Guthrie T. Meade Collection, 1817-1991

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Summary

Creator:
Meade, Guthrie T., 1932-1991.
Abstract:

Guthrie "Gus" Turner Meade, Jr., was a white computer programmer and systems analyst with a lifelong interest in folk music, especially traditional country music and Kentucky fiddlers. Meade avidly collected records and corresponded with record collectors, discographers, and music scholars around the world. He spent his summers recording and interviewing Kentucky fiddlers. In 1956, Meade began an annotated discography of early traditional country music. The discography includes some 14,500 recordings of 3,500 songs organized into four categories: ballads, religious songs, instrumentals, and novelty songs. He worked on this discography until his death in 1991.

Materials collected or created in the course of Gus Meade's research into traditional country music and Kentucky fiddlers. Meade drew upon many of these items to create his annotated discography of early traditional country music. Included are many artist files containing information on various performers. There are also record company logsheets; information about radio shows; a discography by Richard Spottswood; songsters, song books, and sheet music, mostly from the 1880s; correspondence with folklorists, including John Edwards, Archie Green, Eugene Earle, D. K. Wilgus, Fred Hoeptner, Willard Johnson, and Dan Mahoney; recordings of interviews with and performances by Kentucky fiddlers; and information about fiddle competitions, including the 1926 boom in contests spurred by Henry Ford's interest in reviving old-time dancing. Also included are materials relating to hymns, old-time music festivals, and collections of folklore and folk music in archives and other institutions. Note that names important in the collection have been cataloged separately.

Extent:
6000 items (26.0 linear feet)
Language:
Materials in English
Library Catalog Link:
View UNC library catalog record for this item

Background

Biographical / historical:

Guthrie "Gus" Turner Meade, Jr., was born in Louisville, Ky., on 17 May 1932 to Sarah Isabel Ballard and Guthrie Turner Meade, Sr. He served in the U.S. Air Force, and afterward attended the University of Kentucky, Lexington. Meade pursued, but never completed, a Master's Degree in Folklore at Indiana University. During graduate school, he met his wife Mary, and they married in November 1955. He worked at the Indiana University Folk Music Archives and, later, as an assistant at the Indiana University Press. The Meades had four children: Douglas Shannon, Jonathan Andrew, Morag Elizabeth, and Meredith Louise.

Meade and his wife left Indiana for Yellow Springs, Ohio, in 1961, where he began work at Wright Patterson Air Force Base as a computer programmer and systems analyst. He and his friend, discographer Bob Hyland, had a radio show in Antioch, where Meade also organized a folk festival. He taught himself to play the fiddle and often played music with friends and acquaintances. Meade also taught fiddle classes, both informally at parties and at his home. He avidly collected 78 rpm country music records, partly to help him learn fiddle tunes. Meade's correspondents included record collectors, discographers, and music scholars around the world, including folklorist John Edwards in Australia, Archie Green, Eugene Earle, D. K. Wilgus, Fred Hoeptner, Willard Johnson, and Dan Mahoney.

In 1965, Meade began working at the Library of Congress Folk Music Archives as a programmer/analyst, automating the vast collections. He left to take a position at the National Archives, where he developed a system called Spindex II for automating archives. After the system was in place, the Archives eliminated his job, and he moved to a position in the General Services Administration where he remained until his early retirement in 1986.

Each summer, Meade went to Kentucky to research Kentucky fiddlers, who had recorded on some of the early 78 records. At this time, he worked with John Harrod and Bruce Greene, who were also researching Kentucky fiddlers. Meade became close friends with Charlie and Noah Kinney, fiddling brothers from Lewis, Ky., and recorded their music on many occasions. He also spent a great deal of time conducting personal interviews with traditional fiddlers.

In 1971, the Meade family moved to Waldorf, Md., and Meade became active in the Folk Society of Greater Washington. He recorded Kentucky fiddler Buddy Thomas and arranged for Mississippi fiddler Hoyt Ming to record and play at the Smithsonian Folklife Festival. During the 1970s, Meade and Mark Wilson produced three albums of Kentucky fiddle music on the Rounder label: J. P. and Annadeene Fraley's "Wild Rose of the Mountain" (Rounder 0037), Buddy Thomas's "Kitty Puss" (Rounder 0032), and Ed Haley's "Parkersburg Landing" (Rounder 1010). The Buddy Thomas recording became particularly important given the young fiddler's sudden death only months after the project's completion.

In 1974, the Meades moved to Alexandria, Va., where Meade became acquainted with Bob Christenson, also a fiddle scholar. Meade continued to work with John Harrod and collaborated with other traditional music scholars Steven Rice, Steve Green, and Ray Bowman on various projects. He also conducted genealogy research. In 1980, Meade and discographer Richard Nevins compiled an important three-record set of rare Gennett recordings of early Kentucky fiddle music. The Morning Star releases (45003, 45004, and 45005) include biographical information on the musicians and represent an important contribution to traditional music scholarship.

Meade's most significant achievement may have been his annotated discography of early traditional country music, begun in 1956. This comprehensive work includes some 14,500 recordings of 3,500 songs organized into four categories: ballads, religious songs, instrumentals, and novelty songs. In 1986, Meade received a grant from the National Endowment for the Arts to prepare the discography for publication. Shortly afterwards, the family moved to Kentucky, where Meade worked long hours on the project. He was working on the introduction to the discography at the time of his death. His wife Mary has indicated that she will work toward the project's publication, with the help of her son Doug and discographer Richard Spottswood.

On 8 February 1991, Meade suffered a massive cerebral hemorrhage at his Franklin County, Ky., home. He died the next day at the University of Kentucky Medical Center in Lexington at the age of 58.

Scope and content:

This collection consists of materials gathered by Gus Meade in his study of traditional country music and Kentucky fiddlers. His correspondence with other folklorists all over the world comprises one series. A significant portion of the collection consists of Meade's collected information on musicians. The collection also contains his interviews with and recordings of traditional Kentucky fiddlers, as well as biographical information about Gus Meade and writings by Meade. Meade's collected information about various archives and institutions' recorded holdings comprises one series. Another series consists of Meade's collection of songsters and sheet music, most dating from the 1880s. Meade was particularly interested in fiddle competitions and collected information about fiddle contests, including the 1926 boom in contests due to Henry Ford's interest in reviving old-time dancing.

Note that many of Meade's original folder titles have been retained.

Acquisition information:

Received from Mary Meade of Frankfort, Ky., in 1998. Addition received from Steve Green March 2023 (Acc. 20230331.4).

Processing information:

Processed by: Steve Green, December 1995; Anne Miller, October 1997; Jennifer Rawlings, March 1999; Patrick Cullom, November 2019.

Encoded by: ByteManagers Inc., 2008

Updated by: Nancy Kaiser, October 2020; Anne Wells, July 2021; Andrew Crook and Laura Smith, May 2025

In 2017, we began using "white" as an ethnic and racial identity for individual and families, in addition to "Black," "African American," "Jewish," and other familiar identity terms that we have used for decades in collection descriptions. We use this identity term so that whiteness is no longer the presumed default of the people represented in our collections. To determine identity, we rely on self-identification; other information supplied to repository by collection creators or sources; public records, press accounts, and secondary sources; and contextual information in the collection materials. Omissions of ethnic and racial identities in finding aids created or updated after August 2017 are an indication of insufficient information to make an educated guess or an individual's preference for identity information to be excluded from description. When we have misidentified, please let us know at wilsonlibrary@unc.edu.

Until 2019, some of photographic materials in this collection were originally part of the "SFC General Photograph Collection." Materials in the SFC General Photographic Collection were individually numbered in a sequential manner that spanned collections. Materials that have a number with a "P-" indicate inclusion in this collection. These numbers have been retained so that previous uses of the images and additional description remain connected to the materials.

Sensitive materials statement:

Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, the North Carolina Public Records Act (N.C.G.S. § 132 1 et seq.), and Article 7 of the North Carolina State Personnel Act (Privacy of State Employee Personnel Records, N.C.G.S. § 126-22 et seq.). Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the University of North Carolina at Chapel Hill assumes no responsibility.

Access and use

Restrictions to access:

Use of audio or moving image materials may require production of listening or viewing copies.

This collection contains additional materials that are not available for immediate or same day access. Please contact Research and Instructional Service staff at wilsonlibrary@unc.edu to discuss options for consulting these materials.

Restrictions to use:

Copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law.

Preferred citation:

[Identification of item], in the Guthrie T. Meade Collection #20246, Southern Folklife Collection, Wilson Special Collections Library, University of North Carolina at Chapel Hill.

Location of this collection:
Louis Round Wilson Library
200 South Road
Chapel Hill, NC 27515
Contact:
(919) 962-3765
wilsonlibrary@unc.edu