Chancellor Narration 92, mag16mm 1000 feet Baseball, ZG 3000, Inning 4 redos, Session 5, DAT 28, part 2 |
Film F-20193/494 |
John Chancellor Narration 93, mag16mm 825 feet Baseball, ZG 6000-8329, Inning 4 ends, Inning 9 pu Vii-29.1, Session 5, DAT 28, part 3 |
Film F-20193/495 |
John Chancellor Narration 94, mag16mm 210 feet Baseball, ZG 8330-end, Inning 1 start, Session 5, DAT 28, part 3 |
Film F-20193/496 |
John Chancellor Narration 95, mag16mm 480 feet Baseball, ZH 0000, Inning 1 redos, Session 5, DAT 28, part 4 |
Film F-20193/497 |
John Chancellor Narration 96, mag16mm 940 feet Baseball, ZJ 0000, Inning 5, Inning 3, 4 pu's start, Session 6, DAT 29, part 1 |
Film F-20193/498 |
John Chancellor Narration 97, mag16mm 375 feet Baseball, ZJ 3000-4200, Inning 3 pu's end, Inning 5 cont., Session 6, DAT 29, part 2 |
Film F-20193/499 |
John Chancellor Narration 98, mag16mm 575 feet Baseball, ZJ 4205, Inning 7, Session 6, DAT 29, part 2 cont. |
Film F-20193/500 |
John Chancellor Narration 99, mag16mm 925 feet Baseball, ZJ 6000, Inning 7, Session 6, DAT 29, part 3 |
Film F-20193/501 |
John Chancellor Narration 100, mag16mm 280 feet Baseball, ZK 0000-0805, Inning 7 end, Session 6, DAT 29, part 4 |
Film F-20193/502 |
John Chancellor Narration 101, mag16mm 680 feet Baseball, ZK 0810, Inning 9, Inning 8 pu, Session 6, DAT 29 part, DAT 30 part 1 |
Film F-20193/503 |
John Chancellor Narration 102, mag16mm 820 feet Baseball, ZK 3000, Inning 9, Session 6, DAT 30, part 2 |
Film F-20193/504 |
John Chancellor Narration 103, mag16mm 1025 feet Baseball, ZK 6000, Inning 1, Session 6, DAT 31, part 1 |
Film F-20193/505 |
John Chancellor Narration 104, mag16mm 975 feet Baseball, ZL 0000, Inning 1, Session 6, DAT 31, part 2 |
Film F-20193/506 |
John Chancellor Narration 105, mag16mm 1025 feet Baseball, ZL 3000, Inning 1, Session 6, DAT 31, part 3 |
Film F-20193/507 |
John Chancellor Narration 106, mag16mm 660 feet Baseball, ZL 6000, Inning 1, Session 6, DAT 31, part 4 |
Film F-20193/508 |
John Chancellor Narration 107, mag, 10 January 199416mm 490 feet Baseball, ZH 1385, Session 7, Inning 7, Inning 9, DAT 32, part 1, Redo Narration, Roll 1 |
Film F-20193/509 |
John Chancellor Narration 108, mag, 10 January 199416mm 960 feet Baseball, ZH 3000, Session 7, Inning 9 end, Inning 1, DAT 32 part 2, Redo Narration, Roll 2 |
Film F-20193/510 |
John Chancellor Narration 109, mag, 10 January 199416mm 975 feet Baseball, ZH 6000, Session 7, Inning 1 end, Inning 2, DAT 32, part 3, Redo Narration, Roll 3 |
Film F-20193/511 |
John Chancellor Narration 110, mag, 10 January 199416mm 975 feet Baseball, ZM 0000, Session 7, Inning 2, DAT 32, part 4 |
Film F-20193/512 |
John Chancellor Narration 111, mag, 10 January 199416mm 1000 feet Baseball, ZM 3000, Session 7, Inning 2, DAT 32, part 5, DAT 33, part 1 |
Film F-20193/513 |
John Chancellor Narration 112, mag16mm 925 feet Baseball, ZM 6000, Session 7, Inning 2, DAT 33, part 2 |
Film F-20193/514 |
John Chancellor Narration 113, mag16mm 575 feet Baseball, ZO 0000, Session 7, Inning 2 end, Inning 5, DAT 33, part 3, DAT 34 all |
Film F-20193/515 |
John Chancellor Narration 114, mag16mm 990 feet Baseball, ZO 3000, Session 7, Inning 8, DAT 35, part 1 |
Film F-20193/516 |
John Chancellor Narration 115, mag16mm 475 feet Baseball, ZO 6000-7490, Session 7, Inning 6, DAT 35, part 2 |
Film F-20193/517 |
John Chancellor Narration 116, mag16mm 1050 feet Baseball, ZP 0000, Session 8, Inning 6, DAT 36, part 1 |
Film F-20193/518 |
John Chancellor Narration 117, mag16mm 1000 feet Baseball, ZP 3000, Session 8, Inning 6 finish, Inning 8, 1 pu, Inning 2 start, DAT 36, part 2 |
Film F-20193/519 |
John Chancellor Narration 118, mag16mm 950 feet Baseball, ZP 6000, Session 8, Inning 2 finish 6520, Inning 1 start 6525, DAT 36, part 3 |
Film F-20193/520 |
John Chancellor Narration 119, mag16mm 300 feet Baseball, ZS 0000-0823, Session 8, Inning 1, DAT 36, part 4 |
Film F-20193/521 |
John Chancellor Narration 120, mag16mm 390 feet Baseball, ZS 0825-2111, Session 8, Re-transfer part of 6, DAT 36 |
Film F-20193/522 |
John Chancellor Narration 121, mag16mm 300 feet Baseball, ZS 2125, Session 9, Inning 2, DAT 37, part 1 |
Film F-20193/523 |
John Chancellor Narration 122, mag16mm 1030 feet Baseball, ZS 3000, Session 9, Inning 2 finish, 7 and 8 1 pu, 1 mostly, DAT 37 part 2 |
Film F-20193/524 |
John Chancellor Narration 123, mag16mm 475 feet Baseball, ZS 6000-7800, Session 9, Inning 1, DAT 37, part 3 |
Film F-20193/525 |
John Chancellor Narration 124, mag16mm 475 feet Baseball, ZS 7485, Session 10, Inning 6, DAT 38, part 1 |
Film F-20193/526 |
John Chancellor Narration 125, mag16mm 940 feet Baseball, ZT 0000, Session 10, Inning 6, DAT 38, part 2 |
Film F-20193/527 |
John Chancellor Narration 126, mag16mm 650 feet Baseball, ZT 3000-5879, ZT 0831-2379, Session 10, Inning 6, Inning 9 1 pu, DAT 38, part 3 |
Film F-20193/528 |
John Chancellor Narration 127, mag, 23 March 199416mm 470 feet Baseball, ZT 6000, Session 11, Inning 6, DAT 39, part 1 |
Film F-20193/529 |
John Chancellor Narration 128, mag, 23 March 199416mm 375 feet Baseball, ZT 4770, Session 11, Inning 6, DAT 39, part 2 |
Film F-20193/530 |
John Chancellor Narration 129, mag16mm 40 feet Baseball, UE 8778, Re-transfers Narration |
Film F-20193/531 |
John Chancellor Narration 130, mag16mm 1000 feet Baseball, New Narration Track (Re-write) Inning 5, Reel 3 |
SFC Audio Open Reel FT-20193/1140 |
John Chancellor narration, tape 1 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Florentine, Baseball Narration, Safety, 8-10-93, 8-11-93, 8-12-93, Reels 1-10; Note Attached to Reel: Reel# 1, 8-10-93 |
SFC Audio Open Reel FT-20193/1141 |
John Chancellor narration, tape 2 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Florentine, Baseball Narration, Safety, 8-10-93, 8-11-93, 8-12-93, Reels 1-10; Note Attached to Reel: Reel# 2, 8-10-93, John - Narration |
SFC Audio Open Reel FT-20193/1142 |
John Chancellor narration, tape 3 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Florentine, Baseball Narration, Safety, 8-10-93, 8-11-93, 8-12-93, Reels 1-10; Note Attached to Reel: Reel# 3, 8-10-93, Narration, John C |
SFC Audio Open Reel FT-20193/1143 |
John Chancellor narration, tape 4 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Florentine, Baseball Narration, Safety, 8-10-93, 8-11-93, 8-12-93, Reels 1-10; Note Attached to Reel: Reel# 4, 8-10-93, Narration, John |
SFC Audio Open Reel FT-20193/1144 |
John Chancellor narration, tape 5 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Florentine, Baseball Narration, Safety, 8-10-93, 8-11-93, 8-12-93, Reels 1-10; Note Attached to Reel: Reel# 5, 8-11-93, John |
SFC Audio Open Reel FT-20193/1145 |
John Chancellor narration, tape 6 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Florentine, Baseball Narration, Safety, 8-10-93, 8-11-93, 8-12-93, Reels 1-10; Note Attached to Reel: Reel# 6, 8-11-93, John |
SFC Audio Open Reel FT-20193/1146 |
John Chancellor narration, tape 7 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Florentine, Baseball Narration, Safety, 8-10-93, 8-11-93, 8-12-93, Reels 1-10; Note Attached to Reel: Reel# 7, 8-11-93, John |
SFC Audio Open Reel FT-20193/1147 |
John Chancellor narration, tape 8 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Florentine, Baseball Narration, Safety, 8-10-93, 8-11-93, 8-12-93, Reels 1-10; Note Attached to Reel: Reel# 8, 8-11-93, NARR John |
SFC Audio Open Reel FT-20193/1148 |
John Chancellor narration, tape 9 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Florentine, Baseball Narration, Safety, 8-10-93, 8-11-93, 8-12-93, Reels 1-10; Note Attached to Reel: Reel# 9, 8-12-93, John |
SFC Audio Open Reel FT-20193/1149 |
John Chancellor narration, tape 10 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Florentine, Baseball Narration, Safety, 8-10-93, 8-11-93, 8-12-93, Reels 1-10; Note Attached to Reel: Reel# 10, 8-12-93 |
SFC Audio Open Reel FT-20193/1150 |
John Chancellor narration, tape 11 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Florentine, Baseball Narration, Safety, 8-12-93, 9-8-93, 9-9-93, Reels 11-20; Note Attached to Reel: Reel# 11, 8-12-93 |
SFC Audio Open Reel FT-20193/1151 |
John Chancellor narration, tape 12 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Florentine, Baseball Narration, Safety, 8-12-93, 9-8-93, 9-9-93, Reels 11-20; Note Attached to Reel: Reel# 12, 8-12-93 |
SFC Audio Open Reel FT-20193/1152 |
John Chancellor narration, tape 13 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Florentine, Baseball Narration, Safety, 8-12-93, 9-8-93, 9-9-93, Reels 11-20; Note Attached to Reel: Reel# 13, 9-8-93 |
SFC Audio Open Reel FT-20193/1153 |
John Chancellor narration, tape 14 of 661/4" Open Reel Audio 10" reel PolyesterSafety Copy Outside of Box: Florentine, Baseball Narration, Safety, 8-12-93, 9-8-93, 9-9-93, Reels 11-20; Note Attached to Reel: Reel# 14, Safety, 9-8-93 |
SFC Audio Open Reel FT-20193/1154 |
John Chancellor narration, tape 15 of 661/4" Open Reel Audio 10" reel PolyesterSafety Copy Outside of Box: Florentine, Baseball Narration, Safety, 8-12-93, 9-8-93, 9-9-93, Reels 11-20; Note Attached to Reel: Reel# 15, Safety, 9-8-93 |
SFC Audio Open Reel FT-20193/1155 |
John Chancellor narration, tape 16 of 661/4" Open Reel Audio 10" reel PolyesterSafety Copy Outside of Box: Florentine, Baseball Narration, Safety, 8-12-93, 9-8-93, 9-9-93, Reels 11-20; Note Attached to Reel: Reel# 16, Safety, 9-8-93 |
SFC Audio Open Reel FT-20193/1156 |
John Chancellor narration, tape 17 of 661/4" Open Reel Audio 10" reel PolyesterSafety Copy Outside of Box: Florentine, Baseball Narration, Safety, 8-12-93, 9-8-93, 9-9-93, Reels 11-20; Note Attached to Reel: Reel# 17, Safety, 9-8-93, 9-9-93 |
SFC Audio Open Reel FT-20193/1157 |
John Chancellor narration, tape 18 of 661/4" Open Reel Audio 10" reel PolyesterSafety Copy Outside of Box: Florentine, Baseball Narration, Safety, 8-12-93, 9-8-93, 9-9-93, Reels 11-20; Note Attached to Reel: Reel# 18, Safety, 9-9-93 |
SFC Audio Open Reel FT-20193/1158 |
John Chancellor narration, tape 19 of 661/4" Open Reel Audio 10" reel PolyesterSafety Copy Outside of Box: Florentine, Baseball Narration, Safety, 8-12-93, 9-8-93, 9-9-93, Reels 11-20; Note Attached to Reel: Reel# 19, Safety, 9-9-93 |
SFC Audio Open Reel FT-20193/1159 |
John Chancellor narration, tape 20 of 661/4" Open Reel Audio 10" reel PolyesterSafety Copy Outside of Box: Florentine, Baseball Narration, Safety, 8-12-93, 9-8-93, 9-9-93, Reels 11-20; Note Attached to Reel: Reel# 20, Safety, 9-9-93 |
SFC Audio Open Reel FT-20193/1160 |
John Chancellor narration, tape 21 of 661/4" Open Reel Audio 10" reel PolyesterSafety Copy Outside of Box: 3 of 7, Reels 21-30, 9-10-93, 9-28-93, 9-29-93 + PU For Inning #2; Note Attached to Reel: Reel #21, Safety, 9-10-93 |
SFC Audio Open Reel FT-20193/1161 |
John Chancellor narration, tape 22 of 661/4" Open Reel Audio 10" reel PolyesterSafety Copy Outside of Box: 3 of 7, Reels 21-30, 9-10-93, 9-28-93, 9-29-93 + PU For Inning #2; Note Attached to Reel: Reel #22, Safety, 9-10-93 |
SFC Audio Open Reel FT-20193/1162 |
John Chancellor narration, tape 23 of 661/4" Open Reel Audio 10" reel PolyesterSafety Copy Outside of Box: 3 of 7, Reels 21-30, 9-10-93, 9-28-93, 9-29-93 + PU For Inning #2; Note Attached to Reel: Reel #23, Safety, 9-10-93 |
SFC Audio Open Reel FT-20193/1163 |
John Chancellor narration, tape 24 of 661/4" Open Reel Audio 10" reel PolyesterSafety Copy Outside of Box: 3 of 7, Reels 21-30, 9-10-93, 9-28-93, 9-29-93 + PU For Inning #2; Note Attached to Reel: Reel #24, Safety, 9-10-93 |
SFC Audio Open Reel FT-20193/1164 |
John Chancellor narration, tape 25 of 661/4" Open Reel Audio 10" reel PolyesterSafety Copy Outside of Box: 3 of 7, Reels 21-30, 9-10-93, 9-28-93, 9-29-93 + PU For Inning #2; Note Attached to Reel: Reel #25, Safety, 9-10-93 |
SFC Audio Open Reel FT-20193/1165 |
John Chancellor narration, tape 26 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: 3 of 7, Reels 21-30, 9-10-93, 9-28-93, 9-29-93 + PU For Inning #2; Note Attached to Reel: Reel #26, 9-28-93 |
SFC Audio Open Reel FT-20193/1166 |
John Chancellor narration, tape 27 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: 3 of 7, Reels 21-30, 9-10-93, 9-28-93, 9-29-93 + PU For Inning #2; Note Attached to Reel: Reel #27, 9-28-93 |
SFC Audio Open Reel FT-20193/1167 |
John Chancellor narration, tape 28 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: 3 of 7, Reels 21-30, 9-10-93, 9-28-93, 9-29-93 + PU For Inning #2; Note Attached to Reel: Reel #28, 9-28-93 |
SFC Audio Open Reel FT-20193/1168 |
John Chancellor narration, tape 29 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: 3 of 7, Reels 21-30, 9-10-93, 9-28-93, 9-29-93 + PU For Inning #2; Note Attached to Reel: Reel #29, 9-28-93 |
SFC Audio Open Reel FT-20193/1169 |
John Chancellor narration, tape 30 of 661/4" Open Reel Audio 10" reel PolyesterPickups, Inning 2 Outside of Box: 3 of 7, Reels 21-30, 9-10-93, 9-28-93, 9-29-93 + PU For Inning #2; Note Attached to Reel: Reel #30, PU's Inning #2, Narration, 9-29-93 |
SFC Audio Open Reel FT-20193/1170 |
John Chancellor narration, tape 31 of 661/4" Open Reel Audio 10" reel PolyesterPickups, Innings 2 and 3 Outside of Box: 4 of 7, Reels 31-40 Plus, 9-29-93, 9-30-93, 10-18-93; Note Attached to Reel: Reel #31, Narration Pus, Innings 2+3, 9-29-93 |
SFC Audio Open Reel FT-20193/1171 |
John Chancellor narration, tape 32 of 661/4" Open Reel Audio 10" reel PolyesterPickups, Innings 4 and 2-5 Outside of Box: 4 of 7, Reels 31-40 Plus, 9-29-93, 9-30-93, 10-18-93; Note Attached to Reel: Reel #32, Narration Pus, Innings 4+2-5 |
SFC Audio Open Reel FT-20193/1172 |
John Chancellor narration, tape 33 of 661/4" Open Reel Audio 10" reel PolyesterPickups, Innings 5 and 6 Outside of Box: 4 of 7, Reels 31-40 Plus, 9-29-93, 9-30-93, 10-18-93; Note Attached to Reel: Reel #33, Narration Pus, Innings 5+6 |
SFC Audio Open Reel FT-20193/1173 |
John Chancellor narration, tape 34 of 661/4" Open Reel Audio 10" reel PolyesterInning 7 Outside of Box: 4 of 7, Reels 31-40 Plus, 9-29-93, 9-30-93, 10-18-93; Note Attached to Reel: Reel #34, Narration, Inning 7, 9-30-93 |
SFC Audio Open Reel FT-20193/1174 |
John Chancellor narration, tape 35 of 661/4" Open Reel Audio 10" reel PolyesterInning 7 Outside of Box: 4 of 7, Reels 31-40 Plus, 9-29-93, 9-30-93, 10-18-93; Note Attached to Reel: Reel #35, Narration, Inning 7, 9-30-93 |
SFC Audio Open Reel FT-20193/1175 |
John Chancellor narration, tape 36 of 661/4" Open Reel Audio 10" reel PolyesterInning 7 Outside of Box: 4 of 7, Reels 31-40 Plus, 9-29-93, 9-30-93, 10-18-93; Note Attached to Reel: Reel #36, Narration, Inning 7, 9-30-93 |
SFC Audio Open Reel FT-20193/1176 |
John Chancellor narration, tape 37 of 661/4" Open Reel Audio 10" reel PolyesterInning 7 Outside of Box: 4 of 7, Reels 31-40 Plus, 9-29-93, 9-30-93, 10-18-93; Note Attached to Reel: Reel #37, Narration, Inning 7, 9-30-93 |
SFC Audio Open Reel FT-20193/1177 |
John Chancellor narration, tape 38 of 661/4" Open Reel Audio 10" reel PolyesterPickups and Narration, Inning 8 Outside of Box: 4 of 7, Reels 31-40 Plus, 9-29-93, 9-30-93, 10-18-93; Note Attached to Reel: Baseball, PU's + Narration, Inning 8, Reel 38, 10-18-93 |
SFC Audio Open Reel FT-20193/1178 |
John Chancellor narration, tape 39 of 661/4" Open Reel Audio 10" reel PolyesterInning 8 Outside of Box: 4 of 7, Reels 31-40 Plus, 9-29-93, 9-30-93, 10-18-93; Note Attached to Reel: Baseball, Narration, 10-18-93, Inning 8, Reel #39 |
SFC Audio Open Reel FT-20193/1179 |
John Chancellor narration, tape 40 of 661/4" Open Reel Audio 10" reel PolyesterInning 9 Outside of Box: 4 of 7, Reels 31-40 Plus, 9-29-93, 9-30-93, 10-18-93; Note Attached to Reel: Baseball, Narration, 10-18-93, Inning 9, Reel #40 |
SFC Audio Open Reel FT-20193/1180 |
John Chancellor narration, tape 41 of 661/4" Open Reel Audio 10" reel PolyesterInning 8 Outside of Box: Reel 41-50, 10-19-93, 10-20-93, 11-15-93, 11-16-93, 5 of 7; Note Attached to Reel: Baseball, Narration, 10-19-93, Inning 8, Reel #41 |
SFC Audio Open Reel FT-20193/1181 |
John Chancellor narration, tape 42 of 661/4" Open Reel Audio 10" reel PolyesterInning 8 Outside of Box: Reel 41-50, 10-19-93, 10-20-93, 11-15-93, 11-16-93, 5 of 7; Note Attached to Reel: Baseball, Narration, 10-19-93, Inning 8, Reel #42 |
SFC Audio Open Reel FT-20193/1182 |
John Chancellor narration, tape 43 of 661/4" Open Reel Audio 10" reel PolyesterInning 8 Outside of Box: Reel 41-50, 10-19-93, 10-20-93, 11-15-93, 11-16-93, 5 of 7; Note Attached to Reel: Baseball, Narration, 10-19-93, Inning 8, Reel #43 |
SFC Audio Open Reel FT-20193/1183 |
John Chancellor narration, tape 44 of 661/4" Open Reel Audio 10" reel PolyesterInning 8 Outside of Box: Reel 41-50, 10-19-93, 10-20-93, 11-15-93, 11-16-93, 5 of 7; Note Attached to Reel: Baseball, Narration, 10-20-93, Inning 8, Reel #44 |
SFC Audio Open Reel FT-20193/1184 |
John Chancellor narration, tape 45 of 661/4" Open Reel Audio 10" reel PolyesterInning 8 Outside of Box: Reel 41-50, 10-19-93, 10-20-93, 11-15-93, 11-16-93, 5 of 7; Note Attached to Reel: Baseball, Narration, 10-20-93, Inning 8, Reel #45 |
SFC Audio Open Reel FT-20193/1185 |
John Chancellor narration, tape 46 of 661/4" Open Reel Audio 10" reel PolyesterRedo, Inning 3 Outside of Box: Reel 41-50, 10-19-93, 10-20-93, 11-15-93, 11-16-93, 5 of 7; Note Attached to Reel: Reel #46, Redo - Inn 3, 11-15-93 |
SFC Audio Open Reel FT-20193/1186 |
John Chancellor narration, tape 47 of 661/4" Open Reel Audio 10" reel PolyesterRedo, Inning 3 Outside of Box: Reel 41-50, 10-19-93, 10-20-93, 11-15-93, 11-16-93, 5 of 7; Note Attached to Reel: Reel #47, Redo - Inn 3, 11-15-93 |
SFC Audio Open Reel FT-20193/1187 |
John Chancellor narration, tape 48 of 661/4" Open Reel Audio 10" reel PolyesterInnings 3 and 4 Outside of Box: Reel 41-50, 10-19-93, 10-20-93, 11-15-93, 11-16-93, 5 of 7; Note Attached to Reel: Reel #48, Inn 3+4, 11-15-93 |
SFC Audio Open Reel FT-20193/1188 |
John Chancellor narration, tape 49 of 661/4" Open Reel Audio 10" reel PolyesterInning 4 Outside of Box: Reel 41-50, 10-19-93, 10-20-93, 11-15-93, 11-16-93, 5 of 7; Note Attached to Reel: Reel #49, Inn 4, 11-15-93, 11-16-93 |
SFC Audio Open Reel FT-20193/1189 |
John Chancellor narration, tape 50 of 661/4" Open Reel Audio 10" reel PolyesterInnings 4 and 1 Outside of Box: Reel 41-50, 10-19-93, 10-20-93, 11-15-93, 11-16-93, 5 of 7; Note Attached to Reel: Reel #50, Inn 4x1, 11-16-93 |
SFC Audio Open Reel FT-20193/1190 |
John Chancellor narration, tape 51 of 661/4" Open Reel Audio 10" reel PolyesterPickups Outside of Box: Reels 51-60, PU's and Redo's, 12-8-93, 12-9-93, 1-10-94, 1-11-94, 1-12-94; Note Attached to Reel: Reel #51, Pus, 12-8-93 |
SFC Audio Open Reel FT-20193/1191 |
John Chancellor narration, tape 52 of 661/4" Open Reel Audio 10" reel PolyesterPickups Outside of Box: Reels 51-60, PU's and Redo's, 12-8-93, 12-9-93, 1-10-94, 1-11-94, 1-12-94; Note Attached to Reel: Reel #52, Narr PU's, 12-8-93 |
SFC Audio Open Reel FT-20193/1192 |
John Chancellor narration, tape 53 of 661/4" Open Reel Audio 7" reel PolyesterPickups Outside of Box: Reels 51-60, PU's and Redo's, 12-8-93, 12-9-93, 1-10-94, 1-11-94, 1-12-94; Note Attached to Reel: Reel #53, NARR Pick Ups, 12-8-93 |
SFC Audio Open Reel FT-20193/1193 |
John Chancellor narration, tape 54 of 661/4" Open Reel Audio 10" reel PolyesterPickups Outside of Box: Reels 51-60, PU's and Redo's, 12-8-93, 12-9-93, 1-10-94, 1-11-94, 1-12-94; Note Attached to Reel: Reel #54, New Pickups, 12-9-93 |
SFC Audio Open Reel FT-20193/1194 |
John Chancellor narration, tape 55 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Reels 51-60, PU's and Redo's, 12-8-93, 12-9-93, 1-10-94, 1-11-94, 1-12-94; Note Attached to Reel: Reel #55, 12-9-93 |
SFC Audio Open Reel FT-20193/1195 |
John Chancellor narration, tape 56 of 661/4" Open Reel Audio 10" reel PolyesterRedos Outside of Box: Reels 51-60, PU's and Redo's, 12-8-93, 12-9-93, 1-10-94, 1-11-94, 1-12-94; Note Attached to Reel: Reel #56, Redos, 1-12-94 |
SFC Audio Open Reel FT-20193/1196 |
John Chancellor narration, tape 57 of 661/4" Open Reel Audio 10" reel PolyesterRedos Outside of Box: Reels 51-60, PU's and Redo's, 12-8-93, 12-9-93, 1-10-94, 1-11-94, 1-12-94; Note Attached to Reel: Reel #57, Redo's NARR. 1-10-94 |
SFC Audio Open Reel FT-20193/1197 |
John Chancellor narration, tape 58 of 661/4" Open Reel Audio 10" reel PolyesterRedos Outside of Box: Reels 51-60, PU's and Redo's, 12-8-93, 12-9-93, 1-10-94, 1-11-94, 1-12-94; Note Attached to Reel: Reel #58, Redo's NARR. 1-11-94 |
SFC Audio Open Reel FT-20193/1198 |
John Chancellor narration, tape 59 of 661/4" Open Reel Audio 10" reel PolyesterRedos Outside of Box: Reels 51-60, PU's and Redo's, 12-8-93, 12-9-93, 1-10-94, 1-11-94, 1-12-94; Note Attached to Reel: Reel #59, Redo's NARR. 1-12-94 |
SFC Audio Open Reel FT-20193/1199 |
John Chancellor narration, tape 60 of 661/4" Open Reel Audio 7" reel PolyesterOutside of Box: Reels 51-60, PU's and Redo's, 12-8-93, 12-9-93, 1-10-94, 1-11-94, 1-12-94; Note Attached to Reel: Reel #60 |
SFC Audio Open Reel FT-20193/1200 |
John Chancellor narration, tape 61 of 661/4" Open Reel Audio 10" reel PolyesterPickups Outside of Box: Reels 61-66 + Audition, John, 7 of 7, 2-3-94, 2-7-94, 3-8-94, 3-23-94; Note on Reel: Narration, PU's for 8-6-21, Reel #61, 2-3-94 |
SFC Audio Open Reel FT-20193/1201 |
John Chancellor narration, tape 62 of 661/4" Open Reel Audio 10" reel PolyesterPickups Outside of Box: Reels 61-66 + Audition, John, 7 of 7, 2-3-94, 2-7-94, 3-8-94, 3-23-94; Note on Reel: Narration, PU's for 8-6-21, Reel #62, 2-3-94 |
SFC Audio Open Reel FT-20193/1202 |
John Chancellor narration, tape 63 of 661/4" Open Reel Audio 10" reel PolyesterPickups Outside of Box: Reels 61-66 + Audition, John, 7 of 7, 2-3-94, 2-7-94, 3-8-94, 3-23-94; Note on Reel: Baseball, NARR, PU's 2-7-8-1, 2-22-94, 63 |
SFC Audio Open Reel FT-20193/1203 |
John Chancellor narration, tape 64 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Reels 61-66 + Audition, John, 7 of 7, 2-3-94, 2-7-94, 3-8-94, 3-23-94; Note on Reel: Baseball Narr, 3-6-94, Reel 64 |
SFC Audio Open Reel FT-20193/1204 |
John Chancellor narration, tape 65 of 661/4" Open Reel Audio 10" reel PolyesterOutside of Box: Reels 61-66 + Audition, John, 7 of 7, 2-3-94, 2-7-94, 3-8-94, 3-23-94; Note on Reel: Baseball, NARR, 3-8-5-4, Reel 65 |
SFC Audio Open Reel FT-20193/1205 |
John Chancellor narration, tape 66 of 661/4" Open Reel Audio 7" reel PolyesterPickups Outside of Box: Reels 61-66 + Audition, John, 7 of 7, 2-3-94, 2-7-94, 3-8-94, 3-23-94; Note on Reel: Narration, PU's Session 11, 3-23-94, 66 |
Film F-20193/599 |
Ken's Test Narration, mag 1, 9 March 199316mm 900 feet Baseball, YA 0000-2999, "Merkel Boner" Inn. II |
Film F-20193/600 |
Ken's Test Narration, mag 2, 9 March 199316mm 360 feet Baseball, YA 3000-3898, Once Thru-Slow |
Film F-20193/626 |
Ken's Scratch narration intro and DBLDAY, mag16mm 360 feet Baseball, UA 4600-5999, Replaced by J.C. |
Film F-20193/627 |
Scratch narration outs, mag 116mm 575 feet Baseball, NB 0000 |
Film F-20193/628 |
Scratch narration outs, mag 216mm 750 feet Baseball, NB 3000-6000 |
Film F-20193/629 |
Scratch narration outs, Inning 1, mag 116mm 1100 feet Baseball, NA 0000-4999 |
Film F-20193/630 |
Scratch narration outs, Inning 1, mag 216mm 750 feet Baseball, NA 5000-8500 |
Film F-20193/631 |
Scratch narration outs, Inning 2-7, mag 116mm 160 feet Baseball, NG 0000 |
Film F-20193/632 |
Scratch narration outs, Inning 2-7, mag 216mm 950 feet Baseball, NE, NF, NG, NH |
Film F-20193/633 |
Scratch narration outs, Inning 2-7, mag 316mm 725 feet Baseball, NC, ND |
Film F-20193/634 |
Scratch narration, Benched, Inning 1, mag 116mm 1000 feet Baseball, 1-34 |
Film F-20193/635 |
Scratch narration, Benched, Inning 1, mag 216mm 975 feet Baseball, 34-60 |
Film F-20193/636 |
Scratch narration, Benched, Inning 1, mag 316mm 750 feet Baseball, 61-78 |
Film F-20193/637 |
Scratch narration, Benched, Inning 1, mag 416mm 1000 feet Baseball, 79 - |
Film F-20193/638 |
Scratch narration, Benched, Inning 2, mag 116mm 925 feet Baseball, 1-19 |
Film F-20193/639 |
Scratch narration, Benched, Inning 2, mag 216mm 625 feet Baseball, 20 - |
Film F-20193/640 |
Scratch narration, Benched, Inning 3, mag 116mm 800 feet Baseball, 1-16 |
Film F-20193/641 |
Scratch narration, Benched, Inning 3, mag 216mm 650 feet Baseball, 17-29 |
Film F-20193/642 |
Scratch narration, Benched, Inning 3, mag 316mm 575 feet Baseball, 30 - |
Film F-20193/643 |
Scratch narration, Benched, Inning 4, mag 116mm 930 feet Baseball, 1- 39 |
Film F-20193/644 |
Scratch narration, Benched, Inning 4, mag 216mm 900 feet Baseball, 40-69 |
Film F-20193/645 |
Scratch narration, Benched, Inning 4, mag 316mm 200 feet Baseball, 70 - |
Film F-20193/646 |
Scratch narration, Benched, Inning 5, mag 116mm 890 feet Baseball, 1-15 |
Film F-20193/647 |
Scratch narration, Benched, Inning 5, mag 216mm 800 feet Baseball, 16 - |
Film F-20193/648 |
Scratch narration, Benched, Inning 6, mag 116mm 600 feet Baseball, 1-22 |
Film F-20193/649 |
Scratch narration, Benched, Inning 6, mag 216mm 950 feet Baseball, 23 - |
Film F-20193/650 |
Scratch narration, Benched, Inning 7, mag 116mm 625 feet Baseball, 1-26 |
Film F-20193/651 |
Scratch narration, Benched, Inning 7, mag 216mm 425 feet Baseball, 27 - |
Film F-20193/652 |
Scratch narration, Benched, Inning 9, mag16mm 800 feet Baseball |
SFC Audio Open Reel FT-20193/261 |
Scratch narration 1, 27 July 19921/4" Open Reel Audio 10.5" reel Baseball; Reel 1 of 3; Rough narration; Recording machine: Otari; Tape: 456 Ampex; Engineer: Billy Shaw; Ref to 250nWb |
SFC Audio Open Reel FT-20193/262 |
Scratch narration 2, 27 July 19921/4" Open Reel Audio 10.5" reel Baseball; Reel 2 of 3; Rough narration; Recording machine: Otari; Tape: 456 Ampex; Engineer: Billy Shaw |
SFC Audio Open Reel FT-20193/263 |
Scratch narration 3, 27 July 19921/4" Open Reel Audio 7" reel Baseball; Reel 3 of 3; Rough narration; Recording machine: Otari; Tape: 456 Ampex; Engineer: Billy Shaw |
SFC Audio Open Reel FT-20193/264 |
Scratch narration 1, 7 May 19921/4" Open Reel Audio 10.5" reel Baseball; Reel 1 of 2; Inning 6 Plus; Ken Burns Narration |
SFC Audio Open Reel FT-20193/265 |
Scratch narration 2, 7 May 19921/4" Open Reel Audio 10.5" reel Baseball; Reel 2 of 2; Inning 6 Plus; Ins. for 4, 5; Ken Burns Narration |
SFC Audio Open Reel FT-20193/266 |
Scratch narration, 28 May 19921/4" Open Reel Audio 10.5" reel Baseball; Rough narration; Recording machine: Otari; Tape: 456 Ampex; Engineer: Billy Shaw; tails out, NAB EQ (Erik please x-fer) |
SFC Audio Open Reel FT-20193/267 |
Scratch narration 1, 30 April 19921/4" Open Reel Audio 10.5" reel Baseball Narration-Wendy; Reel 1 of 1; Recording machine: Otari MX 5050; Tape: 456 Ampex; dbx 150; Ref. to 250nWb; Engineer: Billy Shaw; Tails; 1 Khz, 10 Khz, O-VU at head |
SFC Audio Open Reel FT-20193/268 |
Scratch narration 2, 30 April 19921/4" Open Reel Audio 10.5" reel Baseball; Reel 1 of 2; Recording machine: Otari MX 5050; Tape: Ampex 456; Tails out; NAB EQ; Ref. to 250nWb; Engineer: Billy Shaw, Alan Stockwell; Tones at head: 1k and 10k at OVU |
SFC Audio Open Reel FT-20193/269 |
Scratch narration 3, 30 April 19921/4" Open Reel Audio 10.5" reel Baseball; Reel 2 of 2; Recording machine: Otari MX5050; Tape: Ampex 456; NAB EQ; Tails out; Ref. to 250nWb; Engineer: Billy Shaw/ Alan Stockwell; Tones on reel #1 |
SFC Audio Open Reel FT-20193/270 |
Rough narration 1, 15 June 19921/4" Open Reel Audio 10.5" reel Baseball; Reel 1 of 2; Recording Machine: MCI; Tape: Ampex 456; Tails out; NAB EQ; Ref. to 250nWb; Alan Stockwell; 1K and 10K tones at head at OVU |
SFC Audio Open Reel FT-20193/271 |
Rough narration 2, 15 June 19921/4" Open Reel Audio 10.5" reel Baseball; Reel 2 of 2; Recording Machine: MCI; Tape: Ampex 456; Tails out; NAB EQ; Ref. to 250nWb; Alan Stockwell; Tones on Reel #1 |
SFC Audio Open Reel FT-20193/272 |
Narration fixes, 7 July 19921/4" Open Reel Audio 10.5" reel Baseball; Rough narration; Tape: Ampex 456; Ref. to 250nWb; Tails out; NAB EQ; Engineer: Billy Shaw; 1khz, 10k, 30hz not encoded, all tones OVU |
Digital Audiotape DAT-20193/1 |
Roger Angell narration auditionDigital Audio Tape (DAT) Baseball; SRs 55, 57; Angell and Robinson |
Film F-20193/601 |
John Chancellor narration audition, mag16mm 660 feet Baseball, |
Film F-20193/602 |
John Chancellor Narration (Merkel audition 2), mag16mm 400 feet Baseball, |
Film F-20193/603 |
John Chancellor Narration (Stengel IV audition), mag16mm 150 feet Baseball, OT 3000 |
Film F-20193/604 |
John Chancellor Narration (inning 1 test), mag16mm 600 feet Baseball, NX 6000-7999 |
Film F-20193/605 |
John Chancellor Narration (Out 2, Reel 1), mag16mm 700 feet Baseball, |
SFC Audio Open Reel FT-20193/1206 |
John Chancellor narration audition1/4" Open Reel Audio 10" reel PolyesterOutside of Box: Reels 61-66 + Audition, John, 7 of 7, 2-3-94, 2-7-94, 3-8-94, 3-23-94; Note on Reel: John Chancellor, 7-30-93, Audition |
Digital Audiotape DAT-20193/2 |
Peter Dach narration auditionDigital Audio Tape (DAT) Baseball; Original Master |
Film F-20193/606 |
Richard Dysart Narration, outs, mag16mm 1050 feet Baseball, |
Film F-20193/607 |
Richard Dysart Narration (inning 1 intro), mag16mm 600 feet Baseball, |
Film F-20193/608 |
Richard Dysart Narration (Merkel Boner audition), mag16mm 430 feet Baseball, OL 0000-2999 |
Film F-20193/609 |
Richard Dysart Narration (inning 7 Ol Perfesser), mag16mm 275 feet Baseball, OL 3000-5999 |
Digital Audiotape DAT-20193/3 |
Richard Dysart narration audition, 20 July 1993Digital Audio Tape (DAT) Baseball; Original Master; Studio: 3rd Street Sound; Engineer: Barry Draper |
Digital Audiotape DAT-20193/5 |
Bob Ley, Keith Oberman, Bob Sagendorf, Charlie Sleiner narration auditionDigital Audio Tape (DAT) Baseball |
Film F-20193/610 |
Amy Madigan Quotes, mag, July 199316mm 275 feet Baseball, Original Mag |
Film F-20193/611 |
Kevin McCarthy Narration, outs, mag16mm 550 feet Baseball, |
Film F-20193/612 |
Kevin McCarthy Narration (Test-inning 1 intro), mag16mm 600 feet Baseball, OR 0000 |
Film F-20193/613 |
Michael Ontkean Audition, mag 116mm 175 feet Baseball, Test Narration, Inning 5, R-1 |
Film F-20193/614 |
Michael Ontkean Audition, mag 216mm 700 feet Baseball, Audition Narration, Inning 1, R-1 |
Film F-20193/615 |
Michael Ontkean Audition, mag 316mm 80 feet Baseball, Narration Test, "Dizzy Dean," Inning 5, R-3 |
Film F-20193/616 |
Michael Ontkean Audition, mag 416mm 110 feet Baseball, Test, Inning 3, R-4 |
Film F-20193/617 |
Michael Ontkean Audition, mag 516mm 110 feet Baseball, Narration Test, "John McGraw," Inning 1, R-5 |
Film F-20193/618 |
Ontkean Narration (end), outs, mag16mm 450 feet Baseball, NZ 0000-2999, R-3 |
Digital Audiotape DAT-20193/4 |
Michael Ontkean narration auditionDigital Audio Tape (DAT) Baseball; Original Master |
Film F-20193/619 |
Dick Schaap Narration, outs, mag16mm 1200 feet Baseball, |
Film F-20193/620 |
Dick Schaap Narration (inning 1 intro), mag16mm 600 feet Baseball, Narration Test, Inning 1, R-1 |
Film F-20193/621 |
Dick Schaap Narration (Merkel Boner), mag16mm 400 feet Baseball, Narration Test, "Merkle's Boner," Inning 2, R-4 |
Film F-20193/622 |
Dick Schaap Narration (Ol' Perfesser), mag16mm 290 feet Baseball, Inning 1, R-1 |
Film F-20193/623 |
David Strathairn Audition, mag16mm 425 feet Baseball, Narration Test Selects |
Film F-20193/624 |
David Strathairn Narration, outs, mag16mm 975 feet Baseball, YA 3000-5999, R-1 |
Film F-20193/625 |
David Strathairn Narration (end); Ontkean; outs, mag16mm 675 feet Baseball, YA 6000-8999, R-2, "Has tone-that's all" |
Film F-20193/701 |
Voices 1, mag16mm 1095 feet Baseball, Inning 1; 1-19 |
Film F-20193/702 |
Voices 2, mag16mm 1040 feet Baseball, Inning 1; 20-37 |
Film F-20193/703 |
Voices 3, mag16mm 1120 feet Baseball, Inning 1; 38-56 |
Film F-20193/704 |
Voices 4, mag16mm 650 feet Baseball, Inning 1; 57-67 |
Film F-20193/705 |
Voices 5, mag16mm 530 feet Baseball, Inning 1; 68-75, 77-78 |
Film F-20193/706 |
Voices 6, mag16mm 1030 feet Baseball, Inning 1; 76, 79-86, 88 -99 |
Film F-20193/707 |
Voices 7, mag16mm 630 feet Baseball, Inning 1; 100-105, 107-113 |
Film F-20193/708 |
Voices 8, mag16mm 515 feet Baseball, Inning 1; 114-122 |
Film F-20193/709 |
Voices 9, mag16mm 1145 feet Baseball, Inning 1; 123-141 |
Film F-20193/710 |
Voices 10, mag16mm 915 feet Baseball, Inning 1; 142-159 |
Film F-20193/711 |
Voices 11, mag16mm 825 feet Baseball, Inning 1; 161, 162, 164-167, 169, 171, 175, 188, Casey at the Bat |
Film F-20193/712 |
Voices 12, mag16mm 375 feet Baseball, Inning 1; Glory |
Film F-20193/713 |
Voices 13, mag16mm 640 feet Baseball, Inning 2; 1-8 |
Film F-20193/714 |
Voices 14, mag16mm 655 feet Baseball, Inning 2; 9-19 |
Film F-20193/715 |
Voices 15, mag16mm 670 feet Baseball, Inning 2; 20-30 |
Film F-20193/716 |
Voices 16, mag16mm 495 feet Baseball, Inning 2; 31-41 |
Film F-20193/717 |
Voices 17, mag16mm 720 feet Baseball, Inning 2; 41-50 |
Film F-20193/718 |
Voices 18, mag16mm 980 feet Baseball, Inning 2; 51-54, 56, 59, 62 (3 rolls), 64, 71-72, Glory (9 rolls) |
Film F-20193/719 |
Voices 19, mag16mm 1000 feet Baseball, Inning 3; 1-20, +3.27.1A |
Film F-20193/720 |
Voices 20, mag16mm 710 feet Baseball, Inning 3; 21-27 (3 rolls) |
Film F-20193/721 |
Voices 21, mag16mm 685 feet Baseball, Inning 3; 28-35 |
Film F-20193/722 |
Voices 22, mag16mm 595 feet Baseball, Inning 3; 36-37, 39-45, 47-49 |
Film F-20193/723 |
Voices 23, mag16mm 560 feet Baseball, Inning 3; 50-53, 55, 58, 59, 65, 70 |
Film F-20193/724 |
Voices 24, mag16mm 1130 feet Baseball, Inning 4; 1-17 |
Film F-20193/725 |
Voices 25, mag16mm 1225 feet Baseball, Inning 4; 18-33 |
Film F-20193/726 |
Voices 26, mag16mm 885 feet Baseball, Inning 4; 34 -43, 46, 50, 55, 56 |
Film F-20193/727 |
Voices 27, mag16mm 795 feet Baseball, Inning 4 Glory, 1-7; Inning 9, 1-3, 10-12, 15 |
Film F-20193/728 |
Voices 28, mag16mm 1145 feet Baseball, Inning 5; 1-8, 10-15 |
Film F-20193/729 |
Voices 29, mag16mm 1140 feet Baseball, Inning 5; 16-21, 25-29, 31; Inning 3 Glory 1, 2 (2 rolls), 4, 6, 7; Inning 5 Glory 2 (2 rolls) |
Film F-20193/730 |
Voices 30, mag16mm 655 feet Baseball, Inning 6; 1-10 |
Film F-20193/731 |
Voices 31, mag16mm 590 feet Baseball, Inning 6; 11-20 |
Film F-20193/732 |
Voices 32, mag16mm 460 feet Baseball, Inning 6; 21, 23-28, 29 (2 rolls) |
Film F-20193/733 |
Voices 33, mag16mm 635 feet Baseball, Inning 6; 32 (3 rolls), 34, 35 (2 rolls), 37, 42-45 |
Film F-20193/734 |
Voices 34, mag16mm 1110 feet Baseball, Inning 7, 7.0, 1-10, 15-17, 21 (2 rolls); Inning 8, 1-3; Povich (3 rolls) |
Film F-20193/735 |
Voices 35, mag16mm 1010 feet Baseball, Glory of Their Times, Original Voices, Selects |
SFC Audio Open Reel FT-20193/273 |
Povitch, McDowell, DuVall1/4" Open Reel Audio 10.5" reel Baseball; Reel 1, VP 0000; Safety; Tails; Tr 1 no N/R; Tr 2 Dolby A; This roll is all singing |
SFC Audio Cassette FS-20193/1 |
Dodworth Saxhorn Band, old-time baseball songs, 8 June 1993Audiocassette Baseball; Instrumental only (vocal will follow next week, June 15); Recorded Dolby "B"; Running Time 23 Min. 40 Sec. |
A two-hour film about Thomas Jefferson.
Film F-20193/2010 |
Natalie Bober interview, pix 116mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 90-92, SR 20-22, Natalie Bober 1, Outs, AA 0000; Leader Note: Jefferson, Natalie Bober 1, INTVW, AA 0000, CR 90-92, Pix |
Film F-20193/2011 |
Natalie Bober interview, mag 116mm motion picture film 725 feet Acetate ; MagneticSide of Box: Jefferson, CR 90-92, SR 20-22, Natalie Bober 1, Outs, AA 0000; Leader Note: Jefferson, Natalie Bober 1, INTVW, AA 0000, CR 90-92, SR 20-22, SND |
Film F-20193/2012 |
Natalie Bober interview, pix 216mm motion picture film 375 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 93-94, SR 23-24, Natalie Bober 2, Outs, AA 3200; Leader Note: Jefferson, Natalie Bober 2 INTVW, AA 3200, CR 53-54, Pix |
Film F-20193/2013 |
Natalie Bober interview, mag 216mm motion picture film 375 feet Acetate ; MagneticSide of Box: Jefferson, CR 93-94, SR 23-24, Natalie Bober 2, Outs, AA 3200; Leader Note: Jefferson, Natalie Bober 2 INTVW, AA 3200, CR 53-54, SR 23-24, SND |
Film F-20193/2014 |
Julian Bond interview, pix16mm motion picture film 525 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 67-68, SR 31, Julian Bond, Outs, AB 0000; Leader Note: "Jefferson", Julian Bond INTVW, CR 67-68, Pix |
Film F-20193/2015 |
Julian Bond interview, mag16mm motion picture film 525 feet Acetate ; MagneticSide of Box: Jefferson, CR 67-68, SR 31, Julian Bond, Outs, AB 0000; Leader Note: "Jefferson", Julian Bond INTVW, CR 67-68, SR 31, SND |
Film F-20193/2016 |
Daniel Boorstin interview, pix16mm motion picture film 900 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 72-74, SR 33-34, Daniel Boorstin, Outs, AB 3000; Leader Note: AB 3000, Jefferson, Daniel Boorstin, INTVW, CR 72-74, Pix |
Film F-20193/2017 |
Daniel Boorstin interview, mag16mm motion picture film 900 feet Acetate ; MagneticSide of Box: Jefferson, CR 72-74, SR 33-34, Daniel Boorstin, Outs, AB 3000; Leader Note: AB 3000, Jefferson, Daniel Boorstin, INTVW, CR 72-74, SR 33-34, SND |
Film F-20193/2018 |
Andy Burstein interview, pix 116mm motion picture film 400 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 162-163, SR 63, Andy Burstein 1, Outs, CC0000; Leader Note: Jefferson, INTVW., Andy Burstein, Code - CC0000, CR 162 163, Sync, Pix |
Film F-20193/2019 |
Andy Burstein interview, mag 116mm motion picture film 500 feet Acetate ; MagneticSide of Box: Jefferson, CR 162-163, SR 63, Andy Burstein 1, Outs, CC0000; Leader Note: Jefferson, INTVW., Andy Burstein, Code - CC0000, SR 63, Sync, TRK |
Film F-20193/2020 |
Andy Burnstein interview, pix 216mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 164-166, SR 63, Andy Burstein - 2, Outs, CC 2500; Leader Note: "Jefferson", INTVW, Andy Burnstein - 2, Code - CC 2500, Sync Pix |
Film F-20193/2021 |
Andy Burnstein interview, mag 216mm motion picture film 700 feet Acetate ; MagneticSide of Box: Jefferson, CR 164-166, SR 63, Andy Burstein - 2, Outs, CC 2500; Leader Note: "Jefferson", INTVW, Andy Burnstein - 2, Code - CC 2500, Sync Trk |
Film F-20193/2022 |
Robert Cooley interview, pix16mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 107-109, SR 47-48, Robert Cooley, Outs, AC 0000; Leader Note: AC 0000, Jefferson, Robert Cooley INTVW, CR 107-109, Pix |
Film F-20193/2023 |
Robert Cooley interview, mag16mm motion picture film 725 feet Acetate ; MagneticSide of Box: Jefferson, CR 107-109, SR 47-48, Robert Cooley, Outs, AC 0000; Leader Note: AC 0000, Jefferson, Robert Cooley INTVW, CR 107-109, SR 47-48, SND |
Film F-20193/2024 |
James Cox interview, pix 116mm motion picture film 450 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 110-111, SR 49, James Cox 1, Outs, AD0000; Leader Note: Jefferson, James Cox 1, INTVW, CR 110-111, Pix |
Film F-20193/2025 |
James Cox interview, mag 116mm motion picture film 450 feet Acetate ; MagneticSide of Box: Jefferson, CR 110-111, SR 49, James Cox 1, Outs, AD0000; Leader Note: Jefferson, James Cox 1, INTVW, CR 110-111, SR 49, SND |
Film F-20193/2026 |
James Cox interview, pix 216mm motion picture film 550 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 112-113, SR 50, James Cox 2, Outs, AD 2200; Leader Note: AD 2000, Jefferson, James Cox 2, INTVW, CR 112-113, Pix |
Film F-20193/2027 |
James Cox interview, mag 216mm motion picture film 550 feet Acetate ; MagneticSide of Box: Jefferson, CR 112-113, SR 50, James Cox 2, Outs, AD 2200; Leader Note: AD 2000, Jefferson, James Cox 2, INTVW, CR 112-113, SR 50, SND |
Film F-20193/2028 |
Joe Ellis interview, pix 116mm motion picture film 725 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 27-29, SR 1-3, Joe Ellis 1, Outs, AE 0000; Leader Note: AE 0000, Jefferson, Joe Ellis 1, INTVW, CR 27-29, Pix |
Film F-20193/2029 |
Joe Ellis interview, mag 116mm motion picture film 725 feet Acetate ; MagneticSide of Box: Jefferson, CR 27-29, SR 1-3, Joe Ellis 1, Outs, AE 0000; Leader Note: AE 0000, Jefferson, Joe Ellis 1, INTVW, CR 27-29, SR 1-3, Trk |
Film F-20193/2030 |
Joe Ellis interview, pix 216mm motion picture film 600 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 30-31, SR 4-5, Joe Ellis 2, Outs, AE 3200; Leader Note: AE 3200, Jefferson, Joe Ellis #2, INTVW., CRs 30-31, Pix |
Film F-20193/2031 |
Joe Ellis interview, mag 216mm motion picture film 600 feet Acetate ; MagneticSide of Box: Jefferson, CR 30-31, SR 4-5, Joe Ellis 2, Outs, AE 3200; Leader Note: AE 3200, Jefferson, Joe Ellis #2, INTVW., CRs 30-31, SRs 4-5, SND |
Film F-20193/2032 |
Timothy Ferris interview, pix16mm motion picture film 675 feet Acetate ; Color ; SilentSide of Box: Jefferson, 87-89, SR 42, Timothy Ferris, Outs, AF 0000; Leader Note: Jefferson, Timothy Ferris, INTVW, CR 87-89, Pix |
Film F-20193/2033 |
Timothy Ferris interview, mag16mm motion picture film 675 feet Acetate ; MagneticSide of Box: Jefferson, 87-89, SR 42, Timothy Ferris, Outs, AF 0000; Leader Note: Jefferson, Timothy Ferris, INTVW, SR 42, SND |
Film F-20193/2034 |
Paul Finkelman interview, pix16mm motion picture film 300 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 119-120, SR 53, Paul Finkelman, Outs, AF 3000; Leader Note: Jefferson, Paul Finkelman, INTVW., CR 119 pt 120, Pix |
Film F-20193/2035 |
Paul Finkelman interview, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: Jefferson, CR 119-120, SR 53, Paul Finkelman, Outs, AF 3000; Leader Note: Jefferson, Paul Finkelman, INTVW., CR 119-120, SR 53, SND |
Film F-20193/2036 |
John Hope Franklin interview, pix 116mm motion picture film 525 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 131-132, SR 58, John Hope Franklin 1, Outs, AG 0000; Leader Note: AG 0000, Jefferson, John Hope Franklin 1, INTVIEW, CR 131-132 |
Film F-20193/2037 |
John Hope Franklin interview, mag 116mm motion picture film 525 feet Acetate ; MagneticSide of Box: Jefferson, CR 131-132, SR 58, John Hope Franklin 1, Outs, AG 0000; Leader Note: AG 0000, Jefferson, John Hope Franklin 1, INTVW, CR 131-132, SR 58 |
Film F-20193/2038 |
John Hope Franklin interview, pix 216mm motion picture film 600 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 133-134, SR 58-59, John Hope Franklin 2, Outs, AG 2200; Leader Note: AG 2200, Jefferson, John Hope Franklin 2, INTVW., CR 133-134 |
Film F-20193/2039 |
John Hope Franklin interview, mag 216mm motion picture film 600 feet Acetate ; MagneticSide of Box: Jefferson, CR 133-134, SR 58-59, John Hope Franklin 2, Outs, AG 2200; Leader Note: AG 2200, Jefferson, John Hope Franklin 2, INTVW., CR 133-134, SR 58-9 |
Film F-20193/2040 |
Gregory Freidin interview, pix16mm motion picture film 800 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 80-82, SR 38-39 1/2, Gregory Freidin, Outs, AG 5000; Leader Note: AG 5000, Jefferson, Gregory Freidin, INTVW, CR 80-81-82, Pix |
Film F-20193/2041 |
Gregory Freidin interview, mag16mm motion picture film 800 feet Acetate ; MagneticSide of Box: Jefferson, CR 80-82, SR 38-39 1/2, Gregory Freidin, Outs, AG 5000; Leader Note: AG 5000, Jefferson, Gregory Freidin, INTVW, SR 38-39, CR 80-81-82, Trk |
Film F-20193/2042 |
Peter Hatch interview, pix 116mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 43-44, SR 9, Peter Hatch 1, Outs, AH 0000; Leader Note: AH 0000, Jefferson, Peter Hatch #1, INTVW, CR 43-44 |
Film F-20193/2043 |
Peter Hatch interview, mag 116mm motion picture film 700 feet Acetate ; MagneticSide of Box: Jefferson, CR 43-44, SR 9, Peter Hatch 1, Outs, AH 0000; Leader Note: AH 0000, Jefferson, Peter Hatch #1, INTVW, CR 43-44, SR 9 |
Film F-20193/2044 |
Peter Hatch interview, pix 216mm motion picture film 675 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 45-46 1/2, SR 10-11, Peter Hatch 2, Outs, AH 2200; Leader Note: AH 2200, Jefferson, Peter Hatch #2, INTVW, CR 45-46 |
Film F-20193/2045 |
Peter Hatch interview, mag 216mm motion picture film 700 feet Acetate ; MagneticSide of Box: Jefferson, CR 45-46 1/2, SR 10-11, Peter Hatch 2, Outs, AH 2200; Leader Note: AH 2200, Jefferson, Peter Hatch #2, INTVW, CR 45-46, SR 10 |
Film F-20193/2046 |
James Horton interview, pix16mm motion picture film 550 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 125-126, SR 55, James Horton, Outs, AH 5000; Leader Note: AH 5000, Jefferson, James Horton, INTVW, CR 125-126, Pix |
Film F-20193/2047 |
James Horton interview, mag16mm motion picture film 550 feet Acetate ; MagneticSide of Box: Jefferson, CR 125-126, SR 55, James Horton, Outs, AH 5000; Leader Note: AH 5000, Jefferson, James Horton, INTVW, CR 125-126, SR 55, SND |
Film F-20193/2048 |
Clay Jenkinson interview, pix 116mm motion picture film 425 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 57 58, SR 26, Clay Jenkinson 1, Outs, BA 0000; Leader Note: BA 0000, Jefferson, Clay Jenkinson 1, INTVW, CR 57-58, Pix |
Film F-20193/2049 |
Clay Jenkinson interview, mag 116mm motion picture film 425 feet Acetate ; MagneticSide of Box: Jefferson, CR 57 58, SR 26, Clay Jenkinson 1, Outs, BA 0000; Leader Note: BA 0000, Jefferson, Clay Jenkinson 1, INTVW, CR 57-58, SR 25, SND |
Film F-20193/2050 |
Clay Jenkinson interview, pix 216mm motion picture film 500 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 59 60 61, SR 26 28, Clay Jenkinson 2, Outs, BA 2200; Leader Note: Jefferson, Clay Jenkinson, INTVW, CR 59-61, Pix |
Film F-20193/2051 |
Clay Jenkinson interview, mag 216mm motion picture film 500 feet Acetate ; MagneticSide of Box: Jefferson, CR 59 60 61, SR 26 28, Clay Jenkinson 2, Outs, BA 2200; Leader Note: Jefferson, Clay Jenkinson, INTVW, CR 59-61, SR 26-28, Trk |
Film F-20193/2052 |
Clay Jenkinson interview, pix 316mm motion picture film 400 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 62 63 64, SR 28 29, Clay Jenkinson 3, Outs, BA 5400; Leader Note: BA 5400, Jefferson, Clay Jenkinson 3, INTVW, CR 62-64 1/2, Pix |
Film F-20193/2053 |
Clay Jenkinson interview, mag 316mm motion picture film 400 feet Acetate ; MagneticSide of Box: Jefferson, CR 62 63 64, SR 28 29, Clay Jenkinson 3, Outs, BA 5400; Leader Note: BA 5400, Jefferson, Clay Jenkinson 3, INTVW, CR 62-64, SR 28-29, Pix |
Film F-20193/2054 |
Clay Jenkinson interview, pix 416mm motion picture film 450 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 64 65 66, SR 29 30, Clay Jenkinson 4, Outs, BB 0000; Leader Note: BB 0000, Jefferson, Clay Jenkinson, INTVW, CR 64 1/2-66, Pix |
Film F-20193/2055 |
Clay Jenkinson interview, mag 416mm motion picture film 450 feet Acetate ; MagneticSide of Box: Jefferson, CR 64 65 66, SR 29 30, Clay Jenkinson 4, Outs, BB 0000; Leader Note: BB 0000, Jefferson, Clay Jenkinson, INTVW, CR 64 1/2-66, SR 29-30, SND |
Film F-20193/2056 |
Dan Jordan interview, pix 116mm motion picture film 500 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 115-116, SR 51, Dan Jordan, Outs, BC 0000; Leader Note: BC 0000, Jefferson, Dan Jordan 1, INTVW, CR 115-116, Pix |
Film F-20193/2057 |
Dan Jordan interview, mag 116mm motion picture film 525 feet Acetate ; MagneticSide of Box: Jefferson, CR 115-116, SR 51, Dan Jordan, Outs, BC 0000; Leader Note: BC 0000, Jefferson, Dan Jordan 1, INTVW, CR 115-116, SR 51, SND |
Film F-20193/2058 |
Dan Jordan interview, pix 216mm motion picture film 400 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 117-119pt, SR 52, Dan Jordan 2, Outs, BC 2200; Leader Note: BC 2200, Jefferson, Dan Jordan 2, INTVW, CR 117-118-119pt, Pix |
Film F-20193/2059 |
Dan Jordan interview, mag 216mm motion picture film 400 feet Acetate ; MagneticSide of Box: Jefferson, CR 117-119pt, SR 52, Dan Jordan 2, Outs, BC 2200; Leader Note: BC 2200, Jefferson, Dan Jordan 2, INTVW, CR 117-118-119pt, SR 52, SND |
Film F-20193/2060 |
Jan Lewis interview, pix16mm motion picture film 1000 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 98-100, SR 43-44, Jan Lewis, Outs, BD 0000; Leader Note: BD 0000, Jefferson, Jan Lewis INTVW, CR 98-100, Pix |
Film F-20193/2061 |
Jan Lewis interview, mag16mm motion picture film 1000 feet Acetate ; MagneticSide of Box: Jefferson, CR 98-100, SR 43-44, Jan Lewis, Outs, BD 0000; Leader Note: BD 0000, Jefferson, Jan Lewis INTVW, CR 98-100, SR 43-44, Snd |
Film F-20193/2062 |
Miscellaneous Interviews, Trims, mag 116mm motion picture film Acetate ; MagneticSide of Box: Jefferson, Interview Trims #1, Bober, Boorstin, Burstein, Cooley, Cox, Ellis, Franklin, Freidan |
Film F-20193/2063 |
Miscellaneous Interviews, Trims, mag 216mm motion picture film Acetate ; MagneticSide of Box: Jefferson, Interview Trims #2, Finkelman, Horton, Jenkinson, Jordan, Onuf, Peterson, MISC |
Film F-20193/2064 |
Miscellaneous Interviews, Trims, mag 316mm motion picture film Acetate ; MagneticSide of Box: Interview Trims # 3 - Vidal BH 3000, Wills CB 0000, Will CA 0000 |
Film F-20193/2065 |
Stephen Mitchell interview, pix16mm motion picture film 675 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 83-84, SR 39 1/2-40, Stephen Mitchell, Outs, BD 7200; Leader Note: BD 7200, Jefferson, Stephen Mitchell, INTVW, CR 83-84, Pix |
Film F-20193/2066 |
Stephen Mitchell interview, mag16mm motion picture film 700 feet Acetate ; MagneticSide of Box: Jefferson, CR 83-84, SR 39 1/2-40, Stephen Mitchell, Outs, BD 7200; Leader Note: BD 7200, Jefferson, Stephen Mitchell, INTVW, CR 83-84, SR 39 1/2-40, SND |
Film F-20193/2067 |
Peter Onuf interview, pix 116mm motion picture film 400 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 38-39, SR 6, Peter Onuf, Outs, BE 0000; Leader Note: BE 0000, Jefferson, Peter Onuf 1, INTVW, CR 38-39, Pix |
Film F-20193/2068 |
Peter Onuf interview, mag 116mm motion picture film 400 feet Acetate ; MagneticSide of Box: Jefferson, CR 38-39, SR 6, Peter Onuf, Outs, BE 0000; Leader Note: BE 0000, Jefferson, Peter Onuf 1, INTVW, CR 38-39, SR 6, SND |
Film F-20193/2069 |
Peter Onuf interview, pix 216mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 40-42, SR 7-8, Peter Onuf 2, Outs, BE 2200; Leader Note: BE 2200, Jefferson, Peter Onuf 2, INTVW, CR 40-42, Pix |
Film F-20193/2070 |
Peter Onuf interview, mag 216mm motion picture film 700 feet Acetate ; MagneticSide of Box: Jefferson, CR 40-42, SR 7-8, Peter Onuf 2, Outs, BE 2200; Leader Note: BE 2200, Jefferson, Peter Onuf 2, INTVW, CR 40-42, SR 7-8, SND |
Film F-20193/2071 |
Merrill Peterson interview, pix 116mm motion picture film 725 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 102-104, SR 45, Merrill Peterson 1, Outs, BF 0000; Leader Note: BF 0000, Jefferson, Merrill Peterson 1, INTVW, CR 102-103-104, Pix |
Film F-20193/2072 |
Merrill Peterson interview, mag 116mm motion picture film 750 feet Acetate ; MagneticSide of Box: Jefferson, CR 102-104, SR 45, Merrill Peterson 1, Outs, BF 0000; Leader Note: BF 0000, Jefferson, Merrill Peterson 1, INTVW, CR 102-104, SR 45, Pix |
Film F-20193/2073 |
Merrill Peterson interview, pix 216mm motion picture film 550 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 105-106, CR 46, Merrill Peterson 2, Outs, BF 2700; Leader Note: BF 2700, Jefferson, Merrill Peterson 2, INTVW, CR 105-106, Pix |
Film F-20193/2074 |
Merrill Peterson interview, mag 216mm motion picture film 550 feet Acetate ; MagneticSide of Box: Jefferson, CR 105-106, CR 46, Merrill Peterson 2, Outs, BF 2700; Leader Note: BF 2700, Jefferson, Merrill Peterson 2, INTVW, CR 105-106, SR 46, SND |
Film F-20193/2075 |
Lewis Simpson interview, pix16mm motion picture film 1100 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 128-130, SR 56-57, Lewis Simpson, Outs, BG 3000; Leader Note: BG 3000, Jefferson, Lewis Simpson, INTVW, CR 128-130, Pix |
Film F-20193/2076 |
Lewis Simpson interview, mag16mm motion picture film 1150 feet Acetate ; MagneticSide of Box: Jefferson, CR 128-130, SR 56-57, Lewis Simpson, Outs, BG 3000; Leader Note: BG 3000, Jefferson, Lewis Simpson, INTVW, CR 128-130, SR 56-59, SND |
Film F-20193/2077 |
Cinder Stanton interview, pix16mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 121-122, SR 54, Cinder Stanton, Outs, BG 0000; Leader Note: BG 0000, Jefferson, Cinder Stanton, INTVW, CR 121-122, Pix |
Film F-20193/2078 |
Cinder Stanton interview, mag16mm motion picture film 700 feet Acetate ; MagneticSide of Box: Jefferson, CR 121-122, SR 54, Cinder Stanton, Outs, BG 0000; Leader Note: BG 0000, Jefferson, Cinder Stanton, INTVW, CR 121-122, SR 54, SND |
Film F-20193/2079 |
Dell Upton interview, pix16mm motion picture film 800 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 85-86, SR 41, Dell Upton, Outs, BH 0000; Leader Note: BH 0000, Jefferson, Dell Upton, INTVW, CR 85-86, Pix |
Film F-20193/2080 |
Dell Upton interview, mag16mm motion picture film 800 feet Acetate ; MagneticSide of Box: Jefferson, CR 85-86, SR 41, Dell Upton, Outs, BH 0000; Leader Note: BH 0000, Jefferson, Dell Upton, INTVW, CR 85-86, SR 41, SND |
Film F-20193/2081 |
Gore Vidal interview, pix 116mm motion picture film 650 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 139-141, SR 60-61, Gore Vidal 1, Outs, BH 3000; Leader Note: Code - BH 3000, Jefferson, Gore Vidal, INTVW, CR 139-141, Pix |
Film F-20193/2082 |
Gore Vidal interview, mag 116mm motion picture film 700 feet Acetate ; MagneticSide of Box: Jefferson, CR 139-141, SR 60-61, Gore Vidal 1, Outs, BH 3000; Leader Note: Code - BH 3000, Jefferson, Gore Vidal, INTVW, CR 139-141, SR 60-61, SND |
Film F-20193/2083 |
Gore Vidal interview, pix 216mm motion picture film 675 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 141pt-143, SR 61pt-62, Gore Vidal 2, Outs, BH 6000; Leader Note: Jefferson, Gore Vidal 2, INTVW, CR 141pt-143, Pix |
Film F-20193/2084 |
Gore Vidal interview, mag 216mm motion picture film 700 feet Acetate ; MagneticSide of Box: Jefferson, CR 141pt-143, SR 61pt-62, Gore Vidal 2, Outs, BH 6000; Leader Note: Jefferson, Gore Vidal 2, INTVW, CR 141pt-143, SR 61pt-62, SND |
Film F-20193/2085 |
George Will interview, pix16mm motion picture film 525 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 69-71, SR 32-33, George Will, Outs, CA 0000; Leader Note: CA 0000, Jefferson, George Will, INTVW, CRs 69-70-71, Pix |
Film F-20193/2086 |
George Will interview, mag16mm motion picture film 525 feet Acetate ; MagneticSide of Box: Jefferson, CR 69-71, SR 32-33, George Will, Outs, CA 0000; Leader Note: CA 0000, Jefferson, George Will, INTVW, CRs 69-71, SR 32-33, SND |
Film F-20193/2087 |
Garry Wills interview, pix 116mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 75-77, SR 35-36, Garry Willis 1, Outs, CB 0000; Leader Note: CB 0000, Jefferson, Garry Willis 1, INTVW, CR 75-77, Pix |
Film F-20193/2088 |
Garry Wills interview, mag 116mm motion picture film 700 feet Acetate ; MagneticSide of Box: Jefferson, CR 75-77, SR 35-36, Garry Willis 1, Outs, CB 0000; Leader Note: CB 0000, Jefferson, Garry Willis 1, INTVW, CR 75-77, SR 35-36, SND |
Film F-20193/2089 |
Garry Wills interview, pix 216mm motion picture film 450 feet Acetate ; Color ; SilentSide of Box: Jefferson, CR 78-79, SR 37, Garry Wills 2, Outs, CB 3200; Leader Note: CB 3200, Jefferson, Gary Wills 2, INTVW, CR 78-79, Pix |
Film F-20193/2090 |
Garry Wills interview, mag 216mm motion picture film 450 feet Acetate ; MagneticSide of Box: Jefferson, CR 78-79, SR 37, Garry Wills 2, Outs, CB 3200; Leader Note: CB 3200, Jefferson, Gary Wills 2, INTVW, CR 78-79, SR 37, SND |
SFC Audio Open Reel FT-20193/382 |
Natalie Bober interview: tape 1 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: Thomas Jefferson Film Project, July 1994, Natalie Bober, SR #20, 1 of 5; Side of Box: Natalie Bober Intvw., SR #20 |
SFC Audio Open Reel FT-20193/383 |
Natalie Bober interview: tape 2 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: Thomas Jefferson Film Project, July 1994, Natalie Bober, SR #21, 3 of 5; Side of Box: Natalie Bober Intvw., SR #21 |
SFC Audio Open Reel FT-20193/384 |
Natalie Bober interview: tape 3 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: Thomas Jefferson Film Project, July 1994, Natalie Bober, SR #22, 3 of 3; Side of Box: Natalie Bober Intvw., SR #22 |
SFC Audio Open Reel FT-20193/385 |
Natalie Bober interview: tape 4 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: SR #23, 4 of 5; Side of Box: Natalie Bober Intvw., SR #23 |
SFC Audio Open Reel FT-20193/386 |
Natalie Bober interview: tape 5 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: SR #24, 5 of 5; Side of Box: Natalie Bober Intvw., SR #24 |
SFC Audio Open Reel FT-20193/387 |
Julian Bond interview1/4" Open Reel Audio 7" reel PolyesterBack of Box: Jefferson, SR 31, CR 67, Julian Bond Interview, Slate 1, CR 68, Slate 2, Slate 3, Room Tone, 1/9/95 |
SFC Audio Open Reel FT-20193/388 |
Daniel Boorstin interview1/4" Open Reel Audio 7" reel PolyesterBack of Box: Jefferson, 1/9/95, SR #34, CR 74, Slate 1 2, Daniel Boorstin Continued, Room Tone |
SFC Audio Open Reel FT-20193/389 |
Robert Cooley interview: tape 1 of 21/4" Open Reel Audio 7" reel PolyesterFront of Case: Jefferson, 4/17/95, SR 47, Robert Cooley Intvw, CR 107, Takes 1 2 3, CR 108 |
SFC Audio Open Reel FT-20193/390 |
Robert Cooley interview: tape 2 of 21/4" Open Reel Audio 7" reel PolyesterFront of Case: Jefferson, 4/17/95, SR 48, Robert Cooley Intvw, CR 109, Room Tone |
SFC Audio Open Reel FT-20193/391 |
James Cox interview: tape 1 of 21/4" Open Reel Audio 7" reel PolyesterFront of Case: Jefferson, SR 49, James Cox Intvw., CR 110, Take 1, CR 111, Takes 2-3 |
SFC Audio Open Reel FT-20193/392 |
James Cox interview: tape 2 of 21/4" Open Reel Audio 7" reel PolyesterFront of Case: Jefferson, SR 50, James Cox Intvw., CR 112, Take 4, CR 111, Takes 5 |
SFC Audio Open Reel FT-20193/393 |
Joe Ellis interview: tape 1 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: Thomas Jefferson Film, Joe Ellis Intw., SR #1, CR #27; Side of Box: 1 of 5, Joe Ellis Intvw., SR 1 |
SFC Audio Open Reel FT-20193/394 |
Joe Ellis interview: tape 2 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: Thomas Jefferson Film, Joe Ellis Intw., SR #2, CR #28; Side of Box: 2 of 5, Joe Ellis Intvw., SR 2 |
SFC Audio Open Reel FT-20193/395 |
Joe Ellis interview: tape 3 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: Thomas Jefferson Film, Joe Ellis Intw., SR #3, CR #29; Side of Box: 3 of 5, Joe Ellis Intvw., SR 3 |
SFC Audio Open Reel FT-20193/396 |
Joe Ellis interview: tape 4 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: Thomas Jefferson Film, Joe Ellis Intw., SR #4, CR #30; Side of Box: 4 of 5, Joe Ellis Intvw., SR 4 |
SFC Audio Open Reel FT-20193/397 |
Joe Ellis interview: tape 5 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: Thomas Jefferson Film, Joe Ellis Intw., SR #5, CR #31; Side of Box: 5 of 5, Joe Ellis Intvw., SR 5 |
SFC Audio Open Reel FT-20193/398 |
Tim Ferris interview1/4" Open Reel Audio 7" reel PolyesterFront of Case: SR 42, 2/24/95, T Jefferson, Tim Ferris Interview, CR 87, Tks 1 2, CR 88, Tks 3, CR 89, Tks 4 5, Room Tone for Ferris |
SFC Audio Open Reel FT-20193/399 |
Paul Finkelman interview1/4" Open Reel Audio 7" reel PolyesterFront of Case: Jefferson, 4/18/95, Paul Finkelman Intvw, SR 53, CR 119, Tk 1 2 3, CR 120, 4 5 |
SFC Audio Open Reel FT-20193/400 |
John Hope Franklin interview: tape 1 of 21/4" Open Reel Audio 7" reel PolyesterFront of Case: May 22 95, Thomas Jefferson Proj., SR 58 for CR 131-133, Franklin |
SFC Audio Open Reel FT-20193/401 |
John Hope Franklin interview: tape 2 of 21/4" Open Reel Audio 7" reel PolyesterFront of Case: May 22 95, Thomas Jefferson Proj., SR 59 for CR 134, Franklin |
SFC Audio Open Reel FT-20193/402 |
Gregory Freidin interview: tape 1 of 21/4" Open Reel Audio 7" reel PolyesterFront of Case: SR 38, 2/23/95, Thomas Jefferson, Cam Roll 80, Gregory Freidin Interview, Berkely, Tks 1, Cam Roll 81, Tks 2 3 |
SFC Audio Open Reel FT-20193/403 |
Gregory Freidin interview: tape 2 of 2; Stephen Mitchell interview1/4" Open Reel Audio 7" reel PolyesterFront of Case: SR 39, 2/23/95, Thomas Jefferson, Gregory Freidin Interview, Cam Roll 82, Tks 4 5 1, Room Tone for Freidin, Cam Roll 83, Stephen Mitchell, Tks 1 |
SFC Audio Open Reel FT-20193/404 |
Peter Hatch interview: tape 1 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jefferson, SR 9, CR 43, CR 44, Peter Hatch; Side of Box; 1 of 3, Int. Peter Hatch, SR 9 |
SFC Audio Open Reel FT-20193/405 |
Peter Hatch interview: tape 2 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jefferson, Peter Hatch, SR 10, CR 45, TK 1-5, Some Repeats/Pickups for Plane etc. noises, Room Tone (Forest), Wild Sound Takes; Side of Box: 2 of 3, Int. Peter Hatch, SR 10 |
SFC Audio Open Reel FT-20193/406 |
Peter Hatch interview: tape 3 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jefferson, Peter Hatch, SR 11, CR 46, 4/25/94; Side of Box: 3 of 3, Int. Peter Hatch, SR 11 |
SFC Audio Open Reel FT-20193/407 |
James Horton interview1/4" Open Reel Audio 7" reel PolyesterBack of Box: Jefferson, 4/19/94, Interview with James Horton, Slates 1 2, CR #126, 3 4, Wild Track - "Fly on the wall", Answer, Wild Room Tone |
SFC Audio Open Reel FT-20193/408 |
Clay Jenkinson interview: tape 1 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: 8 Dec 94, Jefferson, CR 57 58, SR 25, Int. Clay Jenkinson; Side of Box: 1 of 5, Int. Clay Jenkinson, SR 25 |
SFC Audio Open Reel FT-20193/409 |
Clay Jenkinson interview: tape 2 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: 8 Dec 94, Jefferson, CR 59 60, SR 26, Int. Clay Jenkinson; Side of Box: 2 of 5, Int. Clay Jenkinson, SR 26 |
SFC Audio Open Reel FT-20193/410 |
Clay Jenkinson interview: tape 3 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: 8 Dec 94, Jefferson, CR 61 62, SR 28, Int. Clay Jenkinson; Side of Box: 3 of 5, Int. Clay Jenkinson, SR 28 |
SFC Audio Open Reel FT-20193/411 |
Clay Jenkinson interview: tape 4 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: 8 Dec 94, Jefferson, CR 63 64, SR 29, Int. Clay Jenkinson; Side of Box: 4 of 5, Int. Clay Jenkinson, SR 29 |
SFC Audio Open Reel FT-20193/412 |
Clay Jenkinson interview: tape 5 of 51/4" Open Reel Audio 5" reel PolyesterBack of Box: 8 Dec 94, Jefferson, CR 65 66, SR 30, Int. Clay Jenkinson; Side of Box: 5 of 5, Int. Clay Jenkinson, SR 30 |
SFC Audio Open Reel FT-20193/413 |
Dan Jordan interview: tape 1 of 21/4" Open Reel Audio 7" reel PolyesterFront of Case: Jefferson, 4/18/95, SR 51, Dan Jordan Intvw, CR 115, Tk 1 2 3, CR 116, Tk 4 5 |
SFC Audio Open Reel FT-20193/414 |
Dan Jordan interview: tape 2 of 21/4" Open Reel Audio 7" reel PolyesterFront of Case: Jefferson, SR 52, Dan Jordan Intvw, CR 117, Tk 1 2 Room Tone, CR 118 3, CR 119 4 |
SFC Audio Open Reel FT-20193/415 |
Jan Lewis interview: tape 1 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: Jefferson, Jan Lewis Intv., 4/11/95, SR #43, CR #98 99; Side of Box: Jan Lewis Intvw., SR #43 |
SFC Audio Open Reel FT-20193/416 |
Jan Lewis interview: tape 2 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: Jefferson, Jan Lewis Intv., 4/11/95, SR #44, CR #100; Side of Box: Jan Lewis Intvw., SR #44 |
SFC Audio Open Reel FT-20193/417 |
Stephen Mitchell interview1/4" Open Reel Audio 7" reel PolyesterFront of Case: SR 40, Thomas Jefferson, 2/23/95, Stephen Mitchell Interview, CR 89, Tks 2 3, Room Tone for Mitchell at End |
SFC Audio Open Reel FT-20193/418 |
Peter Onuf interview: tape 1 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jefferson, SR 6, CR 38, CR 39, Peter Onuf, TK 1+2, 4/25/94; Side of Box: 1 of 3, Int. Peter Onuf, SR 6 |
SFC Audio Open Reel FT-20193/419 |
Peter Onuf interview: tape 2 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jefferson, 4/25/94, Peter Onuf, SR 7, CR 40, CR 41; Leader Note: 2 of 3, Int. Peter Onuf, SR 7 |
SFC Audio Open Reel FT-20193/420 |
Peter Onuf interview: tape 3 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jefferson, Peter Onuf, SR 8, CR 42, Some Wild Sound Intvw., Room Tone, 4/25/94; Side of Box: 3 of 3, Int. Peter Onuf, SR 8 |
SFC Audio Open Reel FT-20193/421 |
Merrill Peterson interview: tape 1 of 21/4" Open Reel Audio 7" reel PolyesterFront of Case: Jefferson, 4/17/95, Merrill Peterson Intvw, SR 45, CR 102, 2 Tks 1 + 2, CR 103, 1 Tk 3, CR 104, Room Tone |
SFC Audio Open Reel FT-20193/422 |
Merrill Peterson interview: tape 2 of 21/4" Open Reel Audio 7" reel PolyesterFront of Case: Jefferson, 4/17/95, Merrill Peterson Intvw, SR 46, CR 105, 2 Tks 1 + 2, CR 106, Tk 3 |
SFC Audio Open Reel FT-20193/423 |
Lewis Simpson interview: tape 1 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: Jefferson, INTV, Lewis Simpson, Baton Rouge, 4/27/95, SND #56, CR #128 129; Side of Box: Lewis Simpson, SR #56 |
SFC Audio Open Reel FT-20193/424 |
Lewis Simpson interview: tape 2 of 21/4" Open Reel Audio 5" reel PolyesterBack of Box: Jefferson, Int. Lewis Simpson (Cont.), Sound #57, CR #130; Side of Box: Lewis Simpson, Jefferson, SR 57 |
SFC Audio Open Reel FT-20193/425 |
Cinder Stanton interview1/4" Open Reel Audio 7" reel PolyesterFront of Case: Jefferson, 4/18/95, Cinder Stanton Intvw, SR 54, CR 121 1, CR 122 2+3, Room Tone |
SFC Audio Open Reel FT-20193/426 |
Dell Upton interview1/4" Open Reel Audio 7" reel PolyesterFront of Case: SR 41, Thomas Jefferson, 2/24/95, Dell Upton Interview, CR 85, Tks 1 2, CR 86, Tks 3, Room Tone for Ferris |
SFC Audio Open Reel FT-20193/427 |
Gore Vidal interview: tape 1 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jefferson, Gore Vidal Intv, SND #60, CR #139 140; Side of Box: Gore Vidal Intvw., SR #60 |
SFC Audio Open Reel FT-20193/428 |
Gore Vidal interview: tape 2 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jefferson, Gore Vidal Intv., Sound #61, CR #141 142; Side of Box: Gore Vidal Intvw. #61 |
SFC Audio Open Reel FT-20193/429 |
Gore Vidal interview: tape 3 of 31/4" Open Reel Audio 5" reel PolyesterBack of Box: Jefferson, Gore Vidal Intv., SR #62, CR #143; Side of Box: Gore Vidal Intvw., #62 |
SFC Audio Open Reel FT-20193/430 |
George Will interview: tape 1 of 21/4" Open Reel Audio 7" reel PolyesterBack of Box: Jefferson, 1/9/95, SR #32, CR #69, George F Will, Slate #4, Slate #5, CR #70, Slate #1 |
SFC Audio Open Reel FT-20193/431 |
George Will interview: tape 2 of 2; Daniel Boorstin interview1/4" Open Reel Audio 7" reel PolyesterBack of Box: Int. Jefferson, 1/9/95, SR 33, CR #71, George F. Will, Slate #2, Slate #3, Room Tone, CR #72, Daniel Boorstin, Slate #4, CR #73 - Slate 5 |
SFC Audio Open Reel FT-20193/432 |
Garry Wills interview: tape 1 of 31/4" Open Reel Audio 7" reel PolyesterFront of Case: Tape 35, Camera Roll 75, Camera Roll 76, Jefferson, Interview Garry Wills |
SFC Audio Open Reel FT-20193/433 |
Garry Wills interview: tape 2 of 31/4" Open Reel Audio 7" reel PolyesterFront of Case: Tape 36, Camera Roll 77, Jefferson, Interview Garry Wills continued II |
SFC Audio Open Reel FT-20193/434 |
Garry Wills interview: tape 3 of 31/4" Open Reel Audio 7" reel PolyesterFront of Case: Tape 37, Camera Roll 78, Camera Roll 79, Jefferson, Interview Garry Wills continued III |
Digital Audiotape DAT-20193/6 |
Andy Burnstein interviewDigital Audio Tape (DAT) Spine of Case: INTVW. A Burnstein; Back of Case: CR 162 163 164 165 166, SR 63 |
Digital Audiotape DAT-20193/7 |
Andy Burnstein interview, safety copyDigital Audio Tape (DAT) Spine of Case: Intvw Burnstein, Safety, TJ Intvw. |
Film F-20193/2091 |
Natalie Bober interview selects, pix16mm motion picture film 550 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Natalie Bober, Sync, AA 0; Leader Note: Jefferson, Natalie Bober INTVW, CR, Pix |
Film F-20193/2092 |
Natalie Bober interview selects, mag16mm motion picture film 550 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Natalie Bober, Sync, AA 0; Leader Note: Jefferson, Natalie Bober INTVW, SR, TRK |
Film F-20193/2093 |
Julian Bond interview selects, pix16mm motion picture film 225 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Julian Bond, Sync, AB 0; Leader Note: Jefferson, Julian Bond INTVW, AB 0000, Pix |
Film F-20193/2094 |
Julian Bond interview selects, mag16mm motion picture film 225 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Julian Bond, Sync, AB 0; Leader Note: Jefferson, Julian Bond INTVW, AB 0000, TRK |
Film F-20193/2095 |
Daniel Boorstin interview selects, pix16mm motion picture film 100 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Daniel Boorstin, Sync, AB 5698; Leader Note: Jefferson, INTVW, Daniel Boorstin, AB 3000, Pix |
Film F-20193/2096 |
Daniel Boorstin interview selects, mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Daniel Boorstin, Sync, AB 5698; Leader Note: Jefferson, INTVW, Daniel Boorstin, AB 3000, Trk |
Film F-20193/2097 |
Andy Burnstein interview selects, mag16mm motion picture film Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Andy Burnstein, CC 0000 |
Film F-20193/2098 |
Robert Cooley interview selects, pix16mm motion picture film 375 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Robert Cooley, Sync, AC 0; Leader Note: Jefferson, INTVW, Robert Cooley, AC 0000, Pix |
Film F-20193/2099 |
Robert Cooley interview selects, mag16mm motion picture film 375 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Robert Cooley, Sync, AC 0; Leader Note: Jefferson, INTVW, Robert Cooley, AC 0000, Trk |
Film F-20193/2100 |
James Cox interview selects, pix16mm motion picture film 500 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, James Cox, Sync, AD 0; Leader Note: Jefferson, INTVW, James Cox, AD 0000, Pix |
Film F-20193/2101 |
James Cox interview selects, mag16mm motion picture film 500 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, James Cox, Sync, AD 0; Leader Note: Jefferson, INTVW, James Cox, AD 0000, Trk |
Film F-20193/2102 |
Joe Ellis interview selects, pix16mm motion picture film 225 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Joe Ellis, Sync, AE 0; Leader Note: Jefferson, INTVW Selects, Joe Ellis, AE 0, Pix |
Film F-20193/2103 |
Joe Ellis interview selects, mag16mm motion picture film 225 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Joe Ellis, Sync, AE 0; Leader Note: Jefferson, INTVW Selects, Joe Ellis, AE 0, TRK |
Film F-20193/2104 |
Timothy Ferris interview selects, pix16mm motion picture film 200 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Timothy Ferris, Sync, AF 2265; Leader Note: Jefferson, INTVW Selects, Timothy Ferris, AF 0000, Pix |
Film F-20193/2105 |
Timothy Ferris interview selects, mag16mm motion picture film 200 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Timothy Ferris, Sync, AF 2265; Leader Note: Jefferson, INTVW Selects, Timothy Ferris, AF 0000, Trk |
Film F-20193/2106 |
Paul Finkelman interview selects, pix16mm motion picture film 250 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Paul Finkelman, Sync, AF 3000; Leader Note: Jefferson, INTVW Selects, Paul Finkelman, AF 3000, Pix |
Film F-20193/2107 |
Paul Finkelman interview selects, mag16mm motion picture film 250 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Paul Finkelman, Sync, AF 3000; Leader Note: Jefferson, INTVW Selects, Paul Finkelman, AF 3000, Trk |
Film F-20193/2108 |
John Hope Franklin interview selects, pix16mm motion picture film 200 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, John Hope Franklin, Sync, AG 0; Leader Note: Jefferson, INTVW Selects, John Hope Franklin, AG 0000, Pix |
Film F-20193/2109 |
John Hope Franklin interview selects, mag16mm motion picture film 200 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, John Hope Franklin, Sync, AG 0; Leader Note: Jefferson, INTVW Selects, John Hope Franklin, AG 0000, Trk |
Film F-20193/2110 |
Gregory Freidin interview selects, pix16mm motion picture film 400 feet Acetate ; Color ; SilentSide of Box: Florentine, Jefferson, INTVW Selects, Gregory Freidin, Sync, AG 5000; Leader Note: "Jefferson", INTVW Selects, Greg Freidin, AG 5000, Pix |
Film F-20193/2111 |
Gregory Freidin interview selects, mag16mm motion picture film 400 feet Acetate ; MagneticSide of Box: Florentine, Jefferson, INTVW Selects, Gregory Freidin, Sync, AG 5000; Leader Note: "Jefferson", INTVW Selects, Greg Freidin, AG 5000, Trk |
Film F-20193/2112 |
Peter Hatch interview selects, pix16mm motion picture film 75 feet Acetate ; Color ; SilentSide of Box: Florentine, Jefferson, INTVW Selects, Peter Hatch, Sync, AH 0; Leader Note: Jefferson, INTVW Selects, Peter Hatch, AH 0, Pix |
Film F-20193/2113 |
Peter Hatch interview selects, mag16mm motion picture film Acetate ; MagneticSide of Box: Florentine, Jefferson, INTVW Selects, Peter Hatch, Sync, AH 0; Leader Note: Jefferson, INTVW Selects, Peter Hatch, AH 0, Trk, 3 1 2A 3AA Hatch |
Film F-20193/2114 |
James Horton interview selects, pix16mm motion picture film 200 feet Acetate ; Color ; SilentSide of Box: Florentine, Jefferson, INTVW Selects, James Horton, Sync, AH 6967; Leader Note: "Jefferson" INTVW Selects, James Horton, AH 3000, Pix |
Film F-20193/2115 |
James Horton interview selects, mag16mm motion picture film Acetate ; MagneticSide of Box: Florentine, Jefferson, INTVW Selects, James Horton, Sync, AH 6967; Leader Note: "Jefferson" INTVW Selects, James Horton, AH 3000, Trk, SR 55 Horton (5) |
Film F-20193/2116 |
Clay Jenkinson interview selects, pix 116mm motion picture film 800 feet Acetate ; Color ; SilentSide of Box: Florentine, Jefferson, INTVW Selects, Clay Jenkinson 1, Sync; Leader Note: Jefferson INTVW, Clay Jenkinson, BA 0, Pix |
Film F-20193/2117 |
Clay Jenkinson interview selects, mag 116mm motion picture film 700 feet Acetate ; MagneticSide of Box: Florentine, Jefferson, INTVW Selects, Clay Jenkinson 1, Sync; Leader Note: Jefferson INTVW, Clay Jenkinson, BA 0, Trk |
Film F-20193/2118 |
Clay Jenkinson interview selects, pix 216mm motion picture film 650 feet Acetate ; Color ; SilentSide of Box: Florentine, Jefferson, INTVW Selects, Clay Jenkinson, 2, #33-60, Sync; Leader Note: "Jefferson", Intvw, Clay Jenkinson - 2, BA4788, Pix |
Film F-20193/2119 |
Clay Jenkinson interview selects, mag 216mm motion picture film 600 feet Acetate ; MagneticSide of Box: Florentine, Jefferson, INTVW Selects, Clay Jenkinson, 2, #33-60, Sync; Leader Note: "Jefferson", Intvw, Clay Jenkinson - 2, BA4788, Trk |
Film F-20193/2120 |
Clay Jenkinson interview selects, mag 316mm motion picture film 300 feet Acetate ; MagneticSide of Box: Florentine, Jefferson, INTVW Selects, Clay Jenkinson, 3, #61+, Sync; Leader Note: "Jefferson", Intvw Selects, Clay Jenkinson - 3, Trk |
Film F-20193/2121 |
Clay Jenkinson interview selects, pix 316mm motion picture film 400 feet Acetate ; Color ; SilentSide of Box: Florentine, Jefferson, INTVW Selects, Clay Jenkinson, 3, #61+, Sync; Leader Note: "Jefferson", Intvw Selects, Clay Jenkinson, BB0, Pix |
Film F-20193/2122 |
Dan Jordan interview selects, pix16mm motion picture film Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Dan Jordan, Sync BC 4308; Leader Notes: "Jefferson", INTVW Selects, Dan Jordan, BC 0000, Pix, 32 Part. Jordan |
Film F-20193/2123 |
Dan Jordan interview selects, mag16mm motion picture film Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Dan Jordan, Sync BC 4308; Leader Notes: "Jefferson", INTVW Selects, Dan Jordan, BC 0000, TRK |
Film F-20193/2124 |
Jan Lewis interview selects, pix16mm motion picture film 100 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Jan Lewis, Sync BD 0; Leader Note: "Jefferson", INTVW Selects, Jan Lewis, BD 0000, Pix |
Film F-20193/2125 |
Jan Lewis interview selects, mag16mm motion picture film Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Jan Lewis, Sync BD 0; Leader Note: "Jefferson", INTVW Selects, Jan Lewis, BD 0000, Trk |
Film F-20193/2126 |
Stephen Mitchell interview selects, pix16mm motion picture film 100 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Stephen Mitchell, Sync BD 7200; Leader Note: "Jefferson", INTVW Selects, Stephen Mitchell, BD 7200, Pix |
Film F-20193/2127 |
Stephen Mitchell interview selects, mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Stephen Mitchell, Sync BD 7200; Leader Note: "Jefferson", INTVW Selects, Stephen Mitchell, BD 7200, Trk |
Film F-20193/2128 |
Peter Onuf interview selects, pix16mm motion picture film 800 feet Acetate ; Color ; SilentSide of Box: Florentine, Jefferson, INTVW Selects, Peter Onuf, Sync, BE0; Leader Note: Jefferson, INTVW, Peter Onuf, BE 0000, Pix |
Film F-20193/2129 |
Peter Onuf interview selects, mag16mm motion picture film Acetate ; MagneticSide of Box: Florentine, Jefferson, INTVW Selects, Peter Onuf, Sync, BE0; Leader Note: Jefferson, INTVW, Peter Onuf, BE 0000, TRK, Peter Onuf 20 A+B |
Film F-20193/2130 |
Merrill Peterson interview selects, pix16mm motion picture film 500 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Merrill Peterson, Sync, BF 2700; Leader Note: Jefferson, INTVW Selects, Merrill Peterson, BF 0000, Pix |
Film F-20193/2131 |
Merrill Peterson interview selects, mag16mm motion picture film 500 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Merrill Peterson, Sync, BF 2700; Leader Note: Jefferson, INTVW Selects, Merrill Peterson, BF 0000, TRK |
Film F-20193/2132 |
Lewis Simpson interview selects, pix16mm motion picture film 50 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Lewis Simpson, Sync, BG 3000; Leader Note: Jefferson, INTVW Selects, Lewis Simpson, BG 3000, Pix |
Film F-20193/2133 |
Lewis Simpson interview selects, mag16mm motion picture film 50 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Lewis Simpson, Sync, BG 3000; Leader Note: Jefferson, INTVW Selects, Lewis Simpson, BG 3000, TRK |
Film F-20193/2134 |
Lewis Simpson interview selects, trims16mm motion picture film Acetate ; Color ; MagneticSide of Box: Jefferson, INTVW Selects, Lewis Simpson, Sync, BG 3000; Leader Note: Jefferson 1 |
Film F-20193/2135 |
Cinder Stanton interview selects, pix16mm motion picture film 75 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Cinder Stanton, Sync, BG 0; Leader Note: Jefferson, INTVW Selects, Cinder Stanton, BG 0, Pix |
Film F-20193/2136 |
Cinder Stanton interview selects, mag16mm motion picture film 75 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Cinder Stanton, Sync, BG 0; Leader Note: Jefferson, INTVW Selects, Cinder Stanton, BG 0, Trk |
Film F-20193/2137 |
Various Interview Selects, pix16mm motion picture film 1100 feet Acetate ; Color ; SilentSide of Box: Select INTVW Outs; Leader Note: Jefferson, Various INTVW Selects, Sync, Pix |
Film F-20193/2138 |
Various Interview Selects, mag16mm motion picture film 1100 feet Acetate ; MagneticSide of Box: Select INTVW Outs; Leader Note: Jefferson, Various INTVW Selects, Sync, SND |
Film F-20193/2139 |
Gore Vidal interview selects, pix16mm motion picture film 250 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Gore Vidal, Sync, BH 3000; Leader Note: Jefferson, INTVW Selects, Gore Vidal, BH 3000, Sync, Pix |
Film F-20193/2140 |
Gore Vidal interview selects, mag16mm motion picture film 250 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Gore Vidal, Sync, BH 3000; Leader Note: Jefferson, INTVW Selects, Gore Vidal, BH 3000, Sync, Trk |
Film F-20193/2141 |
Gore Vidal interview selects, trims16mm motion picture film Acetate ; Color ; MagneticSide of Box: Jefferson, INTVW Selects, Gore Vidal, Sync, BH 3000 |
Film F-20193/2142 |
George Will interview selects, pix16mm motion picture film 200 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, George Will, Sync, CA 0; Leader Note: Jefferson, INTVW Selects, George Will, CA 0, Pix |
Film F-20193/2143 |
George Will interview selects, mag16mm motion picture film 200 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, George Will, Sync, CA 0; Leader Note: Jefferson, INTVW Selects, George Will, CA 0, Trk |
Film F-20193/2144 |
George Will interview selects, trims16mm motion picture film Acetate ; Color ; MagneticSide of Box: Jefferson, INTVW Selects, George Will, Sync, CA 0; Leader Note: WILL CA0000 |
Film F-20193/2145 |
Garry Wills interview selects, pix16mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, INTVW Selects, Garry Wills, Sync, CB 0; Leader Note: Jefferson, INTVW Selects, Garry Wills, CB 0, Pix |
Film F-20193/2146 |
Garry Wills interview selects, mag16mm motion picture film 725 feet Acetate ; MagneticSide of Box: Jefferson, INTVW Selects, Garry Wills, Sync, CB 0; Leader Note: Jefferson, INTVW Selects, Garry Wills, CB 0, Trk |
Film F-20193/2147 |
Horse and Carriage Silhouette, pix16mm motion picture film 500 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Silhouette - Horse & Carriage, 133, FB 0000; Leader Note: Jefferson, Live, R-133, Horse & Carriage - Silhouette, Code - FB 0000, MOS, Pix |
Film F-20193/2148 |
John Adams House: Exteriors, pix16mm motion picture film 550 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, John Adams House, 151 152, EH 0000, EH 2500; Leader Note: "Jefferson", R-151, Adams House Exteriors, EH 0, MOS, PIX |
Film F-20193/2149 |
John Adams House: Interiors, pix16mm motion picture film 600 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, John Adams House, 151 152, EH 0000, EH 2500; Leader Note: "Jefferson", R-152, Adams House Interiors, EH 2500, MOS, PIX |
Film F-20193/2150 |
Live Trims, pix16mm motion picture film Acetate ; Color ; SilentSide of Box: Jefferson, Live Trims, DA, DG, EA, EB, EC, ED, EF, EH, FA, FB, FC |
Film F-20193/2151 |
Monticello: Exteriors, Crane Shots, pix16mm motion picture film 800 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Ext. Monticello - Distant Shots, Crane Shots, 109 110, DC 5000, DC 7500; Leader Note: Jefferson, Live, Ext. Monticello - Crane Shots, R-109, DC 5000, MOS, Pix |
Film F-20193/2152 |
Monticello: Exteriors, Distant Shots, pix16mm motion picture film 400 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Ext. Monticello - Distant Shots, Crane Shots, 109 110, DC 5000, DC 7500; Leader Note: Jefferson, Live, Ext. Monticello - Distant Shots, R-110, DC 7500, MOS, Pix |
Film F-20193/2153 |
Monticello: Exteriors, Mist and Graveyard, pix16mm motion picture film 500 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Ext. Monticello - Sun/Moon, Mist/Graveyard, 107 108, DC 0, DC 2500; Leader Note: Jefferson, Live, Ext. Monticello - Mist/Graveyard, R-108, DC 2500, MOS, Pix |
Film F-20193/2154 |
Monticello: Exteriors, Sun and Moon, pix16mm motion picture film 675 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Ext. Monticello - Sun/Moon, Mist/Graveyard, 107 108, DC 0, DC 2500; Leader Note: Jefferson, Live, Ext. Monticello - Sun/Moon, R-107, DC 0, MOS, Pix |
Film F-20193/2155 |
Monticello: Exteriors, Snowy Monticello, pix 116mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, MOS, Live, Snowy Monticello, 113 114, DD 5000, DD 7500; Leader Note: Jefferson, Live, Ext. Day, Snowy Monticello, R-113, DD 5000, MOS, Pix |
Film F-20193/2156 |
Monticello: Exteriors, Snowy Monticello, pix 216mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, MOS, Live, Snowy Monticello, 113 114, DD 5000, DD 7500; Leader Note: Jefferson, Live, Ext. Day, Snowy Monticello, R-114, DD 7500, MOS, Pix |
Film F-20193/2157 |
Monticello: Fall Exteriors, pix 116mm motion picture film 650 feet Acetate ; Color ; SilentSide of Box: Jefferson, MOS, Live, Ext. Monticello - Fall, 105 106, DB 5000, DB 7500; Leader Note: Jefferson, Live, Ext. Monticello - Fall Bldg, R-105, DB 5000, MOS, Pix |
Film F-20193/2158 |
Monticello: Fall Exteriors, pix 216mm motion picture film 350 feet Acetate ; Color ; SilentSide of Box: Jefferson, MOS, Live, Ext. Monticello - Fall, 105 106, DB 5000, DB 7500; Leader Note: Jefferson, Live, Ext. Monticello - Fall Bldg, R-106, DB 7500, MOS, Pix |
Film F-20193/2159 |
Monticello: Garden Pavilion, pix16mm motion picture film 400 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Monticello - Kitchen/Stables, Garden Pavilion, 121 122, DF 5000, DF 7500; Leader Note: Jefferson, Live, Monticello - Pavilion, R-122, DF 7500, MOS, Pix |
Film F-20193/2160 |
Monticello: Interiors, Monticello Snowing, pix 116mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Ext/Int Monticello Snowing, 111 112, DD 0000, DD 2500; Leader Note: Jefferson, Int. Monticello Snowing, R-111, DD 0, MOS, Pix |
Film F-20193/2161 |
Monticello: Interiors, Monticello Snowing, pix 216mm motion picture film 225 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Ext/Int Monticello Snowing, 111 112, DD 0000, DD 2500; Leader Note: Jefferson, Int. Monticello Snowing, R-112, DD 2500, MOS, Pix |
Film F-20193/2162 |
Monticello: Kitchen, Passageway and Stables, pix16mm motion picture film 257 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Monticello - Kitchen/Stables, Garden Pavilion, 121 122, DF 5000, DF 7500; Leader Note: Jefferson, Live, Monticello - Kitchen Passageway Stables, R-121, DF 5000, MOS, Pix |
Film F-20193/2163 |
Monticello: Library and Dome Room, pix16mm motion picture film 500 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Int. Monticello - TJ Bedroom/Study, Library/Dome Room, 117 118, DE 5000, DE 7500; Leader Note: "Jefferson", Live, Int. Monticello - Library/Dome Room, R-118, DE 7500, MOS, Pix |
Film F-20193/2164 |
Monticello: Miscellaneous Interiors, pix16mm motion picture film 325 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Int. Monticello - N. Bedroom/MJR Office, Miscellaneous, 119 120, DF 0000, DF 2500; Leader Note: Jefferson, Live, Int. Monticello - Misc., R-120, DF 2500, MOS, Pix |
Film F-20193/2165 |
Monticello: North Bedroom, Martha's Office, pix16mm motion picture film 750 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Int. Monticello - N. Bedroom/MJR Office, Miscellaneous, 119 120, DF 0000, DF 2500; Leader Note: Jefferson, Live, Int. Monticello - N Bedroom, Martha's Office, R-119, DF 0, MOS, Pix |
Film F-20193/2166 |
Monticello: Parlor, pix16mm motion picture film 450 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Int. Monticello - Parlor, Tea Room, 115 116, DE 0000, DE 2500; Leader Note: Jefferson, Live, Int. Monticello - Parlor, R-115, DE 0, MOS, Pix |
Film F-20193/2167 |
Monticello: Tea Room, pix16mm motion picture film 400 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Int. Monticello - Parlor, Tea Room, 115 116, DE 0000, DE 2500; Leader Note: Jefferson, Live, Int. Monticello - Tearoom, R-116, DE 2500, MOS, Pix |
Film F-20193/2168 |
Monticello: Thomas Jefferson Bedroom and Study, pix16mm motion picture film 650 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Int. Monticello - TJ Bedroom/Study, Library/Dome Room, 117 118, DE 5000, DE 7500; Leader Note: "Jefferson", Live, Int. Monticello - TJ Bedroom Study, R-117, DE 5000, MOS, Pix |
Film F-20193/2169 |
Philadelphia: Conference Hall, pix16mm motion picture film 325 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Philadelphia - Congress Hall, Independence Hall, 145 146, EF 0000, EF 2500; Leader Note: "Jefferson", Live, Philadelphia - Congress Hall, R-145, EF 0, MOS, Pix |
Film F-20193/2170 |
Philadelphia: Exteriors, pix 116mm motion picture film 750 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Philadelphia - Exteriors, 149 150, CR 189-190, CR 191-193; Leader Note: Jefferson, Live, Philadelphia Exteriors, R-149, CR 189-190, MOS, Pix |
Film F-20193/2171 |
Philadelphia: Exteriors, pix 216mm motion picture film 950 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Philadelphia - Exteriors, 149 150, CR 189-190, CR 191-193; Leader Note: Jefferson, Live, Philadelphia Exteriors, R-150, CR 191-193, MOS, Pix |
Film F-20193/2172 |
Philadelphia: Graff House, pix16mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Philadelphia - Print Shop, Graff House, 147, 148, EF 5000, EF 7500; Leader Note: Jefferson, Live, Philadelphia - Graff House, R-148, EF 7500, MOS, Pix |
Film F-20193/2173 |
Philadelphia: Independence Hall, pix16mm motion picture film 600 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Philadelphia - Congress Hall, Independence Hall, 145 146, EF 0000, EF 2500; Leader Note: "Jefferson", Live, Philadelphia - Independence Hall, R-146, EF 2500, MOS, Pix |
Film F-20193/2174 |
Philadelphia: Print Shop, pix16mm motion picture film 600 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Philadelphia - Print Shop, Graff House, 147, 148, EF 5000, EF 7500; Leader Note: Jefferson, Live, Philadelphia - Print Shop, R-147, EF 5000, MOS, Pix |
Film F-20193/2175 |
Rural Scenery, pix16mm motion picture film 675 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Rural Scenery, 125, DG 5000; Leader Note: Jefferson, Live, R-125, Rural Scenery, Code - DG 5000, Pix |
Film F-20193/2176 |
Thomas Jefferson Memorial, pix16mm motion picture film 400 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, TJ Statues + Memorial, 101 101A, DA 0; Leader Note: Jefferson, Live, Jefferson Memorial, R-101A, CR 194, MOS, Pix |
Film F-20193/2177 |
Thomas Jefferson Statues, pix16mm motion picture film 300 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, TJ Statues + Memorial, 101 101A, DA 0; Leader Note: Jefferson, Live, TJ Statues, DA 0, MOS, Pix |
Film F-20193/2178 |
Tuckahoe: Poplar Forest, pix16mm motion picture film 425 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Tuckahoe - Poplar Forest, 130, EA 0000; Leader Note: Jefferson, Live, Tuckahoe - Poplar Forest, R-130, EA 0, MOS, Pix |
Film F-20193/2179 |
University of Virginia, Fall, pix16mm motion picture film 400 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, University of Virginia, 132, ED 0000; Leader Note: Jefferson, Live, UVA-Fall, R-132, EB 0, MOS, Pix |
Film F-20193/2180 |
Williamsburg: General Scenery, pix16mm motion picture film 650 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Williamsburg - General Scenery, Ext. Wythe House, 135 136, EC 0000, EC 2500; Leader Note: Jefferson, Live, Williamsburg - General Scenery, R-135, EC 0, Pix, MOS |
Film F-20193/2181 |
Williamsburg: Governor's Palace Exteriors, pix16mm motion picture film 325 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Williamsburg - Governor's Palace Ext/Int, 139 140, ED 0000, ED 2500; Leader Note: Jefferson, Live, Williamsburg, Ext. Governor's Palace, R-139, ED 0, MOS, Pix |
Film F-20193/2182 |
Williamsburg: Governor's Palace Interiors, pix16mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Williamsburg - Governor's Palace Ext/Int, 139 140, ED 0000, ED 2500; Leader Note: Jefferson, Live, Williamsburg, Ext. Governor's Palace, R-140, ED 2500, MOS, Pix |
Film F-20193/2183 |
Williamsburg: House of Burgesses, pix16mm motion picture film 775 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Williamsburg - House of Burgesses, Taverns, 141 142, ED 5000, ED 7500; Leader Note: Jefferson, Live, Williamsburg - House of Burgesses, R-141, ED 5000, MOS, Pix |
Film F-20193/2184 |
Williamsburg: Taverns, pix16mm motion picture film 500 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Williamsburg - House of Burgesses, Taverns, 141 142, ED 5000, ED 7500; Leader Note: Jefferson, Live, Williamsburg - Taverns, R-142, ED 7500, MOS, Pix |
Film F-20193/2185 |
Williamsburg: Wythe House Exteriors, pix16mm motion picture film 350 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Williamsburg - General Scenery, Ext. Wythe House, 135 136, EC 0000, EC 2500; Leader Note: Jefferson, Live, Williamsburg - Ext. Wythe House, R-136, EC 2500, Pix, MOS |
Film F-20193/2186 |
Williamsburg: Wythe House Interiors, pix 116mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Williamsburg - Wythe House Int., 137 138, EC 5000, EC 7500; Leader Note: Jefferson, Live, Williamsburg - Wythe House, Study, Front Room, R-137, EC 5000, MOS, Pix |
Film F-20193/2187 |
Williamsburg: Wythe House Interiors, pix 216mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, Live, MOS, Williamsburg - Wythe House Int., 137 138, EC 5000, EC 7500; Leader Note: Jefferson, Live, Williamsburg - Wythe House, Study, Books, R-138, EC 7500, MOS, Pix |
Film F-20193/2188 |
Ossie Davis Narration, 5/15, mag 116mm motion picture film 950 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, DAT 1.02-1.17, DB 0000; Leader Note: Jefferson, O. Davis Narration, R-1, DAT 1.02-1.17, DB 0000 |
Film F-20193/2189 |
Ossie Davis Narration, 5/15, mag 216mm motion picture film 1000 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, DAT 1.17-1.27, DB 6000, 2; Leader Note: Jefferson, O. Davis Narration, R-2, DAT 1.17-1.27, DB 6000 |
Film F-20193/2190 |
Ossie Davis Narration, 5/15, mag 316mm motion picture film 1000 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, DAT 1.27-1.34, DB 3000, 3; Leader Note: Jefferson, O. Davis Narration, R-3, DAT 1.27-1.34, DB 3000 |
Film F-20193/2191 |
Ossie Davis Narration, 5/15, mag 416mm motion picture film 925 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, DAT 1.34-End, DC 0000, 2; Leader Note: Jefferson, O. Davis Narration, R-4, DAT 1.34-End, DC 0000 |
Film F-20193/2192 |
Ossie Davis Narration, 5/15, mag 516mm motion picture film 1000 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, DAT 2.04-2.20, DC 3000, 5; Leader Note: Jefferson, O. Davis Narration, R-5, DAT 2.04-2.20, DC 3000 |
Film F-20193/2193 |
Ossie Davis Narration, 5/15, mag 616mm motion picture film 1000 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, DAT 2.20-1:12:40, DC 6000, 6; Leader Note: O. Davis, Narration, DC 6000, R-6, DC 0000 |
Film F-20193/2194 |
Ossie Davis Narration, 5/15, mag 716mm motion picture film 1000 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, DAT 1:12:41-1:46:00, GC 0000, 7; Leader Note: GC 0000, R-7, O. Davis Narration, Jefferson |
Film F-20193/2195 |
Ossie Davis Narration, 5/15, mag 816mm motion picture film 1000 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, DAT 21:46-End 3.02, GC 3000, 8; Leader Note: Jefferson, O. Davis Narration, R-8, GC 3050, TRK |
Film F-20193/2196 |
Ossie Davis Narration, 5/15, mag 916mm motion picture film 1000 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, DAT -3.22, GB 0000, 9; Leader Note: Thomas Jefferson, O Davis Narration, DAT #3, R-9, GB 0000 |
Film F-20193/2197 |
Ossie Davis Narration, 5/15, mag 1016mm motion picture film 1000 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, DAT 3.22-3.31, GB 3000, 10; Leader Note: GB 3000, DAT 3, O. Davis Narration, Jefferson |
Film F-20193/2198 |
Ossie Davis Narration, 5/15, mag 1116mm motion picture film 200 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, GB 0000; Leader Note: GB 6000-6622, DAT 3 - End, O. Davis, Jefferson Narration |
Film F-20193/2199 |
Ossie Davis Narration, 5/15, mag 1216mm motion picture film 800 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, GB 6623; Leader Note: Jefferson, O. Davis Narration, R11, DAT 4, GB 6623 |
Film F-20193/2200 |
Ossie Davis Narration, 5/15, mag 1316mm motion picture film 950 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, GA 0000, 13; Leader Note: GA 0000, R 13, O Davis Narration, Jefferson |
Film F-20193/2201 |
Ossie Davis Narration, 5/15, mag 1416mm motion picture film 1000 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, GA 3000, 14; Leader Note: Jefferson, O. Davis Narration, R-14, GA 3000 |
Film F-20193/2202 |
Ossie Davis Narration, 5/15, mag 1516mm motion picture film 1050 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, GA 6000, 15; Leader Note: Jefferson, O. Davis Narration, R-15, GA 6000 |
Film F-20193/2203 |
Ossie Davis Narration, 5/15, mag 1616mm motion picture film 100 feet Acetate ; MagneticSide of Box: TJ - Narration, O. Davis, 5/15, GD 0000, 16; Leader Note: Jefferson, O. Davis Narration, R-16, GD 0000 |
Film F-20193/2204 |
Ossie Davis Narration, mag 116mm motion picture film 800 feet Acetate ; MagneticSide of Box: Ossie Davis Narration 2, R 1-2, GD 0464, GD 3000; Leader Note: Jefferson, O. Davis Narration 2, R-1, GD 0464 |
Film F-20193/2205 |
Ossie Davis Narration, mag 216mm motion picture film 1050 feet Acetate ; MagneticSide of Box: Ossie Davis Narration 2, R 1-2, GD 0464, GD 3000; Leader Note: Jefferson, O. Davis Narration 2, R-2, GD 3000 |
Film F-20193/2206 |
Ossie Davis Narration, mag 416mm motion picture film 1000 feet Acetate ; MagneticSide of Box: Ossie Davis Narration 2, R 3-4, GD 6000, GE 0000; Leader Note: GE 0000, R-4, O. Davis Narration 2, DAT #2, "Jefferson" |
Film F-20193/2207 |
Ossie Davis Narration, mag 316mm motion picture film 1000 feet Acetate ; MagneticSide of Box: Ossie Davis Narration 2, R 3-4, GD 6000, GE 0000; Leader Note: GE 6000, R-3, O. Davis Narration 2 |
Film F-20193/2208 |
Ossie Davis Narration, mag 616mm motion picture film 1000 feet Acetate ; MagneticSide of Box: Ossie Davis Narration 2, R 5-6, GE 3000, GE 6000; Leader Note: Jefferson, O. Davis Narration 2, R-6, GE 6000 |
Film F-20193/2209 |
Ossie Davis Narration, mag 516mm motion picture film 1000 feet Acetate ; MagneticSide of Box: Ossie Davis Narration 2, R 5-6, GE 3000, GE 6000; Leader Note: Jefferson, O. Davis Narration 2, DAT #2, R-5, GE 3000 |
Film F-20193/2210 |
Ossie Davis Narration, mag 716mm motion picture film 1050 feet Acetate ; MagneticSide of Box: Ossie Davis Narration 2, R 7-8, GF 0000, GF 3000; Leader Note: "Jefferson", O. Davis Narration #2, R-7, GF 0000 |
Film F-20193/2211 |
Ossie Davis Narration, mag 816mm motion picture film 800 feet Acetate ; MagneticSide of Box: Ossie Davis Narration 2, R 7-8, GF 0000, GF 3000; Leader Note: GF 3000, R-8, O. Davis Narration 2, "Jefferson" |
Film F-20193/2212 |
Ossie Davis Narration, Rejected and Replaced, mag16mm motion picture film Acetate ; MagneticSide of Box: O. Davis Narration, Rejects and Replaced |
Film F-20193/2213 |
Ossie Davis Narration, Trims, mag16mm motion picture film Acetate ; MagneticSide of Box: O. Davis Narration Trims, 0-49, 50-99 |
Digital Audiotape DAT-20193/8 |
Ossie Davis Narration, 15 May 1996: tape 1 of 5Digital Audio Tape (DAT) Spine of Case: TJ Narr, O. Davis, 5/16 1; Back of Case: T Jefferson, Narration - Davis, 5-15-96, Tape 1; Tape Label: Jefferson, Narration, O. Davis, Tape 1, Session Tape |
Digital Audiotape DAT-20193/9 |
Ossie Davis Narration, 15 May 1996: tape 2 of 5Digital Audio Tape (DAT) Spine of Case: TJ Narr, O. Davis, 5/16 2; Back of Case: T Jefferson, Narration - Davis, 5-15-96, Tape 2; Tape Label: Jefferson, Narration, O. Davis, Tape 2, Session Tape |
Digital Audiotape DAT-20193/10 |
Ossie Davis Narration, 15 May 1996: tape 3 of 5Digital Audio Tape (DAT) Spine of Case: TJ Narr, O. Davis, 5/16 3; Back of Case: T Jefferson, Narration - Davis, 5-15-96, Tape 3; Tape Label: Jefferson, Narration, O. Davis, Tape 3, Session Tape |
Digital Audiotape DAT-20193/11 |
Ossie Davis Narration, 15 May 1996: tape 4 of 5Digital Audio Tape (DAT) Spine of Case: TJ Narr, O. Davis, 5/16 4; Back of Case: T Jefferson, Narration - Davis, 5-15-96, Tape 4; Tape Label: Jefferson, Narration, O. Davis, Tape 4, Session Tape |
Digital Audiotape DAT-20193/12 |
Ossie Davis Narration, 15 May 1996: tape 5 of 5Digital Audio Tape (DAT) Spine of Case: TJ Narr, O. Davis, 5/16 5; Back of Case: T Jefferson, Narration - Davis, 5-15-96, Tape 5; Tape Label: Jefferson, Narration, O. Davis, Tape 5, Session Tape |
Digital Audiotape DAT-20193/13 |
Ossie Davis Narration, 10 June 1996: tape 1 of 3Digital Audio Tape (DAT) Spine of Case: TJ Narr, O. Davis, 6/10/96 1; Tape Label: Jefferson, Narr, Rerecord, O. Davis, 6-10-96, Tape 1, Session Tape |
Digital Audiotape DAT-20193/14 |
Ossie Davis Narration, 10 June 1996: tape 2 of 3Digital Audio Tape (DAT) Spine of Case: TJ Narr, O. Davis, 6/10/96 2; Tape Label: Jefferson, Narr, Rerecord, O. Davis, 6-10-96, Tape 2, Session Tape |
Digital Audiotape DAT-20193/15 |
Ossie Davis Narration, 10 June 1996: tape 3 of 3Digital Audio Tape (DAT) Spine of Case: TJ Narr, O. Davis, 6/10/96 3; Tape Label: Jefferson, Narr, Rerecord, O. Davis, 6-10-96, Tape 3, Session Tape |
Film F-20193/2214 |
Adam Arkin Voiceover, mag16mm motion picture film 850 feet Acetate ; MagneticSide of Box: Adam Arkin, Reel #1, F 3000, Outs, TJ V/O; Leader Note: Arkin |
Film F-20193/2215 |
Caitlin Baucom Voiceover, mag16mm motion picture film 75 feet Acetate ; MagneticSide of Box: Katelin Baucom, Reel #1, H 5500, Outs, TJ/Vo; Leader Note: Jefferson, 'Polly', Caitlin Baucom, V/O |
Film F-20193/2216 |
Philip Bosco Voiceover, mag16mm motion picture film 550 feet Acetate ; MagneticSide of Box: Philip Bosco, Reel #1, H0501, Outs, TJ V/O; Leader Note: Bosco V/O, "Jefferson" |
Film F-20193/2217 |
Blythe Danner Voiceover, mag16mm motion picture film 575 feet Acetate ; MagneticSide of Box: Blythe Danner, Reel #1, C 0000, Outs, TJ V/O; Leader Note: Danner |
Film F-20193/2218 |
J. Dempsey Voiceover, mag16mm motion picture film 1000 feet Acetate ; MagneticSide of Box: J. Dempsey, Reel #1, F 3000, Outs, TJ V/O; Leader Note: Dempsey |
Film F-20193/2219 |
Murphy Guyer Voiceover, mag 116mm motion picture film 850 feet Acetate ; MagneticSide of Box: Murphy Guyer, Reel #1, G 6161, Outs, TJ V/O; Leader Note: R-1, Guyer, V/O, Jefferson, Vox, 159, TK 1 |
Film F-20193/2220 |
Murphy Guyer Voiceover, mag 216mm motion picture film 150 feet Acetate ; MagneticSide of Box: Murphy Guyer, Reel #2, H 0000, Outs, TJ V/O; Leader Note: R-2, Guyer, V/O, Jefferson |
Film F-20193/2221 |
Julie Harris Voiceover, mag16mm motion picture film 525 feet Acetate ; MagneticSide of Box: TJ Vox, Outs, A 6000, Arthur Miller, A 3500/A 7700, Julie Harris, Outs; Leader Note: Julie Harris #1 |
Film F-20193/2222 |
Derek Jacobi Voiceover, mag16mm motion picture film 100 feet Acetate ; MagneticSide of Box: Derek Jacobi, G 3000, Outs, TJ V/O |
Film F-20193/2223 |
Gene Jones Voiceover, mag16mm motion picture film 900 feet Acetate ; MagneticSide of Box: Gene Jones, Reel #1, C 3000, Outs, TJ V/O; Leader Note: Gene Jones, Reel 1 of 1, TJ V/O |
Film F-20193/2224 |
Amy Madigan Voiceover, mag16mm motion picture film 500 feet Acetate ; MagneticSide of Box: Amy Madigan, Reel #1, Outs, F 7330/C 2627, TJ V/O; Leader Note: Amy Madigan, Reel #1 |
Film F-20193/2225 |
Mary Stuart Masterson Voiceover, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: Mary Stuart Masterson, G 2000, Outs, TJ/VO; Leader Note: Mary Stuart Masterson, TJ V/O |
Film F-20193/2226 |
Arthur Miller Voiceover, mag16mm motion picture film 500 feet Acetate ; MagneticSide of Box: TJ Vox, Outs, A 6000, Arthur Miller, A 3500/A 7700, Julie Harris, Outs; Leader Note: Miller |
Film F-20193/2227 |
Miscellaneous Voiceovers, Trims, mag16mm motion picture film Acetate ; MagneticSide of Box: Misc. TJ Vox, Vox Codes - A B C F G H J |
Film F-20193/2228 |
Gwyneth Paltrow Voiceover, mag16mm motion picture film 600 feet Acetate ; MagneticSide of Box: Gwyneth Paltrow, Reel #1, G 0000, Outs, TJ V/O; Leader Note: Paltrow, Rl 1 of 1 |
Film F-20193/2229 |
George Plimpton Voiceover, mag 116mm motion picture film 825 feet Acetate ; MagneticSide of Box: George Plimpton, Reel #1, C 6000, Outs, TJ V/O; Leader Note: Vox 117 |
Film F-20193/2230 |
George Plimpton Voiceover, mag 216mm motion picture film 400 feet Acetate ; MagneticSide of Box: George Plimpton, Reel #2, F 0000, Outs, TJ V/O; Leader Note: Plimpton, TJ V/O, #2 |
Film F-20193/2231 |
Michael Potts Voiceover, mag16mm motion picture film 300 feet Acetate ; MagneticSide of Box: Michael Potts, Reel #1, C 0000, Outs, TJ V/O; Leader Note: M. Potts, Reel #1 of 1 |
Film F-20193/2232 |
Voices, Rolls 1-60, mag16mm motion picture film Acetate ; MagneticSide of Box: Voices 0-60 |
Film F-20193/2233 |
Voices, Rolls 61-100, mag16mm motion picture film Acetate ; MagneticSide of Box: Voices 61-100 |
Film F-20193/2234 |
Voices, Rolls 101-149, mag16mm motion picture film Acetate ; MagneticSide of Box: Voices 101-149 |
Film F-20193/2235 |
Voices, Rolls 150-200, mag16mm motion picture film Acetate ; MagneticSide of Box: Voices 150-200 |
Film F-20193/2236 |
Sam Waterston Voiceover, mag 116mm motion picture film 800 feet Acetate ; MagneticSide of Box: Sam Waterson, Reel #1, A 3000, Outs, TJ V/O; Leader Note: Sam Waterson, TJ V/O, Reel #1 |
Film F-20193/2237 |
Sam Waterston Voiceover, mag 216mm motion picture film 1000 feet Acetate ; MagneticSide of Box: Sam Waterson, Reel #2, A 000, Outs, TJ V/O; Leader Note: Sam Waterson, Rl 2, Vox 54 Tk 2 |
Film F-20193/2238 |
Sam Waterston Voiceover, mag 316mm motion picture film 800 feet Acetate ; MagneticSide of Box: Sam Waterson, Reel #3, Outs, B 0000, TJ V/O; Leader Note: S. Waterson, RL #3, Vox 77, Tk 1 |
Film F-20193/2239 |
Sam Waterston Voiceover, mag 416mm motion picture film 800 feet Acetate ; MagneticSide of Box: Sam Waterson, Reel #4, B 3000, Outs, TJ V/O; Leader Note: Sam Waterson, TJ V/O, Reel #4 |
Film F-20193/2240 |
Sam Waterston Voiceover, mag 516mm motion picture film 450 feet Acetate ; MagneticSide of Box: Sam Waterson, Reel #5, B 6000, Outs, TJ V/O; Leader Note: S. Waterson, RL #5, TO Vox 177 |
Film F-20193/2241 |
Sam Waterston Voiceover, S-2, mag 116mm motion picture film 1000 feet Acetate ; MagneticSide of Box: Sam Waterson, S-2, Reel #1, H 6000, Outs, TJ V/O; Leader Note: "Jefferson", Waterston Voiceover, S-2, R-1 |
Film F-20193/2242 |
Sam Waterston Voiceover, S-2, mag 216mm motion picture film 600 feet Acetate ; MagneticSide of Box: Sam Waterson, S-2, Reel #2, H 3000, Outs, TJ V/O; Leader Note: "Jefferson", Waterston Voiceover, S-2, R-2 |
Film F-20193/2243 |
Sam Waterston Voiceover, 14 June 1996, mag16mm motion picture film 850 feet Acetate ; MagneticSide of Box: S. Waterson, 6/14/96, TJ V/O, J 0000; Leader Note: Sam Waterston, 6.14.96 |
Digital Audiotape DAT-20193/16 |
Adam Arkin voiceover; Amy Madigan voiceoverDigital Audio Tape (DAT) Spine of Case: TJ V/O, Arkin/Madigan 1; Tape Label: Thomas Jefferson, 1/15/96, Voice Over/48K/DFTC #1 |
Digital Audiotape DAT-20193/17 |
Katelin Baucom voiceoverDigital Audio Tape (DAT) Spine of Case: TJ V/O Katelin Baucom 1; Front of Case: "Polly Jefferson" |
Digital Audiotape DAT-20193/18 |
Blythe Danner voiceover; Michael Potts voiceoverDigital Audio Tape (DAT) Tape Label: Danner and Potts, T. Jefferson, 1-10-96, Original Master |
Digital Audiotape DAT-20193/19 |
Jerome Dempsey voiceoverDigital Audio Tape (DAT) Spine of Case: TJ V/O Jerome Dempsey 1; Tape Label: J Dempsey, 1-9-96, Original Master |
Digital Audiotape DAT-20193/20 |
Murphy Guyer voiceover; Philip Bosco voiceoverDigital Audio Tape (DAT) Tape Label: Jefferson, ID #2 Guyer, ID #4 Bosco, Date 2-26-96, Original Master |
Digital Audiotape DAT-20193/21 |
June Harris voiceoverDigital Audio Tape (DAT) Spine of Case: TJ V/O, June Harris, 1; Back of Case: Jefferson, J Harris V/O, 12-18-1995 |
Digital Audiotape DAT-20193/22 |
Derek Jacobi voiceover, session tapeDigital Audio Tape (DAT) Tape Label: Thomas Jefferson, V/O, Derek Jacobi, Session Tape |
Digital Audiotape DAT-20193/23 |
Derek Jacobi voiceover, backupDigital Audio Tape (DAT) Tape Label: Thomas Jefferson, Derek Jacobi, Backup; Back of Case: Title - Thomas Jefferson, Artist - Derek Jacobi, Producer - Alexia Vernon, Date - 14/2/96 |
Digital Audiotape DAT-20193/24 |
Gene Jones voiceoverDigital Audio Tape (DAT) Spine of Case: TJ V/O Gene Jones; Tape Label: Thomas Jefferson, VNR, Gene Jones, 1-8-96 |
Digital Audiotape DAT-20193/25 |
Amy Madigan voiceover; Gwyneth Paltrow voiceoverDigital Audio Tape (DAT) Spine of Case: TJ V/O, Madigan cont./Paltrow 2; Tape Label: Thomas Jefferson, 1/15/96, Voice Over/48K/DFTC |
Digital Audiotape DAT-20193/26 |
Mary Stuart Masterson voiceoverDigital Audio Tape (DAT) Spine of Case: TJ V/O M.S. Masterson 1; Tape Label: Jefferson, 1-26-96, Mary Stuart Masterson, Session Tape |
Digital Audiotape DAT-20193/27 |
Arthur Miller voiceoverDigital Audio Tape (DAT) Spine of Case: TJ V/O Arthur Miller 1; Tape Label: Jefferson, Arthur Miller, Original Master |
Digital Audiotape DAT-20193/28 |
George Plimpton voiceover, session tapeDigital Audio Tape (DAT) Tape Label: Thomas Jefferson, VNR, George Plimpton, 1-8-96, Session Tape |
Digital Audiotape DAT-20193/29 |
Sam Waterson voiceover: tape 1 of 5Digital Audio Tape (DAT) Tape Label: S. Waterson, 1-10-96, Original Master |
Digital Audiotape DAT-20193/30 |
Sam Waterson voiceover: tape 2 of 5Digital Audio Tape (DAT) Side of Case: TJ V/O Sam Waterson 2 |
Digital Audiotape DAT-20193/31 |
Sam Waterson voiceover: tape 3 of 5Digital Audio Tape (DAT) Side of Case: TJ V/O Sam Waterson 3; Back of Case: T. Jefferson, S. Waterson, 1-10-96, Tape 2 of 2, Master |
Digital Audiotape DAT-20193/32 |
Sam Waterson voiceover: tape 4 of 5Digital Audio Tape (DAT) Side of Case: TJ V/O Sam Waterson, 3/20, 4; Tape Label: Jefferson and Lewis + Clark, Waterson, 3-19-96, Session Tape |
Digital Audiotape DAT-20193/33 |
Sam Waterson voiceover: tape 5 of 5Digital Audio Tape (DAT) Spine of Case: S Waterson 5, Session 3; Tape Label: Original Master |
Film F-20193/2244 |
TRK A, reel 1, mag16mm motion picture film 1025 feet Acetate ; MagneticSide of Box: Thomas Jefferson, SND TRK, R-1; Leader Note: Thomas Jefferson, Reel 1 - Intro, TRK A |
Film F-20193/2245 |
TRK B, reel 1, mag16mm motion picture film 1000 feet Acetate ; MagneticSide of Box: Thomas Jefferson, SND TRK, R-1; Leader Note: Thomas Jefferson, Reel 1 - Intro, TRK B |
Film F-20193/2246 |
TRK A, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticSide of Box: Thomas Jefferson, SND TRK, R-2; Leader Note: Thomas Jefferson, Reel 2, Sync, TRK A |
Film F-20193/2247 |
TRK B, reel 2, mag16mm motion picture film 1000 feet Acetate ; MagneticSide of Box: Thomas Jefferson, SND TRK, R-2; Leader Note: Thomas Jefferson, Reel 2, Sync, TRK B |
Film F-20193/2248 |
TRK A, reel 3, mag16mm motion picture film 1200 feet Acetate ; MagneticSide of Box: Thomas Jefferson, SND TRK, R-3; Leader Note: Thomas Jefferson, Reel 3, Sync, TRK A |
Film F-20193/2249 |
TRK B, reel 3, mag16mm motion picture film 1100 feet Acetate ; MagneticSide of Box: Thomas Jefferson, SND TRK, R-3; Leader Note: Thomas Jefferson, Reel 3, Sync, TRK B |
Film F-20193/2250 |
TRK A, reel 4, mag16mm motion picture film 1100 feet Acetate ; MagneticSide of Box: Thomas Jefferson, SND TRK, R-4; Leader Note: Thomas Jefferson, Reel 4, Sync, TRK A |
Film F-20193/2251 |
TRK B, reel 4, mag16mm motion picture film 1100 feet Acetate ; MagneticSide of Box: Thomas Jefferson, SND TRK, R-4; Leader Note: Thomas Jefferson, Reel 4, Sync, TRK B |
Film F-20193/2252 |
TRK A, reel 5, mag16mm motion picture film 1150 feet Acetate ; MagneticSide of Box: Thomas Jefferson, SND TRK, R-5; Leader Note: Thomas Jefferson, Reel 5, Sync, TRK A |
Film F-20193/2253 |
TRK B, reel 5, mag16mm motion picture film 1100 feet Acetate ; MagneticSide of Box: Thomas Jefferson, SND TRK, R-5; Leader Note: Thomas Jefferson, Reel 5, Sync, TRK B |
Film F-20193/2254 |
TRK A, reel 6, mag16mm motion picture film 1050 feet Acetate ; MagneticSide of Box: Thomas Jefferson, SND TRK, R-6; Leader Note: Thomas Jefferson, Reel 6, Sync, TRK A |
Film F-20193/2255 |
TRK B, reel 6, mag16mm motion picture film 1000 feet Acetate ; MagneticSide of Box: Thomas Jefferson, SND TRK, R-6; Leader Note: Thomas Jefferson, Reel 6, Sync, TRK B |
Film F-20193/2256 |
Workprint, reel 1, pix16mm motion picture film 1000 feet Acetate ; Color ; SilentSide of Box: T.J. Workprint, Reel #1&2; Leader Note: "Thomas Jefferson", Reel 1 - Intro, Pix |
Film F-20193/2257 |
Workprint, reel 2, pix16mm motion picture film 1000 feet Acetate ; Color ; SilentSide of Box: T.J. Workprint, Reel #1&2; Leader Note: "Thomas Jefferson", Reel 2, MOS, Pix |
Film F-20193/2258 |
Workprint, reel 3, pix16mm motion picture film 1100 feet Acetate ; Color ; SilentSide of Box: T.J. Workprint, Reel #3&4; Leader Note: "Thomas Jefferson", Reel 3, Sync, Wk Pix |
Film F-20193/2259 |
Workprint, reel 4, pix16mm motion picture film 1050 feet Acetate ; MagneticSide of Box: T.J. Workprint, Reel #3&4; Leader Note: "Thomas Jefferson", Reel 4, Sync, Wk Pix |
Film F-20193/2260 |
Workprint, reel 5, pix16mm motion picture film 1100 feet Acetate ; Color ; SilentSide of Box: T. Jefferson, Work Print, Reels 5 6; Leader Note: Thomas Jefferson, Reel 5, Sync, Wk Pix |
Film F-20193/2261 |
Workprint, reel 6, pix16mm motion picture film 1000 feet Acetate ; Color ; SilentSide of Box: T. Jefferson, Work Print, Reels 5 6; Leader Note: Thomas Jefferson, Reel 6, Sync, Wk Pix |
SFC Audio Open Reel FT-20193/435 |
Dialogue, reel 1: tape 1 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-1, DIAL, Tape 1 of 2, 29.97 NDF, 48 KHZ, Pull Off, Tks 1-8, NAR A-C, DIA A-D, V/O A |
SFC Audio Open Reel FT-20193/436 |
Dialogue, reel 1: tape 2 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-1, DIAL, Tape 2 of 2, 29.97 NDF, 48 KHZ, Pull Off, Tks 1+2, V/O B, Wk Tk |
SFC Audio Open Reel FT-20193/437 |
Dialogue, reel 2: tape 1 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-2, DIAL, Tape 1 of 2, 29.97 NDF, 48 KHZ, Pull Off, Tks 1-8, V/O A-C, DIA A-C, NAR A+B |
SFC Audio Open Reel FT-20193/438 |
Dialogue, reel 2: tape 2 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-2, DIAL, Tape 2 of 2, 29.97 NDF, 48 KHZ, Pull Off, Tks 1+2, NAR C, Work Track |
SFC Audio Open Reel FT-20193/439 |
Dialogue, reel 3Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-3, Dialogue, 29.97 NDF, 48 KHZ, Pull Off, Tracks 1-8 |
SFC Audio Open Reel FT-20193/440 |
Dialogue, reel 4Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-4, DIAL, CH 1-2 NARR, CH 3-4 Niles, CH 5-8 DIAL, 48K, 29.97, Pull Off |
SFC Audio Open Reel FT-20193/441 |
Dialogue, reel 5Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-5, DIAL, CH 1-2 NARR, CH 3-4 Niles, CH 5-8 DIAL, 48K, 29.97, Pull Off |
SFC Audio Open Reel FT-20193/442 |
Dialogue, reel 6: tape 1 of 2Hi8 (Audio Tape) Spine of Case: Thomas Jefferson, R-6, Dia A, Nar A-D, VO A-C, 1 of 2; Tape Label: Thomas Jefferson, R-6, 1 of 2, DIAL |
SFC Audio Open Reel FT-20193/443 |
Dialogue, reel 6: tape 2 of 2Hi8 (Audio Tape) Spine of Case: Thomas Jefferson, R-6, Dia B-D, 2 of 2; Tape Label: Thomas Jefferson, R-6, 2 of 2, DIAL |
SFC Audio Open Reel FT-20193/444 |
FX, reel 1: tape 1 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-1, FX, Tape 1 of 2, 29.97 NDF, 48 KHZ, Pull Off, Tks 1-8, FX A-H (Mono) |
SFC Audio Open Reel FT-20193/445 |
FX, reel 1: tape 2 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-1, FX, Tape 2 of 2, 29.97 NDF, 48 KHZ, Pull Off, Tks 1-8, FX I-P (Stereo) |
SFC Audio Open Reel FT-20193/446 |
FX, reel 2: tape 1 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-2, FX, Tape 1 of 2, 29.97 NDF, 48 KHZ, Pull Off, Tks 1-8, FX A-H (Mono) |
SFC Audio Open Reel FT-20193/447 |
FX, reel 2: tape 2 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-2, FX, Tape 2 of 2, 29.97 NDF, 48 KHZ, Pull Off, Tks 1-8, FX I-P (Stereo) |
SFC Audio Open Reel FT-20193/448 |
FX, reel 3: tape 1 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-3, FX, Tape 1 of 2, 29.97 NDF, 48 KHZ, Pull Off, Tks 1-8, FX A-H (Mono) |
SFC Audio Open Reel FT-20193/449 |
FX, reel 3: tape 2 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-3, FX, Tape 2 of 2, 29.97 NDF, 48 KHZ, Pull Off, Tks 1-8, FX I-P (Stereo) |
SFC Audio Open Reel FT-20193/450 |
FX, reel 4: tape 1 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-4, FX, Tape 1 of 2, 29.97 NDF, 48 KHZ, Pull Off, Tks 1-8, FX A-H (Mono) |
SFC Audio Open Reel FT-20193/451 |
FX, reel 4: tape 2 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-4, FX, Tape 2 of 2, 29.97 NDF, 48 KHZ, Pull Off, Tks 1-8, FX I-P (Stereo) |
SFC Audio Open Reel FT-20193/452 |
FX, reel 5: tape 1 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-5, FX, Tape 1 of 2, 29.97 NDF, 48 KHZ, Pull Off, Tks 1-8, FX A-H (Mono) |
SFC Audio Open Reel FT-20193/453 |
FX, reel 5: tape 2 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-5, FX I-N, Tape 2 of 2, 29.97 NDF, 48 KHZ, Pull Off, CH 1-6 Stereo, Ch 7 8 Guide Track, Tape 2 of 2 |
SFC Audio Open Reel FT-20193/454 |
FX, reel 6: tape 1 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-6, FX, Tape 1 of 2, 29.97 NDF, 48 KHZ, Pull Off, Ch 1-8, FX A-H (Mono) |
SFC Audio Open Reel FT-20193/455 |
FX, reel 6: tape 2 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-6, FX, Tape 2 of 2, 29.97 NDF, 48 KHZ, Pull Off, Ch 1-6 Stereo, Ch 7 Guide Track |
SFC Audio Open Reel FT-20193/456 |
Music, reel 1: tape 1 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-1, Music, 29.97 NDF, 48 KHZ, Tape 1 of 2, Pull Off, Tks 1-8, Music A-D (Stereo) |
SFC Audio Open Reel FT-20193/457 |
Music, reel 1: tape 2 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-1, Music, 29.97 NDF, 48 KHZ, Tape 2 of 2, Pull Off, Tks 1-4, Music A-E, Guide Left and Right |
SFC Audio Open Reel FT-20193/458 |
Music, reel 2: tape 1 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-2, Music, 29.97 NDF, 48 KHZ, Tape 1 of 2, Pull Off, Tks 1-8, Music A-D (Stereo) |
SFC Audio Open Reel FT-20193/459 |
Music, reel 2: tape 2 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-2, Music, 29.97 NDF, 48 KHZ, Tape 2 of 2, Pull Off, Tks 1-4, Music E (Stereo), Guide L+R |
SFC Audio Open Reel FT-20193/460 |
Music, reel 3: tape 1 of 2Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-3, Music, 29.97 NDF, 48 KHZ, A-D on 1-8 (Stereo) |
SFC Audio Open Reel FT-20193/461 |
Music, reel 3: tape 2 of 2Hi8 (Audio Tape) Back of Case: 2 of 2, Thomas Jefferson, R-3, Music, E-G on 1-6, (Stereo), Guides L+R on 7-8, 29.97 NDF, 48 KHZ |
SFC Audio Open Reel FT-20193/462 |
Music, reel 4Hi8 (Audio Tape) Back of Case: Thomas Jefferson, R-4, Music, 29.97 NDF, 48 KHZ, A-D on 1-8 Stereo |
SFC Audio Open Reel FT-20193/463 |
Music, reel 5: tape 1 of 2Hi8 (Audio Tape) Spine of Case: Thomas Jefferson, MUS A1/A2-D1/D2, 1 of 2; Tape Label: Thomas Jefferson, R-5, 1 of 2, Music |
SFC Audio Open Reel FT-20193/464 |
Music, reel 5: tape 2 of 2Hi8 (Audio Tape) Spine of Case: Thomas Jefferson, MUS E1/E2, DIA Guide, MUS Guide, R-5; Tape Label: Thomas Jefferson, R-5, 2 of 2, Music |
SFC Audio Open Reel FT-20193/465 |
Music, reel 6Hi8 (Audio Tape) Spine of Case: Thomas Jefferson, R-6, Music, A-D, Stereo on 1-8 |
Digital Audiotape DAT-20193/34 |
Dialogue, Track A, reel 1Digital Audio Tape (DAT) Back of Case: Thomas Jefferson, R-1, A Track Dial, 7/8/96, 47.952 Khz, SMPTE TC |
Digital Audiotape DAT-20193/35 |
Dialogue, Track A, reel 2Digital Audio Tape (DAT) Back of Case: Thomas Jefferson, R-2, DIAL A, Mono, 7/8/96, 47.952 Khz, SMPTE TC, Copy |
Digital Audiotape DAT-20193/36 |
Dialogue, Track A, reel 4Digital Audio Tape (DAT) Back of Case: Thomas Jefferson, R-4, A Track Dial, 7/8/96, 47.952 Khz, SMPTE TC |
Digital Audiotape DAT-20193/37 |
Dialogue, Track A, reel 5Digital Audio Tape (DAT) Back of Case: Jefferson, R-5, DIAL; Back of Case: 48 Khz, RCF Video, 29.97 NDF |
Digital Audiotape DAT-20193/38 |
Dialogue, reel 6Digital Audio Tape (DAT) Spine of Case: Jefferson, R-6, DIAL |
Film F-20193/2262 |
Camera Rolls 1-150, Outtakes, pix16mm motion picture film 850 feet Acetate ; Color ; SilentSide of Box: Outs, CR Outs, Outs 1-150; Leader Note: "Jefferson", Outs, CR 0-150, Pix |
Film F-20193/2263 |
Camera Rolls 151-169, Outtakes, pix16mm motion picture film 800 feet Acetate ; Color ; SilentSide of Box: Jefferson, Outs, CR Outs, Outs, 151-175; Leader Note: Jefferson Outs, CR #151-169 |
Film F-20193/2264 |
Camera Rolls 170-175, Outtakes, pix16mm motion picture film 700 feet Acetate ; Color ; SilentSide of Box: Jefferson, Outs, CR Outs, Outs, 151-175; Leader Note: Jefferson Outs, CR #170-175 |
Film F-20193/2265 |
Camera Rolls 175-185, Outtakes, pix16mm motion picture film Acetate ; Color ; SilentSide of Box: Jefferson, Outs, CR Outs, Outs, 176-185 |
Film F-20193/2266 |
Camera Rolls 451-474, Outtakes, pix16mm motion picture film 550 feet Acetate ; Color ; SilentSide of Box: Jefferson, Outs, Outs - CR, Outs, CR 301-474; Leader Note: Jefferson, Outs, CR 451-474, Pix |
Film F-20193/2267 |
Camera Rolls 430-450, Outtakes, pix16mm motion picture film 800 feet Acetate ; Color ; SilentSide of Box: Jefferson, Outs, Outs - CR, Outs, CR 301-474; Leader Note: Jefferson, Outs, CR 430-450, Pix |
Film F-20193/2268 |
Camera Rolls 300-435, Outtakes, pix16mm motion picture film 1000 feet Acetate ; Color ; SilentSide of Box: Jefferson, Outs, Outs - CR, Outs, CR 301-474; Leader Note: Jefferson, Outs, CR 300-435, Pix |
Film F-20193/2269 |
Camera Rolls 476-501, Outtakes, Pix16mm motion picture film Acetate ; Color ; SilentSide of Box: Jefferson, Outs, CR Outs, Outs, 476-501 |
SFC Audio Open Reel FT-20193/466 |
Directed Sitting1/4" Open Reel Audio Polyester Back of Box: WS 2, Directed Sitting, SND #2, CR #4 |
Digital Audiotape DAT-20193/39 |
Directed SittingDigital Audio Tape (DAT) Back of Case: Ken's T-Fer from SND #2, Directed Sitting |
Digital Audiotape DAT-20193/40 |
Thomas Jefferson, reel 3Digital Audio Tape (DAT) Side of Case: Thomas Jefferson, Reel 3, 6/27/96 |
A nine-part series on the American West.
Film F-20193/3316 |
Mary Armstrong interview, pix 116mm motion picture film 500 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code XX 0000, R-36, Intv. M. Armstrong, CR 201 & 202; Leader Note: The West Project, Code XX 0000, Intv. Mary Armstrong, R-36, Pix |
Film F-20193/3317 |
Mary Armstrong interview, mag 116mm motion picture film 525 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code XX 0000, R-36, Intv. M. Armstrong, CR 201 & 202; Leader Note: The West Project, Code XX 0000, Intv. Mary Armstrong, R-36, TRK |
Film F-20193/3318 |
Mary Armstrong interview, pix 216mm motion picture film 300 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code XX 5000, R-37, Intv. M. Armstrong, CR 203; Leader Note: The West Project, Code XX 5, Intv. Mary Armstrong, R-37, Pix |
Film F-20193/3319 |
Mary Armstrong interview, mag 216mm motion picture film 300 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code XX 5000, R-37, Intv. M. Armstrong, CR 203; Leader Note: The West Project, Code XX 5, Intv. Mary Armstrong, R-37, TRK |
Film F-20193/3320 |
Leonard Arrington interview, pix16mm motion picture film 600 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code BB 0000, RL #3, Intv. Leonard Arrington, CR 28 29; Leader Note: The West Project, Code BB 0000, Intv. Leonard Arrington, R-3, Pix |
Film F-20193/3321 |
Leonard Arrington interview, mag16mm motion picture film 550 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code BB 0000, RL #3, Intv. Leonard Arrington, CR 28 29; Leader Note: The West Project, Code BB 0000, Intv. Leonard Arrington, R-3, TRK |
Film F-20193/3322 |
Gerard Baker interview, pix16mm motion picture film 650 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code SS 0000, R-28, Intv. G. Baker, CR 156-158; Leader Note: The West Project, Intv. Baker, Code SS 000, CR 156-157, Pix |
Film F-20193/3323 |
Gerard Baker interview, mag16mm motion picture film 700 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code SS 0000, R-28, Intv. G. Baker, CR 156-158; Leader Note: The West Project, Intv. Baker, Code SS 000, CR 156-157, TRK, Gerard Baker, Tk 1 |
Film F-20193/3324 |
Charlotte Black Elk interview, pix 116mm motion picture film 800 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-74, Intv. C. Black Elk, CR 343 & 344; Leader Note: The West Project, Intv. C. Black Elk, R-74, Pix |
Film F-20193/3325 |
Charlotte Black Elk interview, mag 116mm motion picture film 800 feet Mag Track ; Polyester ; MagneticSide of Box: The West Project, R-74, Intv. C. Black Elk, CR 343 & 344; Leader Note: The West Project, Intv. C. Black Elk, R-74, SND |
Film F-20193/3326 |
Charlotte Black Elk interview, pix 216mm motion picture film 800 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-75, Intv. C. Black Elk, CR 345 & 346; Leader Note: The West Project, Intv. C. Black Elk, R-75, Pix |
Film F-20193/3327 |
Charlotte Black Elk interview, mag 216mm motion picture film 800 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-75, Intv. C. Black Elk, CR 345 & 346; Leader Note: The West Project, Intv. C. Black Elk, R-75, TRK |
Film F-20193/3328 |
Charlotte Black Elk interview, pix 316mm motion picture film 800 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-76, Intv. C. Black Elk, CR 347 & 348; Leader Note: The West Project, Intv. C. Black Elk, R-76, Pix |
Film F-20193/3329 |
Charlotte Black Elk interview, mag 316mm motion picture film 800 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-76, Intv. C. Black Elk, CR 347 & 348; Leader Note: The West Project, Intv. C. Black Elk, R-76, TRK |
Film F-20193/3330 |
Charlotte Black Elk interview, pix 416mm motion picture film 450 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-77, Intv. C. Black Elk, CR 349; Leader Note: The West Project, Intv. C. Black Elk, R-77, Pix; Note on Slate: Interview Charlotte Black Elk |
Film F-20193/3331 |
Charlotte Black Elk interview, mag 416mm motion picture film 450 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-77, Intv. C. Black Elk, CR 349; Leader Note: The West Project, Intv. C. Black Elk, R-77, TRK |
Film F-20193/3332 |
Max Blacksmith interview, pix 116mm motion picture film 1000 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-78, Intv. M. Blacksmith - At O.C.C., CR 350 & 351; Leader Note: The West, Intv. M. Blacksmith - at O.C.C., R-78, Pix; Note on Slate: Max Blacksmith |
Film F-20193/3333 |
Max Blacksmith interview, mag 116mm motion picture film 1000 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-78, Intv. M. Blacksmith - At O.C.C., CR 350 & 351; Leader Note: The West, Intv. M. Blacksmith - at O.C.C., R-78, TRK |
Film F-20193/3334 |
Max Blacksmith interview, pix 216mm motion picture film 850 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-79, Intv. M. Blacksmith - At O.C.C., CR 352 & 353; Leader Note: The West Project, Intv. M. Blacksmith at O.C.C., R-79, Pix |
Film F-20193/3335 |
Max Blacksmith interview, mag 216mm motion picture film 850 feet Mag Track ; Polyester ; MagneticSide of Box: The West Project, R-79, Intv. M. Blacksmith - At O.C.C., CR 352 & 353; Leader Note: The West Project, Intv. M. Blacksmith at O.C.C., R-79, TRK |
Film F-20193/3336 |
Adrian Bustamente interview, pix 116mm motion picture film 300 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code MM 0000, R-18, Intv. Adrian Bustamente, CR 112 113; Leader Note: The West Project, Code MM 0000, Intv. A Bustamente, RL 18, Pix |
Film F-20193/3337 |
Adrian Bustamente interview, mag 116mm motion picture film 300 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code MM 0000, R-18, Intv. Adrian Bustamente, CR 112 113; Leader Note: The West Project, Code MM 0000, Intv. A Bustamente, RL 18, TRK |
Film F-20193/3338 |
Adrian Bustamente interview, pix 216mm motion picture film 825 feet Positive ; Polyester ; Color ; SilentLeader Note: The West Project, Code MM 5000, Intv. Adrian Bustamente, R-19, Pix |
Film F-20193/3339 |
Adrian Bustamente interview, mag 216mm motion picture film 850 feet Mag Track ; Acetate ; MagneticLeader Note: The West Project, Code MM 5000, Intv. Adrian Bustamente, R-19, Trk |
Film F-20193/3340 |
Bertha Calloway interview, pix 116mm motion picture film 300 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, VV 0000, R-32, Intv. B. Calloway, CR 192-193; Leader Note: The West Project, Code VV 0, Intv. B. Calloway, R-32, Pix |
Film F-20193/3341 |
Bertha Calloway interview, mag 116mm motion picture film 300 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, VV 0000, R-32, Intv. B. Calloway, CR 192-193; Leader Note: The West Project, Code VV 0, Intv. B. Calloway, R-32, TRK |
Film F-20193/3342 |
Bertha Calloway interview, pix 216mm motion picture film 425 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, VV 5000, R-33, Intv. B. Calloway, CR 194; Leader Note: The West Project, Intv. B. Calloway, R-33, Pix |
Film F-20193/3343 |
Bertha Calloway interview, mag 216mm motion picture film 450 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, VV 5000, R-33, Intv. B. Calloway, CR 194; Leader Note: The West Project, Intv. B. Calloway, R-33, TRK |
Film F-20193/3344 |
Ed Castillo interview, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code JJ 0000, R-14, Intv. Ed Castillo, CR 88 89 90; Leader Note: The West Project, Code JJ 0000, Intv. Ed Castillo, R-14, Pix |
Film F-20193/3345 |
Ed Castillo interview, mag16mm motion picture film 725 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code JJ 0000, R-14, Intv. Ed Castillo, CR 88 89 90; Leader Note: The West Project, Code JJ 0000, Intv. Ed Castillo, R-14, TRK |
Film F-20193/3346 |
Jack Chen interview, pix16mm motion picture film 650 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code EE 0000, R-8, Intv. Jack Chen, CR 69 70 71; Leader Note: The West Project, Code EE 0000, Intv. Jack Chen, R-8, Pix |
Film F-20193/3347 |
Jack Chen interview, mag16mm motion picture film 650 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code EE 0000, R-8, Intv. Jack Chen, CR 69 70 71; Leader Note: The West Project, Code EE 0000, Intv. Jack Chen, R-8, TRK |
Film F-20193/3348 |
Mildred Cleghorn interview, pix 116mm motion picture film 425 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code YY 0000, R-38, Intv. M. Cleghorn, CR 204 & 205; Leader Note: The West Project, Code YY 0000, Intv. M. Cleghorn, R-38, Pix |
Film F-20193/3349 |
Mildred Cleghorn interview, mag 116mm motion picture film 450 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code YY 0000, R-38, Intv. M. Cleghorn, CR 204 & 205; Leader Note: The West Project, Code YY 0000, Intv. M. Cleghorn, R-38, TRK |
Film F-20193/3350 |
Mildred Cleghorn interview, pix 216mm motion picture film 450 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code YY 5000, R-39, Intv. M. Cleghorn, CR 206 & 207; Leader Note: The West Project, Code YY 5, Intv. M. Cleghorn, R-39, Pix |
Film F-20193/3351 |
Mildred Cleghorn interview, mag 216mm motion picture film 450 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code YY 5000, R-39, Intv. M. Cleghorn, CR 206 & 207; Leader Note: The West Project, Code YY 5, Intv. M. Cleghorn, R-39, TRK |
Film F-20193/3352 |
Ruey Darrow interview, pix 116mm motion picture film 700 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-71, Intv. Ruey Darrow, CR 338 & 339; Leader Note: The West Project, Intv. R Darrow, R-71, Pix |
Film F-20193/3353 |
Ruey Darrow interview, mag 116mm motion picture film 750 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-71, Intv. Ruey Darrow, CR 338 & 339; Leader Note: The West Project, Intv. R Darrow, R-71, TRK |
Film F-20193/3354 |
Ruey Darrow interview, pix 216mm motion picture film 750 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-72, Intv. Ruey Darrow, CR 340 & 341; Leader Note: The West Project, Intv. R. Darrow, R-72, Pix |
Film F-20193/3355 |
Ruey Darrow interview, mag 216mm motion picture film 800 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-72, Intv. Ruey Darrow, CR 340 & 341; Leader Note: The West Project, Intv. R. Darrow, R-72, TRK |
Film F-20193/3356 |
Ruey Darrow interview, pix 316mm motion picture film 375 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-73, Intv. Ruey Darrow, CR 342; Leader Note: The West Project, Intv. R. Darrow, R-73, Pix |
Film F-20193/3357 |
Ruey Darrow interview, mag 316mm motion picture film 375 feet Mag Track ; Polyester ; MagneticSide of Box: The West Project, R-73, Intv. Ruey Darrow, CR 342; Leader Note: The West Project, Intv. R. Darrow, R-73, SND |
Film F-20193/3358 |
Richard Dillon interview, pix 116mm motion picture film 375 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, FF 0000, R-9, Intv. Richard Dillon, CR 71 72 73; Leader Note: The West Project, Code FF 0000, Intv. Richard Dillon, R-9, Pix |
Film F-20193/3359 |
Richard Dillon interview, mag 116mm motion picture film 375 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, FF 0000, R-9, Intv. Richard Dillon, CR 71 72 73; Leader Note: The West Project, Code FF 0000, Intv. Richard Dillon, R-9, TRK |
Film F-20193/3360 |
Richard Dillon interview, pix 216mm motion picture film 275 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, FF 5000, R-10, Intv. Richard Dillon, CR 74-75; Leader Note: The West Project, Code FF 5000, Intv. Richard Dillon, R-10, Pix |
Film F-20193/3361 |
Richard Dillon interview, mag 216mm motion picture film 275 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, FF 5000, R-10, Intv. Richard Dillon, CR 74-75; Leader Note: The West Project, Code FF 5000, Intv. Richard Dillon, R-10, TRK |
Film F-20193/3362 |
Michael Dorris interview, pix 116mm motion picture film 350 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code AF 0000, R-53, Intv. M. Dorris, CR 234 & 235; Leader Note: The West Project, Code AF 0000, Intv. M. Dorris, R-53, Pix |
Film F-20193/3363 |
Michael Dorris interview, mag 116mm motion picture film 350 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code AF 0000, R-53, Intv. M. Dorris, CR 234 & 235; Leader Note: The West Project, Code AF 0000, Intv. M. Dorris, R-53, TRK |
Film F-20193/3364 |
Michael Dorris interview, pix 216mm motion picture film 400 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code AF 5000, R-54, Intv. M. Dorris, CR 236 & 237; Leader Note: The West Project, Code AF 5000, Intv. M. Dorris, R-54, Pix |
Film F-20193/3365 |
Michael Dorris interview, mag 216mm motion picture film 400 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code AF 5000, R-54, Intv. M. Dorris, CR 236 & 237; Leader Note: The West Project, Code AF 5000, Intv. M. Dorris, R-54, TRK |
Film F-20193/3366 |
Michael Dorris interview, pix 316mm motion picture film 300 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code AG 0000, R-55, Intv. M. Dorris, CR 238 & 239; Leader Note: The West Project, Code AG 0000, Intv. M. Dorris, R-55, Pix |
Film F-20193/3367 |
Michael Dorris interview, mag 316mm motion picture film 300 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code AG 0000, R-55, Intv. M. Dorris, CR 238 & 239; Leader Note: The West Project, Code AG 0000, Intv. M. Dorris, R-55, TRK |
Film F-20193/3368 |
Michael Dorris interview, pix 416mm motion picture film 150 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code AG 5000, R-56, Intv. M. Dorris, CR 240; Leader Note: The West Project, Code AG 5000, Intv. M. Dorris, R-56, Pix |
Film F-20193/3369 |
Michael Dorris interview, mag 416mm motion picture film 150 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code AG 5000, R-56, Intv. M. Dorris, CR 240; Leader Note: The West Project, Code AG 5000, Intv. M. Dorris, R-56, TRK |
Film F-20193/3370 |
Dayton Duncan interview, pix 116mm motion picture film 150 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code GG 0000, R-11, Intv. Dayton Duncan S.F., CR 81-82; Leader Note: The West Project, Code GG 0000, Intv. D. Duncan - SF, R-11, Pix |
Film F-20193/3371 |
Dayton Duncan interview, mag 116mm motion picture film 150 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code GG 0000, R-11, Intv. Dayton Duncan S.F., CR 81-82; Leader Note: The West Project, Code GG 0000, Intv. D. Duncan - SF, R-11, TRK |
Film F-20193/3372 |
Dayton Duncan interview, pix 216mm motion picture film 175 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code GG 5000, R 12, Intv. Dayton Duncan SF, CR 83-84; Leader Note: The West Project, Code GG 5000, Interview D. Duncan - SF, R-12, Pix |
Film F-20193/3373 |
Dayton Duncan interview, mag 216mm motion picture film 175 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code GG 5000, R 12, Intv. Dayton Duncan SF, CR 83-84; Leader Note: The West Project, Code GG 5000, Interview D. Duncan - SF, R-12, TRK |
Film F-20193/3374 |
Dayton Duncan interview, pix 316mm motion picture film 300 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code RR 0000, R 27, Intv. Dayton Duncan (Yellowstone), CR 151-152; Leader Note: The West Project, Code RR 0000, Intv. Dayton Duncan (Yellowstone), R-27, Pix |
Film F-20193/3375 |
Dayton Duncan interview, mag 316mm motion picture film 300 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code RR 0000, R 27, Intv. Dayton Duncan (Yellowstone), CR 151-152; Leader Note: The West Project, Code RR 0000, Intv. Dayton Duncan (Yellowstone), R-27, TRK |
Film F-20193/3376 |
Dayton Duncan interview, pix 416mm motion picture film 800 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-83, Intv. D. Duncan - Walpole, CR 363 & 364; Leader Note: The West Project, Intv. D. Duncan, R-83, Pix |
Film F-20193/3377 |
Dayton Duncan interview, mag 416mm motion picture film 800 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-83, Intv. D. Duncan - Walpole, CR 363 & 364; Leader Note: The West Project, Intv. D. Duncan, R-83, TRK |
Film F-20193/3378 |
David Emmons interview, pix 116mm motion picture film 800 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code AC 0000, R-46, Intv. D. Emmons, CR 219 & 220; Leader Note: The West Project, Code PC 0000, Intv. D. Emmons, R-46, Pix |
Film F-20193/3379 |
David Emmons interview, mag 116mm motion picture film 800 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code AC 0000, R-46, Intv. D. Emmons, CR 219 & 220; Leader Note: The West Project, Code PC 0000, Intv. D. Emmons, R-46, TRK |
Film F-20193/3380 |
David Emmons interview, pix 216mm motion picture film 400 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code AC 5000, R-47, Intv. D. Emmons, CR 221 & 222; Leader Note: The West Project, Code AC 5000, Intv. D. Emmons, R-47, Pix |
Film F-20193/3381 |
David Emmons interview, mag 216mm motion picture film 400 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code AC 5000, R-47, Intv. D. Emmons, CR 221 & 222; Leader Note: The West Project, Code AC 5000, Intv. D. Emmons, R-47, TRK |
Film F-20193/3382 |
Dan Flores interview, pix 116mm motion picture film 425 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code TT 0000, R-29, Intv. Dan Flores, CR 159-160; Leader Note: The West Project, Code TT 0000, Intv. Flores, R-29, Pix |
Film F-20193/3383 |
Dan Flores interview, mag 116mm motion picture film 425 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code TT 0000, R-29, Intv. Dan Flores, CR 159-160; Leader Note: The West Project, Code TT 0000, Intv. Flores, R-29, TRK |
Film F-20193/3384 |
Dan Flores interview, pix 216mm motion picture film 400 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code TT 3000, R-30, Intv. Dan Flores, CR 161-162; Leader Note: The West Project, Code TT 3000, Intv. Dan Flores, R-30, Pix |
Film F-20193/3385 |
Dan Flores interview, mag 216mm motion picture film 400 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code TT 3000, R-30, Intv. Dan Flores, CR 161-162; Leader Note: The West Project, Code TT 3000, Intv. Dan Flores, R-30, TRK |
Film F-20193/3386 |
Fred Gowans interview, pix 116mm motion picture film 350 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code AA 0000, RL 1, Intv. Fred Gowans, CR 24 25 26; Leader Note: The West Project, Code AA 0000, Intv. Fred Gowans, RL 1 |
Film F-20193/3387 |
Fred Gowans interview, mag 116mm motion picture film 350 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code AA 0000, RL 1, Intv. Fred Gowans, CR 24 25 26; Leader Note: The West Project, Code AA 0000, Intv. Fred Gowans, RL 1, TRK |
Film F-20193/3388 |
Fred Gowans interview, pix 216mm motion picture film 250 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code AA 5000, RL #2, Intv. Fred Gowans, CR 27; Leader Note: The West Project, Code AA 5000, Intv. Fred Gowans, R-2, Pix |
Film F-20193/3389 |
Fred Gowans interview, mag 216mm motion picture film 225 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code AA 5000, RL #2, Intv. Fred Gowans, CR 27; Leader Note: The West Project, Code AA 5000, Intv. Fred Gowans, R-2, TRK |
Film F-20193/3390 |
Roland Haag interview, pix 116mm motion picture film 625 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code WW 0000, R-34, Intv. R. Haag, CR 198 & 199; Leader Note: The West Project, Code WW 0, Intv. R. Haag, R-34, Pix |
Film F-20193/3391 |
Roland Haag interview, mag 116mm motion picture film 625 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code WW 0000, R-34, Intv. R. Haag, CR 198 & 199; Leader Note: The West Project, Code WW 0, Intv. R. Haag, R-34, TRK |
Film F-20193/3392 |
Roland Haag interview, pix 216mm motion picture film 300 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code WW 5000, R-35, Intv. R. Haag, CR 2000; Leader Note: The West Project, Code WW 5, Intv. R Haag, R-35, Pix; Note on Slate: Interview Roland Haag |
Film F-20193/3393 |
Roland Haag interview, mag 216mm motion picture film 300 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code WW 5000, R-35, Intv. R. Haag, CR 2000; Leader Note: The West Project, Code WW 5, Intv. R Haag, R-35, Mag |
Film F-20193/3394 |
Marty Hagerstrand interview, pix 116mm motion picture film 850 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-40, Intv. M. Hagerstrand, CR 208 & 209; Leader Note: The West Project, Intv. M. Hagerstrand, R-40, Pix |
Film F-20193/3395 |
Marty Hagerstrand interview, mag 116mm motion picture film 900 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-40, Intv. M. Hagerstrand, CR 208 & 209; Leader Note: The West Project, Intv. M. Hagerstrand, R-40, TRK |
Film F-20193/3396 |
Marty Hagerstrand interview, pix 216mm motion picture film 425 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-41, Intv. M. Hagerstrand, CR 210; Leader Note: The West Project, Intv. M. Hagerstrand, R-41, Pix |
Film F-20193/3397 |
M. Hagerstrand interview, mag 216mm motion picture film 425 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-41, Intv. M. Hagerstrand, CR 210; Leader Note: The West Project, Intv. M. Hagerstrand, R-41, TRK |
Film F-20193/3398 |
Otis Halfmoon interview, pix 116mm motion picture film 625 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code AE 0000, R-51, Intv. O. Halfmoon, CR 231 & 232; Leader Note: The West Project, Code AE 0000, Intv. O. Halfmoon, R-51, Pix |
Film F-20193/3399 |
Otis Halfmoon interview, mag 116mm motion picture film 625 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code AE 0000, R-51, Intv. O. Halfmoon, CR 231 & 232; Leader Note: The West Project, Code AE 0000, Intv. O. Halfmoon, R-51, TRK |
Film F-20193/3400 |
Otis Halfmoon interview, pix 216mm motion picture film 375 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code AE 5000, R-52, Intv. O. Halfmoon, CR 233; Leader Note: The West Project, Code AE 5000, Intv. O. Halfmoon, R-52, Pix |
Film F-20193/3401 |
Otis Halfmoon interview, mag 216mm motion picture film 375 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code AE 5000, R-52, Intv. O. Halfmoon, CR 233; Leader Note: The West Project, Code AE 5000, Intv. O. Halfmoon, R-52, TRK |
Film F-20193/3402 |
James Holliday interview, pix 116mm motion picture film 300 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code CC 0000, Pix + TRK, R-4, Intv. James Holliday, CR 56 57 58; Leader Note: The West Project, Code CC 0000, Intv. James Holliday, R-4, Pix |
Film F-20193/3403 |
James Holliday interview, mag 116mm motion picture film 300 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code CC 0000, Pix + TRK, R-4, Intv. James Holliday, CR 56 57 58; Leader Note: The West Project, Code CC 0000, Intv. James Holliday, R-4, TRK |
Film F-20193/3404 |
James Holliday interview, pix 216mm motion picture film 150 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code CC 4000, Pix TRK, R-5, Intv. James Holliday, CR 59 60; Leader Note: The West Project, Code CC 4000, Intv. James Holliday, R-5, Pix |
Film F-20193/3405 |
James Holliday interview, mag 216mm motion picture film 175 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code CC 4000, Pix TRK, R-5, Intv. James Holliday, CR 59 60; Leader Note: The West Project, Code CC 4000, Intv. James Holliday, R-5, TRK |
Film F-20193/3406 |
James Holliday interview, pix 316mm motion picture film 150 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code CC 7000, R-6, Intv James Holliday, CR 61 62; Leader Note: The West Project, Code CC 7000, Intv. James Holliday, R-6, Pix |
Film F-20193/3407 |
James Holliday interview, mag 316mm motion picture film 150 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code CC 7000, R-6, Intv James Holliday, CR 61 62; Leader Note: The West Project, Code CC 7000, Intv. James Holliday, R-6, TRK |
Film F-20193/3408 |
James Holliday interview, pix 416mm motion picture film 325 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code DD 0000, R-7, Intv. James Holliday, CR 63&64; Leader Note: The West Project, Code DD 0000, Intv. James Holliday, R-7, Pix |
Film F-20193/3409 |
James Holliday interview, mag 416mm motion picture film 325 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code DD 0000, R-7, Intv. James Holliday, CR 63&64; Leader Note: The West Project, Code DD 0000, Intv. James Holliday, R-7, TRK |
Film F-20193/3410 |
Maxine Hong Kingston interview, pix 116mm motion picture film 700 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-60, Intv. M. Kingston, CR 269 & 270; Leader Note: The West Project, Intv. M. Kingston, R-60, Pix |
Film F-20193/3411 |
Maxine Hong Kingston interview, mag 116mm motion picture film 800 feet Mag Track ; Polyester ; MagneticSide of Box: The West Project, R-60, Intv. M. Kingston, CR 269 & 270; Leader Note: The West Project, Intv. M. Kingston, R-60, TRK |
Film F-20193/3412 |
Maxine Hong Kingston interview, pix 216mm motion picture film 950 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-61, Intv. M. Kingston, CR 271 & 272; Leader Note: The West Project, Intv. M. Kingston, R-61, Pix |
Film F-20193/3413 |
Maxine Hong Kingston interview, mag 216mm motion picture film 950 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-61, Intv. M. Kingston, CR 271 & 272; Leader Note: The West Project, Intv. M. Kingston, R-61, TRK |
Film F-20193/3414 |
George Horse Capture interview, pix 116mm motion picture film 300 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code KK 0000, R-15, Intv. George Horse Capture, CR 105 106; Leader Note: The West Project, Code KK 0000, Intv. G. Horse Capture, RL 15, Pix |
Film F-20193/3415 |
George Horse Capture interview, mag 116mm motion picture film 300 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code KK 0000, R-15, Intv. George Horse Capture, CR 105 106; Leader Note: The West Project, Code KK 0000, Intv. G. Horse Capture, RL 15, TRK |
Film F-20193/3416 |
George Horse Capture interview, pix 216mm motion picture film 700 feet Positive ; Polyester ; Color ; SilentSide of Box The West Project, Code KK 5000, R-16, Intv. George Horse Capture, CR 107 108 109; Leader Note: The West Project, Code KK 5000, Intv. G. Horse Capture, R-16, Pix |
Film F-20193/3417 |
George Horse Capture interview, mag 216mm motion picture film 700 feet Mag Track ; Acetate ; MagneticSide of Box The West Project, Code KK 5000, R-16, Intv. George Horse Capture, CR 107 108 109; Leader Note: The West Project, Code KK 5000, Intv. G. Horse Capture, R-16, TRK |
Film F-20193/3418 |
Alan Houser interview, pix 116mm motion picture film 475 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code PP 0000, R-22, Intv. Alan Houser, CR 122-123; Leader Note: The West Project, Code PP 0000, Intv. Alan Houser, R-22, Pix |
Film F-20193/3419 |
Alan Houser interview, mag 116mm motion picture film 475 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code PP 0000, R-22, Intv. Alan Houser, CR 122-123; Leader Note: The West Project, Code PP 0000, Intv. Alan Houser, R-22, TRK |
Film F-20193/3420 |
Alan Houser interview, pix 216mm motion picture film 225 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code PP 5000, R-23, Intv. Alan Houser, CR 124; Leader Note: The West Project, Code PP 5000, Intv. Alan Houser, R-23, Pix |
Film F-20193/3421 |
Alan Houser interview, mag 216mm motion picture film 225 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code PP 5000, R-23, Intv. Alan Houser, CR 124; Leader Note: The West Project, Code PP 5000, Intv. Alan Houser, R-23, TRK |
Film F-20193/3422 |
Janet LeCompte interview, pix 116mm motion picture film 325 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code ZZ 0000, R-42, Intv. J. LeCompte, CR 211 & 212; Leader Note: The West Project, Code ZZ 0, Intv. J. LeCompte, R-42, Pix |
Film F-20193/3423 |
Janet LeCompte interview, mag 116mm motion picture film 325 feet Mag Track ; Polyester ; MagneticSide of Box: The West Project, Code ZZ 0000, R-42, Intv. J. LeCompte, CR 211 & 212; Leader Note: The West Project, Code ZZ 0, Intv. J. LeCompte, R-42, TRK |
Film F-20193/3424 |
Janet LeCompte interview, pix 216mm motion picture film 225 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code ZZ 5000, R-43, Intv. J. LeCompte, CR 213; Leader Note: The West Project, Intv. J. LeCompte, R-43, Pix |
Film F-20193/3425 |
Janet LeCompte interview, mag 216mm motion picture film 225 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code ZZ 5000, R-43, Intv. J. LeCompte, CR 213; Leader Note: The West Project, Intv. J. LeCompte, R-43, TRK |
Film F-20193/3426 |
Henrietta Mann interview, pix 116mm motion picture film 400 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code AD 0000, R-48, Intv. H. Mann, CR 225 & 226; Leader Note: The West Project, Code AD 0000, Intv. H. Mann, R-48, Pix |
Film F-20193/3427 |
Henrietta Mann interview, mag 116mm motion picture film 425 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code AD 0000, R-48, Intv. H. Mann, CR 225 & 226; Leader Note: The West Project, Code AD 0000, Intv. H. Mann, R-48, TRK |
Film F-20193/3428 |
Henrietta Mann interview, pix 216mm motion picture film 300 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code AD 3000, R-49, Intv. H. Mann, CR 227 & 288; Leader Note: The West Project, Code AD 3000, Intv. H. Mann, R-49, Pix |
Film F-20193/3429 |
Henrietta Mann interview, mag 216mm motion picture film 300 feet Mag Track ; Polyester ; MagneticSide of Box: The West Project, Code AD 3000, R-49, Intv. H. Mann, CR 227 & 288; Leader Note: The West Project, Code AD 3000, Intv. H. Mann, R-49, TRK |
Film F-20193/3430 |
Henrietta Mann interview, pix 316mm motion picture film 350 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code AD 6000, R-50, Intv. H. Mann, CR 229 & 230; Leader Note: The West Project, Code AD 6000, Intv. H. Mann, R-50, Pix |
Film F-20193/3431 |
Henrietta Mann interview, mag 316mm motion picture film 350 feet Mag Track ; Polyester ; MagneticSide of Box: The West Project, Code AD 6000, R-50, Intv. H. Mann, CR 229 & 230; Leader Note: The West Project, Code AD 6000, Intv. H. Mann, R-50, TRK |
Film F-20193/3432 |
Glenabah Martinez interview, pix16mm motion picture film 1200 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code UU 0000, R-32, Intv. G. Martinez, CR 178-179-180; Leader Note: The West Film Project, Interview G. Martinez, CR 178 & 179, Pix |
Film F-20193/3433 |
Glenabah Martinez interview, mag16mm motion picture film 1200 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code UU 0000, R-32, Intv. G. Martinez, CR 178-179-180; Leader Note: The West Film Project, Interview G. Martinez, CR 178 & 179, SND |
Film F-20193/3434 |
McCormack-Suagerty interview, pix16mm motion picture film 725 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, CR 132 133, R-26, Pix-No TRK, Intv. McCormack-Suagerty; Leader Note: The West Project, Intv, CR 132 133, Pix |
Film F-20193/3435 |
Joe Medicine Crow interview, pix 116mm motion picture film 950 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-68, Intv. J. Medicine Crow, CR 321 & 322; Leader Note: The West Project, Intv. J. Medicine Crow, R-68, Pix |
Film F-20193/3436 |
Joe Medicine Crow interview, mag 116mm motion picture film 950 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-68, Intv. J. Medicine Crow, CR 321 & 322; Leader Note: The West Project, Intv. J. Medicine Crow, R-68, TRK |
Film F-20193/3437 |
Joe Medicine Crow interview, pix 216mm motion picture film 800 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-69, Intv. J. Medicine Crow, CR 323 & 324; Leader Note: The West Project, Intv. J. Medicine Crow, R-69, Pix |
Film F-20193/3438 |
Joe Medicine Crow interview, mag 216mm motion picture film 800 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-69, Intv. J. Medicine Crow, CR 323 & 324; Leader Note: The West Project, Intv. J. Medicine Crow, R-69, TRK |
Film F-20193/3439 |
Joe Medicine Crow interview, pix 316mm motion picture film 850 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-70, Intv. J. Medicine Crow, CR 325 & 326; Leader Note: The West Project, Intv. J. Medicine Crow, R-70, Pix |
Film F-20193/3440 |
Joe Medicine Crow interview, mag 316mm motion picture film 900 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-70, Intv. J. Medicine Crow, CR 325 & 326; Leader Note: The West Project, Intv. J. Medicine Crow, R-70, TRK |
Film F-20193/3441 |
Jim Rawls interview, pix16mm motion picture film 350 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code HH 0000, R-13, Intv. Jim Rawls, CR 85-86-87; Leader Note: The West Project, Code HH 0000, Intv. Jim Rawls, R-13, Pix |
Film F-20193/3442 |
Jim Rawls interview, mag16mm motion picture film 350 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code HH 0000, R-13, Intv. Jim Rawls, CR 85-86-87; Leader Note: The West Project, Code HH 0000, Intv. Jim Rawls, R-13, TRK |
Film F-20193/3443 |
Marc Reisner interview, pix 116mm motion picture film 700 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-57, Intv. M. Reisner, CR 263 & 264; Leader Note: The West Project, Intv. M. Reisner, R-57, Pix |
Film F-20193/3444 |
Marc Reisner interview, mag 116mm motion picture film 700 feet Mag Track ; Polyester ; MagneticSide of Box: The West Project, R-57, Intv. M. Reisner, CR 263 & 264; Leader Note: The West Project, Intv. M. Reisner, R-57, TRK |
Film F-20193/3445 |
Marc Reisner interview, pix 216mm motion picture film 800 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-58, Intv. M. Reisner, CR 235 & 267; Leader Note: The West Project, Intv. M. Reisner, R-58, Pix |
Film F-20193/3446 |
Marc Reisner interview, mag 216mm motion picture film 800 feet Mag Track ; Polyester ; MagneticSide of Box: The West Project, R-58, Intv. M. Reisner, CR 235 & 267; Leader Note: The West Project, Intv. M. Reisner, R-58, TRK |
Film F-20193/3447 |
Marc Reisner interview, pix 316mm motion picture film 900 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-59, Intv. M. Reisner, CR 268 & 266; Leader Note: The West Project, Intv. M. Reisner, R-59, Pix |
Film F-20193/3448 |
Marc Reisner interview, mag 316mm motion picture film 900 feet Mag Track ; Polyester ; MagneticSide of Box: The West Project, R-59, Intv. M. Reisner, CR 268 & 266; Leader Note: The West Project, Intv. M. Reisner, R-59, TRK |
Film F-20193/3449 |
David Risling interview, pix 116mm motion picture film 800 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-66, Intv. D. Risling, CR 285 & 286; Leader Note: The West Project, Intv. D. Risling, R-66, Pix |
Film F-20193/3450 |
David Risling interview, mag 116mm motion picture film 800 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-66, Intv. D. Risling, CR 285 & 286; Leader Note: The West Project, Intv. D. Risling, R-66, TRK |
Film F-20193/3451 |
David Risling interview, pix 216mm motion picture film 500 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-67, Intv. D. Risling, CR 287; Leader Note: The West Project, Intv. D. Risling, R-67, Pix |
Film F-20193/3452 |
David Risling interview, mag 216mm motion picture film 500 feet Mag Track ; Acetate ; Color ; MagneticSide of Box: The West Project, R-67, Intv. D. Risling, CR 287; Leader Note: The West Project, Intv. D. Risling, R-67, TRK |
Film F-20193/3453 |
Marc Simmons interview, pix 116mm motion picture film 350 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code QQ 0000, R-24, Intv. Marc Simmons, CR 125-126; Leader Note: The West Project, Code QQ 0000, Intv. Marc Simmons, R-24, Pix |
Film F-20193/3454 |
Marc Simmons interview, mag 116mm motion picture film 350 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code QQ 0000, R-24, Intv. Marc Simmons, CR 125-126; Leader Note: The West Project, Code QQ 0000, Intv. Marc Simmons, R-24, TRK |
Film F-20193/3455 |
Marc Simmons interview, pix 216mm motion picture film 250 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code QQ 5000, R-25, Intv. Marc Simmons, SR 26-27, CR 127-128; Leader Note: The West Project, Code QQ 5000, Intv. Marc Simmons, R-25, Pix |
Film F-20193/3456 |
Marc Simmons interview, mag 216mm motion picture film 250 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code QQ 5000, R-25, Intv. Marc Simmons, SR 26-27, CR 127-128; Leader Note: The West Project, Code QQ 5000, Intv. Marc Simmons, R-25, TRK |
Film F-20193/3457 |
Ronald Takaki interview, pix 116mm motion picture film 800 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-62, Intv. R. Takaki, CR 273 & 274; Leader Note: The West Project, Intv. R. Takaki, R-62, Pix |
Film F-20193/3458 |
Ronald Takaki interview, mag 116mm motion picture film 800 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-62, Intv. R. Takaki, CR 273 & 274; Leader Note: The West Project, Intv. R. Takaki, R-62, TRK |
Film F-20193/3459 |
Ronald Takaki interview, pix 216mm motion picture film 800 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-63, Intv. R. Takaki, CR 275 & 276; Leader Note: The West Project, Intv. R. Takaki, R-63, Pix |
Film F-20193/3460 |
Ronald Takaki interview, mag 216mm motion picture film 800 feet Mag Track ; Polyester ; MagneticSide of Box: The West Project, R-63, Intv. R. Takaki, CR 275 & 276; Leader Note: The West Project, Intv. R. Takaki, R-63, TRK |
Film F-20193/3461 |
Ronald Takaki interview, pix 316mm motion picture film 800 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-64, Intv. R. Takaki, CR 277 & 278; Leader Note: The West Project, Intv. R. Takaki, R-64, Pix |
Film F-20193/3462 |
Ronald Takaki interview, mag 316mm motion picture film 800 feet Mag Track ; Polyester ; MagneticSide of Box: The West Project, R-64, Intv. R. Takaki, CR 277 & 278; Leader Note: The West Project, Intv. R. Takaki, R-64, TRK |
Film F-20193/3463 |
Ronald Takaki interview, pix 416mm motion picture film 400 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, R-65, Intv. R. Takaki, CR 279; Leader Note: The West Project, Intv. R. Takaki, R-65, Pix |
Film F-20193/3464 |
Ronald Takaki interview, mag 416mm motion picture film 400 feet Mag Track ; Polyester ; MagneticSide of Box: The West Project, R-65, Intv. R. Takaki, CR 279; Leader Note: The West Project, Intv. R. Takaki, R-65, TRK |
Film F-20193/3465 |
Stewart Udall interview, pix 116mm motion picture film 225 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code NN 0000, R-20, Intv. Stew. Udall, CR 116-117; Leader Note: The West Project, Code NN 0000, Intv. Stewart Udall, R-20, Pix |
Film F-20193/3466 |
Stewart Udall interview, mag 116mm motion picture film 225 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code NN 0000, R-20, Intv. Stew. Udall, CR 116-117; Leader Note: The West Project, Code NN 0000, Intv. Stewart Udall, R-20, TRK |
Film F-20193/3467 |
Stewart Udall interview, pix 216mm motion picture film 375 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code NN 5000, R-21, Intv. Stewart Udall, CR 118 119 120; Leader Note: The West Project, Code NN 5000, Intv. Stew Udall, R-21, Pix |
Film F-20193/3468 |
Stewart Udall interview, mag 216mm motion picture film 375 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code NN 5000, R-21, Intv. Stewart Udall, CR 118 119 120; Leader Note: The West Project, Code NN 5000, Intv. Stew Udall, R-21, TRK |
Film F-20193/3469 |
Larry Wetsett and Duncan interviews, pix16mm motion picture film 300 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, Code LL 0000, R-17, Intv. Wetsett/Duncan, CR 109 + 110; Leader Note: The West Project, Code LL 0000, Intv. Larry Wetsett, Pix |
Film F-20193/3470 |
Larry Wetsett and Duncan interviews, mag16mm motion picture film 300 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, Code LL 0000, R-17, Intv. Wetsett/Duncan, CR 109 + 110; Leader Note: The West Project, Code LL 0000, Intv. Larry Wetsett |
Film F-20193/3471 |
Albert White Hat interview, pix 116mm motion picture film 800 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-80, Intv. A. White Hat, CR 354 & 355; Leader Note: The West Project, Intv. A. White Hat, R-80, Pix |
Film F-20193/3472 |
Albert White Hat interview, mag 116mm motion picture film 825 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-80, Intv. A. White Hat, CR 354 & 355; Leader Note: The West Project, Intv. A. White Hat, R-80, TRK |
Film F-20193/3473 |
Albert White Hat interview, pix 216mm motion picture film 800 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-81, Intv. A. White Hat, CR 356 & 357; Leader Note: The West Project, Intv. A. White Hat, R-81, Pix |
Film F-20193/3474 |
Albert White Hat interview, mag 216mm motion picture film 800 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-81, Intv. A. White Hat, CR 356 & 357; Leader Note: The West Project, Intv. A. White Hat, R-81, TRK |
Film F-20193/3475 |
Albert White Hat interview, pix 316mm motion picture film 500 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, R-82, Intv. A. White Hat, CR 358; Leader Note: The West Project, Intv. A. White Hat, R-82, Pix |
Film F-20193/3476 |
Albert White Hat interview, mag 316mm motion picture film 500 feet Mag Track ; Acetate ; MagneticSide of Box: The West Project, R-82, Intv. A. White Hat, CR 358; Leader Note: The West Project, Intv. A. White Hat, R-82, TRK |
SFC Audio Open Reel FT-20193/686 |
Joellyn Archambault interview, tape 1 of 41/4" Open Reel 7" PolyesterFront of Box: The West, Washington DC, 8/31/85, Roll 185; Note Inside Box: The West, Washington DC, 08/31/95, CR 1153, Scene 1, Take 1, JoEllyn Archambault |
SFC Audio Open Reel FT-20193/687 |
Joellyn Archambault interview, tape 2 of 41/4" Open Reel 7" PolyesterFront of Box: The West, Washington DC, 8/31/85, Roll 186; Note Inside Box: The West, Washington DC, SR 8/31/95, CR 1155, Scene 1, Take 5, Joellyn Archambault |
SFC Audio Open Reel FT-20193/688 |
Joellyn Archambault interview, tape 3 of 41/4" Open Reel 7" PolyesterFront of Box: The West, Washington DC, 8/31/85, Roll 187; Note Inside Box: The West, Washington DC, SR 187, 8/31/95, CR 1157, Scene 1, Take 4, Joellyn Archambault |
SFC Audio Open Reel FT-20193/689 |
Joellyn Archambault interview, tape 4 of 41/4" Open Reel 7" PolyesterFront of Box: The West, Washington DC, 8/31/85, Roll 188; Note Inside Box: The West, Washington DC, SR 188, 8/31/95, CR 1159, Scene 1, Take 2, Joellyn Archambault, Room Tone |
SFC Audio Open Reel FT-20193/690 |
Leonard Arrington interview1/4" Open Reel 7" PolyesterFront of Case: The West Film Project, Roll #3, Date 1-16-92; Note Inside Case: The West Film Project, Date 1-16-92, Leonard Arrington |
SFC Audio Open Reel FT-20193/691 |
Adrian Bustamente interview, tape 1 of 21/4" Open Reel 7" PolyesterFront of Case: The West, Santa Fe NM, 8/26/92, Adrian Bustamente, Sync, Cam Rolls #112-113-114 (Begin), #21 #24 |
SFC Audio Open Reel FT-20193/692 |
Adrian Bustamente interview, tape 2 of 2; Stewart Udall interview1/4" Open Reel 7" PolyesterFront of Case: The West, Santa Fe NM, 8/26/92, Adrian Bustamente (Con't), Sync, Cam Rolls #114 (End)-115 + Adrian Room Tone, Stewart Udall, Cam Roll #116, #22, #24 |
SFC Audio Open Reel FT-20193/693 |
Bertha Calloway interview, tape 1 of 31/4" Open Reel 5" PolyesterBack of Box: 33, 2-6-93, Lincoln NE, Interview Bertha Calloway |
SFC Audio Open Reel FT-20193/694 |
Bertha Calloway interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: 34, 2-6-93, Bertha Calloway, Room Tone |
SFC Audio Open Reel FT-20193/695 |
Bertha Calloway interview, tape 3 of 31/4" Open Reel 5" PolyesterBack of Box: 35, 2-6-93, Bertha Calloway, Room Tone |
SFC Audio Open Reel FT-20193/696 |
Albert Camarillo interview, tape 1 of 31/4" Open Reel 7" PolyesterFront of Case: SR 161, The West, 3/3/95, Camarillo Interview, CR 1017, TKs 1-3, CR 1018, TKs 4-6 |
SFC Audio Open Reel FT-20193/697 |
Albert Camarillo interview, tape 2 of 31/4" Open Reel 7" PolyesterFront of Case: SR 162, The West, CR 1019, TKs 7-9, CR 1020, TKs 9-10 |
SFC Audio Open Reel FT-20193/698 |
Albert Camarillo interview, tape 3 of 31/4" Open Reel 7" PolyesterFront of Case: SR 163, 3/3/95, The West, Camarillo Interview, CR 1021, TKs 11 |
SFC Audio Open Reel FT-20193/699 |
Ed Castillo interview1/4" Open Reel 7" PolyesterBack of Box: SR 15, 3/26/92, The West, Ed Castillo, CR 89, Tks 4 (Not on Pix) (NG), 5 6 7 8 9 10 11, Room Tone |
SFC Audio Open Reel FT-20193/700 |
Jack Chen interview, tape 1 of 21/4" Open Reel 7" PolyesterFront of Case: SR 8, 3/23/92, The West, Jack Chen, CR 69, Tks 22 (NG) 23 (NG) 24 25, CR 70, Tks 26 |
SFC Audio Open Reel FT-20193/701 |
Jack Chen interview, tape 2 of 2; Richard Dillon interview1/4" Open Reel 7" PolyesterFront of Case: SR 9, 3/23/92, The West, Jack Chen, CR 71, Tks 27, Room Tone, Richard Dillon, CR 71, Tks 28 (NG) 29, CR 72, Tks 30 31 |
SFC Audio Open Reel FT-20193/702 |
Bill Deverell interview1/4" Open Reel 7" PolyesterFront of Case: SR 146, The West, Bill Deverell, 19-12-94 |
SFC Audio Open Reel FT-20193/703 |
Richard Dillon interview, tape 1 of 21/4" Open Reel 7" PolyesterFront of Case: SR 10, 3/23/92, The West, Richard Dillon Int, CR 73, Tks 32, CR 74, TK 33 34 35 |
SFC Audio Open Reel FT-20193/704 |
Richard Dillon interview, tape 2 of 21/4" Open Reel 7" PolyesterFront of Case: SR 11, 3/23/92, The West, Richard Dillon Int, CR 75, Tks 36 37 + Room Tone for Dillon |
SFC Audio Open Reel FT-20193/705 |
Michael Dorris interview, tape 1 of 41/4" Open Reel 5" PolyesterBack of Box: The West, Roll 51, CR 234 235, Michael Dorris, 3/23/93 |
SFC Audio Open Reel FT-20193/706 |
Michael Dorris interview, tape 2 of 41/4" Open Reel 5" PolyesterBack of Box: The West, Roll 52, CR 236 237, Michael Dorris, 3/23/93 |
SFC Audio Open Reel FT-20193/707 |
Michael Dorris interview, tape 3 of 41/4" Open Reel 5" PolyesterBack of Box: The West, Roll 53, CR 238 239, Michael Dorris, 3/23/93 |
SFC Audio Open Reel FT-20193/708 |
Michael Dorris interview, tape 4 of 41/4" Open Reel 5" PolyesterBack of Box: The West, Roll 54, CR 240, Michael Dorris, 3/23/93 |
SFC Audio Open Reel FT-20193/709 |
Dayton Duncan interview, tape 1 of 41/4" Open Reel 7" PolyesterFront of Case: SR 12, 3/25/92, The West, Dayton Duncan, CR 81, Tks 1 2, CR 82, Tks 3 4 5, CR 83, Tks 6 7 |
SFC Audio Open Reel FT-20193/710 |
Dayton Duncan interview, tape 2 of 4; Jim Rawls interview1/4" Open Reel 7" PolyesterFront of Case: SR 13, 3/25/92, The West, Dayton Duncan Int, CR 84, Tks 8 9 10, Room Tone, Jim Rawls, CR 85, Tks 11 12 13 14 |
SFC Audio Open Reel FT-20193/711 |
Dayton Duncan interview, tape 3 of 41/4" Open Reel 5" PolyesterSide of Box: CR 1240, SR 193, West Intvw. Dayton Duncan |
SFC Audio Open Reel FT-20193/712 |
Dayton Duncan interview, tape 4 of 41/4" Open Reel 5" PolyesterSide of Box: CR 1241, SR 194, West, Intvw. Dayton Duncan |
SFC Audio Open Reel FT-20193/713 |
Dave Edmunds interview, tape 1 of 31/4" Open Reel 5" PolyesterBack of Box: 10-16-93, The West, Sound Roll 75, Camera Roll 427, Interview Dave Edmunds |
SFC Audio Open Reel FT-20193/714 |
Dave Edmunds interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: 10-16-93, The West, Sound Roll 76, Camera Roll 428, Interview Dave Edmunds |
SFC Audio Open Reel FT-20193/715 |
Dave Edmunds interview, tape 3 of 31/4" Open Reel 5" PolyesterBack of Box: 10-16-93, The West, Sound Roll 77, Camera Roll 429, Interview Dave Edmunds, Room Tone |
SFC Audio Open Reel FT-20193/716 |
Dave Emmons interview, tape 1 of 21/4" Open Reel 5" PolyesterBack of Box: The West, SR 44, CR 219 220, Dave Emmons, 3/21/93 |
SFC Audio Open Reel FT-20193/717 |
Dave Emmons interview, tape 2 of 21/4" Open Reel 5" PolyesterBack of Box: The West, SR 45, CR 221 222, Dave Emmons, 3/21/93 |
SFC Audio Open Reel FT-20193/718 |
John Farragher interview, tape 1 of 41/4" Open Reel 7" PolyesterBack of Box: The West, INTV John Farragher, 12-17-93, Sound #96, CR #499 |
SFC Audio Open Reel FT-20193/719 |
John Farragher interview, tape 2 of 41/4" Open Reel 7" PolyesterBack of Box: The West, INTV John Farragher, 12-17-93, Sound #97, CR #500 501 |
SFC Audio Open Reel FT-20193/720 |
John Farragher interview, tape 3 of 41/4" Open Reel 7" PolyesterBack of Box: The West, INTV John Farragher, 12-17-93, Sound #98, CR #502 503 |
SFC Audio Open Reel FT-20193/721 |
John Farragher interview, tape 4 of 41/4" Open Reel 7" PolyesterBack of Box: The West, INTV John Farragher, 12-17-93, Sound #99, CR #504 505 |
SFC Audio Open Reel FT-20193/722 |
Phil George interview, tape 1 of 21/4" Open Reel 5" PolyesterBack of Box: Roll 42, CR 214 CR 215, Phil George, 3/20/93 |
SFC Audio Open Reel FT-20193/723 |
Phil George interview, tape 2 of 21/4" Open Reel 5" PolyesterBack of Box: The West, SR 43, CR 216 217 |
SFC Audio Open Reel FT-20193/724 |
Barry Goldwater interview, tape 1 of 21/4" Open Reel 7" PolyesterFront of Case: Sound Roll #183; Note Inside Case: 8-18-95, The West, Roll No. 183, Take 1 - Roll 1136-1137, Goldwater |
SFC Audio Open Reel FT-20193/725 |
Barry Goldwater interview, tape 2 of 21/4" Open Reel 7" PolyesterFront of Case: Sound Roll #184; Note Inside Case: 8-18-95, The West, Roll No. 184, Take 1 - Roll 1138, Goldwater |
SFC Audio Open Reel FT-20193/726 |
Fred Gowans interview, tape 1 of 21/4" Open Reel 7" PolyesterFront of Case: The West Film Project, Roll #1, Date 1-16-92, Salt Lake City UT; Note Inside Case: The West Film Project, Date 1-16-92, Roll No 1, Int. Fred Gowans |
SFC Audio Open Reel FT-20193/727 |
Fred Gowans interview, tape 2 of 2; Leonard Arrington interview1/4" Open Reel 7" PolyesterFront of Case: The West Film Project, Roll #2, Date 1-16-92; Note Inside Case: The West Film Project, Date 1-16-92, Int, Fred Gowans, VO Trapping Beaver, Room Tone, Leonard Arrington |
SFC Audio Open Reel FT-20193/728 |
Bill Gwaltney interview, tape 1 of 31/4" Open Reel 7" PolyesterBack of Box: Nov 14 93, The West, Pecot NM, Audio #84, Sync Cam #465 466, Bill Gwaltney Interview |
SFC Audio Open Reel FT-20193/729 |
Bill Gwaltney interview, tape 2 of 31/4" Open Reel 5" PolyesterBack of Box: 11/14/93, The West, Audio #85, Sync Cam #467, Bill Gwaltney Interview |
SFC Audio Open Reel FT-20193/730 |
Bill Gwaltney interview, tape 3 of 31/4" Open Reel 5" PolyesterBack of Box: 11/14/93, The West, Audio #86, Sync Cam #468 469, Bill Gwaltney Interview (End) + Room Tone |
SFC Audio Open Reel FT-20193/731 |
Otis Halfmoon interview1/4" Open Reel 5" PolyesterBack of Box: The West, SR 50, CR 232 233, Otis Halfmoon, 3/22/93 |
SFC Audio Open Reel FT-20193/732 |
James Holliday interview, tape 1 of 41/4" Open Reel 7" PolyesterFront of Case: The West, James Holliday Int., SR 4, 3/21/92, CR 56, Tks 1 2 |
SFC Audio Open Reel FT-20193/733 |
James Holliday interview, tape 2 of 41/4" Open Reel 7" PolyesterFront of Case: SR 5, 3/21/92, JS Holliday Int., CR 58 - 200' End, Tks 5, CR 59, Tk 6, CR 60, Tk 7 8, The West |
SFC Audio Open Reel FT-20193/734 |
James Holliday interview, tape 3 of 41/4" Open Reel 7" PolyesterFront of Case: SR 6, 3/21/92, The West, Holliday Int., CR 61, Tk 9 10, CR 62, Tk 11 12 |
SFC Audio Open Reel FT-20193/735 |
James Holliday interview, tape 4 of 41/4" Open Reel 7" PolyesterFront of Case: SR 7, 3/21/92, The West, Holliday Int., CR 63, Tk 13 14 15 16, CR 64, Tk 17 18 19 20 |
SFC Audio Open Reel FT-20193/736 |
George Horse Capture interview, tape 1 of 51/4" Open Reel 5" PolyesterBack of Box: St. Camera Roll - 105, Start Sound Roll - 16; Note Inside Box: The West, Camera Roll #105, Location - Wolf Point, MT, Interview with Mr. George Horse Capture, Camera Roll #105 |
SFC Audio Open Reel FT-20193/737 |
George Horse Capture interview, tape 2 of 51/4" Open Reel 5" PolyesterBack of Box: SR #17; Note Inside Box: The West, Camera Roll #106, Location - Wolf Point, MT, George Horse Capture Interview con't., Camera Roll #106 |
SFC Audio Open Reel FT-20193/738 |
George Horse Capture interview, tape 3 of 51/4" Open Reel 5" PolyesterBack of Box: #18, 6/21/92, George Horse Capture interview |
SFC Audio Open Reel FT-20193/739 |
George Horse Capture interview, tape 4 of 51/4" Open Reel 5" PolyesterBack of Box: #19, George Horse Capture interview con't, Wolf Point MT |
SFC Audio Open Reel FT-20193/740 |
George Horse Capture interview, tape 5 of 51/4" Open Reel 5" PolyesterBack of Box: #20, George Horse Capture Interview con't |
SFC Audio Open Reel FT-20193/741 |
Alan Houser interview1/4" Open Reel 7" PolyesterFront of Case: The West, Alan Houser, Santa Fe NM, 8/27/92, Sync Cam Rolls#123-124 + Wild Pieces & Flute Playing & Room Tone, #25 |
SFC Audio Open Reel FT-20193/742 |
Yvette Huginnie interview, tape 1 of 21/4" Open Reel 7" PolyesterFront of Case: The West, 2-13-94, Huginnie Interview, Roll #111, Pix Rolls 561 562 563 |
SFC Audio Open Reel FT-20193/743 |
Yvette Huginnie interview, tape 2 of 21/4" Open Reel 7" PolyesterFront of Case: The West, 2-13-94, Huginnie Interview, Roll #112, Pix Rolls 564 565 |
SFC Audio Open Reel FT-20193/744 |
Alvin Josephy interview, tape 1 of 41/4" Open Reel 7" PolyesterBack of Box: The West, Interview w/ Alvin Josephy, 12-16-93, Snd #92, CR #492 493 |
SFC Audio Open Reel FT-20193/745 |
Alvin Josephy interview, tape 2 of 41/4" Open Reel 7" PolyesterBack of Box: The West, Interview w/ Alvin Josephy, 12-16-93, Snd #93, CR #494 495 |
SFC Audio Open Reel FT-20193/746 |
Alvin Josephy interview, tape 3 of 41/4" Open Reel 7" PolyesterBack of Box: The West, Interview w/ Alvin Josephy, 12-16-93, Snd #94, CR #496 497 |
SFC Audio Open Reel FT-20193/747 |
Alvin Josephy interview, tape 4 of 41/4" Open Reel 7" PolyesterBack of Box: The West, Interview w/ Alvin Josephy, 12-16-93, Snd #95, CR #498 |
SFC Audio Open Reel FT-20193/748 |
Maxine Hong Kingston interview, tape 1 of 21/4" Open Reel 7" PolyesterFront of Case: SR 58, The West, 5/23/93, Maxine Hong Kingston, CR 269, Tks 22 23 24, CR 270, Tks 25 |
SFC Audio Open Reel FT-20193/749 |
Maxine Hong Kingston interview, tape 2 of 21/4" Open Reel 7" PolyesterFront of Case: SR 59, The West, May 23 1993, Maxine Hong, CR 271, Tks 25 27 28 29, CR 272, Tks 30 |
SFC Audio Open Reel FT-20193/750 |
Mylie Lawyer interview, tape 1 of 41/4" Open Reel 5" PolyesterFront of Box: SR #122; Back of Box: Sound Roll 5-A, Tone, Take 4 5, T.O., Pic Roll 686 |
SFC Audio Open Reel FT-20193/751 |
Mylie Lawyer interview, tape 2 of 41/4" Open Reel 5" PolyesterFront of Box: SR #123; Back of Box: Sd Roll 6-A, Take 1 2, Pic Roll 687 |
SFC Audio Open Reel FT-20193/752 |
Mylie Lawyer interview, tape 3 of 41/4" Open Reel 5" PolyesterFront of Box: SR #124; Back of Box: Sound Roll 7-A, Take 3 4, Pic Roll 688 |
SFC Audio Open Reel FT-20193/753 |
Mylie Lawyer interview, tape 4 of 41/4" Open Reel 5" PolyesterFront of Box: SR #125; Back of Box: Sd Roll 8-A, Take 5 6 (Called 1), No slate on last take, T.O., Pic Roll 689 |
SFC Audio Open Reel FT-20193/754 |
Janet Lecompte interview, tape 1 of 21/4" Open Reel 5" PolyesterBack of Box: Roll 40, CR 211 212, Janet Lecompte, 3/20/93, The West |
SFC Audio Open Reel FT-20193/755 |
Janet Lecompte interview, tape 2 of 21/4" Open Reel 5" PolyesterBack of Box: SR 41, CR 213, Janet LeCompte, 3/21/93 |
SFC Audio Open Reel FT-20193/756 |
Patty Limerick interview, tape 1 of 51/4" Open Reel 7" PolyesterBack of Box: The West, Boulder CO, 1/16/94, Sound 100, Cam #515 516 517, Patty Limerick Int. |
SFC Audio Open Reel FT-20193/757 |
Patty Limerick interview, tape 2 of 51/4" Open Reel 7" PolyesterBack of Box: The West, Boulder CO, 1/16/94, Sound 101, Cam #517 518 519, Patty Limerick Int. |
SFC Audio Open Reel FT-20193/758 |
Patty Limerick interview, tape 3 of 51/4" Open Reel 7" PolyesterBack of Box: The West, 1/16/94, Boulder CO, Sound 102, Cam #520 521 |
SFC Audio Open Reel FT-20193/759 |
Patty Limerick interview, tape 4 of 51/4" Open Reel 7" PolyesterBack of Box: The West, 1/16/94, Boulder CO, Sound 103, Cam #522 523 |
SFC Audio Open Reel FT-20193/760 |
Patty Limerick interview, tape 5 of 51/4" Open Reel 5" PolyesterBack of Box: The West, 1/16/94, Boulder CO, Sound #104, Cam #524 |
SFC Audio Open Reel FT-20193/761 |
David Love interview, tape 1 of 51/4" Open Reel 7" PolyesterBack of Box: Sound 126, Cam Rolls 718 719 Tk 3, The West, David Love |
SFC Audio Open Reel FT-20193/762 |
David Love interview, tape 2 of 51/4" Open Reel 7" PolyesterBack of Box: Sound 127, Cam Rolls 720 + 721, The West, David Love Interview |
SFC Audio Open Reel FT-20193/763 |
David Love interview, tape 3 of 51/4" Open Reel 7" PolyesterBack of Box: Sound 128, Cam Rolls 722 + 723, The West, David Love Interview |
SFC Audio Open Reel FT-20193/764 |
David Love interview, tape 4 of 51/4" Open Reel 7" PolyesterBack of Box: Sound 129, Cam Rolls 724 725, The West, David Love Interview |
SFC Audio Open Reel FT-20193/765 |
David Love interview, tape 5 of 51/4" Open Reel 7" PolyesterBack of Box: Sound 130, Cam Rolls 726 727, The West, David Love Interview |
SFC Audio Open Reel FT-20193/766 |
Henrietta Mann interview, tape 1 of 41/4" Open Reel 5" PolyesterBack of Box: The West, Roll 46, CR 225, Henrietta Mann, 3/22/93 |
SFC Audio Open Reel FT-20193/767 |
Henrietta Mann interview, tape 2 of 41/4" Open Reel 5" PolyesterBack of Box: The West, Roll 47, CR 226 227, Henrietta Mann, 3/22/93 |
SFC Audio Open Reel FT-20193/768 |
Henrietta Mann interview, tape 3 of 41/4" Open Reel 5" PolyesterBack of Box: The West, Roll 48, CR 228 229, Henrietta Mann, 3/22/93 |
SFC Audio Open Reel FT-20193/769 |
Henrietta Mann interview, tape 4 of 4; Otis Halfmoon interview1/4" Open Reel 5" PolyesterBack of Box: The West, Roll 49, CR 230 231, Henrietta Mann, Otis Halfmoon, 3/22/93 |
SFC Audio Open Reel FT-20193/770 |
David Montejano interview, tape 1 of 41/4" Open Reel 5" PolyesterBack of Box: Sound Reel #170, 5-17-95, The West; Note on Reel: Sound Reel #170, 5-17-95, The West, Intvw. David Montejano |
SFC Audio Open Reel FT-20193/771 |
David Montejano interview, tape 2 of 41/4" Open Reel 5" PolyesterBack of Box: Sound Reel #171, 5-17-95, The West |
SFC Audio Open Reel FT-20193/772 |
David Montejano interview, tape 3 of 41/4" Open Reel 5" PolyesterBack of Box: Sound Reel #172, 5-17-95, The West |
SFC Audio Open Reel FT-20193/773 |
David Montejano interview, tape 4 of 41/4" Open Reel 5" PolyesterBack of Box: Sound Reel #173, 5-17-95, The West |
SFC Audio Open Reel FT-20193/774 |
Senator Ben Nighthorse Campbell interview, tape 1 of 31/4" Open Reel 7" PolyesterBack of Box: The West, SR #164, Senator Ben Nighthorse Campbell, CR #1040, Slate 1 - NG, #2 - NG, #3, CR #1041, Slate #4, 4/7/95, Washington DC |
SFC Audio Open Reel FT-20193/775 |
Senator Ben Nighthorse Campbell interview, tape 2 of 31/4" Open Reel 7" PolyesterBack of Box: The West, SR #165, 4/7/95, Senator Ben Nighthorse Campbell, CR #1042, Slate #5 6, CR #1043, Slate 7 8, 4/7/95, Washington DC |
SFC Audio Open Reel FT-20193/776 |
Senator Ben Nighthorse Campbell interview, tape 3 of 31/4" Open Reel 7" PolyesterBack of Box: The West, SR #166, 4/7/95, Senator Ben Nighthorse Campbell, CR #1044, Slate #9, 30 Seconds Wild Room Tone, Voice Over Remark on Jewelry and Empire State Building, Washington DC |
SFC Audio Open Reel FT-20193/777 |
Alfonso Ortiz interview, tape 1 of 51/4" Open Reel 5" PolyesterBack of Box: Nov 15 93, West, Audio #87, Sync Cam #472 473, Alfonso Ortiz |
SFC Audio Open Reel FT-20193/778 |
Alfonso Ortiz interview, tape 2 of 51/4" Open Reel 5" PolyesterBack of Box: Nov 15 93, West, Audio #88, Sync Cam #474 475, Alfonso Ortiz |
SFC Audio Open Reel FT-20193/779 |
Alfonso Ortiz interview, tape 3 of 51/4" Open Reel 5" PolyesterBack of Box: Nov 15 93, West, Audio #89, Sync Cam #476 477, Alfonso Ortiz |
SFC Audio Open Reel FT-20193/780 |
Alfonso Ortiz interview, tape 4 of 51/4" Open Reel 5" PolyesterBack of Box: 11/15/93, West, Audio #90, Sync Cam #478, Alfonso Ortiz (con't) |
SFC Audio Open Reel FT-20193/781 |
Alfonso Ortiz interview, tape 5 of 51/4" Open Reel 7" PolyesterBack of Box: 11/15/93, West, Audio #91, Sync Cam #479 480, Alfonso Ortiz (end) + Room Tone |
SFC Audio Open Reel FT-20193/782 |
Jim Rawls interview; Ed Castillo interview1/4" Open Reel 7" PolyesterFront of Case: SR 14, 3/25/92, The West, Jim Rawls cont. CR 86, Tks 15 16, CR 87, Tks 17, March 26, Ed Castillo, CR 88, Tks 1 2 3 |
SFC Audio Open Reel FT-20193/783 |
Marc Reisner interview, tape 1 of 31/4" Open Reel 7" PolyesterFront of Case: Roll 55, The West, Mark Reisner Interview, May 22 1993, CR 263, TKs 1 2 3, CR 264, TKs 4 5 6 7 |
SFC Audio Open Reel FT-20193/784 |
Marc Reisner interview, tape 2 of 31/4" Open Reel 7" PolyesterFront of Case: SR 56, The West, Marc Reisner Int., May 22 1993, CR 265, TKs 9 8 10, CR 266, 11, CR 267, 12 13 14 |
SFC Audio Open Reel FT-20193/785 |
Marc Reisner interview, tape 3 of 31/4" Open Reel 7" PolyesterFront of Case: SR 57, The West, Marc Reisner Int., May 22 1993, CR 268, TK 15 (NG No Pix), 16 17 18, CR 266, TKs 19 20 21, + Wild Sound, + Room Tone |
SFC Audio Open Reel FT-20193/786 |
Martin Ridge interview, tape 1 of 31/4" Open Reel 7" PolyesterFront of Case: The West, 2-13-94, Ridge Interview, Roll #108, Pix Rolls 551 552 553 |
SFC Audio Open Reel FT-20193/787 |
Martin Ridge interview, tape 2 of 31/4" Open Reel 7" PolyesterFront of Case: The West, 2-13-94, Ridge Interview, Roll #109, Pix Rolls 554 555 556 |
SFC Audio Open Reel FT-20193/788 |
Martin Ridge interview, tape 3 of 31/4" Open Reel 7" PolyesterFront of Case: The West, 2-13-94, Ridge Interview, Roll #110, Pix Rolls 557 558 559 560 |
SFC Audio Open Reel FT-20193/789 |
Ricardo Romo interview, tape 1 of 31/4" Open Reel 7" PolyesterFront of Case: Sound Reel #167, The West, 5-17-95 |
SFC Audio Open Reel FT-20193/790 |
Ricardo Romo interview, tape 2 of 31/4" Open Reel 7" PolyesterFront of Case: Sound Reel #168, The West, 5-17-95 |
SFC Audio Open Reel FT-20193/791 |
Ricardo Romo interview, tape 3 of 31/4" Open Reel 5" PolyesterBack of Box: Sound Reel #169, 5-17-95, The West |
SFC Audio Open Reel FT-20193/792 |
Linda Ronstadt interview, tape 1 of 61/4" Open Reel 7" PolyesterFront of Case: The West, SR 175, 6/3/95, CR 1095 CR 1096, Linda Rondstadt |
SFC Audio Open Reel FT-20193/793 |
Linda Ronstadt interview, tape 2 of 61/4" Open Reel 7" PolyesterFront of Case: The West, SR 176, 6/3/95, CR 1097 CR 1098, Linda Rondstadt |
SFC Audio Open Reel FT-20193/794 |
Linda Ronstadt interview, tape 3 of 61/4" Open Reel 7" PolyesterFront of Case: The West, SR 177, 6/3/95, CR 1099 CR 1100, Linda Rondstadt |
SFC Audio Open Reel FT-20193/795 |
Linda Ronstadt interview, tape 4 of 61/4" Open Reel 7" PolyesterFront of Case: The West, SR 178, 6/3/95, CR 1100, Linda Rondstadt |
SFC Audio Open Reel FT-20193/796 |
Linda Ronstadt interview, tape 5 of 61/4" Open Reel 7" PolyesterFront of Case: The West, SR 179, 6/3/95, CR 1101, Linda Rondstadt |
SFC Audio Open Reel FT-20193/797 |
Linda Ronstadt interview, tape 6 of 61/4" Open Reel 7" PolyesterFront of Case: The West, SR 180, 6/3/95, CR 1101, Linda Rondstadt |
SFC Audio Open Reel FT-20193/798 |
Marc Simmons interview, tape 1 of 21/4" Open Reel 7" PolyesterFront of Case: The West, Marc Simmons, Santa Fe, 8/22/92, Sync, Cam Rolls #125-126-127 (Begin), #26 |
SFC Audio Open Reel FT-20193/799 |
Marc Simmons interview, tape 2 of 21/4" Open Reel 7" PolyesterFront of Case: The West, Marc Simmons (Con't), Santa Fe, 8/22/92, Sync, Cam Rolls #127 (End) 128 + Room Tone, #27 |
SFC Audio Open Reel FT-20193/800 |
Ron Takaki interview, tape 1 of 41/4" Open Reel 7" PolyesterFront of Case: SR 60, The West, May 23 1993, Ron Takaki Interview, CR 273, Tks 31 32 33, CR 274, Tks 34 35 36 |
SFC Audio Open Reel FT-20193/801 |
Ron Takaki interview, tape 2 of 41/4" Open Reel 7" PolyesterFront of Case: SR 61, The West, May 23 1993, Ron Takaki Interview, CR 275, Tks 37 38, CR 276, Tks 39 40 |
SFC Audio Open Reel FT-20193/802 |
Ron Takaki interview, tape 3 of 41/4" Open Reel 7" PolyesterFront of Case: SR 62, The West, May 23 1993, Ron Takaki Interview, CR 277, Tks 41 42 43, CR 278, Tks 44 45 |
SFC Audio Open Reel FT-20193/803 |
Ron Takaki interview, tape 4 of 41/4" Open Reel 7" PolyesterFront of Case: SR 63, The West, May 23 1993, Ron Takaki, CR 279, 46 (NG) (No Pix), 47 48 |
SFC Audio Open Reel FT-20193/804 |
Terry Tempest Williams interview, tape 1 of 31/4" Open Reel 7" PolyesterFront of Case: The West, 20 Jan 95, Interview - Terry Temest Williams, Location - Salt Lake City, Audio Roll #158 |
SFC Audio Open Reel FT-20193/805 |
Terry Tempest Williams interview, tape 2 of 31/4" Open Reel 7" PolyesterFront of Case: The West, 20 Jan 95, Interview - Terry Tempest Williams, Location - Salt Lake City, Audio Roll #159 |
SFC Audio Open Reel FT-20193/806 |
Terry Tempest Williams interview, tape 3 of 31/4" Open Reel 7" PolyesterFront of Case: The West, 20 Jan 95, Interview - Terry Tempest Williams, Location - Salt Lake City, Audio Roll #160 |
SFC Audio Open Reel FT-20193/807 |
Stewart Udall interview, tape 1 of 41/4" Open Reel 7" PolyesterFront of Case: The West, Stewart Udall (Con't), Santa Fe NM, 8/26/92, Sync Cam Rolls #117-118-119 (Begin), #23 |
SFC Audio Open Reel FT-20193/808 |
Stewart Udall interview, tape 2 of 4; Alan Houser interview1/4" Open Reel 7" PolyesterFront of Case: The West, Stewart Udall (End), Santa Fe NM, 8/26-27/92, Sync Cam Roll 119 (End) 120 + Room Tone, Alan Houser, Sync Cam Rolls #122, #24 |
SFC Audio Open Reel FT-20193/809 |
Stewart Udall interview, tape 3 of 41/4" Open Reel 7" PolyesterBack of Box: Oct 26 94, The West, Stewart Udall, Santa Fe, Sync #139, Cam Rolls 816 817, End Interview + Room Tone |
SFC Audio Open Reel FT-20193/810 |
Stewart Udall interview, tape 4 of 41/4" Open Reel 7" PolyesterBack of Box: Oct 26 94, The West, Stewart Udall, Santa Fe, Sync #140, Cam Rolls 818 819, End Interview + Room Tone |
SFC Audio Open Reel FT-20193/811 |
Bob Utley interview, tape 1 of 31/4" Open Reel 7" PolyesterBack of Box: 10-16-93, Sound Roll 72, Camera Roll 420, The West Project, Interview Bob Utley, Camera Roll 421, Camera Roll 422, Ambient Room, Wild Sound |
SFC Audio Open Reel FT-20193/812 |
Bob Utley interview, tape 2 of 31/4" Open Reel 7" PolyesterBack of Box: 10-16-93, The West, Sound Roll 73, Camera Roll 423 424 425, Interview Bob Utley |
SFC Audio Open Reel FT-20193/813 |
Bob Utley interview, tape 3 of 31/4" Open Reel 5" PolyesterBack of Box: 10-16-93, The West, Sound Roll 74, Camera Roll 46, Interview Bob Utley |
SFC Audio Open Reel FT-20193/814 |
Tom Watkins interview, tape 1 of 81/4" Open Reel 7" PolyesterBack of Box: West Film Project, SR 131, CR 764, Tom Watkins Interview, Slates 1 2 3, Hand Claps, CR 765, Slates #1 2 (Hand Claps), Woodrow Wilson House, Washington DC, 9/1/94 |
SFC Audio Open Reel FT-20193/815 |
Tom Watkins interview, tape 2 of 81/4" Open Reel 7" PolyesterBack of Box: West Film Project, SR 132, CR 766, Tom Watkins Interview, Slates 1 2, CR 767, Slates #1 2, Woodrow Wilson House, Washington DC, 9/1/94 |
SFC Audio Open Reel FT-20193/816 |
Tom Watkins interview, tape 3 of 81/4" Open Reel 7" PolyesterBack of Box: West Film Project, SR 133, CR 768, Interview with Tom Watkins continued, Slates #1 #2, CR #769, Slates #1 #2, Woodrow Wilson House, Washington DC, 9/1/94 |
SFC Audio Open Reel FT-20193/817 |
Tom Watkins interview, tape 4 of 81/4" Open Reel 7" PolyesterBack of Box: West Film Project, SR #134, CR #770, Interview with Tom Watkins Continued, Slates #1, CR #771, Slate 1 2, Woodrow Wilson House, Washington DC, 9/1/94 |
SFC Audio Open Reel FT-20193/818 |
Tom Watkins interview, tape 5 of 81/4" Open Reel 7" PolyesterBack of Box: West Film Project, SR #135, CR #772, Interview with Tom Watkins Continued, Slate #1, Wild Room Tone, Woodrow Wilson House, Washington DC, 9/1/94 |
SFC Audio Open Reel FT-20193/819 |
Tom Watkins interview, tape 6 of 81/4" Open Reel 7" PolyesterFront of Case: The West, CR #1212, SR #190, Tom Watkins, CR #1213, 10/28/95 |
SFC Audio Open Reel FT-20193/820 |
Tom Watkins interview, tape 7 of 81/4" Open Reel 7" PolyesterFront of Case: The West, SR #191, CR #1214, Tom Watkins, CR #1215, 10/28/95 |
SFC Audio Open Reel FT-20193/821 |
Tom Watkins interview, tape 8 of 81/4" Open Reel 7" PolyesterFront of Case: The West, SR #192, CR #1216, Tom Watkins, CR #1217, 10/28/95 |
SFC Audio Open Reel FT-20193/822 |
Roger Welsch interview, tape 1 of 71/4" Open Reel 5" PolyesterNote Inside Box: West, Jan 15 1995, Roger Welsch, Tape # SR 150, Film #945, Take 1 - Hot Open, 2 - Roger Stops, 3 - "This Winter", 4 - Changed Film Roll |
SFC Audio Open Reel FT-20193/823 |
Roger Welsch interview, tape 2 of 71/4" Open Reel 5" PolyesterNote Inside Box: West, Roger Welsch, SR 151, Film 946, Take 4 5, Mark 1 - Repeat of Sod House |
SFC Audio Open Reel FT-20193/824 |
Roger Welsch interview, tape 3 of 71/4" Open Reel 5" PolyesterNote Inside Box: West, Roger Welsch, 1-15-95, SR 152, Film 947 |
SFC Audio Open Reel FT-20193/825 |
Roger Welsch interview, tape 4 of 71/4" Open Reel 5" PolyesterNote Inside Box: West, Roger Welsch, SR 154, Film 948 |
SFC Audio Open Reel FT-20193/826 |
Roger Welsch interview, tape 5 of 71/4" Open Reel 5" PolyesterNote Inside Box: West, Roger Welsch, 1-15-95, SR 155, Film 949, Take 1, Take 2, Take 3 - Nebraska Song, Take 4 |
SFC Audio Open Reel FT-20193/827 |
Roger Welsch interview, tape 6 of 71/4" Open Reel 5" PolyesterNote Inside Box: West, Roger Welsch, 1-15-95, SR 156, Film 951 |
SFC Audio Open Reel FT-20193/828 |
Roger Welsch interview, tape 7 of 71/4" Open Reel 5" PolyesterNote Inside Box: West, Roger Welsch, SR 157, Film 952, Take 3, Take 4 - WS V.O., Take 5 - WS V.O. Photos |
SFC Audio Open Reel FT-20193/829 |
Richard White interview, tape 1 of 91/4" Open Reel 7" PolyesterFront of Case: The West, 2-16-94, Richard White Interview, Roll #113, Pix Rolls 579 580 581 |
SFC Audio Open Reel FT-20193/830 |
Richard White interview, tape 2 of 91/4" Open Reel 7" PolyesterFront of Case: The West, 2-16-94, Richard White Interview, Roll #114, Pix Rolls 582 583 584 |
SFC Audio Open Reel FT-20193/831 |
Richard White interview, tape 3 of 91/4" Open Reel 7" PolyesterFront of Case: The West, 2-16-94, Richard White Interview, Roll #115, Pix Rolls 585 586 587 |
SFC Audio Open Reel FT-20193/832 |
Richard White interview, tape 4 of 91/4" Open Reel 7" PolyesterFront of Case: The West, 2-16-94, Richard White Interview, Roll #116, Pix Rolls 588 589 590 |
SFC Audio Open Reel FT-20193/833 |
Richard White interview, tape 5 of 91/4" Open Reel 7" PolyesterFront of Case: SR 141, The West, Richard White, 19-12-94 |
SFC Audio Open Reel FT-20193/834 |
Richard White interview, tape 6 of 91/4" Open Reel 7" PolyesterFront of Case: SR 142, The West, Richard White, 19-12-94 |
SFC Audio Open Reel FT-20193/835 |
Richard White interview, tape 7 of 91/4" Open Reel 7" PolyesterFront of Case: SR 143, The West, Richard White, 19-12-94 |
SFC Audio Open Reel FT-20193/836 |
Richard White interview, tape 8 of 91/4" Open Reel 7" PolyesterFront of Case: SR 144, The West, 19-12-94; Note Inside Case: The West, White, 19-12-94, Richard White |
SFC Audio Open Reel FT-20193/837 |
Richard White interview, tape 9 of 9; Bill Deverell interview1/4" Open Reel 7" PolyesterFront of Case: SR 145, The West, R White, Bill Deverell, 19-12-94 |
SFC Audio Open Reel FT-20193/838 |
Rick Williams interview, tape 1 of 31/4" Open Reel 7" PolyesterBack of Box: West Film Prod., 1/16/93, Sound #105, Cam #525 526; Note Inside Box: SND 105, Cam #525 - Rick Williams |
SFC Audio Open Reel FT-20193/839 |
Rick Williams interview, tape 2 of 31/4" Open Reel 7" PolyesterBack of Box: The West, 1/16/94, Boulder CO, Sound #106, Cam #527 528 |
SFC Audio Open Reel FT-20193/840 |
Rick Williams interview, tape 3 of 31/4" Open Reel 7" PolyesterBack of Box: The West, 1/16/94, Boulder CO, Sound #107, Cam #529 530 |
SFC Audio Cassette FS-20193/106 |
Stephen Ambrose interviewAudiocassette Tape Label: The West Film Project, SR 189 |
SFC Audio Cassette FS-20193/107 |
Joellyn Archambault interview, tape 1 of 2Audiocassette A-Side Tape Label: The West, Sound Roll #185; B-Side Tape Label: The West, Sound Roll #186 |
SFC Audio Cassette FS-20193/108 |
Joellyn Archambault interview, tape 2 of 2Audiocassette A-Side Tape Label: The West, Sound #187; B-Side Tape Label: The West, Sound #188 |
SFC Audio Cassette FS-20193/109 |
Mary Armstrong interviewAudiocassette Front of Case: Mary Armstrong; Spine of Case: SR 37, Armstrong |
SFC Audio Cassette FS-20193/110 |
Leonard Arrington interviewAudiocassette Tape Label: Arrington, SR 3; Back of Case: SR 3, Prof. Leonard Arrington, 1/16/92 |
SFC Audio Cassette FS-20193/111 |
Gerard Baker interview; Dan Flores interviewAudiocassette Spine of Case: The West, SR #30 |
SFC Audio Cassette FS-20193/112 |
Charlotte Black Elk interview, tape 1 of 2Audiocassette Spine of Case: SR 67, Black Elk |
SFC Audio Cassette FS-20193/113 |
Charlotte Black Elk interview, tape 2 of 2Audiocassette Spine of Case: SR 67, Black Elk; Tape Label: The West, SR 67-C |
SFC Audio Cassette FS-20193/114 |
Max Blacksmith interviewAudiocassette Spine of Case: SR 68, Blacksmith |
SFC Audio Cassette FS-20193/115 |
Adrian Bustamente interview, tape 1 of 2Audiocassette Spine of Case: SR 21, Bustamente |
SFC Audio Cassette FS-20193/116 |
Adrian Bustamente interview, tape 2 of 2; Stewart Udall interviewAudiocassette Spine of Case: The West, SR's 21+22; Back of Case: Bustamante, Udall? |
SFC Audio Cassette FS-20193/117 |
Bertha Calloway interviewAudiocassette Front of Case: Bertha Calloway; Spine of Case: SR 33 34, Calloway |
SFC Audio Cassette FS-20193/118 |
Albert Camarillo interviewAudiocassette Tape Label: The West, Sound Roll 161, Camarillo |
SFC Audio Cassette FS-20193/119 |
Ed Castillo interviewAudiocassette Spine of Case: SR 14 15, Castillo |
SFC Audio Cassette FS-20193/120 |
Jack Chen interview; Richard Dillon interviewAudiocassette Spine of Case: SR 9, Chen/Dillon? |
SFC Audio Cassette FS-20193/121 |
Mildred Cleghorn interviewAudiocassette Spine of Case: SR 38, Cleghorn |
SFC Audio Cassette FS-20193/122 |
Ruey Darrow interviewAudiocassette Spine of Case: SR 66, Ruey Darrow |
SFC Audio Cassette FS-20193/123 |
Richard Dillon interview; Dayton Duncan interview; Jim Rawls interviewAudiocassette Spine of Case: SR 10 11 12 13; Back of Case: Dillon, Duncan, Rawls |
SFC Audio Cassette FS-20193/124 |
Michael Dorris interviewAudiocassette Spine of Case: The West, SR 51-54; Back of Case: 51-54, M. Dorris |
SFC Audio Cassette FS-20193/125 |
Dayton Duncan interview, tape 1 of 3Audiocassette Front of Case: The West 1, Dayton Duncan; Tape Label: SR 71, Duncan |
SFC Audio Cassette FS-20193/126 |
Dayton Duncan interview, tape 2 of 3Audiocassette Front of Case: The West, Dayton Duncan (2) |
SFC Audio Cassette FS-20193/127 |
Dayton Duncan interview, tape 3 of 3Audiocassette Tape Label: The West, Sound Rolls 193 and 194 |
SFC Audio Cassette FS-20193/128 |
Dayton Duncan interview; Gerard Baker interviewAudiocassette Spine of Case: The West, SR# 29; Back of Case: Duncan?, Baker? |
SFC Audio Cassette FS-20193/129 |
Dave Edmunds interviewAudiocassette Front of Case: West, SRs 76 & 77, 10/21/93 |
SFC Audio Cassette FS-20193/130 |
Dave Emmons interview; Henrietta Mann interviewAudiocassette Back of Case: SR 44 (Cont.) 45, Emmons, SR 46 47, Henrietta Mann |
SFC Audio Cassette FS-20193/131 |
John Farragher interview, tape 1 of 2Microcassette Spine of Case: John Farragher; Back of Case: Sound #96 97 98 Part, CR # 499 500 501 502 503 part |
SFC Audio Cassette FS-20193/216 |
John Farragher interview, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: John Farragher; Back of Case: SND #98 99, Pix 499 |
SFC Audio Cassette FS-20193/132 |
Dan Flores interviewAudiocassette Tape Label: The West #31; Spine of Case: The West #31 32?; Back of Case: Dan Flores?, Martinez? |
SFC Audio Cassette FS-20193/133 |
Fred Gowans interview; Leonard Arrington interviewAudiocassette Back of Case: Sound Roll 1, Int w/ Prof. Fred Gowarns, 1/16/92, Sound Roll 2, Int. w/ Prof Fred Gowans, 1/16/92 and Int. w/ Prof. Leonard Arrington, 1/16/92 |
SFC Audio Cassette FS-20193/134 |
Bill Gwaltney interview, tape 1 of 2Audiocassette A-Side Tape Label: West, SR 84; B-Side Tape Label: West, SR 85 |
SFC Audio Cassette FS-20193/135 |
Bill Gwaltney interview, tape 2 of 2; Alfonso Ortiz interviewAudiocassette A-Side Tape Label: West, SR 86; B-Side Tape Label: West, SR 87 |
SFC Audio Cassette FS-20193/136 |
Rollin Haag interviewAudiocassette Front of Case: Rollin Haag; Spine of Case: SR 36, Haag |
SFC Audio Cassette FS-20193/137 |
James Holliday interview, tape 1 of 2Audiocassette Tape Label: SR 4 + 5 6, (Holliday) |
SFC Audio Cassette FS-20193/138 |
James Holliday interview, tape 2 of 2; Jack Chen interviewAudiocassette Spine of Case: SR 7 8, Holliday, Chen |
SFC Audio Cassette FS-20193/139 |
Maxine Hong Kingston interview; Ron Takaki interviewAudiocassette Back of Case: The West, SR 59 (Cont.), SR 60, SR 60 (Cont.), SR 61, Maxine Hong Kingston/Takaki |
SFC Audio Cassette FS-20193/140 |
George Horse Capture interviewAudiocassette Spine of Case: SR 16 17 18 19 20, Horse Capture |
SFC Audio Cassette FS-20193/141 |
Alan Houser interview; Marc Simmons interviewAudiocassette A-Side Tape Label: SR 25; B-Side Tape Label: SR 26; Back of Case: Houser, Simmons |
SFC Audio Cassette FS-20193/142 |
Yvette Huginnie interviewAudiocassette A-Side Tape Label: Sound Roll - 111, Huginnie; B-Side Tape Label: Sound Roll - 112, Huginnie |
SFC Audio Cassette FS-20193/143 |
Alvin Josephy interviewMicrocassette Back of Case: Alvin Josephy; Spine of Case: SR# 92-95, CR# 492-498 |
SFC Audio Cassette FS-20193/144 |
Mylie Lawyer interview, tape 1 of 2Audiocassette A-Side Tape Label: The West, SR 5-A; B-Side Tape Label: The West, SR 6-A |
SFC Audio Cassette FS-20193/145 |
Mylie Lawyer interview, tape 2 of 2Audiocassette A-Side Tape Label: The West, SR 7-A; B-Side Tape Label: The West, SR 8-A |
SFC Audio Cassette FS-20193/146 |
Janet Lecompte interview; Phil George interview; Dave Emmons interviewAudiocassette Spine of Case: The West, SR 40-44; SR 40 41 41, Le Compte, Phil George, SR 42 (Cont) 43 44, 44 - Dave Emmons, Phil George |
SFC Audio Cassette FS-20193/147 |
Patty Limerick interview, tape 1 of 2Audiocassette A-Side Tape Label: Sound Roll 100; B-Side Tape Label: Sound Roll 101 |
SFC Audio Cassette FS-20193/148 |
Patty Limerick interview, tape 2 of 2Audiocassette A-Side Tape Label: Sound Roll -102; B-Side Tape Label: Sound Roll - 103 |
SFC Audio Cassette FS-20193/149 |
Patty Limerick interview; Rick Williams interviewAudiocassette A-Side Tape Label: Sound Roll - 104; B-Side Tape Label: Sound Roll - 105 |
SFC Audio Cassette FS-20193/150 |
David Love interview, tape 1 of 3Audiocassette A-Side Tape Label: The West, Sound Roll - 126; B-Side Tape Label: The West, Sound Roll - 127 |
SFC Audio Cassette FS-20193/151 |
David Love interview, tape 2 of 3Audiocassette A-Side Tape Label: The West, Sound Roll - 128; B-Side Tape Label: The West, Sound Roll - 129, David Love |
SFC Audio Cassette FS-20193/152 |
David Love interview, tape 3 of 3Audiocassette Tape Label: The West, Sound Roll - 130 |
SFC Audio Cassette FS-20193/153 |
Henrietta Mann interview; Otis Halfmoon interview; Michael Dorris interviewAudiocassette Spine of Case: The West, SR 48-51; Back of Case: 48+49 H Mann, 50 Otis Halfmoon, 51 Michael Dorris |
SFC Audio Cassette FS-20193/154 |
Glenabah Martinez interviewAudiocassette Tape Label: West, Martinez, SR 31?, SR 32? |
SFC Audio Cassette FS-20193/155 |
Joe Medicine Crow interview, tape 1 of 2Audiocassette Tape Label: SR 64, Joe Medicine Crow |
SFC Audio Cassette FS-20193/156 |
Joe Medicine Crow interview, tape 2 of 2Audiocassette Spine of Case: Joe Medicine Crow, SR 65 |
SFC Audio Cassette FS-20193/157 |
M. Scott Momaday interview, tape 1 of 4Audiocassette Front of Case: M. Scott Momaday, West, Transcription Cass., From SR 82 (DAT), 11/8/93 |
SFC Audio Cassette FS-20193/158 |
M. Scott Momaday interview, tape 2 of 4Audiocassette Tape Label: The West Project, SR #136 |
SFC Audio Cassette FS-20193/159 |
M. Scott Momaday interview, tape 3 of 4Audiocassette Tape Label: The West Project, SR #137 |
SFC Audio Cassette FS-20193/160 |
M. Scott Momaday interview, tape 4 of 4Audiocassette Tape Label: The West Project, SR #138 |
SFC Audio Cassette FS-20193/161 |
David Montejano interview, tape 1 of 2Audiocassette A-Side Tape Label: The West, Sound Roll 171; B-Side Tape Label: The West, Sound Roll 172 |
SFC Audio Cassette FS-20193/162 |
David Montejano interview, tape 2 of 2Audiocassette Tape Label: The West, Sound Roll 173 |
SFC Audio Cassette FS-20193/163 |
Senator Ben Nighthorse Campbell interview, tape 1 of 2Audiocassette A-Side Tape Label: The West, SR 164; B-Side Tape Label: The West, SR 165, Ben Nighthorse Campbell |
SFC Audio Cassette FS-20193/164 |
Senator Ben Nighthorse Campbell interview, tape 2 of 2Audiocassette Tape Label: The West, SR 166, B. Nighthorse-Campbell |
SFC Audio Cassette FS-20193/165 |
Alfonso Ortiz interview, tape 1 of 2Audiocassette A-Side Tape Label: West, SR 88; B-Side Tape Label: West, SR 89 |
SFC Audio Cassette FS-20193/166 |
Alfonso Ortiz interview, tape 2 of 2Audiocassette A-Side Tape Label: West, SR #90; B-Side Tape Label: West, SR #91 |
SFC Audio Cassette FS-20193/167 |
Allen Pinkham interview, tape 1 of 2Audiocassette A-Side Tape Label: The West, SR 1-A; B-Side Tape Label: The West, SR 2-A |
SFC Audio Cassette FS-20193/168 |
Allen Pinkham interview, tape 2 of 2Audiocassette A-Side Tape Label: The West, SR 3-A; B-Side Tape Label: The West, SR 4-A |
SFC Audio Cassette FS-20193/169 |
Michael Quinn interviewAudiocassette Tape Label: West Film Project, SR 117 |
SFC Audio Cassette FS-20193/170 |
Marc Reisner interview, tape 1 of 2Audiocassette Back of Case: The West, SR 55, 56, SR 56 (Con't), 57, Reisner |
SFC Audio Cassette FS-20193/171 |
Marc Reisner interview, tape 2 of 2; Maxine Hong Kingston interviewAudiocassette Back of Case: The West, SR 57 (Con't.), SR 58, SR 58 (con't), SR 59, Reisner/Kingston |
SFC Audio Cassette FS-20193/172 |
Anne Richards interviewAudiocassette A-Side Tape Label: The West, SR# 174A; B-Side Tape Late: The West, SR# 174B |
SFC Audio Cassette FS-20193/173 |
Martin Ridge interview, tape 1 of 2Audiocassette A-Side Tape Label: Sound Roll - 108, Ridge; B-Side Tape Label: Sound Roll - 109, Ridge |
SFC Audio Cassette FS-20193/174 |
Martin Ridge interview, tape 2 of 2Audiocassette Front of Case: The West, Ridge; Tape Label: Sound Roll - 110, Ridge |
SFC Audio Cassette FS-20193/175 |
David Risling interviewAudiocassette Spine of Case: SR 64, Risling |
SFC Audio Cassette FS-20193/176 |
Ricardo Romo interview, tape 1 of 2Audiocassette A-Side Tape Label: The West, Sound Roll 167; B-Side Tape Label: The West, Sound Roll 168 |
SFC Audio Cassette FS-20193/177 |
Richard Romo interview, tape 2 of 2; David Montejano interviewAudiocassette A-Side Tape Label: The West, Sound Roll 169; B-Side Tape Label: The West, Sound Roll 170 |
SFC Audio Cassette FS-20193/178 |
Linda Rondstadt interview, tape 1 of 5Audiocassette A-Side Tape Label: The West, SR #175; B-Side Tape Label: The West, SR #176 |
SFC Audio Cassette FS-20193/179 |
Linda Rondstadt interview, tape 2 of 5Audiocassette A-Side Tape Label: The West, SR #177; B-Side Tape Label: The West, SR #178 |
SFC Audio Cassette FS-20193/180 |
Linda Rondstadt interview, tape 3 of 5Audiocassette A-Side Tape Label: The West, SR #179; B-Side Tape Label: The West, SR #180 |
SFC Audio Cassette FS-20193/181 |
Linda Rondstadt interview, tape 4 of 5Audiocassette Tape Label: The West, SR #181 |
SFC Audio Cassette FS-20193/182 |
Linda Rondstadt interview, tape 5 of 5Audiocassette Tape Label: The West, SR #182 |
SFC Audio Cassette FS-20193/183 |
Ramon Ruiz interview, tape 1 of 2Audiocassette Tape Label: The West, SR #148, Transcription Cassette |
SFC Audio Cassette FS-20193/184 |
Ramon Ruiz interview, tape 2 of 2Audiocassette Tape Label: The West, SR #149, Trans-Cassette |
SFC Audio Cassette FS-20193/185 |
Marc Simmons interviewAudiocassette Tape Label: The West, SR 27; Back of Case: Simmons |
SFC Audio Cassette FS-20193/186 |
Ron Takaki interviewAudiocassette Back of Case: The West, SR 62 63, SR 63 (Cont.) Takiki |
SFC Audio Cassette FS-20193/187 |
Terry Tempest Williams interviewAudiocassette A-Side Tape Label: West, Sound Roll #159; B-Side Tape Label: West, Sound Roll #160 |
SFC Audio Cassette FS-20193/188 |
Stewart Udall interview, tape 1 of 2Audiocassette Spine of Case: The West, SR's 23+24; Back of Case: Udall |
SFC Audio Cassette FS-20193/189 |
Stewart Udall interview, tape 2 of 2Audiocassette A-Side Tape Label: The West, Sound Roll #139; B-Side Tape Label: The West, Sound Roll #140 |
SFC Audio Cassette FS-20193/190 |
Bob Utley interview, tape 1 of 2Audiocassette Front of Case: West, SRs 72 & 73, 10/21/93 |
SFC Audio Cassette FS-20193/191 |
Bob Utley interview, tape 2 of 2; Dave Edmunds interviewAudiocassette A-Side Tape Label: SR #74; B-Side Tape Label: SR #75; Front of Case: West, SRs 74 & 75, 10/21/93 |
SFC Audio Cassette FS-20193/192 |
Tom Watkins interview, tape 1 of 5Audiocassette A-Side Tape Label: The West Film Project, SR #131; B-Side Tape Label: The West Film Project, SR #132 |
SFC Audio Cassette FS-20193/193 |
Tom Watkins interview, tape 2 of 5Audiocassette Tape Label: The West Film Project, SR #133 |
SFC Audio Cassette FS-20193/194 |
Tom Watkins interview, tape 3 of 5Audiocassette Tape Label: The West Film Project, SR #135 |
SFC Audio Cassette FS-20193/195 |
Tom Watkins interview, tape 4 of 5Audiocassette A-Side Tape Label: The West, Sound Roll #190; B-Side Tape Label: The West, Sound Roll #191 |
SFC Audio Cassette FS-20193/196 |
Tom Watkins interview, tape 5 of 5Audiocassette Tape Label: The West, Sound Roll #192 |
SFC Audio Cassette FS-20193/197 |
Roger Welsch interview, tape 1 of 4Audiocassette A-Side Tape Label: West, Sound Roll #150; B-Side Tape Label: West, Sound Roll #151 |
SFC Audio Cassette FS-20193/198 |
Roger Welsch interview, tape 2 of 4Audiocassette A-Side Tape Label: West, Sound Roll #152; B-Side Tape Label: West, Sound Roll #154 |
SFC Audio Cassette FS-20193/199 |
Roger Welsch interview, tape 3 of 4Audiocassette A-Side Tape Label: West, Sound Roll #155; B-Side Tape Label: West, Sound Roll #156 |
SFC Audio Cassette FS-20193/200 |
Roger Welsch interview, tape 4 of 4; Terry Tempest Williams interviewAudiocassette A-Side Tape Label: West, Sound Roll #157; B-Side Tape Label: West, Sound Roll #158 |
SFC Audio Cassette FS-20193/201 |
Richard White interview, tape 1 of 5Audiocassette A-Side Tape Label: Sound Roll - 113, White; B-Side Tape Label: Sound Roll - 114, White |
SFC Audio Cassette FS-20193/202 |
Richard White interview, tape 2 of 5Audiocassette A-Side Tape Label: Sound Roll - 115, White; B-Side Tape Label: Sound Roll - 116, White |
SFC Audio Cassette FS-20193/203 |
Richard White interview, tape 3 of 5Audiocassette A-Side Tape Label: The West Film Project, SR #141; B-Side Tape Label: The West Film Project, R. White, SR #142 |
SFC Audio Cassette FS-20193/204 |
Richard White interview, tape 4 of 5Audiocassette A-Side Tape Label: The West Film Project, SR #143, R. White; B-Side Tape Label: The West Film Project, SR #144, R. White |
SFC Audio Cassette FS-20193/205 |
Richard White interview, tape 5 of 5; Bill Deverell interviewAudiocassette A-Side Tape Label: The West Film Project, R. White, SR #145; B-Side Tape Label: The West Film Project, SR #146, Deverell |
SFC Audio Cassette FS-20193/206 |
Albert White Hat interview; Max Blacksmith interviewAudiocassette Spine of Case: SR 69, White Hat/Blacksmith |
SFC Audio Cassette FS-20193/207 |
Rick Williams interviewAudiocassette A-Side Tape Label: Sound Roll - 106; B-Side Tape Label: Sound Roll - 107 |
SFC Audio Cassette FS-20193/208 |
Ralph Yarborough interview, tape 1 of 2Audiocassette Tape Label: The West, SR #81 |
SFC Audio Cassette FS-20193/209 |
Ralph Yarborough interview, tape 2 of 2Audiocassette Front of Case: West, Transcription Cass. From SR 81 (DAT) |
Digital Audiotape DAT-20193/42 |
Felix Almarez interview, tape 1 of 2Digital Audio Tape (DAT) Back of Case: SR #80, The West, Almarez Intvw., CR 442, 10-20-93 |
Digital Audiotape DAT-20193/43 |
Felix Almarez interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, UT# 273, SR# 80, CR# 442-444 |
Digital Audiotape DAT-20193/44 |
Stephen Ambrose interviewDigital Audio Tape (DAT) Tape Label: The West Film Project, SD# 566, CR# 1179, SR# 189 |
Digital Audiotape DAT-20193/45 |
Rudolfo Anaya interview, tape 1 of 2Digital Audio Tape (DAT) Front of Case: Interview - Anaya, 6-4-95, The West, SR #181, CRs #2002- |
Digital Audiotape DAT-20193/46 |
Rudolfo Anaya interview, tape 2 of 2Digital Audio Tape (DAT) Front of Case: The West, Rudolfo Anaya - Intvw., SR #182 |
Digital Audiotape DAT-20193/47 |
Joellyn Archambault interview, tape 1 of 2Digital Audio Tape (DAT) Spine of Case: Archambault, SR 185-186, CR 1153-1156, 558 |
Digital Audiotape DAT-20193/48 |
Joellyn Archambault interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West Film Project, UBIT# 559, CR# 1157-1159, SR# 187-188 |
Digital Audiotape DAT-20193/49 |
Mary Armstrong interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #75, CR #201-202, SR #37 |
Digital Audiotape DAT-20193/50 |
Mary Armstrong interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #76, CR #202-203, SR #37 |
Digital Audiotape DAT-20193/51 |
Mary Armstrong interview, tape 3 of 3Digital Audio Tape (DAT) Back of Case: The West Film Project, 2-8-93, SR #37, Mary Armstrong |
Digital Audiotape DAT-20193/52 |
Gerard Baker interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #57, CR# 154-156, SR# |
Digital Audiotape DAT-20193/53 |
Gerard Baker interview, tape 2 of 2; Dan Flores interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #58, CR# 157-159, SR# |
Digital Audiotape DAT-20193/54 |
Gerard Baker interview; Dan Flores interviewDigital Audio Tape (DAT) Tape Label: SR 30, Gerard Baker, Dan Flores, The West |
Digital Audiotape DAT-20193/55 |
Charlotte Black Elk interview, tape 1 of 4Digital Audio Tape (DAT) Back of Case: The West, SR #67, Charlotte Black Elk, 6-17-93 |
Digital Audiotape DAT-20193/56 |
Charlotte Black Elk interview, tape 2 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #128, CR #344-346, SR #67 |
Digital Audiotape DAT-20193/57 |
Charlotte Black Elk interview, tape 3 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #129, CR #347-348, SR #67 |
Digital Audiotape DAT-20193/58 |
Charlotte Black Elk interview, tape 4 of 4; Max Blacksmith interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #130, CR #349-350, SR #67-68 |
Digital Audiotape DAT-20193/59 |
Max Blacksmith interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #131, CR #351-352, SR #68 |
Digital Audiotape DAT-20193/60 |
Max Blacksmith interview, tape 2 of 3Digital Audio Tape (DAT) Back of Case: The West, SR #68, Max Blacksmith, 6-18-93 |
Digital Audiotape DAT-20193/61 |
Max Blacksmith interview, tape 3 of 3; Albert White Hat interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #132, CR #353-354, SR #68-69 |
Digital Audiotape DAT-20193/62 |
Adrian Bustamente interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #42, CR# 110-111, SR# 21 |
Digital Audiotape DAT-20193/63 |
Adrian Bustamente interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #43, CR #112-114, SR #21-22 |
Digital Audiotape DAT-20193/64 |
Adrian Bustamente interview, tape 3 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #44, CR #115-116, SR #22 |
Digital Audiotape DAT-20193/65 |
Bertha Calloway interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #71, CR# 191-192, SR# 33 |
Digital Audiotape DAT-20193/66 |
Bertha Calloway interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #72, CR# 193-194, SR# 34 |
Digital Audiotape DAT-20193/67 |
Albert Camarillo interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: West Film Project, UBIT# 581, CR# 1214-1217, SR# 161-162 |
Digital Audiotape DAT-20193/68 |
Albert Camarillo interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, SDAT# 506, SR# 161-163, CR# 1017-1021 |
Digital Audiotape DAT-20193/69 |
Jack Chen interview, tape 1 of 2Digital Audio Tape (DAT) Spine of Case: Chen, Simuldat, Tape 23; Tape Label: The West, DAT# 23, CR# 69, SR# 8 |
Digital Audiotape DAT-20193/70 |
Jack Chen interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #24, SR 8-9, CR 70-72 |
Digital Audiotape DAT-20193/71 |
Mildred Cleghorn interview, tape 1 of 2Digital Audio Tape (DAT) Back of Case: 2-9-93, SR #38, Mildred Kleghorn, West Film Project |
Digital Audiotape DAT-20193/72 |
Mildred Cleghorn interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #74, CR #199-200, SR #38 |
Digital Audiotape DAT-20193/73 |
Ruey Darrow interview, tape 1 of 3Digital Audio Tape (DAT) Back of Case: 6-17-93, SR #66, Ruey Darrow Intv., The West |
Digital Audiotape DAT-20193/74 |
Ruey Darrow interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #126, CR #338-340, SR #66 |
Digital Audiotape DAT-20193/75 |
Ruey Darrow interview, tape 3 of 3; Charlotte Black Elk interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #127, CR #341-343, SR #66-67 |
Digital Audiotape DAT-20193/76 |
Bill Deverell interviewDigital Audio Tape (DAT) Tape Label: The West, SDAT# 463, SR# 146, CR# 903 |
Digital Audiotape DAT-20193/77 |
Richard Dillon interviewDigital Audio Tape (DAT) Tape Label: The West, CR #73-75, SR #10-11 |
Digital Audiotape DAT-20193/78 |
Michael Dorris interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #88, CR #234-235, SR #51-52 |
Digital Audiotape DAT-20193/79 |
Michael Dorris interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #89, CR #237-238, SR #52-53 |
Digital Audiotape DAT-20193/80 |
Michael Dorris interview, tape 3 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #90, CR #239-242, SR #53-54 |
Digital Audiotape DAT-20193/81 |
Dayton Duncan interview, tape 1 of 9Digital Audio Tape (DAT) Spine of Case: Dayton Duncan, Simuldat #28; Tape Label: The West, Simuldat #28, CR #82-84, SR #12-13 |
Digital Audiotape DAT-20193/82 |
Dayton Duncan interview, tape 2 of 9Digital Audio Tape (DAT) Tape Label: The West, Simuldat #29, SR #12-13 |
Digital Audiotape DAT-20193/83 |
Dayton Duncan interview, tape 3 of 9Digital Audio Tape (DAT) Side of Case: Intvw., Dayton Duncan, Walpole NH, SR #71, 6-29-93 |
Digital Audiotape DAT-20193/84 |
Dayton Duncan interview, tape 4 of 9Digital Audio Tape (DAT) Tape Label: The West, Simuldat #140, CR# 363-365, SR# 71 |
Digital Audiotape DAT-20193/85 |
Dayton Duncan interview, tape 5 of 9Digital Audio Tape (DAT) Spine of Case: Dayton Duncan, Simuldat #141; Tape Label: The West, Simuldat #141, CR #366-368, SR #72 |
Digital Audiotape DAT-20193/86 |
Dayton Duncan interview, tape 6 of 9Digital Audio Tape (DAT) Side of Case: Intvw Dayton Duncan, Walpole NH, SR #72, 6-29-93 |
Digital Audiotape DAT-20193/87 |
Dayton Duncan interview, tape 7 of 9Digital Audio Tape (DAT) Tape Label: The West, Simuldat #27, CR #81, SR #12 |
Digital Audiotape DAT-20193/88 |
Dayton Duncan interview, tape 8 of 9Digital Audio Tape (DAT) Tape Label: The West, Simuldat #56, CR #151-153, SR # |
Digital Audiotape DAT-20193/89 |
Dayton Duncan interview, tape 9 of 9Digital Audio Tape (DAT) Tape Label: The West, SD# 592, CR# 1240-1241, SR# 193-194 |
Digital Audiotape DAT-20193/90 |
Dayton Duncan interview; Gerard Baker interviewDigital Audio Tape (DAT) Tape Label: Duncan, Baker, The West, SR 29 |
Digital Audiotape DAT-20193/91 |
Dayton Duncan interview; Larry Wesit interviewDigital Audio Tape (DAT) Side of Case: Dayton Duncan, Larry Wetsit, 6/21/92 |
Digital Audiotape DAT-20193/92 |
Dave Edmunds interviewDigital Audio Tape (DAT) Tape Label: West, For CR 428-429, SR 76-77, Tape #263 |
Digital Audiotape DAT-20193/93 |
Dave Emmons interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #82, CR #218-220, SR #44 |
Digital Audiotape DAT-20193/94 |
Dave Emmons interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #83, CR #221-222, SR #45 |
Digital Audiotape DAT-20193/95 |
John Farragher interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #304, CR #500-501, SR #97 |
Digital Audiotape DAT-20193/96 |
John Farragher interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #305, CR #502-503, SR #98 |
Digital Audiotape DAT-20193/97 |
John Farragher interview, tape 3 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #306, CR #504-505, SR# |
Digital Audiotape DAT-20193/99 |
Dan Flores interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #38, CR #160-162, SR# |
Digital Audiotape DAT-20193/100 |
Dan Flores interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: SR 31, Dan Flores, The West |
Digital Audiotape DAT-20193/101 |
Phil George interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #80, CR #214-215, SR #42 |
Digital Audiotape DAT-20193/102 |
Phil George interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #81, CR #216-217, SR #43 |
Digital Audiotape DAT-20193/103 |
Barry Goldwater interviewDigital Audio Tape (DAT) Tape Label: The West, SDAT# 552, SR# 183-184, CR# 1135-1138 |
Digital Audiotape DAT-20193/104 |
Fred Gowans interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: The West, DAT# 8, CR# 22-24, SR# 1 |
Digital Audiotape DAT-20193/105 |
Fred Gowans interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, DAT #9, CR# 25-27, SR# 1&2 |
Digital Audiotape DAT-20193/106 |
Fred Gowans interview, tape 3 of 3; Leonard Arrington interviewDigital Audio Tape (DAT) Tape Label: The West, DAT# 10, CR# 28-29, SR# 2&3 |
Digital Audiotape DAT-20193/107 |
Bill Gwaltney interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: West, SR #84, CR #465-466 |
Digital Audiotape DAT-20193/108 |
Bill Gwaltney interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: West, Simuldat #287, SR #85 86, CR #467-468 |
Digital Audiotape DAT-20193/109 |
Bill Gwaltney interview, tape 3 of 3Digital Audio Tape (DAT) Tape Label: West, Simuldat# 288, SR# 86, CR# 469-470 |
Digital Audiotape DAT-20193/110 |
Rollin Haag interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: Rollin Haag, SR #36, West Film Proj; Back of Case: 2-8-93, SR #36, West Film Project |
Digital Audiotape DAT-20193/111 |
Rollin Haag interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #73, CR# 195 197-198, SR# 36 |
Digital Audiotape DAT-20193/112 |
Marty Hagerstrand interviewDigital Audio Tape (DAT) Back of Case: 2-9-93, SR #39, Marty Hagerstrand, West Film Project |
Digital Audiotape DAT-20193/113 |
Marty Hagerstrand interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #78, CR#, SR #39 |
Digital Audiotape DAT-20193/114 |
Marty Hagerstrand interviewDigital Audio Tape (DAT) Tape Label: The West Film Project, Marty, DAT# 1 (Test), CR# 209-210 |
Digital Audiotape DAT-20193/115 |
Otis Halfmoon interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #87, CR #232-233, SR #50 |
Digital Audiotape DAT-20193/116 |
James Holliday interview, tape 1 of 3Digital Audio Tape (DAT) Spine of Case: Holliday Simuldat, Tape 019; Tape Label: The West, DAT# 19, CR# 56-58, SR# 4&5 |
Digital Audiotape DAT-20193/117 |
James Holliday interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, DAT# 20, CR# 59-61, SR# 5&6; Spine of Case: Holliday Simuldat, Tape 20 |
Digital Audiotape DAT-20193/118 |
James Holliday interview, tape 3 of 3Digital Audio Tape (DAT) Spine of Case: Holliday Simuldat, Tape 021; Tape Label: The West, DAT# 21, CR# 62-64, SR# 6&7 |
Digital Audiotape DAT-20193/119 |
Maxine Hong Kingston interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #107, CR #269-271, SR #58-59 |
Digital Audiotape DAT-20193/120 |
George Horse Capture interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #40, CR# 104A-106, SR# 16-17 |
Digital Audiotape DAT-20193/121 |
George Horse Capture interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #41, CR# 107-109, SR# 18-21 |
Digital Audiotape DAT-20193/122 |
Alan Houser interview; Marc Simmons interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #47, CR #123-125, SR #25-26 |
Digital Audiotape DAT-20193/123 |
Yvette Huginnie interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: The West, CR 562 563, SR 111 |
Digital Audiotape DAT-20193/124 |
Yvette Huginnie interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, CR 564 565, SR 112 |
Digital Audiotape DAT-20193/125 |
Julie Jeffrey interview, tape 1 of 3Digital Audio Tape (DAT) Back of Case: SR #83, West Film Project, Jeffrey Intvw, CR's #458-462 |
Digital Audiotape DAT-20193/126 |
Julie Jeffrey interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, DAT #281, CR #459-460, SR #83 |
Digital Audiotape DAT-20193/127 |
Julie Jeffrey interview, tape 3 of 3Digital Audio Tape (DAT) Tape Label: The West, DAT #282, CR #461-462, SR #83 |
Digital Audiotape DAT-20193/128 |
Alvin Josephy interview, tape 1 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #300, CR #492-493, SR #92 |
Digital Audiotape DAT-20193/129 |
Alvin Josephy interview, tape 2 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #301, CR# 494-495, SR# 93 |
Digital Audiotape DAT-20193/130 |
Alvin Josephy interview, tape 3 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #302, CR# 496-498, SR# 94-95 |
Digital Audiotape DAT-20193/131 |
Alvin Josephy interview, tape 4 of 4; John Farragher interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #303, CR# 497-499, SR# 96 |
Digital Audiotape DAT-20193/132 |
Janet Lecompte interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #79, CR #211-213, SR #40-41 |
Digital Audiotape DAT-20193/133 |
Mylie Lawyer interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: The West, SR #5A-7A, CR #686-688, SDAT #377 |
Digital Audiotape DAT-20193/134 |
Mylie Lawyer interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, SR #8A, CR #686-688, SDAT #378 |
Digital Audiotape DAT-20193/135 |
Patty Limerick interview, tape 1 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #310, CR #115-117, SR #100-101 |
Digital Audiotape DAT-20193/136 |
Patty Limerick interview, tape 2 of 4Digital Audio Tape (DAT) Spine of Case: Patty Limerick, Simuldat #311; Tape Label: The West, Simuldat #311, CR #518-520, SR #101-102 |
Digital Audiotape DAT-20193/137 |
Patty Limerick interview, tape 3 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #312, CR #521-523, SR #102-103 |
Digital Audiotape DAT-20193/138 |
Patty Limerick interview, tape 4 of 4; Rick Williams interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #313, CR #524-526, SR #103-105 |
Digital Audiotape DAT-20193/139 |
David Love interview, tape 1 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #389, CR 718-719, SR 126 |
Digital Audiotape DAT-20193/140 |
David Love interview, tape 2 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #390, CR 720-722, SR 127 128 |
Digital Audiotape DAT-20193/141 |
David Love interview, tape 3 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #391, CR 723-725, SR 128 129 |
Digital Audiotape DAT-20193/142 |
David Love interview, tape 4 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #392, CR 726-728, SR 130 |
Digital Audiotape DAT-20193/143 |
Henrietta Mann interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: West Film Project, SDAT #84, SR #46 47 |
Digital Audiotape DAT-20193/144 |
Henrietta Mann interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #85, CR #227-229, SR #47-48 |
Digital Audiotape DAT-20193/145 |
Henrietta Mann interview, tape 3 of 3; Otis Halfmoon interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #86, CR #230-231, SR #49 |
Digital Audiotape DAT-20193/146 |
Glenabah Martinez interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: Intv. SR 32, Glenabah Martinez |
Digital Audiotape DAT-20193/147 |
Glenabah Martinez interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #66, CR# 178-180, SR# |
Digital Audiotape DAT-20193/148 |
Joe Medicine Crow interview, tape 1 of 4Digital Audio Tape (DAT) Back of Case: The West, SR #65, Joe Medicine Crow |
Digital Audiotape DAT-20193/149 |
Joe Medicine Crow interview, tape 2 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #117, CR# 320-322, SR# 65 |
Digital Audiotape DAT-20193/150 |
Joe Medicine Crow interview, tape 3 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #118, CR 323-324, SR 65 |
Digital Audiotape DAT-20193/151 |
Joe Medicine Crow interview, tape 4 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #119, CR 325-326, SR 65 |
Digital Audiotape DAT-20193/152 |
Scott Momaday interview, tape 1 of 12Digital Audio Tape (DAT) Back of Case: SR #82, Momaday Intvw., West Film Project, CR's #452-457 |
Digital Audiotape DAT-20193/153 |
Scott Momaday interview, tape 2 of 12Digital Audio Tape (DAT) Tape Label: The West, DAT# 277, CR# 452, SR# 82 |
Digital Audiotape DAT-20193/154 |
Scott Momaday interview, tape 3 of 12Digital Audio Tape (DAT) Tape Label: The West, DAT# 278, CR# 453 454, SR# 82 |
Digital Audiotape DAT-20193/155 |
Scott Momaday interview, tape 4 of 12Digital Audio Tape (DAT) Tape Label: The West, DAT #279, CR #455-456, SR #82 |
Digital Audiotape DAT-20193/156 |
Scott Momaday interview, tape 5 of 12Digital Audio Tape (DAT) Tape Label: The West, DAT #280, CR #457-468, SR #82 83 |
Digital Audiotape DAT-20193/157 |
Scott Momaday interview, tape 6 of 12Digital Audio Tape (DAT) Tape Label: The West Film Project, SD# 418, CR# 784-786, SR# 136 |
Digital Audiotape DAT-20193/158 |
Scott Momaday interview, tape 7 of 12Digital Audio Tape (DAT) Back of Case: The West Film Project, SR #136, Interview Scott Momaday, CR #784-787 |
Digital Audiotape DAT-20193/159 |
Scott Momaday interview, tape 8 of 12Digital Audio Tape (DAT) Back of Case: The West, Interview - Momaday, SR #137, CR #788-791 |
Digital Audiotape DAT-20193/160 |
Scott Momaday interview, tape 9 of 12Digital Audio Tape (DAT) Tape Label: The West Film Project, SD# 419, CR# 787-789, SR# 136-137 |
Digital Audiotape DAT-20193/161 |
Scott Momaday interview, tape 10 of 12Digital Audio Tape (DAT) Tape Label: The West Film Project, SD# 420, CR# 790-792, SR# 137 138 |
Digital Audiotape DAT-20193/162 |
Scott Momaday interview, tape 11 of 12Digital Audio Tape (DAT) Tape Label: SR #138, The West, Intvw. Momaday |
Digital Audiotape DAT-20193/163 |
Scott Momaday interview, tape 12 of 12Digital Audio Tape (DAT) Tape Label: The West Film Project, SD# 421, CR# 793-795, SR# 138 |
Digital Audiotape DAT-20193/164 |
David Montejano interviewDigital Audio Tape (DAT) Tape Label: The West, SDAT# 529, SR# 171-173, CR# 1075-1077 |
Digital Audiotape DAT-20193/165 |
Senator Ben Nighthorse Campbell interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: The West, SDAT #514, SR #164-165, CR #1040-1043 |
Digital Audiotape DAT-20193/166 |
Senator Ben Nighthorse Campbell interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, SDAT# 515, SR# 166, CR# 1044 |
Digital Audiotape DAT-20193/167 |
Alfonso Ortiz interview, tape 1 of 5Digital Audio Tape (DAT) Tape Label: West, Simuldat# 289, SR# 87, CR# 471-472 |
Digital Audiotape DAT-20193/168 |
Alfonso Ortiz interview, tape 2 of 5Digital Audio Tape (DAT) Tape Label: West, Simuldat # 290, SR# 87 88, CR# 473-474 |
Digital Audiotape DAT-20193/169 |
Alfonso Ortiz interview, tape 3 of 5Digital Audio Tape (DAT) Tape Label: West, Simuldat# 291, SR# 88, CR# 475-476 |
Digital Audiotape DAT-20193/170 |
Alfonso Ortiz interview, tape 4 of 5Digital Audio Tape (DAT) Tape Label: West, Simuldat, CR 477-478, SR 89-90 |
Digital Audiotape DAT-20193/171 |
Alfonso Ortiz interview, tape 5 of 5Digital Audio Tape (DAT) Tape Label: West, Simuldat, CR 479-480, SR 91 |
Digital Audiotape DAT-20193/172 |
Allen Pinkham interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: The West, SR #1A, CR 677-679, SDAT #374 |
Digital Audiotape DAT-20193/173 |
Allen Pinkham interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, SR #1A-4A, CR 680-682, SDAT #375 |
Digital Audiotape DAT-20193/174 |
Allen Pinkham interview, tape 3 of 3Digital Audio Tape (DAT) Tape Label: The West, SR #2A-3A, CR #683-685, SDAT #376 |
Digital Audiotape DAT-20193/175 |
Michael Quinn interview, tape 1 of 2Digital Audio Tape (DAT) Back of Case: West, SR #117, Intv Michael Quinn |
Digital Audiotape DAT-20193/176 |
Michael Quinn interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #358, CR 620-622, SR 117 |
Digital Audiotape DAT-20193/177 |
Jim Rawls interview; Ed Castillo interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #30, CR# 88-90, SR# 14-15 |
Digital Audiotape DAT-20193/178 |
Marc Reisner interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #105, CR #263-265, SR #55 |
Digital Audiotape DAT-20193/179 |
Marc Reisner interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #106, CR #266-268, SR #56 |
Digital Audiotape DAT-20193/180 |
Anne Richards interview, tape 1 of 2Digital Audio Tape (DAT) Back of Case: The West, SR #174, Intvw. Anne Richards, 5-26-95 in NYC, CR 1081-1084 |
Digital Audiotape DAT-20193/181 |
Anne Richards interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, SD# 531, CR# 1081-1084, SR# 174 |
Digital Audiotape DAT-20193/182 |
Martin Ridge interview, tape 1 of 6Digital Audio Tape (DAT) Tape Label: The West, CR 551, SR 108, Simuldat #326 |
Digital Audiotape DAT-20193/183 |
Martin Ridge interview, tape 2 of 6Digital Audio Tape (DAT) Tape Label: The West, CR 552 553, SR 108, Simuldat #327 |
Digital Audiotape DAT-20193/184 |
Martin Ridge interview, tape 3 of 6Digital Audio Tape (DAT) Tape Label: The West, CR 554 555, SR 109, Simuldat #328 |
Digital Audiotape DAT-20193/185 |
Martin Ridge interview, tape 4 of 6Digital Audio Tape (DAT) Tape Label: The West, CR 556 557, SR 109 110, Simuldat #329 |
Digital Audiotape DAT-20193/186 |
Martin Ridge interview, tape 5 of 6Digital Audio Tape (DAT) Tape Label: The West, CR 558 559, SR 110, Simuldat #330 |
Digital Audiotape DAT-20193/187 |
Martin Ridge interview, tape 6 of 6; Yvette Huginnie interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #331, CR 560 561, SR 110 111 |
Digital Audiotape DAT-20193/188 |
David Risling interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: SR 64, David Risling |
Digital Audiotape DAT-20193/189 |
David Risling interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #112, CR #284-286, SR #64 |
Digital Audiotape DAT-20193/190 |
David Risling interview, tape 3 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #113, CR# 287-288, SR #64 |
Digital Audiotape DAT-20193/191 |
Richard Romo interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: The West, 527, SR #167-170, CR #1067-1070 |
Digital Audiotape DAT-20193/192 |
Richard Romo interview, tape 2 of 2; David Montejano interviewDigital Audio Tape (DAT) Tape Label: The West, 528, SR #168-170, CR #1071-1074 |
Digital Audiotape DAT-20193/193 |
Linda Rondstadt interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: The West, SDAT# 534, SR# 175-176, CR# 1095-1098 |
Digital Audiotape DAT-20193/194 |
Linda Rondstadt interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, SDAT# 535, SR# 177-181, CR# 1099-1102 |
Digital Audiotape DAT-20193/195 |
Linda Rondstadt interview, tape 3 of 3Digital Audio Tape (DAT) Tape Label: The West, SDAT# 537, SR# 181-182, CR# 1107-1109 |
Digital Audiotape DAT-20193/196 |
Ramon Ruiz interview, tape 1 of 6Digital Audio Tape (DAT) Front of Case: The West, SR #148, CR #910-914?), R. Ruiz Intv |
Digital Audiotape DAT-20193/197 |
Ramon Ruiz interview, tape 2 of 6Digital Audio Tape (DAT) Front of Case: The West, SR #149, CR #914-916?, R. Ruiz Intv |
Digital Audiotape DAT-20193/198 |
Ramon Ruiz interview, tape 3 of 6Digital Audio Tape (DAT) Tape Label: The West, SDAT# 466, SR# 148, CR# 910 |
Digital Audiotape DAT-20193/199 |
Ramon Ruiz interview, tape 4 of 6Digital Audio Tape (DAT) Tape Label: The West, SDAT# 467, SR# 148, CR# 911-912 |
Digital Audiotape DAT-20193/200 |
Ramon Ruiz interview, tape 5 of 6Digital Audio Tape (DAT) Tape Label: The West, SDAT #468, SR #148-149, CR #913-914 |
Digital Audiotape DAT-20193/201 |
Ramon Ruiz interview, tape 6 of 6Digital Audio Tape (DAT) Tape Label: The West, SDAT #469, SR #149, CR #915-916 |
Digital Audiotape DAT-20193/202 |
Richard Santos interview, tape 1 of 5Digital Audio Tape (DAT) Back of Case: West Film Project, SR# 78, CR# 435, Richard Santos Interview, For CR# 435-438 |
Digital Audiotape DAT-20193/203 |
Richard Santos interview, tape 2 of 5Digital Audio Tape (DAT) Tape Label: The West, UT #270, SR #78, CR #436 |
Digital Audiotape DAT-20193/204 |
Richard Santos interview, tape 3 of 5Digital Audio Tape (DAT) Tape Label: The West, UT# 271, SR# 78, CR# 438 437 |
Digital Audiotape DAT-20193/205 |
Richard Santos interview, tape 4 of 5Digital Audio Tape (DAT) Tape Label: The West, UT# 272, SR# 79 78, CR# 439 |
Digital Audiotape DAT-20193/206 |
Richard Santos interview, tape 5 of 5Digital Audio Tape (DAT) Back of Case: SR #79, The West, Intv. Richard Santos, For CR# 439 |
Digital Audiotape DAT-20193/207 |
Marc Simmons interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #48, CR #126-128, SR #26-27 |
Digital Audiotape DAT-20193/208 |
Ron Takaki interview, tape 1 of 3Digital Audio Tape (DAT) Spine of Case: Takaki, Simuldat 108; Tape Label: The West, Simuldat #108, CR #272-274, SR #59 |
Digital Audiotape DAT-20193/209 |
Ron Takaki interview, tape 2 of 3Digital Audio Tape (DAT) Spine of Case: Takaki, Simuldat 109; Tape Label: The West, Simuldat #109, CR #275-277, SR #61-62 |
Digital Audiotape DAT-20193/210 |
Ron Takaki interview, tape 3 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #110, CR #278-279, SR #62-63 |
Digital Audiotape DAT-20193/211 |
Terry Tempest Williams interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: The West, SDAT# 492-493, SR# 158, CR# 973-974 |
Digital Audiotape DAT-20193/212 |
Terry Tempest Williams interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, SDAT #494-495, SR# 159-160, CR# 975-976 |
Digital Audiotape DAT-20193/213 |
Terry Tempest Williams interview, tape 3 of 3Digital Audio Tape (DAT) Tape Label: The West Film Project, CR #977, 17 HR., UBIT #496 |
Digital Audiotape DAT-20193/214 |
Stewart Udall interview, tape 1 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #45, CR #117-119, SR #23-24 |
Digital Audiotape DAT-20193/215 |
Stewart Udall interview, tape 2 of 4; Alan Houser interviewDigital Audio Tape (DAT) Tape Label: The West, Simuldat #46, CR #120-122, SR #24 |
Digital Audiotape DAT-20193/216 |
Stewart Udall interview, tape 3 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #431, CR 816-818, SR 139 140 |
Digital Audiotape DAT-20193/217 |
Stewart Udall interview, tape 4 of 4Digital Audio Tape (DAT) Tape Label: The West, Simuldat #432, CR 819-821, SR 140 |
Digital Audiotape DAT-20193/218 |
Bob Utley interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: West, For CR 420-422, SR 72, Tape #260 |
Digital Audiotape DAT-20193/219 |
Bob Utley interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: West, For CR 423-425, SR 73, Tape #261 |
Digital Audiotape DAT-20193/220 |
Bob Utley interview, tape 3 of 3; Dave Edmunds interviewDigital Audio Tape (DAT) Tape Label: West, For CR 426-427, SR 74-75, Tape #262 |
Digital Audiotape DAT-20193/221 |
Tom Watkins interview, tape 1 of 5Digital Audio Tape (DAT) Tape Label: The West Film Project, CR# 764 765 766, SR# 131 132, SD #411 |
Digital Audiotape DAT-20193/222 |
Tom Watkins interview, tape 2 of 5Digital Audio Tape (DAT) Tape Label: The West Film Project, Simuldat# 411, CR# 764-766, SR# 131-132 |
Digital Audiotape DAT-20193/223 |
Tom Watkins interview, tape 3 of 5Digital Audio Tape (DAT) Tape Label: The West Film Project, Simuldat# 412, CR# 767-769, SR# 132-133 |
Digital Audiotape DAT-20193/224 |
Tom Watkins interview, tape 4 of 5Digital Audio Tape (DAT) Tape Label: The West Film Project, Simuldat# 413, CR# 770-772, SR# 134-135 |
Digital Audiotape DAT-20193/225 |
Tom Watkins interview, tape 5 of 5Digital Audio Tape (DAT) Tape Label: West Film Project, UBIT# 580, CR# 1208-1213, SR# 190 |
Digital Audiotape DAT-20193/226 |
Roger Welsch interview, tape 1 of 3Digital Audio Tape (DAT) Tape Label: The West, SDAT #482, SR #150-152, CR #945-947 |
Digital Audiotape DAT-20193/227 |
Roger Welsch interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, SDAT# 483, SR# 154, CR# 948-950 |
Digital Audiotape DAT-20193/228 |
Roger Welsch interview, tape 3 of 3Digital Audio Tape (DAT) Tape Label: The West, SDAT #484, SR #156-157, CR #951-953 |
Digital Audiotape DAT-20193/229 |
Richard White interview, tape 1 of 13Digital Audio Tape (DAT) Tape Label: The West, Simuldat 340, CR 578 579, SR 113 |
Digital Audiotape DAT-20193/230 |
Richard White interview, tape 2 of 13Digital Audio Tape (DAT) Tape Label: The West, Simuldat #341, CR 380 381, SR 113; Spine of Case: White, Simuldat #341 |
Digital Audiotape DAT-20193/231 |
Richard White interview, tape 3 of 13Digital Audio Tape (DAT) Tape Label: The West, Simuldat #342, CR 582 583, SR 114 |
Digital Audiotape DAT-20193/232 |
Richard White interview, tape 4 of 13Digital Audio Tape (DAT) Tape Label: The West, Simuldat #343, CR 584 585, SR 114 115 |
Digital Audiotape DAT-20193/233 |
Richard White interview, tape 5 of 13Digital Audio Tape (DAT) Tape Label: The West, Simuldat #344, CR 586 587, SR 115 |
Digital Audiotape DAT-20193/234 |
Richard White interview, tape 6 of 13Digital Audio Tape (DAT) Tape Label: The West, Simuldat #345, CR 588 588, SR 116 |
Digital Audiotape DAT-20193/235 |
Richard White interview, tape 7 of 13Digital Audio Tape (DAT) Tape Label: The West, Simuldat #346, CR 590, SR 116 |
Digital Audiotape DAT-20193/236 |
Richard White interview, tape 8 of 13Digital Audio Tape (DAT) Tape Label: The West, SD 457, SR 141, CR 891-892 |
Digital Audiotape DAT-20193/237 |
Richard White interview, tape 9 of 13Digital Audio Tape (DAT) Tape Label: The West, SDAT 458, SR 142, CR 893-894 |
Digital Audiotape DAT-20193/238 |
Richard White interview, tape 10 of 13Digital Audio Tape (DAT) Tape Label: The West, SDAT# 459, SR# 143, CR# 895-896 |
Digital Audiotape DAT-20193/239 |
Richard White interview, tape 11 of 13Digital Audio Tape (DAT) Tape Label: The West, SDAT# 460, SR# 144, CR# 897-898 |
Digital Audiotape DAT-20193/240 |
Richard White interview, tape 12 of 13Digital Audio Tape (DAT) Tape Label: The West, SD 461, SR 145, CR 899-900 |
Digital Audiotape DAT-20193/241 |
Richard White interview, tape 13 of 13; Bill Deverell interviewDigital Audio Tape (DAT) Tape Label: The West, SDAT# 462, SR# 145-146, CR# 901-902 |
Digital Audiotape DAT-20193/242 |
Albert White Hat interview, tape 1 of 3Digital Audio Tape (DAT) Back of Case: The West, SR #69, Albert White Hat, 6-18-93 |
Digital Audiotape DAT-20193/243 |
Albert White Hat interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #133, CR# 355-356, SR# 69 |
Digital Audiotape DAT-20193/244 |
Albert White Hat interview, tape 3 of 3Digital Audio Tape (DAT) Tape Label: The West, Simuldat #134, CR# 357-358, SR# 69 |
Digital Audiotape DAT-20193/245 |
Rick Williams interview, tape 1 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #314, CR #527-528, SR #106 |
Digital Audiotape DAT-20193/246 |
Rick Williams interview, tape 2 of 2Digital Audio Tape (DAT) Tape Label: The West, Simuldat #315, CR #529-530, SR #107 |
Digital Audiotape DAT-20193/247 |
Ralph Yarborough interview, tape 1 of 3Digital Audio Tape (DAT) Back of Case: The West, SR #81, Ralph Yarborough, Intvw, 10-20-93 |
Digital Audiotape DAT-20193/248 |
Ralph Yarborough interview, tape 2 of 3Digital Audio Tape (DAT) Tape Label: The West, DAT# 274, CR# 445-447, SR# 81 |
Digital Audiotape DAT-20193/249 |
Ralph Yarborough interview, tape 3 of 3Digital Audio Tape (DAT) Tape Label: The West, DAT# 275, CR# 448-450, SR# 81 |
Film F-20193/3477 |
Acoma and El Morro, pix 116mm motion picture film 600 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-17B, Acoma, El Morro, CR 173 174; Leader Note: The West, CR 173 & 174, MOS, Pix |
Film F-20193/3478 |
Acoma and El Morro, pix 216mm motion picture film 875 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, MOS, R-18, Acoma/El Morro, CR 175 176 & 177; Leader Note: The West Project, CR 175 176 & 177, MOS, Pix |
Film F-20193/3479 |
Aerials, Animals and Plains, pix16mm motion picture film 225 feet Positive ; Polyester ; Color ; SilentSide of Box: West, Live, Aerials/Animals/Plains, Aerials - Landscapes, Outs, MOS, CR 40-41, 51-71; Leader Note: Lewis and Clark, C Roll, "West", DD 40-41, Outs, Live, MOS, Pix |
Film F-20193/3480 |
Aerials and Landscapes, pix 116mm motion picture film 650 feet Positive ; Polyester ; Color ; SilentSide of Box: West, Live, West - Aerials/Landscapes, Buffalos/Aerials, Outs, MOS, CR 5-8, 20-24; Leader Note: Lewis and Clark, C Roll, West, DD 5-8, Outs, Live, MOS, Pix |
Film F-20193/3481 |
Aerials and Landscapes, pix 216mm motion picture film 350 feet Positive ; Polyester ; Color ; SilentSide of Box: West, Live, Aerials/Animals/Plains, Aerials - Landscapes, Outs, MOS, CR 40-41, 51-71; Leader Note: Lewis and Clark, C Roll, "West", DD 51-71, Outs, Live, MOS, Pix |
Film F-20193/3482 |
Animals, pix 116mm motion picture film 150 feet Positive ; Acetate ; Color ; SilentSide of Box: West (Lewis and Clark), MOS, Live, Part 4 - Animals, 122 123, KH 3000, KH 6000; Leader Note: Lewis and Clark, Reel #122, Part 4, West, Animals, Live, Code KH 3000, MOS, Pix |
Film F-20193/3483 |
Animals, pix 216mm motion picture film 75 feet Positive ; Polyester ; Color ; SilentSide of Box: West, (Lewis and Clark), MOS, Live, Part 5 - Landscapes, Part 5 - Animals, 124 125, KJ 0000, KJ 3000; Leader Note: Lewis and Clark, Reel #125, Part 5, Animals, Live, Code KJ 3000, MOS, Pix |
Film F-20193/3484 |
Ash Hollow and Windlass Hill, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-42, Ash Hollow/Windlass Hill, CR 305 & 306; Leader Note: The West Project, Ash Hollow, R-42, MOS |
Film F-20193/3485 |
Badlands Aerials, pix16mm motion picture film 700 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-51, Badlands - Aerials, CR 330 & 331; Leader Note: The West Project, Badlands - Aerials, R-51, MOS |
Film F-20193/3486 |
Badlands Aerials: Buffalo and Horses, pix16mm motion picture film 400 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, MOS, R-53, Badlands - Buffalo and Horses, CR 334; Leader Note: The West Project, Badlands - Aerials, R-53, MOS |
Film F-20193/3487 |
Badlands Aerials: Sunrise, Mist and Buffalo, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-52, Badlands Aerials - Sunrise Mist Buffalo, CR 332 & 333; Leader Note: The West Project, Badlands - Aerials, R-52, MOS |
Film F-20193/3488 |
Big Horn Sheep, Yellowstone and Rams, pix 116mm motion picture film 650 feet Positive ; Acetate ; Color ; SilentSide of Box: West, Live, West - Big Horn Sheep, Yellowstone, Rams, Outs, MOS, CR 153-155; Leader Note: CR 153 154, Big Horn Sheep, YNP, Code, The West Project |
Film F-20193/3489 |
Big Horn Sheep, Yellowstone and Rams, pix 216mm motion picture film 200 feet Positive ; Acetate ; Color ; SilentSide of Box: West, Live, West - Big Horn Sheep, Yellowstone, Rams, Outs, MOS, CR 153-155; Leader Note: CR 155, Big Horn Sheep, YNP, Code, The West Project |
Film F-20193/3490 |
Bitteroot and Kootenai, pix16mm motion picture film 450 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-20, Bitteroot/Kootenai, CR 218 223 & 224; Leader Note: The West Project, Bitteroot/Kootenai, R-20, MOS |
Film F-20193/3491 |
Buffalo and Aerials, pix16mm motion picture film 450 feet Positive ; Polyester ; Color ; SilentSide of Box: West, Live, West - Aerials/Landscapes, Buffalos/Aerials, Outs, MOS, CR 5-8, 20-24; Leader Note: Lewis and Clark, C Roll, West, DD 20-24, Outs, Live, MOS, Pix |
Film F-20193/3492 |
California Coast: Carmel and Horses, pix16mm motion picture film feet Positive ; Polyester ; Color ; SilentSide of Box: West Live, California Coast - Carmel, California Coast - Horses, Outs, MOS, CR 56, 59B, 65-68 |
Film F-20193/3493 |
California Ext. and Int., pix16mm motion picture film 650 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-3B, California Int/Ext, CR 47 48 49; Leader Note: The West Project, CR 47-49, MOS |
Film F-20193/3494 |
California Int. and Library, pix16mm motion picture film 800 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-3 A, California Int/Library, CR 44 45 46; Leader Note: The West Project, CR 44-46, MOS |
Film F-20193/3495 |
California: Carson Pass, pix16mm motion picture film 700 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-6, California, Carson Pass, CR 103-105; Leader note: The West Project, MOS, CR 103-105 |
Film F-20193/3496 |
Canyon de Chelley, pix16mm motion picture film 725 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-16B, Canyon de Chelley, CR 169 170; Leader Note: The West, CR 169 170, MOS, Pix |
Film F-20193/3497 |
Chelley and Acoma, pix16mm motion picture film 800 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, MOS, R-17A, Chelley, Acoma, CR 171 172 173 & 174; Leader Note: The West Project, CR 171 & 172, MOS, Pix |
Film F-20193/3498 |
Chimayo N.M., pix16mm motion picture film 200 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-78, Chimayo, NM, CR 121; Leader Note: The West Project, Chimayo MX, CR 121, MOS |
Film F-20193/3499 |
Chimney Rock, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-41, Chimney Rock, CR 303 & 304; Leader Note: The West Project, Chimney Rock, R-41, MOS |
Film F-20193/3500 |
Chiracahuca, pix16mm motion picture film 700 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-26, Chirachuca, CR 248 & 249; Leader Note: The West Project, Chiracahua, R-26, MOS |
Film F-20193/3501 |
Chiracahua and Dunes, pix16mm motion picture film 700 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-27, Chiracahua & Dunes, CR 250 & 252; Leader Note: The West Project, Chiracahua and Dunes, R-27, MOS |
Film F-20193/3502 |
Chirachuca and Ft. Bowie, pix16mm motion picture film 700 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-25, Chiracahua & Ft. Bowie, CR 246 & 247; Leader Note: The West Project, Chiracahua & Ft. Bowie, R-25, MOS |
Film F-20193/3503 |
Chiracahua and Tumacacori, pix16mm motion picture film 600 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-24, Black and White, Chiracahua and Tumacacori, CR 245 & 251; Leader Note: The West Project, Chiracahua and Tumacacori, R-24, MOS |
Film F-20193/3504 |
Columbia River, pix16mm motion picture film 75 feet Positive ; Polyester ; Color ; SilentSide of Box: West, (Lewis and Clark), MOS, Live, Part 7 - Columbia River, 128 129, KK 3000, KK 6000; Leader Note: Lewis and Clark, Reel #128, Part 7 - West, Columbia River, Live, Code KK 3000, MOS, Pix |
Film F-20193/3505 |
Deserts and Indian Dwellings, pix16mm motion picture film 1000 feet Positive ; Acetate ; Color ; SilentSide of Box: West, Live, West - Yellowstone, Rams, Deserts/Indian Dwellings, Outs, MOS, CR 405 406 409; Leader Note: 411-412-413 |
Film F-20193/3506 |
Devil's Tower, pix 116mm motion picture film 725 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS R-50A, Devils Tower/Bear Butte, CR 327 & 329; Leader Note: The West Project, Code, Devil's Tower, R-50, MOS |
Film F-20193/3507 |
Devil's Tower, pix 216mm motion picture film 200 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-50B, Black & White, Devil's Tower, CR 328; Leader Note: The West Project, Devil's Tower - B&W, R-50B, MOS |
Film F-20193/3508 |
Dunes and Saguaro, pix16mm motion picture film 700 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-28, Dunes and Saguaro, CR 253 & 254; Leader Note: The West Project, Saguaro & Dunes, R-28, MOS |
Film F-20193/3509 |
Earth Lodges, pix16mm motion picture film 550 feet Positive ; Acetate ; Color ; SilentSide of Box: West, Live, West - Earth Lodges, Missouri River/Sandbars, Outs, MOS, CR 399-400, 402-404; Leader Note: 399 400 |
Film F-20193/3510 |
Fort Laramie, pix16mm motion picture film 600 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-39, Fort Laramie, CR 299 & 300; Leader Note: The West Project, Ft. Laramie, R-39, MOS |
Film F-20193/3511 |
Fort Laramie, Rocks and River, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code, MOS R-40, Ft. Laramie, Rocks, River, CR 301 & 302; Leader Note: The West Project, Ft. Laramie, R-40, MOS |
Film F-20193/3512 |
Glacier N.P., pix16mm motion picture film 350 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, Code, MOS R-21, Glacier N.P., CR 241 & 242; Leader Note: The West Project, Glacier N.P., R-21, MOS |
Film F-20193/3513 |
Grand Canyon and Falls, pix16mm motion picture film 700 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-12B, Grand Canyon and Falls, CR 147 148; Leader Note: The West Project, CR 147 148, MOS |
Film F-20193/3514 |
Indian Dwellings, pix16mm motion picture film 150 feet Positive ; Polyester ; Color ; SilentSide of Box: West (Lewis and Clark), MOS, Live, Part 6 - Landscapes, Part 6 - Indian Dwellings, 126 127, KJ 6000, KK 0000; Leader Note: Lewis and Clark, Reel #127, Part 6 - West, Indian Dwellings, Live, Code KK 0000, MOS, Pix |
Film F-20193/3515 |
Kanza Prairie and Flint Hills, pix16mm motion picture film 150 feet Positive ; Acetate ; BW ; SilentSide of Box: The West Project, MOS, R-22, Black and White, Flint Hills, CR 196; Leader Note: The West Project, Kanza Project, Flint Hills, Black and White, R-22, MOS |
Film F-20193/3516 |
Landscapes, pix 116mm motion picture film 175 feet Positive ; Polyester ; Color ; SilentSide of Box: West, (Lewis and Clark), MOS, Live, Part 5 - Landscapes, Part 5 - Animals, 124 125, KJ 0000, KJ 3000; Leader Note: Lewis and Clark, Reel #124, Part 5, Landscapes, Live, Code KJ 0000, MOS, Pix |
Film F-20193/3517 |
Landscapes, pix 216mm motion picture film 200 feet Positive ; Polyester ; Color ; SilentSide of Box: West (Lewis and Clark), MOS, Live, Part 6 - Landscapes, Part 6 - Indian Dwellings, 126 127, KJ 6000, KK 0000; Leader Note: Lewis and Clark, Reel #126, Part 6 - Landscapes, Live, Code JK 6000, MOS, Pix |
Film F-20193/3518 |
Landscapes, pix 316mm motion picture film 25 feet Positive ; Polyester ; Color ; SilentSide of Box: West (Lewis and Clark), MOS, Live, Part 7 - Landscapes, Part 7 - Pacific Ocean/Shore, 130 131, EA 0000, EA 3000, DB 1300; Leader Note: Lewis and Clark, Reel #130, Part 7, West, Landscapes, Live, Code EA 0000, MOS, Pix |
Film F-20193/3519 |
Mesa Verde Aerials, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-15B, Mesa Verde/Aerials, CR 165 166; Leader Note: The West, CR 165 & 166, MOS, Pix |
Film F-20193/3520 |
Mesa Verde, Shiprock and Chelley, pix16mm motion picture film 725 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-16A, Mesa Verde, Shiprock, Chelley, CR 167 168; Leader Note: The West, CR 167 & 168, MOS, Pix |
Film F-20193/3521 |
Missions C.A., pix 116mm motion picture film 500 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, MOS, R-33, Missions C.A., CR 283 284 288; Leader Note: The West Project, Missions, R-33, MOS |
Film F-20193/3522 |
Missions C.A., pix 216mm motion picture film 850 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS R-32, Missions C.A., CR 290 291 292; Leader Note: The West Project, R-32, MOS |
Film F-20193/3523 |
Missouri River and Earth Lodges, pix16mm motion picture film 850 feet Positive ; Acetate ; Color ; SilentSide of Box: West, Live, West - Sunsets, Plains, Mountains, Mirrouri River, Earth Lodges, Outs, MOS, CR 415 417 418, 733 981 1004 |
Film F-20193/3524 |
Missouri River and Sandbars, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: West, Live, West - Earth Lodges, Missouri River/Sandbars, Outs, MOS, CR 399-400, 402-404; Leader Note: 402 403 404 |
Film F-20193/3525 |
N.M. Mesa Verde, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-15A, N.M. Mesa Verde, CR 163 164; Leader Note: The West Film Project, CR 163 & 164, MOS, Pix |
Film F-20193/3526 |
Pacific Ocean and Shore, pix 116mm motion picture film 200 feet Positive ; Polyester ; Color ; SilentSide of Box: West (Lewis and Clark), MOS, Live, Part 7 - Landscapes, Part 7 - Pacific Ocean/Shore, 130 131, EA 0000, EA 3000, DB 1300; Leader Note: Lewis and Clark, Reel #131, Part 7, West, Pacific Ocean/Shore, Live, Code EA 3000, MOS, Pix |
Film F-20193/3527 |
Pacific Ocean and Shore, pix 216mm motion picture film 175 feet Positive ; Acetate ; Color ; SilentSide of Box: West (Lewis and Clark), MOS, Live, Part 7 - Landscapes, Part 7 - Pacific Ocean/Shore, 130 131, EA 0000, EA 3000, DB 1300; Leader Note: Lewis and Clark, Reel #131, Add On #3, Add-Code DB 1300, Pacific Ocean/Shore, MOS, Pix |
Film F-20193/3528 |
Petalumh Adobe Etc., pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-5, Petalumh Adobe Etc., CR 81 90-93; Leader Note: The West Project, CR 87-93, MOS |
Film F-20193/3529 |
Platte River, California Coast and Carmel, pix 116mm motion picture film 700 feet Positive ; Acetate ; Color ; SilentSide of Box: West, Live, West - Platte River, California Coast, Carmel, Outs, MOS, CR 660-662, 664 668 669; Leader Note: CR 660 661 662 |
Film F-20193/3530 |
Platte River, California Coast and Carmel, pix 216mm motion picture film 950 feet Positive ; Acetate ; Color ; SilentSide of Box: West, Live, West - Platte River, California Coast, Carmel, Outs, MOS, CR 660-662, 664 668 669; Leader Note: West Film Project, 664-668-669 |
Film F-20193/3531 |
Platte River: Storm and Mule Carts, pix16mm motion picture film 550 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-44, Platte River - Storm, Mule Carts, CR 309&310; Leader Note: The West Project, Platte River, R-44, MOS |
Film F-20193/3532 |
Return Trip, pix16mm motion picture film 100 feet Positive ; Polyester ; Color ; SilentSide of Box: West (Lewis and Clark), MOS, Live, Part 8 - Return Trip, 132 133, EA 6000, EB 0000; Leader Note: Lewis and Clark, Reel #133, Part 8, West, Return Trip, Live, Code EB 0000, MOS, Pix |
Film F-20193/3533 |
Sioux Sign and Windmill, pix16mm motion picture film 125 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-57, Sioux Sign & Windmill, CR 338 353 & 354; Leader Note: The West Project, Sioux Sign & Windmill, R-57, MOS |
Film F-20193/3534 |
South Pass Area, pix 116mm motion picture film 675 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Film Project, MOS, R-35, South Pass Area, CR 292 & 293; Leader Note: The West Project, South Pass Area, R-35, MOS |
Film F-20193/3535 |
South Pass Area, pix 216mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-36, South Pass Area, CR 294 & 296; Leader Note: The West Project, South Pass Area, R_36, MOS |
Film F-20193/3536 |
South Pass Area, pix 316mm motion picture film 150 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-37, Black and White, South Pass Area, CR 295; Leader Note: The West Project, South Pass, BxW, R-37, MOS, Pix |
Film F-20193/3537 |
South Pass and Beaver Lodge, pix16mm motion picture film 800 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-8, South Pass, Beaver Lodge, CR 129 130 131; Leader Note: The West Project, CR 129 130 131, MOS |
Film F-20193/3538 |
South Pass, Ind. Rock and Ft. Laramie, pix16mm motion picture film 725 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-38, South Pass, Ind. Rock, Ft. Laramie, CR 297 & 298; Leader Note: The West Project, South Pass/Ind. Rock, R-38, MOS |
Film F-20193/3539 |
Sunsets and Buffaloes, pix16mm motion picture film 400 feet Positive ; Polyester ; Color ; SilentSide of Box: West, Live, West - Sunsets and Buffaloes, Outs, MOS, CR 104 111; Leader Note: Sunsets and Buffaloes, The West Project, Code, CR 104A + 111, MOS |
Film F-20193/3540 |
Sunsets, Plains and Mountains, pix16mm motion picture film 800 feet Positive ; Acetate ; Color ; SilentSide of Box: West, Live, West - Sunsets, Plains, Mountains, Mirrouri River, Earth Lodges, Outs, MOS, CR 415 417 418, 733 981 1004; Leader Note: 733, 981, 1004 |
Film F-20193/3541 |
Tetons, Snake River, Konza Prairie and Flint Hills, pix 116mm motion picture film 550 feet Positive ; Acetate ; Color ; SilentSide of Box: West, Live, West - Tetons, Snake River, Konza Prairie - Flint Hills; Leader Note: The West Project, Code - CR 19, MOS |
Film F-20193/3542 |
Tetons, Snake River, Konza Prairie and Flint Hills, pix 216mm motion picture film 700 feet Positive ; Acetate ; Color ; SilentSide of Box: West, Live, West - Tetons, Snake River, Konza Prairie - Flint Hills; Leader Note: The West Project, Code - CR 134 135, MOS |
Film F-20193/3543 |
Triple 7 Ranch: Buffalo and Horses, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-55, Triple 7 Ranch - Buffalo and Horses, CR 359 & 360; Leader Note: The West Project, Buffalo & Horses, R-55, MOS |
Film F-20193/3544 |
Tumacacori and Chiracahua, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-23, Tumacacori and Chiracahua, CR 243 & 244; Leader Note: The West Project, Tumacacori Mission & Chiracahua, R-23, MOS |
Film F-20193/3545 |
Utah, pix 116mm motion picture film 700 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-1A, Utah, CR 1 2; Leader Note: The West Film Project, CR 1 2, MOS, Pix |
Film F-20193/3546 |
Utah, pix 216mm motion picture film 725 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, MOS, R-1B, Utah, CR 3 4; Leader Note: The West Project, CR 3 4, MOS, Pix |
Film F-20193/3547 |
Utah, pix 316mm motion picture film 700 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, MOS, R-2A, Utah, CR 5 6 33 34; Leader Note: The West Project, CR 5 6, MOS, Pix |
Film F-20193/3548 |
Utah, pix 416mm motion picture film 225 feet Positive ; Polyester ; Color; BW ; SilentSide of Box: The West Project, MOS, R-2B, CR 33 - B&W, CR 34 Color/Time Lapse, Utah, CR 33 34; Leader Note: The West Project, B&W, CR 33 34, R-2B |
Film F-20193/3549 |
Utah: Salt Flats, pix16mm motion picture film 950 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-34, Utah - Salt Flats, CR 289 290 & 291; Leader Note: The West Project, Utah Salt Flats, R-34, MOS |
Film F-20193/3550 |
Wild Horses, pix16mm motion picture film 900 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-54, Wild Horses, CR 335 336 & 337; Leader Note: The West Project, Wild Horses, R-54, MOS |
Film F-20193/3551 |
Wild Horses and Mt. Rushmore, pix16mm motion picture film 500 feet Positive ; Polyester ; Color ; SilentSide of Box: The West Project, MOS, R-56, Wild Horses and Mt. Rushmore, CR 361 & 362; Leader Note: The West Project, Wild Horses and Mt. Rushmore, R-56, MOS |
Film F-20193/3552 |
Yellowstone and Rams, pix16mm motion picture film 1100 feet Positive ; Acetate ; Color ; SilentSide of Box: West, Live, West - Yellowstone, Rams, Deserts/Indian Dwellings, Outs, MOS, CR 405 406 409 411-413 |
Film F-20193/3553 |
Yellowstone, Grand Tetons, Jackson Overlook, pix16mm motion picture film 1050 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-10A, Yellowstone, Grand Tetons, Jackson Overlook, CR 136 137 138; Leader Note: The West Project, CR 136 137 138, MOS |
Film F-20193/3554 |
Yellowstone: Firehole, Midway Geyser, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-12A, Firehole, Midway Geyser, Yellowstone, CR 145 146; Leader Note: The West Project, CR 145 146, MOS |
Film F-20193/3555 |
Yellowstone: Geysers, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-108, Yellowstone, Geysers, CR 139 140; Leader Note: The West Project, CR 139 140, MOS |
Film F-20193/3556 |
Yellowstone: Geysers and Sunset, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-11A, Yellowstone Geysers, Lower Basin, CR 141 142; Leader Note: The West Project, YNP, Geysers, Sunset, CR 141 & 142, MOS |
Film F-20193/3557 |
Yellowstone: Lower Falls, pix 116mm motion picture film 550 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-13A, Lower Falls, YNP, CR 149 150; Leader Note: The West Project, CR 149 150, MOS |
Film F-20193/3558 |
Yellowstone: Lower Falls, pix 216mm motion picture film 300 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-138, Yellowstone Falls, CR 151; Leader Note: The West Project, Lower Falls YNP, CR 151, MOS |
Film F-20193/3559 |
Yellowstone: Sunrise, River Group and Buffalo, pix16mm motion picture film 750 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-11B, Yellowstone/Lower Geyser Group, CR 143 144; Leader Note: The West Project, Sunrise, River Group, Buffalo, CR 143 144 |
Film F-20193/3560 |
Yosemite Falls, pix 116mm motion picture film 650 feet Positive ; Acetate ; BW ; SilentSide of Box: The West Project, MOS, R-30, B&W, Yosemite Falls, CR 256 259; Leader Note: The West Project, Yosemite, R-30, B&W, MOS |
Film F-20193/3561 |
Yosemite Falls, pix 216mm motion picture film 1050 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-31, Yosemite/Falls, CR 260 261 262; Leader Note: The West Project, Yosemite, R-31, MOS |
Film F-20193/3562 |
Yosemite Views, pix16mm motion picture film 800 feet Positive ; Acetate ; Color ; SilentSide of Box: The West Project, MOS, R-29, Yosemite Views, CR 255 257 & 258; Leader Note: The West Project, Yosemite, R-29, MOS |
Digital Audiotape DAT-20193/250 |
Mount Rushmore, Wild SoundDigital Audio Tape (DAT) Tape Label: Mt. Rushmore, Wild Sound, SR #70, The West |
SFC Audio Open Reel FT-20193/841 |
Peter Coyote narration, 26 October 1995, reel 1 of 131/4" Open Reel 10" PolyesterSide of Box: Peter Coyote, The West, 10/26/95; Note on Reel: Peter, S-1 |
SFC Audio Open Reel FT-20193/842 |
Peter Coyote narration, 26 October 1995, reel 2 of 131/4" Open Reel 10" PolyesterSide of Box: Peter Coyote, The West, 10/26/95; Note on Reel: Peter, S-2, 10/23/95 |
SFC Audio Open Reel FT-20193/843 |
Peter Coyote narration, 26 October 1995, reel 3 of 131/4" Open Reel 10" PolyesterSide of Box: Peter Coyote, The West, 10/26/95; Note on Reel: Peter, S-3, 10/23/95 |
SFC Audio Open Reel FT-20193/844 |
Peter Coyote narration, 26 October 1995, reel 4 of 131/4" Open Reel 10" PolyesterSide of Box: Peter Coyote, The West, 10/26/95; Note on Reel: 8012, Reel 4 |
SFC Audio Open Reel FT-20193/845 |
Peter Coyote narration, 26 October 1995, reel 5 of 131/4" Open Reel 10" PolyesterSide of Box: Peter Coyote, The West, 10/26/95; Note on Reel: 8012, Reel 5 |
SFC Audio Open Reel FT-20193/846 |
Peter Coyote narration, 26 October 1995, reel 6 of 131/4" Open Reel 10" PolyesterSide of Box: Peter Coyote, The West, 10/26/95; Note on Reel: 8013, Reel 6 |
SFC Audio Open Reel FT-20193/847 |
Peter Coyote narration, 26 October 1995, reel 7 of 131/4" Open Reel 10" PolyesterSide of Box: Peter Coyote, The West, 10/26/95; Note on Reel: 8013, Reel 7 |
SFC Audio Open Reel FT-20193/848 |
Peter Coyote narration, 26 October 1995, reel 8 of 131/4" Open Reel 10" PolyesterSide of Box: Peter Coyote, The West, 10/26/95; Note on Reel: 8014, Reel 8 |
SFC Audio Open Reel FT-20193/849 |
Peter Coyote narration, 26 October 1995, reel 9 of 131/4" Open Reel 10" PolyesterSide of Box: Peter Coyote, The West, 10/26/95; Note on Reel: 8014, Reel 9 |
SFC Audio Open Reel FT-20193/850 |
Peter Coyote narration, 26 October 1995, reel 10 of 131/4" Open Reel 10" PolyesterSide of Box: Peter Coyote, The West, 10/26/95; Note on Reel: 8015, Reel 10 |
SFC Audio Open Reel FT-20193/851 |
Peter Coyote narration, 26 October 1995, reel 11 of 131/4" Open Reel 10" PolyesterSide of Box: Peter Coyote, The West, 10/26/95; Note on Reel: 8017, Reel 11 |
SFC Audio Open Reel FT-20193/852 |
Peter Coyote narration, 26 October 1995, reel 12 of 131/4" Open Reel 10" PolyesterSide of Box: Peter Coyote, The West, 10/26/95; Note on Reel: 8017, Reel 12 |
SFC Audio Open Reel FT-20193/853 |
Peter Coyote narration, 26 October 1995, reel 13 of 131/4" Open Reel 10" PolyesterSide of Box: Peter Coyote, The West, 10/26/95; Note on Reel: 8017, Reel 13 |
SFC Audio Open Reel FT-20193/854 |
Peter Coyote narration, 14 February 1996, tape 1 of 81/4" Open Reel 10" PolyesterSide of Box: The West, Peter Coyote, Narration, 2/14/96; Note on Reel: 8050, R-1 |
SFC Audio Open Reel FT-20193/855 |
Peter Coyote narration, 14 February 1996, tape 2 of 81/4" Open Reel 10" PolyesterSide of Box: The West, Peter Coyote, Narration, 2/14/96; Note on Reel: 8050, R-2 |
SFC Audio Open Reel FT-20193/856 |
Peter Coyote narration, 14 February 1996, tape 3 of 81/4" Open Reel 10" PolyesterSide of Box: The West, Peter Coyote, Narration, 2/14/96; Note on Reel: 8051, R-1 |
SFC Audio Open Reel FT-20193/857 |
Peter Coyote narration, 14 February 1996, tape 4 of 81/4" Open Reel 10" PolyesterSide of Box: The West, Peter Coyote, Narration, 2/14/96; Note on Reel: 8051, R-2 |
SFC Audio Open Reel FT-20193/858 |
Peter Coyote narration, 14 February 1996, tape 5 of 81/4" Open Reel 10" PolyesterSide of Box: The West, Peter Coyote, Narration, 2/14/96; Note on Reel: 8052, R-1 |
SFC Audio Open Reel FT-20193/859 |
Peter Coyote narration, 14 February 1996, tape 6 of 81/4" Open Reel 10" PolyesterSide of Box: The West, Peter Coyote, Narration, 2/14/96; Note on Reel: 8053, R-1 |
SFC Audio Open Reel FT-20193/860 |
Peter Coyote narration, 14 February 1996, tape 7 of 81/4" Open Reel 10" PolyesterSide of Box: The West, Peter Coyote, Narration, 2/14/96; Note on Reel: 8053, R-2 |
SFC Audio Open Reel FT-20193/861 |
Peter Coyote narration, 14 February 1996, tape 8 of 81/4" Open Reel 10" PolyesterSide of Box: The West, Peter Coyote, Narration, 2/14/96; Note on Reel: 8054, R-1 |
Digital Audiotape DAT-20193/251 |
Peter Coyote narration, 19 October 1995, tape 1 of 5Digital Audio Tape (DAT) Spine of Case: 8000, Coyote, 10.19.95 |
Digital Audiotape DAT-20193/252 |
Peter Coyote narration, 19 October 1995, tape 2 of 5Digital Audio Tape (DAT) Spine of Case: 8001, Coyote, 10.19.95 |
Digital Audiotape DAT-20193/253 |
Peter Coyote narration, 19 October 1995, tape 3 of 5Digital Audio Tape (DAT) Spine of Case: 8002, Coyote, 10.19.95 |
Digital Audiotape DAT-20193/254 |
Peter Coyote narration, 19 October 1995, tape 4 of 5Digital Audio Tape (DAT) Spine of Case: 8003, Coyote, 10-19-95; Tape Label: DAT #4, 10-19-95, R. 8003 |
Digital Audiotape DAT-20193/255 |
Peter Coyote narration, 19 October 1995, tape 5 of 5Digital Audio Tape (DAT) Spine of Case: 8004, Coyote, 10.19.95 |
Digital Audiotape DAT-20193/256 |
Peter Coyote narration, 20 October 1995, tape 1 of 5Digital Audio Tape (DAT) Spine of Case: 8005, Coyote, 10.20.95, 8005 |
Digital Audiotape DAT-20193/257 |
Peter Coyote narration, 20 October 1995, tape 2 of 5Digital Audio Tape (DAT) Spine of Case: 8006, Coyote, 10-20-95 |
Digital Audiotape DAT-20193/258 |
Peter Coyote narration, 20 October 1995, tape 3 of 5Digital Audio Tape (DAT) Spine of Case: 10-20-95, 8007, Coyote; Tape Label: DAT #8, 10-20-95, R-8007 |
Digital Audiotape DAT-20193/259 |
Peter Coyote narration, 20 October 1995, tape 4 of 5Digital Audio Tape (DAT) Spine of Case: 8008, Coyote, 10.20.95 |
Digital Audiotape DAT-20193/260 |
Peter Coyote narration, 20 October 1995, tape 5 of 5Digital Audio Tape (DAT) Spine of Case: 8009 Coyote; Tape Label: Dat #10, 10-20-95, R.8009 |
Digital Audiotape DAT-20193/261 |
Peter Coyote narration, 23 October 1995, tape 1 of 2Digital Audio Tape (DAT) Back of Case: 8010, Coyote in NYC, 10/23/95 |
Digital Audiotape DAT-20193/262 |
Peter Coyote narration, 23 October 1995, tape 2 of 2Digital Audio Tape (DAT) Back of Case: 8011, Coyote, 10/23/95 in NYC |
Digital Audiotape DAT-20193/263 |
Peter Coyote narration, 24 October 1995, tape 1 of 2Digital Audio Tape (DAT) Spine of Case: 8012, Coyote, 10.24.95 |
Digital Audiotape DAT-20193/264 |
Peter Coyote narration, 24 October 1995, tape 2 of 2Digital Audio Tape (DAT) Back of Case: 8013, Coyote, 10-24-95, Ep 6 |
Digital Audiotape DAT-20193/265 |
Peter Coyote narration, 25 October 1995, tape 1 of 2Digital Audio Tape (DAT) Back of Case: 8014, Coyote, 10-25-95 |
Digital Audiotape DAT-20193/266 |
Peter Coyote narration, 25 October 1995, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: 8015, Coyote, 10/25/95 |
Digital Audiotape DAT-20193/267 |
Peter Coyote narration, 26 October 1995, tape 1 of 2Digital Audio Tape (DAT) Spine of Case: 8016, Coyote, 10/26/95 |
Digital Audiotape DAT-20193/268 |
Peter Coyote narration, 26 October 1995, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: 8017, Coyote, 10/26/95 |
Digital Audiotape DAT-20193/269 |
Peter Coyote narration, 1 November 1995Digital Audio Tape (DAT) Spine of Case: 8018, Ep 3 7, V.O. Record, Peter Coyote, 11/1/95 |
Digital Audiotape DAT-20193/270 |
Peter Coyote narration, 14 November 1995, tape 1 of 2Digital Audio Tape (DAT) Spine of Case: 11.14.95, Coyote, 8019, Ep 2 Intro, 7 P.U.s; Back of Case: San Francisco, 11.14.95 |
Digital Audiotape DAT-20193/271 |
Peter Coyote narration, 14 November 1995, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: Coyote, 8022, 11-14-95, Ep 5 |
Digital Audiotape DAT-20193/272 |
Peter Coyote narration, 15 November 1995, tape 1 of 4Digital Audio Tape (DAT) Spine of Case: Coyote, 11/15/95, #8023 |
Digital Audiotape DAT-20193/273 |
Peter Coyote narration, 15 November 1995, tape 2 of 4Digital Audio Tape (DAT) Back of Case: Coyote, #8025, Ep 8, CA Water-BB, 11/15/95 |
Digital Audiotape DAT-20193/274 |
Peter Coyote narration, 15 November 1995, tape 3 of 4Digital Audio Tape (DAT) Back of Case: Coyote, #8026, 11/15/95, Transmedia, Ep 8 - BB to End, Ep 2 Pick Ups |
Digital Audiotape DAT-20193/275 |
Peter Coyote narration, 15 November 1995, tape 4 of 4Digital Audio Tape (DAT) Tape Label: The West, R.8026, 11.15.95 |
Digital Audiotape DAT-20193/276 |
Peter Coyote narration, 16 November 1995, tape 1 of 2Digital Audio Tape (DAT) Spine of Case: 8027, Ep 1, Coyote, 11-16-95 |
Digital Audiotape DAT-20193/277 |
Peter Coyote narration, 16 November 1995, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: 8028, Coyote, Ep 1, 11.16.95 |
Digital Audiotape DAT-20193/278 |
Peter Coyote narration, 1 December 1995, tape 1 of 4Digital Audio Tape (DAT) Spine of Case: Coyote, 12-1-95, #8029 |
Digital Audiotape DAT-20193/279 |
Peter Coyote narration, 1 December 1995, tape 2 of 4Digital Audio Tape (DAT) Spine of Case: Coyote, 12-1-95, #8030 |
Digital Audiotape DAT-20193/280 |
Peter Coyote narration, 1 December 1995, tape 3 of 4Digital Audio Tape (DAT) Spine of Case: Coyote, 12-1-95, #8031 |
Digital Audiotape DAT-20193/281 |
Peter Coyote narration, 1 December 1995, tape 4 of 4Digital Audio Tape (DAT) Spine of Case: Coyote, 12-1-95, 8032 |
Digital Audiotape DAT-20193/282 |
Peter Coyote narration, 2 December 1995, tape 1 of 2Digital Audio Tape (DAT) Spine of Case: 8033; Tape Label: The West, R. 8033, 12-2-95 |
Digital Audiotape DAT-20193/283 |
Peter Coyote narration, 2 December 1995, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: Coyote, 8034; Tape Label: The West, R.8034, 12-2-95 |
Digital Audiotape DAT-20193/284 |
Peter Coyote narration, 15 December 1995, tape 1 of 4Digital Audio Tape (DAT) Spine of Case: 8035, Coyote, EP 5; Tape Label: The West, R.8035, 12-15-95 |
Digital Audiotape DAT-20193/285 |
Peter Coyote narration, 15 December 1995, tape 2 of 4Digital Audio Tape (DAT) Spine of Case: 8036, Coyote, Ep 5; Tape Label: The West, R-8036, 12-15-95 |
Digital Audiotape DAT-20193/286 |
Peter Coyote narration, 15 December 1995, tape 3 of 4Digital Audio Tape (DAT) Spine of Case: 8038, Coyote, Ep 6; Tape Label: The West, R 3038, 12-15-95 |
Digital Audiotape DAT-20193/287 |
Peter Coyote narration, 15 December 1995, tape 4 of 4Digital Audio Tape (DAT) Spine of Case: 8039, Coyote, Ep 1; Tape Label: The West, R.8039, 12-15-95 |
Digital Audiotape DAT-20193/288 |
Peter Coyote narration, 16 December 1995, tape 1 of 2Digital Audio Tape (DAT) Spine of Case: 8040, Coyote, Ep 1; Tape Label: The West, R.8040, 12-16-95 |
Digital Audiotape DAT-20193/289 |
Peter Coyote narration, 16 December 1995, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: 8041, Coyote, Ep 1&2; Tape Label: The West, R.8041, 12.16.95 |
Digital Audiotape DAT-20193/290 |
Peter Coyote narration, 12 January 1996, tape 1 of 3Digital Audio Tape (DAT) Spine of Case: Coyote, Ep 1 5 6, 8042; Tape Label: The West, R-8042, 1-12-96 |
Digital Audiotape DAT-20193/291 |
Peter Coyote narration, 12 January 1996, tape 2 of 3Digital Audio Tape (DAT) Spine of Case: Coyote, Ep 6 8, 8043; Tape Label: |
Digital Audiotape DAT-20193/292 |
Peter Coyote narration, 12 January 1996, tape 3 of 3Digital Audio Tape (DAT) Side of Case: 8044, Coyote, Ep 4; Tape Label: The West, R-8044, 1-12-96 |
Digital Audiotape DAT-20193/293 |
Peter Coyote narration, 13 January 1996, tape 1 of 4Digital Audio Tape (DAT) Spine of Case: 8046, Coyote, Ep 4, 8046; Tape Label: The West, R. 8046, 1-13-96 |
Digital Audiotape DAT-20193/294 |
Peter Coyote narration, 13 January 1996, tape 2 of 4Digital Audio Tape (DAT) Side of Case: 8047, Coyote, Ep 4; Tape Label: The West, R 8047, 1-13-96 |
Digital Audiotape DAT-20193/295 |
Peter Coyote narration, 13 January 1996, tape 3 of 4Digital Audio Tape (DAT) Back of Case: 8048, Coyote Ep 2; Tape Label: The West, R 8048, 1-13-96 |
Digital Audiotape DAT-20193/296 |
Peter Coyote narration, 13 January 1996, tape 4 of 4Digital Audio Tape (DAT) Spine of Case: 8049, Coyote, Ep 1 2; Tape Label: The West, R.8049, 1-13-96 |
Digital Audiotape DAT-20193/297 |
Peter Coyote narration, 13 February 1996, tape 1 of 2Digital Audio Tape (DAT) Back of Case: 8050, Ep 2 Narration, The West, A&J, 2/13/96; Spine of Case: Ep 2, Coyote, 8050, Ep 2, Narration, 2/13/96 |
Digital Audiotape DAT-20193/298 |
Peter Coyote narration, 13 February 1996, tape 2 of 2Digital Audio Tape (DAT) Back of Case: Coyote, 8051, Narration, 2-13-96; Spine of Case: Ep 2+8 |
Digital Audiotape DAT-20193/299 |
Peter Coyote narration, 14 February 1996, tape 1 of 3Digital Audio Tape (DAT) Spine of Case: 8052, 2.14.94, Coyote, A&J, Ep 8 |
Digital Audiotape DAT-20193/300 |
Peter Coyote narration, 14 February 1996, tape 2 of 3Digital Audio Tape (DAT) Spine of Case: 8053, 2.14.96, Coyote (A&J) 9&4 |
Digital Audiotape DAT-20193/301 |
Peter Coyote narration, 14 February 1996, tape 3 of 3Digital Audio Tape (DAT) Spine of Case: 8054, 2.14.96, Coyote (A&J) |
Digital Audiotape DAT-20193/302 |
Peter Coyote narration, 11 March 1996, tape 1 of 4Digital Audio Tape (DAT) Spine of Case: Ep 2, Coyote, 3.11.96, 8055 |
Digital Audiotape DAT-20193/303 |
Peter Coyote narration, 11 March 1996, tape 2 of 4Digital Audio Tape (DAT) Spine of Case: Coyote, Ep 2 8, 3.11.96, 8056 |
Digital Audiotape DAT-20193/304 |
Peter Coyote narration, 11 March 1996, tape 3 of 4Digital Audio Tape (DAT) Spine of Case: Coyote, Ep 8, 3.11.96, 8057 |
Digital Audiotape DAT-20193/305 |
Peter Coyote narration, 11 March 1996, tape 4 of 4Digital Audio Tape (DAT) Spine of Case: Coyote, Ep 1 8 & Video Intro, 3.11.96, 8058 |
Digital Audiotape DAT-20193/306 |
Peter Coyote narration, 12 March 1996, tape 1 of 2Digital Audio Tape (DAT) Spine of Case: Coyote, Ep 4, 3.12.96, 8059 |
Digital Audiotape DAT-20193/307 |
Peter Coyote narration, 12 March 1996, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: Ep 1 + Ep 4, Coyote, 3.12.96, 8060 |
Digital Audiotape DAT-20193/308 |
Peter Coyote narration, 8 April 1996Digital Audio Tape (DAT) Spine of Case: West Film, 8061, Coyote; Back of Case: West Film Project, Peter Coyote pickup, 4/8/96 |
Digital Audiotape DAT-20193/309 |
Peter Coyote narration, Episode 6Digital Audio Tape (DAT) Spine of Case: Coyote, Ep 6, Narr, To Be Reread; Tape Label: Coyote Narration, Ep 6, Ignore Fostex |
Digital Audiotape DAT-20193/310 |
Chris Cooper narration auditionDigital Audio Tape (DAT) Spine of Case: Chris Cooper, 8/18/95, Narr. Audition |
Digital Audiotape DAT-20193/311 |
Peter Coyote narration auditionDigital Audio Tape (DAT) Tape Label: Coyote Audition, 2336 |
Digital Audiotape DAT-20193/312 |
Ed Newman narration audition; W. Styron narration auditionDigital Audio Tape (DAT) Tape Label: The West, Narrator Audit., Ed. Newman, W. Styron |
SFC Audio Open Reel FT-20193/862 |
Phil Bosco voiceover, tape 1 of 21/4" Open Reel 10" PolyesterBack of Box: Phil Bosco, 9/9/94 |
SFC Audio Open Reel FT-20193/863 |
Phil Bosco voiceover, tape 2 of 21/4" Open Reel 10" PolyesterBack of Box: Phil Bosco, 9/9/94 |
SFC Audio Open Reel FT-20193/864 |
Phil Bosco voiceover, pick ups1/4" Open Reel 10" PolyesterBack of Box: Phil Bosco, PU's, The West, 12/21/95 |
SFC Audio Open Reel FT-20193/865 |
Matthew Broderick voiceover, tape 1 of 31/4" Open Reel 10" PolyesterBack of Box: The West, Matthew Broderick, 4/18/95 |
SFC Audio Open Reel FT-20193/866 |
Matthew Broderick voiceover, tape 2 of 31/4" Open Reel 10" PolyesterBack of Box: The West, Matthew Broderick, 4/18/95 |
SFC Audio Open Reel FT-20193/867 |
Matthew Broderick voiceover, tape 3 of 31/4" Open Reel 10" PolyesterBack of Box: The West, Matthew Broderick, 4/18/95 |
SFC Audio Open Reel FT-20193/868 |
Terry Currier voiceover, tape 1 of 21/4" Open Reel 10" PolyesterBack of Box: The West, Terry Currier, 12/4/95 |
SFC Audio Open Reel FT-20193/869 |
Terry Currier voiceover, tape 2 of 21/4" Open Reel 10" PolyesterBack of Box: The West, Terry Currier, 12/4/95 |
SFC Audio Open Reel FT-20193/870 |
Blythe Danner voiceover, tape 1 of 21/4" Open Reel 10" PolyesterBack of Box: The West, Blythe Danner, 10/18/94 |
SFC Audio Open Reel FT-20193/871 |
Blythe Danner voiceover, tape 2 of 21/4" Open Reel 10" PolyesterBack of Box: The West, Blythe Danner, 10/18/94 |
SFC Audio Open Reel FT-20193/872 |
Ossie Davis voiceover1/4" Open Reel 10" PolyesterBack of Box: The West - Ossie Davis, Date 1/30/95 |
SFC Audio Open Reel FT-20193/873 |
James Fox voiceover1/4" Open Reel 10" PolyesterBack of Box: The West, James Fox, 3/17/95 |
SFC Audio Open Reel FT-20193/874 |
Peter Gallagher voiceover, tape 1 of 21/4" Open Reel 10" PolyesterBack of Box: The West, Peter Gallagher, 12/18/95, Reel #1 12/18/95, Reel #2 PU's 1/4/96 |
SFC Audio Open Reel FT-20193/875 |
Peter Gallagher voiceover, tape 2 of 21/4" Open Reel 10" PolyesterBack of Box: The West, Peter Gallagher, 12/18/95, Reel #1 12/18/95, Reel #2 PU's 1/4/96 |
SFC Audio Open Reel FT-20193/876 |
Murphy Guyer voiceover, tape 1 of 31/4" Open Reel 10" PolyesterBack of Box: The West, Murphy Guyer, 10/18/94 |
SFC Audio Open Reel FT-20193/877 |
Murphy Guyer voiceover, tape 2 of 31/4" Open Reel 10" PolyesterBack of Box: The West, Murphy Guyer, 10/18/94 |
SFC Audio Open Reel FT-20193/878 |
Murphy Guyer voiceover, tape 3 of 31/4" Open Reel 10" PolyesterBack of Box: The West, Murphy Guyer, 10/18/94 |
SFC Audio Open Reel FT-20193/879 |
Julie Harris voiceover, tape 1 of 31/4" Open Reel 10" PolyesterBack of Box: The West, Julie Harris, 6/15/95 |
SFC Audio Open Reel FT-20193/880 |
Julie Harris voiceover, tape 2 of 31/4" Open Reel 10" PolyesterBack of Box: The West, Julie Harris, 6/15/95 |
SFC Audio Open Reel FT-20193/881 |
Julie Harris voiceover, tape 3 of 31/4" Open Reel 10" PolyesterBack of Box: The West, Julie Harris, 6/15/95 |
SFC Audio Open Reel FT-20193/882 |
Cherry Jones voiceover1/4" Open Reel 10" PolyesterBack of Box: Cherry Jones - The West, 11/2/95 |
SFC Audio Open Reel FT-20193/883 |
Gene Jones voiceover, pick ups1/4" Open Reel 10" PolyesterBack of Box: The West, Gene Jones, PU's, 3/15/96 |
SFC Audio Open Reel FT-20193/884 |
Pamela Jones voiceover1/4" Open Reel 7" PolyesterBack of Box: Pamela Jones - The West, 10/26/95 |
SFC Audio Open Reel FT-20193/885 |
Kris Kristofferson voiceover1/4" Open Reel 10" PolyesterNote Inside Box: Kris Kristofferson, Narration Vox, 9/5/95 |
SFC Audio Open Reel FT-20193/886 |
Stephen Lang voiceover, tape 1 of 21/4" Open Reel 10" PolyesterBack of Box: Stephen Lang - The West, Date 6/19/95 |
SFC Audio Open Reel FT-20193/887 |
Stephen Lang voiceover, tape 2 of 21/4" Open Reel 10" PolyesterBack of Box: Stephen Lang - The West, Date 6/19/95 |
SFC Audio Open Reel FT-20193/888 |
Amy Madigan voiceover, tape 1 of 21/4" Open Reel 10" PolyesterBack of Box: The West, Amy Madigan, 11/8/94 |
SFC Audio Open Reel FT-20193/889 |
Amy Madigan voiceover, tape 2 of 21/4" Open Reel 10" PolyesterBack of Box: The West, Amy Madigan, 11/8/94 |
SFC Audio Open Reel FT-20193/890 |
Mary Stuart Masterson voiceover, tape 1 of 21/4" Open Reel 10" PolyesterBack of Box: The West, Mary Stuart Masterson |
SFC Audio Open Reel FT-20193/891 |
Mary Stuart Masterson voiceover, tape 2 of 21/4" Open Reel 10" PolyesterBack of Box: The West, Mary Stuart Masterson |
SFC Audio Open Reel FT-20193/892 |
Mary Elizabeth Mastrantonio voiceover1/4" Open Reel 10" PolyesterBack of Box: Mary Mastrantonia, 11/7/95 |
SFC Audio Open Reel FT-20193/893 |
Charlie McDowell voiceover, tape 1 of 31/4" Open Reel 10" PolyesterBack of Box: Charlie McDowell, 9/2/94, 1, Backup Corresponds to Master SR #5019, Takes 1-40, Voiceover - Wild Sound, West Film Project |
SFC Audio Open Reel FT-20193/894 |
Charlie McDowell voiceover, tape 2 of 31/4" Open Reel 10" PolyesterBack of Box: Charlie McDowell, 9/2/94, 2, Backup Corresponds to Master SR #5019, Takes 40-91, Voiceover - Wild Sound, West Film Project |
SFC Audio Open Reel FT-20193/895 |
Charlie McDowell voiceover, tape 3 of 31/4" Open Reel 10" PolyesterBack of Box: Charlie McDowell, 9/2/94, 3, Corresponds to SR #5020, Takes 92-142, Voiceover - Wild Sound, West Film Project |
SFC Audio Open Reel FT-20193/896 |
Walt McPherson voiceover, tape 1 of 31/4" Open Reel 10" PolyesterBack of Box: Walt McPherson, Master DAT 5021, 4, West Film Project, Voiceover, Wild Sound |
SFC Audio Open Reel FT-20193/897 |
Walt McPherson voiceover, tape 2 of 31/4" Open Reel 10" PolyesterBack of Box: Walt McPherson, Master DAT 5021, 5, 9/24/94, West Film Project, Voiceover, Wild Sound |
SFC Audio Open Reel FT-20193/898 |
Walt McPherson voiceover, tape 3 of 31/4" Open Reel 10" PolyesterBack of Box: Walt McPherson, Master DAT 5022, 6, 9/24/94, West Film Project, Voiceover, Wild Sound |
SFC Audio Open Reel FT-20193/899 |
Russell Means voiceover1/4" Open Reel 10" PolyesterBack of Box: The West - Russell Means, 6/18/95 |
SFC Audio Open Reel FT-20193/900 |
Arthur Miller voiceover, tape 1 of 21/4" Open Reel 10" PolyesterBack of Box: Arthur Miller, 12/6/95 |
SFC Audio Open Reel FT-20193/901 |
Arthur Miller voiceover, tape 2 of 21/4" Open Reel 10" PolyesterBack of Box: The West - Arthur Miller, Date 12/14/94 |
SFC Audio Open Reel FT-20193/902 |
Arthur Miller voiceover, pick ups1/4" Open Reel 10" PolyesterBack of Box: The West, Arthur Miller, PU, 4/3/96 |
SFC Audio Open Reel FT-20193/903 |
Martin Moran voiceover1/4" Open Reel 7" PolyesterBack of Box: Martin Moran - The West, 10/26/95 |
SFC Audio Open Reel FT-20193/904 |
Sam Neill voiceover1/4" Open Reel 10" PolyesterBack of Box: The West - Sam Niel, 2/25/95 |
SFC Audio Open Reel FT-20193/905 |
Edward James Olmos voiceover, tape 1 of 31/4" Open Reel 10" PolyesterFront of Box: Edward James Olmos, The West, 1 of 3, 6/28/95 |
SFC Audio Open Reel FT-20193/906 |
Edward James Olmos voiceover, tape 2 of 31/4" Open Reel 10" PolyesterFront of Box: Edward James Olmos, The West, 2 of 3, 6/28/95 |
SFC Audio Open Reel FT-20193/907 |
Edward James Olmos voiceover, tape 3 of 31/4" Open Reel 10" PolyesterFront of Box: Edward James Olmos, The West, 3 of 3, 6/28/95 |
SFC Audio Open Reel FT-20193/908 |
Larry Pine voiceover, tape 1 of 41/4" Open Reel Back of Box: Larry Pine, 2/19/95 |
SFC Audio Open Reel FT-20193/909 |
Larry Pine voiceover, tape 2 of 41/4" Open Reel Back of Box: Larry Pine, 2/19/95 |
SFC Audio Open Reel FT-20193/910 |
Larry Pine voiceover, tape 3 of 41/4" Open Reel 10" PolyesterBack of Box: The West, Larry Pine, 12/18/95 |
SFC Audio Open Reel FT-20193/911 |
Larry Pine voiceover, tape 4 of 41/4" Open Reel 10" PolyesterBack of Box: The West, Larry Pine, 12/18/95 |
SFC Audio Open Reel FT-20193/912 |
George Plimpton voiceover, tape 1 of 21/4" Open Reel 10" PolyesterBack of Box: George Plimpton, 9/9/94 |
SFC Audio Open Reel FT-20193/913 |
George Plimpton voiceover, tape 2 of 21/4" Open Reel 10" PolyesterBack of Box: George Plimpton, 9/9/94 |
SFC Audio Open Reel FT-20193/914 |
Robert Prosky voiceover, tape 1 of 21/4" Open Reel 10" PolyesterBack of Box: The West, Robert Prosky, 4/28/95 |
SFC Audio Open Reel FT-20193/915 |
Robert Prosky voiceover, tape 2 of 21/4" Open Reel 10" PolyesterBack of Box: The West, Robert Prosky, 4/28/95 |
SFC Audio Open Reel FT-20193/916 |
Jason Robards voiceover, tape 1 of 31/4" Open Reel 10" PolyesterBack of Box: The West, VO - Robards, R1, 1/27/95 |
SFC Audio Open Reel FT-20193/917 |
Jason Robards voiceover, tape 2 of 31/4" Open Reel 10" PolyesterBack of Box: The West, VO - Robards, R2, 1/27/95 |
SFC Audio Open Reel FT-20193/918 |
Jason Robards voiceover, tape 3 of 31/4" Open Reel 10" PolyesterBack of Box: The West, SR 5049, VO - Robards, R3, 1/27/95 |
SFC Audio Open Reel FT-20193/919 |
Jason Robards voiceover, pick ups1/4" Open Reel 10" PolyesterBack of Box: The West - Jason Robards, PU's, 1/11/96 |
SFC Audio Open Reel FT-20193/920 |
George Segal voiceover, tape 1 of 21/4" Open Reel 10" PolyesterBack of Box: The West, George Segal, 6/15/94 |
SFC Audio Open Reel FT-20193/921 |
George Segal voiceover, tape 2 of 21/4" Open Reel 10" PolyesterBack of Box: The West, George Segal, 6/15/94 |
SFC Audio Open Reel FT-20193/922 |
Daniel Von Bargen voiceover, tape 1 of 31/4" Open Reel 10" PolyesterBack of Box: The West, VO Dan Von Bargen, 1/10/93 |
SFC Audio Open Reel FT-20193/923 |
Daniel Von Bargen voiceover, tape 2 of 31/4" Open Reel 10" PolyesterBack of Box: The West - Dan Von Bargen, 6/28/95 |
SFC Audio Open Reel FT-20193/924 |
Daniel Von Bargen voiceover, tape 3 of 31/4" Open Reel 10" PolyesterBack of Box: The West - Dan Von Bargen, 6/28/95 |
SFC Audio Open Reel FT-20193/925 |
Daniel Von Bargen voiceover, pick ups, tape 1 of 21/4" Open Reel 10" PolyesterBack of Box: The West, Dan Von Bargen PU's, 10/30/95 |
SFC Audio Open Reel FT-20193/926 |
Daniel Von Bargen voiceover, pick ups, tape 2 of 21/4" Open Reel 7" PolyesterBack of Box: The West - Von Bargen Pu's, 3/11/86, The West Project |
SFC Audio Open Reel FT-20193/927 |
Ralph Waite voiceover, tape 1 of 21/4" Open Reel 10" PolyesterBack of Box: Ralph Wait #5091, 11/22/95 |
SFC Audio Open Reel FT-20193/928 |
Ralph Waite voiceover, tape 2 of 21/4" Open Reel 10" PolyesterBack of Box: Ralph Wait #5091, 11/22/95 |
SFC Audio Open Reel FT-20193/929 |
Eli Wallach voiceover1/4" Open Reel 10" PolyesterBack of Box: The West Project, Eli Wallach, 12/28/95 |
SFC Audio Open Reel FT-20193/930 |
B.D. Wong voiceover1/4" Open Reel 10" PolyesterBack of Box: The West - BD Wong, 5/1/95 |
SFC Audio Cassette FS-20193/210 |
Keith Carradine voiceoverAudiocassette Tape Label: Keith Carradine, West Voices |
Digital Audiotape DAT-20193/313 |
Victor Aaron voiceoverDigital Audio Tape (DAT) Back of Case: West, 5026 - Aaron, 10/6/94 |
Digital Audiotape DAT-20193/314 |
Victor Aaron voiceover, backupDigital Audio Tape (DAT) Back of Case: West Film Project, 5026, Backup, Victor Aaron |
Digital Audiotape DAT-20193/315 |
George Aguilar voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: The West, Tape 5031 - Aguilar, 10/7/94 |
Digital Audiotape DAT-20193/316 |
George Aguilar voiceover, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: 5118, The West, VO Record - George Aguilar, 3/18/96 |
Digital Audiotape DAT-20193/317 |
George Aguilar voiceover, backupDigital Audio Tape (DAT) Tape Label: Backup, 5031 - Aguilar, The West |
Digital Audiotape DAT-20193/318 |
John Belindo voiceoverDigital Audio Tape (DAT) Spine of Case: The West, Belindo, VO Record, 2/11/95, 5053 |
Digital Audiotape DAT-20193/319 |
Jack Birdy voiceoverDigital Audio Tape (DAT) Back of Case: The West Project, Jack Birdy, Tape #5039, Dec 9 1994 |
Digital Audiotape DAT-20193/320 |
Phil Bosco voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: 5024, Bosco, 9-9-94 |
Digital Audiotape DAT-20193/321 |
Phil Bosco voiceover, tape 2 of 2Digital Audio Tape (DAT) Tape Label: 5102, The West, P. Bosco |
Digital Audiotape DAT-20193/322 |
Matthew Broderick voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: Broderick, 5088, 4-18-95 |
Digital Audiotape DAT-20193/323 |
Matthew Broderick voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: 5078, Broderick, 10/13/95 |
Digital Audiotape DAT-20193/324 |
Jack Burning voiceoverDigital Audio Tape (DAT) Tape Label: Tape #5039, Jack Burning, West Film Project; Back of Case: Dec 9 1994 |
Digital Audiotape DAT-20193/325 |
Tantoo Cardinal voiceover, tape 1 of 3Digital Audio Tape (DAT) Spine of Case: Tantoo Cardinal, Tape 5007 |
Digital Audiotape DAT-20193/326 |
Tantoo Cardinal voiceover, tape 2 of 3Digital Audio Tape (DAT) Tape Label: #5096, Tantoo Cardinal; Back of Case: T. Cardinal, "Kate Bighead", Paragraph 2991 - Takes 1-7 |
Digital Audiotape DAT-20193/327 |
Tantoo Cardinal voiceover, tape 3 of 3Digital Audio Tape (DAT) Back of Case: #5097, T. Cardinal, "Kate Bighead", Paragraph 2991 - Takes 7-8, 3139 - Takes 10-17, Names Takes 18-24 |
Digital Audiotape DAT-20193/328 |
Keith Carradine voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: The West, Tape 5032, Keith Carradine |
Digital Audiotape DAT-20193/329 |
Keith Carradine voiceover, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: Carradine, 5107; Tape Label: The West Film Project, Keith Carradine, 48K |
Digital Audiotape DAT-20193/330 |
Keith Carradine voiceover, backupDigital Audio Tape (DAT) Back of Case: The West, 5032, Keith Carradine, Backup |
Digital Audiotape DAT-20193/331 |
Carlos Carrasco voiceover; Tim Sampson voiceoverDigital Audio Tape (DAT) Back of Case: The West, C. Carrasco/T. Sampson, 5001, 2/18/94 |
Digital Audiotape DAT-20193/332 |
John Cullum voiceoverDigital Audio Tape (DAT) Back of Case: The West, VO Record - John Cullum, 11/13/95 |
Digital Audiotape DAT-20193/333 |
Terry Currier voiceoverDigital Audio Tape (DAT) Back of Case: 5094, Currier, 12-4-95 |
Digital Audiotape DAT-20193/334 |
Blythe Danner voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: 5036, Blythe Danner, Recorded at A+J, 10/18/94 |
Digital Audiotape DAT-20193/335 |
Blythe Danner voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: 5084, Danner, 11-7-95 |
Digital Audiotape DAT-20193/336 |
Ossie Davis voiceoverDigital Audio Tape (DAT) Back of Case: The West, Ossie Davis, 1-30-95, 5050 |
Digital Audiotape DAT-20193/337 |
Laura Dern voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: The West, VO Record, Laura Dern, 7/25/95 |
Digital Audiotape DAT-20193/338 |
Laura Dern voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: The West, V.O. Record - Laura Dern, 7/25/95 |
Digital Audiotape DAT-20193/339 |
Hector Elizondo voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: The West, V.O. Record - Hector Elizando, 7/21/95 |
Digital Audiotape DAT-20193/340 |
Hector Elizondo voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: 5071, The West, VO Record - Hector Elizando, 7/21/95 |
Digital Audiotape DAT-20193/341 |
James Fox voiceoverDigital Audio Tape (DAT) Back of Case: The West, James Fox, 3-17-95, 5056 |
Digital Audiotape DAT-20193/342 |
Peter Gallagher voiceover, tape 1 of 4Digital Audio Tape (DAT) Back of Box: Gallagher, Coyote, Jones, 3/4/96; Back of Case: Peter Gallagher; Spine of Case: Insignia, 3/4/96 |
Digital Audiotape DAT-20193/343 |
Peter Gallagher voiceover, tape 2 of 4Digital Audio Tape (DAT) Tape Label: 5100, Gallagher |
Digital Audiotape DAT-20193/344 |
Peter Gallagher voiceover, tape 3 of 4Digital Audio Tape (DAT) Tape Label: Peter Gallagher, #5108 |
Digital Audiotape DAT-20193/345 |
Peter Gallagher voiceover, tape 4 of 4Digital Audio Tape (DAT) Spine of Case: Peter Gallagher, 3/4/96, 5113 |
Digital Audiotape DAT-20193/346 |
Gilly Gilchrist voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: The West, 20.11.95, VO Takes, Gilly Gilchrist; Tape Label: Safety Copy |
Digital Audiotape DAT-20193/347 |
Gilly Gilchrist voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: 1107, Gilchrist |
Digital Audiotape DAT-20193/348 |
Gilly Gilchrist voiceover, tape 2 of 2, copyDigital Audio Tape (DAT) Tape Label: 1107, Gilchrist - Copy 1 |
Digital Audiotape DAT-20193/349 |
Saginaw Grant voiceoverDigital Audio Tape (DAT) Spine of Case: 5033, The West - VO by Saginaw Grant, 10/5/94 |
Digital Audiotape DAT-20193/350 |
Graham Green voiceover, tape 1 of 4Digital Audio Tape (DAT) Back of Case: The West Project, Graham Green, Tape 5040, Dec 9 1994 |
Digital Audiotape DAT-20193/351 |
Graham Green voiceover, tape 2 of 4Digital Audio Tape (DAT) Tape Label: Tape #5040, The West Project, Graham Green; Back of Case: Dec 9 1994 |
Digital Audiotape DAT-20193/352 |
Graham Green voiceover, tape 3 of 4Digital Audio Tape (DAT) Back of Case: The West Project, Graham Green, Tape 5041, Dec 9 1994 |
Digital Audiotape DAT-20193/353 |
Graham Green voiceover, tape 4 of 4Digital Audio Tape (DAT) Tape Label: Tape #5041, The West Project, Graham Green; Back of Case: Dec 9 1994 |
Digital Audiotape DAT-20193/354 |
Murphy Guyer voiceover, tape 1 of 3Digital Audio Tape (DAT) Back of Case: 5035, Murphy Guyer, Recorded at A+J, 10/18/94 |
Digital Audiotape DAT-20193/355 |
Murphy Guyer voiceover, tape 2 of 3Digital Audio Tape (DAT) Spine of Case: 5104 - Guyer II, 23-51; Back of Case: VNR-Murphy Guyer, Recorded 12/21/95; Tape Label: Safety Copy |
Digital Audiotape DAT-20193/356 |
Murphy Guyer voiceover, tape 3 of 3Digital Audio Tape (DAT) Spine of Case: 5114, Murphy Guyer, TC; Back of Case: 3/4/96 |
Digital Audiotape DAT-20193/357 |
Murphy Guyer voiceover, pick upsDigital Audio Tape (DAT) Tape Label: 5103, Guyer, 12-22-95, PU's |
Digital Audiotape DAT-20193/358 |
Murphy Guyer voiceover; Gene Jones voiceoverDigital Audio Tape (DAT) Back of Box: Gallagher, Coyote, Jones, 3/4/96; Back of Case: Murphy Guyer, Gene Jones; Spine of Case: Insignia, 3/4/96 |
Digital Audiotape DAT-20193/359 |
Julie Harris voiceoverDigital Audio Tape (DAT) Back of Case: Tape 5011, Julie Harris, 6-15-94 |
Digital Audiotape DAT-20193/360 |
Thompson Highway voiceover, tape 1 of 2Digital Audio Tape (DAT) Tape Label: Tape #5038, The West Project, Thompson Highway; Back of Case: Dec 8 1994 |
Digital Audiotape DAT-20193/361 |
Thompson Highway voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: The West Project, Thompson Highway, Dec 8 1994 |
Digital Audiotape DAT-20193/362 |
Derek Jacobi voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: The West Film Project, 23/3/95, Derek Jacobi Voiceover; Spine of Case: Jacobi 5057; Tape Label: Session Tape |
Digital Audiotape DAT-20193/363 |
Derek Jacobi voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: The West, VO Record, 26.10.95, Derek Jacobi - VO Record, 1) Tones, 2) Full Session Log Tape |
Digital Audiotape DAT-20193/364 |
Cherry Jones voiceoverDigital Audio Tape (DAT) Back of Case: 5082, C. Jones, 11-2-95 |
Digital Audiotape DAT-20193/365 |
Gene Jones voiceover, tape 1 of 3Digital Audio Tape (DAT) Back of Case: Gene Jones, Voices, 5010, Rec 5/10/94 |
Digital Audiotape DAT-20193/366 |
Gene Jones voiceover, tape 2 of 3Digital Audio Tape (DAT) Tape Label: Gene Gones, TC, 3/4/96, 5115 |
Digital Audiotape DAT-20193/367 |
Gene Jones voiceover, tape 3 of 3Digital Audio Tape (DAT) Back of Case: Gene Jones, 5117; Tape Label: Session Tape |
Digital Audiotape DAT-20193/368 |
Stephen Lang voiceoverDigital Audio Tape (DAT) Back of Case: Stephen Lang, 5066, 6-19-95 |
Digital Audiotape DAT-20193/369 |
Becca Lish voiceoverDigital Audio Tape (DAT) Tape Label: Becca Lish, 5009 |
Digital Audiotape DAT-20193/370 |
John Lithgow voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: John Lithgow - VO Record, The West, 12/12/94 |
Digital Audiotape DAT-20193/371 |
John Lithgow voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: The West, VO Record - John Lithgow, 11/15/95 |
Digital Audiotape DAT-20193/372 |
Walt MacPherson voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: 5021, Walt MacPherson, 9/2/94 |
Digital Audiotape DAT-20193/373 |
Walt MacPherson voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: 5022, MacPherson, 9/2/94 |
Digital Audiotape DAT-20193/374 |
Amy Madigan voiceoverDigital Audio Tape (DAT) Spine of Case: The West, VO Record, Amy Madigan, 11/13/95, 5088 |
Digital Audiotape DAT-20193/375 |
Will Marchetti voiceoverDigital Audio Tape (DAT) Back of Case: Will Marchetti, 11-14-95, Transmedia |
Digital Audiotape DAT-20193/376 |
Mary Stuart Masterson voiceoverDigital Audio Tape (DAT) Back of Case: Masterson, 5059, The West, 4/19/95 |
Digital Audiotape DAT-20193/377 |
Mary Elizabeth Mastrantonio voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: 5083, Mary Elizabeth, 11-7-95; Tape Label: 5083, Mastrantonio |
Digital Audiotape DAT-20193/378 |
Mary Elizabeth Mastrantonio voiceover, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: 5112; Back of Case: The West, Talent - Mary Elizabeth Masterantonio, 3/01/96 |
Digital Audiotape DAT-20193/379 |
Zahn McClarnon voiceover, tape 1 of 2Digital Audio Tape (DAT) Tape Label: West Film, 5017, 6-21-94, Zahn McClarnon |
Digital Audiotape DAT-20193/380 |
Zahn McClarnon voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: 5018, Zahn McClarnon, West Film Project; Tape Label: The West Film, Zahn #2, 7/11/84, 5018 |
Digital Audiotape DAT-20193/381 |
Charlie McDowell voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: 5019, Charlie McDowell, 9/2/94 |
Digital Audiotape DAT-20193/382 |
Charlie McDowell voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: 5020, McDowell, 9/2/94 |
Digital Audiotape DAT-20193/383 |
Russell Means voiceover, tape 1 of 3Digital Audio Tape (DAT) Back of Case: 5065, Russell Means, 6-8-95 |
Digital Audiotape DAT-20193/384 |
Russell Means voiceover, tape 2 of 3Digital Audio Tape (DAT) Spine of Case: Sitting Bull/Means; Tape Label: Sitting Bull for Means |
Digital Audiotape DAT-20193/385 |
Russell Means voiceover, tape 3 of 3Digital Audio Tape (DAT) Spine of Case: 5101, The West, VO Record - Russell Means, 12/19/95 |
Digital Audiotape DAT-20193/386 |
Arthur Miller voiceover, tape 1 of 3Digital Audio Tape (DAT) Tape Label: A. Miller, 12-14-94, 5045 |
Digital Audiotape DAT-20193/387 |
Arthur Miller voiceover, tape 2 of 3Digital Audio Tape (DAT) Spine of Case: 5095, Miller |
Digital Audiotape DAT-20193/388 |
Arthur Miller voiceover, tape 3 of 3Digital Audio Tape (DAT) Back of Case: The West, A. Miller, 5120, 4-3-96 |
Digital Audiotape DAT-20193/389 |
Morales voiceoverDigital Audio Tape (DAT) Back of Case: Morale, 5062, The West |
Digital Audiotape DAT-20193/390 |
Morales voiceover, backupDigital Audio Tape (DAT) Back of Case: 5062, Morales Backup, The West |
Digital Audiotape DAT-20193/391 |
Martin Moran voiceoverDigital Audio Tape (DAT) Tape Label: Martin Moran, 10-24-95, 5079 |
Digital Audiotape DAT-20193/392 |
Sam Neill voiceoverDigital Audio Tape (DAT) Back of Case: Sam Neill, Feb 25 1995, 5055 |
Digital Audiotape DAT-20193/393 |
Edward James Olmos voiceover, tape 1 of 3Digital Audio Tape (DAT) Back of Case: 5067, Edward J. Olmos, 6/28/95; Spine of Case: 5067 - Olmos, The West 1 of 2 |
Digital Audiotape DAT-20193/394 |
Edward James Olmos voiceover, tape 2 of 3Digital Audio Tape (DAT) Back of Case: 5068, Edward J. Olmos, 6/28/95; Spine of Case: 5068 - Olmos, The West 2 of 2 |
Digital Audiotape DAT-20193/395 |
Edward James Olmos voiceover, tape 3 of 3Digital Audio Tape (DAT) Back of Case: 5070, Beginning Olmos, 1-15 |
Digital Audiotape DAT-20193/396 |
Larry Pine voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: The West, Larry Pine, 2-9-95, 5054 |
Digital Audiotape DAT-20193/397 |
Larry Pine voiceover, tape 2 of 2Digital Audio Tape (DAT) Front of Case: Larry Pine, 6/18/95, Pine 5099 |
Digital Audiotape DAT-20193/398 |
Tony Plana voiceover, tape 1 of 2Digital Audio Tape (DAT) Tape Label: West Film Project, 5028, Plana, 10/6/94 |
Digital Audiotape DAT-20193/399 |
Tony Plana voiceover, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: 5092, The West, VO Record, Tony Parna, 11/22/95 |
Digital Audiotape DAT-20193/400 |
Tony Plana voiceover, backupDigital Audio Tape (DAT) Back of Case: West, 5028, Tony Plana, Woodholly CA, Backup |
Digital Audiotape DAT-20193/401 |
George Plimpton voiceoverDigital Audio Tape (DAT) Back of Case: West Film Project, 5023, George Plimpton, 9/8/94 |
Digital Audiotape DAT-20193/402 |
Murray Porter voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: The West Project, Murray Porter, Tape 5042, Dec 9 1994 |
Digital Audiotape DAT-20193/403 |
Murray Porter voiceover, tape 2 of 2Digital Audio Tape (DAT) Tape Label: Tape 5044, The West Project, Murrary Porter, 2; Back of Case: Dec 9 1994 |
Digital Audiotape DAT-20193/404 |
Robert Prosky voiceoverDigital Audio Tape (DAT) Back of Case: 5060, Prosky, 4/27/94 |
Digital Audiotape DAT-20193/405 |
Pamela Reed voiceoverDigital Audio Tape (DAT) Back of Case: The West, Pamela Reed, TP 5004, HR 4, 2/18/94 |
Digital Audiotape DAT-20193/406 |
Victor Rivers voiceoverDigital Audio Tape (DAT) Spine of Case: 5025, The West - VO by Victor Rivers, 10/5/94 |
Digital Audiotape DAT-20193/407 |
Jason Robards voiceover, tape 1 of 3Digital Audio Tape (DAT) Tape Label: The West, VO - Robards, 5049 |
Digital Audiotape DAT-20193/408 |
Jason Robards voiceover, tape 2 of 3Digital Audio Tape (DAT) Tape Label: Jason Robards, 5106, 1-11-96 |
Digital Audiotape DAT-20193/409 |
Jason Robards voiceover, tape 3 of 3Digital Audio Tape (DAT) Tape Label: The West, Jason Robards, DIA TK #5119, 1-10, 3/19/96 |
Digital Audiotape DAT-20193/410 |
Ned Romero voiceoverDigital Audio Tape (DAT) Tape Label: Tape #5051, Ned Romero |
Digital Audiotape DAT-20193/411 |
Tim Sampson voiceoverDigital Audio Tape (DAT) Back of Case: 5016, Tim Sampson, West Film Project, 6-21-94 |
Digital Audiotape DAT-20193/412 |
Miguel Sandoval voiceoverDigital Audio Tape (DAT) Back of Case: The West, Tape 5030 - Sandoval, Master, 10/7/94 |
Digital Audiotape DAT-20193/413 |
Miguel Sandoval voiceover, backupDigital Audio Tape (DAT) Back of Case: The West, Tape 5030 - Sandoval, Backup, 10/7/94 |
Digital Audiotape DAT-20193/414 |
August Schellenberg voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: The West, V.O. Record - August Schellenberg, 7/21/95 |
Digital Audiotape DAT-20193/415 |
August Schellenberg voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: 5073, The West, VO Record - August Schellenberg, 7/21/95 |
Digital Audiotape DAT-20193/416 |
George Segal voiceoverDigital Audio Tape (DAT) Spine of Case: George Segal, 5012; Back of Case: Voices for The West |
Digital Audiotape DAT-20193/417 |
Gary Sinise voiceoverDigital Audio Tape (DAT) Spine of Case: The West, VO Record - Gary Sinise, 12/21/94, 5048 |
Digital Audiotape DAT-20193/418 |
Jimmy Smits voiceover, tape 1 of 3Digital Audio Tape (DAT) Back of Case: The West, Jimmy Smits, TP 5002 HR 2, 2/18/94 |
Digital Audiotape DAT-20193/419 |
Jimmy Smits voiceover, tape 2 of 3Digital Audio Tape (DAT) Back of Case: The West, Jimmy Smits, TP 5003 HR 3, 2/18/94 |
Digital Audiotape DAT-20193/420 |
Jimmy Smits voiceover, tape 3 of 3Digital Audio Tape (DAT) Spine of Case: 5109; Back of Case: The West, VO w/ Jimmy Smits, 1/6/96 |
Digital Audiotape DAT-20193/421 |
Kim Snyder voiceover, tape 1 of 3Digital Audio Tape (DAT) Tape Label: Kim Snyder, Scratch Voice, 1/5/94 |
Digital Audiotape DAT-20193/422 |
Kim Snyder voiceover, tape 2 of 3Digital Audio Tape (DAT) Tape Label: 1067, Kim Snyder |
Digital Audiotape DAT-20193/423 |
Kim Snyder voiceover, tape 3 of 3Digital Audio Tape (DAT) Back of Case: 1067, NA Voices, Kim Snyder, 8-22-94 |
Digital Audiotape DAT-20193/424 |
Wes Studi voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: 5074, The West, VO Record - Wes Studi, 7/21/95 |
Digital Audiotape DAT-20193/425 |
Wes Studi voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: The West, V.O. Record - Wes Studi, 7/21/95 |
Digital Audiotape DAT-20193/426 |
Sheila Tousey voiceoverDigital Audio Tape (DAT) Spine of Case: Sheila Tousey, 5006; Back of Case: Native American Women, 5006 |
Digital Audiotape DAT-20193/427 |
John Trudell voiceover, tape 1 of 4Digital Audio Tape (DAT) Back of Case: John Trudell, 5063, Recorded at Woodholly in LA, The West |
Digital Audiotape DAT-20193/428 |
John Trudell voiceover, tape 2 of 4Digital Audio Tape (DAT) Spine of Case: 5064, John Trudell; Back of Case: 2nd Half of Trudell Session, 5064, The West |
Digital Audiotape DAT-20193/429 |
John Trudell voiceover, tape 3 of 4Digital Audio Tape (DAT) Spine of Case: 5093, The West, VO Record, John Trudell, 12/1/95 |
Digital Audiotape DAT-20193/430 |
John Trudell voiceover, tape 4 of 4Digital Audio Tape (DAT) Spine of Case: John Trudell - VO, The West, 12/12/94 |
Digital Audiotape DAT-20193/431 |
John Trudell voiceover, backupDigital Audio Tape (DAT) Back of Case: The West, Trudell V.O. #5064, Backup |
Digital Audiotape DAT-20193/432 |
Daniel Von Bargen voiceover, tape 1 of 6Digital Audio Tape (DAT) Spine of Case: Dan Von Bargen narration |
Digital Audiotape DAT-20193/433 |
Daniel Von Bargen voiceover, tape 2 of 6Digital Audio Tape (DAT) Tape Label: West Film Projec,t SR# 5000, Dan Von Bargen, 1-10-93 |
Digital Audiotape DAT-20193/434 |
Daniel Von Bargen voiceover, tape 3 of 6Digital Audio Tape (DAT) Back of Case: 5069, Von Bargen, 6-28-95 |
Digital Audiotape DAT-20193/435 |
Daniel Von Bargen voiceover, tape 4 of 6Digital Audio Tape (DAT) Back of Case: 5081, Von Bargen, 10-31-95 |
Digital Audiotape DAT-20193/436 |
Daniel Von Bargen voiceover, tape 5 of 6Digital Audio Tape (DAT) Back of Case: 5085, Von Bargen |
Digital Audiotape DAT-20193/437 |
Daniel Von Bargen voiceover, tape 6 of 6Digital Audio Tape (DAT) Back of Case: Von Bargen, 5116 |
Digital Audiotape DAT-20193/438 |
Ralph Waite voiceoverDigital Audio Tape (DAT) Back of Case: 5091, Ralph Waite, 11-22-95 |
Digital Audiotape DAT-20193/439 |
Eli Wallach voiceover, tape 1 of 2Digital Audio Tape (DAT) Spine of Case: Tape 5005, Eli Wallach |
Digital Audiotape DAT-20193/440 |
Eli Wallach voiceover, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: Eli Wallach, Tape #5105 |
Digital Audiotape DAT-20193/441 |
J.T. Walsh voiceoverDigital Audio Tape (DAT) Spine of Case: J.T. Walsh, The West, V.O. Record; Back of Case: 10/2/95 |
Digital Audiotape DAT-20193/442 |
M. Emmett Walsh voiceoverDigital Audio Tape (DAT) Back of Case: The West, Tape 5029 - Walsh, 10/7/94 |
Digital Audiotape DAT-20193/443 |
M. Emmett Walsh voiceover, backupDigital Audio Tape (DAT) Back of Case: The West, Tape 5029 - Walsh, Backup |
Digital Audiotape DAT-20193/444 |
Fred Ward voiceover, tape 1 of 3Digital Audio Tape (DAT) Tape Label: West Film, 5013, Fred Ward |
Digital Audiotape DAT-20193/445 |
Fred Ward voiceover, tape 2 of 3Digital Audio Tape (DAT) Tape Label: West Film, 5014, Fred Ward |
Digital Audiotape DAT-20193/446 |
Fred Ward voiceover, tape 3 of 3Digital Audio Tape (DAT) Tape Label: West Film, 5015, Fred Ward |
Digital Audiotape DAT-20193/447 |
B.D. Wong voiceoverDigital Audio Tape (DAT) Tape Label: 5061 Wong |
Digital Audiotape DAT-20193/448 |
Cochise Anderson scratch voiceoverDigital Audio Tape (DAT) Spine of Case: 1071, Cochise Anderson |
Digital Audiotape DAT-20193/449 |
Joy Badwound scratch voiceover; Lance White scratch voiceoverDigital Audio Tape (DAT) Back of Case: 1072, Joy Badwound, Lance White |
Digital Audiotape DAT-20193/450 |
Jan Bartrum scratch voiceover; Mike Landrum scratch voiceoverDigital Audio Tape (DAT) Spine of Case: #1054, Jan Bartrum, Mike Landrum |
Digital Audiotape DAT-20193/451 |
Dana Bates scratch voiceoverDigital Audio Tape (DAT) Back of Case: Dana Bates, Bethel Agency, EP 8, 1081 |
Digital Audiotape DAT-20193/452 |
Stuart Bird scratch voiceoverDigital Audio Tape (DAT) Back of Case: Tape 1039, Stuart Bird |
Digital Audiotape DAT-20193/453 |
Hal Blankenship scratch voiceoverDigital Audio Tape (DAT) Spine of Case: 1080, Hal Blankenship |
Digital Audiotape DAT-20193/454 |
Elizabeth Bove scratch voiceover; John Carter scratch voiceoverDigital Audio Tape (DAT) Back of Case: 1076, Elizabeth Bove and John Carter |
Digital Audiotape DAT-20193/455 |
Keith Carradine scratch voiceoverDigital Audio Tape (DAT) Tape Label: 1130, Carradine |
Digital Audiotape DAT-20193/456 |
Carillo scratch voiceoverDigital Audio Tape (DAT) Tape Label: Tape 1013 - Carillo, Hispanic Voices |
Digital Audiotape DAT-20193/457 |
Holly Cate scratch voiceover; Alice Ripley scratch voiceoverDigital Audio Tape (DAT) Tape Label: 1099, Cate/Ripley |
Digital Audiotape DAT-20193/458 |
Chalfant scratch voiceoverDigital Audio Tape (DAT) Spine of Case: 1101, Chalfant |
Digital Audiotape DAT-20193/459 |
Todd Chanko scratch voiceoverDigital Audio Tape (DAT) Back of Case: 1064, Todd Chanko |
Digital Audiotape DAT-20193/460 |
Oscar Colon scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Oscar Colon, Hispanic Voices, Ep 1, 1009 |
Digital Audiotape DAT-20193/461 |
John Daggett scratch voiceoverDigital Audio Tape (DAT) Back of Case: Ep 4+5 Voices, John Daggett, #1046 |
Digital Audiotape DAT-20193/462 |
Dayna Davis scratch voiceoverDigital Audio Tape (DAT) Back of Case: 1045, Dayna Davis, Ep 5, Voices |
Digital Audiotape DAT-20193/463 |
Nick Davis scratch voiceoverDigital Audio Tape (DAT) Back of Case: Episode 2, White Voices, Nick Davis, West Project, 1-21-94, 1004 |
Digital Audiotape DAT-20193/464 |
Dan Desmond scratch voiceover; Lee Wilkof scratch voiceover; Brian Keilor scratch voiceoverDigital Audio Tape (DAT) Back of Case: Dan Desmond 1-32, Lee Wilkof 33-66, Brian Keilor 67-94; Spine of Case: 1050, Abrams Talent/Ep 5 |
Digital Audiotape DAT-20193/465 |
DeWolf scratch voiceoverDigital Audio Tape (DAT) Back of Case: 1084, Dewolf, French |
Digital Audiotape DAT-20193/466 |
Frances DuMaurier scratch voiceoverDigital Audio Tape (DAT) Spine of Case: #1069, Frances DuMaurier |
Digital Audiotape DAT-20193/467 |
Charles Duval scratch voiceover; Murphy Guyer scratch voiceoverDigital Audio Tape (DAT) Back of Case: French Voices, Charles Duval 1059/Southern Murphy Guyer |
Digital Audiotape DAT-20193/468 |
Eikeren scratch voiceoverDigital Audio Tape (DAT) Back of Case: 1106, Eikeren |
Digital Audiotape DAT-20193/469 |
Episode 2, Grab BagDigital Audio Tape (DAT) Back of Case: Tape 1036, Ep 2, Grab Bag |
Digital Audiotape DAT-20193/470 |
Jimmy Fall scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Tape 1047, Jimmy Fall Voices; Back of Case: 1047, Jimmy Fall, Sitting Bull and Various |
Digital Audiotape DAT-20193/471 |
Jonathan Fried scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Tape 1014, Jonathan Fried, Misc. Voices; Tape Label: Tape 1014, Scratch Voices |
Digital Audiotape DAT-20193/472 |
Jon Fried scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Tape 1021, Scratch Voices, Jon Fried, Epis 3 |
Digital Audiotape DAT-20193/473 |
Jay Goedde scratch voiceoverDigital Audio Tape (DAT) Spine of Case: 1094, Goedde |
Digital Audiotape DAT-20193/474 |
Merwyn Goldsmith scratch voiceoverDigital Audio Tape (DAT) Tape Label: Tape 1055, Merwyn Goldsmith |
Digital Audiotape DAT-20193/475 |
Victor Gonzalez scratch voiceover; Michael Potts scratch voiceoverDigital Audio Tape (DAT) Spine of Case: 1060, Gonzalez/Potts |
Digital Audiotape DAT-20193/476 |
Harry Goz scratch voiceover; Ralph Byers scratch voiceoverDigital Audio Tape (DAT) Back of Case: Harry Goz/Buchward, Ralph Byers/Buchwald |
Digital Audiotape DAT-20193/477 |
Thor Hanson scratch voiceoverDigital Audio Tape (DAT) Back of Case: Thor Hanson, 1073 |
Digital Audiotape DAT-20193/478 |
Jim Hart scratch voiceover; Steve Ives scratch voiceoverDigital Audio Tape (DAT) Back of Case: Tape 1024, Jim Hart - Ep 3, Steve Ives Ep 1+2, Rino Replacement |
Digital Audiotape DAT-20193/479 |
Brian Hartigan scratch voiceover; Stephen Merdillo scratch voiceover; Mike McCormick scratch voiceover; Ken Little Hawk scratch voiceoverDigital Audio Tape (DAT) Back of Case: #1057, Brian Hartigan - Buchwald, Stephen Merdillo - Abrams, Mike McCormick - Abrams, Ken Little Hawk |
Digital Audiotape DAT-20193/480 |
Sophie Hayden scratch voiceoverDigital Audio Tape (DAT) Tape Label: 1097 Hayden |
Digital Audiotape DAT-20193/481 |
Katherine Heasley scratch voiceover, tape 1 of 2Digital Audio Tape (DAT) Tape Label: 1077, Katherine Heasley; Back of Case: 1077, Heasley Reading Ethel Love |
Digital Audiotape DAT-20193/482 |
Katherine Heasley scratch voiceover, tape 2 of 2Digital Audio Tape (DAT) Tape Label: 1078, Heasley |
Digital Audiotape DAT-20193/483 |
Heathcliff scratch voiceover; E. Claude Richards scratch voiceover; J.C. Whiteshirt scratch voiceoverDigital Audio Tape (DAT) Back of Case: Tape 1020, Heathcliff, E. Claude Richards, J.C. Whiteshirt, Scratch Voices (Indians), Ep 3; Spine of Case: Tape 1020, Native Americans, Scratch Voices, Ep 3 |
Digital Audiotape DAT-20193/484 |
Barton Heyman scratch voiceover; Michael O'Hare scratch voiceoverDigital Audio Tape (DAT) Back of Case: #1053, Barton Heyman - Buchwald, Michael O'Hare - Abrams |
Digital Audiotape DAT-20193/485 |
Bob Hock scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Hock 1116 |
Digital Audiotape DAT-20193/486 |
Hooten scratch voiceoverDigital Audio Tape (DAT) Spine of Case: 1118, Hooten |
Digital Audiotape DAT-20193/487 |
Ives scratch voiceoverDigital Audio Tape (DAT) Back of Case: 1129, Ives, Ep 7, Teddy Blue Abbott |
Digital Audiotape DAT-20193/488 |
Gene Jones scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Tape 1015, Voices - Gene Jones |
Digital Audiotape DAT-20193/489 |
Katherine Kellner scratch voiceoverDigital Audio Tape (DAT) Back of Case: 1105, Katherine Kellner, Wilson et al, 7-10-98 |
Digital Audiotape DAT-20193/490 |
John Lee scratch voiceover; Willis Newman scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Lee/Newman, 1112; Back of Case: John Lee/Willis Newman |
Digital Audiotape DAT-20193/491 |
Ben Lin scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Tape #1128, Ben Lin |
Digital Audiotape DAT-20193/492 |
Becca Lish scratch voiceoverDigital Audio Tape (DAT) Back of Case: Tape 1023, Becca Lish, Female Voices, Ep 3 and Some Libby Custer |
Digital Audiotape DAT-20193/493 |
Ian Lithgow scratch voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: 1087, Lithgow |
Digital Audiotape DAT-20193/494 |
Ian Lithgow scratch voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: 1088, Ian Lithgow, 1-6-95 |
Digital Audiotape DAT-20193/495 |
Ken Little Hawk scratch voiceover, tape 1 of 5Digital Audio Tape (DAT) Back of Case: Ken Little Hawk 1035, Indian Voices Ep 4 and Ep 2 |
Digital Audiotape DAT-20193/496 |
Ken Little Hawk scratch voiceover, tape 2 of 5Digital Audio Tape (DAT) Tape Label: #1058, Ken Little Hawk |
Digital Audiotape DAT-20193/497 |
Ken Little Hawk scratch voiceover, tape 3 of 5Digital Audio Tape (DAT) Back of Case: 1108, Ken Little Hawk, 8-11-95 |
Digital Audiotape DAT-20193/498 |
Ken Little Hawk scratch voiceover, tape 4 of 5Digital Audio Tape (DAT) Tape Label: Ken Little Hawk 1109; Back of Case: Little Hawk, Wolf Chief, Yellow Wolf |
Digital Audiotape DAT-20193/499 |
Ken Little Hawk scratch voiceover, tape 5 of 5Digital Audio Tape (DAT) Tape Label: Ken Little Hawk #1131 |
Digital Audiotape DAT-20193/500 |
James Lurie scratch voiceoverDigital Audio Tape (DAT) Spine of Case: #1082, James Lurie, Ep 8 |
Digital Audiotape DAT-20193/501 |
James Lurie scratch voiceoverDigital Audio Tape (DAT) Back of Case: Tape 1016, James Lurie, Scrach Voices (Mostly Episode 3) |
Digital Audiotape DAT-20193/502 |
Jon Lutz scratch voiceoverDigital Audio Tape (DAT) Spine of Case: #1083, Jon Lutz |
Digital Audiotape DAT-20193/503 |
Jason Ma scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Jason Ma, Cont, 1123 |
Digital Audiotape DAT-20193/504 |
Garbriel Macht scratch voiceoverDigital Audio Tape (DAT) Tape Label: Gabriel Macht 1033; Back of Case: Ep 1+4 voices, Tape Loss |
Digital Audiotape DAT-20193/505 |
Randy Mantooth scratch voiceoverDigital Audio Tape (DAT) Back of Case: 1132, Randy Mantooth, 3-6-96 |
Digital Audiotape DAT-20193/506 |
Jefferson Mays scratch voiceover, tape 1 of 3Digital Audio Tape (DAT) Tape Label: Jefferson Mays, 1-24-94, 1008; Spine of Case: Jeff Mays, 1008, Ep 2, Voices |
Digital Audiotape DAT-20193/507 |
Jefferson Mays scratch voiceover, tape 2 of 3Digital Audio Tape (DAT) Back of Case: Tape 1025, William Swain + Other Voices by Jeff Mays |
Digital Audiotape DAT-20193/508 |
Jefferson Mays scratch voiceover, tape 3 of 3Digital Audio Tape (DAT) Back of Case: Jeff Mays, Ep 3 Voices, Tape 1026 |
Digital Audiotape DAT-20193/509 |
McCarthy scratch voiceoverDigital Audio Tape (DAT) Back of Case: 1090, McCarthy, 1/11/94 |
Digital Audiotape DAT-20193/510 |
Terri McCarthy scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Terri McCarthy, Tape 1017, Scratch Voices, Ep 3 |
Digital Audiotape DAT-20193/511 |
Terry McCarthy scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Terry McCarthy, Scratch Voice, 1/6/94, 1003; Back of Case: White Women, Episodes 1+2, 1003 |
Digital Audiotape DAT-20193/512 |
Mitch McGuire scratch voiceoverDigital Audio Tape (DAT) Back of Case: Tape #1051, Buchwald, Mitch McGuire |
Digital Audiotape DAT-20193/513 |
T.J. Meyers scratch voiceover; Hardy Rawls scratch voiceoverDigital Audio Tape (DAT) Back of Case: #1061, T.J. Meyers, Hardy Rawls |
Digital Audiotape DAT-20193/514 |
Martin Moran scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Tape 1028, Martin Moran, Voices |
Digital Audiotape DAT-20193/515 |
Andrew Muttnick scratch voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: Tape 1022, Scratch Voices, Ep 3, Andrew Muttnick |
Digital Audiotape DAT-20193/516 |
Andrew Muttnick scratch voiceover, tape 2 of 2Digital Audio Tape (DAT) Tape Label: Tape 1034, Muttnick - Varied Episodes |
Digital Audiotape DAT-20193/517 |
Tom Nellis scratch voiceover, tape 1 of 5Digital Audio Tape (DAT) Back of Case: Tom Nellis, Ep 4, Tape 1038 |
Digital Audiotape DAT-20193/518 |
Tom Nellis scratch voiceover, tape 2 of 5Digital Audio Tape (DAT) Back of Case: Ep 4, Voices, Nellis, Tape 1040 |
Digital Audiotape DAT-20193/519 |
Tom Nellis scratch voiceover, tape 3 of 5Digital Audio Tape (DAT) Back of Case: Tape 1048, Tom Nellis, Episode 5 |
Digital Audiotape DAT-20193/520 |
Tom Nellis scratch voiceover, tape 4 of 5Digital Audio Tape (DAT) Tape Label: #1092, Tom Nellis, 4 |
Digital Audiotape DAT-20193/521 |
Tom Nellis scratch voiceover, tape 5 of 5Digital Audio Tape (DAT) Spine of Case: Tom Nellis, 5, 1093 |
Digital Audiotape DAT-20193/522 |
George O'Donnell scratch voiceover, tape 1 of 13Digital Audio Tape (DAT) Spine of Case: 1074 - George |
Digital Audiotape DAT-20193/523 |
George O'Donnell scratch voiceover, tape 2 of 13Digital Audio Tape (DAT) Back of Case: 1079 - O'Donnell, Sitting Bull |
Digital Audiotape DAT-20193/524 |
George O'Donnell scratch voiceover, tape 3 of 13Digital Audio Tape (DAT) Spine of Case: 1087, O'Donnell, Ep 7 |
Digital Audiotape DAT-20193/525 |
George O'Donnell scratch voiceover, tape 4 of 13Digital Audio Tape (DAT) Spine of Case: 1090 - O'Donnell |
Digital Audiotape DAT-20193/526 |
George O'Donnell scratch voiceover, tape 5 of 13Digital Audio Tape (DAT) Tape Label: 1091 - O'Donnell |
Digital Audiotape DAT-20193/527 |
George O'Donnell scratch voiceover, tape 6 of 13Digital Audio Tape (DAT) Spine of Case: 1095, O'Donnell, 2.8, Ep 1 |
Digital Audiotape DAT-20193/528 |
George O'Donnell scratch voiceover, tape 7 of 13Digital Audio Tape (DAT) Spine of Case: 1096 - O'Donnell, 1096 |
Digital Audiotape DAT-20193/529 |
George O'Donnell scratch voiceover, tape 8 of 13Digital Audio Tape (DAT) Tape Label: 1102 - O'Donnell |
Digital Audiotape DAT-20193/530 |
George O'Donnell scratch voiceover, tape 9 of 13Digital Audio Tape (DAT) Spine of Case: 1103, O'Donnell |
Digital Audiotape DAT-20193/531 |
George O'Donnell scratch voiceover, tape 10 of 13Digital Audio Tape (DAT) Back of Case: 1104, O'Donnell, 7/4/95 |
Digital Audiotape DAT-20193/532 |
George O'Donnell scratch voiceover, tape 11 of 13Digital Audio Tape (DAT) Spine of Case: 1113 - O'Donnell |
Digital Audiotape DAT-20193/533 |
George O'Donnell scratch voiceover, tape 12 of 13Digital Audio Tape (DAT) Tape Label: 1117, 10/11, O'Donnell, Ep 5, S/Q |
Digital Audiotape DAT-20193/534 |
George O'Donnell scratch voiceover, tape 13 of 13Digital Audio Tape (DAT) Back of Case: 1125 - O'Donnell, Ep 1 |
Digital Audiotape DAT-20193/535 |
Pearson scratch voiceoverDigital Audio Tape (DAT) Back of Case: 1110 - Pearson, Ep 2, 3113 |
Digital Audiotape DAT-20193/536 |
Don Peoples scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Scratch Quotes; Tape Label: Tape 1049, Peoples, Hewitt, Kurtz |
Digital Audiotape DAT-20193/537 |
Miguel Perez scratch voiceoverDigital Audio Tape (DAT) Tape Label: #1052, Miguel Perez |
Digital Audiotape DAT-20193/538 |
Jay Pires scratch voiceoverDigital Audio Tape (DAT) Tape Label: 1089, Jay Pires |
Digital Audiotape DAT-20193/539 |
Roger Pretto scratch voiceoverDigital Audio Tape (DAT) Back of Case: 1070, Roger Pretto, ICM, Ep 2, Hispanic |
Digital Audiotape DAT-20193/540 |
John Rainer scratch voiceover; Steve Aronson scratch voiceover; Edward Norton scratch voiceoverDigital Audio Tape (DAT) Spine of Case: 1063, Rainer-Aronson-Norton |
Digital Audiotape DAT-20193/541 |
Alice Ripley scratch voiceoverDigital Audio Tape (DAT) Tape Label: Alice Ripley - 1100 |
Digital Audiotape DAT-20193/542 |
Rivelo scratch voiceover; Ben Linn scratch voiceoverDigital Audio Tape (DAT) Tape Label: #1068, Rivelo (Hisp.), Ben Linn (Chinese) |
Digital Audiotape DAT-20193/543 |
Schmitz and Ward scratch voiceoverDigital Audio Tape (DAT) Tape Label: 1032, Schmitz/Ward Voices; Back of Case: Ep 3 4 Schmitz, Ep 2 Ward |
Digital Audiotape DAT-20193/544 |
Gil Silverbird scratch voiceover; Raul Aranas scratch voiceover; Jones scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Gil Silverbird, Raul Aranas/Jones, 1066 |
Digital Audiotape DAT-20193/545 |
Stephen Skybell scratch voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: Ep 3 Voices, Skybell |
Digital Audiotape DAT-20193/546 |
Stephen Skybell scratch voiceover, tape 2 of 2Digital Audio Tape (DAT) Tape Label: 1029, Skybell, Ep 3, Voices |
Digital Audiotape DAT-20193/547 |
Victor Slezak scratch voiceover; Martin Moran scratch voiceoverDigital Audio Tape (DAT) Back of Case: Tape 1019, Victor Slezak, Martin Moran, Ep 3, Voices; Tape Label: Tape 1019, Slezak/Moran, Scratch Voices, Ep 3 |
Digital Audiotape DAT-20193/548 |
Henry Stram scratch voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: Henry Stram, Ep 2, Tape 1010, White Male Voices + Newspapers |
Digital Audiotape DAT-20193/549 |
Henry Stram scratch voiceover, tape 2 of 2Digital Audio Tape (DAT) Tape Label: Henry Stram 1031; Back of Case: Stram 1031, Ep 2 + 3 Voices |
Digital Audiotape DAT-20193/550 |
Saul Sutel scratch voiceoverDigital Audio Tape (DAT) Back of Case: Saul Sutel, 1-27-94, Hispanic Voices, Ep 1+2, 1011 |
Digital Audiotape DAT-20193/551 |
Michael Thomas scratch voiceoverDigital Audio Tape (DAT) Back of Case: 1114, Michael Thomas |
Digital Audiotape DAT-20193/552 |
Rino Thunder scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Rino Thunder, Native American Voices, 1-20-94, 1005; Tape Label: Rino Thunder, Scratch Voices |
Digital Audiotape DAT-20193/553 |
Various scratch voiceoversDigital Audio Tape (DAT) Spine of Case: 1065, Various Scratch Voices; Back of Case: Skybell, Hernandez, Salas, 8-19-94 |
Digital Audiotape DAT-20193/554 |
Andy Weems scratch voiceover, tape 1 of 2Digital Audio Tape (DAT) Back of Case: Andy Weems, White Male Scratch Voices, Ep 1&2, The West, 1-20-94, 1007 |
Digital Audiotape DAT-20193/555 |
Andy Weems scratch voiceover, tape 2 of 2Digital Audio Tape (DAT) Back of Case: Tape 1018, Andy Weems, Scratch Voices, Ep 3 |
Digital Audiotape DAT-20193/556 |
Anne Wilde scratch voiceover; John Campion scratch voiceoverDigital Audio Tape (DAT) 1027, Anne Wilde, John Campion, Ep 4, Voices |
Digital Audiotape DAT-20193/557 |
Luyen Wong scratch voiceoverDigital Audio Tape (DAT) Back of Case: Luyen Wong, 1119 |
Digital Audiotape DAT-20193/558 |
Pamela Payton Wright scratch voiceoverDigital Audio Tape (DAT) Back of Case: Pamela Payton Wright, 10-26-95, Luzina; Tape Label: Wright 1121 |
Digital Audiotape DAT-20193/559 |
Lu Yu scratch voiceover; Jason Ma scratch voiceoverDigital Audio Tape (DAT) Spine of Case: Lu Yu & Jason Ma, 1120 |
Digital Audiotape DAT-20193/560 |
AuditionsDigital Audio Tape (DAT) Back of Case: The West, VO Record - Auditions, 5075, 7/24/95 |
Digital Audiotape DAT-20193/561 |
Auditions, 5 October 1994Digital Audio Tape (DAT) Back of Case: 5034, Auditions #1, The West - VO Record, 10/5/94 |
Digital Audiotape DAT-20193/562 |
Auditions, 21 July 1995, tape 1 of 2Digital Audio Tape (DAT) Back of Case: The West, V.O. Record - Auditions, 7/21/95 |
Digital Audiotape DAT-20193/563 |
Auditions, 21 July 1995, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: The West, VO Record - Auditions, 7/21/95, 5072 |
Digital Audiotape DAT-20193/564 |
Auditions, 24 July 1995Digital Audio Tape (DAT) Back of Case: The West, V.O. Record - Auditions #5075, 7/24/95 |
Digital Audiotape DAT-20193/565 |
Tim Dang voiceover, auditionDigital Audio Tape (DAT) Back of Case: The West, VO Record - Tim Dang/Audition for Chung Sun, 11/13/95 |
Digital Audiotape DAT-20193/566 |
L.A. Auditions, tape 1 of 4Digital Audio Tape (DAT) Back of Case: 1041, LA Auditions |
Digital Audiotape DAT-20193/567 |
L.A. Auditions, tape 2 of 4Digital Audio Tape (DAT) Back of Case: 1043, More LA Auditions at Buzzy's, 6-21-94 |
Digital Audiotape DAT-20193/568 |
L.A. Auditions, tape 3 of 4Digital Audio Tape (DAT) Back of Case: 1044, 'Most' LA Auditions, Buzzy's, 6-21-94; Spine of Case: 1044, Most LA Auditions 3 |
Digital Audiotape DAT-20193/569 |
L.A. Auditions, tape 4 of 4Digital Audio Tape (DAT) Spine of Case: L.A. Auditions, The West - VO Record, 12/12/94, 5047 |
Digital Audiotape DAT-20193/570 |
Toronto Auditions, tape 1 of 2Digital Audio Tape (DAT) Spine of Case: Toronto Auditions; Back of Case: The West Project, Dec 8 1994 |
Digital Audiotape DAT-20193/571 |
Toronto Auditions, tape 2 of 2Digital Audio Tape (DAT) Spine of Case: The West Project, Toronto Auditions, 5046; Back of Case: Dec 8 1994 |
Digital Audiotape DAT-20193/572 |
Madigan Character DemoDigital Audio Tape (DAT) Spine of Case: Madigan Character Demo, Ep 2 7 |
Digital Audiotape DAT-20193/573 |
Robin McNeil voiceover demoDigital Audio Tape (DAT) Spine of Case: Robin McNeil Demo |
Digital Audiotape DAT-20193/574 |
Miguel Sandoval voiceover, auditionDigital Audio Tape (DAT) Tape Label: 5027, Miguel Sandoval; Back of Case: 5027, Sandoval Audition, 10/6/94, Recorded at Wood Holly, LA, CA |
SFC Audio Open Reel FT-20193/931 |
"The West", Music, Reel 134 10" PolyesterSide of Box: The West, Music, Vocals/Percussion, 2-9-95, Reel 1 |
SFC Audio Open Reel FT-20193/932 |
"The West", Music, Reel 234 10" PolyesterSide of Box: The West, Music, 2-10-95, Reel 2 |
SFC Audio Cassette FS-20193/217 |
Michael Bacon, Music DemosDigital Audio Tape (DAT) Tape Label: West Demos, 1. Melodic, 2. Dark |
SFC Audio Cassette FS-20193/211 |
Charles Kuskin, West ThemeAudiocassette Tape Label: West Theme, Violin and Piano, 11/93, Charles Kuskin |
SFC Audio Cassette FS-20193/212 |
Charles Kuskin, West Theme DemoAudiocassette Tape Label: West Theme, Demos, Charles Kuskin, 4 |
SFC Audio Cassette FS-20193/213 |
John McEuen Film Score DemoAudiocassette Spine of Case: John McEuen Film Score Demo, 9-93 |
SFC Audio Cassette FS-20193/214 |
Tierstein, Theme IdeasAudiocassette Tape Label: The West, Theme Idea, Teirstein |
Digital Audiotape DAT-20193/576 |
Corrdios, Arranged by A. TiersteinDigital Audio Tape (DAT) Spine of Case: Corridos, Arr A. Teirstein |
Digital Audiotape DAT-20193/577 |
DeguelloDigital Audio Tape (DAT) Tape Label: 7272 - Deguello |
Digital Audiotape DAT-20193/578 |
Episode 3, Music SelectsDigital Audio Tape (DAT) Tape Label: Episode 3, Music Selex 1 |
Digital Audiotape DAT-20193/579 |
Episode 5 MusicDigital Audio Tape (DAT) Tape Label: WFP - Ep 5 Music, 11/95 |
Digital Audiotape DAT-20193/580 |
Episode 5, End Credit MusicDigital Audio Tape (DAT) Tape Label: Ep 5, End Credit Music |
Digital Audiotape DAT-20193/581 |
Schwab SongsDigital Audio Tape (DAT) Tape Label: Schwab Songs, 1 2 & 99 |
Digital Audiotape DAT-20193/582 |
Solo Piano, 23 April 1996Digital Audio Tape (DAT) Tape Label: The West, Solo Piano, 4/23/96 |
Digital Audiotape DAT-20193/583 |
Solo TrumpetDigital Audio Tape (DAT) Tape Label: The West #1, Solo Trumpet |
Digital Audiotape DAT-20193/584 |
Teese MusicDigital Audio Tape (DAT) Spine of Case: WFP, Music, 7108, 1/95, Teese, Ep 1&4; Tape Label: Teese, Ep 1&4, Copy, Part 1 |
Digital Audiotape DAT-20193/585 |
Andy Tierstein MusicDigital Audio Tape (DAT) Spine of Case: Teese & Andy 7068; Tape Label: Andy Teirstein, Rec 7/20/94 |
Film F-20193/3563 |
Opening Titles, negative, pix35mm motion picture film 150 feet Negative ; Polyester ; Color ; SilentTop of Box: 35mm West Title Neg |
Film F-20193/3564 |
Select Reels, pix16mm motion picture film feet Positive ; Polyester ; Color ; SilentSide of Box: West Live, West - Select Reels, Outs, MOS, R-4, R-7, R-47 |
SFC Audio Open Reel FT-20193/933 |
Dialogue, Episode 1, Reel 1Hi8 (Audio Tape) Front of Case: The West, Episode 1, R-1, DIAL |
SFC Audio Open Reel FT-20193/934 |
Dialogue, Episode 1, Reel 2Hi8 (Audio Tape) Front of Case: The West, Episode 1, R-2, DIAL |
SFC Audio Open Reel FT-20193/935 |
Dialogue, Episode 1, Reel 3Hi8 (Audio Tape) Front of Case: The West, Episode 1, R-3, DIAL |
SFC Audio Open Reel FT-20193/936 |
Dialogue, Episode 1, Reel 4Hi8 (Audio Tape) Front of Case: The West, Episode 1, R-4, DIAL |
SFC Audio Open Reel FT-20193/937 |
Dialogue, Episode 2, Reel 1Hi8 (Audio Tape) Side of Case: The West, Episode 2, R-1, DIAL |
SFC Audio Open Reel FT-20193/938 |
Dialogue, Episode 2, Reel 2Hi8 (Audio Tape) Side of Case: The West, Episode 2, R-2, DIAL |
SFC Audio Open Reel FT-20193/939 |
Dialogue, Episode 2, Reel 3Hi8 (Audio Tape) Side of Case: The West, Episode 2, R-3, DIAL |
SFC Audio Open Reel FT-20193/940 |
Dialogue, Episode 2, Reel 4Hi8 (Audio Tape) Side of Case: The West, Episode 2, R-4, DIAL |
SFC Audio Open Reel FT-20193/941 |
Dialogue, Episode 3, Reel 1Hi8 (Audio Tape) Spine of Case: Episode 3, R-1, DIAL |
SFC Audio Open Reel FT-20193/942 |
Dialogue, Episode 3, Reel 2Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-2, DIAL, CH 1-2 Narr, CH 3-4 Voices, CH 5-7 Dial |
SFC Audio Open Reel FT-20193/943 |
Dialogue, Episode 3, Reel 3Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-3, DIAL, CH 1-2 Narr, CH 3-4 Voices, CH 5-8 Dial |
SFC Audio Open Reel FT-20193/944 |
Dialogue, Episode 3, Reel 4Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-4, DIAL, CH 1-2 Narr, CH 3-4 Voices, CH 5-8 Dial |
SFC Audio Open Reel FT-20193/945 |
Dialogue, Episode 3, Reel 5Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-5, DIAL, CH 1-2 Narr, CH 3-4 Voices, CH 5-8 Dial |
SFC Audio Open Reel FT-20193/946 |
Dialogue, Episode 4, Reel 1Hi8 (Audio Tape) Side of Case: The West, Episode 4, R-1, DIAL |
SFC Audio Open Reel FT-20193/947 |
Dialogue, Episode 4, Reel 1, Dialogue FixHi8 (Audio Tape) Side of Case: The West, Episode 4, R-1, DIAL Fix |
SFC Audio Open Reel FT-20193/948 |
Dialogue, Episode 4, Reel 2Hi8 (Audio Tape) Side of Case: The West, Episode 4, R-2, DIAL |
SFC Audio Open Reel FT-20193/949 |
Dialogue, Episode 4, Reel 3Hi8 (Audio Tape) Side of Case: The West, Episode 4, R-3, DIAL |
SFC Audio Open Reel FT-20193/950 |
Dialogue, Episode 4, Reel 4Hi8 (Audio Tape) Side of Case: The West, Episode 4, R-4, DIAL |
SFC Audio Open Reel FT-20193/951 |
Dialogue, Episode 5, Reel 1Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-1, DIAL, CH 1-2 NARR, CH 3-4 Voices, CH 5-8 DIAL |
SFC Audio Open Reel FT-20193/952 |
Dialogue, Episode 5, Reel 2Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-2, DIAL, CH 1-2 NARR, CH 3-4 Voices, CH 5-8 DIAL |
SFC Audio Open Reel FT-20193/953 |
Dialogue, Episode 5, Reel 3Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-3, DIAL, CH 1-2 NARR, CH 3-4 Voices, CH 5-8 DIAL |
SFC Audio Open Reel FT-20193/954 |
Dialogue, Episode 5, Reel 4Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-4, DIAL, CH 1-2 NARR, CH 3-4 Voices, CH 5-8 DIAL |
SFC Audio Open Reel FT-20193/955 |
Dialogue, Episode 6, Reel 1Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-1, DIAL |
SFC Audio Open Reel FT-20193/956 |
Dialogue, Episode 6, Reel 2Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-2, DIAL |
SFC Audio Open Reel FT-20193/957 |
Dialogue, Episode 6, Reel 3Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-3, DIAL |
SFC Audio Open Reel FT-20193/958 |
Dialogue, Episode 6, Reel 4Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-4, DIAL |
SFC Audio Open Reel FT-20193/959 |
Dialogue, Episode 7, Reel 1Hi8 (Audio Tape) Side of Box: The West, Episode 7, R-1, DIAL |
SFC Audio Open Reel FT-20193/960 |
Dialogue, Episode 7, Reel 2Hi8 (Audio Tape) Side of Box: The West, Episode 7, R-2, DIAL |
SFC Audio Open Reel FT-20193/961 |
Dialogue, Episode 7, Reel 3Hi8 (Audio Tape) Side of Box: The West, Episode 7, R-3, DIAL |
SFC Audio Open Reel FT-20193/962 |
Dialogue, Episode 7, Reel 4Hi8 (Audio Tape) Side of Box: The West, Episode 7, R-4, DIAL |
SFC Audio Open Reel FT-20193/963 |
Dialogue, Episode 8, Reel 1Hi8 (Audio Tape) Side of Case: The West, Episode 8, R-1, DIAL |
SFC Audio Open Reel FT-20193/964 |
Dialogue, Episode 8, Reel 2Hi8 (Audio Tape) Side of Case: The West, Episode 8, R-2, DIAL |
SFC Audio Open Reel FT-20193/965 |
Dialogue, Episode 8, Reel 2, Go Back DialogueHi8 (Audio Tape) Side of Case: The West, Episode 8, R-2, DIAL, Go Back (No False) |
SFC Audio Open Reel FT-20193/966 |
Dialogue, Episode 8, Reel 3Hi8 (Audio Tape) Side of Case: The West, Episode 8, R-3, DIAL |
SFC Audio Open Reel FT-20193/967 |
Dialogue, Episode 8, Reel 4Hi8 (Audio Tape) Side of Case: The West, Episode 8, R-4, DIAL |
SFC Audio Open Reel FT-20193/968 |
Dialogue, Episode 8, Reel 5Hi8 (Audio Tape) Side of Case: The West, Episode 8, R-5, DIAL |
SFC Audio Open Reel FT-20193/969 |
Dialogue, Episode 8, Reel 5, Dialogue FixHi8 (Audio Tape) Side of Case: The West, Episode 8, R-5, DIAL Fix |
SFC Audio Open Reel FT-20193/970 |
Dialogue, Episode 8, Reel 6Hi8 (Audio Tape) Side of Case: The West, Episode 8, R-6, DIAL |
SFC Audio Open Reel FT-20193/971 |
Dialogue and FX, Episode 8, Reel 4, AlternateHi8 (Audio Tape) Side of Case: The West, Episode 8, R-4, Alt |
SFC Audio Open Reel FT-20193/972 |
FX, Episode 1, Reel 1, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 1, R-1, FX 1, CH 1-8 |
SFC Audio Open Reel FT-20193/973 |
FX, Episode 1, Reel 1, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 1, R-1, FX 2, CH 1-8, Stereo FX E-G, Mono FX A+B |
SFC Audio Open Reel FT-20193/974 |
FX, Episode 1, Reel 1, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 1, R-1, FX 3, CH 1-4, Mono FX C-F |
SFC Audio Open Reel FT-20193/975 |
FX, Episode 1, Reel 2, tape 1 of 2Hi8 (Audio Tape) Front of Case: FX 1, The West, Episode 1, R-2, CH 1-8, Mono FX A-H |
SFC Audio Open Reel FT-20193/976 |
FX, Episode 1, Reel 2, tape 2 of 2Hi8 (Audio Tape) Front of Case: FX 2, The West, Episode 1, R-2, CH 1-8, Mono FX I-K, Prod FX 1-3, Guide Track |
SFC Audio Open Reel FT-20193/977 |
FX, Episode 1, Reel 3, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, R-3, FX 1, Episode 1, CH 1-8, FX A-H |
SFC Audio Open Reel FT-20193/978 |
FX, Episode 1, Reel 3, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, R-3, FX 2, Episode 1, R-3, CH 1-8, FX A-H |
SFC Audio Open Reel FT-20193/979 |
FX, Episode 1, Reel 3, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, R-3, FX 2, Episode 1, R-3, CH 1-8, FX, Stereo FX B-D, Prod. FX 1+2 |
SFC Audio Open Reel FT-20193/980 |
FX, Episode 1, Reel 4, tape 1 of 3Hi8 (Audio Tape) Front of Case: FX 1, The West, Episode 1, R-4, CH 1-8, Mono FX A-H |
SFC Audio Open Reel FT-20193/981 |
FX, Episode 1, Reel 4, tape 2 of 3Hi8 (Audio Tape) Front of Case: FX 2, The West, Episode 1, R-4, CH 1-8, Stereo FX A-D (Left + Right) |
SFC Audio Open Reel FT-20193/982 |
FX, Episode 1, Reel 4, tape 3 of 3Hi8 (Audio Tape) Front of Case: FX 3, The West, Episode 1, R-4, CH 1-8, Stereo FX E, Prod FX 1+2 |
SFC Audio Open Reel FT-20193/983 |
FX, Episode 2, Reel 1, tape 1 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 1, FX, Tape 1 of 2, Tracks 1-8 = FX A-H |
SFC Audio Open Reel FT-20193/984 |
FX, Episode 2, Reel 1, tape 2 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 1, FX, Tape 2 of 2, Tracks 1-4 = FX I-L, Tracks 5-7 = PFX A-C, Track 8 = Guide |
SFC Audio Open Reel FT-20193/985 |
FX, Episode 2, Reel 2, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 2, FX, Tape 1 of 3, Tracks 1-8 = FX A-H |
SFC Audio Open Reel FT-20193/986 |
FX, Episode 2, Reel 2, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 2, FX, Tape 2 of 3, Tracks 1-7 = FX I-O, Track 8 = Prod FX 1 |
SFC Audio Open Reel FT-20193/987 |
FX, Episode 2, Reel 2, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 2, FX, Tape 3 of 3, Tracks 1-2 = PFX 2-3, Track 3 = Guide |
SFC Audio Open Reel FT-20193/988 |
FX, Episode 2, Reel 3, tape 1 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 3, FX, Tape 1 of 2, Tracks 1-8 = FX A-H |
SFC Audio Open Reel FT-20193/989 |
FX, Episode 2, Reel 3, tape 2 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 3, FX, Tape 2 of 2, Tracks 1+2 = F I-J, Tracks 3-6 = Stereo FX A-B, Track 7-8 = PFX A-B |
SFC Audio Open Reel FT-20193/990 |
FX, Episode 2, Reel 4, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 4, FX, Tape 1 of 3, Tracks 1-8 = FX A-H |
SFC Audio Open Reel FT-20193/991 |
FX, Episode 2, Reel 4, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 4, FX, Tape 1 of 3, Tracks 1-4 = FX I-L, Tracks 5-8 = Stereo FX A-B |
SFC Audio Open Reel FT-20193/992 |
FX, Episode 2, Reel 4, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 4, FX, Tape 1 of 3, Tracks 1-4 = Stereo FX C-D, Tracks 5-8 = PROD FX 1-4 |
SFC Audio Open Reel FT-20193/993 |
FX, Episode 3, Reel 1, tape 1 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-1, CH - 1-8, FX A-H |
SFC Audio Open Reel FT-20193/994 |
FX, Episode 3, Reel 1, tape 2 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-1, CH - 1-6, FX I-N |
SFC Audio Open Reel FT-20193/995 |
FX, Episode 3, Reel 2, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-2, FX, CH 1-8, FX A-H |
SFC Audio Open Reel FT-20193/996 |
FX, Episode 3, Reel 2, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-2, FX, CH 1-8, FX I-L Mono, FX M-P Stereo |
SFC Audio Open Reel FT-20193/997 |
FX, Episode 3, Reel 2, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-2, FX, CH 1-4, FX Q-R Stereo, PFX A-B Mono |
SFC Audio Open Reel FT-20193/998 |
FX, Episode 3, Reel 3, tape 1 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-3, CH - 1-8, FX A-H |
SFC Audio Open Reel FT-20193/999 |
FX, Episode 3, Reel 3, tape 2 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-3, CH - 1-8, FX I-J, FX K-N, PFX A-B |
SFC Audio Open Reel FT-20193/1000 |
FX, Episode 3, Reel 4, tape 1 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-4, CH 1-8, FX A-H Mono |
SFC Audio Open Reel FT-20193/1001 |
FX, Episode 3, Reel 4, tape 2 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-4, CH 1-8, FX I-L Mono, FX M-N Stereo, PFX A-B |
SFC Audio Open Reel FT-20193/1002 |
FX, Episode 3, Reel 5, tape 1 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-5, CH 1-8, FX A-H Mono |
SFC Audio Open Reel FT-20193/1003 |
FX, Episode 3, Reel 5, tape 2 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 3, R-5, CH 1-J, FX I-J Mono, PFX A-B |
SFC Audio Open Reel FT-20193/1004 |
FX, Episode 4, Reel 1, tape 1 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 4, Reel 1, FX, 1 of 2, Tracks 1-8 = FX A-H |
SFC Audio Open Reel FT-20193/1005 |
FX, Episode 4, Reel 1, tape 2 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 4, Reel 1, FX, 2 of 2, Tracks 1-4 = FX I-L |
SFC Audio Open Reel FT-20193/1006 |
FX, Episode 4, Reel 2, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 4, Reel 2, FX, 1 of 3, Tracks 1-8 = FX A-H |
SFC Audio Open Reel FT-20193/1007 |
FX, Episode 4, Reel 2, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 4, Reel 2, FX, 2 of 3, Tracks 1-8 = FX I-P |
SFC Audio Open Reel FT-20193/1008 |
FX, Episode 4, Reel 2, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 4, Reel 2, FX, 3 of 3, Tracks 1-3 = Prod FX 1-3, Track 4 = Guide |
SFC Audio Open Reel FT-20193/1009 |
FX, Episode 4, Reel 3, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 4, Reel 3, FX, 1 of 3, Tracks 1-8 = FX A-H |
SFC Audio Open Reel FT-20193/1010 |
FX, Episode 4, Reel 3, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 4, Reel 3, FX, 2 of 3, Tracks 1-8 = FX I-P |
SFC Audio Open Reel FT-20193/1011 |
FX, Episode 4, Reel 3, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 4, Reel 3, FX, 3 of 3, Tracks 1 2 = Prod FX 1+2, Track 3 = Guide |
SFC Audio Open Reel FT-20193/1012 |
FX, Episode 4, Reel 4, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 4, Reel 4, FX, 1 of 3, Tracks 1-8 = FX A-H |
SFC Audio Open Reel FT-20193/1013 |
FX, Episode 4, Reel 4, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 4, Reel 4, FX, 2 of 3, Tracks 1-8 = FX I-P |
SFC Audio Open Reel FT-20193/1014 |
FX, Episode 4, Reel 4, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 4, Reel 4, FX, 3 of 3, Tracks 1+2 = FX Q+R, Tracks 3+4 = Prod FX 1+2 |
SFC Audio Open Reel FT-20193/1015 |
FX, Episode 5, Reel 1, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-1, CH 1-8, FX A-H/Mono |
SFC Audio Open Reel FT-20193/1016 |
FX, Episode 5, Reel 1, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-1, CH 1-8, FX I/Mono, J-O/Stereo Pairs, P/Prod. FX |
SFC Audio Open Reel FT-20193/1017 |
FX, Episode 5, Reel 1, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-1, CH 1 2, Prod. FX Q R |
SFC Audio Open Reel FT-20193/1018 |
FX, Episode 5, Reel 2, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-2, FX, CH 1-8, FX A-H (Mono) |
SFC Audio Open Reel FT-20193/1019 |
FX, Episode 5, Reel 2, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-2, FX, CH 1-8, FX I-K (Mono), FX L-P (Stereo) |
SFC Audio Open Reel FT-20193/1020 |
FX, Episode 5, Reel 2, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-2, FX, CH 1-4, FX Q (Stereo), Prod FX R-T |
SFC Audio Open Reel FT-20193/1021 |
FX, Episode 5, Reel 3, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-3, FX, CH 1-8, FX A-H (Stereo) |
SFC Audio Open Reel FT-20193/1022 |
FX, Episode 5, Reel 3, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-3, FX, CH 1-8, FX I-P (Mono) |
SFC Audio Open Reel FT-20193/1023 |
FX, Episode 5, Reel 3, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 5, CH 1-3, R-3, FX, Prod Tk 1 2 + Guide Tk |
SFC Audio Open Reel FT-20193/1024 |
FX, Episode 5, Reel 4Hi8 (Audio Tape) Front of Case: The West, Episode 5, CH 1-3, R-4, FX A-H (Mono) |
SFC Audio Open Reel FT-20193/1025 |
FX, Episode 6, Reel 1, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-1, CH 1-8, FX A-H (Mono) |
SFC Audio Open Reel FT-20193/1026 |
FX, Episode 6, Reel 1, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-1, CH 1-8, FX I-P (Mono) |
SFC Audio Open Reel FT-20193/1027 |
FX, Episode 6, Reel 1, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-1, Prod FX 1-3, Guide TRK, CH 1-4 |
SFC Audio Open Reel FT-20193/1028 |
FX, Episode 6, Reel 2, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-2, CH 1-8, FX A-H (Mono) |
SFC Audio Open Reel FT-20193/1029 |
FX, Episode 6, Reel 2, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-2, CH 1-8, FX I J (Mono), K-P (Stereo) |
SFC Audio Open Reel FT-20193/1030 |
FX, Episode 6, Reel 2, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-2, CH 1-8, FX Q R (Stereo), S (Mono), Prod FX 1-3, Guide Track |
SFC Audio Open Reel FT-20193/1031 |
FX, Episode 6, Reel 3, tape 1 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-3, CH 1-8, FX A-H (Mono) |
SFC Audio Open Reel FT-20193/1032 |
FX, Episode 6, Reel 3, tape 2 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-3, CH 1-8, FX I-L (Mono), Prod. FX 1, Guide Track |
SFC Audio Open Reel FT-20193/1033 |
FX, Episode 6, Reel 4, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-4, CH 1-8, FX A-H (Mono) |
SFC Audio Open Reel FT-20193/1034 |
FX, Episode 6, Reel 4, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-4, CH 1-8, FX I-P (Mono) |
SFC Audio Open Reel FT-20193/1035 |
FX, Episode 6, Reel 4, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 6, R-4, CH 1-4, Prod. FX 1-3, Guide Track |
SFC Audio Open Reel FT-20193/1036 |
FX, Episode 7, Reel 1, tape 1 of 3Hi8 (Audio Tape) Side of Case: The West, Episode 7, R-1, FX - A-H |
SFC Audio Open Reel FT-20193/1037 |
FX, Episode 7, Reel 1, tape 2 of 3Hi8 (Audio Tape) Side of Case: The West, Episode 7, R-1, FX - I-P |
SFC Audio Open Reel FT-20193/1038 |
FX, Episode 7, Reel 1, tape 3 of 3Hi8 (Audio Tape) Side of Case: The West, Episode 7, R-1, Prod FX A-C, Guide Track |
SFC Audio Open Reel FT-20193/1039 |
FX, Episode 7, Reel 2, tape 1 of 2Hi8 (Audio Tape) Side of Case: The West, Episode 7, R-2, FX A-H |
SFC Audio Open Reel FT-20193/1040 |
FX, Episode 7, Reel 2, tape 2 of 2Hi8 (Audio Tape) Side of Case: The West, Episode 7, R-2, FX I-L |
SFC Audio Open Reel FT-20193/1041 |
FX, Episode 7, Reel 3, tape 1 of 3Hi8 (Audio Tape) Side of Case: The West, Episode 7, FX A-H, R-3 |
SFC Audio Open Reel FT-20193/1042 |
FX, Episode 7, Reel 3, tape 2 of 3Hi8 (Audio Tape) Side of Case: The West, Episode 7, FX I-P, R-3 |
SFC Audio Open Reel FT-20193/1043 |
FX, Episode 7, Reel 3, tape 3 of 3Hi8 (Audio Tape) Side of Case: The West, Episode 7, FX A B + Guide Track |
SFC Audio Open Reel FT-20193/1044 |
FX, Episode 7, Reel 4, tape 1 of 3Hi8 (Audio Tape) Side of Case: The West, Episode 7, R-4, FX A-H |
SFC Audio Open Reel FT-20193/1045 |
FX, Episode 7, Reel 4, tape 2 of 3Hi8 (Audio Tape) Side of Case: The West, Episode 7, R-4, FX I-P |
SFC Audio Open Reel FT-20193/1046 |
FX, Episode 7, Reel 4, tape 3 of 3Hi8 (Audio Tape) Side of Case: The West, Episode 7, R-4, Prod FX A-C, Guide Track |
SFC Audio Open Reel FT-20193/1047 |
FX, Episode 7, Go Back FXHi8 (Audio Tape) Side of Case: The West, Episode 7, FX Go Backs, All Reels |
SFC Audio Open Reel FT-20193/1048 |
FX, Episode 8, Reel 1, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 8, R-1, FX 1, Mono FX A-H |
SFC Audio Open Reel FT-20193/1049 |
FX, Episode 8, Reel 1, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 8, R-1, FX 2, Mono FX I-P |
SFC Audio Open Reel FT-20193/1050 |
FX, Episode 8, Reel 1, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 8, R-1, FX 3, PROD FX 1-3, Guide Track, 4 Tracks |
SFC Audio Open Reel FT-20193/1051 |
FX, Episode 8, Reel 2, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 8, R-2, FX 1, Mono FX A-H (8 Tracks) |
SFC Audio Open Reel FT-20193/1052 |
FX, Episode 8, Reel 2, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 8, R-2, FX 2, Mono FX I-P |
SFC Audio Open Reel FT-20193/1053 |
FX, Episode 8, Reel 2, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 8, R-2, FX 3, Prod FX 1-3, Guide Track (4 Tracks) |
SFC Audio Open Reel FT-20193/1054 |
FX, Episode 8, Reel 3, tape 1 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 8, FX 1, R-3, Mono FX A-H (8 Tracks) |
SFC Audio Open Reel FT-20193/1055 |
FX, Episode 8, Reel 3, tape 2 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 8, FX 2, R-3, Mono FX I-L/Stereo A+B (8 Tracks) |
SFC Audio Open Reel FT-20193/1056 |
FX, Episode 8, Reel 3, tape 3 of 3Hi8 (Audio Tape) Front of Case: The West, Episode 8, FX 3, R-3, Stereo FX C+D, Prod FX A-C/G.T. |
SFC Audio Open Reel FT-20193/1057 |
FX, Episode 8, Reel 4, tape 1 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 8, R-4, FX 1, Mono FX A-H |
SFC Audio Open Reel FT-20193/1058 |
FX, Episode 8, Reel 4, tape 2 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 8, R-4, FX 2, Mono FX I J, Ster. FX A B, Prod FX 1 2 (8 Tracks) |
SFC Audio Open Reel FT-20193/1059 |
FX, Episode 8, Reel 5, tape 1 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 8, R-5, FX 1, Mono FX A-H (8 Tracks) |
SFC Audio Open Reel FT-20193/1060 |
FX, Episode 8, Reel 5, tape 2 of 2Hi8 (Audio Tape) Front of Case: The West, Episode 8, R-5, FX 2, Mono FX I-P |
SFC Audio Open Reel FT-20193/1061 |
FX, Episode 8, Reel 6Hi8 (Audio Tape) Front of Case: The West, Episode 8, R-6, Mono A-D, Prod. FX, Guide TK |
SFC Audio Open Reel FT-20193/1062 |
Miscellaneous Sound Mix Elements, Episode 3 and 7Hi8 (Audio Tape) Front of Case: The West, Misc Ep 3 and Ep 7, CH 1-4, CH 1 - Ep 3 R-3 R-4 Voices, CH 2 - Ep 3 R-3 R-4 Voices Alt., CH 3 - Ep 7 R-4 Voices, CH 4 - Ep 3 R-5 NARR |
SFC Audio Open Reel FT-20193/1063 |
Music, Episode 1, Reel 1Hi8 (Audio Tape) Tape Label: The West, Episode #1, Reel 1, Music, Tascam Clone, Channels 1-4, Music (L & R) |
SFC Audio Open Reel FT-20193/1064 |
Music, Episode 1, Reel 2Hi8 (Audio Tape) Tape Label: The West, Episode #1, Reel 2, Music, Tascam Clone, Channels 1-4, Music (L & R) |
SFC Audio Open Reel FT-20193/1065 |
Music, Episode 1, Reel 2, Go Back MusicHi8 (Audio Tape) Front of Case: The West, Episode 1, Reel 2, Go Back Music, Ch 1+2 = Music |
SFC Audio Open Reel FT-20193/1066 |
Music, Episode 1, Reel 3, tape 1 of 2Hi8 (Audio Tape) Tape Label: The West, Episode #1, Reel 3, Music, Tascam Clone, Channels 1-4, Music (L & R) |
SFC Audio Open Reel FT-20193/1067 |
Music, Episode 1, Reel 3, tape 2 of 2Hi8 (Audio Tape) Side of Case: The West, Episode 1, Music, R-3 |
SFC Audio Open Reel FT-20193/1068 |
Music, Episode 1, Reel 3, Go Back MusicHi8 (Audio Tape) Side of Case: The West, Episode 1, R-3, Go Back Music |
SFC Audio Open Reel FT-20193/1069 |
Music, Episode 1, Reel 4, tape 1 of 2Hi8 (Audio Tape) Tape Label: The West, Episode #1, Reel 4, Music, Tascam Clone, Channels 1-4, Music (L & R) |
SFC Audio Open Reel FT-20193/1070 |
Music, Episode 1, Reel 4, tape 2 of 2Hi8 (Audio Tape) Side of Case: The West, Episode 1, Music, R-4 |
SFC Audio Open Reel FT-20193/1071 |
Music, Episode 2, Reel 1Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 1, Music |
SFC Audio Open Reel FT-20193/1072 |
Music, Episode 2, Reel 2Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 2, Music |
SFC Audio Open Reel FT-20193/1073 |
Music, Episode 2, Reel 3Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 3, Music |
SFC Audio Open Reel FT-20193/1074 |
Music, Episode 2, Reel 4Hi8 (Audio Tape) Front of Case: The West, Episode 2, Reel 4, Music |
SFC Audio Open Reel FT-20193/1075 |
Music, Episode 3, Reel 1Hi8 (Audio Tape) Spine of Case: The West, Ep 3, Music, R-1 |
SFC Audio Open Reel FT-20193/1076 |
Music, Episode 3, Reel 2Hi8 (Audio Tape) Spine of Case: The West, Ep 3, Music, R-2 |
SFC Audio Open Reel FT-20193/1077 |
Music, Episode 3, Reel 3Hi8 (Audio Tape) Spine of Case: The West, Ep 3, Music, R-3 |
SFC Audio Open Reel FT-20193/1078 |
Music, Episode 3, Reel 3, Go Back MusicHi8 (Audio Tape) Front of Case: The West, Episode 3, Reel 3, Go Back Music, CH 1+2 - Music L+R |
SFC Audio Open Reel FT-20193/1079 |
Music, Episode 3, Reel 4Hi8 (Audio Tape) Tape Label: The West, Episode 3, Reel 4 |
SFC Audio Open Reel FT-20193/1080 |
Music, Episode 3, Reel 5Hi8 (Audio Tape) Tape Label: The West, Episode 3, Reel 5 |
SFC Audio Open Reel FT-20193/1081 |
Music, Episode 3, Reel 5, End Credits MusicHi8 (Audio Tape) Front of Case: The West, Episode 3, Reel 5, End Credits Music, CH 1+2 - Music L+R, CH 3+4 - Music L+R |
SFC Audio Open Reel FT-20193/1082 |
Music, Episode 4, Reel 1Hi8 (Audio Tape) Front of Case: The West, Ep #4, R #1, Music Dupe, Digital to Digital Copy |
SFC Audio Open Reel FT-20193/1083 |
Music, Episode 4, Reel 2Hi8 (Audio Tape) Front of Case: The West, Ep #4, R #2, Music Dupe, Digital to Digital Copy |
SFC Audio Open Reel FT-20193/1084 |
Music, Episode 4, Reel 3Hi8 (Audio Tape) Front of Case: The West, Ep #4, R #3, Music Dupe, Digital to Digital Copy |
SFC Audio Open Reel FT-20193/1085 |
Music, Episode 4, Reel 4Hi8 (Audio Tape) Front of Case: The West, Ep #4, R #4, Music Dupe, Digital to Digital Copy |
SFC Audio Open Reel FT-20193/1086 |
Music, Episode 5, Reel 1Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-1, CH 1-6 Music L+R, CH 7 - Temp Music, CH 8 - Guide TR |
SFC Audio Open Reel FT-20193/1087 |
Music, Episode 5, Reel 2Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-2, CH 1-4 Music L+R, CH 5 6 - Open, CH 7 - Temp Music, CH 8 - Guide TR |
SFC Audio Open Reel FT-20193/1088 |
Music, Episode 5, Reel 3Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-3, CH 1-4 Music L+R, CH 5 6 - Open, CH 7 - Temp Music, CH 8 - Guide Tr |
SFC Audio Open Reel FT-20193/1089 |
Music, Episode 5, Reel 4Hi8 (Audio Tape) Front of Case: The West, Episode 5, R-4, CH 1-6 Music L+R, CH 7 - Temp Music, CH 8 - Guide Tr |
SFC Audio Open Reel FT-20193/1090 |
Music, Episode 6, Reel 1Hi8 (Audio Tape) Spine of Case: The West, Episode 6, Reel 1 |
SFC Audio Open Reel FT-20193/1091 |
Music, Episode 6, Reel 2Hi8 (Audio Tape) Spine of Case: The West, Episode 6, Reel 2 |
SFC Audio Open Reel FT-20193/1092 |
Music, Episode 6, Reel 3Hi8 (Audio Tape) Spine of Case: The West, Episode 6, Reel 3 |
SFC Audio Open Reel FT-20193/1093 |
Music, Episode 6, Reel 4Hi8 (Audio Tape) Spine of Case: The West, Episode 6, Reel 4 |
SFC Audio Open Reel FT-20193/1094 |
Music, Episode 7, Reel 1Hi8 (Audio Tape) Tape Label: The West, Episode 7, Reel 1, Music |
SFC Audio Open Reel FT-20193/1095 |
Music, Episode 7, Reel 1, Go Back MusicHi8 (Audio Tape) Side of Case: The West, Episode 7, R-1, Music Go Backs |
SFC Audio Open Reel FT-20193/1096 |
Music, Episode 7, Reel 2Hi8 (Audio Tape) Tape Label: The West, Episode 7, Reel 2, Music |
SFC Audio Open Reel FT-20193/1097 |
Music, Episode 7, Reel 2, Go Back Music, Editor's CuesHi8 (Audio Tape) Side of Case: The West, Episode 7, R-2, Go Back Music, Editor's Cues |
SFC Audio Open Reel FT-20193/1098 |
Music, Episode 7, Reel 3Hi8 (Audio Tape) Tape Label: The West, Episode 7, Reel 3, Music |
SFC Audio Open Reel FT-20193/1099 |
Music, Episode 7, Reel 3, Cue 7m 20Hi8 (Audio Tape) Front of Case: The West, Cue 7m 20, Episode 7, Reel 3 |
SFC Audio Open Reel FT-20193/1100 |
Music, Episode 7, Reel 4Hi8 (Audio Tape) Tape Label: The West, Episode 7, Reel 4, Music |
SFC Audio Open Reel FT-20193/1101 |
Music, Episode 7, Reel 4, Go Back MusicHi8 (Audio Tape) Side of Case: The West, Episode 7, R-4, Go Backs Music |
SFC Audio Open Reel FT-20193/1102 |
Music, Episode 8, Reel 1Hi8 (Audio Tape) Spine of Case: The West, Ep 8, Reel 1, Music |
SFC Audio Open Reel FT-20193/1103 |
Music, Episode 8, Reel 2Hi8 (Audio Tape) Spine of Case: The West, Ep 8, Reel 2, Music |
SFC Audio Open Reel FT-20193/1104 |
Music, Episode 8, Reel 3Hi8 (Audio Tape) Spine of Case: The West, Ep 8, Reel 3, Music |
SFC Audio Open Reel FT-20193/1105 |
Music, Episode 8, Reel 3, Cue 8m 35Hi8 (Audio Tape) Spine of Case: The West, Music, Episode 3, Reel 3, Cue, 8m 35 |
SFC Audio Open Reel FT-20193/1106 |
Music, Episode 8, Reel 4Hi8 (Audio Tape) Spine of Case: The West, Ep 8, Reel 4, Music |
SFC Audio Open Reel FT-20193/1107 |
Music, Episode 8, Reel 5Hi8 (Audio Tape) Spine of Case: The West, Ep 8, Reel 5, Music |
SFC Audio Open Reel FT-20193/1108 |
Music, Episode 8, Reel 6Hi8 (Audio Tape) Spine of Case: The West, Ep 8, Reel 6, Music |
SFC Audio Open Reel FT-20193/1109 |
Vocal Fix, Episode 8Hi8 (Audio Tape) Spine of Case: Sen 54 III, Vocal Fix |
Film F-20193/3565 |
Map Opticals, Roll A&B, negative, pix35mm motion picture film 200 feet Negative ; Acetate ; Color ; SilentTop of Box: Map Opticals, The West Film Project, Roll # A&B, 5248 |
Film F-20193/3566 |
Map Opticals, Roll 1, negative, pix16mm motion picture film 100 feet Negative ; Acetate ; Color ; SilentTop of Box: Map Opticals, The West Film Project, Roll #1, 7248 |
Film F-20193/3567 |
Map Opticals, Roll 1235, negative, pix35mm motion picture film feet Negative ; Acetate ; Color ; SilentTop of Box: Map Opticals, The West Film Project, Roll #1235, 5247 |
Film F-20193/3568 |
Map Opticals, Roll 1295, negative, pix35mm motion picture film 400 feet Negative ; Acetate ; Color ; SilentTop of Box: Map Opticals, The West Film Project, Roll 1295, 5247 |
Film F-20193/3569 |
Map Opticals, Roll 1300, negative, pix35mm motion picture film 200 feet Negative ; Acetate ; Color ; SilentTop of Box: Map Opticals, The WFP, Roll #1300, 5248 |
Film F-20193/3570 |
Map Opticals, Roll 1301-1302, negative, pix35mm motion picture film 550 feet Negative ; Acetate ; Color ; SilentTop of Box: Map Opticals, The West Film Project, Roll #1301-1302, 5248 |
Film F-20193/3571 |
Map Opticals, Roll 12222, negative, pix35mm motion picture film 150 feet Negative ; Acetate ; Color ; SilentTop of Box: Map Opticals, The West Film Project, Roll # 12222, 7247 |
Film F-20193/3572 |
Map Opticals, Test, negative, pix35mm motion picture film 225 feet Negative ; Acetate ; Color ; SilentTop of Box: Map Opticals, The West Film Project, Test, 5248 |
SFC Audio Cassette FS-20193/215 |
Otis Halfmoon and A. Pinkham Indian PronunciationsAudiocassette Tape Label: 1. O. Halfmoon, 2. A. Pinkham, 3. O. Halfmoon |
Digital Audiotape DAT-20193/575 |
Buffalo BillDigital Audio Tape (DAT) Tape Label: Buffalo Bill, 5077 |
Digital Audiotape DAT-20193/586 |
CusterDigital Audio Tape (DAT) Tape Label: Sound Roll XX, Film Reel XX, The West, Custer |
Digital Audiotape DAT-20193/587 |
Episode 6, pickupsDigital Audio Tape (DAT) Spine of Case: Ep 6 Pickups; Back of Case: 3 Takes, 2/13/96, Ep 6 |
Digital Audiotape DAT-20193/588 |
HarrisDigital Audio Tape (DAT) Tape Label: 5098, Harris |
Digital Audiotape DAT-20193/589 |
Peter MattheissenDigital Audio Tape (DAT) Tape Label: Peter Mattheisen |
Digital Audiotape DAT-20193/590 |
Minton VoicesDigital Audio Tape (DAT) Back of Case: Minton Voices, 1) Steve Lang, 2) James Naughton, 3) James Naughton, 4) Fritz Weaver, 5) Laura Esterman, 6) Estelle Parsons, 7) Mary Beth Hurt |
Digital Audiotape DAT-20193/591 |
Joe SpanosDigital Audio Tape (DAT) Tape Label: The West, Joe Spanos, 9-22-95 |
Digital Audiotape DAT-20193/592 |
Tape 1042Digital Audio Tape (DAT) Spine of Case: 1042; Tape Label: Session Tape |
Digital Audiotape DAT-20193/593 |
Tape 1085Digital Audio Tape (DAT) Spine of Case: Tape 1085 |
Videotape VT-20193/1 |
Utah, tape 1 of 2B-Roll Front of Case: The West, 001, CR 1 - Utah, CR 2 - Utah, CR 3 - Utah; Spine of Case: CR 1-3, 001 |
Videotape VT-20193/2 |
Utah, tape 2 of 2B-Roll Front of Case: The West, 002, CR 4 - Utah, CR 5 - Utah, CR 6 - Utah; Spine of Case: CR 4-6, 002 |
Videotape VT-20193/3 |
LDS Historical Archives, tape 1 of 4Titles and Stills Front of Case: The West, 003, CR 7 - LDS Historical Archives SLC, CR 8 - LDS Historical Archives SLC, CR 9 - LDS Historical Archives SLC; Spine of Case: CR 7-9, 003 |
Videotape VT-20193/4 |
LDS Historical Archives, tape 2 of 4Titles and Stills Front of Case: The West, 004, CR 10 - LDS Historical Archives SLC, CR 11 - LDS Historical Archives SLC, CR 12 - LDS Historical Archives SLC; Spine of Case: CR 10-12, 004 |
Videotape VT-20193/5 |
LDS Historical Archives, tape 3 of 4Titles and Stills Front of Case: The West, 005, CR 13 - LDS Historical Archives SLC, CR 14 - LDS Historical Archives SLC, CR 15 - LDS Historical Archives SLC; Spine of Case: CR 13-15, 005 |
Videotape VT-20193/6 |
LDS Historical Archives, tape 4 of 4; LDS Museum, tape 1 of 3Titles and Stills Front of Case: The West, 006, CR 16 - LDS Historical Archives SLC, CR 17 - LDS Museum SLC, CR 18 - LDS Museum SLC; Spine of Case: CR 16-18 |
Videotape VT-20193/7 |
LDS Museum, tape 2 of 3Titles and Stills Front of Case: The West, 007, CR 19 - LDS Museum SLC, CR 20 - LDS Museum SLC, CR 21 - LDS Museum SLC |
Videotape VT-20193/8 |
LDS Museum, tape 3 of 3; Fred Gowans interview, tape 1 of 2Interview Front of Case: The West, 008, CR 22 - LDS Museum Salt Lake City, CR 23 - LDS Museum Salt Lake City, CR 24 - LDS Museum/Intv. F Gowans - SR 1 |
Videotape VT-20193/9 |
Fred Gowans interview, tape 2 of 2Interview Front of Case: The West, 009, CR 25 - Fred Gowans - SR 1, CR 26 - Fred Gowans - SR 1, CR 27 - Fred Gowans - SR 2; Spine of Case: CR 25-27, 009 |
Videotape VT-20193/10 |
Leonard Arrington interview; Utah State Historical SocietyInterview Front of Case: The West, 010, CR 28 - Leonard Arrington - SR 2, CR 29 - Leonard Arrington - SR 3, CR 30 - Utah State Historical Society |
Videotape VT-20193/11 |
Utah State Historical Society; Road Near Henefer, UtahTitles and Stills Front of Case: The West, 011, CR 31 - Utah State Historical Society, CR 32 - Utah State Historical Society, CR 34 - Road Near Henefer UT; Spine of Case: CR 31 32 & 34 |
Videotape VT-20193/12 |
California State Library, tape 1 of 4Titles and Stills Front of Case: The West, 012, CR 35 - CA State Library Sacramento, CR 36 - CA State Library Sacramento, CR 37 - CA State Library Sacramento; Spine of Case: CR 35-37, 012 |
Videotape VT-20193/13 |
California State Library, tape 2 of 4Titles and Stills Front of Case: The West, 013, CR 38 - CA State Library Sacramento, CR 39 - CA State Library Sacramento, CR 40 - CA State Library Sacramento; Spine of Case: CR 38-40, 013 |
Videotape VT-20193/14 |
California State Library, tape 3 of 4Titles and Stills Front of Case: The West, 014, CR 41 - CA State Library Sacramento, CR 42 - CA State Library Sacramento, CR 43 - CA State Library Sacramento; Spine of Case: CR 41-43 |
Videotape VT-20193/15 |
California State Library, tape 4 of 4; Chico Sunset; Bidwell MansionB-Roll Front of Case: The West, 015, CR 44 - CA State Library & Chico Sunset, CR 45 - Bidwell Mansion, CR 46 - Bidwell Mansion; Spine of Case: CR 44-46, 015 |
Videotape VT-20193/16 |
Wells Fargo Office; Barber Shop; Chinese Drug Store; Calaveres Big Trees; Wild HorsesB-Roll Front of Case: The West, 016, CR 47 - Wells Fargo Office/Barber Shop, CR 48 - Chinese Drug Store, CR 49 - Calaveres Big Trees/Wild Horses |
Videotape VT-20193/17 |
Stanford Library Special Collections, tape 1 of 4Titles and Stills Front of Case: The West, 017, CR 50 - Stanford Library Special Collections, CR 51 - Stanford Library Special Collections, CR 52 - Stanford Library Special Collections |
Videotape VT-20193/18 |
Stanford Library Special Collections, tape 2 of 4; Wild HorsesTitles and Stills Front of Case: The West, 018, CR 53 - Stanford Library Special Collections, CR 54 - Stanford Library Special Collections, CR 55 - Stanford Library & Wild Horses |
Videotape VT-20193/19 |
Carmel; James Holliday interview, tape 1 of 3Interview Front of Case: The West, 019, CR 56 - Carmel & Intv. JS Holliday - SR 4, CR 57 - JS Holliday - SR 4, CR 58 - JS Holliday - SR 5; Spine of Case: CR 56-58, 019 |
Videotape VT-20193/20 |
James Holliday interview, tape 2 of 3Interview Front of Case: The West, 020, CR 59 - JS Holliday - SR 5, CR 60 - JS Holliday - SR 5, CR 61 - JS Holliday - SR 6 |
Videotape VT-20193/21 |
James Holliday interview, tape 3 of 3Interview Front of Case: The West, 021, CR 62 - JS Holliday - SR 6, CR 63 - JS Holliday - SR 7, CR 64 - Holliday - SR 7; Spine of Case: CR 62-64, 021 |
Videotape VT-20193/22 |
California Coastal Views, tape 1 of 2B-Roll Front of Case: The West, 022, CR 65 - CA Coastal Views, CR 66 - CA Coastal Views, CR 67 - CA Coastal Views; Spine of Case: CR 65-67, 022 |
Videotape VT-20193/23 |
California Coastal Views, tape 2 of 2; Jack Chen interview, tape 1 of 2Interview Front of Case: The West, 023, CR 68 - CA Coastal Views, CR 69 - Jack Chen - SR 8 |
Videotape VT-20193/24 |
Jack Chen interview, tape 2 of 2; Richard Dillon interview, tape 1 of 2Interview Front of Case: The West, 024, CR 70 - Jack Chen - SR 8, CR 71 - Jack Chen/R. Dillon - SR 9, CR 72 - Richard Dillon - SR 9 |
Videotape VT-20193/25 |
Richard Dillon interview, tape 2 of 2Interview Front of Case: The West, 025, CR 73 - Richard Dillon - SR 10, CR 74 - Richard Dillon - SR 10, CR 75 - Richard Dillon - SR 11; Spine of Case: CR 73-75, 025 |
Videotape VT-20193/26 |
Oakland Museum, tape 1 of 2Titles and Stills Front of Case: The West, 026, CR 76 - Oakland Museum, CR 77 - Oakland Museum, CR 78 - Oakland Museum; Spine of Case: CR 76-78, 026 |
Videotape VT-20193/27 |
Oakland Museum, tape 2 of 2; Dayton Duncan interview, tape 1 of 7Interview Front of Case: The West, 027, CR 79 - Oakland Museum, CR 80 - Oakland Museum, CR 81 - Oakland Museum & Intv. Duncan (SF) - SR 12 |
Videotape VT-20193/28 |
Dayton Duncan interview, tape 2 of 7Interview Front of Case: The West, 028, CR 82 - D Duncan (SF) - SR 12, CR 83 - D. Duncan (SF) - SR 12, CR 84 - D. Duncan (SF) - SR 13; Spine of Case: CR 82-84, 028 |
Videotape VT-20193/29 |
Jim Rawls interview; Sonoma StormInterview Front of Case: The West, 029, CR 85 - Jim Rawls - SR 13, CR 86 - Jim Rawls - SR 14, CR 87 - Jim Rawls - SR 14 & Sonoma Storm; Spine of Case: CR 85-87 |
Videotape VT-20193/30 |
Ed Castillo interview; Petaluma Adobe, tape 1 of 2Interview Front of Case: The West, 030, CR 88 - Ed Castillo - SR 14, CR 89 - Ed Castillo - SR 15, CR 90 - Ed Castillo - SR 15 & Petaluma Adobe |
Videotape VT-20193/31 |
Petaluma Adobe, tape 2 of 2B-Roll Front of Case: The West, 031, CR 91 - Petaluma Adobe (CA), CR 92 - Petaluma Adobe (CA), CR 93 - Petaluma Adobe (CA); Spine of Case: CR 91-93, 031 |
Videotape VT-20193/32 |
Stanford Library Special Collections, tape 3 of 4Titles and Stills Front of Case: The West, 032, CR 94 - Stanford Library Special Collections, CR 95 - Stanford Library Special Collections, CR 96 - Stanford Library Special Collections |
Videotape VT-20193/33 |
Stanford Library Special Collections, tape 4 of 4; CA Historical, tape 1 of 2Titles and Stills Front of Case: The West, 033, CR 97 - Stanford Library Special Collections, CR 98 - Stanford Library Special Collections, CR 99 - Stanford Library & CA Historical |
Videotape VT-20193/34 |
CA Historical, tape 2 of 2Titles and Stills Front of Case: The West, 034, CR 100 - CA Historical San Francisco, CR 101 - CA Historical San Francisco, CR 102 - CA Historical San Francisco; Spine of Case: CR 100-102 |
Videotape VT-20193/35 |
High Sierras; Carson Pass; California ExteriorsB-Roll Front of Case: The West, 035, CR 103 - High Sierras/Carson Pass (CA), CR 104 - California Exteriors, CR 105 - California Exteriors; Spine of Case: CR 103-105 |
Videotape VT-20193/36 |
Office TestOther Front of Case: The West, 036, T1 - Office Test, T2 - Office Test; Spine of Case: CR T1-T2, 036 |
Videotape VT-20193/37 |
Test: Grand Tetons, Jenny Lake, Tetons, Schwabacher LandingB-Roll Front of Case: The West, CR PCa - Grand Tetons/Jenny Lake, CR PCb - Tetons/Schwabacher Landing; Spine of Case: Test, CR PCa-PCb, 037 |
Videotape VT-20193/38 |
Dan Flores interview; Yellowstone: Lower FallsInterview Front of Case: The West, 038, CR 160 - Dan Flores - SR 30, CR 161 - Dan Flores - SR 30, CR 162 - Dan Flores - SR 31, CR PCc - Yellowstone Lower Falls |
Videotape VT-20193/39 |
Road Near Henefer, UTB-Roll Front of Case: The West, 039, CR 33 - Road Near Henefer UT; Spine of Case: CR 33, 039 |
Videotape VT-20193/40 |
Montana Sunset and Water; George Horse Capture interview, tape 1 of 2Interview Front of Case: The West, 040, CR 104A - Montana Sunset & Water, CR 105A - George Horse Capture - SR 16, CR 106 - George Horse Capture - SR 17; Spine of Case: 104A 105A & 106, 040 |
Videotape VT-20193/41 |
George Horse Capture interview, tape 2 of 2Interview Front of Case: The West, 041, CR 107 - G. Horse Capture - SR 18, CR 108 - G. Horse Capture - SR 19, CR 109 - G. Horse Capture - SR 20; Spine of Case: CR 107-109, 041 |
Videotape VT-20193/42 |
Dayton Duncan interview, tape 3 of 7; Buffalo, SunsetInterview Front of Case: The West, 042, CR 110 - Dayton Duncan - SR 20, CR 111 - Buffalo Sunset; Spine of Case: CR 110-111, 042 |
Videotape VT-20193/43 |
Adrian Bustamente interview, tape 1 of 2Interview Front of Case: The West, 043, CR 112 - A. Bustamente - SR 21, CR 113 - A. Bustamente - SR 21, CR 114 - A. Bustamente - SR 21 & 22; Spine of Case: CR 112-114, 043 |
Videotape VT-20193/44 |
Adrian Bustamente interview, tape 2 of 2; Stewart Udall interview, tape 1 of 3Interview Front of Case: The West, 044, CR 115 - A. Bustamente - SR 22, CR 116 - Stewart Udall - SR 22 |
Videotape VT-20193/45 |
Stewart Udall interview, tape 2 of 3Interview Front of Case: The West, 045, CR 117 - Stewart Udall - SR 22 & 23, CR 118 - Stewart Udall - SR 23, CR 119 - Stewart Udall - SR 23 & 24; CR 117-119, 045 |
Videotape VT-20193/46 |
Stewart Udall interview, tape 3 of 3; Chimayo, New Mexico; Allan Houser interview, tape 1 of 2Interview Front of Case: The West, 046, CR 120 - Stewart Udall - SR 24, CR 121 - Chimayo New Mexico, CR 122 - Allan Houser - SR 24; Spine of Case: CR 120-122, 046 |
Videotape VT-20193/47 |
Allan Houser interview, tape 2 of 2; Marc Simmons interview, tape 1 of 2Interview Front of Case: The West, 047, CR 123 - Allan Houser - SR 25, CR 124 - Allan Houser - SR 25, CR 125 - Marc Simmons - SR 26; Spine of Case: CR 123-125, 047 |
Videotape VT-20193/48 |
Marc Simmons interview, tape 2 of 2Interview Front of Case: The West, 048, CR 126 - Marc Simmons - SR 26, CR 127 - Marc Simmons - SR 26 & 27; CR 128 - Marc Simmons - SR 27; Spine of Case: CR 126-128, 048 |
Videotape VT-20193/49 |
South Pass; Green River Rendezvous Area; Beaver Lodge on Green River; Pat McCormick interviewB-Roll Front of Case: The West, 049, CR 129 - South Pass, CR 130 - Green River Rendezvous Area, CR 131 - Beaver Lodge on Green River, CR 132 - Pat McCormick - SR Missing |
Videotape VT-20193/50 |
Bill Swaggerty interview; Grand TetonsInterview Front of Case: The West, 050, CR 133 - Bill Swaggerty (No Sound), CR 134 - Grand Tetons, CR 135 - Grand Tetons; Spine of Case: CR 133-135, 050 |
Videotape VT-20193/51 |
Grand Tetons; Snake River; Moon Time Lapse; Jackson Hole; FoliageB-Roll Front of Case: The West, 051, CR 136 - Grand Tetons & Snake River, CR 137 - Grand Tetons, CR 138 - Moon (TL)/Jackson Hole & Foliage |
Videotape VT-20193/52 |
Tetons; Yellowstone Geysers; Bison; YNP Lower Basin GeysersB-Roll Front of Case: The West, 052, CR 139 - Tetons/Yellowstone Geysers; CR 140 - Yellowstone Geysers/Bison, CR 141 - YNP Lower Basin Geysers; Spine of Case: CR 139-141, 052 |
Videotape VT-20193/53 |
Yellowstone Lower Geyser; Firehole River; BuffaloB-Roll Front of Case: The West, 053, CR 142 - Yellowstone-Lower Geyser, CR 143 - YNP L. Geyser & Firehole River, CR 144 - YNP L. Geyser/Buffalo & Firehole |
Videotape VT-20193/54 |
Yellowstone National Park: Firehole River, Bison, Mud Pots, Norris Geyser Basin, Grand Canyon and FallsB-Roll Front of Case: The West, 054, CR 145 - YNP-Firehole Rvr/Bison & Mud Pots, CR 146 - YNP-Norris Geyser Basin, CR 147 - YNP-Grand Canyon & Falls |
Videotape VT-20193/55 |
Yellowstone National Park: Grand Canyon, Falls, Lake, Lower Falls at Sunrise, Lower FallsB-Roll Front of Case: The West, 055, CR 148 - YNP-Grand Canyon/Falls & Lake, CR 149 - YNP-Lower Falls at Sunrise, CR 150 - YNP-Lower Falls |
Videotape VT-20193/56 |
Dayton Duncan interview, tape 4 of 7; Yellowstone; Yellowstone: Lower FallsInterview Front of Case: The West, 056, CR 151 - Yellowstone & Intv. Duncan - SR 29, CR 152 - Duncan at YNP - SR 29, CR 153 - Yellowstone-Lower Falls; Spine of Case: CR 151-153, 056 |
Videotape VT-20193/57 |
Yellowstone: Big Horn Sheep; Gerard Baker interview, tape 1 of 2B-Roll Front of Case: The West, 057, CR 154 - Yellowstone-Big Horn Sheep, CR 155 - Yellowstone-Big Horn Sheep, CR 156 - Gerard Baker - SR 129 |
Videotape VT-20193/58 |
Gerard Baker interview, tape 2 of 2Interview Front of Case: The West, 058, CR 157 - Gerard Baker - SR 29, CR 158 - Gerard Baker - SR 30, CR 159 - Gerard Baker - SR 30; Spine of Case: CR 157-159, 058 |
Videotape VT-20193/59 |
Mesa Verde: Balcony, Oak Tree, House, Temple and PalaceB-Roll Front of Case: The West, 059, CR 163 - Mesa Verde-Balcony & Oak Tree, CR 164 - MV-House/Temple and Palace; Spine of Case: CR 163-164, 059 |
Videotape VT-20193/60 |
Mesa Verde: Ruins and SunriseB-Roll Front of Case: The West, 060, CR 165 - Mesa Verde-Ruins and Sunrise (TL); Spine of Case: CR 165, 060 |
Videotape VT-20193/61 |
Mesa Verde: Aerials and Shiprock SunsetB-Roll Front of Case: The West, 061, CR 166 - Mesa Verde-Aerials, CR 167 - MV Aerials and Shiprock Sunset; Spine of Case: CR 166-167, 061 |
Videotape VT-20193/62 |
Canyon de Chelley, tape 1 of 2B-Roll Front of Case: The West, 062, CR 168 - Canyon de Chelley, CR 169 - Canyon de Chelley, CR 170 - Canyon de Chelley; Spine of Case: CR 168-170, 062 |
Videotape VT-20193/63 |
Canyon de Chelley, tape 2 of 2; Acoma: Mesa and ChurchB-Roll Front of Case: The West, 063, CR 171 - Canyon de Chelley, CR 172 - Acoma-Mesa & Church; Spine of Case: CR 171-172, 063 |
Videotape VT-20193/64 |
Acoma and El Morro; Acoma: Church and MesaB-Roll Front of Case: The West, 064, CR 173 - Acoma and El Morro, CR 174 - Acoma-Church and Mesa (TL); Spine of Case: CR 173-174, 064 |
Videotape VT-20193/65 |
Acoma: Church and Details; Acoma and El Morro Overlook; El MorroB-Roll Front of Case: The West, 065, CR 175 - Acoma-Church & Details, CR 176 - Acoma and El Morro Overlook, CR 177 - El Morro; Spine of Case: CR 175-177, 065 |
Videotape VT-20193/66 |
Glenabah Martinez interviewInterview Front of Case: The West, 066, CR 178 - Glenabah Martinez - SR 32, CR 179 - Glenabah Martinez - SR 32, CR 180 - Glenabah Martinez - SR 32; Spine of Case: CR 178-180, 066 |
Videotape VT-20193/67 |
Nebraska State Historical, tape 1 of 4Titles and Stills Front of Case: The West, 067, CR 181 - Nebraska State Historical, CR 182 - Nebraska State Historical, CR 183 - Nebraska State Historical; Spine of Case: CR 181-183 |
Videotape VT-20193/68 |
Nebraska State Historical, tape 2 of 4Titles and Stills Front of Case: The West, 068, CR 184 - Nebraska State Historical, CR 185 - Nebraska State Historical; Spine of Case: CR 184-185, 068 |
Videotape VT-20193/69 |
Nebraska State Historical, tape 3 of 4Titles and Stills Front of Case: The West, 069, CR 186 - Nebraska State Historical, CR 187 - Nebraska State Historical; Spine of Case: CR 186-187, 069 |
Videotape VT-20193/70 |
Nebraska State Historical, tape 4 of 4Titles and Stills Front of Case: The West, 070, CR 188 - Nebraska State Historical, CR 189 - Nebraska State Historical, CR 190 - Nebraska State Historical; Spine of Case: CR 188-190, 070 |
Videotape VT-20193/71 |
Nebraska State Historical Society; Bertha Calloway interview, tape 1 of 2Interview Front of Case: The West, 071, CR 191 - Nebraska State Historical Society, CR 192 - Bertha Calloway - SR 33; Spine of Case: SR 191-192, 071 |
Videotape VT-20193/72 |
Bertha Calloway interview, tape 2 of 2Interview Front of Case: The West, 072, CR 193 - Bertha Calloway - SR 34, CR 194 - Bertha Calloway - SR 35; Spine of Case: CR 193-194, 072 |
Videotape VT-20193/73 |
Kanza Prairie & Flint Hills; Guthrie, OK; Rollin Haag interview, tape 1 of 2B-Roll Front of Case: The West, 073, CR 195 - Kanza Prairie & Flint Hills, CR 197 - Guthrie OK, CR 198 - Rollin Haag - SR 36; Spine of Case: CR 195 & 197-198, 073 |
Videotape VT-20193/74 |
Rollin Haag interview, tape 2 of 2Interview Front of Case: The West, 074, CR 199 - Rollin Haag - SR 36, CR 200 - Rollin Haag - SR 36; Spine of Case: CR 199-200, 074 |
Videotape VT-20193/75 |
Mary Armstrong interview, tape 1 of 2Interview Front of Case: The West, 075, CR 201 - Mary Armstrong - SR 37, CR 202 - Mary Armstrong - SR 37; Spine of Case: CR 201-202, 075 |
Videotape VT-20193/76 |
Mary Armstrong interview, tape 2 of 2; Mildred Cleghorn interview, tape 1 of 2Interview Front of Case: The West, 076, CR 203 - Mary Armstrong - SR 37, CR 204 - Mildred Cleghorn - SR 38, CR 205 - Mildred Cleghorn - SR 38; Spine of Case: CR 203-205, 076 |
Videotape VT-20193/77 |
Mildred Cleghorn interview, tape 2 of 2; Marty Hagerstrand interview, tape 1 of 2Interview Front of Case: The West, 077, CR 206 - Mildred Cleghorn - SR 38, CR 207 - Mildred Cleghorn - SR 38, CR 308 - Marty Hagerstrand - SR 39; Spine of Case: CR 206-208, 077 |
Videotape VT-20193/78 |
Marty Hagerstrand interview, tape 2 of 2Interview Front of Case: The West, 078, CR 209 - Marty Hagerstrand - SR 39, CR 210 - Marty Hagerstrand - SR 39; Spine of Case: CR 209-210, 078 |
Videotape VT-20193/79 |
Janet LeCompte interviewInterview Front of Case: The West, 079, CR 211 - Janet LeCompte - SR 40, CR 212 - Janet LeCompte - SR 40, CR 213 - Janet LeCompte - SR 41; Spine of Case: CR 211-213, 079 |
Videotape VT-20193/80 |
Phil George interview, tape 1 of 2Interview Front of Case: The West, 080, CR 214 - Phil George - SR 42, CR 215 - Phil George - SR 42; Spine of Case: CR 214-215, 080 |
Videotape VT-20193/81 |
Phil George interview, tape 2 of 2Interview Front of Case: The West, 081, CR 216 - Phil George - SR 43, CR 217 - Phil George - SR 43; Spine of Case: CR 216-217, 081 |
Videotape VT-20193/82 |
Bitteroot Mountains and Kootenai Creek; Dave Emmons interview, tape 1 of 2Interview Front of Case: The West, 082, CR 218 - Bitteroot Mts. & Kootenai Creek, CR 219 - Dave Emmons - SR 44, CR 220 - Dave Emmons - SR 44; CR 218-220, 082 |
Videotape VT-20193/83 |
Dave Emmons interview, tape 2 of 2Interview Front of Case: The West, 083, CR 221 - Dave Emmons - SR 45, CR 222 - Dave Emmons - SR 45; Spine of Case: CR 221-222, 083 |
Videotape VT-20193/84 |
Bitteroot Mountains Sunset; Bitteroot Mountains and Blackfoot River; Henrietta Mann interview, tape 1 of 3B-Roll Front of Case: The West, 084, CR 223 - Bitteroot Mountains Sunset, CR 224 - Bitteroot Mts. & Blackfoot River; CR 225 - Henrietta Mann - SR 46; CR 226 - Henrietta Mann - SR 47; Spine of Case: CR 223-226, 084 |
Videotape VT-20193/85 |
Henrietta Mann interview, tape 2 of 3Interview Front of Case: The West, 085, CR 227 - Henrietta Mann - SR 47, CR 228 - Henrietta Mann - SR 48, CR 229 - Henrietta Mann - SR 48; Spine of Case: CR 227-229 |
Videotape VT-20193/86 |
Henrietta Mann interview, tape 3 of 3; Otis Halfmoon interview, tape 1 of 2Interview Front of Case: The West, 086, CR 230 - Henrietta Mann - SR 49, CR 231 - Otis Halfmoon - SR 49 |
Videotape VT-20193/87 |
Otis Halfmoon interview, tape 2 of 2Interview Front of Case: The West, 087, CR 232 - Otis Halfmoon - SR 50, CR 233 - Otis Halfmoon - SR 50; Spine of Case: CR 232-233, 087 |
Videotape VT-20193/88 |
Michael Dorris interview, tape 1 of 3Interview Front of Case: The West, 088, CR 234 - Michael Dorris - SR 51, CR 235 - Michael Dorris - SR 51, CR 236 - Michael Dorris - SR 52; Spine of Case: CR 234-236, 088 |
Videotape VT-20193/89 |
Michael Dorris interview, tape 2 of 3Interview Front of Case: The West, 089, CR 237 - Michael Dorris - SR 52, CR 238 - Michael Dorris - SR 53; Spine of Case: CR 237-238, 089 |
Videotape VT-20193/90 |
Michael Dorris interview, tape 3 of 3; Glacier National ParkInterview Front of Case: The West, 090, CR 239 - Michael Dorrsi - Sr 53, CR 240 - Michael Dorris - SR 54, CR 241 - Glacier National Park, CR 242 - Glacier National Park; Spine of Case: CR 239-242, 090 |
Videotape VT-20193/91 |
Tumacacori Park, Arizona; Chiricahua; Fort Bowie; Apache PassB-Roll Front of Case: The West, 091, CR 243 - Tumacacori Park AZ, CR 244 - Tumacacori Park AZ, CR 246 - Chiricahua/Ft. Bowie & Apache Pass; Spine of Case: CR 243 244 & 246, 091 |
Videotape VT-20193/92 |
Chiricahua; Fort Bowie; Apache Pass; Chiricahua Mountains and Coronado ForestB-Roll Front of Case: The West, 092, CR 247 - Chiricahua/Ft. Bowie & Apache Pass, CR 248 - Chiricahua Mts. & Coronado Forest; Spine of Case: CR 247-248, 092 |
Videotape VT-20193/93 |
Coronado National Forest; Chiricahua Mountains and Coronado ForestB-Roll Front of Case: The West, 093, CR 249 - Coronado Nat'l Forest, CR 250 - Chiricahua Mts. & Coronado Forest; Spine of Case: CR 249-250, 093 |
Videotape VT-20193/94 |
White Sands National Monument; Saguaro National MonumentB-Roll Front of Case: The West, 094, CR 252 - White Sands Nat'l Monument, CR 253 - White Sands & Saguaro, CR 254 - Saguaro Nat'l Monument; Spine of Case: CR 252-254 |
Videotape VT-20193/95 |
Salt Flats, Utah, tape 1 of 2B-Roll Front of Case: The West, 095, CR 289 - Salt Flats UT, CR 290 - Salt Flats UT, CR 291 - Salt Flats UT; Spine of Case: CR 289-291, 095 |
Videotape VT-20193/96 |
Salt Flats, Utah, tape 2 of 2; South Pass, Wyoming; Rocky Ridge, WyomingB-Roll Front of Case: The West, 096, CR 292 - Salt Flats UT & South Pass WY, CR 293 - South Pass WY, CR 294 - Rocky Ridge WY; Spine of Case: CR 292-294, 096 |
Videotape VT-20193/97 |
Split and Ind Rocks; Sweetwater, Wyoming; Independence Rock, WyomingB-Roll Front of Case: The West, 097, CR 296 - Split & Ind Rocks & Sweetwater WY, CR 297 - Independence Rock WY; Spine of Case: CR 296-297 |
Videotape VT-20193/98 |
Fort Laramie, Wyoming, tape 1 of 2B-Roll Front of Case: The West, 098, CR 298 - Fort Laramie WY, CR 299 - Fort Laramie WY; Spine of Case: CR 298-299, 098 |
Videotape VT-20193/99 |
Fort Laramie, Wyoming, tape 2 of 2B-Roll Front of Case: The West, 099, CR 300 - Fort Laramie WY, CR 301 - Fort Laramie WY, CR 302 - Fort Laramie WY; Spine of Case: CR 300-302, 099 |
Videotape VT-20193/100 |
Chimney Rock; Crossing Windlass Hill, California; Butte RiverB-Roll Front of Case: The West, 100, CR 303 - Chimney Rock, CR 304 - Chimney Rock, CR 305 - Crossing Windlass Hill CA, 305 - Butte River - Day; Spine of Case: CR 303-305, 100 |
Videotape VT-20193/101 |
Windlass and Boot Hills, Nebraska; Platte River; Ash Hollow, NebraskaB-Roll Front of Case: The West, 101, CR 306 - Windlass & Boot Hills NE, CR 307 - Platte River & Ash Hollow NE; Spine of Case: CR 306-307, 101 |
Videotape VT-20193/102 |
Platte River, Nebraska; Platte River and Flint Hills, NebraskaB-Roll Front of Case: The West, 102, CR 308 - Platte River NE, CR 309 - Platte River & Flint Hill NE; Spine of Case: CR 308-309, 102 |
Videotape VT-20193/103 |
Yosemite: Falls, Devil's Elbow, Tunnel View, Leidig Meadow and CanyonB-Roll Front of Case: The West, 103, CR 255 - Yosemite-Falls & Devil's Elbow, CR 256 - Yosemite-Falls & Devil's Elbow, CR 257 - Yosemite-Tunnel View, CR 258 - Yosemite-Leidig Meadow & Canyon; Spine of Case: CR 255-258, 103 |
Videotape VT-20193/104 |
Yosemite: Vernal and Illovette Falls, Supt Meadow and River, Ducks and RiverB-Roll Front of Case: The West, 104, CR 260 - Yosemite - Vernal & Illovette Falls, CR 261 - Yosemite-Supt Meadow & River, CR 262 - Yosemite-Ducks and River |
Videotape VT-20193/105 |
Marc Reisner interview, tape 1 of 2Interview Front of Case: The West, 105, CR 263 - Marc Reisner - SR 55, CR 264 - Marc Reisner - SR 55, CR 265 - Marc Reisner - SR 56; Spine of Case: 263-265 |
Videotape VT-20193/106 |
Marc Reisner interview, tape 2 of 2Interview Front of Case: The West, 106, CR 266 - Marc Reisner - SR 57, CR 267 - Marc Reisner - SR 57, CR 268 - Marc Reisner - SR 57; Spine of Case: CR 266-268, 106 |
Videotape VT-20193/107 |
Maxine Hong Kingston interview, tape 1 of 2Interview Front of Case: The West, 107, CR 269 - Maxine Hong Kingston - SR 58, CR 270 - Maxine Hong Kingston - SR 58, CR 271 - Maxine Hong Kingstone - SR 59; Spine of Case: CR 269-271, 107 |
Videotape VT-20193/108 |
Maxine Hong Kingston interview, tape 2 of 2; Ron Takaki interview, tape 1 of 3Interview Front of Case: The West, 108, CR 272 - Maxine Hong Kingston - SR 59, CR 273 - Ron Takaki - SR 60, CR 274 - Ron Takaki - SR 60 |
Videotape VT-20193/109 |
Ron Takaki interview, tape 2 of 3Interview Front of Case: The West, 109, CR 275 - Ron Takaki - SR 61, CR 276 - Ron Takaki - SR 61, CR 77 - Ron Takaki - SR 62; Spine of Cases: CR 275-277, 109 |
Videotape VT-20193/110 |
Ron Takaki interview, tape 3 of 3Interview Front of Case: The West, 110, CR 278 - Ron Takaki - SR 62, CR 279 - Ron Takaki - SR 63; Spine of Case: CR 278-279, 110 |
Videotape VT-20193/111 |
Carmel Mission, CaliforniaB-Roll Front of Case: The West, 111, CR 280 - Carmel Mission CA, CR 281 - Carmel Mission CA, CR 282 - Carmel Mission CA, CR 283 - Carmel Mission CA; Spine of Case: CR 280-283, 111 |
Videotape VT-20193/112 |
Mission San Antonio de Padua, California; David Risling interview, tape 1 of 2B-Roll Front of Case: The West, 112, CR 284 - Mission San Antonio de Padua CA, CR 285 - David Risling - SR 64, CR 286 - David Risling - SR 64; Spine of Case: CR 284-286, 112 |
Videotape VT-20193/113 |
David Risling interview, tape 2 of 2; Mission San Antonio de Padua, CAInterview Front of Case: The West, 113, CR 287 - David Risling - SR 64, CR 288 - Mission San Antonio de Padua CA; Spine of Case: CR 287-288, 113 |
Videotape VT-20193/114 |
Little Big HornB-Roll Front of Case: The West, 114, CR 311 - Little Big Horn, CR 312 - Little Big Horn, CR 313 - Little Big Horn; Spine of Case: CR 311-313, 114 |
Videotape VT-20193/115 |
Little Big Horn: Sunrise and AerialsB-Roll Front of Case: The West, 115, CR 314 - Little Big Horn - Sunrise, CR 315 - Little Big Horn - Sunrise, CR 316 - Little Big Horn - Aerials; Spine of Case: CR 314-316, 115 |
Videotape VT-20193/116 |
Little Big Horn: Aerials and Custer GraveB-Roll Front of Case: The West, 116, CR 317 - Little Big Horn - Aerials, CR 318 - Little Big Horn - Aerials, CR 319 - Little Big Horn - Custer Grave; Spine of Case: CR 317-319, 116 |
Videotape VT-20193/117 |
Little Big Horn: Gravesite; Joe Medicine Crow interview, tape 1 of 3B-Roll Front of Case: The West, 117, CR 320 - Little Big Horn - Gravesite, CR 321 - Joe Medicine Crow - SR 65, CR 322 - Joe Medicine Crow - SR 65; Spine of Case: CR 320-322, 117 |
Videotape VT-20193/118 |
Joe Medicine Crow interview, tape 2 of 3Interview Front of Case: The West, 118, CR 323 - Joe Medicine Crow - SR 65, CR 324 - Joe Medicine Crow - SR 65; Spine of Case: CR 323-324, 118 |
Videotape VT-20193/119 |
Joe Medicine Crow interview, tape 3 of 3Interview Front of Case: The West, 119, CR 325 - Joe Medicine Crow - SR 65, CR 326 - Joe Medicine Crow - SR 65; Spine of Case: CR 325-326, 119 |
Videotape VT-20193/120 |
Devil's Tower; Bear ButteB-Roll Front of Case: The West, 120, CR 327 - Devils Tower & Bear Butte, CR 329 - Bear Butte; Spine of Case: CR 327 & 329 |
Videotape VT-20193/121 |
Badlands: Aerials, tape 1 of 2B-Roll Front of Case: The West, 121, CR 330 - Badlands - Aerials (Buffalo & Sunset), CR 331 - Badlands - Aerials (Sunset & Sunrise), CR 332 - Badlands - Aerials (Sunrise & Mist); Spine of Case: CR 331-332, 121 |
Videotape VT-20193/122 |
Badlands: Aerials, tape 2 of 2; Wild HorsesB-Roll Front of Case: The West, 122, CR 333 - Badlands - Aerials (Buffalo), CR 334 - Badlands - Aerials (Buffalo & Horses), CR 335 - Wild Horses; Spine of Case: CR 333-335, 122 |
Videotape VT-20193/123 |
Wild HorsesB-Roll Front of Case: The West, 123, CR 336 - Wild Horses, CR 337 - Wild Horses; Spine of Case: CR 336-337, 123 |
Videotape VT-20193/124 |
Badlands: Triple 7 Ranch and IRAMB-Roll Front of Case: The West, 124, CR 359 - Badlands-Triple 7 Ranch, CR 360 - Badlands-Triple 7 Ranch & IRAM; Spine of Case: CR 359-360, 124 |
Videotape VT-20193/125 |
IRAM Horses; Mount RushmoreB-Roll Front of Case: The West, 125, CR 361 - IRAM Horses, CR 362 - Mt. Rushmore; Spine of Case: CR 361-362, 125 |
Videotape VT-20193/126 |
Oglala Sign; Ruey Darrow interview, tape 1 of 2Interview Front of Case: The West, 126, CR 338 - Ruey Darrow - SR 66 & Oglala Sign, CR 339 - Ruey Darrow - SR 66, CR 340 - Ruey Darrow - SR 66; Spine of Case: CR 338-340, 126 |
Videotape VT-20193/127 |
Ruey Darrow interview, tape 2 of 2; Charlotte Black Elk interview, tape 1 of 4Interview Front of Case: The West, 127, CR 341 - Ruey Darrow - SR 66, CR 342 - Ruey Darrow - SR 66, CR 343 - Charlotte Black Elk - SR 67; Spine of Case: CR 341-343, 127 |
Videotape VT-20193/128 |
Charlotte Black Elk interview, tape 2 of 4Interview Front of Case: The West, 128, CR 344 - Charlotte Black Elk - SR 67, CR 345 - Charlotte Black Elk - SR 67, CR 346 - Charlotte Black Elk - SR 67; Spine of Case: CR 344-346, 128 |
Videotape VT-20193/129 |
Charlotte Black Elk interview, tape 3 of 4Interview Front of Case: The West, 129, CR 347 - Charlotte Black Elk - SR 67, CR 348 - Charlotte Black Elk - SR 67; Spine of Case: CR 347-348, 129 |
Videotape VT-20193/130 |
Charlotte Black Elk interview, tape 4 of 4; Max Blacksmith interview, tape 1 of 3Interview Front of Case: The West, 130, CR 349 - Charlotte Black Elk - SR 67, CR 350 - Max Black Smith - SR 68; Spine of Case: CR 349-350, 130 |
Videotape VT-20193/131 |
Max Blacksmith interview, tape 2 of 3Interview Front of Case: The West, 131, CR 351 - Max Black Smith - SR 68, CR 352 - Max Black Smith - SR 68; Spine of Case: CR 351-352, 131 |
Videotape VT-20193/132 |
Max Blacksmith interview, tape 3 of 3; Windmill; Albert White Hat interview, tape 1 of 3Interview Front of Case: The West, 132, CR 353 - Max Black Smith - SR 68 & Windmill, CR 354 - Windmill & Albert White Hat - SR 69; Spine of Case: CR 353-354, 132 |
Videotape VT-20193/133 |
Albert White Hat interview, tape 2 of 3Interview Front of Case: The West, 133, CR 355 - Albert White Hat - SR 69, CR 356 - Albert White Hat - SR 69; Spine of Case: CR 355-356, 133 |
Videotape VT-20193/134 |
Albert White Hat interview, tape 3 of 3Interview Front of Case: The West, 134, CR 357 - Albert White Hat - SR 69, CR 358 - Albert White Hat - SR 69; Spine of Case: CR 357-358 |
Videotape VT-20193/135 |
Yosemite: Falls, Valley, Meadow and DeerB-Roll Front of Case: The West, 135, CR 256 - Yosemite-Falls & Valley, CR 259 - Yosemite-Meadow & Deer; Spine of Case: CR 256 & 259, 135 |
Videotape VT-20193/136 |
Rocky Ridge, WyomingB-Roll Front of Case: The West, 136, CR 295 - Rocky Ridge WY (B&W); Spine of Case: CR 295, 136 |
Videotape VT-20193/137 |
Kanza Prairie and Flint HillsB-Roll Front of Case: The West, 137, CR 196 - Kanza Prairie & Flint Hills; Spine of Case: CR 196, 137 |
Videotape VT-20193/138 |
Tumacacori; Ft. Bowie; Apache Pass; Chiricahua Mts.; Coronado ForestB-Roll Front of Case: The West, 138, CR 245 - Tumacacori/Ft. Bowie & Apache Pass, CR 251 - Chiricahua Mts. & Coronado Forest; Spine of Case: CR 245 & 251, 138 |
Videotape VT-20193/139 |
Devil's TowerB-Roll Front of Case: The West, 139, CR 328 - Devil's Tower; Spine of Case: CR 328, 139 |
Videotape VT-20193/140 |
Dayton Duncan interview, tape 5 of 7Interview Front of Case: The West, 140, CR 363 - Dayton Duncan (NH) - SR 71, CR 364 - Dayton Duncan (NH) - SR 71, CR 365 - Dayton Duncan (NH) - SR 71; Spine of Case: CR 363-365, 140 |
Videotape VT-20193/141 |
Dayton Duncan interview, tape 6 of 7Interview Front of Case: The West, 141, CR 366 - Dayton Duncan (NH) - SR 71, CR 367 - Dayton Duncan (NH) - SR 71, CR 368 - Dayton Duncan (NH) - SR 71; Spine of Case: CR 366-368, 141 |
Videotape VT-20193/142 |
Library of Congress, tape 1 of 4Titles and Stills Front of Case: The West, 142, CR 369 - Library of Congress, CR 370 - Library of Congress, CR 371 - Library of Congress; Spine of Case: CR 369-371, 142 |
Videotape VT-20193/143 |
Library of Congress, tape 2 of 4Titles and Stills Front of Case: The West, 143, CR 372 - Library of Congress, CR 373 - Library of Congress; Spine of Case: CR 372-373, 143 |
Videotape VT-20193/144 |
Library of Congress, tape 3 of 4Titles and Stills Front of Case: The West, 144, CR 374 - Library of Congress, CR 375 - Library of Congress, CR 376 - Library of Congress; Spine of Case: CR 374-376, 144 |
Videotape VT-20193/145 |
Library of Congress, tape 4 of 4; Office Stills Shot in DC, tape 1 of 3Titles and Stills Front of Case: The West, 145, CR 377 - Library of Congress, CR 378 - L.O.C. & Office Stills Shot in DC; Spine of Case: CR 377-378, 145 |
Videotape VT-20193/146 |
Office Stills Shot in DC, tape 2 of 3Titles and Stills Front of Case: The West, 146, CR 379 - Office Stills Shot in DC, CR 380 - Office Stills Shot in DC, CR 381 - Office Stills Shot in DC; Spine of Case: CR 379-381, 146 |
Videotape VT-20193/147 |
Office Stills Shot in DC, tape 3 of 3Titles and Stills Front of Case: The West Film Project, UBIT #147, CR #382-384 |
Videotape VT-20193/148 |
Custer House, Slant Village; Lincoln Park: Slant VillageB-Roll Front of Case: The West, 250, CR 399 - Custer House Slant Village (ND), CR 400 - Lincoln Park - Slant Village (ND); Spine of Case: CR 399-400, 250 |
Videotape VT-20193/149 |
Lincoln Park: Custer House; Lincoln Park; Cross Ranch RiverB-Roll Front of Case: The West, 251, CR 401 - Lincoln Park-Custer House, CR 402 - Lincoln Park/Cross Ranch River; Spine of Case: CR 401-402, 251 |
Videotape VT-20193/150 |
Cross Ranch Park; Missouri River; Lincoln TeepeesB-Roll Front of Case: The West, 252, CR 403 - Cross Ranch Park (ND), CR 404 - MO River/Lincoln Teepees; Spine of Case: CR 403-404, 252 |
Videotape VT-20193/151 |
Missouri River on BoatB-Roll Front of Case: The West, 253, CR 405 - Missouri River on Boat, CR 406 - Missouri River on Boat; Spine of Case: CR 405-406, 253 |
Videotape VT-20193/152 |
Fort Mandan; Chateau de Mores; Teddy Roosevelt CabinB-Roll Front of Case: The West, 254, CR 408 - Ft. Mandan/Chateau de Mores, CR 409 - Teddy Roosevelt Cabin; Spine of Case: CR 408-409, 254 |
Videotape VT-20193/153 |
TR Park: Chateau de Mores, tape 1 of 2B-Roll Front of Case: The West, 255, CR 410 - TR Park/Chateau de Mores, CR 411 - TR Park/Chateau de Mores; Spine of Case: CR 410-411, 255 |
Videotape VT-20193/154 |
TR Park: Chateau de Mores, tape 2 of 2; TR Park; Lincoln Park and Teepees, tape 1 of 2B-Roll Front of Case: The West, 256, CR 412 - TR Park/Chateau de Mores, CR 413 - TR Park/Lincoln Park & Teepees; Spine of Case: CR 412-413, 256 |
Videotape VT-20193/155 |
Lincoln Park Teepees and Horses, tape 2 of 2; Lincoln Park Teepees; Missouri River, tape 1 of 2B-Roll Front of Case: The West, 257, CR 414 - Lincoln Park Teepees & Horses, CR 415 - Lincoln Part Teepees/MO River; Spine of Case: CR 414-415, 257 |
Videotape VT-20193/156 |
Missouri River, tape 2 of 2; Lincoln Park: Teepees and Slant VillageB-Roll Front of Case: The West, 258, CR 416 - Missouri River, CR 417 - Lincoln Park-Teepees & Slant Village; Spine of Case: CR 416-417, 258 |
Videotape VT-20193/157 |
Lincoln Park: Teepees and River; Lincoln River: Custer HouseB-Roll Front of Case: The West, 259, CR 418 - Lincoln Park-Teepees & River, CR 419 - Lincoln Park-Custer House (ND); Spine of Case: CR 418-419, 259 |
Videotape VT-20193/158 |
Robert Utley interview, tape 1 of 3Interview Front of Case: The West, 260, CR 420 - Robert Utley - SR 72, CR 421 - Robert Utley - SR 72, CR 422 - Robert Utley - SR 72; Spine of Case: CR 420-422, 260 |
Videotape VT-20193/159 |
Robert Utley interview, tape 2 of 3Interview Front of Case: The West, 261, CR 423 - Robert Utley - SR 73, CR 424 - Robert Utley - SR 73, CR 425 - Robert Utley - SR 73; Spine of Case: CR 423-425, 261 |
Videotape VT-20193/160 |
Robert Utley interview, tape 3 of 3; David Edmunds interview, tape 1 of 2Interview Front of Case: The West, 262, CR 426 - Robert Utley - SR 74, CR 427 - David Edmunds - SR 75; Spine of Case: CR 426-427, 262 |
Videotape VT-20193/161 |
David Edmunds interview, tape 2 of 2Interview Front of Case: The West, 263, CR 428 - David Edmunds - SR 76, CR 429 - David Edmunds - SR 77; Spine of Case: CR 428-429, 263 |
Videotape VT-20193/162 |
Lassen Meadow; Humboldt River; Black Rock Desert; Black Rock Playa, tape 1 of 3B-Roll Front of Case: The West, 264, CR 385 - Lassen Meadow/Humboldt River, CR 386 - Black Rock Desert, CR 387 - Black Rock Playa; Spine of Case: CR 385-387, 264 |
Videotape VT-20193/163 |
Black Rock Playa, tape 2 of 3; Black Rock SpringB-Roll Front of Case: The West, 265, CR 388 - Black Rock Playa, CR 389 - Black Rock Spring; Spine of Case: CR 388-389, 265 |
Videotape VT-20193/164 |
Black Rock Playa, tape 3 of 3; Fandango Pass, East and WestB-Roll Front of Case: The West, 266, CR 391 - Black Rock Playa, CR 392 - Fandango Pass East and West, CR 393 - Fandango Pass East and West; Spine of Case: CR 391-393, 266 |
Videotape VT-20193/165 |
Goose Lake; Pit River Valley; Nevada CityB-Roll Front of Case: The West, 267, CR 394 - Goose Lake/Pit River Valley, CR 395 - Nevada City; Spine of Case: CR 394-395, 267 |
Videotape VT-20193/166 |
Bannock Sunrise; Nevada City; Nevada City InteriorsB-Roll Front of Case: The West, 268, CR 396 - Bannock Sunrise/Nevada City, CR 397 - Nevada City Interiors; Spine of Case: CR 396-397, 268 |
Videotape VT-20193/167 |
Alamo; Connally Ranch; Office Stills Shot in San Antonio, tape 1 of 2B-Roll Front of Case: The West, 269, CR 430 - Alamo & Connally Ranch, CR 431 - Office Stills Shot in San Antonio, CR 432 - Office Stills Shot in San Antonio; Spine of Case: CR 430-432, 269 |
Videotape VT-20193/168 |
Office Stills Shot in San Antonio, tape 2 of 2; Richard Santos interview, tape 1 of 3Interview Front of Case: The West, 270, CR 433 - Office Stills Shot in San Antonio, CR 434 - Office Stills Shot in San Antonio, CR 435 - Richard Santos - SR 78; Spine of Case: CR 433-435, 270 |
Videotape VT-20193/169 |
Richard Santos interview, tape 2 of 3Interview Front of Case: The West, 271, CR 436 - Richard Santos - SR 78, CR 437 - Richard Santos - SR 78, CR 438 - Richard Santos - SR 78; Spine of Case: CR 436-438, 271 |
Videotape VT-20193/170 |
Richard Santos interview, tape 3 of 3; Goliad Mission, TXInterview Front of Case: The West, 272, CR 439 - Richard Santos - SR 79, CR 440 - Goliad Mission TX, CR 441 - Goliad Mission TX; Spine of Case: CR 439-441, 272 |
Videotape VT-20193/171 |
Felix Almarez interview, tape 1 of 2Interview Front of Case: The West, 273, CR 442 - Felix Almarez - SR 80, CR 443 - Felix Almarez - SR 80, CR 444 - Felix Almarez - SR 80; Spine of Case: CR 442-444, 273 |
Videotape VT-20193/172 |
Felix Almarez interview, tape 2 of 2; Ralph Yarborough interview, tape 1 of 2Interview Front of Case: The West, 274, CR 445 - Felix Almarez - SR 80, CR 446 - Ralph Yarborough - CR 81, CR 447 - Ralph Yarborough - SR 81; Spine of Case: CR 445-447, 274 |
Videotape VT-20193/173 |
Ralph Yarborough interview, tape 2 of 2; Center for Am. HistoryInterview Front of Case: The West, 275, CR 448 - Ralph Yarborough - SR 81, CR 449 - Center for Am. History U. TX, CR 450 - Center for Am. History U. TX; Spine of Case: CR 448-450, 275 |
Videotape VT-20193/174 |
Center for Am. History, U TexasTitles and Stills Front of Case: The West, 276, CR 451 - Center for Am. History U Texas; Spine of Case: CR 451, 276 |
Videotape VT-20193/175 |
Scott Momaday interview, tape 1 of 4Interview Front of Case: The West, 277, CR 452 - Scott Momaday - SR 82; Spine of Case: CR 452, 277 |
Videotape VT-20193/176 |
Scott Momaday interview, tape 2 of 4Interview Front of Case: The West, 278, CR 453 - Scott Momaday - SR 82, CR 454 - Scott Momaday - SR 82; Spine of Case: CR 453-454, 278 |
Videotape VT-20193/177 |
Scott Momaday interview, tape 3 of 4Interview Front of Case: The West, 279, CR 455 - Scott Momaday - SR 82, CR 456 - Scott Momaday - SR 82; Spine of Case: CR 455-456, 279 |
Videotape VT-20193/178 |
Scott Momaday interview, tape 4 of 4; J. Roy Jeffrey interview, tape 1 of 3Interview Front of Case: The West, 280, CR 457 - Scott Momaday - SR 82, CR 458 - J. Roy Jeffrey - SR 83; Spine of Case: CR 457-458, 280 |
Videotape VT-20193/179 |
J. Roy Jeffrey interview, tape 2 of 3Interview Front of Case: The West, 281, CR 459 - J. Roy Jeffrey - SR 83, CR 460 - J. Roy Jeffrey - SR 83; Spine of Case: CR 459-460, 281 |
Videotape VT-20193/180 |
J. Roy Jeffrey interview, tape 3 of 3Interview Front of Case: The West, 282, CR 461 - J. Roy Jeffrey - SR 83, CR 462 - J. Roy Jeffrey - SR 83; Spine of Case: CR 461-462, 282 |
Videotape VT-20193/181 |
Nevada City Interiors; Missour River on Boat: Sunrise on RiverB-Roll Front of Case: The West, Tape #283, CR# 398 & 407 |
Videotape VT-20193/182 |
Animation ChromesTitles and Stills Front of Case: The West, 285, CR 463 - Animation Chromes, CR 464 - Animation Chromes; Spine of Case: CR 463-464, 285 |
Videotape VT-20193/183 |
Bill Gwaltney interview, tape 1 of 3Interview Front of Case: The West, 286, CR 456 - Bill Gwaltney - SR 84, CR 466 - Bill Gwaltney - SR 84; Spine of Case: CR 465-466 |
Videotape VT-20193/184 |
Bill Gwaltney interview, tape 2 of 3Interview Front of Case: The West, 287, CR 467 - Bill Gwaltney - SR 35, CR 468 - Bill Gwaltney - SR 86; Spine of Case: CR 467-468, 287 |
Videotape VT-20193/185 |
Bill Gwaltney interview, tape 3 of 3; Pecos International MonumentInterview Front of Case: The West, 288, CR 469 - Bill Gwaltney - SR 86, CR 470 - Pecos National Monument; Spine of Case: CR 469-470, 288 |
Videotape VT-20193/186 |
Pecos National Monument; Alfonso Ortiz interview, tape 1 of 5B-Roll Front of Case: The West, 289, CR 471 - Pecos National Monument, CR 472 - Alfonso Ortiz - SR 87; Spine of Case: CR 471-472, 289 |
Videotape VT-20193/187 |
Alfonso Ortiz interview, tape 2 of 5Interview Front of Case: The West, 290, CR 473 - Alfonso Ortiz - SR 87, CR 474 - Alfonso Ortiz - SR 88; Spine of Case: CR 473-474, 290 |
Videotape VT-20193/188 |
Alfonso Ortiz interview, tape 3 of 5Interview Front of Case: The West, 291, CR 475 - Alfonso Ortiz - SR 88, CR 476 - Alfonso Ortiz - SR 89; Spine of Case: CR 475-476, 291 |
Videotape VT-20193/189 |
Alfonso Ortiz interview, tape 4 of 5Interview Front of Case: The West, 292, CR 477 - Alfonso Ortiz - SR 89, CR 478 - Alfonso Ortiz - SR 90; Spine of Case: CR 477-478, 292 |
Videotape VT-20193/190 |
Alfonso Ortiz interview, tape 5 of 5Interview Front of Case: The West, 293, CR 479 - Alfonso Ortiz - SR 91, CR 480 - Alfonso Ortiz - SR 91; Spine of Case: CR 479-480, 293 |
Videotape VT-20193/191 |
Los Solandrinas, tape 1 of 2B-Roll Front of Case: The West, 294, CR 481 - Los Solandrinas, CR 482 - Los Solandrinas; Spine of Case: CR 481-482, 294 |
Videotape VT-20193/192 |
Los Solandrinas, tape 2 of 2; Pecos National Monument IIB-Roll Front of Case: The West, 295, CR 483 - Los Solandrinas, CR 484 - Pecos National Monument II; Spine of Case: CR 483-484, 295 |
Videotape VT-20193/193 |
Chaco Canyon; Chaco Canyon Aerials IB-Roll Front of Case: The West, 296, CR 485 - Chaco Canyon, CR 486 - Chaco Canyon, CR 487 - Chaco Canyon Aerials I; Spine of Case: CR 485-487, 296 |
Videotape VT-20193/194 |
Museum of the American IndianTitles and Stills Front of Case: The West, 297, CR 488 - Museum of the American Indian, CR 489 - Museums of the American Indian; Spine of Case: CR 488-489, 297 |
Videotape VT-20193/195 |
Animation: Boston Frame Shop, tape 1 of 2Titles and Stills Front of Case: The West, 298, CR 490 - Animation-Boston Frame Shop; Spine of Case: CR 490, 298 |
Videotape VT-20193/196 |
Animation: Boston Frame Shop, tape 2 of 2Titles and Stills Front of Case: The West, 299, CR 491 - Animation-Boston Frame Shop; Spine of Case: CR 491, 299 |
Videotape VT-20193/197 |
Alvin Josephy interview, tape 1 of 4Interview Front of Case: The West, 300, CR 492 - Alvin Josephy - SR 92; Spine of Case: CR 492-493, 300 |
Videotape VT-20193/198 |
Alvin Josephy interview, tape 2 of 4Interview Front of Case: The West, 301, CR 494 - Alvin Josephy - SR 93, CR 495 - Alvin Josephy - SR 93; Spine of Case: CR 494-495, 301 |
Videotape VT-20193/199 |
Alvin Josephy interview, tape 3 of 4Interview Front of Case: The West, 302, CR 496 - Alvin Josephy - SR 94, CR 498 - Alvin Josephy - SR 95; Spine of Case: CR 496 & 498, 302 |
Videotape VT-20193/200 |
Alvin Josephy interview, tape 4 of 4; John Farragher interview, tape 1 of 4Interview Front of Case: The West, 303, CR 497 - Alvin Josephy - SR 94, CR 499 - John Farragher - SR 96; Spine of Case: CR 497 & 499, 303 |
Videotape VT-20193/201 |
John Farragher interview, tape 2 of 4Interview Front of Case: The West, 304, CR 500 - John Farragher - SR 97, CR 501 - John Farragher - SR 97; Spine of Case: CR 500-501, 304 |
Videotape VT-20193/202 |
John Farragher interview, tape 3 of 4Interview Front of Case: The West, 305, CR 502 - John Farragher - SR 98, CR 503 - John Farragher - SR 98; Spine of Case: CR 502-503, 305 |
Videotape VT-20193/203 |
John Farragher interview, tape 4 of 4Interview Front of Case: The West, 306, CR 504 - John Farragher - SR 99, CR 505 - John Farragher - SR 99; Spine of Case: CR 504-505, 306 |
Videotape VT-20193/204 |
Denver Public Library, tape 1 of 2Titles and Stills Front of Case: The West, 307, CR 506 - Denver Public Library, CR 507 - Denver Public Library, CR 508 - Denver Public Library; Spine of Case: CR 506-508, 307 |
Videotape VT-20193/205 |
Denver Public Library, tape 2 of 2; Office Stills Shot in Denver, tape 1 of 2Titles and Stills Front of Case: The West, 308, CR 509 - Denver Public Library, CR 510 - Office Stills Shot in Denver, CR 511 - Office Stills Shot in Denver; Spine of Case: CR 509-511, 308 |
Videotape VT-20193/206 |
Office Stills Shot in Denver, tape 2 of 2Titles and Stills Front of Case: The West, 309, CR 512 - Office Stills Shot in Denver, CR 513 - Office Stills Shot in Denver, CR 514 - Office Stills Shot in Denver; Spine of Case: CR 512-514, 309 |
Videotape VT-20193/207 |
Patty Limmerick interview, tape 1 of 4Interview Front of Case: The West, 310, CR 515 - Patty Limmerick - SR 100, CR 516 - Patty Limmerick - SR 100, CR 517 - Patty Limmerick - SR 100 & 101; Spine of Case: CR 515-517, 310 |
Videotape VT-20193/208 |
Patty Limmerick interview, tape 2 of 4Interview Front of Case: The West, 311, CR 518 - Patty Limmerick - SR 101, CR 519 - Patty Limmerick - SR 101, CR 520 - Patty Limmerick - SR 102; Spine of Case: CR 518-520, 311 |
Videotape VT-20193/209 |
Patty Limmerick interview, tape 3 of 4Interview Front of Case: The West, 312, CR 521 - Patty Limmerick - SR 102, CR 522 - Patty Limmerick - SR 103, CR 523 - Patty Limmerick - SR 103; Spine of Case: CR 521-523, 312 |
Videotape VT-20193/210 |
Patty Limmerick interview, tape 4 of 4; Rick Williams interview, tape 1 of 3Interview Front of Case: The West, 313, CR 524 - Patty Limmerick - SR 103 & 104, CR 525 - Rick Williams - SR 105, CR 526 - Rick Williams - SR 105; Spine of Case: CR 524-526, 313 |
Videotape VT-20193/211 |
Rick Williams interview, tape 2 of 3Interview Front of Case: The West, 314, CR 527 - Rick Williams - SR 106, CR 528 - Rick Williams - SR 106; CR 527-528, 314 |
Videotape VT-20193/212 |
Rick Williams interview, tape 3 of 3Interview Front of Case: The West, 315, CR 529 - Rick Williams - SR 107, CR 530 - Rick Williams - SR 107; Spine of Case: CR 529-530, 315 |
Videotape VT-20193/213 |
Bent's Fort, tape 1 of 2B-Roll Front of Case: The West, 316, CR 531 - Bent's Fort, CR 532 - Bent's Fort; Spine of Case: CR 531-532, 316 |
Videotape VT-20193/214 |
Bent's Fort, tape 2 of 2; Colorado MountainsB-Roll Front of Case: The West, 317, CR 533 - Bent's Fort, CR 533 - Bent's Fort, CR 534 - Bent's Fort & Colorado Mts.; Spine of Case: CR 533-534, 517 |
Videotape VT-20193/215 |
Colorado Mountain ViewsB-Roll Front of Case: The West, 318, CR 535 - Colorado Mt. Views, CR 536 - Colorado Mt. Views; Spine of Case: CR 535-536, 318 |
Videotape VT-20193/216 |
Colorado Mountains; National Arches, UtahB-Roll Front of Case: The West, 319, Colorado Mntns CO, CR 537 - National Arches UT, CR 538 - National Arches UT; Spine of Case: CR 537-538, 319 |
Videotape VT-20193/217 |
Rob Issen Animation: TestTitles and Stills Front of Case: The West, 320, CR 539 - Animation-Rob Issen Test; Spine of Case: CR 539, 320 |
Videotape VT-20193/218 |
Beinecke Library, Yale, tape 1 of 5Titles and Stills Front of Case: The West, 321, CR 541 - Beinecke Library Yale, CR 542 - Beinecke Library Yale; Spine of Case: CR 541-542, 321 |
Videotape VT-20193/219 |
Beinecke Library, Yale, tape 2 of 5Titles and Stills Front of Case: The West, 322, CR 543 - Beinecke Library Yale, CR 544 - Beinecke Library Yale; Spine of Case: CR 543-544, 322 |
Videotape VT-20193/220 |
Beinecke Library, Yale, tape 3 of 5Titles and Stills Front of Case: The West, 323, CR 545 - Beinecke Library Yale, CR 546 - Beinecke Library Yale, CR 545-546, 323 |
Videotape VT-20193/221 |
Beinecke Library, Yale, tape 4 of 5Titles and Stills Front of Case: The West, 324, CR 547 - Beinecke Library Yale, CR 548 - Beinecke Library Yale; Spine of Case: CR 547-548, 324 |
Videotape VT-20193/222 |
Beinecke Library, Yale, tape 5 of 5Titles and Stills Front of Case: The West, 325, CR 549 - Beinecke Library Yale, CR 550 - Beinecke Library Yale; Spine of Case: 549-550, 325 |
Videotape VT-20193/223 |
Rob Issen Animation: Test 2; Martin Ridge interview, tape 1 of 6Interview Front of Case: The West, 326, CR 540 - Issen Animation Test 2, CR 541 - Martin Ridge - SR 108; Spine of Case: CR 540 & 551, 326 |
Videotape VT-20193/224 |
Martin Ridge interview, tape 2 of 6Interview Front of Case: The West, 327, CR 552 - Martin Ridge - SR 108, CR 553 - Martin Ridge - SR 108; Spine of Case: CR 552-553, 327 |
Videotape VT-20193/225 |
Martin Ridge interview, tape 3 of 6Interview Front of Case: The West, 328, CR 554 - Martin Ridge - SR 109, CR 555 - Martin Ridge - SR 109; Spine of Case: CR 554-555, 328 |
Videotape VT-20193/226 |
Martin Ridge interview, tape 4 of 6Interview Front of Case: The West, 329, CR 556 - Martin Ridge - SR 109, CR 557 - Martin Ridge - SR 110; Spine of Case: CR 556-557, 329 |
Videotape VT-20193/227 |
Martin Ridge interview, tape 5 of 6Interview Front of Case: The West, 330, CR 558 - Martin Ridge - SR 110, CR 559 - Martin Ridge - SR 110; Spine of Case: CR 558-559, 330 |
Videotape VT-20193/228 |
Martin Ridge interview, tape 6 of 6; Yvette Huginnie interview, tape 1 of 3Interview Front of Case: The West, 331, CR 560 - Martin Ridge - SR 110, CR 561 - Yvette Huginnie - SR 111; Spine of Case: CR 560-561 |
Videotape VT-20193/229 |
Yvette Huginnie interview, tape 2 of 3Interview Front of Case: The West, 332, CR 562 - Yvette Huginnie - SR 111, CR 563 - Yvette Huginnie - SR 111; Spine of Case: CR 562-563, 332 |
Videotape VT-20193/230 |
Yvette Huginnie interview, tape 3 of 3Interview Front of Case: The West, 333, CR 564 - Yvette Huginnie - SR 112, CR 565 - Yvette Huginnie - SR 112; Spine of Case: CR 564-565, 333 |
Videotape VT-20193/231 |
Huntington Library, tape 1 of 7Titles and Stills Front of Case: The West, 334, CR 566 - Huntington Library , CR 567 - Huntington Library; Spine of Case: CR 566-567, 334 |
Videotape VT-20193/232 |
Huntington Library, tape 2 of 7Titles and Stills Front of Case: The West, 335, CR 568 - Huntington Library, CR 569 - Huntington Library; Spine of Case: CR 568-569, 335 |
Videotape VT-20193/233 |
Huntington Library, tape 3 of 7Titles and Stills Front of Case: The West, 336, CR 570 - Huntington Library, CR 571 - Huntington Library; Spine of Case: CR 570-571, 336 |
Videotape VT-20193/234 |
Huntington Library, tape 4 of 7Titles and Stills Front of Case: The West, 337, CR 572 - Huntington Library, CR 573 - Huntington Library; Spine of Case: CR 572-573, 337 |
Videotape VT-20193/235 |
Huntington Library, tape 5 of 7Titles and Stills Front of Case: The West, 338, CR 576 - Huntington Library, CR 577 - Huntington Library; Spine of Case: CR 576-577, 338 |
Videotape VT-20193/236 |
Huntington Library, tape 6 of 7Titles and Stills Front of Case: The West, 339, CR 574 - Huntington Library, CR 575 - Huntington Library; Spine of Case: CR 574-575, 339 |
Videotape VT-20193/237 |
Huntington Library, tape 7 of 7; Richard White interview, tape 1 of 7Titles and Stills Front of Case: The West, 340, CR 578 - Huntington Library, CR 579 - Richard White - SR 113; Spine of Case: CR 578-579, 340 |
Videotape VT-20193/238 |
Richard White interview, tape 2 of 7Interview Front of Case: The West, 341, CR 580 - Richard White - SR 113, CR 581 - Richard White - SR 113; Spine of Case: CR 580-581, 341 |
Videotape VT-20193/239 |
Richard White interview, tape 3 of 7Interview Front of Case: The West, 342, CR 582 - Richard White - SR 114, CR 583 - Richard White - SR 114; Spine of Case: CR 582-583, 342 |
Videotape VT-20193/240 |
Richard White interview, tape 4 of 7Interview Front of Case: The West, 343, CR 584 - Richard White - SR 114, CR 585 - Richard White - SR 115; Spine of Case: CR 584-585, 343 |
Videotape VT-20193/241 |
Richard White interview, tape 5 of 7Interview Front of Case: The West, 344, CR 586 - Richard White - SR 115, CR 587 - Richard White - SR 115; Spine of Case: CR 586-587, 344 |
Videotape VT-20193/242 |
Richard White interview, tape 6 of 7Interview Front of Case: The West, 345, CR 588 - Richard White - SR 116, CR 589 - Richard White - SR 116; Spine of Case: CR 588-589, 345 |
Videotape VT-20193/243 |
Richard White interview, tape 7 of 7; Office Stills Shot in Pasadena, tape 1 of 2Interview Front of Case: The West, 346, CR 590 - Richard White - SR 116, CR 591 - Office Stills Shot in Pasadena; Spine of Case: CR 590-591, 346 |
Videotape VT-20193/244 |
Office Stills Shot in Pasadena, tape 2 of 2Titles and Stills Front of Case: The West, 347, CR 592 - Office Stills Sho in Pasadena |
Videotape VT-20193/245 |
Rob Issen AnimationTitles and Stills Front of Case: The West, 348, CR 593 - Animation-Rob Issen, CR 594 - Animation-Rob Issen, CR 595 - Animation-Rob Issen; Spine of Case: CR 593-595, 348 |
Videotape VT-20193/246 |
Rob Issen Animation; Sand Creek by PickneyTitles and Stills Front of Case: The West, 349, CR 596 - Animation-Rob Issen, CR 597 - Animation-Rob Issen, CR 598 - Sand Creek by Pickney; Spine of Case: CR 596-598, 349 |
Videotape VT-20193/247 |
Rob Issen AnimationTitles and Stills Front of Case: The West, 350, CR 599 - Issen Animation, CR 600 - Issen Animation; Spine of Case: CR 599-600, 350 |
Videotape VT-20193/248 |
Office Stills Shot in Conway, tape 1 of 4Titles and Stills Front of Case: The West, 351, CR 601 - Office Stills Shot in Conway, CR 602 - Office Stills Shot in Conway, CR 603 - Office Stills Shot in Conway; Spine of Case: CR 601-603, 351 |
Videotape VT-20193/249 |
Office Stills Shot in Conway, tape 2 of 4Titles and Stills Front of Case: The West, 352, CR 604 - Office Stills Shot in Conway, CR 605 - Office Stills Shot in Conway, CR 606 - Office Stills Shot in Conway; Spine of Case: CR 604-606, 352 |
Videotape VT-20193/250 |
Office Stills Shot in Conway, tape 3 of 4Titles and Stills Front of Case: The West, 353, CR 607 - Office Stills Shot in Conway, CR 608 - Office Stills Shot in Conway, CR 609 - Office Stills Shot in Conway; Spine of Case: CR 607-609, 353 |
Videotape VT-20193/251 |
Office Stills Shot in Conway, tape 4 of 4Titles and Stills Front of Case: The West, 354, CR 610 - Office Stills Shot in Conway, CR 611 - Office Stills Shot in Conway, CR 612 - Office Stills Shot in Conway; Spine of Case: CR 610-612, 354 |
Videotape VT-20193/252 |
Office Stills: Buddy in ConwayTitles and Stills Front of Case: The West, 355, CR 613 - Office Stills-Buddy in Conway, CR 614 - Office Stills-Buddy in Conway, CR 615 - Office Stills-Buddy in Conway; Spine of Case: CR 613-615, 355 |
Videotape VT-20193/253 |
Office Stills: Buddy in ConwayTitles and Stills Front of Case: The West, 356, CR 616 - Office Stills-Buddy in Conway, CR 617 - Office Stills-Buddy in Conway; Spine of Case: CR 616-617, 356 |
Videotape VT-20193/254 |
Rob Issen AnimationTitles and Stills Front of Case: The West, 357, CR 618 - Rob Issen Animation, CR 619 - Rob Issen Animation; Spine of Case: CR 618-619, 357 |
Videotape VT-20193/255 |
Michael Quinn interviewInterview Front of Case: The West, 358, CR 620 - Michael Quinn - SR 117, CR 621 - Michael Quinn - SR 117, CR 622 - Michael Quinn - SR 117; Spine of Case: CR 620-622, 358 |
Videotape VT-20193/256 |
Aerials: Rocky MountainsB-Roll Front of Case: The West, 359, 623 - Aerials-Rocky Mountain, 624 - Aerials-Rocky Mountain, 625 - Aerials-Rocky Mountains; Spine of Case: CR 623-625, 359 |
Videotape VT-20193/257 |
Exteriors Texas: Hill Country; Office Stills: Texas 2B-Roll Front of Case: The West, UBIT# 360, CR# 626-628; Spine of Case: 360 |
Videotape VT-20193/258 |
Rob Issen AnimationTitles and Stills Front of Case: The West, 361, CR 629 - Rob Issen Animation, CR 630 - Rob Issen Animation, CR 631 - Rob Issen Animation; Spine of Case: CR 629-631, 361 |
Videotape VT-20193/259 |
Rob Issen AnimationTitles and Stills Front of Case: The West, 362, CR 632 - Rob Issen Animation, CR 633 - Rob Issen Animation; Spine of Case: CR 632-633, 362 |
Videotape VT-20193/260 |
Aerials: Arkansas River, Tulsa; Aerials: Treed Hills and Lake, Oklahoma; Aerials: Grasslands and Buffalo, OklahomaB-Roll Front of Case: The West, 363, 660 - Aerials-Arkansas River-Tulsa, 661 - Aerials-Treed Hills & Lake OK, CR 662 - Aerials-Grasslands & Buffalo OK; Spine of Case: CR 660-662, 363 |
Videotape VT-20193/261 |
Osage Hills, Missouri, tape 1 of 2B-Roll Front of Case: The West, 364, 663 - Osage Hills MO, 664 - Osage Hills MO, 665 - Osage Hills MO; Spine of Case: CR 663-665, 364 |
Videotape VT-20193/262 |
Osage Hills, Missouri, tape 2 of 2; Osage Hills and James Bank, Missouri; Osage Hills, Missouri and Flint Hills, KansasB-Roll Front of Case: The West, 365, 666 - Osage Hills MO, 667 - Osage Hills & James Bank MO, 668 - Osage Hills MO & Flint Hills KS; Spine of Case: CR 666-668, 365 |
Videotape VT-20193/263 |
Flint Hills, Kansas; Ext. James Bank, MarylandB-Roll Front of Case: The West, 366, 669 - Flint Hills KS, 670 - Flint Hills KS, Ext. James Bank MD; Spine of Case: CR 669-670, 366 |
Videotape VT-20193/264 |
Rob Issen AnimationTitles and Stills Front of Case: The West, 367, CR 645 - Rob Issen Animation; Spine of Case: CR 645, 367 |
Videotape VT-20193/265 |
Perdenales River; Texas Hill Country; Cap Rock, TexasB-Roll Front of Case: The West, 368, CR 637 - Perdenales River, CR 638 - Texas Hill Country, CR 639 - Cap Rock TX; Spine of Case: CR 637-639, 368 |
Videotape VT-20193/266 |
Hamilton Pool, Johnson City, Texas; Dripping Springs, Texas; Millers CreekB-Roll Front of Case: The West, 369, CR 634 - Hamilton Pool - Johnson City TX, CR 635 - Dripping Springs TX; CR 636 - Millers Creek; Spine of Case: CR 634-635, 369 |
Videotape VT-20193/267 |
Prairie Vistas; Palo Duro Canyon, Texas; Canadian RiverB-Roll Front of Case: The West, 370, 640 - Prairie Vistas & Palo Duro Canyon, 641 - Palo Duro Canyon TX, 642 - Palo Duro Canyon & Canadian River; Spine of Case: CR 640-642, 370 |
Videotape VT-20193/268 |
Palo Duro Canyon and Canadian River; Palo Duro Canyon and Cap RockB-Roll Front of Case: The West, 371, 643 - Palo Duro Canyon & Canadian River, 644 - Palo Duro Canyon & Cap Rock; Spine of Case: CR 643-644, 371 |
Videotape VT-20193/269 |
James Farm, Missouri; Clearwater River, MissouriB-Roll Front of Case: The West, 372, 671 - James Farm MO, 672 - James Farm MO, 673 - Clearwater River MO; Spine of Case: CR 671-673, 372 |
Videotape VT-20193/270 |
Clearwater River; University of Idaho Special CollectionsB-Roll Front of Case: The West, CR 674-676; Spine of Case: 373 |
Videotape VT-20193/271 |
University of Idaho; Office Stills: Idaho; Allen Pinkham interview, tape 1 of 3Titles and Stills Front of Case: The West, CR 677-679; Spine of Case: 374 |
Videotape VT-20193/272 |
Nez Perce Views; Mylie Lawyer interview; Allen Pinkham interview, tape 2 of 3B-Roll Front of Case: The West, CR 680-682; Spine of Case: 375 |
Videotape VT-20193/273 |
Allen Pinkham interview, tape 3 of 3Interview Front of Case: The West, 376, CR 683 - Allen Pinkham - SR 119, CR 684 - Allen Pinkham - SR 119, CR 685 - Allen Pinkham - SR 120; Spine of Case: CR 685-685, 376 |
Videotape VT-20193/274 |
Mylie Lawyer interview, tape 1 of 2Interview Front of Case: The West, 377, CR 686 - Mylie Lawyer - SR 122, CR 687 - Mylie Lawyer - SR 123, CR 688 - Mylie Lawyer - SR 124; Spine of Case: CR 686-688, 377 |
Videotape VT-20193/275 |
Mylie Lawyer interview, tape 2 of 2; Ext: Wallowa Valley viewsOther Front of Case: The West, CR 689-691; Spine of Case: 378; Notes From Documentation: Intv - Mylie Lawyer, Ext - Wallowa Valley Views Lievston Barn, Morning Mist, No Slate, Grass and Mountains. Clouds peaking through mountains |
Videotape VT-20193/276 |
Wallowa Valley, OregonB-Roll Front of Case: The West, 379, 692 - Wallowa Valley OR, 693 - Wallowa Valley OR, 694 - Wallowa Valley OR; Spine of Case: CR 692-694, 379 |
Videotape VT-20193/277 |
Rob Issen AnimationTitles and Stills Front of Case: The West, 380, CR 646 - Rob Issen Animation, CR 647 - Rob Issen Animation, CR 648 - Rob Issen Animation; Spine of Case: CR 646-648, 380 |
Videotape VT-20193/278 |
Wallowa Valley, Oregon, tape 1 of 3B-Roll Front of Case: The West, 381, 695 - Wallowa Valley OR, 696 - Wallowa Valley OR, 697 - Wallowa Valley OR; Spine of Case: CR 695-697, 381 |
Videotape VT-20193/279 |
Wallowa Valley, Oregon, tape 2 of 3B-Roll Front of Case: The West, 382, CR 698 - Wallowa Valley OR, CR 699 - Wallowa Valley OR, CR 700 - Wallowa Valley OR; Spine of Case: CR 698-700, 382 |
Videotape VT-20193/280 |
Wallowa Valley, Oregon, tape 3 of 3B-Roll Front of Case: The West, 383, 701 - Wallowa Valley OR, 702 - Wallowa Valley OR, 703 - Wallowa Valley OR; Spine of Case: CR 701-703, 383 |
Videotape VT-20193/281 |
Imnaha Valley; Joseph Mts., Oregon, tape 1 of 2B-Roll Front of Case: The West, 384, 704 - Imnaha Valley & Joseph Mts. (Aerials), 705 - Joseph Mts. OR (Aerials); Spine of Case: CR 704-705, 384 |
Videotape VT-20193/282 |
Joseph Mts., Oregon, tape 2 of 2; Imnaha Valley and Canyon, OregonB-Roll Front of Case: The West, 385, 706 - Joseph Mts. OR (Aerials), 707 - Imnaha Valley & Canyons OR; Spine of Case: CR 706-707, 385 |
Videotape VT-20193/283 |
Black Hills, South Dakota, tape 1 of 2B-Roll Front of Case: The West, 386, 708 - Black Hills SD, 709 - Black Hills SD, 710 - Black Hills SD; Spine of Case: CR 708-710, 386 |
Videotape VT-20193/284 |
Black Hills, South Dakota, tape 2 of 2; Powder River; Thunder Basin, WyomingB-Roll Front of Case: The West, 387, 711 - Black Hills SD, 712 - Powder River & Thunder Basin WY, 713 - Thunder Basin WY; Spine of Case: CR 711-713, 387 |
Videotape VT-20193/285 |
Love Ranch, Wyoming, tape 1 of 2B-Roll Front of Case: The West, 388, 714 - Love Ranch WY, 715 - Love Ranch WY, 716 - Love Ranch WY; Spine of Case: CR 714-716, 388 |
Videotape VT-20193/286 |
Love Ranch, Wyoming, tape 2 of 2; David Love interview, tape 1 of 4B-Roll Spine of Case: The West, CR# 717-719, 389 |
Videotape VT-20193/287 |
David Love interview, tape 2 of 4Interview Front of Case: The West, 390, CR 720 - David Love - SR 127, CR 721 - David Love - SR 127, CR 752 - David Love - SR 128; Spine of Case: CR 720-722, 390 |
Videotape VT-20193/288 |
David Love interview, tape 3 of 4Interview Front of Case: The West, 391, CR 723 - David Love - SR 128, CR 724 - David Love - SR 129, CR 725 - David Love - SR 129; Spine of Case: CR 723-725, 391 |
Videotape VT-20193/289 |
David Love interview, tape 4 of 4; Red Bluff Ranch, Wyoming, tape 1 of 2Other Spine of Case: The West, CR# 726-728, 392 |
Videotape VT-20193/290 |
Red Bluff Ranch, Wyoming, tape 2 of 2; Wind River Range, WyomingB-Roll Front of Case: The West, 393, 729 - Red Bluff Ranch WY, 730 - Red Bluff Ranch & Wind River WY, 731 - Wind River Range WY; Spine of Case: CR 729-731, 393 |
Videotape VT-20193/291 |
Thunder Basin Grasslands, WyomingB-Roll Front of Case: The West, 394, 732 - Thunder Basin grasslands WY, 733 - Thunder Basin grasslands WY, 734 - Thunder Basin grasslands WY; Spine of Case: CR 732-734, 394 |
Videotape VT-20193/292 |
Sutter's Fort, California, tape 1 of 2B-Roll Front of Case: The West, 395, 735 - Sutter's Fort CA, 736 - Sutter's Fort CA, 737 - Sutter's Fort CA; Spine of Case: CR 735-737, 395 |
Videotape VT-20193/293 |
Sutter's Fort, California, tape 2 of 2; Goldfield Rivers, California, tape 1 of 2B-Roll Front of Case: The West, 396, 738 - Sutter's Fort CA, 739 - Sutter's Fort CA, 740 - Goldfield Rivers CA; Spine of Case: CR 738-740, 396 |
Videotape VT-20193/294 |
Goldfield Rivers, California, tape 2 of 2B-Roll Front of Case: The West, 397, 741 - Goldfield Rivers CA, 742 - Goldfield Rivers CA, 743 - Goldfield Rivers CA; Spine of Case: CR 741-743, 397 |
Videotape VT-20193/295 |
Rob Issen AnimationTitles and Stills Front of Case: The West, 398, CR 649 - Rob Issen Animation, CR 650 - Rob Issen Animation; Spine of Case: CR 649-650, 398 |
Videotape VT-20193/296 |
Office Stills: Buddy at 270, tape 1 of 2Titles and Stills Front of Case: The West, 399, CR 651 - Office Stills-Buddy at 270, CR 652 - Office Stills-Buddy at 270, CR 653 - Office Stills-Buddy at 270; Spine of Case: CR 651-653, 399 |
Videotape VT-20193/297 |
Office Stills: Buddy at 270, tape 2 of 2Titles and Stills Front of Case: The West, 400, CR 654 - Office Stills-Buddy at 270, CR 655 - Office Stills-Buddy at 270; Spine of Case: CR 654-655, 400 |
Videotape VT-20193/298 |
Rob Issen Animation: Episode 3Titles and Stills Front of Case: The West, 401, CR 656 - Animation-Rob Issen (EP 3), CR 657 - Animation-Rob Issen (EP 3); Spine of Case: CR 656-657, 401 |
Videotape VT-20193/299 |
Rob Issen Animation: Episode 4Titles and Stills Front of Case: The West, 402, CR 658 - Animation-Rob Issen (Ep 4), CR 659 - Animation-Rob Issen (Ep 5); Spine of Case: CR 658-659, 402 |
Videotape VT-20193/300 |
Archives: Office Stills, tape 1 of 7Titles and Stills Front of Case: The West, 403, CR 744 - Archives-Office Stills, CR 745 - Archives-Office Stills, CR 746 - Archives-Office Stills; CR 744-746, 403 |
Videotape VT-20193/301 |
Archives: Office Stills, tape 2 of 7Titles and Stills Front of Case: The West, 404, CR 747 - Archives-Office Stills, CR 748 - Archives-Office Stills, CR 749 - Archives-Office Stills; CR 747-749, 404 |
Videotape VT-20193/302 |
Archives: Office Stills, tape 3 of 7Titles and Stills Front of Case: The West, 405, CR 750 - Archives-Office Stills, CR 751 - Archives-Office Stills, CR 752 - Archives-Office Stills; CR 750-752, 405 |
Videotape VT-20193/303 |
Archives: Office Stills, tape 4 of 7Titles and Stills Front of Case: The West, 406, CR 753 - Archives-Office Stills, CR 754 - Archives-Office Stills; CR 753-754, 406 |
Videotape VT-20193/304 |
Rob Issen Animation: Episodes 1, 2 and 4Titles and Stills Front of Case: The West Film Project, UBIT #407, CR# 755-757 |
Videotape VT-20193/305 |
Archives: Office Stills, tape 5 of 7Titles and Stills Front of Case: The West, 408, CR 758 - Archives-Office Stills, CR 759 - Archives-Office Stills; Spine of Case: CR 758-759, 408 |
Videotape VT-20193/306 |
Archives: Office Stills, tape 6 of 7Titles and Stills Front of Case: The West, 409, CR 760 - Archives-Office Stills, CR 761 - Archives-Office Stills; Spine of Case: CR 760-761, 409 |
Videotape VT-20193/307 |
Archives: Office Stills, tape 7 of 7Titles and Stills Front of Case: The West, 410, CR 762 - Archives-Office Stills, CR 763 - Archives-Office Stills; Spine of Case: CR 762-763, 410 |
Videotape VT-20193/308 |
Tom Watkins interview, tape 1 of 3Interview Front of Case: The West Film Project, UBIT #411, CR# 764-766; Spine of Case: 411 |
Videotape VT-20193/309 |
Tom Watkins interview, tape 2 of 3Interview Front of Case: The West Film Project, UBIT #412, CR# 767-769; Spine of Case: 412 |
Videotape VT-20193/310 |
Tom Watkins interview, tape 3 of 3Interview Front of Case: The West Film Project, UBIT# 413, CR# 770-772; Spine of Case: 413 |
Videotape VT-20193/311 |
Grand Canyon, South Rim; Grand Canyon and Monument ValleyB-Roll Front of Case: The West, 414, CR 773 - Grand Canyon South Rim, CR 774 - Grand Canyon South Rim, CR 775 - Grand Canyon & Monument Valley; Spine of Case: CR 773-775, 414 |
Videotape VT-20193/312 |
Grand Canyon, Lipan Point; Grand Canyon, Mohave and Hopi Pts; Lake Powell, UtahB-Roll Front of Case: The West, 415, CR 776 - Grand Canyon-Lipan Point, CR 777 - Grand Canyon-Mohave & Hopi Pts., CR 778 - Lake Powell UT; Spine of Case: CR 776-778, 415 |
Videotape VT-20193/313 |
Lake Powell; Monument Valley, tape 1 of 2B-Roll Front of Case: The West, 416, CR 779 - Lake Powell & Monument Valley, CR 780 - Monument Valley, CR 781 - Monument Valley; Spine of Case: CR 779-781, 416 |
Videotape VT-20193/314 |
Monument Valley, tape 2 of 2B-Roll Front of Case: The West Film Project, UBIT# 417, CR# 782-783, Monument Valley; Spine of Case: 417 |
Videotape VT-20193/315 |
N. Scott Momaday interview, tape 1 of 4Interview Front of Case: The West Film Project, UBIT# 418, CR# 784-786; Spine of Case: 418 |
Videotape VT-20193/316 |
N. Scott Momaday interview, tape 2 of 4Interview Front of Case: The West Film Project, UBIT# 419, CR# 787-789; Spine of Case: 419 |
Videotape VT-20193/317 |
N. Scott Momaday interview, tape 3 of 4Interview Front of Case: The West Film Project, UBIT# 420, CR# 790-792; Spine of Case: 420 |
Videotape VT-20193/318 |
N. Scott Momaday interview, tape 4 of 4Interview Front of Case: The West Film Project, UBIT# 421, CR# 793-795; Spine of Case: 421 |
Videotape VT-20193/319 |
Rob Issen Animation: Episode 1, tape 1 of 2Titles and Stills Front of Case: The West, 422, CR 796 - Animation-Rob Issen (Ep 1); Spine of Case: CR 796, 422 |
Videotape VT-20193/320 |
Rob Issen Animation: Episode 1, tape 2 of 2Titles and Stills Front of Case: The West, 423, CR 797 - Animation-Rob Issen (Ep 1), CR 798 - Animation-Rob Issen (Ep 1); Spine of Case: CR 797-798, 423 |
Videotape VT-20193/321 |
Rob Issen Animation: Episode 2Titles and Stills Front of Case: The West Film Project, UBIT# 424, CR# 799; Spine of Case: 424 |
Videotape VT-20193/322 |
Rob Issen Office Stills: Episode 4Titles and Stills Front of Case: The West Film Project, UBIT# 425, CR# 800-802; Spine of Case: 425 |
Videotape VT-20193/323 |
Office Stills: South Dakota, tape 1 of 3Titles and Stills Front of Case: The West Film Project, UBIT# 426, CR# 805-807; Spine of Case: 426; Notes From Documentation: Office Stills - South Dakota, Buddy with SGI - Ep 5&6 |
Videotape VT-20193/324 |
Black Hills; Custer St. ParkB-Roll Front of Case: The West Film Project, UBIT# 427, CR# 808-810, Black Hills - Custer St. Park; Spine of Case: 5037, The West, 427 |
Videotape VT-20193/325 |
Office Stills: South Dakota, tape 2 of 3Titles and Stills Front of Case: The West Film Project, UBIT# 428, CR# 811-813; Spine of Case: 428; Notes from Documentation: Office Stills - South Dakota, Buddy - Episode 5&6 |
Videotape VT-20193/326 |
Office Stills: South Dakota, tape 3 of 3Titles and Stills Front of Case: The West Film Project, UBIT# 429, CR# 814-815; Spine of Case: 429; Notes from Documentation: Office Stills - South Dakota, Buddy - Episode 5&6 |
Videotape VT-20193/327 |
Rob Issen Animation: Episodes 2, 5 and 6Titles and Stills Front of Case: The West Film Project, UBIT# 430, CR# 803-804 816; Spine of Case: 830 |
Videotape VT-20193/328 |
Stuart Udall interview, tape 1 of 2Interview Front of Case: The West Film Project, UBIT# 431, CR# 816-818; Spine of Case: 431; Notes From Documentation: Interview - Stuart Udall, Udall's Home, Santa Fe New Mexico |
Videotape VT-20193/329 |
Stuart Udall interview, tape 2 of 2; Glorietta Pass and Steam Engine, New Mexico Rocky Hills, Roundhouse; Office Stills: Buddy In New Mexico, Episode 5Interview Front of Case: The West Film Project, UBIT# 432, CR# 819-821; Spine of Case: 432 |
Videotape VT-20193/330 |
Office Stills: Buddy in New Mexico, Episode 5; Steam Engine, Durango, COTitles and Stills Tape Label: The West Film Project, UBIT# 433, CR# 822-824, 5077 |
Videotape VT-20193/331 |
Steam Engine, Silverton, Colorado, tape 1 of 2B-Roll Tape Label: The West Film Project, UBIT# 434, CR# 825-827; Spine of Case: 5078, 434; Notes From Documentation: Scenics - Steam Engine, Silverton CO |
Videotape VT-20193/332 |
Steam Engine, Silverton, Colorado, tape 2 of 2B-Roll Spine of Case: The West Film Project, UBIT# 435, CR# 828-830, 435, 5079; Notes From Documentation: Scenics - Steam Engine, Silverton CO |
Videotape VT-20193/333 |
Steam Engine, Silverton and Durango, COB-Roll Front of Case: The West Film Project, UBIT# 436, CR# 831-833; Spine of Case: 5080, 436; Scenics - Steam Engine, Silverton-Durango CO |
Videotape VT-20193/334 |
Office Stills: Buddy, Episode 5, tape 1 of 3Titles and Stills Front of Case: The West Film Project, UBIT# 437, CR# 834-836; Spine of Case: 437; Notes From Documentation: Office Stills - Buddy, Episode 5 |
Videotape VT-20193/335 |
Office Stills: Buddy, Episode 5, tape 2 of 3Titles and Stills Front of Case: The West Film Project, UBIT# 438, CR# 837-839; Spine of Case: 438; Notes From Documentation: Office Stills - Buddy, Episode 5 |
Videotape VT-20193/336 |
Office Stills: Buddy, Episode 5, tape 3 of 3Titles and Stills Front of Case: The West Film Project, UBIT# 439, CR# 840-842; Spine of Case: 439; Notes From Documentation: Office Stills - Buddy, Episode 5 |
Videotape VT-20193/337 |
Office Stills: Buddy, Episodes 5 and 7, tape 1 of 3Titles and Stills Front of Case: The West Film Project, UBIT# 440, CR# 843-845; Spine of Case: 440; Notes From Documentation: Office Stills - Buddy, Episode 5 & 7 |
Videotape VT-20193/338 |
Office Stills: Buddy, Episodes 5 and 7, tape 2 of 3Titles and Stills Front of Case: The West Film Project, UBIT# 441, CR# 846-848; Spine of Case: 441; Notes From Documentation: Office Stills - Buddy, Episode 5 & 7 |
Videotape VT-20193/339 |
Office Stills: Buddy, Episodes 5 and 7, tape 3 of 3Titles and Stills Front of Case: The West Film Project, UBIT# 442, CR# 849-851; Spine of Case: 442; Notes From Documentation: Office Stills - Buddy, Episode 5 & 7 |
Videotape VT-20193/340 |
Office Stills: Budman, Episodes 5-8, tape 1 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 443, CR# 852-854; Spine of Case: 443; Notes From Documentation: Office Stills - Budman, Eps 5 6 7 8 |
Videotape VT-20193/341 |
Office Stills: Budman, Episodes 5-8, tape 2 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 444, CR# 855-857; Spine of Case: 444; Notes From Documentation: Office Stills - Budman, Eps 5 6 7 8 |
Videotape VT-20193/342 |
Office Stills: Budman, Episode 8Titles and Stills Front of Case: The West Film Project, UBIT# 445, CR# 858-860; Spine of Case: 445; Notes From Documentation: Office Stills - Budman, Ep 8 |
Videotape VT-20193/343 |
Office Stills: Budman, Episodes 6-8Titles and Stills Front of Case: The West Film Project, UBIT# 446, CR# 861-863; Spine of Case: 446; Notes From Documentation: Office Stills - Budman, Eps 6 7 8 |
Videotape VT-20193/344 |
Office Stills: Budman in Conway, Episodes 1, 3 and 6Titles and Stills Front of Case: The West Film Project, UBIT# 447, CR# 864-866; Spine of Case: 447; Notes From Documentation: Office Stills - Budman in Conway, Ep 1 3 6 |
Videotape VT-20193/345 |
Office Stills: Budman in Conway, Episodes 7-8Titles and Stills Front of Case: The West Film Project, UBIT# 448, CR# 867-869; Spine of Case: 448 |
Videotape VT-20193/346 |
Office Stills: Budman in Conway, Episode 8, tape 1 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 449, CR# 870-872; Spine of Case: 449; Notes From Documentation: Office Stills - Budman in Conway, Ep 8 Mostly |
Videotape VT-20193/347 |
Office Stills: Budman in Conway, Episode 8, tape 2 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 450, CR# 873-875; Spine of Case: 450; Notes From Documentation: Office Stills - Budman in Conway, Ep 8 Mostly |
Videotape VT-20193/348 |
Office Stills: Budman in Conway, Butchers and VariousTitles and Stills Front of Case: The West Film Project, UBIT# 451, CR# 876-878; Spine of Case: 451 |
Videotape VT-20193/349 |
Office Stills: Budman in Conway, Various Episodes, tape 1 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 452, CR# 779-881; Spine of Case: 452; Notes From Documentation: Office Stills - Budman in Conway, Various Ep |
Videotape VT-20193/350 |
Office Stills: Budman in Conway, Various Episodes, tape 2 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 453, CR# 882-884; Spine of Case: 453; Notes From Documentation: Office Stills - Budman in Conway, Various Ep Material |
Videotape VT-20193/351 |
Office Stills: Budman in Conway, MiscellaneousTitles and Stills Front of Case: The West Film Project, UBIT# 454, CR# 885-886; Spine of Case: 454; Notes From Documentation: Office Stills - Budman in Conway, Misc |
Videotape VT-20193/352 |
Rob Issen Animation: Episodes 6 and 5Titles and Stills Front of Case: The West Film Project, UBIT# 455, CR# 877-888; Spine of Case: 455; Notes From Documentation: Animation - Rob Issen, Episode 6 & 5 |
Videotape VT-20193/353 |
Deerfield, MA InteriorsB-Roll Front of Case: The West Film Project, UBIT# 456, CR# 889-890; Spine of Case: 456; Notes From Documentation: Location - Deerfield MA Interiors, For Sabrina Swain & Julia Lovejoy |
Videotape VT-20193/354 |
Richard White interview, tape 1 of 5Interview Front of Case: The West Film Project, UBIT# 457, CR# 891-892; Spine of Case: 457; Notes From Documentation: Interview - Richard White at Huntington, Green and Green Museum |
Videotape VT-20193/355 |
Richard White interview, tape 2 of 5Interview Front of Case: The West Film Project, UBIT# 458, CR# 893-894; Spine of Case: 458; Notes From Documentation: Interview - Richard White at Huntington Green and Green Museum |
Videotape VT-20193/356 |
Richard White interview, tape 3 of 5Interview Front of Case: The West Film Project, UBIT# 459, CR# 895-896; Spine of Case: 459; Notes From Documentation: Interview - Richard White at Huntington Green and Green Museum |
Videotape VT-20193/357 |
Richard White interview, tape 4 of 5Interview Front of Case: The West Film Project, UBIT# 460, CR# 897-898; Spine of Case: 460; Notes From Documentation: Interview - Richard White at Huntington Green and Green Museum |
Videotape VT-20193/358 |
Richard White interview, tape 5 of 5Interview Front of Case: The West Film Project, UBIT# 461, CR# 899-900; Spine of Case: 461; Notes From Documentation: Interview - Richard White at Huntington Green and Green Museum |
Videotape VT-20193/359 |
Bill Deverell interview, tape 1 of 2Interview Front of Case: The West Film Project, UBIT# 462, CR# 901-902; Spine of Case: 462; Notes From Documentation: Interview - Bill Deverell at Huntington Green and Green Museum |
Videotape VT-20193/360 |
Bill Deverell interview, tape 2 of 2; Archives: Huntington Library, tape 1 of 4Interview Front of Case: The West Film Project, UBIT# 463, CR# 903-904; Spine of Case: Deverell, 463 Archive, 463; Notes From Documentation: Interview - Bill Deverell at Huntington Green and Green Museum, Archives - Huntington Library, Jenny Watts Curator & Scout |
Videotape VT-20193/361 |
Archives: Huntington Library, tape 2 of 4Titles and Stills Front of Case: The West Film Project, UBIT# 464, CR# 905-906 (MOS); Spine of Case: 464; Notes From Documentation: Archives - Huntington Library, Jenny Watts Curator & Scout |
Videotape VT-20193/362 |
Archives: Huntington Library, tape 3 of 4Titles and Stills Front of Case: The West Film Project, UBIT# 465, CR# 907-908; Spine of Case: 465; Notes From Documentation: Archives - Huntington Library, Jenny Watts Curator & Scout |
Videotape VT-20193/363 |
Archives: Huntington Library, tape 4 of 4; Ramon Ruiz interview, tape 1 of 4Titles and Stills Front of Case: The West Film Project, UBIT# 466, CR# 909-910; Spine of Case: 466; Notes From Documentation: Archives - Huntington Library, Jenny Watts Curator & Scout, Interview - Ramon Ruiz, His Home, Del Mar CA |
Videotape VT-20193/364 |
Ramon Ruiz interview, tape 2 of 4Interview Front of Case: The West Film Project, UBIT# 467, CR# 911-912; Spine of Case: 467; Notes From Documentation: Interview - Ramon Ruiz, His Home, Del Mar CA |
Videotape VT-20193/365 |
Ramon Ruiz interview, tape 3 of 4Interview Front of Case: The West Film Project, UBIT# 468, CR# 913-914; Spine of Case: 468; Notes From Documentation: Interview - Ramon Ruiz, His Home, Del Mar CA |
Videotape VT-20193/366 |
Ramon Ruiz interview, tape 4 of 4Interview Front of Case: The West Film Project, UBIT# 469, CR# 915-916; Spine of Case: 469; Notes From Documentation: Interview - Ramon Ruiz, His Home, Del Mar CA |
Videotape VT-20193/367 |
Rob Issen Animation: Episodes 1-2 and 6-8Titles and Stills Front of Case: The West Film Project, UBIT# 470, CR# 917-919; Spine of Case: 470 |
Videotape VT-20193/368 |
Rob Issen Animation: Episodes 1-2Titles and Stills Front of Case: The West Film Project, UBIT# 471, CR# 920; Spine of Case: 471 |
Videotape VT-20193/369 |
Intervalometer Test: Night Sky Time LapseB-Roll Note In Case: Intervalometer Test - Night Sky Time Lapse; Front of Case: The West Film Project, UBIT# 471, CR# A-B |
Videotape VT-20193/370 |
Office Stills: Conway Mass, tape 1 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 473, CR# 921-923; Spine of Case: 473; Notes From Documentation: Office Stills - Conway Mass, Budman's House with Asst |
Videotape VT-20193/371 |
Office Stills: Conway Mass, tape 2 of 2; Archives: Beinecke Library, New Haven, tape 1 of 7Titles and Stills Front of Case: The West Film Project, UBIT# 474, CR# 924-925 928; Spine of Case: 474; Notes From Documentation: Office Stills - Conway Mass, Budman's House With Asst, Archives - Beinecke Library, New Haven Curtis Folios |
Videotape VT-20193/372 |
Archives: Beinecke Library, New Haven, tape 2 of 7Titles and Stills Front of Case: The West Film Project, UBIT# 475, CR# 929-931; Spine of Case: 475; Notes From Documentation: Archives - Beinecke Library, New Haven, Curtis Folios |
Videotape VT-20193/373 |
Archives: Beinecke Library, New Haven, tape 3 of 7Titles and Stills Front of Case: The West Film Project, UBIT# 476, CR# 932-934; Spine of Case 476; Notes From Documentation: Archives - Beinecke Library, New Haven, Curtis Folios |
Videotape VT-20193/374 |
Archives: Beinecke Library, New Haven, tape 4 of 7Titles and Stills Front of Case: The West Film Project, UBIT# 477, CR# 935-936; Spine of Case: 477; Notes From Documentation: Archives - Beinecke Library, New Haven, Curtis Folios |
Videotape VT-20193/375 |
Archives: Beinecke Library, New Haven, tape 5 of 7Titles and Stills Front of Case: The West Film Project, UBIT# 478, CR# 937-938; Spine of Case: 478; Notes From Documentation: Archives - Beinecke Library, New Haven, Curtis Folios |
Videotape VT-20193/376 |
Archives: Beinecke Library, New Haven, tape 6 of 7Titles and Stills Front of Case: The West Film Project, Tape# 479, CR# 939-941; Spine of Case: 479; Notes From Documentation: Archives - Beinecke Library, New Haven, Curtis Folios |
Videotape VT-20193/377 |
Archives: Beinecke Library, New Haven, tape 7 of 7Titles and Stills Front of Case: The West Film Project, Tape# 480, CR# 942-944; Notes From Documentation: Archives - Beinecke Library, New Haven, Curtis Folios |
Videotape VT-20193/378 |
Nebraska Sandhills: Horses RunningB-Roll Front of Case: The West Film Project, CR# 956; Spine of Case: New Scenic, 1-25, 481 |
Videotape VT-20193/379 |
Roger Welsch interview, tape 1 of 3Interview Front of Case: The West Film Project, Tape #482, CR# 945-947; Spine of Case: Welsch, 482 |
Videotape VT-20193/380 |
Roger Welsch interview, tape 2 of 3Interview Front of Case: The West Film Project, Tape# 483, CR# 948-950; Spine of Case: Welsch, 483 |
Videotape VT-20193/381 |
Roger Welsch interview, tape 3 of 3Interview Front of Case: The West Film Project, Tape# 484, CR# 951-953; Spine of Case: Welsch, 484 |
Videotape VT-20193/382 |
Nebraska Winter River and Sod Cabin; Nebraska Sod Cabin Interior and Tipis Dawn; Nebraska Sandhills: Horses Running and TipisB-Roll Front of Case: The West Film Project, Tape # 485, CR# 954-957; Spine of Case: 485 |
Videotape VT-20193/383 |
Nebraska Sandhills: Horses in SnowB-Roll Front of Case: The West Film Project, Tape# 486, CR# 958-960; Spine of Case: 5059, The West, 486; Notes From Documentation: Ext Nebraska Sandhills, Horses in Snow |
Videotape VT-20193/384 |
Nebraska Sandhills: Horses in Snow and Cattle on GrasslandsB-Roll Front of Case: The West, Film Project, Tape# 487, CR# 961-962; Spine of Case: 5060, The West, 487; Notes From Documentation: Nebraska Sandhills - Horses in Snow, Cattle on Grassland |
Videotape VT-20193/385 |
Nebraska Sandhills: Horses RunningB-Roll Front of Case: The West Film Project, Tape# 488, CR# 963+964; Spine of Case: 488; Notes From Documentation: Nebraska Sandhills - Horses Running Using Dolly |
Videotape VT-20193/386 |
Rob Issen Animation: Episodes 1-2 and 7-8Titles and Stills Front of Case: The West Film Project, CR# 1010-1012, Tape 489; Spine of Case: 489 |
Videotape VT-20193/387 |
Office Stills: Salt Lake City, tape 1 of 2Titles and Stills Front of Case: The West Film Project, Tape# 490-491, CR# 965-968; Spine of Case: 491, 490; Notes From Documentation: Office Stills - Salt Lake City, Budman on Bad Floor |
Videotape VT-20193/388 |
Office Stills: Salt Lake City, tape 2 of 2Titles and Stills Tape Label: 5082, The West, The West Film Project, Tape# 492-493, CR# 969-972; Spine of Case: 492, 493 Williams; Notes From Documentation: Office Stills - Salt Lake City, Ext - Great Salt Lake UT - Buffalo & Scenics, Ext - Great Salt Lake UT - Winter Scenics |
Videotape VT-20193/389 |
Great Salt Lake: Buffalo and Scenics; Great Salt Lake: Winter Scenics; Terry Tempest Williams interview, tape 1 of 2B-Roll Tape Label: The West Film Project, Tape# 494-495, CR# [494] 971-972, CR# [495] 975-976; Spine of Case: 494, 495 Williams; Notes From Documentation: Great Salt Lake UT - Buffalo and Scenics, Great Salt Lake UT - Winter Scenics, Interview - Terry Tempest Williams at Her Home in East Canyon Utah |
Videotape VT-20193/390 |
Terry Tempest Williams interview, tape 2 of 2Interview Front of Case: The West Film Project, Tape# 496, CR# 977; Spine of Case: Williams, 496; Notes From Documentation: Interview - Terry Tempest Williams at Her Home in East Canyon Utah |
Videotape VT-20193/391 |
Wounded Knee and Pine Ridge; Devil's Tower: Intervelometer; Bear Paw BattlefieldB-Roll Front of Case: The West Film Project, Tape# 497, CR# 978-982; Spine of Case: 497; Notes From Documentation: Wounded Knee and Pine Ridge, Devil's Tower - Intervelometer, Ext - Bear Paw Battlefield |
Videotape VT-20193/392 |
Office Stills: Buddy in ConwayTitles and Stills Front of Case: The West Film Project, Tape# 498, CR# 983-987; Spine of Case: 498; Notes From Documentation: Offfice Stills - Buddy in Conway - Episode 8 - Gutherie Story/Gutherie & World's Expo/Butte/Butte & Roosevelt |
Videotape VT-20193/393 |
Rob Issen Animation: Episode 1 - DeBryTitles and Stills Front of Case: The West Film Project, Tape# 499, CR# 1013; Spine of Case: 499; Notes From Documentation: Animation - Rob Issen, Episode 1 - DeBry |
Videotape VT-20193/394 |
Office Stills: Buddy in Conway, Episode 8, Various Stories, tape 1 of 2Titles and Stills Front of Case: The West Film Project, Tape# 500, CR# 988-990; Spine of Case: 500; Notes From Documentation: Office Stills - Budman in Conway, Episode 8 - Various Stories |
Videotape VT-20193/395 |
Office Stills: Buddy in Conway, Episode 8, Various Stories, tape 2 of 2Titles and Stills Front of Case: The West Film Project, Tape# 501, CR# 991-993; Spine of Case: 501; Notes From Documentation: Office Stills - Budman in Coway, Episode 8 - Various Stories |
Videotape VT-20193/396 |
Stills: Budman in Conway, Episodes 5-8Titles and Stills Front of Case: The West Film Project, Tape# 502, CR# 994-996; Spine of Case: 502; Notes From Documentation: Stills - Budman in Conway, Eps 5-8 Various |
Videotape VT-20193/397 |
Stills: Budman in Conway, Episode 8, Various and Buffalo BillTitles and Stills Front of Case: The West Film Project, Tape# 503, CR# 997-999; Spine of Case: 503; Notes From Documentation: |
Videotape VT-20193/398 |
Rob Issen Animation: Episodes 1, 2 and 8Titles and Stills Front of Case: The West Film Project, Tape# 504, CR# 1014-1016; Spine of Case: 504; Notes From Documentation: Animation - Rob Issen, Episodes 1 2 and 8 |
Videotape VT-20193/399 |
Aerials: Rocky Mountains, ColoradoB-Roll Front of Case: The West Film Project, Tape# 505, CR# 1000-1004; Notes From Documentation: Aerials - Rocky Mountains, Colorado, Glenwood Springs - Budman |
Videotape VT-20193/400 |
Albert Camarillo interviewInterview Spine of Case: The West Film Project, Tape# 506, CR# 1017-1021, 506; Notes From Documentation: Interview - Albert Camarillo, Room 307, Hist Dept Stamford |
Videotape VT-20193/401 |
Rob Issen Animation: Episodes 2, 7 and 8Titles and Stills Front of Case: The West Film Project, Tape# 507, CR# 1005-1007; Spine of Case: 507; Notes From Documentation: Animation - Rob Issen, Eps 2&7 Priv Collection Material, Eps 2&8 - Texas and Buf Bill, Ep 8 Buffalo Bill |
Videotape VT-20193/402 |
Rob Issen Animation: Various EpisodesTitles and Stills Front of Case: The West Film Project, Tape# 508, CR# 1008-1009; Spine of Case: 508; Notes From Documentation: Animation - Rob Issen, Various Eps |
Videotape VT-20193/403 |
Rob Issen Animation: Episodes 1, 2 and 8Titles and Stills Front of Case: The West Film Project, Tape #509, CR# 49/1022-1023; Spine of Case: 509; Notes From Documentation: Animation - Rob Issen Eps 1 2 8 |
Videotape VT-20193/404 |
Rob Issen Animation: Episodes 1, 2, 3 and 8Titles and Stills Front of Case: The West Film Project, Tape# 510, CR# 1025-1026; Spine of Case: 510; Notes From Documentation: Animation - Rob Issen, Eps 1 2 3 8 |
Videotape VT-20193/405 |
Rob Issen Animation: Miscellaneous Episodes and Episode 3Titles and Stills Front of Case: The West Film Project, Tape# 511, CR# 1027-1028; Spine of Case: 511; Notes From Documentation: Animation - Rob Issen, Misc Eps and Episode 3 |
Videotape VT-20193/406 |
Rob Issen Animation: Episodes 2, 8 and 7Titles and Stills Front of Case: The West Film Project, Tape# 512, CR# 1029-1031; Spine of Case: 512; Notes From Documentation: Animation - Rob Issen, 2 8 7 |
Videotape VT-20193/407 |
Rob Issen Animation: Episodes 2-5 and 8Titles and Stills Front of Case: The West Film Project, Tape# 513, CR# 1032-1033; Spine of Case: 513; Notes From Documentation: Animation - Rob Issen, Eps 2 3 4 5 & 8 |
Videotape VT-20193/408 |
Senator Ben Nighthorse Campbell interview, tape 1 of 2Interview Front of Case: The West Film Project, Tape# 514, CR# 1040-1043; Spine of Case: Campbell |
Videotape VT-20193/409 |
Senator Ben Nighthorse Campbell interview, tape 2 of 2Interview Spine of Case: The West Film Project, Tape# 515, CR# 1044, Campbell, 515 |
Videotape VT-20193/410 |
Office Stills: Budman, Episodes 2, 7, 3 and 4, tape 1 of 2Titles and Stills Front of Case: The West Film Project, Tape# 516, CR# 1050-1052; Spine of Case: 516; Notes From Documentation: Office Stills - Budman, Eps 2 7 3 4 |
Videotape VT-20193/411 |
Office Stills: Budman, Episodes 2, 7, 3 and 4, tape 2 of 2Titles and Stills Front of Case: The West Film Project, Tape# 517, CR# 1053-1055; Spine of Case: 517; Notes From Documentation: Office Stills - Budman, Eps 2 7 3 4 |
Videotape VT-20193/412 |
Rob Issen Animation: Episode 3Titles and Stills Front of Case: The West Film Project, Tape# 518, CR# 1034-1035; Spine of Case: 518; Notes From Documentation: Animation - Rob Issen, Ep 3 Mostly |
Videotape VT-20193/413 |
Artifacts: Museum of the American Indian, Lone DogTitles and Stills Front of Case: The West Film Project, Tape# 519, CR# 1045-1047; Spine of Case: 519; Notes From Documentation: Artifacts - Museum of the American Indian, Lone Dog |
Videotape VT-20193/414 |
Rob Issen Animation: Episode 7 Pick UpsTitles and Stills Front of Case: The West Film Project, Tape# 520, CR# 1036-1037; Spine of Case: 520; Notes From Documentation: Animation - Rob Issen, Ep 7 Pick Ups |
Videotape VT-20193/415 |
Rob Issen Animation: Episodes 7 and 4Titles and Stills Front of Case: The West Film Project, Tape# 521, CR# 1038 1039 1048; Spine of Case: 521; Notes From Documentation: Animation - Rob Issen, Eps 7&4 |
Videotape VT-20193/416 |
Office Stills: Kevin Kertscher, Episodes 7, 4 and 3; Office Stills: Budman, Episodes 2, 7, 3 and 4Titles and Stills Front of Case: The West Film Project, Tape# 522, CR# 1049-1051; Spine of Case: 522; Notes From Documentation: Office Stills - Kevin Kertscher - Eps 7 4 3, Office Stills - Budman - Eps 2 7 3 4 |
Videotape VT-20193/417 |
Office Stills: Episodes 2, 7, 3 and 4Titles and Stills Front of Case: The West Film Project, Tape #523, CR# 1052-1053; Spine of Case: 523; Notes From Documentation: Office Stills - Budman, Eps 2 7 3 4 |
Videotape VT-20193/418 |
Rob Issen Animation: Episode 7Titles and Stills Front of Case: The West Film Project, Tape# 524, CR# 1060; Spine of Case: 524; Notes From Documentation: Animation - Rob Issen, Episode 7 |
Videotape VT-20193/419 |
Rob Issen Animation: Episodes 3-4Titles and Stills Front of Case: The West Film Project, Tape# 525, CR# 1061-1062; Spine of Case: 525; Notes From Documentation: Animation - Rob Issen, Eps 3&4 |
Videotape VT-20193/420 |
Aerials: Rio Puerco Valley, New MexicoB-Roll Front of Case: The West Film Project, Tape# 526, CR# 1063-1066; Spine of Case: 526; Notes From Documentation: Aerials - Rio Puerco Valley, New Mexico |
Videotape VT-20193/421 |
Richard Romo interview, tape 1 of 2Interview Front of Case: The West Film Project, Tape# 527, CR# 1067-1070; Spine of Case: Romo, 527 |
Videotape VT-20193/422 |
Richard Romo interview, tape 2 of 2; David Montejano interview, tape 1 of 2Interview Front of Case: The West Film Project, Tape# 528, CR# 1071-1074; Spine of Case: Romo, Montejano, 528 |
Videotape VT-20193/423 |
David Montejano interview, tape 2 of 2Interview Front of Case: The West Film Project, Tape# 529, CR# 1075-1077; Spine of Case: Montejano, 529 |
Videotape VT-20193/424 |
Aerials: Bravos River Bend State Park, TexasB-Roll Spine of Case: The West Film Project, Tape# 530, CR# 1078-1080, 530; Notes From Documentation: Aerials - Bravos River Ben State Park, TX, River Scenes |
Videotape VT-20193/425 |
Ann Richards interviewInterview Spine of Case: Ann Richards, The West Film Project, Tape# 531, CR# 1081-1084, 531 |
Videotape VT-20193/426 |
Office Stills: Budman in Conway, Episodes 5 and 6Titles and Stills Front of Case: The West Film Project, Tape# 532, CR# 1090-1093; Spine of Case: 532; Notes From Documentation: Office Stills - Budman in Conway, Ep 5 6 |
Videotape VT-20193/427 |
Office Stills: Budman in Conway, Episode 6Titles and Stills Front of Case: The West Film Project, Tape# 533, CR# 1094; Spine of Case: 533; Notes From Inventory: Office Stills - Budman in Conway, Ep 6 |
Videotape VT-20193/428 |
Linda Ronstadt interview, tape 1 of 3Interview Front of Case: The West Film Project, Tape# 534, CR# 1095-1098; Spine of Case: Ronstadt, 534 |
Videotape VT-20193/429 |
Linda Ronstadt interview, tape 2 of 3Interview Front of Case: The West Film Project, Tape# 535, CR# 1099-1102; Spine of Case: Ronstadt, 535 |
Videotape VT-20193/430 |
Linda Ronstadt interview, tape 3 of 3; Rudolfo Anaya interview, tape 1 of 2Interview Front of Case: The West Film Project, Tape# 536, CR# 1103; Spine of Case: Anaya, Ronstadt, 536 |
Videotape VT-20193/431 |
Rudolfo Anaya interview, tape 2 of 2Interview Front of Case: The West Film Project, Tape# 537, CR# 1107-1109; Spine of Case: 537; Notes From Documentation: Interview - Rudolfo Anaya, His Home in Albuquerque |
Videotape VT-20193/432 |
Rob Issen Animation: Episode 4 Pick UpsTitles and Stills Front of Case: The West Film Project, Tape# 538, CR# 1088-1089 1110; Spine of Case: 538; Notes From Documentation: Animation - Rob Issen, Ep 4 Pick Ups |
Videotape VT-20193/433 |
Big Hole BattlefieldB-Roll Front of Case: The West Film Project, Tape# 539, CR# 1085-1087; Spine of Case: Big Hole Battlefield, 539 |
Videotape VT-20193/434 |
Rob Issen Animation: Miscellaneous EpisodesTitles and Stills Front of Case: The West Film Project, Tape# 540, CR# 1111-1112; Spine of Case: 540; Notes From Documentation: Animation - Rob Issen, Misc. Episodes |
Videotape VT-20193/435 |
Rob Issen Animation: Miscellaneous Episodes and Episode 3Titles and Stills Front of Case: The West Film Project, Tape# 541, CR# 1113-1115; Spine of Case: 541; Notes From Documentation: Animation - Rob Essen, Misc Episodes and Episode 3 |
Videotape VT-20193/436 |
Rob Issen Animation: Various Episodes, tape 1 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 542, CR# 1116; Spine of Case: 542; Notes From Documentation: Animation - Rob Issen, Various Eps |
Videotape VT-20193/437 |
Rob Issen Animation: Various Episodes, tape 2 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 543, CR# 1117; Spine of Case: 543 |
Videotape VT-20193/438 |
Rob Issen Animation: ReshootsTitles and Stills Front of Case: The West Film Project, UBIT# 544, CR# 1118-1119; Spine of Case: 544; Notes From Inventory: Animation - Rob Issen, Re-Shoots and Other Stuff |
Videotape VT-20193/439 |
Rob Issen Animation: Episode 2 ReshootTitles and Stills Front of Case: The West Film Project, UBIT# 546, CR# 1122-1123; Spine of Case: 546; Notes From Documentation: Animation - Rob Issen, Re-Shoot Ep II |
Videotape VT-20193/440 |
Stills: Budman on Bond Street, Episodes 5, 2, 6, 7, 8Titles and Stills Front of Case: The West Film Project, UBIT# 547, CR# 1124-1127; Spine of Case: 547; Notes From Documentation: Stills - Budman on Bond St., Ep 5 2 6 7 8 |
Videotape VT-20193/441 |
Stills: Budman on Bond Street, Episode 8Titles and Stills Front of Case: The West Film Project, UBIT# 548, CR# 1128; Spine of Case: 548; Notes From Documentation: Stills - Budman on Bond Street, Ep 8 |
Videotape VT-20193/442 |
Rob Issen Animation: Episode 5Titles and Stills Front of Case: The West Film Project, UBIT# 549, CR# 1129-1130; Spine of Case: 549; Notes From Documentation: Animation - Rob Issen, Episode 5 |
Videotape VT-20193/443 |
Rob Issen Animation: Reshoots and New 2, 5, 6, tape 1 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 550, CR# 1131-1132; Spine of Case: 550; Notes From Documentation: Animation - Rob Issen, Reshoots & New 2 5 6 |
Videotape VT-20193/444 |
Rob Issen Animation: Reshoots and New 2, 5, 6, tape 2 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 551, CR# 1133-1134; Spine of Case: 551; Notes From Documentation: Animation - Rob Issen, Reshoots & New 2 5 6 |
Videotape VT-20193/445 |
Barry Goldwater interviewInterview Front of Case: Goldwater Interview; Spine of Case: The West Film Project, UBIT# 552, CR# 1135-1138, 552 |
Videotape VT-20193/446 |
Stills: Budman in Conway, Hispanic Material, tape 1 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 553, CR# 1139-1142; Spine of Case: 553; Notes From Documentation: Stills - Budman in Conway, Hispanic Materials |
Videotape VT-20193/447 |
Stills: Budman in Conway, Hispanic Material, tape 2 of 2; Rob Issen Animation: Reshoots, Gibbs Collection and LovesTitles and Stills Front of Case: The West Film Project, UBIT# 554, CR# 1143-1147; Spine of Case: 554; Notes From Documentation: Stills - Budman in Conway, Hispanic Materials, Animation - Rob Issen, Reshoots, Gibbs Collection and Loves |
Videotape VT-20193/448 |
Rob Issen Animation: Episodes 2, 7, 5 and 6Titles and Stills Front of Case: The West Film Project, UBIT# 555, CR# 1148-1149; Spine of Case: 555; Notes From Documentation: Animation - Rob Issen, Misc Eps 2 7 5 6 |
Videotape VT-20193/449 |
Rob Issen Animation: Episode 6 Reshoots, tape 1 of 2Titles and Stills Spine of Case: The West Film Project, UBIT# 556, CR# 1150; Front of Case: Chief Joseph Moves, Alamo Moves; Notes From Documentation: Animation - Rob Issen, Ep 6 Reshoots |
Videotape VT-20193/450 |
Rob Issen Animation: Episode 6 Reshoots, tape 2 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 557, CR# 1151-1152; Spine of Case: 557; Notes From Documentation: Animation - Rob Issen, Ep 6 Reshoots |
Videotape VT-20193/451 |
Joellyn Archambault interview, tape 1 of 2Interview Front of Case: The West Film Project, UBIT# 558, CR# 1153-1156, Tape #558, Archambault, 20:14:57 - "Were Lakota people always in the Black Hills?" - 20:15:47; Spine of Case: 558 |
Videotape VT-20193/452 |
Joellyn Archambault interview, tape 2 of 2Interview Front of Case: The West Film Project, UBIT# 559, CR# 1157-1159; Spine of Case: 559; Notes From Documentation: Interview - Jo Allyn Archambault, Woodrow Wilson House, Wash DC |
Videotape VT-20193/453 |
Rob Issen Animation: Throssel Episode 6 and Episode 2 Pick UpsTitles and Stills Front of Case: The West Film Project, UBIT# 560, CR# 1160-1161; Spine of Case: 560; Notes From Documentation: Animation - Rob Issen, Throssel Ep 6 and Ep 2 Pick Ups |
Videotape VT-20193/454 |
Intro Map Episode 2Titles and Stills Front of Case: The West Film Project, UBIT# 561, CR# 1162-1163; Spine of Case: 9/11/95, Intro Map, Ep 2, 561 |
Videotape VT-20193/455 |
Rob Issen Animation: Episodes 2, 3 and 7Titles and Stills Front of Case: The West Film Project, UBIT# 562, CR# 1164; Spine of Case: 562; Notes From Documentation: Animation - Rob Issen, Eps 2 3 & 7 |
Videotape VT-20193/456 |
Rob Issen Animation: Episode 6, LBH HidesTitles and Stills Front of Case: The West Film Project, UBIT# 563, CR# 1165-1166; Spine of Case: 563; Notes From Documentation: Animation - Rob Issen, Ep 6 LBH Hides |
Videotape VT-20193/457 |
Rob Issen Animation: Episode 3-4 and 7-8Titles and Stills Front of Case: The West Film Project, UBIT# 564, CR# 1167-1170; Spine of Case: 564; Notes From Documentation: Animation - Rob Issen, Eps 3, 4, 7, 8 |
Videotape VT-20193/458 |
Rob Issen Animation: Episodes 2, 3 and 8Titles and Stills Front of Case: The West Film Project, UBIT# 565, CR# 1171; Spine of Case: 565; Notes From Documentation: Animation - Rob Issen, Eps 2 3 8 |
Videotape VT-20193/459 |
Stephen Ambrose interviewTitles and Stills Front of Case: The West Film Project, UBIT# 566, CR# 1179; Spine of Case: 566; Notes From Documentation: Interview - Stephen Ambrose, Great Falls Montana |
Videotape VT-20193/460 |
Office Stills: Budman in Conway, Episodes 3 and 7-8Titles and Stills Front of Case: The West Film Project, UBIT# 567, CR# 1174-1177; Spine of Case: 567; Notes From Documentation: Office Stills - Budman in Conway, Ep 3, 7 & 8 |
Videotape VT-20193/461 |
Office Stills: Budman in Conway, Episode 8Titles and Stills Front of Case: The West Film Project, UBIT# 568, CR# 1178; Spine of Case: 568; Notes From Documentation: Office Stills, Budman in Conway, Ep 8 |
Videotape VT-20193/462 |
Rob Issen Animation: Episode 3Titles and Stills Front of Case: The West Film Project, UBIT# 569, CR# 1180-1181; Spine of Case: 569; Notes From Documentation: Animation - Rob Issen, Ep 3 |
Videotape VT-20193/463 |
Sabrina Swain House Set UpB-Roll Front of Case: The West Film Project, UBIT# 570, CR# 1172-1173; Spine of Case: 570; Notes From Documentation: Ext - Sabrina Swain House Set Up, Yellowood in Walpole NH |
Videotape VT-20193/464 |
Black Hills, South Dakota, tape 1 of 4B-Roll Front of Case: Black Hills - South Dakota, The West Film Project, UBIT# 571, CR# 1186-1189; Spine of Case: 5040, The West, 571 |
Videotape VT-20193/465 |
Black Hills, South Dakota, tape 2 of 4B-Roll Front of Case: Black Hills - South Dakota, The West Film Project, UBIT# 572, CR# 1190-1193; Spine of Case: 5041, The West, 572 |
Videotape VT-20193/466 |
Black Hills, South Dakota, tape 3 of 4B-Roll Front of Case: Black Hills - South Dakota, The West Film Project, UBIT# 573, CR# 1194-1197; Spine of Case: 5065, The West, 573 |
Videotape VT-20193/467 |
Black Hills, South Dakota, tape 4 of 4B-Roll Front of Case: Black Hills - South Dakota, The West Film Project, UBIT# 574, CR# 1198; Spine of Case: 5066, The West, 574 |
Videotape VT-20193/468 |
Rob Issen Animation: Reshoots 3 and 7Titles and Stills Front of Case: The West Film Project, UBIT# 575, CR# 1199-1200; Spine of Case: 575; Notes From Documentation: Animation - Rob Issen, Reshoots 3&7 |
Videotape VT-20193/469 |
Rob Issen Animation: Reshoots 3 and 7Titles and Stills Front of Case: The West Film Project, UBIT# 576, CR# 1201-1202; Spine of Case: 576; Notes From Documentation: Animation - Rob Issen, Reshoots 3&7 |
Videotape VT-20193/470 |
Rob Issen Animation: Episodes 3, 6 and 7Titles and Stills Front of Case: The West Film Project, UBIT# 577, CR# 1206; Spine of Case: 577; Notes From Documentation: Animation - Rob Issen, Eps 3 6 & 7 |
Videotape VT-20193/471 |
Office Stills: Budman in Montana, Episodes 5 and 1Titles and Stills Front of Case: The West Film Project, UBIT# 578, CR# 1203-1205; Spine of Case: 578; Notes From Documentation: Opffice Stills - Budman in Montana, Eps 5&1 |
Videotape VT-20193/472 |
Rob Issen Animation, Episodes 3 and 7Titles and Stills Front of Case: The West Film Project, UBIT# 579, CR# 1207; Spine of Case: 579; Notes From Documentation: Animation - Rob Issen, Episodes 3 & 7 |
Videotape VT-20193/473 |
Rob Issen Animation, Episodes 3 and 7; Assateagve Island, Maryland: Ocean Storm; Tom Watkins interviewTitles and Stills Front of Case: The West Film Project, UBIT# 580, CR# 1208-1213; Spine of Case: 580; Notes From Documentation: Animation - Rob Issen, Episodes 3 & 7, Ext - Assateagave Island Maryland - Ocean Storm, Interview - Tom Watkins - Wilderness Society Washington DC |
Videotape VT-20193/474 |
Tom Watkins interviewInterview Front of Case: The West Film Project, UBIT# 581, CR# 1214-1217; Spine of Case: 581; Notes From Documentation: Interview - Tom Watkins, Wilderness Society Washington DC |
Videotape VT-20193/475 |
Rob Issen Animation: Episodes 3, 5 and 7; Animation: Map Test, Swain #1Titles and Stills Front of Case: The West Film Project, CR# 1218 1219 1222; Spine of Case: 582; Notes From Documentation: Animation - Rob Issen, Eps 3 5 & 7, Animation - Map Test - Swain #1/Map Test 35mm |
Videotape VT-20193/476 |
Rob Issen Animation: Episodes 5 and 7Titles and Stills Front of Case: The West Film Project, CR# 1220-1221; Spine of Case: 583; Notes From Documentation: Animation - Rob Issen, Episode 5&7 |
Videotape VT-20193/477 |
Rob Issen Animation: Episode 3Titles and Stills Front of Case: The West Film Project, CR# 1223 1224; Spine of Case: 584; Notes From Documentation: Animation - Rob Issen, Episode 3 |
Videotape VT-20193/478 |
Rob Issen Animation: Episodes 3 and 7, tape 1 of 2Titles and Stills Front of Case: CR 1227 (16mm) + CR 1226/1 (35mm Map), The West Film Project, CR# 1227; Spine of Case: 585; Notes From Documentation: Animation - Rob Issen, Eps 3 & 7 |
Videotape VT-20193/479 |
Rob Issen Animation: Episodes 3 and 7, tape 2 of 2Titles and Stills Front of Case: The West Film Project, CR# 1228; Spine of Case: 586; Notes From Documentation: Animation - Rob Issen, Eps 3 & 7 |
Videotape VT-20193/480 |
Rob Issen Animation: Episodes 3 and 7, Lock ShotsTitles and Stills Front of Case: The West Film Project, UBIT# 587, CR# 1129-1130; Spine of Case: 587; Notes From Documentation: Animation - Rob Issen, Episodes 3 & 7 Lock Shots |
Videotape VT-20193/481 |
Rob Issen Animation: Episode 3 Lock ShotsTitles and Stills Front of Case: The West Film Project, UBIT# 588, CR# 1131; Spine of Case: 588; Notes From Documentation: Animation - Rob Issen, Episode 3 Lock Shots |
Videotape VT-20193/482 |
Rob Issen Animation: Episodes 3, 5 and 7; Rob Issen Animation: Episode 7 One ShotTitles and Stills Front of Case: The West Film Project, UBIT# 589, CR# 1232-1233; Spine of Case: 589; Notes From Documentation: Animation - Rob Issen, Eps 3 5 7, Ep 7 - One Shot |
Videotape VT-20193/483 |
Rob Issen Animation and Titles: Episode 3 and 7 Titles, Episodes 3 and 5-7Titles and Stills Front of Case: The West Film Project, UBIT# 590, CR# 1234; Spine of Case: 590 |
Videotape VT-20193/484 |
Rob Issen Animation: Episodes 1 and 6Titles and Stills Front of Case: The West, UBIT# 591, CR# 1237; Spine of Case: 591 |
Videotape VT-20193/485 |
Dayton Duncan interview, tape 7 of 7Interview Front of Case: The West, UBIT# 592, CR# 1240-1241; Spine of Case: Dayton in Walpole, 592 |
Videotape VT-20193/486 |
Rob Issen Animation: Episodes 5 and 6 Reshoots, tape 1 of 2Titles and Stills Front of Case: The West, UBIT# 593, CR# 1242; Spine of Case: 593; Notes From Documentation: Animation - Rob Issen, Reshoots Ep 5&6 |
Videotape VT-20193/487 |
Rob Issen Animation: Episodes 5 and 6 Reshoots, tape 2 of 2Titles and Stills Front of Case: West Film Project, UBIT# 594, CR# 1243-1245; Spine of Case: 594; Notes From Documentation: Animation - Rob Issen, Reshoots, Ep 5 & 6 |
Videotape VT-20193/488 |
Rob Issen Animation: Episode 4, New MaterialTitles and Stills Front of Case: The West Film Project, UBIT# 595, CR# 1246-1248; Spine of Case: 595; Notes From Documentation: Animation - Rob Issen, Ep 4 New Material |
Videotape VT-20193/489 |
Rob Issen Animation: Episodes 5 and 6 ReshootsTitles and Stills Front of Case: The West Film Project, UBIT# 596, CR# 1250-1252; Spine of Case: 596; Notes From Documentation: Animation - Rob Issen, Ep 5 & 6 Reshoots |
Videotape VT-20193/490 |
Animation: Titles and Maps, Map Tests and Inner Titles Episodes 5 & 6Titles and Stills Front of Case: The West Film Project, UBIT# 597, CR# 1254-1255; Spine of Case: 597; Notes From Documentation: Animation - Titles and Maps, Map Tests and Inner Titles Eps 5 & 6 |
Videotape VT-20193/491 |
Animation: Episodes 3 and 7, Flicker Reshoots; Animation: Episode 3 Map TestTitles and Stills Front of Case: The West Film Project, UBIT# 598, CR# 1238-1239, 1249; Spine of Case: 598; Notes From Documentation: Animation - Flicker Reshotts, Episode 3 & 7 Flicker, Animation - Map Test, Map Test Ep 3 |
Videotape VT-20193/492 |
Rob Issen Animation: Episode 5 and 6 Lock Shots, tape 1 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 599, CR# 1253 1256 1257; Spine of Case: 599; Notes From Documentation: Animation - Rob Issen, Ep 5 & 6 Lock Shots |
Videotape VT-20193/493 |
Rob Issen Animation: Episode 5 and 6 Lock Shots, tape 2 of 2Titles and Stills Front of Case: The West Film Project, UBIT# 600, CR# 1258-1261; Spine of Case: 600; Notes From Documentation: Animation - Rob Issen, Ep 5 & 6 Lock Shots |
Videotape VT-20193/494 |
Frame Shop Animation: Chromes, Episodes 3, 7 and 5Titles and Stills Front of Case: The West Film Project, UBIT# 601, CR# 1265; Spine of Case: 601; Notes From Documentation: Animation - Frame Shop, Chromes 3 7 5 |
Videotape VT-20193/495 |
Frame Shop Animation: Episode 3, Episode 7 Flicker and Episode 5; Frame Shop Animation: Episodes 5 and 6; Frame Shop Animation: Titles, Episode 3, 7, 5 and 6Titles and Stills Front of Case: The West Film Project, UBIT #602, CR# 1262-1264; Spine of Case: 602; Notes From Documentation: Animation - Frame Shop, Ep 3 - 7-Flicker & Ep 5, Animation - Frame Shop - Ep 5&6, Animation - Frame Shop, Titles - Ep 3 7 5 6 |
Videotape VT-20193/496 |
Rob Issen Animation: Map Test, Episodes 1 and 6Titles and Stills Front of Case: The West Film Project, UBIT# 603, CR# 1266; Spine of Case: 603; Notes From Documentation: Animation - Issen Map Test, Maps 1 6 |
Videotape VT-20193/497 |
Frame Shop Animation: Chromes, Episodes 1, 3 and 6Titles and Stills Front of Case: The West Film Project, UBIT# 604, CR# 1270-1272; Spine of Case: 604; Notes From Documentation: Animation - Frame Shop, Ep 3 & 1 Chromes, Animation - Frame Shop, Ep 1 Chromes, Animation - Frame Shop, Episode 6 Chromes |
Videotape VT-20193/498 |
Frame Shop Animation: Titles, KLB Presents and Episode 7Titles and Stills Front of Case: The West Film Project, UBIT# 605, CR# 1273; Spine of Case: 605; Notes From Documentation: Animation - Frame Shop, Title - KLB Presents and Ep 7 |
Videotape VT-20193/499 |
Frame Shop Animation: Episodes 3, 1, 5 and 6Titles and Stills Front of Case: The West Film Project, UBIT# 606, CR# 1274-1277; Spine of Case: 606; Notes From Documentation: Animation - Frame Shop, Ep 3 1 5 6 |
Videotape VT-20193/500 |
Frame Shop Animation: Episode 6Titles and Stills Front of Case: The West Film Project, UBIT# 607, CR# 1280-1282; Spine of Case: 607; Notes From Documentation: Animation - Frame Shop, Episode 6 |
Videotape VT-20193/501 |
KLB Presents: A Film by Stephen IvesTitles and Stills Front of Case: KLB Presents A Film By Stephen Ives, 607B, The West Film Project, UBIT# 607*, CR# 1284; Spine of Case: 607B |
Videotape VT-20193/502 |
Frame Shop Animation: Episode 5 and Episode 1; Frame Shop Animation: Chromes, Episodes 5 and 8; Frame Shop Animation: Episode 5 and 6 ReshootsTitles and Stills Front of Case: The West Film Project, UBIT# 608, CR# 1283/1285/1286; Spine of Case: 608; Notes From Documentation: Animation - Frame Shop - Ep 5 Ep 1, Animation - Frame Shop - Ep 5 & 8 Chromes, Animation - Frame Shop - Ep 5 & 6 Reshoots |
Videotape VT-20193/503 |
Cattle MapTitles and Stills Front of Case: Cattle Map, Ep 5, 35mm, The West Film Project, UBIT# 609, CR# 1289 |
Videotape VT-20193/504 |
Rob Issen Maps: Episodes 1, 5 and 6Titles and Stills Front of Case: The West Film Project, UBIT# 610, CR# 1287-1288; Spine of Case: 610; Notes From Documentation: Maps - Rob Issen, Maps for Ep 1 5 6 |
Videotape VT-20193/505 |
Frame Shop Animation: Chromes, Episode 1, 6 and 8Titles and Stills Front of Case: The West Film Project, UBIT# 611, CR# 1290; Spine of Case: 611; Notes From Documentation: Animation - Frame Shop, Chromes Eps 1 5 6 |
Videotape VT-20193/506 |
Frame Shop Animation: Episodes 5, 6, 1 and 8Titles and Stills Front of Case: The West Film Project, UBIT# 612, CR# 1291; Spine of Case: 612; Notes From Documentation: Animation - Frame Shop, Eps 5 6 1 8 |
Videotape VT-20193/507 |
Frames Shop Animation: Name Test and One Shot, Episode 1; Frame Shop Animation: Episodes 1-4Titles and Stills Front of Case: The West Film Project, UBIT# 613, CR# 1292-1293; Spine of Case: 613; Notes From Documentation: Animation - Frame Shop, Name Test & One Shot Ep 1/Ep 1-4 Shots |
Videotape VT-20193/508 |
Rob Issen Animation: Maps, Episodes 1 and 6Titles and Stills Front of Case: LBH #2/Ep 6, L&C/Ep 1, 16mm, The West Film Project, UBIT# 614, CR# 1294; Spine of Case: 614; Notes From Documentation: Animation - Rob Issen, Episode 1 & 6 |
Videotape VT-20193/509 |
Frame Shop Animation: Chromes, Episodes 5, 1 and 4Titles and Stills Front of Case: The West Film Project, UBIT# 615, CR# 1296; Spine of Case: 615; Notes From Documentation: Animation - Frame Shop, Chromes 5 1 4 |
Videotape VT-20193/510 |
Frame Shop Animation: Photo Pick Ups, Episodes 4 and 1; Frame Shop Animation: Titles, Episodes 5, 6 and 1Titles and Stills Front of Case: The West Film Project, UBIT# 616, CR# 1297-1299; Spine of Case: 616; |
Videotape VT-20193/511 |
Frame Shop Animation: Chromes, Episodes 1, 4 and 8Titles and Stills Front of Case: The West Film Project, UBIT# 618, CR# 1303; Spine of Case: 618; Notes From Documentation: Animation - Frame Shop, Chromes, Eps 1 4 8 |
Videotape VT-20193/512 |
Rob Issen Animation: Episodes 1 and 4, Pick Ups; Rob Issen Animation: Episode 8, New MaterialsTitles and Stills Front of Case: The West Film Project, UBIT# 619, CR# 1304-1305; Spine of Case: 619; Notes From Documentation: Animation - Rob Issen, Pick Ups Eps 1 4, New Mat Ep 8 |
Videotape VT-20193/513 |
Frame Shop Animation: Chromes, Episode 1Titles and Stills Front of Case: The West Film Project, UBIT# 620, CR# 1306; Spine of Case: 620 |
Videotape VT-20193/514 |
Ehthel Waxham Desktop, Teddy Roosevelt House, New York CityB-Roll Front of Case: The West, UBIT# 621, CR# 1307-1308; Spine of Case: 621; Notes From Documentation: Ehthel Waxham Desk Top, Teddy Roosevelt House, NYC |
Videotape VT-20193/515 |
Frame Shop Animation: New Stills, Episode 8; Frame Shop Animation: Chromes, Episodes 8, 2 and 4Titles and Stills Front of Case: The West, UBIT# 622, CR# 1309-1310; Spine of Case: 622; Notes From Documentation: Animation - The Frame Shop, New Stills Ep 8, Animation - The Frame Shop, Chromes - Ep 8 2 4 |
Videotape VT-20193/516 |
Frame Shop Animation: Chromes, Episodes 8, 4 and 2; Frame Shop Animation: Stills, Episodes 8, 4 and 2Titles and Stills Front of Case: The West, UBIT# 623, CR# 1311-1314; Spine of Case: 623; Notes From Documentation: Animation - Frame Shop, Episode 8 Chromes - Love Letters/Animation - Frame Shop, Chromes Eps 8 & 4/Animation - Frame Shop, Chromes Ep 2/Animation - Frame Shop, Stills Eps 8 4 2 |
Videotape VT-20193/517 |
Frame Shop Animation: Episode 2, ReshootsTitles and Stills Front of Case: West Film Project, UBIT# 624, CR# 1315-1316; Spine of Case: 624; Notes From Documentation: Animation - Frame Shop, Ep 2 Re-Shoots |
Videotape VT-20193/518 |
Frame Shop Animation: Episodes 1, 2 and 4Titles and Stills Front of Case: West Film Project, UBIT# 626, CR# 1317-1318; Spine of Case: 626; Notes From Documentation: Animation - Frame Shop, Ep 1 2 & 4 |
Videotape VT-20193/519 |
Frame Shop Animation: Episodes 2 and 4Titles and Stills Front of Case: West Film Project, UBIT# 627, CR# 1319; Spine of Case: 627; Notes From Documentation: Animation - Frame Shop, Ep 2 & Ep 4 |
Videotape VT-20193/520 |
Frame Shop Animation: Maps, Episode 2; Frame Shop Animation: Stills, Episodes 4 and 8Titles and Stills Front of Case: West Film Project, UBIT# 628, CR# 1320-1322; Spine of Case: 628; Notes From Documentation: Animation - Frame Shop, Maps EP 2/Animation Frame Shop, Maps Ep 2 & Stills Ep 4 & 8/Animation - Frame Shop, Ep 8 Stills |
Videotape VT-20193/521 |
Frame Shop Animation: Stills, Episodes 8 and 4Titles and Stills Front of Case: West Film Project, UBIT# 629, CR# 1323; Spine of Case: 629; Notes From Documentation: Animation - Frame Shop, Ep 8 & 4 Stills |
Videotape VT-20193/522 |
Frame Shop Animation: Front Lit Photos, Episodes 8, 4 and 2Titles and Stills Front of Case: West Film Project, UBIT# 630, CR# 1324-1325; Spine of Case: 630; Notes From Documentation: Animation - Frame Shop, Ep 8 Front Lit Photos/Animation - Frame Shop, EP 8 4 & 2 Front Lit Photos |
Videotape VT-20193/523 |
Frame Shop Animation: Back Lit Chromes and Transparencies, Episode 8Titles and Stills Front of Case: West Film Project, UBIT# 631, CR# 1326-1327; Spine of Case: 631; Notes From Documentation: Animation - Frame Shop, Ep 8, Back Lit Chromes/Back Lit Transparencies |
Videotape VT-20193/524 |
Frame Shop Animation: Front Lit Photos, Episode 8; Frame Shop Animation: Titles, Episodes 8, 1 and 2Titles and Stills Front of Case: West Film Project, UBIT# 632, CR# 1328-1330; Spine of Case: 632; Notes From Documentation: Animation - Frame Shop, Ep 8 Front Lit Photos/Animation - Frame Shop, Ep 8 1 & 2 Titles/Animation - Frame Shop, Ep 8, Front Lit Photos |
Videotape VT-20193/525 |
Frame Shop Animation: Back Lit Transparencies, Episodes 1 and 2Titles and Stills Front of Case: West Film Project, UBIT# 633, CR# 1333; Spine of Case: 633 |
Videotape VT-20193/526 |
Frame Shop Animation: Front Lit Photos, Episodes 8, 1, 2 and 4Titles and Stills Front of Case: West Film Project, UBIT# 634, CR# 1331-1332; Spine of Case: 634; Notes From Documentation: Animation - Frame Shop, Ep 8 1 2 & 4, Front Lit Photos |
Videotape VT-20193/527 |
Frame Shop Animation: Back Lit Transparencies, Episodes 2 and 4; Frame Shop Animation: Titles, Episodes 8 and 2 and One Still For Episode 8Titles and Stills Front of Case: West Film Project, UBIT# 635, CR# 1334-1335; Spine of Case: 635; Notes From Documentation: Animation - Frame Shop, Ep 2 & 4, Back Lit Transparencies/Animation - The Frame Shop, Titles - Ep 8 & 2, One Still for 8 |
Videotape VT-20193/528 |
Frame Shop Animation: Back Lit Transparencies and Front Lit Photos, Episodes 8 and 2Titles and Stills Front of Case: West Film Project, UBIT# 636, CR# 1336-1337; Spine of Case: 636; Notes From Documentation: Animation - Frame Shop, Ep 8 & 2, Back Lit Transparencies/Animation - Frame Shop, Ep 8 & 2, Front Lit Photos |
Videotape VT-20193/529 |
Frame Shop Animation: Front Lit Photos, Episodes 8 and 4Titles and Stills Front of Case: West Film Project, UBIT# 637, CR# 1338-1340; Spine of Case: 637; Notes From Documentation: Animation - Frame Shop, Ep 8 & 4, Front Lit Photos |
Videotape VT-20193/530 |
Frame Shop Animation: Titles, Episodes 4, 1-2, 5-6 and 8; Frame Shop Animation: Front Lit Photos, Episodes 8 and 4Titles and Stills Front of Case: West Film Project, UBIT# 638b, CR# 1342-1343; Spine of Case: 638; Notes From Documentation: Animation - Frame Shop, Ep 4 1 2 5 6 & 8, Ep 8 & 4, Front Lit Photos |
Videotape VT-20193/531 |
Frame Shop Animation: Back Lit Transparencies, Episodes 2 and 4Titles and Stills Front of Case: West Film Project, UBIT# 639, CR# 1341; Spine of Case: 639; Notes From Documentation: Animation - Frame Shop, Ep 2 & 4, Back Lit Transparencies |
Videotape VT-20193/532 |
Frame Shop Animation: Front Lit Photos, Episodes 4 and 2; Frame Shop Animation: Back Lit Photos, Episodes 2 and 4Titles and Stills Front of Case: The West, UBIT# 640, CR# 1344-1346; Notes From Documentation: Animation - Frame Shop, Ep 4 & 2, Front Lit Photos/Animation - Frame Shop, Ep 2 & 4, Back Lit Photos |
Videotape VT-20193/533 |
Frame Shop Animation: Front Lit Photos, Episode 8Titles and Stills Front of Case: West Film Project, UBIT# 641, CR# 1348; Spine of Case: 641; Notes From Documentation: Animation - Frame Shop, Ep 8, Front Lit Photo - Frozen Bodies in Mass Grave |
Videotape VT-20193/534 |
Frame Shop Animation: Back Lit Transparencies, Episode 4Titles and Stills Front of Case: West Film Project, UBIT# 642, CR# 1347; Spine of Case: 642; Notes From Documentation: Animation - Frame Shop, Ep 4, Back Lit Transparencies |
Videotape VT-20193/535 |
Lewis and Clark Watercolor Paintings; Ind. PlainsB-Roll Tape Label: 1. Lewis & Clark, W.C. Paintings, 2. Ind. Plains (N) 470/479 |
Videotape VT-20193/536 |
Oregon Coast and MontanaB-Roll Front of Case: West-Lewis & Clark Footage, Workprint; Note Inside Container: Lewis and Clark Footage, From CR 18 - Oregon Coast, CR 35 - Montana, CR 37 - Montana, CR 40 - Montana, CR 41 - Montana, CR 43 - Montana; Spine of Case: New Lew & Clark Scenics for GEO, 6011 |
Videotape VT-20193/537 |
MapsTitles and Stills Front of Case: Maps, 4046 |
Videotape VT-20193/538 |
Maps, Episode 3Titles and Stills Tape Label: 4051, Ep 3, Maps, 4052, Ep 8 |
Videotape VT-20193/539 |
Maps, 4044 and 4051Titles and Stills Spine of Case: 4044 + 4051 (Maps); Front of Case: Maps, 4051, 3-29-95 |
Videotape VT-20193/540 |
Nez Perce Maps 1 and 3Titles and Stills Front of Case: The West, Nez Perce Maps 1 & 3, Tape 9001, 2/6/96; Spine of Case: 9001 |
Videotape VT-20193/541 |
Nez Perce Maps 1 and 3, RevisedTitles and Stills Front of Case: The West, Nez Perce Maps 1&3 "Revised", Tape 9001, 2/12/96, W.O. #5711, W/ATTC |
Videotape VT-20193/542 |
Swain Maps, Final Composited Video MasterTitles and Stills Front of Case: Tape House Ink & Paint, The West, Swain Maps, Final Composited Video Master, Tape 9000 - Revised, 1/23/96; Spine of Case: The Real 9000 |
Videotape VT-20193/543 |
Swain Maps 1-4, Final Composited Video MasterTitles and Stills Front of Case: 9000, Tape House Ink & Paint, The West, Swain Maps 1 thru 4, Final Composited Video Master, 1/17/96; Spine of Case: 9000, Being Redone |
Videotape VT-20193/544 |
Episode 1Workprint Tape Label: Episode 1 |
Videotape VT-20193/545 |
Episode 1, 10 December 1995, Rough CutWorkprint Tape Label: The West, Ep 1, Dayton, Episode One, 12.10.95, Rough Cut |
Videotape VT-20193/546 |
Episode 1, 11 December 1995, Alternate IntroWorkprint Tape Label: The West, Episode One, Alt Intro, 12/11/95 |
Videotape VT-20193/547 |
Episode 1, Reel 1Workprint Back of Case: Episode 1, R-1, IRA + JAC |
Videotape VT-20193/548 |
Episode 2, 21 February 1996Workprint Tape Label: The West, Episode Two, 2/21/96 |
Videotape VT-20193/549 |
Episode 2, 7 May 1996, Conform, Part 1Workprint Front of Case: The West, Episode #2 (Conform), Part I of II, 5/7/96 |
Videotape VT-20193/550 |
Episode 2, 7 May 1996, Conform, Part 2Workprint Front of Case: The West, Episode #2 (Conform), Part II of II, 5/7/96 |
Videotape VT-20193/551 |
Episode 2, 15 September 1995, For PB, ConsultantsWorkprint Tape Label: Ep 2 for PB, The West, 9.15.95, Consultants |
Videotape VT-20193/552 |
Episode 2, Reel 1Workprint Front of Case: The West, Episode 2, Reel 1, CH 1 - Audio, CH 2 - Audio |
Videotape VT-20193/553 |
Episode 2, Reel 2Workprint Front of Case: The West, Episode 2, Reel 2, CH 1 - Audio, CH 2 - Audio |
Videotape VT-20193/554 |
Episode 2, Reel 3Workprint Front of Case: The West, Episode 2, Reel 3, CH 1 - Audio, CH 2 - Audio |
Videotape VT-20193/555 |
Episode 2, Reel 4Workprint Front of Case: The West, Episode 2, Reel 4, CH 1 - Audio, CH 2 - Audio |
Videotape VT-20193/556 |
Episode 3, 21 August 1995, Rough CutWorkprint Tape Label: Ep 3, The West, Rough Cut, 8/21/95 |
Videotape VT-20193/557 |
Episode 3, 24 October 1995Workprint Tape Label: The West, Episode 3, 10.24.95 |
Videotape VT-20193/558 |
Episode 3, 24 October 1995, Coyote Mixed TracksWorkprint Tape Label: Ep 3, Coyote, Mixed Tracks, 10/24/95 |
Videotape VT-20193/559 |
Episode 3, 6 November 1995Workprint Tape Label: The West, Episode 3 for Dayton, 11/6/95 |
Videotape VT-20193/560 |
Episode 3 and 7, FinalWorkprint Tape Label: Episode 3+7 Final |
Videotape VT-20193/561 |
Episode 4Workprint Tape Label: Episode 4 |
Videotape VT-20193/562 |
Episode 4, 6 March 1996Workprint Tape Label: The West, Episode 4, 3.6.96 |
Videotape VT-20193/563 |
Episode 4, 8 May 1996, Conform, Part 1Workprint Front of Case: The West, Episode #4, Conform, Part 1, 5/8/96 |
Videotape VT-20193/564 |
Episode 4, 8 May 1996, Conform, Part 2Workprint Front of Case: The West, Episode #4, Conform, Part 2, 5/8/96 |
Videotape VT-20193/565 |
Episode 4, 2 August 1995, Cortina (Slam)Workprint Tape Label: Episode Four, Cortina (Slam), 8.2.95 |
Videotape VT-20193/566 |
Episode 4, 13 May 1996Workprint Front of Case: The West, Episode 4, RT 1:23:44, Audio CH 1& 2 Full Mix, Audio CH 3 & 4 Music Effects & DIA, 5/13/96 |
Videotape VT-20193/567 |
Episode 4, 15 June 1995, IncompleteWorkprint Tape Label: Episode Four, 6.15.95, ABCD (Incomplete) |
Videotape VT-20193/568 |
Episode 4, Reel 1Workprint Front of Case: The West, Episode 4, Reel 1, CH 1 - Audio, CH 2 - Audio |
Videotape VT-20193/569 |
Episode 4, Reel 2Workprint Front of Case: The West, Episode 4, Reel 2, CH 1 - Audio, CH 2 - Audio |
Videotape VT-20193/570 |
Episode 4, Reel 3Workprint Front of Case: The West, Episode 4, Reel 3, CH 1 - Audio, CH 2 - Audio |
Videotape VT-20193/571 |
Episode 4, Reel 4Workprint Front of Case: The West, Episode 4, Reel 4, CH 1 - Audio, CH 2 - Audio |
Videotape VT-20193/572 |
Episode 5Workprint Tape Label: The West, Episode 5, Jody |
Videotape VT-20193/573 |
Episode 5/6Workprint Tape Label: Episode 5/6 |
Videotape VT-20193/574 |
Episode 5/6, NewWorkprint Tape Label: Episode 5/6, New |
Videotape VT-20193/575 |
Episode 6, 10 December 1995, For DaytonWorkprint Tape Label: Episode 6 For Dayton, The West, 12.10.95 |
Videotape VT-20193/576 |
Episode 6, 27 February 1996, Textless Master, Part 1Workprint Front of Case: The West, Textless Master, RT 1:24:45, Audio CH 1&2, 2/27/96, Part #1, Episode 6, No Lower Thirds, From DCT Not D2, Missing Final Corrections |
Videotape VT-20193/577 |
Episode 6, 27 February 1996, Textless Master, Part 2Workprint Front of Case: The West, Textless Master, RT 1:24:45, Audio CH 1&2, 2/27/96, Part #2, Episode 6 |
Videotape VT-20193/578 |
Episode 6, 7 August 1995, ML CutWorkprint Tape Label: Ep 6 - ML Cut, 8/7/95, Battle of Little Bighorn, Custer's Revenge, Fight No More Forever, Nez Perce Coda, Split Tracks (Narration On AI) W/SER., Timecode For Teese |
Videotape VT-20193/579 |
Episode 6, 14 September 1995, copyWorkprint Tape Label: The West, Episode 6, Copy Three, 9.14.95 |
Videotape VT-20193/580 |
Episode 6Workprint Tape Label: Episode 6 |
Videotape VT-20193/581 |
Episode 7, Buffalo Bill SegmentWorkprint Tape Label: The West, Episode Seven, Buffalo Bill Segment |
Videotape VT-20193/582 |
Episode 8, 29 April 1996, Conform, Part 1Workprint Tape Label: The West, Episode 8, Conform, 4/29/96, Part 1 |
Videotape VT-20193/583 |
Episode 8, 29 April 1996, Conform, Part 2Workprint Front of Case: The West, Episode 8, Conform, 4/29/96, Part 2 |
Videotape VT-20193/584 |
Episode 8, 3 March 1996, Digital CutWorkprint Tape Label: Ep 8, The West, Digital Cut, 3/3/96 |
Videotape VT-20193/585 |
Episode 8, Goodnight Features, MichelleWorkprint Tape Label: Michelle, Ep 8, Goodnight Features, The West |
Videotape VT-20193/586 |
Episode 8, 6 May 1996, Home Video CutWorkprint Front of Case: The West, Episode 8, Home Video Version, W/ Lower Thirds, 5/6/96 |
Videotape VT-20193/587 |
Episode 8, PBS Insert CutWorkprint Front of Case: The West, Episode 8, CA. Water, PBS Insert Cut; Spine of Case: 1 HR, TC, Basic, NDF |
Videotape VT-20193/588 |
Episode 8, Reel 1Workprint Front of Case: The West, Episode 8, Reel 1, CH 1 - Audio, CH 2 - Audio |
Videotape VT-20193/589 |
Episode 8, Reel 2Workprint Front of Case: The West, Episode 8, Reel 2, CH 1 - Audio, CH 2 - Audio |
Videotape VT-20193/590 |
Episode 8, Reel 3Workprint Front of Case: The West, Episode 8, Reel 3, CH 1 - Audio, CH 2 - Audio |
Videotape VT-20193/591 |
Episode 8, 22 April 1996, Reel 4Workprint Tape Label: The West, 4.22.96, New Ep 8 Goodnight, Reel 4 of 7 |
Videotape VT-20193/592 |
Episode 8, Reel 4Workprint Front of Case: The West, Episode 8, Reel 4, CH 1 - Audio, CH 2 - Audio |
Videotape VT-20193/593 |
Episode 8, Reel 4, OldWorkprint Front of Case: The West, Episode 8, Reel 4, CH 1 - Audio, CH 2 - Audio, Old |
Videotape VT-20193/594 |
Episode 8, Reel 5Workprint Tape Label: For Adam - Ep 8 - Reel 5, New Shots From Tape 638 |
Videotape VT-20193/595 |
Episode 8, Reel 5Workprint Front of Case: The West, Episode 8, Reel 5, CH 1 - Audio, CH 2 - Audio |
Videotape VT-20193/596 |
Episode 8, Reel 5, OldWorkprint Front of Case: The West, Episode 8, Reel 5, CH 1 - Audio, CH 2 - Audio, Old, Credit Roll For Episode 9 At End of Tape |
Videotape VT-20193/597 |
Episode 8, 29 March 1996, Reel 6, Split TracksWorkprint Front of Case: The West, Episode 8, Reel 6 of 6, Split Tracks - Lock, 3/29/96, Intro to Video #9 |
Videotape VT-20193/598 |
Episode 8, Reel 6, Rough CutWorkprint Front of Case: The West, Episode 8 - R6, Rough Cut, 4:55, 4/49/96 |
Videotape VT-20193/599 |
Episode 8, Reels 6 and 7Workprint Front of Case: The West, Episode 8, Reel 7, CH 1 - Audio, CH 2 - Audio, Plus - Reel 6 for SGI Screening, Cued Starts 1.11.20, Then TC Matches The DCT |
Videotape VT-20193/600 |
Episode 8 and 2Workprint Tape Label: Episode 8+2 |
Videotape VT-20193/601 |
Episode 8 and 2, JAC and IRAWorkprint Tape Label: Ep 8 & 2, JAC+IRA |
Videotape VT-20193/602 |
Episode 8 and 2, LockedWorkprint Tape Label: Ep 8/Ep 2 Locked |
Videotape VT-20193/603 |
Episode 9, 8 May 1996, Home Video VersionWorkprint Front of Case: The West, Episode 9 Home Video Version, CH 1&2, Stereo Mix, TRT 1:02:55, W/ATTC, 5/8/96 |
Videotape VT-20193/604 |
Linda Hunt Narration: Episode 1 Intro and Diggins (Episode 3); Stewart Udall Narration: Episode 1Workprint Tape Label: The West, Ep One Intro + Diggins - Linda Hunt, Ep One Intro - Udall, 8.11.95, Copy One |
Videotape VT-20193/605 |
"The Rest of Episode 2 and Episode 8"Workprint Tape Label: The Rest of Ep 2 and Ep 8 |
Videotape VT-20193/606 |
"Sweet Medicine", "Rain Follows the Plow", KLB NarratesWorkprint Tape Label: The West, Sweet Medicine, Rain Follows the Plow, KLB Narrates, 6E, 7.20.95, Copy 2 |
Videotape VT-20193/607 |
"Udalls in Exile", Rough CutWorkprint Tape Label: The West, Udalls in Exile, Rough Cut, 8.16.95 |
Videotape VT-20193/608 |
Actuality Tape #2Other Tape Label: Actuality Tape #2 |
Videotape VT-20193/609 |
Camera Rolls 1-3Other Front of Case: The West, UBIT# 6001, CR# 1-3; Spine of Case: 6001 |
Videotape VT-20193/610 |
Camera Rolls 4-6Other Front of Case: The West, UBIT# 6002, CR# 4-6; Spine of Case: 6002 |
Videotape VT-20193/611 |
Camera Rolls 7-9Other Front of Case: The West, UBIT# 6003, CR# 7-9; Spine of Case: 6003 |
Videotape VT-20193/612 |
Camera Rolls 15-17Other Front of Case: The West Film Project, Tape# 6005, CR# 15-17; Spine of Case: 6005 |
Videotape VT-20193/613 |
Camera Rolls 18-20Other Front of Case: The West Film Project, Tape# 6006, CR# 18-20; Spine of Case: 6006 |
Videotape VT-20193/614 |
Camera Rolls 21-23Other Front of Case: The West Film Project, Tape# 6007, CR# 21-23; Spine of Case: 6007 |
Videotape VT-20193/615 |
Camera Rolls 24-26Other Front of Case: The West Film Project, Tape# 6008, CR# 24-26; Spine of Case: 6008 |
Videotape VT-20193/616 |
Camera Rolls 27-31Other Front of Case: The West Film Project, Tape# 6009-10, CR# 27-31; Spine of Case: 6009 |
Videotape VT-20193/617 |
Camera Rolls 142-144Other Front of Case: West-Lewis & Clark Footage, UBIT# 6014, CR# 142-144; Spine of Case: 6014 |
Videotape VT-20193/618 |
Dayton Duncan interview setupOther Tape Label: Dayton Interview Setup |
Videotape VT-20193/619 |
Tape 4042Other Front of Case: Tape 4042, 11.16.94 |
Videotape VT-20193/620 |
Tape 4043Other Front of Case: 4043 |
Videotape VT-20193/621 |
Tape 4045Other Front of Case: 4045 |
Videotape VT-20193/622 |
Tape 6012Other Front of Case: West-Lewis & Clark, #6012; Spine of Case: 6012 |
Videotape VT-20193/623 |
Tape 6013Other Front of Case: West/Lewis & Clark, UBIT# 6013, CR# W/Print; Spine of Case: 6013 |
Videotape VT-20193/624 |
West MitchOther Front of Tape: West Mitch (?) |
Videotape VT-20193/625 |
"The West", Four SpotsOther Note on Tape: The West, 4 Spots |
Videotape VT-20193/626 |
"The West", Promo Trailer, Version 6BOther Tape Label: The West, Promo Trailer, Version 6B, TRT - 5:30, Approval Cut with Scratch Audio Track |
Videotape VT-20193/627 |
W011 SelectsOther Tape Label: W011 - Selects |
Videotape VT-20193/628 |
[unidentified video item]Other |
Videotape VT-20193/629 |
[unidentified video item]Other |
A four-hour film on the Lewis and Clark Expedition of 1804-1806.
Acetate film.
Film F-20193/1399 |
John Allen interview, pix 116mm motion picture film 700 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, John Allen #1, Outs, BA 0000, CR #182-184, SR #26-28; Leader Note: "Lewis & Clark", Intvw, John Allen, R-1, CR #182-184//SR #26-28, Code BA 0000, Sync, Pix, Head |
Film F-20193/1400 |
John Allen interview, mag 116mm motion picture film 675 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, John Allen #1, Outs, BA 0000, CR #182-184, SR #26-28; Leader Note: "Lewis & Clark", Intvw, John Allen, R-1, CR #182-184//SR #26-28, Code BA 0000, Sync, TRK, Head |
Film F-20193/1401 |
John Allen interview, pix 216mm motion picture film 250 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, John Allen #2, Outs, BA3000, CR #185, SR #29; Leader Note: "Lewis & Clark", Intvw, John Allen, R-2, CR #185\\SR#29, Code BA3000, Sync, Pix, Head |
Film F-20193/1402 |
John Allen interview, mag 216mm motion picture film 250 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, John Allen #2, Outs, BA3000, CR #185, SR #29; Leader Note: "Lewis & Clark", Intvw, John Allen, R-2, CR #185\\SR#29, Code BA3000, Sync, TRK, Head |
Film F-20193/1403 |
Stephen Ambrose interview, pix 116mm motion picture film 525 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Steven Ambrose - 1, Outs, AA 0000, CR 119-120, SR# 2; Leader Note: "Lewis & Clark", Intvw, Steven Ambrose, Code AA 0000, CR 119-120, Sync, Pix, HD |
Film F-20193/1404 |
Stephen Ambrose interview, mag 116mm motion picture film 500 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Steven Ambrose - 1, Outs, AA 0000, CR 119-120, SR# 2; Leader Note: "Lewis & Clark", Intvw, Steven Ambrose, Code AA 0000, SR 2, Sync, TRK, HD |
Film F-20193/1405 |
Stephen Ambrose interview, pix 216mm motion picture film 475 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Steven Ambrose - 2, Outs, AA 0000, AA 3000, CR 121-122, SR 2; Leader Note: "Lewis & Clark", Intvw, Steven Ambrose 2, Code AA 3000, CR #121-122, Sync, Pix, HD |
Film F-20193/1406 |
Stephen Ambrose interview, mag 216mm motion picture film 450 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Steven Ambrose - 2, Outs, AA 0000, AA 3000, CR 121-122, SR 2; Leader Note: "Lewis & Clark", Intvw, Steven Ambrose 2, Code AA 3000, SR 2, Sync, TRK, HD |
Film F-20193/1407 |
Stephen Ambrose interview, pix 316mm motion picture film 500 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Steven Ambrose - 3, Outs, AA 6000, CR 123-124, SR 2; Leader Note: "Lewis & Clark", Intvw, Stephen Ambrose, Reel #3, CR# 123-124/SR# 2, Code AA 6000, Sync, Pix, Head |
Film F-20193/1408 |
Stephen Ambrose interview, mag 316mm motion picture film 500 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Steven Ambrose - 3, Outs, AA 6000, CR 123-124, SR 2; Leader Note: "Lewis & Clark", Intvw, Stephen Ambrose, Reel #3, CR# 123-124/SR# 2, Code AA 6000, Sync, TRK, Head |
Film F-20193/1409 |
Stephen Ambrose interview, pix 416mm motion picture film 450 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Steven Ambrose - 4, Outs, AB 0000, CR 125-126, SR 2; Leader Note: "Lewis & Clark", Intvw, Steven Ambrose - 4, Code AB0000, CR 125-126, Sync, Pix, HD |
Film F-20193/1410 |
Stephen Ambrose interview, mag 416mm motion picture film 450 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Steven Ambrose - 4, Outs, AB 0000, CR 125-126, SR 2; Leader Note: "Lewis & Clark", Intvw, Steven Ambrose - 4, Code AB0000, SR 2, Sync, TRK, HD |
Film F-20193/1411 |
Stephen Ambrose interview, pix 516mm motion picture film 475 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Steven Ambrose - 5, Outs, AB 3000, CR #127-128, SR #2; Leader Note: "Lewis & Clark", Intvw, Stephen Ambrose, Reel #5, CR #127-128/SR #2, Code AB3000, Sync, Pix, Head |
Film F-20193/1412 |
Stephen Ambrose interview, mag 516mm motion picture film 450 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Steven Ambrose - 5, Outs, AB 3000, CR #127-128, SR #2; Leader Note: "Lewis & Clark", Intvw, Stephen Ambrose, Reel #5, CR #127-128/SR #2, Code AB3000, Sync, TRK, Head |
Film F-20193/1413 |
Stephen Ambrose interview, pix 616mm motion picture film 400 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Steven Ambrose - 6, Outs, AB 6000, CR 129-130, SR 3; Leader Note: "Lewis & Clark", Intvw, Stephen Ambrose, Reel #6, CR #129-130/SR #3, Code AB6000, Sync, Pix, Head |
Film F-20193/1414 |
Stephen Ambrose interview, mag 616mm motion picture film 400 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Steven Ambrose - 6, Outs, AB 6000, CR 129-130, SR 3; Leader Note: "Lewis & Clark", Intvw, Stephen Ambrose, Reel #6, CR #129-130/SR #3, Code AB6000, Sync, TRK, Head |
Film F-20193/1415 |
Stephen Ambrose interview, trims, mag16mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, L&C Interview Trims; Leader Notes: S. Ambrose, AA 3000, AA 6000 |
Film F-20193/1416 |
Gerard Baker interview, pix 116mm motion picture film 800 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Gerard Baker #1, Outs, AF 0000, CR# 134(1/2)-135, SR# 3; Leader Note: "Lewis & Clark", Intvw, Gerard Baker, Reel #1, CR# 134(1/2)-135/SK# 3, Code AF 0000, Sync, Pix, Head |
Film F-20193/1417 |
Gerard Baker interview, mag 116mm motion picture film 775 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Gerard Baker #1, Outs, AF 0000, CR# 134(1/2)-135, SR# 3; Leader Note: "Lewis & Clark", Intvw, Gerard Baker, Reel #1, CR# 134(1/2)-135/SK# 3, Code AF 0000, Sync, TRK, Head |
Film F-20193/1418 |
Gerard Baker interview, pix 216mm motion picture film 300 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Gerard Baker #2, Outs, AF 3000, CR #137(1/2), SR# 3; Leader Note: "Lewis & Clark", Intvw, Gerard Baker, CR #137(3/4)/SR# 3, Code AF 3000, Sync, Pix, Head |
Film F-20193/1419 |
Gerard Baker interview, mag 216mm motion picture film 300 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Gerard Baker #2, Outs, AF 3000, CR #137(1/2), SR# 3; Leader Note: "Lewis & Clark", Intvw, Gerard Baker, CR #137(3/4)/SR# 3, Code AF 3000, Sync, TRK, Head |
Film F-20193/1420 |
Dayton Duncan interview, pix 116mm motion picture film 375 feet Positive ; Color ; SilentSide of Box: Lewis & Clarks, Intvw., Dayton Duncan #1, Outs, AC 0000, CR 172-173, SR #16-17; Leader Note: "Lewis & Clark", Intvw Dayton Duncan, Reel #1, CR #172-173/SR #16-17, Code AC 0000, Sync, Pix, Head |
Film F-20193/1421 |
Dayton Duncan interview, mag 116mm motion picture film 375 feet Mag Track ; MagneticSide of Box: Lewis & Clarks, Intvw., Dayton Duncan #1, Outs, AC 0000, CR 172-173, SR #16-17; Leader Note: "Lewis & Clark", Intvw Dayton Duncan, Reel #1, CR #172-173/SR #16-17, Code AC 0000, Sync, Trk, Head |
Film F-20193/1422 |
Dayton Duncan interview, pix 216mm motion picture film 400 feet Positive ; Color ; SilentSide of Box: Lewis & Clarks, Intvw., Dayton Duncan #2, Outs, AC 3000, CR 174-175, SR #18-19; Leader Note: "Lewis & Clark", Intvw Dayton Duncan, Reel #2, CR #174-175/SR #18-19, Code AC3000, Sync, Pix, Head |
Film F-20193/1423 |
Dayton Duncan interview, mag 216mm motion picture film 400 feet Mag Track ; MagneticSide of Box: Lewis & Clarks, Intvw., Dayton Duncan #2, Outs, AC 3000, CR 174-175, SR #18-19; Leader Note: "Lewis & Clark", Intvw Dayton Duncan, Reel #2, CR #174-175/SR #18-19, Code AC3000, Sync, TRK, Head |
Film F-20193/1424 |
Dayton Duncan interview, pix 316mm motion picture film 325 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw., Dayton Duncan #3, Outs, AC6000, CR 176-177, SR #20-21; Leader Note: Lewis & Clark, Intvw Dayton Duncan, Reel #3, CR #176-177/SR #20-21, Code AC 6000, Sync, Pix, Head |
Film F-20193/1425 |
Dayton Duncan interview, mag 316mm motion picture film 325 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw., Dayton Duncan #3, Outs, AC6000, CR 176-177, SR #20-21; Leader Note: Lewis & Clark, Intvw Dayton Duncan, Reel #3, CR #176-177/SR #20-21, Code AC 6000, Sync, TRK, Head |
Film F-20193/1426 |
Dayton Duncan interview, pix 416mm motion picture film 350 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw., Dayton Duncan #4, Outs, AE 0000, CR #178-179, SR #22-23; Leader Note: Lewis & Clark, Intvw, Dayton Duncan, Reel 4, CR #178-179/SR #22-23, Code AE 0000, Sync, PIX, Head |
Film F-20193/1427 |
Dayton Duncan interview, mag 416mm motion picture film 350 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw., Dayton Duncan #4, Outs, AE 0000, CR #178-179, SR #22-23; Leader Note: Lewis & Clark, Intvw, Dayton Duncan, Reel 4, CR #178-179/SR #22-23, Code AE 0000, Sync, TRK, Head |
Film F-20193/1428 |
Dayton Duncan interview, pix 516mm motion picture film 400 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw., Dayton Duncan #5, Outs, AE 3000, AE 3000, CR 180-181, SR #24-25; Leader Note: "Lewis & Clark", Intvw Dayton Duncan, Reel #5, CR# 180-181/SR #24-25, Code AE 3000, Sync, Pix, Head |
Film F-20193/1429 |
Dayton Duncan interview, mag 516mm motion picture film 400 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw., Dayton Duncan #5, Outs, AE 3000, AE 3000, CR 180-181, SR #24-25; Leader Note: "Lewis & Clark", Intvw Dayton Duncan, Reel #5, CR# 180-181/SR #24-25, Code AE 3000, Sync, TRK, Head |
Film F-20193/1430 |
Erica Funkhouser interview, pix 116mm motion picture film 900 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Erica Funkhouser #1, Sync, AD0000, CR 160 161 162, SR 4 5 6; Leader Note: "Lewis & Clark", Intvw, Erica Funkhouser, Reel #1, CR 160 161 162, SR 4 5 6, Code AD0000, Sync, Pix, Head |
Film F-20193/1431 |
Erica Funkhouser interview, mag 116mm motion picture film 925 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Erica Funkhouser #1, Sync, AD0000, CR 160 161 162, SR 4 5 6; Leader Note: "Lewis & Clark", Intvw, Erica Funkhouser, Reel #1, CR 160 161 162, SR 4 5 6, Code AD0000, Sync, TRK |
Film F-20193/1432 |
Erica Funkhouser interview, pix 216mm motion picture film 550 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis + Clark, INTVW, Erica Funkhouser #2, Sync, AD 6000; CR 163 + 1 + 4, SR 7+8; Leader Note: "Lewis & Clark", Intvw - Erica Funkhouser, Reel #2, CR #163-164/SR #7-8, Code - AD6000, Sync, Pix |
Film F-20193/1433 |
Erica Funkhouser interview, mag 216mm motion picture film 575 feet Mag Track ; MagneticSide of Box: Florentine, Lewis + Clark, INTVW, Erica Funkhouser #2, Sync, AD 6000; CR 163 + 1 + 4, SR 7+8; Leader Note: TRK, Sync, Code - AD6000, CR #164-165/SR #7-8, Intvw - Erica Funkhouser, Reel #2, L&C, Florentine Films |
Film F-20193/1434 |
Mike Jandro interview, pix16mm motion picture film 700 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Lewis' Lakota Descendants, Mike Jandro, CR 87 88, SR 1; Leader Note: "Lewis & Clark", Lewis' Lakota Descedants, Mike Jandro, CR 87 88, Sync, Pix, HD |
Film F-20193/1435 |
Mike Jandro interview, mag16mm motion picture film 675 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Lewis' Lakota Descendants, Mike Jandro, CR 87 88, SR 1; Leader Note: "Lewis & Clark", Lewis' Lakota Descedants, Mike Jandro, SR 1, Sync, TRK, HD |
Film F-20193/1436 |
Jim Lovell interview, pix16mm motion picture film 275 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Jim Lovell #1, BA 6000, CR# 193, SR# 29; Leader Note: Lewis & Clark, Intvw, Jim Lovell, CR #193//SR# 29, Code BA 6000, Pix, Head |
Film F-20193/1437 |
Jim Lovell interview, mag16mm motion picture film 300 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Jim Lovell #1, BA 6000, CR# 193, SR# 29; Leader Note: Lewis & Clark, Intvw, Jim Lovell, CR #193//SR# 29, Code BA 6000, TRK, Head |
Film F-20193/1438 |
William Least Heat-Moon interview, pix 116mm motion picture film 900 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, William L.H. Moon #1, Sync, BB 0000, CR# 203-205, SR# 30; Leader Note: "Lewis & Clark", Intvw, William L.H. Moon, R-1, CR 203-205//SR# 30, Code BB 0000, Sync, Pix, Head |
Film F-20193/1439 |
William Least Heat-Moon interview, mag 116mm motion picture film 850 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, William L.H. Moon #1, Sync, BB 0000, CR# 203-205, SR# 30; Leader Note: "Lewis & Clark", Intvw, William L.H. Moon, R-1, CR 203-205//SR# 30, Code BB 0000, Sync, TRK, Head |
Film F-20193/1440 |
William Least Heat-Moon interview, pix 216mm motion picture film 650 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, William L.H. Moon #2, Sync, BB 6000, CR# 206-207, SR# 30-31; Leader Note: "Lewis & Clark", Intvw, Wm L.H. Moon, RL #2, CR 206-207//SR 30-31, Code BB 6000, Sync, Pix, Head |
Film F-20193/1441 |
William Least Heat-Moon interview, mag 216mm motion picture film 625 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, William L.H. Moon #2, Sync, BB 6000, CR# 206-207, SR# 30-31; Leader Note: "Lewis & Clark", Intvw, Wm L.H. Moon, RL #2, CR 206-207//SR 30-31, Code BB 6000, Sync, TRK, Head |
Film F-20193/1442 |
James P. Ronda interview, pix 116mm motion picture film 650 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Jim Ronda #1, Sync, AH 0000, CR #165-166, SR #9-10; Leader Note: "Lewis & Clark", Intvw, Jim Ronda, R-1, CR #165-166//SR #9-10, Code AH 0000, Sync, Pix, Head |
Film F-20193/1443 |
James P. Ronda interview, mag 116mm motion picture film 650 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Jim Ronda #1, Sync, AH 0000, CR #165-166, SR #9-10; Leader Note: "Lewis & Clark", Intvw, Jim Ronda, R-1, CR #165-166//SR #9-10, Code AH 0000, Sync, TRK, Head |
Film F-20193/1444 |
James P. Ronda interview, pix 216mm motion picture film 675 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw., Jim Ronda #2, Sync, AH 3000, CR #167-168, SR #11-12; Leader Note: "Lewis & Clark", Intvw., Jim Ronda, R-2, CR# 167-168//SR #11-12, Code AH 3000, Sync, Pix, Head |
Film F-20193/1445 |
James P. Ronda interview, mag 216mm motion picture film 675 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw., Jim Ronda #2, Sync, AH 3000, CR #167-168, SR #11-12; Leader Note: "Lewis & Clark", Intvw., Jim Ronda, R-2, CR# 167-168//SR #11-12, Code AH 3000, Sync, Pix, Head |
Film F-20193/1446 |
James P. Ronda interview, pix 316mm motion picture film 550 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw., Jim Ronda #3, Sync, AH 6000, CR #169-170, SR #13-14; Leader Note: "Lewis & Clark", Intvw. Jim Ronda R-3, CR #169-170//SR #13-14, Code AH6000, Sync, Pix, Head |
Film F-20193/1447 |
James P. Ronda interview, mag 316mm motion picture film 550 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw., Jim Ronda #3, Sync, AH 6000, CR #169-170, SR #13-14; Leader Note: "Lewis & Clark", Intvw. Jim Ronda R-3, CR #169-170//SR #13-14, Code AH6000, Sync, TRK, Head |
Film F-20193/1448 |
James P. Ronda interview, pix 416mm motion picture film 300 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Jim Ronda #4, Sync, AF 6000, CR #171, SR #15; Leader Note: "Lewis & Clark", Intvw, Jim Ronda, R-4, CR #171//SR #15, Code AF 6000, Sync, Pix, Head |
Film F-20193/1449 |
James P. Ronda interview, mag 416mm motion picture film 300 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Jim Ronda #4, Sync, AF 6000, CR #171, SR #15; Leader Note: "Lewis & Clark", Intvw, Jim Ronda, R-4, CR #171//SR #15, Code AF 6000, Sync, Trk, Head |
Film F-20193/1450 |
John Willard interview, pix16mm motion picture film 800 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, John Willard #1, Outs, AG0000, CR# 132-134.1, SR #3; Leader Note: "Lewis & Clark", Intvw, John Willard, R-1, CR #132-134.1//SR #3, Code AG 0000, Pix, Head |
Film F-20193/1451 |
John Willard interview, mag16mm motion picture film 800 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, John Willard #1, Outs, AG0000, CR# 132-134.1, SR #3; Leader Note: "Lewis & Clark", Intvw, John Willard, R-1, CR #132-134.1//SR #3, Code AG 0000, TRK, Head |
Film F-20193/1452 |
Miscellaneous Interview Trims, mag16mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, L&C Interview Trims, D. Duncan, Various Codes |
Film F-20193/1453 |
John Allen interview selects, pix 116mm motion picture film 225 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, Allen 1-10ABC, Sink 1/29, #1, Sync; Leader Note: Lewis & Clark, Reel #1, Allen Selects, 1>10ABC, Intvw, Sync, Pix, Head |
Film F-20193/1454 |
John Allen interview selects, mag 116mm motion picture film 225 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Allen 1-10ABC, Sink 1/29, #1, Sync; Leader Note: Lewis & Clark, Reel #1, Allen Selects, 1-10ABC, Intvw, Sync, TRK, Head |
Film F-20193/1455 |
John Allen interview selects, pix 216mm motion picture film 25 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, Allen 1-10ABC, Sink 1/29, #1, Sync; Leader Note: Allen #4A |
Film F-20193/1456 |
John Allen interview selects, mag 216mm motion picture film 25 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Allen 1-10ABC, Sink 1/29, #1, Sync; Leader Note: Allen , CR 185, SR 28, "Wm Clark was one", [4A] |
Film F-20193/1457 |
Stephen Ambrose interview selects, pix 116mm motion picture film 500 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, Ambrose 1-41ABCD, Sink, 1/29/97, #1 Sync; Leader Note: Lewis & Clark, Reel #1, Ambrose, Selects 1>41 ABCD, INTVW, Sync, Pix, Head |
Film F-20193/1458 |
Stephen Ambrose interview selects, mag 116mm motion picture film 500 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Ambrose 1-41ABCD, Sink, 1/29/97, #1 Sync; Leader Note: Lewis & Clark, Reel #1, Ambrose, Selects 1>41 ABCD, INTVW, Sync, TRK, Head |
Film F-20193/1459 |
Stephen Ambrose interview selects, pix 216mm motion picture film 375 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, Ambrose 42-78, Sink 1/29/97, #2 Sync; Leader Note: Lewis & Clark, Reel #2, (Ambrose), Selects, 42>78, Intvw, Sync, Pix, Head |
Film F-20193/1460 |
Stephen Ambrose interview selects, mag 216mm motion picture film 375 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Ambrose 42-78, Sink 1/29/97, #2 Sync; Leader Note: Lewis & Clark, Reel #2, Ambrose, Selects, 42-78, Intvw, Sync, Trk, Head |
Film F-20193/1461 |
Stephen Ambrose interview selects, mag 316mm motion picture film Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Ambrose 1-41ABCD, Sink, 1/29/97, #1 Sync; Leader Note: Ambrose #1, CR 119, SR 2, Old Ambrose #1 from Intro (Second Choice), Ambrose CR 122, SR 2, No T.C., [28], Ambrose [28], Ambrose [19], Trak Only, No T.C., Ambrose Trak Only #19, "Without the Maudans" Edited, Ambrose, CR 120 SR 2, [8A], Ambrose 8A, "Divided Command" |
Film F-20193/1462 |
Stephen Ambrose interview selects, mag 416mm motion picture film Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Ambrose 42-78, Sink 1/29/97, #2 Sync; Leader Note: Ambrose 60, Ambrose [63] Partial |
Film F-20193/1463 |
Gerard Baker interview selects, pix16mm motion picture film 200 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, Baker 1ABC-17, Sink 1/22; Leader Note: Lewis & Clark, Reel #1, (Baker), Selects, 1ABC-17, Intvw, Sync, Pix, Head |
Film F-20193/1464 |
Gerard Baker interview selects, mag16mm motion picture film 175 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Baker 1ABC-17, Sink 1/22; Leader Note: Lewis & Clark, Reel #1, (Baker), Selects, 1ABC>17, Intvw, Sync, TRK, Head |
Film F-20193/1465 |
Dayton Duncan interview selects, pix 116mm motion picture film 500 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, Duncan 1-40ABC, Sink 1/22, #1, Sync; Leader Note: Lewis & Clark, Reel #2, Duncan, Selects 1>40ABC, Intvw, Sync, Pix, (HD), Head |
Film F-20193/1466 |
Dayton Duncan interview selects, mag 116mm motion picture film 500 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Duncan 1-40ABC, Sink 1/22, #1, Sync; Leader Note: Lewis & Clark, Reel #1, Duncan, Selects 1>40ABC, Intvw, Sync, Trk, (HD), Head |
Film F-20193/1467 |
Dayton Duncan interview selects, pix 216mm motion picture film Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, Duncan 1-40ABC, Sink 1/22, #1, Sync; Leader Note: Duncan 2+3, Duncan [4A], Duncan #12, Duncan #17 |
Film F-20193/1468 |
Dayton Duncan interview selects, mag 216mm motion picture film Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Duncan 1-40ABC, Sink 1/22, #1, Sync; Leader Note: Duncan 2+3 "L.T.C Exped. Begins in mind of T.J", Duncan [4A], Duncan #8 Jeff. Wrote cut page, Duncan #12 "Geo-political chess match", [17] |
Film F-20193/1469 |
Dayton Duncan interview selects, pix 316mm motion picture film 250 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, Duncan 41-58, Sink 1/22, #2 Sync; Leader Note: "Lewis & Clark", Reel #2, (Duncan), Selects, 41-58, Intvw, Sync, Pix, Head |
Film F-20193/1470 |
Dayton Duncan interview selects, mag 316mm motion picture film 250 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Duncan 41-58, Sink 1/22, #2 Sync; Leader Note: "Lewis & Clark", Reel #2, (Duncan), Selects, 41-58, Intvw, Sync, Trk, Head |
Film F-20193/1471 |
Dayton Duncan interview selects, pix 416mm motion picture film 350 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, Duncan 59-91, Sink 1/22, #3, Sync; Leader Note: Lewis & Clark, Reel #3, (Duncan), Selects 59>91, Intvw, Sync, Pix |
Film F-20193/1472 |
Dayton Duncan interview selects, mag 416mm motion picture film 350 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Duncan 59-91, Sink 1/22, #3, Sync; Leader Note: Lewis & Clark, Reel #3, (Duncan), Selects 59>91, Intvw, Sync, TRK |
Film F-20193/1473 |
Dayton Duncan interview selects, pix 516mm motion picture film Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, Duncan 59-91, Sink 1/22, #3, Sync; Leader Note: Duncan 61 Re-Cor, [82] |
Film F-20193/1474 |
Dayton Duncan interview selects, mag 516mm motion picture film Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Duncan 59-91, Sink 1/22, #3, Sync; Leader Note: Duncan [61], [82] |
Film F-20193/1475 |
Dayton Duncan interview selects, mag 616mm motion picture film 25 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Duncan 41-58, Sink 1/22, #2 Sync; Leader Note: Duncan [57], Vox only edited., "It's pushing them" |
Film F-20193/1476 |
Dayton Duncan interview selects, mag 716mm motion picture film Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Duncan 59-91, Sink 1/22, #3, Sync; Leader Note: Dayton D. 2nd 1/2 Int. 70B "And They Learned", Outs Duncan [86] Vox, Duncan #87C, Duncan #88A |
Film F-20193/1477 |
Darlene Fassler interview selects, pix16mm motion picture film 750 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Darlene Fassler #1, CR# 137.2-139.1, SR# 3; Leader Note: "Lewis & Clark", Intvw, Darlene Fassler, R-1, CR# 137.2-139.1//SR# 3, Code, Pix, Head |
Film F-20193/1478 |
Darlene Fassler interview selects, mag16mm motion picture film 725 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Darlene Fassler #1, CR# 137.2-139.1, SR# 3; Leader Note: "Lewis & Clark", Intvw, Darlene Fassler, R-1, CR# 137.2-139.1//SR# 3, Code, TRK, Head |
Film F-20193/1479 |
Erica Funkhouser interview selects, pix16mm motion picture film 650 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Selects, Funkhouser 1-20, Sink 1/22, AD Sync, 10-B 3 5 6 A-Cam, 10B-3 B-Cam; Leader Note: "Lewis & Clark", Reel #1, Invw, "Funkhouser", Selects 1-20, Code AD, Sync, Pix, Head |
Film F-20193/1480 |
Erica Funkhouser interview selects, mag16mm motion picture film 650 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Selects, Funkhouser 1-20, Sink 1/22, AD Sync, 10-B 3 5 6 A-Cam, 10B-3 B-Cam; Leader Note: "Lewis & Clark", Reel #1, Invw, "Funkhouser", Selects 1-20, Code AD, Sync, Track, Head |
Film F-20193/1481 |
Mylie Lawyer interview selects, pix16mm motion picture film 100 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw, Selects, Mylie Lawyer, Sink 1/22, AD3000; Leader Note: "Lewis & Clark", Intvw, Mylie Lawyer (Selects), Code AD 3000, Sync, Pix, Head |
Film F-20193/1482 |
Mylie Lawyer interview selects, mag 116mm motion picture film 100 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Selects, Mylie Lawyer, Sink 1/22, AD3000; Leader Note: "Lewis & Clark", Intvw, Mylie Lawyer (Selects), Code AD 3000, Sync, TRK, Head |
Film F-20193/1483 |
Mylie Lawyer interview selects, mag 216mm motion picture film 50 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw, Selects, Mylie Lawyer, Sink 1/22, AD3000 |
Film F-20193/1484 |
Jim Lovell interview selects, pix16mm motion picture film 150 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, Lovell 1-8, Sink 1/22, Sync; Leader Note: "Lewis & Clark", Intvw, Jim Lovell, CR #193, SR #29, Code BA6000, Sync, Pix, Head |
Film F-20193/1485 |
Jim Lovell interview selects, mag16mm motion picture film 150 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Lovell 1-8, Sink 1/22, Sync; Leader Note: "Lewis & Clark", Intvw, Jim Lovell, CR #193, SR #29, Code BA6000, Sync, TRK, Head |
Film F-20193/1486 |
William Least Heat-Moon interview selects, pix16mm motion picture film 175 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, L.H. Moon 1-21, Sink V 1/22, Sync; Leader Note: Intvw "Moon", Selects 1-21, Code BB, Sync, Pix, Head |
Film F-20193/1487 |
William Least Heat-Moon interview selects, mag16mm motion picture film Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, L.H. Moon 1-21, Sink V 1/22, Sync; Leader Note: Intvw "Moon", Selects 1-21, Code BB, Sync, Trk, Head; Leader Note 2: Moon [6], "First of all, he was mortal"; Leader Note 3: Heat Moon #2B, D, C, Edited (TRK Only), Keep As Is, Heat Moon #2, Edited, TRK Only, No TC, Moon 203/30, "Because day after day"... |
Film F-20193/1488 |
James P. Ronda interview selects, pix16mm motion picture film 600 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, Ronda 1-23, Sync; Note on top of box: 117-3 Left Chan. For "PG", 117-5 Left Chan. For "PG", 117-5 Right chan. For "A", 117-7 Left chan for "PG", 116-4 5 A-Cam; Leader Note: Ronda Selects, 1>23, Code AF-AH, INTVW, Sync, PIX, Head |
Film F-20193/1489 |
James P. Ronda interview selects, mag16mm motion picture film 600 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Ronda 1-23, Sync; Note on top of box: 117-3 Left Chan. For "PG", 117-5 Left Chan. For "PG", 117-5 Right chan. For "A", 117-7 Left chan for "PG", 116-4 5 A-Cam; Leader Note: Ronda Selects, 1>23, Code AF-AH, INTVW, Sync, TRK, Head |
Film F-20193/1490 |
John Willard interview selects, pix16mm motion picture film 200 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Intvw Selects, Willard 1-10ABC, Sync, 1/22/97, Sync; Leader Note: "Lewis & Clark", Reel #, Willard Selects, 1>10ABC, Intvw, Sync, Pix, Head |
Film F-20193/1491 |
John Willard interview selects, mag16mm motion picture film 200 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Intvw Selects, Willard 1-10ABC, Sync, 1/22/97, Sync; Leader Note: "Lewis & Clark", Reel #, Willard Selects, 1>10ABC, Intvw, Sync, TRK, Head |
Film F-20193/1492 |
Miscellaneous interview selects, trims, mag16mm motion picture film Mag Track ; MagneticSide of Box: Misc Intvw. Selects, W.L.H. Moon, BB0000, BB6000, G. Baker, AF 0000/3000, Misc Selects - Ambrose, Duncan, Baker, Funkhouser, Lawyer, Ronda, Moon |
Film F-20193/1493 |
Aerials, pix16mm motion picture film 850 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Aerials, Timeless River, 100, 101, KA0000, KA3000; Leader Note: "Lewis & Clark", Reel #100, "West" Aerials, Live Selects, Code KA0000, MOS, PIX, Head |
Film F-20193/1494 |
Animals, pix 116mm motion picture film 125 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Part 2 - Animals, Part 2 - Indian Dwellings, 112, 113, KE 0000, KE 3000; Leader Note: "Lewis & Clark", Reel #112, Part 2, Animals, Live, KE 0000, MOS, Pix, Head |
Film F-20193/1495 |
Animals, pix 216mm motion picture film 100 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Part 3 - Animals, 116, 117, KF 3000, KF 6000; Leader Note: "Lewis & Clark", Reel #117, Part 3, Animals, Live, Code KF 6000, MOS, PIX, Head |
Film F-20193/1496 |
Columbia River Mouth, pix16mm motion picture film 500 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live, Selects, 7 - Columbia River Mouth, 7 - Landscapes, 32 33, DA 3000, DA 6000; Leader Note: "Lewis & Clark", Reel #32, Part 7 Columbia River Mouth Of..., Live Selects, Code DA 3000, MOS, PIX, Head |
Film F-20193/1497 |
Connecticut River, April 1994, pix16mm motion picture film 400 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Conneticut River, 4/94, Outs, MOS, CR 13-14 |
Film F-20193/1498 |
Earthlodges, pix16mm motion picture film 225 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Part 3 - Earthlodge, Part 4 - Missouri River/Waterfalls, 118, 119, KG0000, KG3000; Leader Note: "Lewis & Clark", Reel #118, Part 3, "West", Earthlodges, Live, Code KG0000, MOS, PIX, Head |
Film F-20193/1499 |
Grinder's Stand, pix16mm motion picture film 100 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Tennessee, Grinder's Stand, Lewis Monument, Outs, MOS, CR 212-215; Leader Note: Lewis & Clark, Reel #212-213, Tennessee - Grinder's Stand, MOS, Pix |
Film F-20193/1500 |
Idaho and Montana, October 1995, pix 116mm motion picture film 350 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Idaho/Montana, 10/95, Outs, MOS, CR 142-147; Leader Note: Lewis & Clark, Idaho/Montana, 10/95, CR # 142 143 144, Live Outs, MOS, Pix |
Film F-20193/1501 |
Idaho and Montana, October 1995, pix 216mm motion picture film 700 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Idaho/Montana, 10/95, Outs, MOS, CR 142-147; Leader Note: Lewis & Clark, Idaho/Montana, 10/95, CR # 145 146 147, Live Outs, MOS, Pix |
Film F-20193/1502 |
Idaho and Montana, October 1995, pix 316mm motion picture film 250 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Idaho/Montana, 10/95, Outs, MOS, CR 148-153; Leader Note: Lewis & Clark, Idaho/Montana, 10/95, CR # 148 149 150, Live Outs, MOS, Pix |
Film F-20193/1503 |
Idaho and Montana, October 1995, pix 416mm motion picture film 375 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Idaho/Montana, 10/95, Outs, MOS, CR 148-153; Leader Note: Lewis & Clark, Idaho/Montana, 10/95, CR # 152 153, Live Outs, MOS, Pix |
Film F-20193/1504 |
Idaho and Montana, October 1995, pix 516mm motion picture film 700 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Idaho/Montana, 10/95, Outs, MOS, CR 154-159; Leader Note: Lewis & Clark, Idaho/Montana, 10/95, CR # 154 155 156, Live Outs, MOS, Pix |
Film F-20193/1505 |
Idaho and Montana, October 1995, pix 616mm motion picture film 600 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Idaho/Montana, 10/95, Outs, MOS, CR 154-159; Leader Note: Lewis & Clark, Idaho/Montana, 10/95, CR # 157 158 159, Live Outs, MOS, Pix |
Film F-20193/1506 |
Indian Dwellings, pix16mm motion picture film 50 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Part 2 - Animals, Part 2 - Indian Dwellings, 112, 113, KE 0000, KE 3000; Leader Note: "Lewis & Clark", Reel #113, Part 2, "West", Indian Dwellings, Live, KE 3000, MOS, Live, Head |
Film F-20193/1507 |
Landscapes, pix 116mm motion picture film 50 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, LIVE, Part 1 - Missouri River, Part 1 - Landscapes, 108, 109, KC 6000, KD 0000; Leader Note: "Lewis & Clark", Reel #109, Part 1, West, Landscapes, Live West, KD 0000, MOS, PIX, Head |
Film F-20193/1508 |
Landscapes, pix 216mm motion picture film 600 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Part 2 - Missouri River, Part 2 - Landscape, 110, 111, KD 3000, KD 6000; Leader Note: "Lewis & Clark", Part 2 - Landscapes, "West", Reel #111, Live, Code KD 6000, MOS, PIX, HEAD |
Film F-20193/1509 |
Landscapes, pix 316mm motion picture film 500 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Part 4 - Landscape, 120, 121, KG6000, KH0000; Leader Note: "Lewis & Clark", Reel #120, Part 4 "West" Landscapes, Live West, Code KG6000, MOS, PIX, Head |
Film F-20193/1510 |
Lewis's Monument, pix16mm motion picture film 75 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Tennessee, Grinder's Stand, Lewis Monument, Outs, MOS, CR 212-215; Leader Note: Lewis & Clark, Reel #214-215, Tennessee - Lewis Monument, MOS, Pix |
Film F-20193/1511 |
Missouri River, pix 116mm motion picture film 25 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, LIVE, Part 1 - Missouri River, Part 1 - Landscapes, 108, 109, KC 6000, KD 0000; Leader Note: "Lewis & Clark", Reel #108, Part 1, Missouri River, Live West, Code KC 6000, MOS, PIX, Head |
Film F-20193/1512 |
Missouri River, pix 216mm motion picture film 200 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Part 2 - Missouri River, Part 2 - Landscape, 110, 111, KD 3000, KD 6000; Leader Note: Lewis & Clark, Reel 110, Part 2 Missouri River, Live West, Code KD 3000, MOS, PIX, Head |
Film F-20193/1513 |
Missouri River, pix 316mm motion picture film 425 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Part 3 - Missouri River, Part 3 - Winter Landscapes, 114, 115, KE 6000, KF 6000; Leader Note: Lewis & Clark, Reel #114, Part 3 "West", Missouri River, Live, Code KE 6000, MOS, PIX, Head |
Film F-20193/1514 |
Missouri River, Waterfalls, pix16mm motion picture film 75 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Part 3 - Earthlodge, Part 4 - Missouri River/Waterfalls, 118, 119, KG0000, KG3000; Leader Note: "Lewis & Clark", Reel #119, Part 4, "West", Missouri River/Waterfalls, Live, Code KG3000, MOS, PIX, Head |
Film F-20193/1515 |
Montana, June 1995, pix 116mm motion picture film 600 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 6/95, Outs, MOS, CR 32-34; Leader Note: "Lewis and Clark", Montana, CR #32-34, Live Outs, MOS, Pix |
Film F-20193/1516 |
Montana, June 1995, pix 216mm motion picture film 650 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 6/95, Outs, MOS, CR 35-40; Leader Note: "Lewis & Clark", Montana, CR #35-40, Live Outs, MOS, Pix |
Film F-20193/1517 |
Montana, June 1995, pix 316mm motion picture film 600 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 6/95, Outs, MOS, CR 35-40; Leader Note: "Lewis & Clark", Montana, CR #38-40, Live Outs, MOS, Pix |
Film F-20193/1518 |
Montana, June 1995, pix 416mm motion picture film 550 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 6/95, Outs, MOS, CR 41-46; Leader Note: Lewis & Clark, Montana, 6/95, CR #41 42 43, Live Out, MOS, Pix |
Film F-20193/1519 |
Montana, June 1995, pix 516mm motion picture film 600 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 6/95, Outs, MOS, CR 41-46; Leader Note: Lewis & Clark, Montana, 6/95, CR #44 45 46, Live Outs, MOS, Pix |
Film F-20193/1520 |
Montana, June 1995, pix 616mm motion picture film 400 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 6/95, Outs, MOS, CR 47-50; Leader Note: Lewis & Clark, Montana, 6/95, CR # 47+48, Live Outs, MOS, Pix |
Film F-20193/1521 |
Montana, June 1995, pix 716mm motion picture film 300 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 6/95, Outs, MOS, CR 47-50; Leader Note: Lewis & Clark, Montana, 6/95, CR # 49+50, Live Outs, MOS, Pix |
Film F-20193/1522 |
Montana, July 1995, pix 116mm motion picture film 500 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 7/95, Outs, MOS, CR 66-71; Leader Note: Lewis & Clark, Montana, 7/95, CR #66-71, Live Outs, MOS, Pix |
Film F-20193/1523 |
Montana, July 1995, pix 216mm motion picture film 650 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 7/95, Outs, MOS, CR 66-71 |
Film F-20193/1524 |
Montana, July 1995, pix 316mm motion picture film 700 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 7/95, Outs, MOS, CR 72-77; Leader Note: Lewis & Clark, Montana, 7/95, CR 72-74, Live Outs, MOS |
Film F-20193/1525 |
Montana, July 1995, pix 416mm motion picture film 325 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 7/95, Outs, MOS, CR 72-77; Leader Note: Lewis & Clark, Montana, 7/95, CR 75-77, Live Outs, MOS |
Film F-20193/1526 |
Montana, July 1995, pix 516mm motion picture film 500 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 7/95, Outs, MOS, CR 78-80; Leader Note: Lewis and Clark, Montana, 7/95, CR #78 79 80, Live Outs, MOS, Pix |
Film F-20193/1527 |
Montana, September 1995, pix 116mm motion picture film 475 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live, Montana 9/95, Out, MOS, CR 107-112; Leader Note: "Lewis & Clark", Montana, 9/95, CR # 107 108 & 109, Live Outs, MOS, PIX, Head |
Film F-20193/1528 |
Montana, September 1995, pix 216mm motion picture film 400 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live, Montana 9/95, Out, MOS, CR 107-112; Leader Note: "Lewis & Clark", Montana, 9/95, CR # 110 111 & 112, Live Outs, MOS, PIX, Head |
Film F-20193/1529 |
Montana, September 1995, pix 316mm motion picture film 800 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live, Montana 9/95, Outs, MOS, CR 113-118; Leader Note: "Lewis & Clark", Montana, 9/95, CR# 113-114 115, Live Outs, MOS, Pix |
Film F-20193/1530 |
Montana, September 1995, pix 416mm motion picture film 650 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live, Montana 9/95, Outs, MOS, CR 113-118; Leader Note: "Lewis & Clark", Montana, 9/95, CR# 116 117 & 118, Live Outs, MOS, Pix |
Film F-20193/1531 |
Montana, September 1995, pix 516mm motion picture film 200 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 9/95, Outs, MOS, CR 139-141, CR 131; Leader Note: Lewis & Clark, Montana, 9/95, CR #131, Live Outs, MOS, Pix |
Film F-20193/1532 |
Montana, September 1995, pix 616mm motion picture film 250 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Montana, 9/95, Outs, MOS, CR 139-141, CR 131; Leader Note: Lewis & Clark, Montana, 9/95, CR #139 140 141, Live Outs, MOS, Pix |
Film F-20193/1533 |
Nightscape, Moon, pix16mm motion picture film 125 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Timeless Landscape, Nightscape/Moon, 102, 103, KA 6000, KB 0000; Leader Note: "Lewis & Clark", Reel #103, Part West, Nightscapes/Moon, Code KB0000, MOS, PIX, Head |
Film F-20193/1534 |
North Dakota, January 1994, pix 116mm motion picture film 600 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, North Dakota, 1/94, Outs, MOS, CR 1-6; Leader Note: Florentine Films, Lewis & Clark, North Dakota, 1/94, CR # 1 2 3, Live Outs, MOS, Pix |
Film F-20193/1535 |
North Dakota, January 1994, pix 216mm motion picture film 600 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, North Dakota, 1/94, Outs, MOS, CR 1-6; Leader Note: Florentine Films, Lewis & Clark, North Dakota, 1/94, CR # 4 5 6, Live Outs, MOS, Pix |
Film F-20193/1536 |
North Dakota, January 1994, pix 316mm motion picture film 750 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, North Dakota, 1/94, Outs, MOS, CR 7-12; Leader Note: Lewis & Clark, North Dakota, 1/94, CR # 7 8 9, Live Outs, MOS, Pix |
Film F-20193/1537 |
North Dakota, January 1994, pix 416mm motion picture film 500 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, North Dakota, 1/94, Outs, MOS, CR 7-12; Leader Note: Lewis & Clark, North Dakota, 1/94, CR # 7-9, Live Outs, MOS, Pix |
Film F-20193/1538 |
Oregon and Washington, March 1995, pix 116mm motion picture film 700 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Oregon/Washington, 3/95, Outs, MOS, CR 15-20; Leader Note: Lewis & Clark, Oregon/Washington, 3/95, CR 15 16 17, Live Outs, MOS, Pix |
Film F-20193/1539 |
Oregon and Washington, March 1995, pix 216mm motion picture film 500 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Oregon/Washington, 3/95, Outs, MOS, CR 15-20; Leader Note: Lewis & Clark, Oregon/Washington, 3/95, CR 18-20, Live Outs, MOS, Pix |
Film F-20193/1540 |
Oregon and Washington, March 1995, pix 316mm motion picture film 400 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Oregon/Washington, 3/95, Outs, MOS, CR 21-26; Leader Note: Lewis & Clark, Oregon/Washington, 3/95, CR #21-23, Live Outs, MOS, Pix |
Film F-20193/1541 |
Oregon and Washington, March 1995, pix 416mm motion picture film 375 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Oregon/Washington, 3/95, Outs, MOS, CR 21-26; Leader Note: Lewis & Clark, Oregon/Washington, 3/95, CR #24-26, Live Outs, MOS, Pix |
Film F-20193/1542 |
Oregon and Washington, March 1995, pix 516mm motion picture film 750 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Oregon/Washington, 3/95, Outs, MOS, CR 27-31; Leader Note: "Lewis & Clark", Oregon/Washington, 3/95, CR #27-29, Live Outs, MOS, Pix |
Film F-20193/1543 |
Oregon and Washington, March 1995, pix 616mm motion picture film 275 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, Oregon/Washington, 3/95, Outs, MOS, CR 27-31; Leader Note: "Lewis & Clark", Oregon/Washington, 3/95, CR #30 31, Live Outs, MOS, Pix |
Film F-20193/1544 |
South Dakota and Nebraska, July 1995, pix 116mm motion picture film 800 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, South Dakota/Nebraska, 7/95, Outs, MOS, CR 51-56; Leader Note: "Lewis and Clark", South Dakota/Nebraska, 7/95, CR #51-53, Live Outs, MOS, Pix |
Film F-20193/1545 |
South Dakota and Nebraska, July 1995, pix 216mm motion picture film 700 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, South Dakota/Nebraska, 7/95, Outs, MOS, CR 51-56; Leader Note: "Lewis and Clark", South Dakota/Nebraska, 7/95, CR #54-56, Live Outs, MOS, Pix |
Film F-20193/1546 |
South Dakota and Nebraska, July 1995, pix 316mm motion picture film 650 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, South Dakota/Nebraska, 7/95, Outs, MOS, CR 57-62; Leader Note: Lewis & Clark, South Dakota/Nebraska, 7/95, CR #57 58 59, Live Outs, MOS, Pix |
Film F-20193/1547 |
South Dakota and Nebraska, July 1995, pix 416mm motion picture film 650 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, South Dakota/Nebraska, 7/95, Outs, MOS, CR 57-62; Leader Note: Lewis & Clark, South Dakota/Nebraska, 7/95, CR #60 61 62, Live Outs, MOS, Pix |
Film F-20193/1548 |
South Dakota and Nebraska, July 1995, pix 516mm motion picture film 500 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, South Dakota/Nebraska, 7/95, Outs, MOS, CR 63-65; Leader Note: Lewis and Clark, South Dakota/Nebraska, 7/95, CR # 63 64 65, Live Outs, MOS, Pix |
Film F-20193/1549 |
South Dakota, Nebraska, Iowa, August 1995, pix 116mm motion picture film 800 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live, S. Dakota/Nebraska/Iowa, 8/95, Outs, MOS, CR 93-98; Leader Note: Lewis & Clark, South Dakota/Nebraska/Iowa, 8/95, CR# 93 94 95, Live Outs, MOS, PIX, Head |
Film F-20193/1550 |
South Dakota, Nebraska, Iowa, August 1995, pix 216mm motion picture film 700 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live, S. Dakota/Nebraska/Iowa, 8/95, Outs, MOS, CR 93-98; Leader Note: Lewis & Clark, South Dakota/Nebraska/Iowa, 8/95, CR# 96 97 98, Live Outs, MOS, PIX, Head |
Film F-20193/1551 |
South Dakota, Nebraska, Iowa, August 1995, pix 316mm motion picture film 400 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live, S. Dakota/Nebraska/Iowa, 8/95, Outs, MOS, CR 99-101; Leader Note: Lewis & Clark, South Dakota/Nebraska/Iowa, 8/95, CR# 99 100 & 101, Live Outs, MOS, PIX, Head |
Film F-20193/1552 |
South Dakota, Nebraska, Iowa, August 1995, pix 416mm motion picture film 300 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, S. Dakota/Nebraska/Iowa, 8/95, Outs, MOS, CR 102-106; Leader Note: Florentine Films, "Lewis & Clark", S. Dakota/Nebraska/Iowa, 8/95, CR #102+103, Live Outs, MOS, Pix |
Film F-20193/1553 |
South Dakota, Nebraska, Iowa, August 1995, pix 516mm motion picture film 450 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, S. Dakota/Nebraska/Iowa, 8/95, Outs, MOS, CR 102-106; Leader Note: Florentine Films, "Lewis & Clark", S. Dakota/Nebraska/Iowa, 8/95, CR #104 105+106, Live Outs, MOS, Pix |
Film F-20193/1554 |
South Dakota, Nebraska, Montana, August 1995, pix 116mm motion picture film 700 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, S. Dakota/Nebraska/Iowa, 8/95, Outs, MOS, CR 81-86; Leader Note: Lewis & Clark, South Dakota/Nebraska/Iowa, 8/95, CR 81 82 83, Live Outs, MOS, Pix |
Film F-20193/1555 |
South Dakota, Nebraska, Montana, August 1995, pix 216mm motion picture film 500 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, S. Dakota/Nebraska/Iowa, 8/95, Outs, MOS, CR 81-86; Leader Note: Lewis & Clark, South Dakota/Nebraska/Iowa, 8/95, CR 84 85 86, Live Outs, MOS, Pix |
Film F-20193/1556 |
South Dakota, Nebraska, Montana, August 1995, pix 316mm motion picture film 250 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, S. Dakota/Nebraska/Iowa, 8/95, Outs, MOS, CR 87-92; Leader Note: Lewis & Clark, South Dakota/Nebraska/Iowa, 8/95, CR 87 88 89, Live Outs, MOS, Pix |
Film F-20193/1557 |
South Dakota, Nebraska, Montana, August 1995, pix 416mm motion picture film 700 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Live, S. Dakota/Nebraska/Iowa, 8/95, Outs, MOS, CR 87-92; Leader Note: Lewis & Clark, South Dakota/Nebraska/Iowa, 8/95, CR 90 91 92, Live Outs, MOS, Pix |
Film F-20193/1558 |
Timeless Landscapes, pix16mm motion picture film 150 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Timeless Landscape, Nightscape/Moon, 102, 103, KA 6000, KB 0000; Leader Note: "Lewis & Clark", Reel #102, Part, Timeless Landscapes, Live West, Code KA 6000, MOS, PIX, Head |
Film F-20193/1559 |
Timeless River, pix16mm motion picture film 300 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Aerials, Timeless River, 100, 101, KA0000, KA3000; Leader Note: "Lewis & Clark", Reel #101, Part West, Timeless River, "Live West", Code KA3000, MOS, PIX, Head |
Film F-20193/1560 |
Winter Landscapes, pix16mm motion picture film 100 feet Positive ; Color ; SilentSide of Box: "West", (Lewis & Clark), MOS, Live, Part 3 - Missouri River, Part 3 - Winter Landscapes, 114, 115, KE 6000, KF 6000; Leader Note: Lewis & Clark, Reel #115, Part 3 "West", Winter Landscapes, Code KF0000, MOS, PIX, Head |
Film F-20193/1561 |
Animals, Selects, pix 116mm motion picture film 400 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live Selects, 2-Animals, 2-Indian Dwellings, 16, 17, CF0000, CF3000; Leader Note: Lewis & Clark, Reel #16, Part 2 Animals, Live Selects, Code CF0000, MOS, PIX |
Film F-20193/1562 |
Animals, Selects, pix 216mm motion picture film 300 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live, Selects, 3 - Animals, 3 - Earth Lodges, 21, 22, CG 6000, CH 0000; Leader Note: Florentine Films, "Lewis & Clark", Reel 1, #21, Live Selects, Code - CG 6000, Part 3, Animals, MOS, Pix |
Film F-20193/1563 |
Animals, Selects, pix 316mm motion picture film 450 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live, Selects, 4 - White Cliffs, 4 - Animals, 25, 26, CJ 0000, CJ 3000; Leader Note: Lewis & Clark, Reel #26, Part 4 - Animals, Live Selects, Code - CJ 3000, MOS, Pix |
Film F-20193/1564 |
Animals, Selects, pix 416mm motion picture film 150 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live, Selects, 5-Animals, 29, CK 3000; Leader Note: "Lewis + Clark", Reel #29, Code CK 3000, Live Selects, Part 5, Animals, MOS, Pix |
Film F-20193/1565 |
Columbia River, Selects, pix16mm motion picture film 700 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live Select, 7 - Columbia River, 31, DA 0000; Leader Note: Lewis & Clarks, Reel #31, Part #7 - Columbia River, Live Selects, Code DA 0000, MOS, Pix |
Film F-20193/1566 |
Earthlodges, Selects, pix16mm motion picture film 350 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live, Selects, 3 - Animals, 3 - Earth Lodges, 21, 22, CG 6000, CH 0000; Leader Note: Florentine Films, "Lewis & Clark", Reel 22, Live Selects, Code - CH 0000, Part 3, Earthlodges, MOS, Pix |
Film F-20193/1567 |
Fort Clatsop Exteriors and Interiors, pix16mm motion picture film 600 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live, Selects, 7 - Pacific Ocean/Shore, 7 - Ft. Clatsop Ext, Int, 34, 35, DB 0000, DB 3000; Leader Note: Lewis and Clark, Reel #35, Part #7 - Ft Clatsop Ext Int, Live Selects, Code - DB 3000, MOS, Pix |
Film F-20193/1568 |
Fort Clastop, Fort Mandan Interior, Selects, pix16mm motion picture film 100 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live Selects, Re-Enactment 5-8, Ft. Clastop/Ft. Mandan Int., 10 11, CD0000, CD3000; Leader Note: Lewis and Clark, Ft. Clatsop/Ft. Mandan Int., Live Selects, Code CD 3000, MOS, PIX |
Film F-20193/1569 |
Fort Mandan Exteriors and Interiors, Selects, pix16mm motion picture film 500 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live, Selects, 3 - Winter Landscapes, 3 - Ft. Mandan Ext, Int., 19, 20, CG 0000, CG 3000; Leader Note: Florentine Films, "Lewis & Clark", Reel #20, Part 3, Ft. Mandan Ext, Int, Live Selects, Code CG 3000, MOS, Pix |
Film F-20193/1570 |
Grinder's Stand, Selects, pix16mm motion picture film 900 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live Selects, 8 - Grinder's Stand, 8 - Lewis's Monument, 38, 39, DD 0000, DD 3000; Leader Note: Florentine, Lewis & Clark, Reel 38, Part 8 - Griender's Stand, Live, Code - DD 0000, MOS, Pix |
Film F-20193/1571 |
Indian Dwellings, Selects, pix16mm motion picture film 275 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live Selects, 2-Animals, 2-Indian Dwellings, 16, 17, CF0000, CF3000; Leader Note: Lewis & Clark, Reel #17, Part 2 Indian Dwellings, Live Selects, Code CF3000, MOS, PIX |
Film F-20193/1572 |
Insects, Selects, pix16mm motion picture film 250 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live Selects, 8 - Return Trip Only, Insects, 36, 37, DB 6000, DB 8000; Leader Note: "Lewis & Clark", Reel #37, Live Selects, Code DB 8000, Part - Insects, MOS, Pix |
Film F-20193/1573 |
Landscapes, Selects, pix 116mm motion picture film 800 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live Selects, 6-Landscapes, 30, CK 6000, DC 3000; Leader Note: "Lewis & Clark", Reel #30, Part #6 - Landscapes, Live Selects, Code CK 6000, MOS, Pix |
Film F-20193/1574 |
Landscapes, Selects, pix 216mm motion picture film 250 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live Selects, 6-Landscapes, 30, CK 6000, DC 3000; Leader Note: "Lewis & Clark", Reel #30, Part #6 - Landscapes, Live Select Add On, Code DC 3000, MOS, Pix |
Film F-20193/1575 |
Landscapes, Selects, pix 316mm motion picture film 875 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live, Selects, 7 - Columbia River Mouth, 7 - Landscapes, 32 33, DA 3000, DA 6000; Leader Note: "Lewis & Clark", Reel #33, Part 7 Landscapes, Live Selects, Code DA 6000, MOS, PIX, Head |
Film F-20193/1576 |
Lewis's Monument, Selects, pix16mm motion picture film 300 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live Selects, 8 - Grinder's Stand, 8 - Lewis's Monument, 38, 39, DD 0000, DD 3000; Leader Note: Florentine, Lewis & Clark, Reel 39, Grinder's Stand - Lewis's Monument, Live, Code - DD 3000, MOS, Pix |
Film F-20193/1577 |
Missouri River, Selects, pix16mm motion picture film 400 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live, Selects, 3 - Missouri River, 18, CF 6000; Leader Note: Florentine Films, "Lewis & Clark", Reel #18, Part #3 - Missouri River, Live Selects, Code - CF 6000, MOS, Pix |
Film F-20193/1578 |
Missouri River, Headwaters, Selects, pix 116mm motion picture film 1000 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live Selects, 5 - Missouri River (Headwaters), 27, CJ 6000, DC 6000; Leader Note: Florentine Films, "Lewis & Clark", Reel #27, Part #5 - Missouri R. + Hdwaters of, Live Selects, Code CJ 6000, MOS, Pix |
Film F-20193/1579 |
Missouri River, Headwaters, Selects, pix 216mm motion picture film 50 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live Selects, 5 - Missouri River (Headwaters), 27, CJ 6000, DC 6000; Leader Note: Florentine Films, "Lewis & Clark", Live Select, Add On, R #27, Code DC 6000, Part 5, Missouri River, MOS, Pix |
Film F-20193/1580 |
Montana, Selects, pix16mm motion picture film 450 feet Positive ; Color ; SilentSide of Box: Florentine Films, Lewis & Clark, Montana Film, Live Selects, Various Camera Rolls, +O, AA 0000; Leader Note: Montana Film, "Lewis & Clark", Code - AA0000, Live Selects, Reel #1, MOS, Pix |
Film F-20193/1581 |
Pacific Ocean Shore, Selects, pix16mm motion picture film 350 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live, Selects, 7 - Pacific Ocean/Shore, 7 - Ft. Clatsop Ext, Int, 34, 35, DB 0000, DB 3000; Leader Note: Lewis and Clark, Reel #34, Part #7 - Pacific Shore, Live Selects, Code - DB 0000, MOS, Pix |
Film F-20193/1582 |
Return Trip Only, Selects, pix16mm motion picture film 250 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live Selects, 8 - Return Trip Only, Insects, 36, 37, DB 6000, DB 8000; Leader Note: "Lewis & Clark", Reel #36, Live Selects, Code DB 6000, Part 8 - Return Trip Only, MOS, Pix |
Film F-20193/1583 |
Re-Enactment, Part 1, Selects, pix 116mm motion picture film 950 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live Selects, Re-Enactment 1, 8, CC 3000, DC 0000; Leader Note: "Lewis & Clark", Reel #8, Part 1, Re-Enactment, Live Selects, Code CC 3000, MOS, PIX |
Film F-20193/1584 |
Re-Enactment, Part 1, Selects, pix 216mm motion picture film 800 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live Selects, Re-Enactment 1, 8, CC 3000, DC 0000; Leader Note: "Lewis & Clark", Reel #8, Re-Enactment-1, Live Selects Add On, Code DC0000, MOS, PIX |
Film F-20193/1585 |
Re-Enactment, Parts 2-4, Selects, pix 116mm motion picture film 1050 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live Selects, Re-Enactment 2-4, 9, CC6000, DC3000; Leader Note: "Lewis & Clark", Reel #9, Part #2-4, Re-Enactment, Live Selects, Code CC 6000, MOS, PIX, Head |
Film F-20193/1586 |
Re-Enactment, Parts 2-4, Selects, pix 216mm motion picture film 150 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live Selects, Re-Enactment 2-4, 9, CC6000, DC3000; Leader Note: "Lewis & Clark", Reel #9, Code DC 3000, Part-Re-Enactment 2-4, MOS, PIX, HD |
Film F-20193/1587 |
Re-Enactment, Parts 5-8, Selects, pix16mm motion picture film 350 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Live Selects, Re-Enactment 5-8, Ft. Clastop/Ft. Mandan Int., 10 11, CD0000, CD3000; Leader Note: Lewis and Clark, Reel #10, Part #5-8, Re-Enactment, Live Selects, Code CD 0000, MOS, Pix |
Film F-20193/1588 |
White Cliffs, Selects, pix16mm motion picture film 750 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live, Selects, 4 - White Cliffs, 4 - Animals, 25, 26, CJ 0000, CJ 3000; Leader Note: Lewis & Clark, Reel #25, Part 4 - White Cliffs, Live Selects, Code - CJ 0000, MOS, Pix |
Film F-20193/1589 |
Winter Landscapes, Selects, pix16mm motion picture film 275 feet Positive ; Color ; SilentSide of Box: Florentine, Lewis & Clark, Live, Selects, 3 - Winter Landscapes, 3 - Ft. Mandan Ext, Int., 19, 20, CG 0000, CG 3000; Leader Note: Florentine Films, "Lewis & Clark", Reel #19, Part 3, Winter Landscapes, Live Selects, Code CG 0000, MOS, Pix |
Film F-20193/1590 |
Hal Holbrook Narration, Outtakes, mag 116mm motion picture film 925 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Reel #1 1-2, Hal Holbrook Narration, Outs, #1-6, 6-19; Leader Note: Reel 1, Florentine Films, EA0000 |
Film F-20193/1591 |
Hal Holbrook Narration, Outtakes, mag 216mm motion picture film 875 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Reel #1 1-2, Hal Holbrook Narration, Outs, #1-6, 6-19; Leader Note: Holbrook Narr. DAT #1, Narr #6-19, R-2, Florentine Films, EA3000 |
Film F-20193/1592 |
Hal Holbrook Narration, Outtakes, mag 316mm motion picture film 875 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Reels 3-4, Hal Holbrook Narration, Outs, #19-32, 32-34; Leader Note: Holbrook Narr DAT #1, Narr. 19-32, R-3, Reel 3, Florentine Films, FA6000 |
Film F-20193/1593 |
Hal Holbrook Narration, Outtakes, mag 416mm motion picture film 375 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Reels 3-4, Hal Holbrook Narration, Outs, #19-32, 32-34; Leader Note: Holbrook Narr DAT #, Narr. 32-34B, R-4, Florentine Films, EB0000 |
Film F-20193/1594 |
Hal Holbrook Narration, Outtakes, mag 516mm motion picture film 525 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Reels 5-6, Hal Holbrook Narration, Outs, #36-37, 37B-52; Leader Note: Reel #5, Holbrook Vox w/T.C. |
Film F-20193/1595 |
Hal Holbrook Narration, Outtakes, mag 616mm motion picture film 800 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Reels 5-6, Hal Holbrook Narration, Outs, #36-37, 37B-52; Leader Note: R-#6, NARR [37-B]-[52] w/T.C., Hal Holbrook, 1/13/97, 2.07>2.33, Vox w/T.C., Florentine Films, EB3000 |
Film F-20193/1596 |
Hal Holbrook Narration, Outtakes, mag 716mm motion picture film 825 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Reels 7-8, Hal Holbrook Narration, Outs, 53A-64C, 64C-78A; Leader Note: Holbrook Narr., DAT 2.34-2.36, Narr 53A-64C, R-7, EB6000, Head |
Film F-20193/1597 |
Hal Holbrook Narration, Outtakes, mag 816mm motion picture film 850 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Reels 7-8, Hal Holbrook Narration, Outs, 53A-64C, 64C-78A; Leader Note: Holbrook Narr., DAT 2.65-3.13, Narr 64C-78A, R-8, EC6000, Head |
Film F-20193/1598 |
Hal Holbrook Narration, Outtakes, mag 916mm motion picture film 900 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Reels 9-10, Hal Holbrook Narration, Outs, 78B-93B, 93B-105B; Leader Note: Holbrook Narr., DAT 3.14-3.38, Narr 78B-93B, R-9, EC3000, Head |
Film F-20193/1599 |
Hal Holbrook Narration, Outtakes, mag 1016mm motion picture film 900 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Reels 9-10, Hal Holbrook Narration, Outs, 78B-93B, 93B-105B; Leader Note: Holbrook Narr., DAT #3.38-3.63, Narr 93B-105B, R-10, EC6000, Head |
Film F-20193/1600 |
Hal Holbrook Narration, Outtakes, mag 1116mm motion picture film 875 feet Mag Track ; MagneticSide of Box: Lewis & Clark, NARR, Hal Holbrook Naration, Outs, #105-116, #116-131; Leader Note: ED0000 |
Film F-20193/1601 |
Hal Holbrook Narration, Outtakes, mag 1216mm motion picture film 525 feet Mag Track ; MagneticSide of Box: Lewis & Clark, NARR, Hal Holbrook Naration, Outs, #105-116, #116-131; Leader Note: ED3000, H. Holbrook, 1/13/97, VOX [116]>[131], TK. 8-24, DAT #4.25-4.38, w/T.C. |
Film F-20193/1602 |
Hal Holbrook Narration, Outtakes, mag 1316mm motion picture film 875 feet Mag Track ; MagneticSide of Box: Lews & Clark, NARR, Hal Holbrook 2, Outs, #132-146B, 147A-9ATK1; Leader Note: Holbrook NARR 132-146, DAT 5.02-.67, T.C., R-1 |
Film F-20193/1603 |
Hal Holbrook Narration, Outtakes, mag 1416mm motion picture film 825 feet Mag Track ; MagneticSide of Box: Lews & Clark, NARR, Hal Holbrook 2, Outs, #132-146B, 147A-9ATK1; Leader Note: Holbrook NARR, 147A-9ATK1 (Redos), DAT #5.67-5.127, TC, HD, EC0000 |
Film F-20193/1604 |
Hal Holbrook Narration, Outtakes, mag 1516mm motion picture film 200 feet Mag Track ; MagneticSide of Box: Lewis & Clark, NARR, Hal Holbrook 2//3, Outs, 91ATK2-14; Leader Note: Holbrook Narration Redo's, 91ATK2-14, DAT 5.127-.142 |
Film F-20193/1605 |
Hal Holbrook Narration, Outtakes, mag 1616mm motion picture film 550 feet Mag Track ; MagneticSide of Box: Lewis & Clark, NARR, Hal Holbrook 2, Outs, #132-146B, 147A-9AH61; Leader Note: Holbrook 3, 3/10/97, Narr [30A]-[45], DAT #6 for Reel #2 |
Film F-20193/1606 |
Hal Holbrook Narration, Outtakes, mag 1716mm motion picture film 450 feet Mag Track ; MagneticSide of Box: Lewis & Clark, NARR, Hal Holbrook 2, Outs, #132-146B, 147A-9AH61; Leader Note: Holbrook 3, 3/10/97, DAT #6, NARR [47]-[55], Reel #3 |
Film F-20193/1607 |
Hal Holbrook Narration, Outtakes, mag 1816mm motion picture film 150 feet Mag Track ; MagneticSide of Box: Lewis & Clark, NARR, Hal Holbrook 3, Outs; Leader Note: 20A-20B |
Film F-20193/1608 |
Hal Holbrook Narration, Outtakes, mag 1916mm motion picture film 325 feet Mag Track ; MagneticSide of Box: Lewis & Clark, NARR, Hal Holbrook 3, Outs; Leader Note: Holbrook 6, [69]-83 |
Film F-20193/1609 |
Hal Holbrook Narration, Outtakes, mag 2016mm motion picture film 400 feet Mag Track ; MagneticSide of Box: Lewis & Clark, NARR, Hal Holbrook 3, Outs; Leader Note: Holbrook Narr., 85tk3-157, DAT 6.98-6.141 |
Film F-20193/1610 |
Hal Holbrook Narration, Outtakes, mag 2116mm motion picture film 600 feet Mag Track ; MagneticSide of Box: Lewis & Clark, NARR, Hal Holbrook 3, Outs; Leader Note: Holbrook Narr., P.U., 4/15/97, 4.5.6-9A-157 |
Film F-20193/1611 |
Hal Holbrook Narration, Trims, mag 116mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Hal Holbrook Narration, 1-40 with TC |
Film F-20193/1612 |
Hal Holbrook Narration, Trims, mag 216mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Hal Holbrook Narration, 70-110 with TC |
Film F-20193/1613 |
Hal Holbrook Narration, Trims, mag 316mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Hal Holbrook Narration, 111-150 with TC |
Film F-20193/1614 |
Adam Arkin, Voiceover Outtakes, mag 116mm motion picture film 575 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, No TC, A. Arkin, R# 1&2, 6-20-96, Outs, Lewis, Code 6H; Leader Note: A. Arkin 1, 6/96, Reel #1 of, 0000>19.26 |
Film F-20193/1615 |
Adam Arkin, Voiceover Outtakes, mag 216mm motion picture film 850 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, No TC, A. Arkin, R# 1&2, 6-20-96, Outs, Lewis, Code 6H; Leader Note: A. Arkin 1, 6/96, Reel #1 of, 19:20-50:37, (No T.C.) |
Film F-20193/1616 |
Adam Arkin, Voiceover Outtakes, mag 316mm motion picture film 825 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, No TC, A. Arkin, R# 3, 6-20-96, Outs, Lewis, Code GJ; Leader Note: A. Arkin, 1.2, 6/96, Reel 3 of 6, 50:30>End DAT #1, 00:00>23:32 DAT #2, 01>2.10 |
Film F-20193/1617 |
Adam Arkin, Voiceover Outtakes, mag 516mm motion picture film 850 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, w/T.C., A. Arkin R# 5&6, 6-20-96, Outs, Lewis, Cod GJ; Leader Note: 5 of 6 |
Film F-20193/1618 |
Adam Arkin, Voiceover Outtakes, mag 616mm motion picture film 525 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, w/T.C., A. Arkin R# 5&6, 6-20-96, Outs, Lewis, Cod GJ; Leader Note: A. Arkin, 6/20/96, St 3.10 Vox [155] Trk 2>3, Reel #6 of 6, T.C. |
Film F-20193/1619 |
Adam Arkin, Voiceover Outtakes, mag 716mm motion picture film 525 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, w/TC, A. Arkin 2, Update, 1/15/97, Reel #7, DAT 4.01-4.31, Outs, Lewis, Code GJ; Leader Note: GJ 3000 |
Film F-20193/1620 |
Adam Arkin, Voiceover, Trims, mag 116mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, Meriwether Lewis, Vox 1-100 |
Film F-20193/1621 |
Adam Arkin, Voiceover, Trims, mag 216mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, VOX, Meriwether Lewis, Vox 101-140, VOX 141-199, VOX 200-290 |
Film F-20193/2008 |
Matthew Broderick, Voiceover Outtakes, mag 116mm motion picture film 900 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, M. Broderick R #1&2, 6-4-96, Outs, Ordway, Code - GE; Leader Note: M Broderick 1, 6-4-96, R 1 of 2 |
Film F-20193/2009 |
Matthew Broderick, Voiceover Outtakes, mag 216mm motion picture film 1000 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, M. Broderick R #1&2, 6-4-96, Outs, Ordway, Code - GE; Leader Note: Reel 2 |
Film F-20193/1622 |
Matthew Broderick, Voiceover, Trims, mag16mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, Sargeant J. Ordway |
Film F-20193/1623 |
Tantoo Cardinal, Voiceover Outtakes, mag 116mm motion picture film 275 feet Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, No TC, T. Cardinal, R #1&2, 7.2.96, Outs, Faro & Misc., Code GH; Leader Note: T. Cardinal, 7/96, P.1, 1 of 2 |
Film F-20193/1624 |
Tantoo Cardinal, Voiceover Outtakes, mag 216mm motion picture film 400 feet Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, No TC, T. Cardinal, R #1&2, 7.2.96, Outs, Faro & Misc., Code GH; Leader Note: T. Cardinal, 7/96, P.1, 2 of 2 |
Film F-20193/1625 |
Tim Clark, Voiceover Outtakes, mag16mm motion picture film 700 feet Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, No TC, T. Clark R#1, 9-18-96, Outs, Floyd, Code - GD; Leader Note: Floyd / T. Clark, 9-19-96, DAT 1.60-1.102 |
Film F-20193/1626 |
Kevin Conway, Voiceover Outtakes, mag 116mm motion picture film 700 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, No TC, K. Conway, 5-13-96, Outs, P. Gass, Code GF; Leader Note: Sargeant P. Gass/Kevin Conway 1, 5-13-96, R1, DAT 1.24-1.63, Vox 39-61 |
Film F-20193/1627 |
Kevin Conway, Voiceover Outtakes, mag 216mm motion picture film 300 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, w/T.C., Update #1, 12/16/96, K.Conway//P.Gass, M.Guyer//W.Clark, 12/17/96, S. Waterson//T. Jeffrson, Outs, DF6000; Leader Note: "Lewis & Clark", Vox, Update #1, 12/16/96, Kevin Conway as Patrick Gass, DAT #2.02-2.07, w/TC, Head |
Film F-20193/1628 |
Kevin Conway, Voiceover, Trims, mag16mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, Sargeant P. Gass |
Film F-20193/1629 |
Hector Elizondo and Amy Madigan, Voiceover Outtakes, mag16mm motion picture film 175 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, w/T.C., Other Vox, DAT 4.35-4.43, Elizando & Madigan, Outs, Salcedo News & Paper Vox, Code GJ; Leader Note: Other Vox, Hector Elizondo & Amy Madigan, 1-15-97, Dat #15,3.35-3.43 |
Film F-20193/1630 |
Murphy Guyer, Voiceover Outtakes, mag 116mm motion picture film 900 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, W/ T.C., M. Guyer, R #1 &2, 5.21.96, Outs, Clark, Code GB3000, 6000; Leader Note: M. Guyer 1 5/96, 1.01>1.34, Reel #1 of 4, V/O w/T.C. |
Film F-20193/1631 |
Murphy Guyer, Voiceover Outtakes, mag 216mm motion picture film 850 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, W/ T.C., M. Guyer, R #1 &2, 5.21.96, Outs, Clark, Code GB3000, 6000; Leader Note: M. Guyer 1 5/96, 1.35>1.73, Reel 2 of 4, V/O w/T.C., Vox. [174]>[190] |
Film F-20193/1632 |
Murphy Guyer, Voiceover Outtakes, mag 316mm motion picture film 900 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, w/T.C., M. Guyer R# 3&4, 5-21-96, Outs, Clark, GB0, GC3000; Leader Note: V/O, M. Guyer 1, 5/96, Clark, Reel 3 of 4, w/T.C., St. Dat # 1.72/Vox [190]>1.83 Vox [137] |
Film F-20193/1633 |
Murphy Guyer, Voiceover Outtakes, mag 416mm motion picture film 425 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, w/T.C., M. Guyer R# 3&4, 5-21-96, Outs, Clark, GB0, GC3000; Leader Note: V/O, M. Guyer 1, 5/96, 1.85>194, Reel 4 of 4, V/O w/T.C. |
Film F-20193/1634 |
Murphy Guyer, Voiceover Outtakes, mag 516mm motion picture film 900 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, No TC, M. Guyer, R #1 & 2, 5-21-96, Outs, Clark, Code GG/GH; Leader Note: McGuyer 1, 5/96, R-1 of 4, DAT 1.01-1.34, [Selected] |
Film F-20193/1635 |
Murphy Guyer, Voiceover Outtakes, mag 616mm motion picture film 825 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, No TC, M. Guyer, R #1 & 2, 5-21-96, Outs, Clark, Code GG/GH; Leader Note: McGuyer 1, 5/96, R-2 of 4, DAT 1.34-1.72 |
Film F-20193/1636 |
Murphy Guyer, Voiceover Outtakes, mag 716mm motion picture film 300 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, w/T.C., Update #1, 12/16/96, K.Conway//P.Gass, M.Guyer//W.Clark, 12/17/96, S. Waterson//T. Jeffrson, Outs, DF6000; Leader Note: Vox, M. Guyer, 12/17/96, Vox, Update, DAT 2.76-2.26 |
Film F-20193/1637 |
Murphy Guyer, Voiceover, Trims, mag16mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, William Clark, VOX 70-180, VOX 181-290 |
Film F-20193/1638 |
Gene Jones, Voiceover Outtakes, mag16mm motion picture film 800 feet Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, No TC, G. Jones, 5-21-96, Outs, Whitehouse, Code - 6F; Leader Note: G. Jones I, 5.26.96, Start 229, TK, DAT 1.01-1.16, R1 |
Film F-20193/1639 |
Gene Jones, Voiceover, Trims, mag16mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, Joseph Whitehouse |
Film F-20193/1640 |
Ken Little Hawk, Voiceover Outtakes, mag 116mm motion picture film 700 feet Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, No TC, K. Little, R #1&2, 5.13.96, Outs, Code GD; Leader Note: L&C, V/O, Ken Little Hawk, Start DAT 1.02-1.18, 5/13/96 |
Film F-20193/1641 |
Ken Little Hawk, Voiceover Outtakes, mag 216mm motion picture film 250 feet Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, No TC, K. Little, R #1&2, 5.13.96, Outs, Code GD; Leader Note: L&C, V/O, Ken Little Hawk, Start DAT 1.19-1.23, 5/13/96, #2 |
Film F-20193/1642 |
John Trudell, Voiceover Outtakes, mag16mm motion picture film 600 feet Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, No TC, J. Trudell, R#1, 7-29-96, Outs, Code GD; Leader Note: John Trudell, DAT 1.01-1.23, 7/29/96, R1 |
Film F-20193/1643 |
Daniel Von Bargen, Voiceover Outtakes, mag16mm motion picture film 725 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, No TC, D. Von Bargen, 5-13-96, Outs, Floyd & Misc., Code GD/GF; Leader Note: D. Vanbargen 1, 5-13-96, Start D47 1.63, Vox 62 |
Film F-20193/1644 |
Daniel Von Bargen, Voiceover, Trims, mag16mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, Sargeant C. Floyd, V. Bargen, T. Clark |
Film F-20193/1645 |
Sam Waterston, Voiceover Outtakes, mag 116mm motion picture film 1050 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, No TC, S. Waterson, 3-19-96, Outs, Jefferson, Code: GF |
Film F-20193/1646 |
Sam Waterston, Voiceover Outtakes, mag 216mm motion picture film 200 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Vox, w/T.C., Update #1, 12/16/96, K.Conway//P.Gass, M.Guyer//W.Clark, 12/17/96, S. Waterson//T. Jeffrson, Outs, DF6000; Leader Note: "Lewis & Clark", Vox, S. Waterson, 12/17/96, Vox Update, DAT 2.16-2.26 |
Film F-20193/1647 |
Sam Waterston, Voiceover, Trims, mag16mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, Vox, Thomas Jefferson |
Film F-20193/1648 |
Miscellaneous Voices, Trims, mag16mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, VOX, Misc. Voices - Box 2, Misc Vox, 150-300 |
Film F-20193/1673 |
FX I, Episode 1, Reel 17, mag16mm motion picture film 1000 feet Mag Track ; MagneticSide of Box: Florentine Films, RL #17, FX "I", "Corps of Discovery"; Leader Note: Reel #17, FX I, Mono, Corps of Discovery, Florentine Films |
Film F-20193/1674 |
VOX A, Episode 1, Reel 1, mag16mm motion picture film 1100 feet Mag Track ; MagneticSide of Box: Florentine Films, RL # 1&2, VOX A + B, "Corps of Discovery"; Leader Note: Reel 1, Vox A, "Corps of Discovery", Florentine Films |
Film F-20193/1675 |
VOX B, Episode 1, Reel 2, mag16mm motion picture film 1100 feet Mag Track ; MagneticSide of Box: Florentine Films, RL # 1&2, VOX A + B, "Corps of Discovery"; Leader Note: Reel 2, Vox B, "Corps of Discovery", Florentine Films |
Film F-20193/1676 |
VOX C, Episode 1, Reel 3, mag16mm motion picture film 1100 feet Mag Track ; MagneticSide of Box: Florentine Films, RL #3+4, Vox "C" + "D", "Corps of Discovery"; Leader Note: Reel #3, Vox C, Mono, "Corps of Discovery", Florentine Films |
Film F-20193/1677 |
VOX D, Episode 1, Reel 4, mag16mm motion picture film 1100 feet Mag Track ; MagneticSide of Box: Florentine Films, RL #3+4, Vox "C" + "D", "Corps of Discovery"; Leader Note: Reel #4, Vox D, Mono, "Corps of Discovery", Florentine Films |
Film F-20193/1678 |
VOX E, Episode 1, Reel 5, mag16mm motion picture film 1100 feet Mag Track ; MagneticSide of Box: Florentine Films, RL # 5+6, VOX "E", MX "A", "Corps of Discovery"; Leader Note: Reel #5, VOX E, Mono, Corps of Discovery, Florentine Films |
Film F-20193/1679 |
MX A, Episode 1, Reel 6, mag16mm motion picture film 1050 feet Mag Track ; MagneticSide of Box: Florentine Films, RL # 5+6, VOX "E", MX "A", "Corps of Discovery"; Leader Note: Reel #6, MX A, Mono, Corps of Discovery, Florentine Films |
Film F-20193/1680 |
MX B, Episode 1, Reel 7, mag16mm motion picture film 1000 feet Mag Track ; MagneticSide of Box: Florentine Films, RL 7+8, MX "B" + "C", "Corps of Discovery"; Leader Note: Reel #7, MX B, Stereo, "Corps of Discovery", Florentine Films |
Film F-20193/1681 |
MX C, Episode 1, Reel 8, mag16mm motion picture film 1100 feet Mag Track ; MagneticSide of Box: Florentine Films, RL 7+8, MX "B" + "C", "Corps of Discovery"; Leader Note: Reel #8, MX C, Stereo, "Corps of Discovery", Florentine Films |
Film F-20193/1649 |
Workprint, Reel 1, pix16mm motion picture film 1200 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Pix Reel #1 & 2, Fine Cut Master, Box #1 of 4, Pix; Leader Note: (603) 756-4141, "Lewis & Clark", Workprint, Reel #1, Sync, Pix, Head, [Academy] |
Film F-20193/1650 |
Workprint, Reel 1, TRK A, mag16mm motion picture film 1200 feet Mag Track ; MagneticSide of Box: Lewis & Clark, TC In, Locked!, Sync checked & cleaned GL 4/18, Double Sliced & Spliced, Time 32:09:11, R-1; Leader Note: "Lewis & Clark", Workprint, Reel #1, SYNC, TRK A, Head [Academy], Fine Cut Master |
Film F-20193/1651 |
Workprint, Reel 1, TRK B, mag16mm motion picture film 1150 feet Mag Track ; MagneticSide of Box: Lewis & Clark, TC In, Locked!, Sync checked & cleaned GL 4/18, Double Sliced & Spliced, Time 32:09:11, R-1; Leader Note: "Lewis & Clark", Workprint, Reel #1, SYNC, TRK B, Head [Academy], Fine Cut Master |
Film F-20193/1652 |
Workprint, Reel 2, pix16mm motion picture film 1100 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Pix Reel #1 & 2, Fine Cut Master, Box #1 of 4, Pix; Leader Note: (603) 756-4141, "Lewis & Clark" |
Film F-20193/1653 |
Workprint, Reel 2, TRK A, mag16mm motion picture film 1100 feet Mag Track ; MagneticSide of Box: Lewis & Clark, SYNC V 4/18 C.M., Locked, Double Spliced, Time 29:53 17, R-2; Top of Box: TC intw in (not DD @ SA), 40' pre-leader; Leader Note: "Lewis & Clark", Workprint, Reel #2, SYNC, TRK 'A', Head [Academy], Fine Cut Master |
Film F-20193/1654 |
Workprint, Reel 2, TRK B, mag16mm motion picture film 1050 feet Mag Track ; MagneticSide of Box: Lewis & Clark, SYNC V 4/18 C.M., Locked, Double Spliced, Time 29:53 17, R-2; Top of Box: TC intw in (not DD @ SA), 40' pre-leader; Leader Note: "Lewis & Clark", Workprint, Reel #2, SYNC, TRK 'B', Head [Academy], Fine Cut Master |
Film F-20193/1655 |
Workprint, Reel 3, pix16mm motion picture film 800 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Pix Reel #3 & #4, Fine Cut Master, Box #2 of 4; Leader Note: 603-756-4141, "Lewis & Clark", Workprint, Reel #3, Sync, Pix, Head, HD |
Film F-20193/1656 |
Workprint, Reel 3, TRK A, mag16mm motion picture film 800 feet Mag Track ; MagneticSide of Box: Lewis & Clark, SYNC V 4/17 C.M., Locked, TC In, PIX Double Spliced, Time 20:49 11, R-3; Top of Box: 40' pre-leader; Leader Note: "Lewis & Clark", Workprint, Reel #3, SYNC, TRK 'A', Head, Fine Cut Master |
Film F-20193/1657 |
Workprint, Reel 3, TRK B, mag16mm motion picture film 775 feet Mag Track ; MagneticSide of Box: Lewis & Clark, SYNC V 4/17 C.M., Locked, TC In, PIX Double Spliced, Time 20:49 11, R-3; Top of Box: 40' pre-leader; Leader Note: "Lewis & Clark", Workprint, Reel #3, SYNC, TRK B, Head, Fine Cut Master |
Film F-20193/1658 |
Workprint, Reel 4, pix16mm motion picture film 800 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Pix Reel #3 & #4, Fine Cut Master, Box #2 of 4; Leader Note: (603) 756-4141, "Lewis & Clark", Fine Cut Master, Reel #4, Sync, Pix, Head |
Film F-20193/1659 |
Workprint, Reel 4, TRK A, mag16mm motion picture film 850 feet Mag Track ; MagneticSide of Box: Lewis & Clark, SYNC V 4/17/96 AV, Locked, TC In, PIX Double Spliced, Time 22:27 21, R-4; Top of Box: TC intw in (Not DD @ SA), 40' pre-leader; Leader Note: "Lewis & Clark", Workprint, Reel #4, SYNC, TRK A, Head [Academy], Fine Cut Master |
Film F-20193/1660 |
Workprint, Reel 4, TRK B, mag16mm motion picture film 800 feet Mag Track ; MagneticSide of Box: Lewis & Clark, SYNC V 4/17/96 AV, Locked, TC In, PIX Double Spliced, Time 22:27 21, R-4; Top of Box: TC intw in (Not DD @ SA), 40' pre-leader; Leader Note: "Lewis & Clark", Workprint, Reel #4, SYNC, TRK B, Head [Academy], Fine Cut Master |
Film F-20193/1661 |
Workprint, Reel 5, pix16mm motion picture film 1125 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Pix Reel #5 & #6, Fine Cut Master, Box #3 of 4, Pix; Leader Note: "Lewis & Clark", Workprint, Reel #5, Sync, Pix, Head [Academy], Pix, HD |
Film F-20193/1662 |
Workprint, Reel 5, TRK A, mag16mm motion picture film 1125 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Locked, Sync checked & cleaned 4/22 GC, PIX Double Spliced, Time 30:38 08 4/11, R-5; Top of Box: TC intw in (Not DD @ SA), 40' pre-leader; Leader Note: "Lewis & Clark", Workprint, Reel #5, SYNC, TRK A, Head [Academy], Fine Cut Master |
Film F-20193/1663 |
Workprint, Reel 5, TRK B, mag16mm motion picture film 1100 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Locked, Sync checked & cleaned 4/22 GC, PIX Double Spliced, Time 30:38 08 4/11, R-5; Top of Box: TC intw in (Not DD @ SA), 40' pre-leader; Leader Note: "Lewis & Clark", Workprint, Reel #5, SYNC, TRK B, Head [Academy], Fine Cut Master |
Film F-20193/1664 |
Workprint, Reel 6, pix16mm motion picture film 950 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Pix Reel #5 & #6, Fine Cut Master, Box #3 of 4, Pix; Leader Note: (603) 756-4141, "Lewis & Clark", Fine Cut Master, Reel #6, Sync, Pix, [40' Leader for Transfer], Head, W.P.6 |
Film F-20193/1665 |
Workprint, Reel 6, TRK A, mag16mm motion picture film 950 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Sync V 4/17 A.V., Locked, TRK Only A & B, Pix Double Spliced, Time 25:11 04; Leader Note: "Lewis & Clark", Workprint, Reel #6, SYNC, TRK A, Head [Academy], Fine Cut Master |
Film F-20193/1666 |
Workprint, Reel 6, TRK B, mag16mm motion picture film 900 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Sync V 4/17 A.V., Locked, TRK Only A & B, Pix Double Spliced, Time 25:11 04; Leader Note: "Lewis & Clark", Workprint, Reel #6, SYNC, TRK B, Head [Academy], Fine Cut Master |
Film F-20193/1667 |
Workprint, Reel 7, pix16mm motion picture film 850 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Pix Reel #7 & #8, Fine Cut Master, Box #4 of 4, Pix; Leader Note: (603) 756-4141, "Lewis & Clark", Fine Cut Master, Reel #7, Sync, Pix, [40' Head Leader for Transfer], Head |
Film F-20193/1668 |
Workprint, Reel 7, TRK A, mag16mm motion picture film 825 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Sync Checked V 4/17 A.V., Locked, TRK Only A & B, Pix Double Spliced, Time 21:47 01, R-7; Leader Note: "Lewis & Clark", Workprint, Reel #7, SYNC, TRK A, Head [Academy], Fine Cut Master |
Film F-20193/1669 |
Workprint, Reel 7, TRK B, mag16mm motion picture film 800 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Sync Checked V 4/17 A.V., Locked, TRK Only A & B, Pix Double Spliced, Time 21:47 01, R-7; Leader Note: "Lewis & Clark", Workprint, Reel #7, SYNC, TRK B, Head [Academy], Fine Cut Master |
Film F-20193/1670 |
Workprint, Reel 8, pix16mm motion picture film 850 feet Positive ; Color ; SilentSide of Box: Lewis & Clark, Pix Reel #7 & #8, Fine Cut Master, Box #4 of 4, Pix; Leader Note: (603) 756-4141, "Lewis & Clark", Fine Cut Master, Reel #7, Sync, Pix, [40' Head Leader for Transfer], Head |
Film F-20193/1671 |
Workprint, Reel 8, TRK A, mag16mm motion picture film 1000 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Sync V 4/17 A.V., Locked, TRK Only A & B, Pix Double Spliced, Time 26:48 06, R-8; Leader Note: "Lewis & Clark", Workprint, Reel #8, SYNC, TRK A, Head [Academy], Fine Cut Master |
Film F-20193/1672 |
Workprint, Reel 8, TRK B, mag16mm motion picture film 975 feet Mag Track ; MagneticSide of Box: Lewis & Clark, Sync V 4/17 A.V., Locked, TRK Only A & B, Pix Double Spliced, Time 26:48 06, R-8; Leader Note: "Lewis & Clark", Workprint, Reel #8, SYNC, TRK B, Head [Academy], Fine Cut Master |
Film F-20193/1682 |
West Indian Music, mag16mm motion picture film 300 feet Mag Track ; MagneticSide of Box: Florentine Films, RL #17, FX "I", "Corps of Discovery"; Leader Note: West Indian Music - Drums |
Film F-20193/1683 |
Miscellaneous Film Elements, mag16mm motion picture film Mag Track ; MagneticSide of Box: Florentine, Lewis & Clark, 1 x Uncoded, 1 x Live Coded, 1 x Dissolve Trims |
Contains materials used to make three short films collected and distributed together as Seeing, Searching, Being: William Segal, which explore the question of search and individual identity through the work and teachings of philosopher and painter William Segal. The films are William Segal (1992) Vezelay (1996) and In the Marketplace (2000).
Film 3281 |
Interview William Segal interview, pix 11600 mm motion picture film 700 feet Positive; Polyester; Color; SilentSide of Box: Mr. Segal, Interview 1-2, Code AA 0000; Leader Note: Code AA 0000, Mr. Segal Interview, Rolls #1-2, Pix |
Film 3282 |
Interview William Segal interview, mag 11600 mm motion picture film 750 feet Mag Track; Acetate; MagneticSide of Box: Mr. Segal, Interview 1-2, Code AA 0000; Leader Note: Code AA 0000, Mr. Segal Interview, Rolls #1-2, Sound |
Film 3283 |
Interview William Segal interview, pix 21600 mm motion picture film 700 feet Positive; Polyester; Color; SilentSide of Box: Mr. Segal, Interview 3-4, Code AA 3000; Leader Note: Code AA 3000, Mr. Segal Interview, Rolls 3-4, Pix |
Film 3284 |
Interview William Segal interview, mag 21600 mm motion picture film 750 feet Mag Track; Acetate; MagneticSide of Box: Mr. Segal, Interview 3-4, Code AA 3000; Leader Note: Code AA 3000, Mr. Segal Interview, Rolls 3-4, Sound |
Film 3285 |
Interview William Segal interview, pix 31600 mm motion picture film 600 feet Positive; Polyester; Color; SilentSide of Box: Mr. Segal, Interview 5-6, Code AA 6000; Leader Note: Code AA 6000, Mr. Segal Interview, Rolls 5-6, Pix |
Film 3286 |
Interview William Segal interview, mag 31600 mm motion picture film 650 feet Mag Track; Acetate; MagneticSide of Box: Mr. Segal, Interview 5-6, Code AA 6000; Leader Note: Code AA 6000, Mr. Segal Interview, Rolls 5-6, Sound |
Film 3287 |
Interview William Segal interview, room tone, mag1600 mm motion picture film 50 feet Mag Track; Acetate; MagneticSide of Box: Mr Segal, Wild Sound, Interview, Sketching, Outside, Codes AC 0000, AD 0000, BC 0000, CC 0000; Leader Note: Mr. Segal, Interview, Room Tone, Code AD 0000 |
Film 3288 |
Interview William Segal interview, Wild Sound, mag1600 mm motion picture film 250 feet Mag Track; Acetate; MagneticSide of Box: Mr Segal, Wild Sound, Interview, Sketching, Outside, Codes AC 0000, AD 0000, BC 0000, CC 0000; Leader Note: Code AC 0000, Mr. Segal, Interview, Wild Sound |
Film 3289 |
B-Roll Outside, Wild Sound, mag1600 mm motion picture film 350 feet Mag Track; Acetate; MagneticSide of Box: Mr Segal, Wild Sound, Interview, Sketching, Outside, Codes AC 0000, AD 0000, BC 0000, CC 0000; Leader Note: Code BC 0000, Mr. Segal, Outside, Wild Sound |
Film 3290 |
B-Roll Sketching, pix 11600 mm motion picture film 350 feet Positive; Polyester; Color; SilentSide of Box: Mr. Segal, Sketching Sync, Code CA 0000; Leader Note: Code CA 0000, Mr. Segal, Sketching, Rolls 11-9, Pix |
Film 3291 |
B-Roll Sketching, mag1600 mm motion picture film 375 feet Mag Track; Acetate; MagneticSide of Box: Mr. Segal, Sketching Sync, Code CA 0000; Leader Note: Code CA 0000, Mr. Segal, Sketching, Rolls 11-9, Sound |
Film 3292 |
B-Roll Sketching, pix 21600 mm motion picture film 200 feet Positive; Polyester; Color; SilentSide of Box: Mr. Segal, Sketching MOS, Views and Walking MOS Codes BB 0000, CB 0000; Leader Note: Code CB 0000, Mr. Segal, Sketching MOS, From Rolls 10-11-12 |
Film 3293 |
B-Roll Sketching, Wild Sound, mag1600 mm motion picture film 200 feet Mag Track; Acetate; MagneticSide of Box: Mr Segal, Wild Sound, Interview, Sketching, Outside, Codes AC 0000, AD 0000, BC 0000, CC 0000; Leader Note: Code CC 0000, Mr. Segal, Sketching, Wild Sound |
Film 3294 |
B-Roll Studio, pix 11600 mm motion picture film 300 feet Positive; Polyester; Color; SilentSide of Box: Mr. Segal, Studio, MOS, Wild Sound, Codes DB 0000, DC 0000; Leader Note: Code DB 0000, Mr. Segal, Studio, MOS, Rolls 8 |
Film 3295 |
B-Roll Studio, mag 11600 mm motion picture film 900 feet Mag Track; Acetate; MagneticSide of Box: Mr. Segal, Studio, MOS, Wild Sound, Codes DB 0000, DC 0000; Leader Note: Code DC 0000, Mr. Segal, Studio, Wild Sound |
Film 3296 |
B-Roll Studio, pix 21600 mm motion picture film 650 feet Positive; Polyester; Color; SilentSide of Box: Mr. Segal, Studio, 13-14, Code DA 0000; Leader Note: Code DA 0000, Mr. Segal, Studio, Rolls 13-14, Pix |
Film 3297 |
B-Roll Studio, mag 21600 mm motion picture film 700 feet Mag Track; Acetate; MagneticSide of Box: Mr. Segal, Studio, 13-14, Code DA 0000; Leader Note: Code DA 0000, Mr. Segal, Studio, Rolls 13-14, Sound |
Film 3298 |
B-Roll Studio, pix 31600 mm motion picture film 400 feet Positive; Polyester; Color; SilentSide of Box: Mr. Segal, Studio, 15-16, Code DA 3000; Leader Note: Mr. Segal, Studio, Rolls 15-16, Pix |
Film 3299 |
B-Roll Studio, mag 31600 mm motion picture film 500 feet Mag Track; Acetate; MagneticSide of Box: Mr. Segal, Studio, 15-16, Code DA 3000; Leader Note: Mr. Segal, Studio, Rolls 15-16, Sound |
Film 3300 |
B-Roll Studio, selects, pix1600 mm motion picture film 300 feet Positive; Polyester; Color; SilentSide of Box: Mr. Segal, In Progress; Leader Note: Mr. Segal, Studio Ins, 13-16, Pix |
Film 3301 |
B-Roll Studio, selects, mag1600 mm motion picture film 300 feet Mag Track; Acetate; MagneticSide of Box: Mr. Segal, In Progress; Leader Note: Mr. Segal, Studio Ins, 13-16, Sound |
Film 3302 |
B-Roll Views and Walking, pix1600 mm motion picture film 500 feet Positive; Polyester; Color; SilentSide of Box: Mr. Segal, Sketching MOS, Views and Walking MOS Codes BB 0000, CB 0000; Leader Note: Code BB 0000, Mr. Segal, Views & Walking MOS, From Rolls 8-9-10-12 |
Film 3303 |
Sound Mix Dialogue, reel 1, mag1600 mm motion picture film 500 feet Mag Track; Acetate; MagneticTop of Box: William Seagal, Dialogue 1 & 2; Leader Note: Mr. Segal, Dialogue 1 |
Film 3304 |
Sound Mix Dialogue, reel 2, mag1600 mm motion picture film 500 feet Mag Track; Acetate; MagneticTop of Box: William Seagal, Dialogue 1 & 2; Leader Note: Mr. Segal, Dialogue 2 |
Film 3305 |
Sound Mix Mix Mag, mag1600 mm motion picture film 600 feet Mag Track; Acetate; MagneticLeader Note: William Segal, Mix Mag |
Film 3306 |
Titles and Stills Paintings, pix 11600 mm motion picture film 800 feet Positive; Polyester; Color; SilentSide of Box: Mr. Segal, Paintings, Code EB 0000; Leader Note: Code EB 0000, Mr. Segal, Paintings From 4-6-7-9-12, MOS |
Film 3307 |
Titles and Stills Paintings, pix 21600 mm motion picture film 175 feet Positive; Polyester; Color; SilentSide of Box: Mr. Segal, Paintings, Code EB 0000; Leader Note: W. Segal, R-17 |
Film 3308 |
Workprint Slop Print, pix1600 mm motion picture film 500 feet Positive; Polyester; Color; SilentLeader Note: Mr. Segal, Slop Print |
Film 3309 |
Camera Negative Camera Rolls 1-3, negative, pix1600 mm motion picture film 1000 feet Negative; Acetate; Color; SilentContent consists primarily of interview footage. Side of Box: W. Segal, Roll Nos. 1-2-3; Leader Note: Roll 1-2-3 |
Film 3310 |
Camera Negative Camera Rolls 4-6, negative, pix1600 mm motion picture film 1000 feet Negative; Acetate; Color; SilentContent consists primarily of interview footage. Side of Box: W. Segal, Roll Nos. 4-5-6; Leader Note: Roll 4-5-6 |
Film 3311 |
Camera Negative Camera Rolls 7-9, negative, pix1600 mm motion picture film 1000 feet Negative; Acetate; Color; SilentContent consists primarily of interview footage. Side of Box: W. Segal, Roll Nos. 7-8-9; Leader Note: Roll # 7-8-9 |
Film 3312 |
Camera Negative Camera Rolls 10-12A, negative, pix1600 mm motion picture film 700 feet Negative; Acetate; Color; SilentContent consists primarily of interview footage. Side of Box: W. Segal, Roll Nos. 10-11-12-12A |
Film 3313 |
Camera Negative Camera Rolls 13-14, negative, pix1600 mm motion picture film 425 feet Negative; Acetate; Color; SilentContent consists primarily of interview footage. Side of Box: W. Segal, Roll Nos. 13-14; Leader Note: Roll #13-14 |
Film 3314 |
Camera Negative Camera Rolls 15-16, negative, pix1600 mm motion picture film 450 feet Negative; Acetate; Color; SilentContent consists primarily of interview footage. Side of Box: W. Segal, Roll Nos. 15-16; Leader Note: Roll #15-16 |
Film 3315 |
Camera Negative Camera Roll 17, negative, pix1600 mm motion picture film 175 feet Negative; Acetate; Color; SilentContent consists primarily of interview footage. Side of Box: W. Segal, Roll Nos. 17; Leader Note: Roll #17 |