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This is a finding aid. It is a description of archival material held in the Wilson Library at the University of North Carolina at Chapel Hill. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the World Wide Web. See the Duplication Policy section for more information.
Size | 1000 items (1.5 linear feet) |
Abstract | The collection of Greg Barbera, a white music journalist, musician, and band manager for PIPE, from Carrboro, N.C., chiefly consists of published versions of his writings, including an article reflecting on the tenth anniversary of Merge Records; photographs he took for the Raleigh, N.C. weekly The Spectator; and ephemera he collected, all of which document the local music scene of Chapel Hill, N.C., and the Triangle. Also included are notes and receipts for Mise en Scene, his book project about bands, bars, and people of the Chapel Hill music scene, photocopies of comics drawn by Kevin H. Dixon, and audio interviews conducted by Barbera with bands and musicians, including Melvins, Willie Nelson, and Aaron Stauffer. |
Creator | Barbera, Greg. |
Curatorial Unit | University of North Carolina at Chapel Hill. Library. Southern Folklife Collection. |
Language | English |
Processed by: Nancy Kaiser, Patrick Cullom, Anne Wells, January 2019; Patrick Cullom, September 2019
Encoded by: Nancy Kaiser, January 2019
Since August 2017, we have added ethnic and racial identities for individuals and families represented in collections. To determine identity, we rely on self-identification; other information supplied to the repository by collection creators or sources; public records, press accounts, and secondary sources; and contextual information in the collection materials. Omissions of ethnic and racial identities in finding aids created or updated after August 2017 are an indication of insufficient information to make an educated guess or an individual's preference for identity information to be excluded from description. When we have misidentified, please let us know at wilsonlibrary@unc.edu.
Back to TopThe following terms from Library of Congress Subject Headings suggest topics, persons, geography, etc. interspersed through the entire collection; the terms do not usually represent discrete and easily identifiable portions of the collection--such as folders or items.
Clicking on a subject heading below will take you into the University Library's online catalog.
Greg Barbera provided the following biographical information* in October 2018:
Greg Barbera (1968- ), was born and raised in Rockville, Md., a Montgomery County suburb just north of Washington, D.C. He gravitated to music at an early age, soaking up doo wop, Frank Sinatra and the Glenn Miller Orchestra that his parents often played. As a young boy, he would don headphones and listen to Casey Kasem count down the Top 40. His first record was a purple 45 rpm single of "Sweet Talkin' Woman" by ELO. He wrote his first record review for his high school newspaper and out of it was born a music journalist. While most kids were going to parties at the houses of absent parents in high school, he ventured into the seedy underbelly of Washington, D.C., to see more bands than he could possibly name during the '80s.
After graduating from Towson University in Baltimore with a degree in mass communications, he migrated to Los Angeles and began contributing to various music and alternative sports publications such as the infamous skateboard magazine Big Brother, the popular Transworld Skateboarding and Raygun's pop culture stepchild Bikini. In 1995, seeking a change of pace, he moved to Carrboro, N.C., and landed a job as a contributor for Raleigh's Spectator Weekly. Weekly newspapers of its ilk, like D.C.'s City Paper and LA Weekly had left an indelible mark on him; being able to contribute to one was an honor. He spent several years as the music editor covering the local music scene in the Triangle. Because the budget was tight, he embraced the do-it-yourself ethic punk rock had bestowed upon him and began taking along a camera during interviews and live show reviews. With a Yashica T4 and pen and paper, this collection of ephemera was born. Over the years, he has contributed to a wealth of publications from Guitar World and Magnet to various and sundry zines like Razorcake, Salt For Slugs, Trash and Film Threat. He played bass and—cough, cough—sang in the local band Chest Pains. And was once, for a brief moment in time, the manager of Chapel Hill inimitable PIPE.
*Greg Barbera's original text was lightly edited to conform with the style guide in use.
Back to TopThe collection of Greg Barbera, a white music journalist, musician, and band manager, from Carrboro, N.C., consists of published versions of his writings, including an article reflecting on the tenth anniversary of Merge Records; a small notebook on Leadfoot; flyers, bumper stickers, and other ephemera documenting the local music scene; PIPE tour contracts; notes and receipts for Mise en Scene, his book project about bands, bars, and people of the Chapel Hill music scene; photocopies of comics drawn by Kevin H. Dixon; 35mm photographic negatives and contact sheets of images Barbera took circa 1995-2005 for the Raleigh, N.C. weekly The Spectator, documenting the local rock music scene; and audio interviews conducted by Barbera with bands and musicians, including Melvins, Willie Nelson, and Aaron Stauffer of the bands Seaweed and Gardner. Audio recordings are on audiocassette and microcassette.
Back to TopArrangement: by format.
Titles in quotation marks were derived from original enclosures.
Box 1 |
PIPE tour contracts, 1997 |
Merge ten-year anniversary feature, 1999 |
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Flyers, etc. |
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Kevin H. Dixon comics |
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Ephemera |
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Mise en Scene book projectGreg Barbera has supplied this description: "The book outline is a series of photos (bands, bars, people etc) with a corresponding page about its/their relevance to the local music scene. Most likely each entry peppered with a few annotations, a glossary at the end?...The receipts are an art element to be used to create a collage with other stuff like those pocket-sized show calendars, ticket stubs, lanyards, promotion items etc. Essentially a piece of the puzzle of the cover layout. The centerfold would be comprised of gig posters by Ron Liberti, Matt Hart, Casey Burns et al." |
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Leadfoot notebook |
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Oversize Box OB-20556/1 |
Published writings, 1996-2003 |
Image Folder PF-20556/01 |
Unidentified band performs in radio studio, circa 1995-2005Color 35mm Roll Film, Photographic Prints 23 Images |
Image Folder PF-20556/02 |
Unidentified band performs in radio studio and in club, circa 1995-2005Color 35mm Roll Film, Photographic Prints 34 Images |
Image Folder PF-20556/03 |
Willie Nelson, unidentified musicians onstage, circa 1995-2005Color 35mm Roll Film, Photographic Prints 23 Images |
Image Folder PF-20556/04 |
Photographs of venues, musicians, and Merge Records offices(?), circa 1995-2005Color and Black-and-White Photographic Prints 70 Images Many of the prints appear to have been made from negatives found in PF-20566/11-32. |
Image Folder PF-20556/05 |
Promotional photographs of bands, circa 1995-2005Black-and-White Photographic Prints 13 Images |
Image Folder PF-20556/06 |
"Lee Watts, Cole Kahn, Chicago's Pegboy, and Kevin Clark Band," circa 1995-2005Black-and-White 35mm Roll Film, Photographic Prints 23 Images |
Image Folder PF-20556/07 |
"Eric of Achives, John's hands," 1995-2005Black-and-White 35mm Roll Film, Photographic Prints 21 Images |
Image Folder PF-20556/08 |
"Indie Rock Croquet," circa 1995-2005Black-and-White 35mm Roll Film, Photographic Prints 15 Images |
Image Folder PF-20556/09 |
"Sleazefest, Gregg Adams, The Spills, Trailer Bride, Sadlack's, and Clyde Jones," circa 1995-2005Black-and-White 35mm Roll Film, Photographic Prints 21 Images |
Image Folder PF-20556/10 |
"Zen Frisbee portrait," circa 1995-200524 Images |
Image Folder PF-20556/11 |
"Greg Humphries(?), OCSC patio, last days Spectator," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 31 Images |
Image Folder PF-20556/12 |
"Singer from MDS Neal Fallon (Lincoln Theater Roll), Lee from Cobra Kahn playing adult league hockey", circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 25 Images |
Image Folder PF-20556/13 |
"The Cobras(?), State Fair, Mammatu 10th," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 34 Images |
Image Folder PF-20556/14 |
"Cobra Kahn, Pipe, Local 506," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 22 Images |
Image Folder PF-20556/15 |
"Permanent Records, Bev Wingrove(?), Al Burian of Mile Marker, MM live behind screen, Lizard and Snake," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 25 Images |
Image Folder PF-20556/16 |
"Quadjets, Mono Men, Estus Records, Garage Rock," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 21 Images |
Image Folder PF-20556/17 |
"Yellow House, Beer Fest Durham with Snake, Cobra Kahn's Billy Buckley at party," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 25 Images |
Image Folder PF-20556/18 |
"Ben Davis of Mile Marker, Cherry Valene(?)," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 29 Images |
Image Folder PF-20556/19 |
"Merge" (Records), circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 22 Images |
Image Folder PF-20556/20 |
"Pre-gaming before Pipe show," circa 1995-2005Black-and-White 35mm Roll Film, Photographic Prints 15 Images |
Image Folder PF-20556/21 |
"Al Burian of Mile Marker," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 20 Images |
Image Folder PF-20556/22 |
"John Howie Two Dollar Pistol," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 16 Images |
Image Folder PF-20556/23 |
"Shark Quest," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 25 Images |
Image Folder PF-20556/24 |
"Bandway, Hellbender(?), Zen Frisbee, Halloween on Franklin St.," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 28 Images |
Image Folder PF-20556/25 |
"Wash. St., Duke coffee house," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 17 Images |
Image Folder PF-20556/26 |
"Bad Checks," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 30 Images |
Image Folder PF-20556/27 |
"NYS, Supergroup, Knox Hill Girls, Sleazefest," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 30 Images |
Image Folder PF-20556/28 |
"Lizard and Snake, John Howie, Woggles (Atlanta, Ga.), Rubbermaid," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 25 Images |
Image Folder PF-20556/29 |
"Starpoint Electric, Cave," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 31 Images |
Image Folder PF-20556/30 |
"Pipe, Bill Mooney (Tannis Root)," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 37 Images |
Image Folder PF-20556/31 |
"Guitar Wolf (Japan), Cole," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 18 Images |
Image Folder PF-20556/32 |
"Sleazefest, Jack Black," circa 1995-2005Black-and-White 35mm Roll Film, Contact Sheet 36 Images |
Image Folder PF-20556/33 |
Unidentified musicians onstage, circa 1995-2005Color 35mm Mounted Slides 15 Images |
Image Folder PF-20556/34 |
"Gardener, Todd Lyons, Gene Slacks," circa 1995-2005Color 35mm Mounted Slides 29 Images |
Image Folder PF-20556/35 |
"Speeddealer, Kings (Raleigh), Humble Pop, Daddy, Ashley Stevens," circa 1995-2005Color 35mm Mounted Slides 36 Images |
Image Folder PF-20556/36 |
"If's and's or but's," circa 1995-2005Color 35mm Mounted Slides 20 Images |
Image Folder PF-20556/37 |
"Red Hot Chili Peppers," circa 1995-2005Color 35mm Mounted Slides36 Images |
SFC Audio Cassette FS-20556/1 |
Ryan Adams; Mike Craver, Wagoner's LadAudiocassette |
SFC Audio Cassette FS-20556/2 |
Milemarker; SCAudiocassette |
SFC Audio Cassette FS-20556/3 |
Melvins interviewMicrocassette |
SFC Audio Cassette FS-20556/4 |
Willie Nelson interviewMicrocassette |
SFC Audio Cassette FS-20556/5 |
Aaron Stauffer interviewMicrocassette Aaron Stauffer of Seaweed (active 1991-1999) and Gardner (active 1999) |